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Readiness of speech is often inability to hold the tongue.

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Hold Your Position (Stones)

Now here comes the great musical thing called "hold your position"
Rasta, them style ya a just levelment Uncle seen
Hold me position, Just a hold me position
I ya, hold me position, just a hold me position
Go on, hold me position, just a hold me position
Just like Jesus Christ in the valley of decision
Devil come along and tru to deceive man through him
Got him plan from the older one
Him had to hold him position, had to hold him position yeh
Hold him position, had to hold him position
Well rhythm like this makes me and me daughter
Go down at the dance, bubble on the corner
When the rhythm is sweet, we a go hold tighter
Rub-adub like this makes you go one
So you hold your position
Say you hold you position aya
Hold your position, say hold your position
Things and time was a getting slow let off the rhythm
Let the good time roll
Don't bother go a slow and stay a back row
I man come to make the rhythm
Just a rock and flow, because me hold me position
Just a hold me position
Special request to 39 Acker Tree, Frontline, everyman on Kime
UB40 say come and rhyme
Yes, Daddy Stone, me in the dance hall style
So we really come to make it versatile
Because one of a kind we come to blow your mind
So you should hold you position
Yes, hold your position, aya
Hold your position, hold your position
Hold Your Position (cont'd) Stones
Skank steady, Skank Steady
I tell you rock the rhythm
You should skank down steady
You know you say, it heavier than lead
Kinda tougher than tough
You know that Jah, Jah covers
Since he stands over us
So hold your position
Hold your position
Move to the east, and you could a move to the west
Lyrics like this Jab know never go jest
Say chunk ice water say right to your chest
Intercity, outer city everywhere the best you better
Hold you position, just hold your position
Hold you position, say hold your position
Well rhythm like this is really so hot
Let off the vilse because a legal shot
Because we hold our position

[...] Read more

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Hold Me Back

(young - young)
I got a big fat cadillac built for you
I got a honk thatll blow the avenue
Got a hot dog kickin all bend my thing
Got a a sugar looking woman with a bald headed man
Give me five o here boy, thats what Ill do
Got a big fat momma who can hold a tune
Gotta slip that bone in hard and mean
A honky tonk woman get the best of me
Cant hold me back
Cant hold me back
Cant hold me back
Get a heart attack
Cant hold me back
Got a honky tonk big ball hit to thrill
I got a sugar boot money baby thatll kill
A honky tonk 15 golden mile
Gotta bald headed woman loaded in the town
You can get me to the ball man, drivin in
And dont balk the kill, call in the ville
You gotta map the wrong town, hit the road
You got the whole boppa movin on down the road
Cant hold me back
You cant hold me back
You cant hold me back
You get a heart attack
Cant hold me back
You cant hold me back
You cant hold me back
You cant hold me back
You get a heart attack
Cant hold me back
You cant hold me back, you cant hold me back
You cant hold me back, you cant hold me back
Cant hold me back, you cant hold me back
You cant hold me back, you get a heart attack
Cant hold me back (hold me back)
You cant hold me back (hold me back)
You cant hold me back (hold me back)
Cant hold me back (hold me back)
You cant hold me back (hold me back)
Cant hold me back (hold me back)
You cant hold me back (hold me back)
You cant hold me back
2000, j. albert & son, pty.

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Hold Back

Written by ricky & marty wilde
Now when we started - no interventions
I wanted everything with no conditions
You took my love and told it to the world
But now it really changes things
The ring you wear belongs to someone else
Somebody else and my heart keeps saying
Hold back - hold back your love
Baby its just a crazy thing to start
Hold back - hold back your love
Maybe its just the easy way to part
Hold back - hold back (hold back, hold back...)
No denials - no introspection
Im not competing for some true perfection
I wanted something thats fine and thats for sure
And now I wonder how she feels
cos in her heart she knows theres someone else
Somebody else and I hear her saying
Hold back - hold back your love
Baby its just a crazy thing to start
Hold back - hold back your love
Maybe its just the easy way to part
Hold back - hold back
Hold back (hold back)
Hold back your love
Hold back (hold back)
Hold back your love
(baby...) hold back (hold back)
Hold back your love
Baby its just a crazy thing to start
Baby its just a crazy thing
You gotta hold back - hold back your love
(hold back) - hold back your love
(hold back) - you gotta hold back your love
(ooh) you gotta hold back your love
(ooh) hold back your love
Hold back (hold back)
(ooh)
(ooh)
Hold back
(ad lib to fade)

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Hold On

Written by: myles goodwyn
Why do I speak if no one hears
Who can I turn to if youre not there
And why do I carry on the way that I do
Why do I question myself like this over you
cos trouble and sorrow - its all I can feel
Theres so much confusion it seems so unreal
Hold on - to our own selves be true
Hold on hold on
Hold on - lets see this love through
Hold on hold on
Why do we have to act so foolishly
Hurting one another - you and me
All we have to do is try more now and then
And whos to say that we cant make things right again
Heartaches and sorrow its bringin us down
Theres so much to give lets turn this love around
Hold on - to our own selves be true
Hold on hold on
Hold on - lets see this love through
Hold on hold on
Hold on just hold on to me
Hold on hold on
Hold on you know our love will be
Hold on
I dont wanna hear that loving you is wrong
I only know these words will have to make us strong
Its the things we say but more the things we do
And what I wanna say is baby I love you
Heartaches and sorrow its bringin us down
Theres so much to give lets turn this love around
Hold on - to our own selves be true
Hold on hold on
Hold on - lets see this love through
Hold on hold on
Hold on just hold on to me
Hold on hold on
Hold on you know our love will be
Hold on hold on
Hold on

