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Return To Pooh Corner

Christopher robin and I walked along
Under branches lit up by the moon
Posing our questions to owl and eeyore
As our days disappeared all too soon
But Ive wandered much further today than I should
And I cant seem to find my way back to the wood
So help me if you can
Ive got to get back
To the house at pooh corner by one
Youd be surprised
Theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin and pooh
Winnie the pooh doesnt know what to do
Got a honey jar stuck on his nose
He came to me asking help and advice
And from here no one knows where he goes
So I sent him to ask of the owl if hes there
How to loosen a jar from the nose of a bear
Its hard to explain how a few precious things
Seem to follow throughout all our lives
After alls said and done I was watching my son
Sleeping there with my bear by his side
So I tucked him in, I kissed him and as I was going
I swear that the old bear whispered boy welcome home
Believe me if you can
Ive finally come back
To the house at pooh corner by one
What do you know
Theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin
Back to the ways of christopher robin
Back to the days of pooh

song performed by Kenny Loggins
Added by Lucian Velea
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Hoostay Moonookay Pooh Pooh

Hoostay moonookay,
Pooh pooh.
Hoostay moonookay,
Pooh pooh.
Hoostay moonookay,
Pooh pooh.
Hoostay...

Me say lemonade.
(hoostay moonookay,
pooh pooh)
Is okay.
(hoostay moonookay,
pooh pooh)
To sip in Summer.
(hoostay moonookay,
pooh pooh)
As I drift under tree shade!

Hoostay moonookay,
Pooh pooh.
Hoostay moonookay,
Pooh pooh.
Hoostay moonookay,
Pooh pooh.
Hoostay...

And I may...
(hoostay moonookay,
pooh pooh)
Lay all day.
(hoostay moonookay,
pooh pooh)
Free of drama.
(hoostay moonookay,
pooh pooh)
And being lazy that way!

Hoostay moonookay,
Pooh pooh.
Hoostay moonookay,
Pooh pooh.
Hoostay moonookay,
Pooh pooh.
Hoostay...

And I may...
Reach for peaches.
Getting tanned...
On the beach.

[...] Read more

poem by Lawrence S. Pertillar
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House At Pooh Corner

Christopher robin and I walked along
As the branches lit up by the moon
Posing our questions to owl and eyore
As our days disappeared all too soon
But I wandered much farther today than I should
And I cant seem to find my way back to the woods
So help me if you can Ive got to get
Back to the house at pooh corner by one
Youd be surprised theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin and pooh
Winnie the pooh doesnt know what to do
Got a honey jar stuck on his nose
Now he came to me asking help and advice
And from here no one knows where he goes
So I sent him to ask of the owl if hes there
How to loosen a jar from the nose of a bear
So help me if you can Ive got to get
Back to the house at pooh corner by one
Youd be surprised theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin and pooh
So help me if you can Ive got to get
Back to the house at pooh corner by one
Youd be surprised theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin
Back to the ways of christopher robin
Back to the ways of pooh

song performed by Indigo Girls
Added by Lucian Velea
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Metaphors, Similes and stuff - Pooh Bear Explains

Christopher Robin and Pooh walked slowly down the path in the woods, treading on the occasional crackly twig.

'CR...' said Pooh, 'What's a Poeh Tree? Is it the same as a Poem, or a hum? '

'Well, Pooh, the very very best Poeh Tree in the world is your own:

'Isn't it funny
how bears like hunny?

It's what I call rum-ti-tum-itry. Everyone likes rum-ti-tum-itry. Even grown-ups. Rum-ti-tum-itry is friendly. Rum-ti-tum-itry is like two friends walking together. Like you and me, Pooh. Which makes you the very best rum-ti-tum-iter in the world...'

'That's tum as in...? ' asked the Very Stout Bear, cautiously.

'As in a Hum' said Christopher Robin. 'But then there's other things in Poetry such as Truth, and Other People Reading It And Nodding. And Similes. And Metaphors. There's a lot in Poetry.'

'What's a Simile, CR? ' asked Pooh. It sounded like what bees said just before they landed on something, like a hunny jar, or Pooh's nose.

'It's when you say something is like something else, to help people imagine it.' said CR.

Pooh had a Think. A Pondery sort of Think.

'Like perhaps - 'happiness is like hunny'? ' asked Pooh tentatively. He suddenly felt very five-to-four-ish at this Thought.

'That's exactly it, Pooh' said Christopher Robin happily. 'Or even sometimes the other way around! '

Pooh felt warm inside - almost like after eating honey - knowing now that a Simile wasn't a threat any more. 'What's a Metaphor, CR? '

'That's rather more difficult, Pooh. It's when you say something is something else, and people know what you mean somehow, and say 'Aha! ' and nod their heads...

