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Ive Been Your Fool

(ronnie vanzant -- allen collins -- gary rossington)
Well ever since I met you babe youve been running around
Spendin my hard earned money on any ol man in town
Ive been your fool
Oh Ive been your fool
Ive been a fool ever since mama I met you
Now I got something to you mama, aint gonna say no lie
Aint gonna stand no runnin around, dont wanna hear no alibi
Ive been your fool
Oh Ive been your fool
Ive been a fool ever since mama I met you
Youve taken every thing I had, you hurt me deep inside
Money wasnt good enough, you had to take my pride
Ive been your fool
Oh Ive been your fool
Ive been a fool ever since mama I met you
Oh, Ive been a fool baby
Yes I have
Now I got something to you mama, aint gonna say no lie
Aint gonna stand no runnin around, dont wanna hear no alibi
Ive been your fool
Oh Ive been your fool
Ive been a fool ever since mama I met you
Youve taken every thing I had, you hurt me deep inside
Money wasnt good enough, you had to take my pride
Ive been your fool
Oh Ive been your fool
Ive been a fool ever since mama I met you

song performed by Lynyrd Skynyrd
Added by Lucian Velea
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Tell Mama

Alright!!!
Alright!!!
I'm ready, man!
Whoaa yeah!!!
You thought you had found yourself a good girl,
One who would love you and give you the world.
Then you find, babe, that you've been misused,
Come to me, honey, i'll do what you choose.
I want you to
Well, tell mama
All about it.
Well, tell mama
What you need
Tell your mama, babe,
What you want.
Tell your mama, babe.
What you need
What you want.
What you need
What you want
Whoa! an' i'll make everything alright.
That girl you didn't have no sense, babe,
Wasn't worth all the time that you spent.
That same man he throwed you outdoors,
I just heard that he quartered your clothes, hey!
Well, tell mama
All about it.
Tell mama
What you need.
Tell your mama, babe,
What you want
Tell your mama, babe.
What you need
What you want
What you need
What you want,
Whoaaa! an' i'll make everything alright, babe.
Whoaa... rock & roll!
... baby,
Wasn't worth all the time that you spent.
And that same man that throwed you outdoors,
I just heard that he torn all your clothes, hey.
Well, tell mama
All about it
Tell mama
What you need
Tell your mama, babe
What you want
Tell your mama, babe
What you need

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song performed by Janis Joplin
Added by Lucian Velea
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Keep On Running

Some gonna get you
Some gonna grab you
Some gonna jump out of the bushes and grab you
Whole lotta folks, you better run faster.
Some gonna grab you
Some gonna jump out of the bushes and grab you
Some gonna grab you
Oh you need this thing to grab you, ha.
Yea, yea
Keep on running
Keep on running from my love
Keep on running, yea
Keep on running from my love
Some folks say that youre really, really fine,
All you want to be is just a friend of mine,
But I know, the man your with gonna break your heart,
And youll be sad real soon, yea.
Keep on running,
Keep on running from my love,
Keep on running, yea,
Keep on running from my love.
Some folks say that youre really, really fine
But all you want to be is just a friend of mine,
But I know Im gonna get you with him -real soon.
Why do you keep?
Keep on running, running from my love
Yea, keep on running from
Keep on running, running from my love
I need you baby
Keep on running, running from my love
And everyday yea,
Keep on running, running from my love. oh
Keep on running
Keep on running from my love
Keep on running yea
Keep on running from my love
Some folks say that your love is really good
All you want to be is just a friend of mine,
But I know, Im gonna get you in the end
cause I need you so
Keep on running
Keep on running, running from my love
Yea, keep on running baby
Keep on running, running from my love, yea
Keep on running, running from my love
Keep on running, running from my love
...say it loud
Keep on running, running from my love
Oh, yea
Keep on running, running from my love

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song performed by Stevie Wonder
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Got To Know The Woman

I just met a woman on my way home
She just blew my mind
My heart was a-pumpin
I mean all the way home
Got to know the woman
Whoa I got to know the woman
I love the way you move
You make-a make me feel like a man
(you know you make me make me feel like a man)
Love the way youre lookin
You look like you like it, too
(you know you look like you like it, too)
Got to know the woman
(mama mama mama mama oom mow mow)
Got to know the woman
(mama mama mama mama oom mow mow)
(got to know the woman)
(mama mama mama mama oom mow mow)
Ooooooooooo
(got to know the woman)
(mama mama mama mama oom mow mow)
(got to got to got to got to know the woman)
(mama mama mama mama oom mow mow)
(got to know the woman)
(mama mama mama mama oom mow mow)
(got to got to got to got to know the woman
(mama mama mama mama oom mow mow)
If you feel the feel I feel
Haha you dig the feel of me
(you know you look like you dig feelin me)
Love the way you feel dear
Ah, you make a make a man out of me
(you make you make a man out of me)
Come on
Come on come on and do the chicken
I mean ah ha ha ha ha ha
Baby, Im gonna tell you somethin right now
You got so much soul you blow my mind
Oh baby
Theres just one thing I want to say
(got to know the woman)
(mama mama mama mama oom mow mow)
Ooooooooooo
(got to know the woman)
(mama mama mama mama oom mow mow)
(got to know the woman)
(mama mama mama mama oom mow mow)
(got to know the woman)
(mama mama mama mama oom mow mow)
(got to got to got to got to know the woman

