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I Wont Dance

The lyrics were first written by oscar hammerstein ii and otto harbach for the london musical three
Sisters, which premiered
In 1934. then when rko released the screen version in march of 1935, dorothy fields and jimmy mchugh
Changed the lyrics of the song, only keeping the title which oscar hammerstein ii originated.
I wont dance, dont ask me
I wont dance, dont ask me
I wont dance madame with you
My heart wont
Let me feet do things that they sould do
You know what, youre lovely you know what, youre so lovely
And you know what you do to me
Im like an ocean wave thats bumped on the shore
I feel so absolutely
Stumped on the floor
When you dance, youre chairming and youre gentle
Specially when you do the
Continental
But this feeling isnt purely mental
For heaven rest us, Im not asbestos
And thats why i
Wont dance, why sould i?
I wont dance, how could i?
I wont dance, merçi beacoup
I know
That music lead the way to romance
So if I hold you in arms I wont dance
I wont dance, dont ask me
I wont dance, dont ask me
I wont dance madame with you
My heart wont let me feet do things that
They want to do
You know what, youre so lovely, ring a ding-ding, youre lovely
And you know what
You do to me
Im like an ocean wave thats bumped on the shore
I feel so absolutely stumped on the
Floor
When you dance, youre chairming and youre gentle
Specially when you do the continental
But
This feeling isnt purely mental
For heaven rest us, Im not asbestos
And thats why I wont dance, i
Wont dance
I wont dance, merci beaucoup
I know that music lead the way to romance
So if I hold
You in arms I wont dance

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Byron

Oscar Of Alva: A Tale

How sweetly shines through azure skies,
The lamp of heaven on Lora's shore;
Where Alva's hoary turrets rise,
And hear the din of arms no more!

But often has yon rolling moon
On Alva's casques of silver play'd;
And view'd at midnight's silent noon,
Her chief's in gleaming mail array'd:

And on the crimson'd rocks beneath,
Which scowl o'er ocean's sullen flow,
Pale in the scatter'd runks of death,
She saw the gasping warrior low;

While many an eye which ne'er again
Could mark the rising orb of day,
T'urn'd feebly from the gory plain,
Beheld in death her fading ray.

Once to those eyes the lamp of Love,
They blest her dear propitious light;
But now she glimmer'd from above,
A sad, funereal torch of night.

Faded is Alva's noble race,
And gray her towers are seen afar;
No more her heroes urge the chase,
Or roll the crimson tide of war.

But who was last of Alva's clan?
Why grows the moss on Alva's stone?
Her towers resound no steps of man,
They echo to the gale alone.

And when that gale is fierce and high,
A sound is heard in yonder hall;
It rises hoarsely through the sky,
And vibrates o'er the mould'ring wall.

Yes, when the eddying tempest sighs,
It shakes the shield of Oscar brave;
But there no more his banners rise,
No more his plumes of sable wave.

Fair shone the sun on Oscar's birth,
When Angus hail'd his eldest born
The vassals round their chieftain's hearth
Crowd to applaud the happy morn.

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Temora - Book I

ARGUMENT.

Cairbar, the son of Borbar-duthul, lord of Atha, in Connaught, the most Potent chief of the race of the Fir-bolg, having murdered, at Temora, the royal palace, Cormac, the son of Artho, the young king of Ireland, usurped the throne. Cormac was lineally descended from Conar, the son of Trenmor, the great-grandfather of Fingal, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the behavior of Cairbar, and resolved to pass over into Ireland with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cathmor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledonian invaders appeared on the coast of Ulster.

The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brought him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Moma, haughtily despises the enemy; and is reprimanded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Olla, he invites Oscar, the son of Ossian; resolving to pick a quarrel with that hero, and so have some pretext for killing him. Oscar came to the feast; the quarrel happened; the followers of both fought, and Cairbar and Oscar fell by mutual wounds. The noise of the battle reached Fingal's army. The king came on to the relief of Oscar, and the Irish fell back to the army of Cathmor, who was advanced to the banks of the river Lubar, on the heath of Moi-lena. Fingal, after mourning over his grandson, ordered Ullin, the chief of his bards, to carry his body to Morven, to be there interred. Night coming on, Althan, the son of Conachar, relates to the king the particulars of the murder of Cormac. Fillan, the son of Fingal, is sent to observe the motions of Cathmor, by night, which concludes the action of the first day. The scene of this book is a plain, near the hill of Mora, which rose on the borders of the heath of Moi-lena in Ulster.

THE blue waves of Erin roll in light. The mountains are covered with day. Trees shake their dusky heads in the breeze. Gray torrents pour their noisy streams. Two green hills, with aged oaks, surround a narrow plain. The blue course of a stream is there. On its banks stood Cairbar of Atha. His spear supports the king: the red eye of his fear is sad. Cormac rises in his soul, with all his ghastly wounds. The gray form of the youth appears in darkness. Blood pours from his airy side. Cairbar thrice threw his spear on earth. Thrice he stroked his beard. His steps are short. He often stops. He tosses his sinewy arms. He is like a cloud in the desert, varying its form to every blast. The valleys are sad around, and fear, by turns, the shower! The king at length resumed his soul. He took his pointed spear. He turned his eye to Moi-lena. The scouts of blue ocean came. They came with steps of fear, and often looked behind. Cairbar knew that the mighty were near. He called his gloomy chiefs.