Pooh had a longer, Pondery sort of Think.

'Like... teatime means honey? ' he offered hesitantly. Though he knew this was Truth and Other People Nodding, anyway.

'Something like that' said Christopher Robin. 'And then...' he said carefully, in case it was a bit too much for Beloved Bear for one day, but wanting to tell him all the same, 'there's the Extended Metaphor - which I think you might like, Pooh...' (he said hastily In Case) - 'like in a poem by Rupert Brooke, where he says 'Is there hunny still for tea? ' but what he really means is, he's a long way from home and can't get back in time for tea, and feels rather sorry about it...'

'I see...' said Pooh, thoughtfully - like people do who Don't Quite, but like to be polite...

Pooh decided there and then that the Poeh Tree was worth finding, now that he knew three things about it or was it four? It called for an Expedishun.

'Can you talk Poeh Tree, CR? Is it like what we are talking now?

'I think that's called a Prose Poem, Pooh' said Christopher Robin.

*

It was getting near to what Metaphoric Poets like Edward Bear call Time for a Little Something. Christopher Robin and Pooh turned and walked back slowly, the silence broken now and then by a crackly twig just waiting to be trodden on.

Pooh held Christopher's hand tight, as he was doing a lot of Poetic Thinking. He was wondering how anyone could be so far away from home that they couldn't get back home for tea. And worse, not knowing whether there was hunny in the cupboard or not...

But then he had a little five-to-fourish Hum, when he remembered that there was indeed hunny still for tea...

[...] Read more

poem by Michael Shepherd
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

poem by Mahendra Bhatnagar
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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

poem by Alan Alexander Milne
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The House At Pooh Corner

By kenny loggins
From uncle charlie and his dog teddy, liberty records, c1976
Christopher robin and I walked along,
Under branches lit up by the moon.
Posing our questions to owl and eeyore,
As the days disappeared far too soon.
Now I wandered much further today than I should,
And I cant find my way to the three-acre wood.
So help me if you can, Ive got to get
Back to the house at pooh corner by one.
Youll be surprised, theres so much to be done,
Count all the bees in the hive,
Chase all the clouds from the sky,
Back to the days of christopher robin,
And pooh.
Winnie the pooh doesnt know what to do,
Got a honey jar stuck on his nose.
He came to me asking help and advice,
And from here no one knows where he goes.
So I went in to ask of the owl, if hes there,
How to loosen a jar from the nose of a bear.
So help me if you can Ive got to get,
Back to the house at pooh corner by one.
Youll be surprised theres so much to be done,
Count all the bees in the hive,
Chase all the clouds from the sky,
Back to the days of christopher robin,
Back to the ways of christopher robin,
And pooh.

song performed by Nitty Gritty Dirt Band
Added by Lucian Velea
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House At Pooh Corner

By kenny loggins
From uncle charlie and his dog teddy, liberty records, c1976
Christopher robin and I walked along,
Under branches lit up by the moon.
Posing our questions to owl and eeyore,
As the days disappeared far too soon.
Now I wandered much further today than I should,
And I cant find my way to the three-acre wood.
So help me if you can, Ive got to get
Back to the house at pooh corner by one.
Youll be surprised, theres so much to be done,
Count all the bees in the hive,
Chase all the clouds from the sky,
Back to the days of christopher robin,
And pooh.
Winnie the pooh doesnt know what to do,
Got a honey jar stuck on his nose.
He came to me asking help and advice,
And from here no one knows where he goes.
So I went in to ask of the owl, if hes there,
How to loosen a jar from the nose of a bear.
So help me if you can Ive got to get,
Back to the house at pooh corner by one.
Youll be surprised theres so much to be done,
Count all the bees in the hive,
Chase all the clouds from the sky,
Back to the days of christopher robin,
Back to the ways of christopher robin,
And pooh.

song performed by Nitty Gritty Dirt Band
Added by Lucian Velea
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House At Pooh Corner

Christopher Robin and I walked along
under branches lit up by the moon.
Posing our questions to owl and eeyore
as our days disappeared all too soon.
But I've wandered much further today than I should
and I can't seeem to find my way back to the wood.
So, help me if you can I've got to get
back to the house at Pooh corner by one.
You;d be surprized there's so much to be done,
count all the bees in the hive,
chase all the clouds from the sky.
Back to the days of Christopher Robin and Pooh.
Winnie the Pooh doesn't know what to do,
got a honey jar stuck on his nose.
He came to me asking help and advice
and from here no one knows where he goes.
So I sent him to ask of te Owl if he's there,
how to loosen a jar from the nose of a bear
So, help me if you can I've got to get
back to the house at Pooh corner by one
You'd be surprized there's so much to be done,
count all the bees in the hive,
chase all the clouds from the sky .
Back to the days of Christopher Robin and Pooh,
back to the days of Christopher Robin,
back to the ways of Pooh

song performed by Kenny Loggins
Added by Lucian Velea
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Sumthin' Othuh Than Yo' Nah-Stay

Gimme sumthin' othuh than yo' nah-stay.
'Cause yo' pooh-pooh sicks a doo-doo,
And yo' doo-doo reeks a pooh-pooh.

