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Driftin

(by charles brown, johnny moore and eddie williams)
Im drifting and drifting, just like a ship out on the sea.
Im drifting and drifting, just like a ship out on the sea.
Well I aint got nobody in this world to care for me.
If my baby would only take me back again.
If my baby would only take me back again.
I would feel much better, darling, and at least Id have a friend.
I give you all my money, tell me what more can I do.
I give you all my money, tell me what more can I do.
You is a sweet little girl but I swear you wont be true.
Im drifting and drifting, just like a ship out on the sea.
Im drifting and drifting, just like a ship out on the sea.
Because I aint got nobody in this world to care for me.

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The Idiot Boy

'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!

--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?

Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?

But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.

There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.

And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?

And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.

And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.

And he must post without delay

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Little Johnny Hooker

Oh, Im gonna tell you a story bout a little boy.
Oh, a sad little boy.
Im talkin bout little johnny hooker.
Little johnny hooker was a sissy on the street all his life --
All his natural born life.
Until his daddy took him aside and said,
Son, now heres your switchblade knife boy.
He said get out in the street boy,
Cut yourself some meat boy.
Get out on your own side of the road,
And lighten my load.
Johnny made a mistake and took his knife down to school one day.
Hey, yeah, yeah.
And, when the bell rang for lunch.
Freddie miller went and got in johnnys way boy.
He took his knife from his pocket, pushed a button on the side.
When he seen the queen steel,
You ought to seen the light in freddys eyes.
Oh, yeah ...
Little johnny hooker learned his lesson from the knife now you see,
(yes he did.)
Because for what he done to fred he spent some time in a penitentiary.
It was a day in the courtroom, exhibit letter a.
When the jury seen the knife they put little johnnys ass away.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Talkin bout jooohhhnnny.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Oh, little johnny boy.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Talkin bout jooohhhnnny.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Oh, little johnny boy.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
He was a young boy,
Hes thinkin the rest of his life,
For what he done with the knife.
Talkin bout jooohhhnnny.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Jooohhhnnny.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Little johnny hooker, he aint a bad looker, he aint a bad man, he aint.
Jooohhhnnny.
(repeat to fade)

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Johnny Dont Do It

Johnny dont do it
Johnny dont do it
Johnny dont do it
Johnny dont do it
Johnny was an angel
An angel dressed in black
He used to hang around the guys
Down at the local track
He tried so hard to join them
But they always turned him back
Johnny dont do it
He was an angel
Johnny dont do it
Such an angel
He was only 17
Just got out of school
He stole a bike from joes garage
To prove that he was cool
He didnt know that the brakes were worn
And fate can be so cruel
Johnny dont do it
He was an angel
Johnny dont do it
Such an angel
Johnny dont do it
Johnny dont do it
Johnny dont do it
Johnny dont do it
Well johnny went a riding
With his girlfriend on the back seat
Looking for some action
And they found it down a back street
Suddenly a truck pulled out
He tried to step on the brake
Johnny dont do it (here is a news flash)
Johnny dont do it (today, johnny kowalski, also known as johnny
Angel)
Johnny dont do it (and his young fiance francine, were tragically
Killed)
Johnny dont do it (in a cycle accident)
Dont do it, dont do it (any witnesses please contact)
Dont do it, dont do it (the police at precinct 29)
Now johnnys with the angels
The angels in the sky
I wonder if he thinks of us
As he goes riding by
If only had listened
Oh the number of times we tried
To tell him
Johnny dont do it

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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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Rime Of The Ancient Mariner, The

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).

Translation
-------------------

ARGUMENT

How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.

PART I

An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.

It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?

The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'

He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.

The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.

He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :

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The Rime Of The Ancient Mariner

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit ? et gradus et
cognationes et discrimina et singulorum munera ? Quid agunt ? quae loca
habitant ? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabulâ, majoris et melioris mundi imaginem contemplari : ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus. - T. Burnet, Archaeol.
Phil., p. 68 (slightly edited by Coleridge).

Translation
-------------------

ARGUMENT

How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole ; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean ; and of the strange things
that befell ; and in what manner the Ancyent Marinere came back to his own
Country.

PART I

An ancient Mariner meeteth three Gallants bidden to a wedding-feast, and
detaineth one.

It is an ancient Mariner,
And he stoppeth one of three.
`By thy long beard and glittering eye,
Now wherefore stopp'st thou me ?