The sounding steps of his warriors came. They drew at once their swords. There Morlath stood with darkened face. Hidalla's long hair sighs in the wind. Red-haired Cormar bends on his spear, and rolls his sidelong-looking eyes. Wild is the look of Malthos, from beneath two shaggy brows. Foldath stands, like an oozy rock, that covers its dark sides with foam. His spear is like Slimora's fir, that meets the wind of heaven. His shield is marked with the strokes of battle. His red eye despises danger. These, and a thousand other chiefs, surrounded the king of Erin, when the scout of ocean came, Mor-annal, from streamy Moi-lena, His eyes hang forward from his face. His lips are trembling pale!

"Do the chiefs of Erin stand," he said, "silent as the grove of evening? Stand they, like a silent wood, and Fingal on the coast? Fingal, who is terrible in battle, the king of streamy Morven!" "Hast thou seen the warrior?" said Cairbar with a sigh. "Are his heroes many on the coast? Lifts he the spear of battle? or comes the king in peace?" "In peace be comes not, king of Erin; I have seen his forward spear. It is a meteor of death. The blood of thousands is on its steel. He came first to the shore, strong in the gray hair of age. Full rose his sinewy limbs, as he strode in his might. That sword is by his side, which gives no second wound. His shield is terrible, like the bloody moon, ascending through a storm. Then came Ossian, king of songs. Then Morni's son, the first of men. Connal leaps forward on his spear. Dermid spreads his dark-brown locks. Fillan bends his bow, the young hunter of streamy Moruth. But who is that before them, like the terrible course of a stream? It is the son of Ossian, bright between his locks! His long hair falls on his back. His dark brows are half enclosed in steel. His sword hangs loose on his side. His spear glitters as he moves. I fled from his terrible eyes, king of high Temora!"

"Then fly, thou feeble man," said Foldath's gloomy wrath. "Fly to the gray streams of thy land, son of the little soul! Have not I seen that Oscar? I beheld the chief in war. He is of the mighty in danger: but there are others who lift the spear. Erin has many sons as brave, king of Temora of groves. Let Foldath meet him in his strength. Let me stop this mighty stream. My spear is covered with blood. My shield is like the wall of Tura!"

"Shall Foldath alone meet the foe?" replied the dark-browed Malthos? "Are they not on our coast, like the waters of many streams? Are not these the chiefs who vanquished Swaran, when the sons of green Erin fled? Shall Foldath meet their bravest hero? Foldath of the heart of pride! Take the strength of the people! and let Malthos come. My sword is red with slaughter, but who has heard my words?"

"Sons of green Erin," said Hidalla, "let not Fingal hear your words. The foe might rejoice, and his arm be strong in the land. Ye are brave, O warriors! Ye are tempests in war. Ye are like storms, which meet the rocks without fear, and overturn the woods! But let us move in our strength, slow as a gathered cloud! Then shall the mighty tremble; the spear shall fall from the hand of the valiant. We see the cloud of death, they will say, while shadows fly over their face. Fingal will mourn in his age. He shall behold his flying fame. The steps of his chiefs will cease in Morven. The moss of years shall grow in Selma!"

Cairbar heard their words in silence, like the cloud of a shower: it stands dark on Cromla, till the lightning bursts its side. The valley gleams with heaven's flame; the spirits of the storm rejoice. So stood the silent king of Temora; at length his words broke forth. "Spread the feast on Moi-lena. Let my hundred bards attend. Thou red-haired Olla, take the harp of the king. Go to Oscar, chief of swords. Bid Oscar to our joy. To-day we feast and hear the song; to-morrow break the spears! Tell him that I have raised the tomb of Cathol; that bards gave his friend to the winds. Tell him that Cairbar has heard of his fame, at the stream of resounding Carun. Cathmor, my brother, is not here. He is not here with his thousands, and our arms are weak. Cathmor is a foe to strife at the feast! His soul is bright as that sun! But Cairbar must fight with Oscar, chiefs of woody Temora, His words for Cathol were many! the wrath of Cairbar burns! He shall fall on Moi-lena. My fame shall rise in blood!"

Their faces brightened round with joy. They spread over Moi-lena. The feast of shells is prepared. The songs of bards arise. The chiefs of Selma heard their joy. We thought that mighty Cathmor came. Cathmor, the friend of strangers! the brother of red-haired Cairbar. Their souls were not the same. The light of heaven was in the bosom of Cathmor. His towers rose on the banks of Atha: seven paths led to his halls. Seven chiefs stood on the paths, and called the stranger to the feast! But Cathmor dwelt in the wood, to shun the voice of praise!

Olla came with his songs. Oscar went to Cairbar's feast. Three hundred warriors strode along Moi-lena of the streams. The gray dogs bounded on the heath: their howling reached afar. Fingal saw the departing hero. The soul of the king was sad. He dreaded Cairbar's gloomy thoughts, amidst the feast of shells. My son raised high the spear of Cormac. A hundred bards met him with songs. Cairbar concealed, with smiles, the death that was dark in his soul. The feast is spread. The shells resound. Joy brightens the face of the host. But it was like the parting beam of the sun, when he is to hide his red head in a storm!

Cairbar rises in his arms. Darkness gathers on his brow. The hundred harps cease at once. The clang of shields is heard. Far distant on the heath Olla raised a song of wo. My son knew the sign of death; and rising seized his spear. "Oscar," said the dark-red Cairbar, "I behold the spear of Erin. The spear of Temora glitters in thy hand, son of woody Morven! It was the pride of a hundred kings. The death of heroes of old. Yield it, son of Ossian, yield it to car-borne Cairbar!"