Gimme sumthin' othuh than yo' nah-stay.
'Cause yo' pooh-pooh sicks a doo-doo,
And yo' doo-doo reeks a pooh-pooh.

I want something lifting to a higher degree.
'Cause yo' pooh-pooh sicks a doo-doo,
And yo' doo-doo reeks a pooh-pooh.

I want something lifting to a higher degree.
'Cause yo' pooh-pooh sicks a doo-doo,
And yo' doo-doo reeks a pooh-pooh.

Gimme sumthin' othuh than yo' nah-stay.
'Cause yo' pooh-pooh sicks a doo-doo,
And yo' doo-doo reeks a pooh-pooh.

I want something lifting to a higher degree.
Gimme sumthin' othuh than yo' nah-stay.
I've gotta reach a peak to please a 'bon appétit-ah'.
Gimme sumthin' othuh than yo' nah-stay!
'Cause yo' pooh-pooh sicks a doo-doo,
And yo' doo-doo reeks a pooh-pooh.
Gimme sumthin' othuh than yo' nah-stay!

poem by Lawrence S. Pertillar
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Count Me Out

Count me out
Count me out
Fellas want to hang
And save tonight just
For the gang
But youll have to count me
Out this time
If I cant bring my girl
Dont look surprised
When I tell you that
Gotta spend some time
With my baby, yes
So if that means
Were gonna rain on
Your parade
Youll have to count me out
Youre gonna have to count me
Out
Youll have to count me out
I wanna be with my girlfriend
Youll have to count me out
This time
Youll have to count me out
When she asked me please
Could I say no and feel at
Ease
If you count me out tonight
Shes gonna be with me wherever
I go
Shes got a sweet personality
She saves her kisses just for me
So if that means were gonna rain on
Your parade
Youll have to count me out
Youre gonna have to count
Me out
Youll have to count me out
Im saving kisses for my baby
Youll have to count me out
This time
Youll have to count me out
Youll have to count me out
Youre gonna have to count
Me out
Youll have to count me out
My baby wants to be with me
Youll have to count me out
Thats the way its gonna be
Youll have to count me out
Count me out

[...] Read more

song performed by New Edition
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Expect That Snoop To Pooh Pooh You

Leaking info from a hunch.
Heard when you are passing people.
Only proves you are nosy...
Just like the people you pooh pooh.

Then you get your knickers bunched.
When you are thought to be a gossip.
But what you do to the people,
Expect that to be done right back to you.

When you snoop and pooh pooh people...
Expect that snoop to pooh pooh you.
When you snoop and pooh pooh people...
That pooh pooh that you're doing aint cool.

Leaking info from a hunch.
Heard when you are passing people.
Only proves you are nosy
Just like the people you pooh pooh.

When you snoop and pooh pooh people...
That pooh pooh that you're doing aint cool.
Expect that snoop to pooh pooh you.

poem by Lawrence S. Pertillar
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Nestling

When to summon the sky
Little nestling?
When to summon the sky?

And suffer the risk - abscond in dread -
The knowledge of sort that you'll be dead
Upon a calamitous fall;

Or taken in flight - a hawkish pounce -
Demolished as prey; your fate pronounce
You gone, and to never recall.

O when to summon the sky
Little nestling?
When to summon the sky?

Aborting a den with
Feathered bed,
Unwavering mother who
Saw you fed -
Surrendering all so
You may spread
Your reach of tentative wings!

‘Tis only instinct -
E'er the reason -
Forging life:
The Nesting Season
And the trials it brings.

So up and summon the sky
Little nestling,
Up! and summon the sky!

Copyright © Mark R Slaughter 2011

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poem by Mark R Slaughter
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

poem by Robinson Jeffers
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Rubaiyat Of A Robin - After Edward Fitzgerald - Rubaiyat Of Omar Khayyam

Jest plays with rubaiyat and, four by four,
unseals for your amusement more and more
verses together thread in rosary
unreeled to bloom till tomb will curtains draw.

Repealed are value judgement and perspective
revealed through standpoint purely introspective,
darkside concealed of moon’s yin-yang shines clear
when we’re in orbit, - option more effective.