The Bridegroom's doors are opened wide,
And I am next of kin ;
The guests are met, the feast is set :
May'st hear the merry din.'

He holds him with his skinny hand,
`There was a ship,' quoth he.
`Hold off ! unhand me, grey-beard loon !'
Eftsoons his hand dropt he.

The Wedding-Guest is spell-bound by the eye of the old seafaring man, and
constrained to hear his tale.

He holds him with his glittering eye--
The Wedding-Guest stood still,
And listens like a three years' child :

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Bristowe Tragedie: Or The Dethe Of Syr Charles Badwin

THE featherd songster chaunticleer
Han wounde hys bugle horne,
And tolde the earlie villager
The commynge of the morne.
Kynge EDWARDE sawe the ruddie streakes
Of lyghte eclypse the greie;
And herde the raven's crokynge throte
Proclayme the fated daie.
'Thou'rt ryght,' quod hee, 'for, by the Godde
That syttes enthron'd on hyghe!
CHARLES BAWDIN, and hys fellowes twain,
To-daie shall surelie die.
Thenne wythe a jugge of nappy ale
Hys Knyghtes dydd onne hymm waite;
'Goe tell the traytour, thatt to-daie
'Hee leaves thys mortall state.'
Syr CANTERLONE thenne bendedd low;
Wythe harte brymm-fulle of woe;
Hee journey'd to the castle-gate,
And to Syr CHARLES dydd goe.
Butt whenne hee came, hys children twaine,
And eke hys lovynge wyfe,
Wythe brinie tears dydd wett the floore,
For goode Syr CHARLESES lyfe.
'O goode Syr CHARLES!' sayd CANTERLONE,
'Badde tydyngs I doe brynge.'
'Speke boldlie, manne,' sayd brave Syr CHARLES,
'Whatte says thie traytor kynge?'
'I greeve to telle, before yonne sonne
Does fromme the welkinn flye,
Hee hath uponne hys honour sworne,
Thatt thou thalt surelie die.'
'Wee all must die, quod brave Syr CHARLES;
'Of thatte I'm not affearde;
'Whatte bootes to lyve a little space?
'Thanke JESU, I'm prepar'd.
'Butt telle thye kynge, for myne hee's not,
'I'de sooner die to-daie
'Thanne lyve hys slave, as manie are,
'Tho' I shoulde lyve for aie.'
Thenne CANTERLONE hee dydd goe out,
To telle the maior straite
To gett all thynges ynne reddyness
For goode Syr CHARLESES fate.
Thenne Maisterr CANYNGE saughte the kynge,
And felle down onne hys knee;
'I'm come,' quod hee, 'unto your grace
'To move your clemencye.'
Thenne quod the kynge, 'Youre tale speke out,
'You have been much oure friende;

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Johnny Cant Read

Johnny cant read
Football, baseball, basket ball games
Drinkin bear, kickin ass and takin down names
With the top down, get-a-round, shootin the line
Summer is here and johnnys feelin fine
But johnny cant read
Summer is over and hes gone to seed
Johnny cant read
He never learned nothin that hell ever need
Well, johnny can dance and johnny can love
Johnny can push and johnny can shove
Johnny can hang out; johnny can talk tough
Johnny can get down and johnny can throw up
But johnny cant read
Summer is over and hes gone to seed
(you know that), johnny cant read
He never learned nothin that hell ever need
Well, is it teachers fault? oh no!
Is it mommys fault? oh no!
Is it societys fault? oh no!
Well is it johnnys fault? ohhhhh nooooo!
Couple years later, johnnys on the run
Johnny got confused and he bought himself a gun
Well, he went and did something that he shouldnt
Oughta done
F.b.i. on his tail
Use a gun-go to jail
But johnny cant read
Summer is over and hes gone to seed
(you know that), johnny cant read
He never learned nothin that hell ever need
Well is is teachers fault? oh no
Is it mommies fault? oh no
Is it the presidents fault? oh no
Well is it johnnys fault? ohhhhh nooooo!
Johnny can dance and johnny can love
Johnny can push and johnny can shove
Johnny can pinball; johnny can talk tough
Johnny can get down and johnny can throw up
Well, recess is over
Recess is over!
Sitcoms, t.&a.
Johnnys mind is blown away
Cop shows, horror flicks
Johnnys brain is full of bricks
Rock show, video
Boob tube, rubiks cube
Game fools, sunday school
Gain fans(? ), gobble gangs(? )
Wonka wonka wonka