"Shall I yield," Oscar replied, "the gift of Erin's injured king; the gift of fair-haired Cormac, when Oscar scattered his foes? I came to Cormac's halls of joy, when Swaran fled from Fingal. Gladness rose in the face of youth. He gave the spear of Temora. Nor did he give it to the feeble: neither to the weak in soul. The darkness of thy face is no storm to me: nor are thine eyes the flame of death. Do I fear thy clanging shield? Tremble I at Olla's song? No Cairbar, frighten the feeble; Oscar is a rock!"

"Wilt thou not yield the spear?" replied the rising pride of Cairbar." Are thy words so mighty, because Fingal is near? Fingal with aged locks, from Morven's hundred groves! He has fought with little men. But he must vanish before Cairbar, like a thin pillar of mist before the winds of Atha!" — "Were he who fought with little men, near Atha's haughty chief, Atha's chief would yield green Erin to avoid his rage! Speak not of the mighty, O Cairbar! Turn thy sword on me. Our strength is equal: but Fingal is renowned! the first of mortal men!"

Their people saw the darkening chiefs. Their crowding steps are heard. Their eyes roll in fire. A thousand swords are half unsheathed. Red-haired Olla raised the song of battle. The trembling joy of Oscar's soul arose: the wonted joy of his soul when Fingal's horn was heard. Dark as the swelling wave of ocean before the rising winds, when it bends its head near the coast, came on the host of Cairbar!

Daughter of Toscar! why that tear? He is not fallen yet. Many were the deaths of his arm before my hero fell!

Behold they fall before my son, like groves in the desert; when an angry ghost rushes through night, and takes their green heads in his hand! Morlath falls. Maronnan dies. Conachar trembles in his blood. Cairbar shrinks before Oscar's sword! He creeps in darkness behind a stone. He lifts the spear in secret, he pierces my Oscar's side! He falls forward on his shield, his knee sustains the chief. But still his spear is in his hand! See, gloomy Cairbar falls! The steel pierced his forehead, and divided his red hair behind. He lay like a shattered rock, which Cromla shakes from its shaggy side, when the green-valleyed Erin shakes its mountains from sea to sea!

But never more shall Oscar rise! He leans on his bossy shield. His spear is in his terrible hand. Erin's sons stand distant and dark. Their shouts arise, like crowded streams. Moi-lena echoes wide. Fingal heard the sound. He took the spear of Selma. His steps are before us on the heath. He spoke the words of wo. "I hear the noise of war. Young Oscar is alone. Rise, sons of Morven: join the hero's sword!"

Ossian rushed along the heath. Fillan bounded over Moi-lena. Fingal strode in his strength. The light of his shield is terrible. The sons of Erin saw it far distant. They trembled in their souls. They knew that the wrath of the king arose: and they foresaw their death. We first arrived. We fought. Erin's chiefs withstood our rage. But when the king came, in the sound of his course, what heart of steel could stand? Erin fled over Moi-lena. Death pursued their flight. We saw Oscar on his shield. We saw his blood around. Silence darkened on every face. Each turned his back and wept. The king strove to hide his tears. His gray beard whistled in the wind. He bends his head above the chief. His words are mixed with sighs.

"Art thou fallen, O Oscar! in the midst of thy course? the heart of the aged beats over thee! He sees thy coming wars! The wars which ought to come he sees! They are cut off from thy fame! When shall joy dwell at Selma? When shall grief depart from Morven? My sons fall by degrees: Fingal is the last of his race. My fame begins to pass away. Mine age will be without friends. I shall sit a gray cloud in my hall. I shall not hear the return of a son, in his sounding arms. Weep, ye heroes of Morven! never more shall Oscar rise!"

And they did weep, O Fingal! Dear was the hero to their souls. He went out to battle, and the foes vanished. He returned in peace, amidst their joy. No father mourned his son slain in youth: no brother his brother of love. They fell without tears, for the chief of the people is low! Bran is howling at his feet: gloomy Luath is sad; for he had often led them to the chase; to the bounding roe of the desert!

When Oscar saw his friends around, his heaving breast arose. "The groans," he said, "of aged chiefs; the howling of my dogs; the sudden bursts of the song of grief, have melted Oscar's soul. My soul, that never melted before. It was like the steel of my sword. Ossian, carry me to my hills! Raise the stones of my renown. Place the horn of a deer: place my sword by my side; The torrent hereafter may raise the earth: the hunter may find the steel, and say, 'This has been Oscar's sword, the pride of other years!'" "Fallest thou, son of my fame? shall I never see thee, Oscar? When others hear of their sons, shall I not hear of thee? The moss is on thy four gray stones. The mournful wind is there. The battle shall be fought without thee. Thou shalt not pursue the dark-brown hinds. When the warrior returns from battles, and tells of other lands; 'I have seen a tomb,' he will say, 'by the roaring stream, the dark dwelling of a chief. He fell by car-borne Oscar, the first of mortal men.' I, perhaps, shall hear his voice. A beam of joy will rise in my soul."

Night would have descended in sorrow, and morning returned in the shadow of grief. Our chiefs would have stood, like cold-dropping rocks on Moi-lena, and have forgot the war; did not the king disperse his grief, and raise his mighty voice. The chiefs, as new-wakened from dreams, lift up their heads around.

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The War Of Caros

Caros is probably the noted usurper Carausius, by birth a Menapran, who assumed the purple in the year 284; and, seizing on Britain, defeated the emperor Maximinian Herculius in several naval engagements, which gives propriety to his being called in this poem "the king of ships." He repaired Agricola's wall, in order to obstruct the incursions of the Caledonians, and when he was employed in that work, it appears he was attacked by a party under the command of Oscar the son of' Ossian. This battle is the foundation of the present poem, which is addressed to Malvina, the daughter of Toscar.