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song performed by Beach Boys
Added by Lucian Velea
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You Made Me Love You

The power of love
The power of love
Listen
Said I
Said I didnt, said I didnt, said I didnt want to fall in love (didnt want to fall in love)
Oh oh oh oh oh oh oh oh oh oh
The power of love yall
Anybody anybody anybody(help)
Anybody anybody anybody(help me)
Anybody anybody anybody(oh yeah)
Listen
I was just minding my business when
Ms. Purdy you came walking
My heart stopped said what is this just
As soon as you started talking
Something happened deep within me (well)
All of a sudden I got this feeling
A chill came from feet to head and then I
Turned away from you and said to myself
This is not supposed to happen brother youve been hurt too many times before
First I tripped, then I slipped, then I fell
You made me love you
You made me love you babe, made me love you babe
Made me love you babe, (oh Lord) made me love you babe
Said you made me love you
You made me love you babe, made me love you babe
Made me love you babe, (good Lord) made me love you babe
You made me love you babe, made me love you babe
Made me love you babe, (said it wasnt in my plans) made me love you babe
Ooh, look at you
Said you must be one of the top models
Body curved like a pop bottle
Got me sweating like a boxer baby
I done stumbled up on a perfect lady (awww)
Could this be what heaven sent to me
An angel come to set me free
Love has been a stranger to me
And myself keeps telling me that
This is not supposed to happen brother youve been hurt too many times before
First I tripped, then I slipped, then I fell
You made me love you
You made me love you babe, (oh yes) made me love you babe
Made me love you babe, (hoo) made me love you babe
Hey you made me love you
You made me love you babe, made me love you babe (yeah)
Made me love you babe, (aw baby) made me love you babe
You made love you
You made me love you babe, made me love you babe (aw love)
Made me love you babe, made me love you babe
Said the power of love you see

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song performed by R. Kelly
Added by Lucian Velea
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Tale II

THE PARTING HOUR.

Minutely trace man's life; year after year,
Through all his days let all his deeds appear,
And then though some may in that life be strange,
Yet there appears no vast nor sudden change:
The links that bind those various deeds are seen,
And no mysterious void is left between.
But let these binding links be all destroyed,
All that through years he suffer'd or enjoy'd,
Let that vast gap be made, and then behold -
This was the youth, and he is thus when old;
Then we at once the work of time survey,
And in an instant see a life's decay;
Pain mix'd with pity in our bosoms rise,
And sorrow takes new sadness from surprise.
Beneath yon tree, observe an ancient pair -
A sleeping man; a woman in her chair,
Watching his looks with kind and pensive air;
Nor wife, nor sister she, nor is the name
Nor kindred of this friendly pair the same;
Yet so allied are they, that few can feel
Her constant, warm, unwearied, anxious zeal;
Their years and woes, although they long have

loved,
Keep their good name and conduct unreproved:
Thus life's small comforts they together share,
And while life lingers for the grave prepare.
No other subjects on their spirits press,
Nor gain such int'rest as the past distress:
Grievous events, that from the mem'ry drive
Life's common cares, and those alone survive,
Mix with each thought, in every action share,
Darken each dream, and blend with every prayer.
To David Booth, his fourth and last-born boy,
Allen his name, was more than common joy;
And as the child grew up, there seem'd in him
A more than common life in every limb;
A strong and handsome stripling he became,
And the gay spirit answer'd to the frame;
A lighter, happier lad was never seen,
For ever easy, cheerful, or serene;
His early love he fix'd upon a fair
And gentle maid--they were a handsome pair.
They at an infant-school together play'd,
Where the foundation of their love was laid:
The boyish champion would his choice attend
In every sport, in every fray defend.
As prospects open'd, and as life advanced,

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poem by George Crabbe
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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R B Thug