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Sugar Feat Ludacris & Cee-Lo)

[Cee-Lo] Uh huh
[T-Dubl] Yeah
[Cee-Lo] Aw man I got a sweet tooth, can you dig it
[T-Dubl] After this one you gon need a root canal then
[Cee-Lo] I love sugar all of it
[T-Dubl] This one for all the clean, decent women
[Cee-Lo] Lay it on me girl
[T-Dubl] Pay Close Attention
[Hook: Cee-Lo]
She put that sugar on my tongue
Shes gonna
Gimme gimme some
She put it right there on my tongue [Skeet Skeet]
Right there on my tongue [She turns me on, like no other]
[Trick Daddy]
And gimme some of your butter pecan
Put it right there on tip of my tongue, hold it
Right jeeeah
Cuz baby, if I bite you
I bet you like it
French Vanilla's a hell of a flavor for me
With strawberries, two cherries and whipped cream
The best things are the wet dreams
And uh, the rest is just a flick without a sex scene
Or lee, I speak the truth
Cuz the blacker the berry
The sweeter the juice
Cuz, Florida oranges and Georgia peaches
When they nice and ripe, they the best for eatin'
Southern boys we crave for old slice of pie after they main course
So if you game for it
I came for it
I got a thing for ya
That I can't ignore
[Hook: Cee-Lo]
She put that sugar on my tongue
Shes gonna
Gimme gimme some
She put it right there on my tongue [Skeet Skeet]
Right there on my tongue [She turns me on, like no other]
[Ludacris]
She put that sugar on my tongue, tongue
Yippie Yippie, Yum Yum
Goodie goodie gum drop
Put me in a tongue lock
Did it till my body went numb, numb
Laid her on her back, back
Turned her round, gave her bottom a smack, smack
She's a woman from the block with the best of weed
But I won't stop till I'm pullin out tracks, tracks

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The Beginning

The beginning saw existence of a chosen dream
But then came pain
With energy striking on those she knew would uncover her lies
She knew she must destroy everything that we had prayed for
So she sent shameful claim in her lies
She wants us to be what's going on in her mind
Music takes you round and round and round and round and round
Hold on to the love
Hold on to the love
The music takes you round and round and round and round and round
Hold on to the love
Nah Nah Nah Nah
Hold on to thelove
We are smiling
She wants us to be what's going on in her mind
If she is to take over she must prevent unity
But oh how cold her life must be
She knows she must destroy everything that we had prayed for
So here comes shameful claim in her lies
Music takes you round and round and round and round and round
Hold on to the love
Hold on to the love
Music takes you round and round and round and round and round
Hold on to the love
Smiling again
Hold on to the love
Nah Nah Nah Nah
Hold on
Nah Nah Nah Nah
Hold on
Nah Nah Nah Nah
Nah Nah Nah Nah
Hold on
Nah Nah Nah Nah
Hold on
Hold on to the love
The music takes you round and round and round and round and round
Hold on to the love
Hold on to the love
Music takes you round and round and round and round and round
Hold on to the love
Hold on to the love
Hold on
Round and round and round and round and round
Hold on to thelove
Go round go round but Hold on to love
Hold on to the love
Music takes you round and round and round and round and round
Hold on to thelove
Go round

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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Inarticulate Speech Of The Heart No. 2

Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm just wild about it i can't live without it
I'm just wild about it i can't live without it
Inarticulate speech, inarticulate speech of the heart
Inarticulate speech, inarticulate speech of the heart
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
I'm a soul in wonder (ahahah)
Spoken
I'm a soul in wonder
I'm a soul in wonder
I'm a soul in wonder
A soul in wonder
A soul in wonder