Bring, daughter of Toscar, bring the harp! the light of the song rises in Ossian's soul! It is like the field, when darkness covers the hills around, and the shadow grows slowly on the plain of the sun. I behold my son, O Malvina! near the mossy rock of Crona. But it is the mist of the desert, tinged with the beam of the west! Lovely is the mist that assumes the form of Oscar! turn from it, ye winds, when ye roar on the side of Ardven!

Who comes towards my son, with the murmur of a song? His staff is in his hand, his gray hair loose on the wind. Surly joy lightens his face. He often looks back to Caros. It is Ryno of songs, he that went to view the foe. "What does Caros, king of ships?" said the son of the now mournful Ossian: "spreads he the wings of his pride, bard of the times of old?" "He spreads them, Oscar," replied the bard," but it is behind his gathered heap. He looks over his stones with fear. He beholds thee terrible, as the ghost of night, that rolls the waves to his ships!"

"Go, thou first of my bards!" says Oscar, "take the spear of Fingal. Fix a flame on its point. Shake it to the winds of heaven. Bid him in songs, to advance, and leave the rolling of his wave. Tell to Caros that I long for battle; that my bow is weary of the chase of Cona. Tell him the mighty are not here; and that my arm is young."

He went with the murmur of songs. Oscar reared his voice on high. It reached his heroes on Ardven, like the noise of a cave, when the sea of Togorma rolls before it, and its trees meet the roaring winds. They gather round my son like the streams of the hill; when, after rain, they roll in the pride of their course. Ryno came to the mighty Caros. He struck his flaming spear. Come to the battle of Oscar. O thou that sittest on the rolling waves! Fingal is distant far; he hears the songs of bards in Morven: the wind of his hall is in his hair. His terrible spear is at his side; his shield that is like the darkened moon Come to the battle of Oscar; the hero is alone.

He came not over the streamy Carun. The bard returned with his song. Gray night grows dim on Crona. The feast of shells is spread. A hundred oaks burn to the wind; faint light gleams over the heath. The ghosts of Ardven pass through the beam, and show their dim and distant forms. Comala is half unseen on her meteor; Hidallan is sullen and dim, like the darkened moon behind the mist of night.

" Why art thou sad?" said Ryno; for he alone beheld the chief. "Why art thou sad, Hidallan! hast thou not received thy fame? The songs of Ossian have been heard , thy ghost has brightened in wind, when thou didst bend from thy cloud to hear the song of Morven's bard!"—-" And do thine eyes," said Oscar, " behold the chief, like the dim meteor of night? Say, Ryno, say, how fell Hidallan, the renowned in the days of my fathers! His name remains on the rocks of Cona. I have often seen the streams of his hills!"

Fingal, replied the bard, drove Hidallan from his wars. The king's soul was sad for Comala, and his eyes could not behold the chief. Lonely, sad, along the heath he slowly moved, with silent steps. His arms hung disordered on his side. His hair flies loose from his brow. The tear is in his downcast eyes; a sigh half silent in his breast! Three days he strayed unseen, alone, before he came to Lamor's halls: the mossy halls of his fathers, at the stream of Balva. There Lamor sat alone beneath a tree; for he had sent his people with Hidallan to war. The stream ran at his feet; his gray head rested on his staff. Sightless are his aged eyes. He hums the song of other times. The noise of Hidallan's feet came to his ear: he knew the tread of his son.

"Is the son of Lamor returned; or is it the sound of his ghost? Hast thou fallen on the banks of Carun, son of the aged Lamor? Or, if I hear the sound of Hidallan's feet, where are the mighty in the war? where are my people, Hidallan! that were wont to return with their echoing shields? Have they fallen on the banks of Carun?"

"No," replied the sighing youth, "the people of Lamor live. They are renowned in war, my father! but Hidallan is renowned no more. I must sit alone on the banks of Balva, when the roar of the battle grows."

" But thy fathers never sat alone," replied the rising pride of Lamor. "They never sat alone on the banks of Balva, when the roar of battle rose. Dost thou not behold that tomb? My eyes discern it not; there rests the noble Garmállon, who never fled from war! Come, thou renowned in battle, he says, come to thy father's tomb. How am I renowned, Garmállon? my son has fled from war!"

"King of the streamy Balva!" said Hidallan with a sigh, "why dost thou torment my soul? Lamor, I never fled. Fingal was sad for Comala; he denied his wars to Hidallan. Go to the gray streams of thy land, he said; moulder like a leafless oak, which the winds have bent over Balva, never more to grow."

"And must I hear," Lamor replied, "the lonely tread of Hidallan's feet? When thousands are renowned in battle, shall he bend over my gray streams? Spirit of the noble Garmállon! carry Lamor to his place; his eyes are dark, his soul is sad, his son has lost his fame."

"Where," said the youth, " shall I search for fames to gladden the soul of Lamor? From whence shall return with renown, that the sound of my arms may be pleasant in his ear? If I go to the chase of hinds, my name will not be heard. Lamor will not feel my dogs with his hands, glad at my arrival from the hill. He will not inquire of his mountains, or of the dark-brown deer of his deserts!"

"I must fall," said Lamor, "like a leafless oak: it grew on a rock! it was overturned by the winds! My ghost will be seen on my hills, mournful for my young Hidallan. Will not ye, ye mists, as ye rise, hide him from my sight! My son, go to Lamor's ball: there the arms of our fathers hang. Bring the sword of Garmállon: he took it from a foe!"

He went and brought the sword with all its studded thongs. He gave it to his father. The gray-haired hero felt the point with his hand.