Ooh, ooh, ooh
Ahh, ahh, ahh
Uhh, uhh, uhh, yeah, yeah, yeah
Ooh, ooh, ooh
Ahh, ahh, ahh
Yeah, yeah, yeah
Mmm, mmm, mmm
In the playas club
Checkin at your body baby
Steadily tossin that cash flow baby
Cause you drive me crazy
Wont you be my lady?
Betcha I can make your body talk to me
(talk to me)
All I need is my cd, bag of weed and some cristie (yeah)
Then Im gonna stroke you up and down
Messin with your head
And when you leave up out my room
Youll be walkin bow leg
I can keep your body comin like a cta
Youre dealin with a true baller baby
Givin you the keys to my mercedes
Im not gonna stop til you scream my name
And say ooh kelly you make me holla
Keep on jumpin like an impala
You slidin that sexy ass down the pole like what
(what, what, what, what, what)
Come and get some of this
R&b thug baby
Im just an r&b thug babe
Tryin to get some ass babe
Do you wanna thug babe?
Im just an r&b thug babe
Lookin for some love babe
Do you wanna date babe
Youre gonna trip, gonna trip
Gonna trip, gonna trip, gonna trip
When I show you my love jones babe
And make the room go black
Baby girl keep your body right there
Im gonna sock it to you baby
I wanna hear you say yeah, yeah
Now the sign of the knob says privacy
You and me
On the low, fruit bowls and whipped cream
We can get up on a fancy suite
Thugged out with some hennessy
See, see, see
Lock your body up and throw away the key
Im not gonna stop til you scream my name

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song performed by R. Kelly
Added by Lucian Velea
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R&b Thug

Ooh, ooh, ooh
Ahh, ahh, ahh
Uhh, uhh, uhh, yeah, yeah, yeah
Ooh, ooh, ooh
Ahh, ahh, ahh
Yeah, yeah, yeah
Mmm, mmm, mmm
In the playa's club
Checkin' at your body baby
Steadily tossin that cash flow baby
Cause you drive me crazy
Won't you be my lady?
Betcha i can make your body talk to me
(talk to me)
All i need is my cd, bag of weed and some cristie (yeah)
Then i'm gonna stroke you up and down
Messin' with your head
And when you leave up out my room
You'll be walkin' bow leg
I can keep your body comin' like a cta
You're dealin with a true baller baby
Givin' you the keys to my mercedes
I'm not gonna stop til' you scream my name
And say ooh kelly you make me holla
Keep on jumpin' like an impala
You slidin' that sexy ass down the pole like what
(what, what, what, what, what)
Come and get some of this
R&b thug baby
I'm just an r&b thug babe
Tryin' to get some ass babe
Do you wanna thug babe?
I'm just an r&b thug babe
Lookin' for some love babe
Do you wanna date babe
You're gonna trip, gonna trip
Gonna trip, gonna trip, gonna trip
When i show you my love jones babe
And make the room go black
Baby girl keep your body right there
I"m gonna sock it to you baby
I wanna hear you say yeah, yeah
Now the sign of the knob says privacy
You and me
On the low, fruit bowls and whipped cream
We can get up on a fancy suite
Thugged out with some hennessy
See, see, see
Lock your body up and throw away the key
I'm not gonna stop til' you scream my name

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song performed by R. Kelly
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Randb Thing

Ooh ooh ooh
Ahh ahh ahh
Uhh uhh uhh yeah yeah yeah
Ooh ooh ooh
Ahh ahh ahh
Yeah yeah yeah
Mmm mmm mmm
In the playas club
Checkin at your body baby
Steadily tossin that cash flow baby
Cause you drive me crazy
Wont you be my lady
Betcha I can make your body talk to me
Talk to me
All I need is my cd bag of weed and some cristie yeah
Then Im gonna stroke you up and down
Messin with your head
And when you leave up out my room
Youll be walkin bow leg
I can keep your body comin like a cta
Youre dealin with a true baller baby
Givin you the keys to my mercedes
Im not gonna stop til you scream my name
And say ooh kelly you make me holla
Keep on jumpin like an impala
You slidin that sexy ass down the pole like what
What what what what what
Come and get some of this
R and b thug baby
Im just an r and b thug babe
Tryin to get some ass babe
Do you wanna thug babe
Im just an r and b thug babe
Lookin for some love babe
Do you wanna date babe
Youre gonna trip gonna trip
Gonna trip gonna trip gonna trip
When I show you my love jones babe
And make the room go black
Baby girl keep your body right there
Im gonna sock it to you baby
I wanna hear you say yeah yeah
Now the sign of the knob says privacy
You and me
On the low fruit bowls and whipped cream
We can get up on a fancy suite
Thugged out with some hennessy
See see see
Lock your body up and throw away the key
Im not gonna stop til you scream my name

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song performed by R. Kelly
Added by Lucian Velea
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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.

When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.

Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.

It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

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poem by Lola Ridge
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Rokeby: Canto III.