Rolled form performs rôle midwife to perception,
sprung tongue in cheek, tweaks sense of imperfection
or willingness to leach between the lines,
impeach entrenched ideas of self-[s]election.

This prose arose as stream deprived of section,
where ‘dip at will’ will still sustain inspection,
the current’s sense, at odds with current views
ignores round holes, square pegs, top-down direction.

Here there’s no fear of critics’ peer rejection,
contention treated with due circumspection
intention is to mention for retention
an overview or clue to extrospection.

Life’s curtains are a veil through which few see,
as many haste taste-waste eternity,
mixed up, ignore life fixes finite sum
to/through infinite opportunity.

Can “Truth” exist? all ask, who seek its core,
we, modest, etch our words to sketch the score,
diverse the verses which converge to link
reflections mirrored many times before.

Vast content, style, a while, united are,
aim at soul stimulation, nothing bar,
to pleasure, treasure, or discard at will
as minds outreach to other minds on par.

Meditating, we shed light on what
tomorrow’s tot may factor into ‘bot’ -
the poet’s lot, forgot, to help all think
ahead of time, enhance life for a lot

Some seek Nirvana, Faith speaks more than “how”.
Others reject Salvation’s wraith, - w[h]ine “now”.
Verifying facts? Inventing dreams?
Each furrow-burrows with a different plough.

[...] Read more

poem by Jonathan Robin
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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Pooh Bear learns about Enjambment

Pooh liked Autumn. Autumn means walking with a scarf round your neck and sometimes seeing your breath in the air like a silent conversation, and wet leaves underfoot and twigs going crackle or sometimes crack! which can be scary if you aren't holding CR's hand.

So here they are, walking together paw-in-hand down the path in Hundred-Acre Wood, and Pooh is humming a happy hum with words looking for it, rather like inquisitive flies that don't quite land on you, wondering if they should stay or not, and how the other flies feel if two of them land together...

'CR..' said Pooh, 'What's en-jamb-ment? ' It sounded like what happens when a wasp gets stuck in a honey jar, or perhaps a marmalade jar.

'That's a long word, Pooh...' said CR, wondering how to explain to a Bear Of Little Brain Yet Poetically Gifted, in the easiest way, when you're not too sure yourself...

'Well...' said CR at last, 'you don't really need it, Pooh, because your Hums all finish each line with a rhyme - so everyone knows just where they are....but suppose you get to the end of a line, and the line looks around like Eeyore does after a big mouthful of juicy autumn grass, and it can't see another line that wants to pair with it in a friendly rhyme.... then if you let it just go on being by itself - like Eeyore - and it's happy to be that way, if occasionally grumbly about it - that's called 'free verse'.

'So then you can just go on and on without thinking about when to stop... but then if you write it down so that other people can read it without getting out of breath, what 'free verse poets' do is like turning over the page of a book and wondering what's coming - like, is there a scary illustration on the next page, or a Surprise, or only a few lines and THE END - what these poets do, is to treat the lines the same way as pages, so that at the end of each line, you wonder a little bit more than usual, what's coming in the next line... instead of yawning and wondering if it's time for A Little Something...'

'I see..' said Pooh, in the way you do when you're a Very Polite Bear but don't really see, not yet anyway...

Then he remembered that poem by Rupert Somebody that CR had told him was an Extended Metaphor, which had that memorable line which the Poetic Bear could have written himself: '...and is there hunny still for tea? ...' though of course Pooh was always careful, himself, to have a line of hunnypots up there where you could see that the future was golden and hunny-coloured...

'CR...' said Pooh in that happy feeling when the brain seems to sorting things out for you, '...so if you wrote carefully in a book, '... and is there hunny still for tea? ...' you could write it with the first line

...and is there...

and people would wonder what you were going to ask them... or

...and is there hunny...

and they'd wonder, what you were asking about hunny; or

... and is there hunny still...

and they might be suddenly worried that the hunny had run out; or just

...and is there hunny still for tea?

which tells them exactly what you're thinking without making them think too much? '

'Exactly! ' said CR (though it sounded more 'exackly' because he was happy and excited) ' You really are a Poetic Bear, Pooh! '

And he squeezed Pooh's paw in a Specially Friendly fashion, and a hunny-coloured glow filled Pooh, as one more Useful Thing about Poetry was put into place...

And as they returned home for a Little Something, Pooh was humming a hum with words flying curiously around it, which would be his first Free Verse Hum With Enjambment which grown-up poets would read with that little extra interest, as they came to the end of each line, and know that it was written by W.Edward Bear Esquire, Poet...

poem by Michael Shepherd
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