"My son, lead me to Garmállon's tomb: it rises beside that rustling tree. The long grass is withered; I hear the breezes whistling there. A little fountain murmurs near, and sends its waters to Balva. There let me rest; it is noon: the sun is on our fields!"

He led him to Garmállon's tomb. Lamor pierced the side of his son. They sleep together: their ancient halls moulder away. Ghosts are seen there at noon: the valley is silent, and the people shun the place of Lamor.

"Mournful is thy tale," said Oscar, "son of the times of old! My soul sighs for Hidallan; he fell in the days of his youth. He flies on the blast of the desert: his wandering is in a foreign land. Sons of the echoing Morven! draw near to the foes of Fingal. Send the night away in songs; watch the strength of Caros. Oscar goes to the people of other times; to the shades of silent Ardven, where his fathers sit dim in their clouds, and behold the future war. And art thou there, Hidallan, like a half-extinguished meteor? Come to my sight, in thy sorrow, chief of the winding Balva!"

The heroes move with their songs. Oscar slowly ascends the hill. The meteors of night set on the heath before him. A distant torrent faintly roars. Unfrequent blasts rush through aged oaks. The half enlightened moon sinks dim and red behind her hill. Feeble Voices are heard on the heath. Oscar drew his sword! " Come," said the hero, " O ye ghosts of my fathers! ye that fought against the kings of the world! Tell the deeds of future times; and your converse in our caves, when you talk together, and behold your sons in the fields of the brave!"

Trenmo came from his hill at the voice of his mighty son. A cloud, like the steed of the stranger, supported his airy limbs. His robe is of the mist of Lano, that brings death to the people. His sword is a green meteor, half-extinguished. His face is without form, and dark. He sighed thrice over the hero; thrice the winds of night roared around! Many were his words to Oscar; but they only came by halves to our ears; they were dark as the tales of other times, before the light of the song arose. He slowly vanished, like a mist that melts on the sunny hill. it was then, O daughter of Toscar! my son began first to be sad. He foresaw the fall of his race. At times he was thoughtful and dark, like the sun when he carries a cloud on his face, but again he looks forth from his darkness on the green hills of Cona.

Oscar passed the night among his fathers: gray morning met him on Carun's banks. A green vale surrounded a tomb which arose in the times of old. Little hills lift their heads at a distance, and stretch their old trees to the wind. The warriors of Caros sat there, for they had passed the stream by night. They appeared like the trunks of aged pines, to the pale light of the morning. Oscar stood at the tomb, and raised thrice his terrible voice. The rocking hills echoed around; the starting roes bounded away: and the trembling ghosts of the dead fled, shrieking on their clouds. So terrible was the voice of my son, when he called his friends!

A thousand spears arose around; the people of Caros rose. Why, daughter of Toscar, why that tear? My son, though alone, is brave. Oscar is like a beam of the sky; he turns around, and the people fall. his hand is the arm of a ghost, when he stretches it from a cloud; the rest of his thin form is unseen; but the people die in the vale! My son beheld the approach of the foe; he stood in the silent darkness of his strength. " Am I alone," said Oscar, " in the midst of a thousand foes? Many a spear is there! many a darkly-rolling eye. Shall I fly to Ardven? But did my fathers ever fly? The mark of their arm is in a thousand battles. Oscar too shall be renowned. Come, ye dim ghosts of my fathers, and behold my deeds in war! I may fall; but I will be renowned like the race of the echoing Morven." He stood, growing in his place, like a flood in a narrow vale! The battle came, but they fell: bloody was the sword of Oscar!

The noise reached his people at Crona; they came like a hundred streams. The warriors of Caros fled; Oscar remained like a rock left by the ebbing sea. Now dark and deep, with all his steeds, Caros rolled his might along: the little streams are lost in his course: the earth is rocking round. Battle spreads from wing to wing; ten thousand swords gleam at once in the sky. But why should Ossian sing of battles? For never more shall my steel shine in war. I remember the days of my youth with grief, when I feel the weakness of my arm. Happy are they who fell in their youth, in the midst of their renown! They have not beheld the tombs of their friends, or failed to bend the bow of their strength. Happy art thou, O Oscar, in the midst of thy rushing blast! Thou often goest to the fields of thy fame, where Caros fled from thy lifted sword!

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Dorothy Parker

Dorothy Parker [Controversy Music, ASCAP - 1987]
--------------
Dorothy was a waitress on the promenade
She worked the night shift
Dishwater blonde, tall and fine
She got a lot of tips
Well, earlier I'd been talkin' stuff
In a violent room
Fighting with lovers past
I needed someone with a quicker wit than mine
Dorothy was fast
Well, I ordered - "Yeah, let me get a fruit cocktail, I ain't 2 hungry"
Dorothy laughed
She said "Sounds like a real man 2 me"
Kinda cute, U wanna take a bath?
(do you wanna, do you wanna, bath)
I said "Cool, but I'm leaving my pants on" (she say)
"Cuz I'm kind of going with someone"
She said "Sounds like a real man 2 me"
"Mind if I turn on the radio?"
"Oh, my favorite song" she said
And it was Joni singing "Help me I think I'm falling"
(Ring)
The phone rang and she said
"Whoever's calling can't be as cute as U"
Right then I knew I was through
(Dorothy Parker was cool)
My pants where wet, they came off
But she didn't see the movie
Cuz she hadn't read the book first
Instead she pretended she was blind
An affliction brought on by a witch's curse
Dorothy made me laugh (ha ha)
I felt much better so I went back
2 the violent room (tell us what U did)
Let me tell U what I did...
I took another bubble bath with my pants on
All the fighting stopped
Next time I'll do it sooner
This is the ballad of Dorothy Parker
Dorothy Parker, Dorothy Parker, Dorothy Parker
Dorothy Parker, Dorothy Parker, Dorothy Parker
Well
Dorothy Parker, Dorothy Parker
Well