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Wellwell, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Vision Of Piers Plowman - Part 13

And I awaked therwith, witlees nerhande,
And as a freke that fey were, forth gan I walke
In manere of a mendynaunt many yer after,
And of this metyng many tyme muche thought I hadde
First how Fortune me failed at my mooste nede,
And how that Elde manaced me, myghte we evere mete;
And how that freres folwede folk that was riche,
And [peple] that was povere at litel pris thei sette,
And no corps in hir kirkyerd ne in hir kirk was buryed
But quik he biquethe hem aught or sholde helpe quyte hir dettes;
And how this coveitise overcom clerkes and preestes;
And how that lewed men ben lad, but Oure Lord hem helpe,
Thorugh unkonnynge curatours to incurable peynes;
And how that Ymaginatif in dremels me tolde
Of Kynde and of his konnynge, and how curteis he is to bestes,
And how lovynge he is to bestes on londe and on watre
Leneth he no lif lasse ne moore;
The creatures that crepen of Kynde ben engendred;
And sithen how Ymaginatif seide, ' Vix iustus salvabitur,'
And whan he hadde seid so, how sodeynliche he passed.
I lay down longe in this thoght, and at the laste I slepte;

And as Crist wolde ther com Conscience to conforte me that tyme,
And bad me come to his court - with Clergie sholde I dyne.
And for Conscience of Clergie spak, I com wel the rather;
And there I [merkede] a maister - what man he was I nyste -
That lowe louted and loveliche to Scripture.
Conscience knew hym wel and welcomed hym faire;
Thei wesshen and wipeden and wenten to the dyner.
Ac Pacience in the paleis stood in pilgrymes clothes,
And preyde mete par charite for a povere heremyte.
Conscience called hym in, and curteisliche seide,
' Welcome, wye, go and wassh; thow shalt sitte soone.'
This maister was maad sitte as for the mooste worthi,
And thanne Clergie and Conscience and Pacience cam after.
Pacience and I were put to be mettes,
And seten bi oureselve at a side borde.
Conscience called after mete, and thanne cam Scripture
And served hem thus soone of sondry metes manye -
Of Austyn, of Ambrose, of alle the foure Evaungelistes
Edentes et bibentes que apud eos sunt.
Ac this maister ne his man no maner flessh eten,
Ac thei eten mete of moore cost - mortrews and potages
Of that men myswonne thei made hem wel at ese.
Ac hir sauce was over sour and unsavourly grounde
In a morter, Post mortem, of many bitter peyne -
But if thei synge for tho soules and wepe salte teris
Vos qui peccata hominum comeditis, nisi pro eis lacrimas et
oraciones effuderitis, ea que in deliciis comeditis, in tormentis evometis.
Conscience ful curteisly tho commaunded Scripture

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Homer

The Odyssey: Book 12

"After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
"Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe's house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
"While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, 'You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people's once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.'
"We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
"'So far so good,' said she, when I had ended my story, 'and now pay
attention to what I am about to tell you- heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men's bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men's ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope's ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
"'When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird

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Heres Johnny

Heres johnny
There he goes, he drives me crazy
When he says...(hee-eeres johnny!)
Thats his job, its so amazing
All he says is...(hee-eeres johnny!)
I never miss a moment when hes on the tube
His being there has made my life worth living
The chills run down my spine
Each time he says that line
Heres johnny! he says, and laughs in his special way
...johnny! he says, you know I love him
Heres johnny! he says, and second fiddle is his game
Ed mcmahons his name...all right
Dressed so fine, hes such a cool dude
Hear him say...(hee-eeres johnny!)
Watch him selling beer and dog food
Hear him say...(hee-eeres johnny!)
I got a letter from him just the other day
He said, you may already be a winner!
A trooper to the end
A clydesdales best friend
Heres johnny! he says, and laughs in his special way
...johnny! he says, you know I love him
Heres johnny! he says, and thats the way he gets his pay
What a living
Oh...(heres johnny! heres johnny!) wo-o-o, no
(heres johnny! heres johnny!) no no no no no no, I dont believe it
(heres johnny!) he says, and everytime its just the same
Ed mcmahons his name
A very special guy...all right
Hes on every night
Cant change the channel
When hes sitting on the panel
(hee-eeres johnny!)
There he goes, he gives me goose bumps
When he says...(hey-o-hey-hey-o!)
Heres johnny! he says, and laughs in his special way
...johnny! he says, you know I love him
Heres johnny! he says, that seems to be his claim to fame
Ed mcmahons his name