I.
The hunting tribes of air and earth
Respect the brethren of their birth;
Nature, who loves the claim of kind,
Less cruel chase to each assign'd.
The falcon, poised on soaring wing,
Watches the wild-duck by the spring;
The slow-hound wakes the fox's lair;
The greyhound presses on the hare;
The eagle pounces on the lamb;
The wolf devours the fleecy dam:
Even tiger fell, and sullen bear,
Their likeness and their lineage spare,
Man, only, mars kind Nature's plan,
And turns the fierce pursuit on man;
Plying war's desultory trade,
Incursion, flight, and ambuscade,
Since Nimrod, Cush's mighty son,
At first the bloody game begun.

II.
The Indian, prowling for his prey,
Who hears the settlers track his way,
And knows in distant forest far
Camp his red brethren of the war;
He, when each double and disguise
To baffle the pursuit he tries,
Low crouching now his head to hide,
Where swampy streams through rushes glide
Now covering with the wither'd leaves
The foot-prints that the dew receives;
He, skill'd in every sylvan guile,
Knows not, nor tries, such various wile,
As Risingham, when on the wind
Arose the loud pursuit behind.
In Redesdale his youth had heard
Each art her wily dalesmen dared,
When Rooken-edge, and Redswair high,
To bugle rung and bloodhound's cry,
Announcing Jedwood-axe and spear,
And Lid'sdale riders in the rear;
And well his venturous life had proved
The lessons that his childhood loved.

III.
Oft had he shown, in climes afar
Each attribute of roving war;
The sharpen'd ear, the piercing eye,
The quick resolve in danger nigh;
The speed, that in the flight or chase,

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poem by Sir Walter Scott
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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I Wont Cry For You

So you lie awake and think about tomorrow,
And you try to justify the things youve done,
But theres no one here, to hear your tears falling,
When you turn around, you find out, that youre the lonely one.
And it feels like someones treading on your shadow,
And you always thought that heaven knows for sure,
And it feels like youre drowning, in your tears.
So I wont cry for you, no I aint gonna cry for you,
And I aint gonna lie for you, no I aint gonna cry for you.
Aint gonna cry for you.
So you lie awake and think about the sorrow,
Does it really still the fears in your mind,
And you try to realise the things you wanted,
But you take it all for granted and now it makes you blind.
And it feels like someones treading on your shadow,
And you always thought that heaven knows for sure,
And it feels like youre drowning, in your tears.
So I aint gonna cry for you, no I aint gonna die for you,
And I aint gonna lie for you, no I aint gonna cry for you.
Aint gonna cry
I aint gonna cry for you, I aint gonna cry.
So I aint gonna cry for you, no I aint gonna die for you,
No I aint gonna lie for you, no I aint gonna cry for you,
Aint gonna cry, aint gonna cry for you no more,
Aint gonna die, I aint gonna die for no more,
Aint gonna lie, I aint gonna lie for no more,
Aint gonna cry, I aint gonna cry for you no more.

song performed by Black Sabbath
Added by Lucian Velea
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Running Away

Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running,
But ya cant run away from yourself
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself.
Ya must have done (must have done),
Sometin wrong (something wrong).
Said: ya must have done (must have done),
Wo! sometin wrong (something wrong).
Why you cant find the
Place where you belong?
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away).
Every man thinketh his
Burden is the heaviest (heaviest).
Every man thinketh his
Burden is the heaviest (heaviest).
Ya still mean it: who feels it knows it, lord;
Who feels it knows it, lord;
Who feels it knows it, lord;
Who feels it knows it, lord.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
But ya cant run away from yourself.
Could ya run away from yourself?
Can you run away from yourself?
Cant run away from yourself!
Cant run away from yourself!
Yeah-eah-eah-eah - from yourself.
Brr - you must have done sometin -
Sometin - sometin - sometin -
Sometin ya dont want nobody to know about:
Ya must have, lord - sometin wrong,
What ya must have done - ya must have done sometin wrong.

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song performed by Bob Marley
Added by Lucian Velea
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Felicdad (Miami Ocean Drive)

Only Margherita love like America
Only Margherita move like the Mardi Gras.
Mama
oh mama
now mama
Come tell me that you wanna
You wanna
oh mama
in my pyjama.
My imagination carry my mind away
Only Margherita feel like a holiday.
Mama
oh mama
now mama
Come tell me that you wanna
You wanna
oh mama
you wild madonna
Mama
oh mama
now mama
Come tell me that you
Felicidad
And I can't help but feeling this way
You're the one who can change my tomorrow toda
Felicidad
Won't you ride on the wings of my fantasy
And this summersong will last a whole life long.
Only Margherita love like America
Only Margherita take me to shangri-la.
Mama
oh mama
now mama
Come tell me that you wanna
You wanna
oh mama
you wild madonna
Mama
oh mama
now mama
Come tell me that you
. . .
Felicidad
. . .
Mama
mama
mama
oh mama
Mama
mama

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song performed by Boney M.
Added by Lucian Velea
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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