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The Ballad Of Dorothy Parker

Dorothy was a waitress on the promenade
She worked the night shift
Dishwater blonde, tall and fine
She got a lot of tips
Well, earlier Id been talkin stuff
In a violent room
Fighting with lovers past
I needed someone with a quicker wit than mine
Dorothy was fast
Well, I ordered - yeah, let me get a fruit cocktail, I aint 2 hungry
Dorothy laughed
She said sounds like a real man 2 me
Kinda cute, u wanna take a bath?
(do you wanna, do you wanna, bath)
I said cool, but Im leaving my pants on (she say)
Cuz Im kind of going with someone
She said sounds like a real man 2 me
Mind if I turn on the radio?
Oh, my favorite song she said
And it was joni singing help me I think Im falling
(ring)
The phone rang and she said
Whoevers calling cant be as cute as u
Right then I knew I was through
(dorothy parker was cool)
My pants where wet, they came off
But she didnt see the movie
Cuz she hadnt read the book first
Instead she pretended she was blind
An affliction brought on by a witchs curse
Dorothy made me laugh (ha ha)
I felt much better so I went back
2 the violent room (tell us what u did)
Let me tell u what I did...
I took another bubble bath with my pants on
All the fighting stopped
Next time Ill do it sooner
This is the ballad of dorothy parker
Dorothy parker, dorothy parker, dorothy parker
Dorothy parker, dorothy parker, dorothy parker
Well
Dorothy parker, dorothy parker
Well

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Microphone Fiend

Yo, I was a fiend before I became a teen
I melted microphone instead of cones of ice cream
Music orientated so when hip-hop was originated
Fitted like pieces of puzzles, complicated
Shot grabbed the mic and try to say, yes yall!
They tried to take it, and say that Im too small
Cool, cause I dont get upset
I kick a hole in the speaker, pull the plug, then I jet
Back to the lab ...without a mic to grab
So then I add all the rhymes I had
One after the another one, then I make another one
To dis the opposite then ask if the brothers done
I get a craving like I fiend for nicotine
But I dont need a cigarette, know what I mean?
Im raging, ripping up the stage and
Dont it sound amazing cause every rhyme is made and
Thought of, cuz its sort of...an addiction,
Magnatized by the mixing
E-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.
E-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.
But back to the problem, I gotta habit,
You cant solve it, you silly rabbit
The prescription is a hypertone thats thorough when
I fiend for a microphone like heroin
Soon as the bass kicks, I need a fix
Gimme a stage and a mic and a mix
And Ill put you in a mood or is it a state of
Unawareness? beware, its the reanamator!
A menace to a microphone, a lethal weapon
An assasinator, if the people aint stepping
You see a part of me that you never seen
When Im fiending for a microphone.
Cause I take it to the maximum, I cant relax see, im
Hype as a hyperchrondriac cause the rap be one
Hell of a antidote, something you cant smoke
More than dope, youre trying to move away but you cant, youre broke
More than cracked up, you should have backed up
For those who act up need to be more than smacked up
E-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.
An e-f-f-e-c-t
A smooth operator operating correctly.

[...] Read more

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Fingal - Book IV

ARGUMENT.

The action of the poem being suspended by night, Ossian takes the opportunity to relate his own actions at the lake of Lego, and his courtship of Everallin, who was the mother of Oscar, and had died some time before the expedition of Fingal into Ireland. Her ghost appears to him, and tells him that Oscar, who had been sent, the beginning of the night, to observe the enemy, was engaged with an advanced party, and almost overpowered. Ossian relieves his son; and an alarm is given to Fingal of the approach of Swaran. The king rises, calls his army together, and, as he had promised the preceding night, devolves the command on Gaul the son of Morni, while he himself, after charging his sons to behave gallantly and defend his people, retires to a hill, from whence he could have a view of the battle. The battle joins; the poet relates Oscar's great actions. But when Oscar, in conjunction with his father, conquered in one wing, Gaul, who was attacked by Swaran in person, was on the point of retreating in the other. Fingal sends Ullin his bard to encourage them with a war song, but notwithstanding Swaran prevails; and Gaul and his army are obliged to give way. Fingal descending from the hill, rallies them again; Swaran desists from the pursuit, possesses himself of a rising ground, restores the ranks, and waits the approach of Fingal. The king, having encouraged his men, gives the necessary orders, and renews the battle. Cuthullin, who, with his friend Connal, and Carril his bard, had retired to the cave of Tura, hearing the noise, came to the brow of the hill, which overlooked the field of battle, where he saw Fingal engaged with the enemy. He, being hindered by Connal from joining Fingal, who was himself upon the point of obtaining a complete victory, sends Carril to congratulate that hero on success.

Who comes with her songs from the hill, like the bow of the showery Lena? It is the maid of the voice of love: the white-armed daughter of Toscar! Often hast thou heard my song; often given the tear of beauty. Hast thou come to the wars of thy people? to hear the actions of Oscar? When shall I cease to mourn, by the streams of resounding Cona? My years have passed away in battle. My age is darkened with grief!