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Sweet Bonnie Brown

Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, like a real nice lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Oh, roll me over, like Im coming home
Well, she looked really like another ...
Coming down all over me
She looked real good, like a real low lady
Coming down all over me, yeah
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Ive been loving mary-ann so long
Do-do-do-do, do-do-do-do
And every time I see her, you know, I go too long
Do-do-do-do, do-do-do-do
Well, I aint lying, baby, I aint crying
Ive been this way for a long, long time, wow, wow ...
Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, just like a real low lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Oh, wow, Im up on a pony, spending all my money
Dont you come on after me
Oh, she looked real good, just like a real low lady
Coming down all over me, oh
Sweet bonnie brown
Oh, sweet bonnie brown
Oh, sweet bonnie brown
She looked real good, like I know she would, oh, oh
Oh, Ive been loving mary-lou, but so long
Do-do-do-do, do-do-do-do
Everytime I know her I ....
Do-do-do-do, do-do-do-do
Well I like baby, I aint crying
Ive been this way for a long, long, long this time, oh
Wow, wow, oh, baby ...

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Sweet Bonnie Brown

Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, like a real nice lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Oh, roll me over, like Im coming home
Well, she looked really like another ...
Coming down all over me
She looked real good, like a real low lady
Coming down all over me, yeah
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Ive been loving mary-ann so long
Do-do-do-do, do-do-do-do
And every time I see her, you know, I go too long
Do-do-do-do, do-do-do-do
Well, I aint lying, baby, I aint crying
Ive been this way for a long, long time, wow, wow ...
Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, just like a real low lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Oh, wow, Im up on a pony, spending all my money
Dont you come on after me
Oh, she looked real good, just like a real low lady
Coming down all over me, oh
Sweet bonnie brown
Oh, sweet bonnie brown
Oh, sweet bonnie brown
She looked real good, like I know she would, oh, oh
Oh, Ive been loving mary-lou, but so long
Do-do-do-do, do-do-do-do
Everytime I know her I ....
Do-do-do-do, do-do-do-do
Well I like baby, I aint crying
Ive been this way for a long, long, long this time, oh
Wow, wow, oh, baby ...

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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Soul Survivor

(Intro)
Come on, yo come on (survivor, survivor)
Come on, come on, come on, come on (survivor, survivor)
Come on, come on (soul survivor)
Come on, come on, come on, come on
(LL Cool J)
They said I wasn't rough, too much dough, he got an old flow
Everytime you open your mouth you feel your elbow
I'll catch a felony on top of a melody
brought a family, and dough woulda been so happily
I'll beat the Laker off of a clown and chop him down to size
Sick of all these wanna-be bad guys
Made loot, many g's, bought a crib where I live
told my kids - "yo, damn, that I'm a fugitive"
Runnin' from the streets and our beats - the sad sheets, uh
A sunny beach, video hoes within reach
Farmers Boulevard - liberty and forty is gone
And E ain't put nobody on
When I came back to smack and give 'em a welt
like belts makin' them strip and all of that
Punks better run for they guns
I'm not the one and can't nobody rule until L's done
(Chorus)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
(LL Cool J)
I worked the Murphy on the mix
What's wrong with these stupid lunatics playin' "Joint" for a drag-bit?
I'm harder than-?find in a jar?
People wasn't rippin' these records, all of y'all would get robbed
I'm comin' straight out the barrel with your name on my arm
blowin' the hoody of your head like a home-made bomb (BOOM!!)
I'm big and so you figured I would relax (nah!)
Don't ever sleep I'll wake ya up with an axe
The Boulevard ain't safe for my beats - drop the herb
Twenty times harder without a curse
Makin' rats flee, hardcore - and that's me!!
The baddest soloist in hip-hop history
L-L-C-to-the-O-to-the-O-L-J, so what'cha wanna know?
Throw ya in the MVP on your knees G
A crowbar in your mouth - now ask me...
(Chorus)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)

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