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William Cowper

Conversation

Though nature weigh our talents, and dispense
To every man his modicum of sense,
And Conversation in its better part
May be esteem'd a gift, and not an art,
Yet much depends, as in the tiller’s toil,
On culture, and the sowing of the soil.
Words learn'd by rote a parrot may rehearse,
But talking is not always to converse;
Not more distinct from harmony divine,
The constant creaking of a country sign.
As alphabets in ivory employ,
Hour after hour, the yet unletter’d boy,
Sorting and puzzling with a deal of glee
Those seeds of science call’d his a b c;
So language in the mouths of the adult,
Witness its insignificant result,
Too often proves an implement of play,
A toy to sport with, and pass time away.
Collect at evening what the day brought forth,
Compress the sum into its solid worth,
And if it weigh the importance of a fly,
The scales are false, or algebra a lie.
Sacred interpreter of human thought,
How few respect or use thee as they ought!
But all shall give account of every wrong,
Who dare dishonour or defile the tongue;
Who prostitute it in the cause of vice,
Or sell their glory at a market-price;
Who vote for hire, or point it with lampoon,
The dear-bought placeman, and the cheap buffoon.
There is a prurience in the speech of some,
Wrath stays him, or else God would strike them dumb;
His wise forbearance has their end in view,
They fill their measure and receive their due.
The heathen lawgivers of ancient days,
Names almost worthy of a Christian’s praise,
Would drive them forth from the resort of men,
And shut up every satyr in his den.
Oh, come not ye near innocence and truth,
Ye worms that eat into the bud of youth!
Infectious as impure, your blighting power
Taints in its rudiments the promised flower;
Its odour perish’d, and its charming hue,
Thenceforth ‘tis hateful, for it smells of you.
Not e’en the vigorous and headlong rage
Of adolescence, or a firmer age,
Affords a plea allowable or just
For making speech the pamperer of lust;
But when the breath of age commits the fault,
‘Tis nauseous as the vapour of a vault.

[...] Read more

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Mother Dawn

Hold me, hold me
Breathe the light into me
Hold me, hold me
Mother dawn
Mother dawn
Dancing round the fire
Circling the flame
Listen to the shadows calling out my name
They say
Rock me like a baby
Cradle me in the light
Bathe me in a rainbow
Sun restore my sight
Hold me, hold me
Breathe the light into me
Hold me, hold me
Mother dawn (all night long yeah)
Hold me, hold me
Breathe the light into me (all night long yeah)
Hold me, hold me
Mother dawn
Look into the light
Come and take a journey through the land of night
Darkness strokes the face and
Steals away the sight
Night is all around me
Stars are in my hair
I feel them tangled in the secrets well
Find hidden there all right
Reaching through the madness
To the other side
Where the sun is rising
With her arms held wide
Hold me, hold me
Breathe the light into me
Hold me, hold me
Mother dawn (all night long yeah)
(till the dawn light comes)
Hold me, hold me
Breathe the light into me (all night long yeah)
Hold me, hold me
Mother dawn (all night long)
(I know youre gonna love me)
(I know youre gonna love me)
One star flew against the tapestry of the night
And the earth revolved in perfect symmetry
To a symphony of sun
The moon danced its final bow
As the birth of day
Exploded

[...] Read more

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

[...] Read more

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Hold On Hold Out

Hold on hold out, keep a hold on strong
The moneys in and the bets are down
You wont hold out long
They say youll fall in no time at all
But you know theyre wrong
Known it all along
Hold on hold out, keep a hold on still
If you dont see what your love is worth
No one ever will
Youve done your time on the bottom line
And it aint no thrill
Theres got to be something more
Keep a hold on still
You know what it is youre waiting for
Now you just hold on
Hold on hold out, hold on
Give up your heart and you lose your way
Trusting another to feel that way
Give up your heart and you find yourself
Living for something in somebody else
Sometimes you wonder what happens to love
Sometimes the touch of a friend is enough
Hold a place for the human race
Keep it open wide
Give it time to fall or climb
But let the time decide
Sometimes you wonder whats in this for you
But you wait, and you see
cause its all you can do
Just to hold on
Hold on hold out, hold on
For the countless souls beaten by their goals
Keep a hold on now
And the ones betrayed by the deals they made
Keep a hold on
If you hold your ground itll turn around
Keep a hold somehow
Hold on hold out, keep a hold on tight
Tonights the night
Wake up and turn on the light
You fight, and youre right--
Its gonna take all your might...
Youre a hold out
Well Im a hold out too
But it took me all this time to figure out
Something you already knew
Will love be true? can it pull you through?
How long? how strong?
Somethings depend on you
See-- I always figured I was going to meet somebody here

[...] Read more

song performed by Jackson BrowneReport problemRelated quotes
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Hold Me Now

(gordon kennedy/tommy sims)
(track 8 - time 3:15)
Oopsie daisy Im losin my mind
Hold me now, hold me now
Clock on the wall says
Im outta time
Hold me now, hold me now
I gotta reason but
Im all outta rhyme
Hold me now, hold me now
Sometimes the answers are just so hard to find
Hold me now
When my grip on the day
Starts slippin away
If Im gonna fall at all
Im gonna fall in love with you
Here I go Im fallin again
Hold me now, hold me now
It always happens when your love comes in
Hold me now, hold me now
My hopes and dreams have been left out in the cold
Hold me now, hold me now
Feels like the world is spinnin outta control
Hold me now
When my grip on the day (when my grip on the day)
Starts slippin away (starts slippin away)
If Im gonna fall at all
Im gonna fall in love with you
Here I go Im fallin again
Hold me now, hold me now
It all gets better when your love comes in
Hold me now
Im gonna fall in love with you
Here I go Im fallin again
Hold me now, hold me now
It always happens when your love comes in
Hold me now, hold me now
Here I go Im fallin again
Hold me now, hold me now
It all gets better when your love comes in
Hold me now, hold me now
Hold me now

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