"Daughter of the hand of snow, I was not so mournful and blind; I was not so dark and forlorn, when Everallin loved me! Everallin with the dark-brown hair, the white-bosomed daughter of Branno. A thousand heroes sought the maid, she refused her love to a thousand. The sons of the sword were despised: for graceful in her eyes was Ossian. I went, in suit of the maid, to Lego's sable surge. Twelve of my people were there, the sons of streamy Morven! We came to Branno, friend of strangers! Branno of the sounding mail! 'From whence,' he said, 'are the arms of steel? Not easy to win is the maid, who has denied the blue-eyed sons of Erin. But blest be thou, O son of Fingal! Happy is the maid that waits thee! Though twelve daughters of beauty were mine, thine were the choice, thou son of fame!'

"He opened the hall of the maid, the dark-haired Everallin. Joy kindled in our manly breasts. We blest the maid of Branno. Above us on the hill appeared the people of stately Cormac. Eight were the heroes of the chief. The heath flamed wide with their arms. There Colla; there Durra of wounds; there mighty Toscar, and Tago; there Fresta the victorious stood; Dairo of the happy deeds; Dala the battle's bulwark in the narrow way! The sword flamed in the hand of Cormac. Graceful was the look of the hero! Eight were the heroes of Ossian. Ullin, stormy son of war. Mullo of the generous deeds. The noble, the graceful Scelacha. Oglan, and Cerdan the wrathful. Dumariccan's brows of death. And why should Ogar be the last; so wide-renowned on the hills of Ardven?

"Ogar met Dala the strong face to face, on the field of heroes. The battle of the chiefs was like wind, on ocean's foamy waves. The dagger is remembered by Ogar; the weapon which he loved. Nine times he drowned it in Dala's side. The stormy battle turned. Three times I broke on Cormac's shield: three times he broke his spear. But, unhappy youth of love! I cut his head away. Five times I shook it by the lock. The friends of Cormac fled. Whoever would have told me, lovely maid, when then I strove in battle, that blind, forsaken, and forlorn, I now should pass the night; firm ought his mail to have been; unmatched his arm in war."

On Lena's gloomy heath the voice of music died away. The inconstant blast blew hard. The high oak shook its leaves around. Of Everallin were my thoughts, when in all the light of beauty she came; her blue eyes rolling in tears. She stood on a cloud before my sight, and spoke with feeble voice! "Rise, Ossian, rise, and save my son; save Oscar, prince of men. Near the red oak of Luba's stream he fights with Lochlin's sons." She sunk into her cloud again. I covered me with steel. My spear supported my steps; my rattling armor rung. I hummed, as I was wont in danger, the songs of heroes of old. Like distant thunder Lochlin heard. They fled; my son pursued.

I called him like a distant stream. "Oscar, return over Lena. No further pursue the foe," I said, "though Ossian is behind thee." He came! and pleasant to my ear was Oscar's sounding steel. "Why didst thou stop my hand," he said, "till death had covered all? For dark and dreadful by the stream they met thy son and Fillin. They watched the terrors of the night. Our swords have conquered some. But as the winds of night pour the ocean over the white sands of Mora, so dark advance the sons of Lochlin, over Lena's rustling heat! The ghosts of night shriek afar: I have seen the meteors of death. Let me awake the king of Morven, he that smiles in danger! He that is like the sun of heaven, rising in a storm!"

Fingal had started from a dream, and leaned on Trenmor's shield! the dark-brown shield of his fathers, which they had lifted of old in war. The hero had seen, in his rest, the mournful form of Agandecca. She came from the way of the ocean. She slowly, lonely, moved over Lena. Her face was pale, like the mist of Cromla. Dark were the tears of her cheek. She often raised her dim hand from her robe, her robe which was of the clouds of the desert: she raised her dim hand over Fingal, and turned away silent eyes! "Why weeps the daughter of Starno?" said Fingal with a sigh; "why is thy face so pale, fair wanderer of the clouds?" She departed on the wind of Lena. She left him in the midst of the night. She mourned the sons of her people, that were to fall by the hand of Fingal.

The hero started from rest. Still he beheld her in his soul. The sound of Oscar's steps approached. The king saw the gray shield on his side: for the faint beam of the morning came over the waters of Ullin. "What do the foes in their fear?" said the rising king of Morven: "or fly they through ocean's foam, or wait they the battle of steel? But why should Fingal ask? I hear their voice on the early wind! Fly over Lena's heath: O Oscar, awake our friends!"

The king stood by the stone of Lubar. Thrice he reared his terrible voice. The deer started from the fountains of Cromla. The rocks shook, on all their hills. Like the noise of a hundred mountain-streams, that burst, and roar, and foam! like the clouds, that gather to a tempest on the blue face of the sky! so met the sons of the desert, round the terrible voice of Fingal. Pleasant was the voice of the king of Morven to the warriors of his land. Often had he led them to battle; often returned with the spoils of the foe.

"Come to battle," said the king, "ye children of echoing Selma! Come to the death of thousands! Comhal's son will see the fight. My sword shall wave on the hill, the defence of my people in war. But never may you need it, warriors; while the son of Morni fights, the chief of mighty men! He shall lead my battle, that his fame may rise in song! O ye ghosts of heroes dead! ye riders of the storm of Cromla! receive my falling people with joy, and bear them to your hills. And may the blast of Lena carry them over my seas, that they may come to my silent dreams, and delight my soul in rest. Fillan and Oscar of the dark-brown hair! fair Ryno, with the pointed steel! advance with valor to the fight. Behold the son of Morni! Let your swords be like his in strife: behold the deeds of his hands. Protect the friends of your father. Remember the chiefs of old. My children, I will see you yet, though here you should fall in Erin. Soon shall our cold pale ghosts meet in a cloud, on Cona's eddying winds."

Now like a dark and stormy cloud, edged round with the red lightning of heaven, flying westward from the morning's beam, the king of Selma removed. Terrible is the light of his armor; two spears are in his hand. His gray hair falls on the wind. He often looks back on the war. Three bards attend the son of fame, to bear his words to the chiefs high on Cromla's side he sat, waving the Lightning of his sword, and as he waved we moved.

Joy rises in Oscar's face. His cheek is red. His eye sheds tears. The sword is a beam of fire in his hand. He came, and smiling, spoke to Ossian. "O ruler of the fight of steel! my father, hear thy son! Retire with Morven's mighty chief. Give me the fame of Ossian. If here I fall, O chief, remember that breast of snow, the lonely sunbeam of my love, the white-handed daughter of Toscar! For, with red cheek from the rock, bending over the stream, her soft hair flies about her bosom, as she pours the sigh for Oscar. Tell her I am on my hills, a lightly-bounding son of the wind; tell her, that in a cloud I may meet the lovely maid of Toscar." "Raise, Oscar, rather raise my tomb. I will not yield the war to thee. The first and bloodiest in the strife, my arm shall teach thee how to fight. But remember, my son, to place this sword, this bow, the horn of my deer, within that dark and narrow house, whose mark is one gray stone! Oscar, I have no love to leave to the care of my son. Everallin is no more, the lovely daughter of Branno!"

Such were our words, when Gaul's loud voice came growing on the wind. He waved on high the sword of his father. We rushed to death and wounds. As waves, white bubbling over the deep, come swelling, roaring on; as rocks of ooze meet roaring waves; so foes attacked and fought. Man met with man, and steel with steel. Shields sound and warriors fall. As a hundred hammers on the red son of the furnace, so rose, so rung their swords!

Gaul rushed on, like a whirlwind in Ardven. The destruction of heroes is on his sword. Swaran was like the fire of the desert in the echoing heath of Gormal! How can I give to the song the death of many spears? My sword rose high, and flamed in the strife of blood. Oscar, terrible wert thou, my best, my greatest son! I rejoiced in my secret soul, when his sword flamed over the slain. They fled amain through Lena's heath. We pursued and slew. As stones that bound from rock to rock; as axes in echoing woods; as thunder rolls from hill to hill, in dismal broken peals; so blow succeeded to blow, and death to death, from the hand of Oscar and mine.

But Swaran closed round Morni's son, as the strength of the tide of Inistore. The king half rose from his hill at the sight. He half-assumed the spear. "Go, Ullin, go, my aged bard," began the king of Morven. "Remind the mighty Gaul of war. Remind him of his fathers. Support the yielding fight with song; for song enlivens war." Tall Ullin went, with step of age, and spoke to the king of swords. "Son of the chief of generous steeds! high-bounding king of spears! Strong arm in every perilous toil! Hard heart that never yields! Chief of the pointed arms of death! Cut down the foe; let no white sail bound round dark Inistore. Be thine arm like thunder, thine eyes like fire, thy heart of solid rock. Whirl round thy sword as a meteor at night: lift thy shield like the flame of death. Son of the chief of generous steeds, cut down the foe! Destroy!" The hero's heart beat high. But Swaran came with battle. He cleft the shield of Gaul in twain. The sons of Selma fled.

Fingal at once arose in arms. Thrice he reared his dreadful voice. Cromla answered around. The sons of the desert stood still. They bent their blushing faces to earth, ashamed at the presence of the king. He came like a cloud of rain in the day of the sun, when slow it rolls on the hill, and fields expect the shower. Silence attends its slow progress aloft; but the tempest is soon to rise. Swaran beheld the terrible king of Morven. He stopped in the midst of his course. Dark he leaned on his spear, rolling his red eyes around. Silent and tall he seemed as an oak on the banks of Lubar, which had its branches blasted of old by the lightning of heaven. It bends over the stream: the gray moss whistles in the wind: so stood the king. Then slowly he retired to the rising heath of Lena. His thousands pour round the hero. Darkness gathers on the hill!

Fingal, like a beam of heaven, shone in the midst of his people. His heroes gather around him. He sends forth the voice of his power. "Raise my standards on high; spread them on Lena's wind, like the flames of a hundred hills! Let them sound on the wind of Erin, and remind us of the fight. Ye sons of the roaring streams, that pour from a thousand hills be near the king of Morven! attend to the words of his power! Gaul, strongest arm of death! O Oscar, of the future fights! Connal, son of the blue shields of Sora! Dermid, of the dark-brown hair! Ossian, king of many songs, be near your father's arm!" We reared the sunbeam of battle; the standard of the king! Each hero exulted with joy, as, waving, it flew on the wind. It was studded with gold above, as the blue wide shell of the nightly sky. Each hero had his standard too, and each his gloomy men!

"Behold," said the king of generous shells, "how Lochlin divides on Lena! They stand like broken clouds on a hill, or a half-consumed grove of oaks, when we see the sky through its branches, and the meteor passing behind! Let every chief among the friends of Fingal take a dark troop of those that frown so high: nor let a son of the echoing groves bound on the waves of Inistore!"

"Mine," said Gaul, "be the seven chiefs that came from Lano's lake." "Let Inistore's dark king," said Oscar, "come to the sword of Ossian's son." "To mine the king of Iniscon," said Connal, heart of steel!" Or Mudan's chief or I," said brown-haired Dermid, "shall sleep on clay-cold earth." My choice, though now so weak and dark, was Terman's battling king; I promised with my hand to win the hero's dark-brown shield, "Blest and victorious be my chiefs," said Fingal of the mildest look. "Swaran, king of roaring waves, thou art the choice of Fingal!"

Now, like a hundred different winds that pour through many vales, divided, dark the sons of Selma advanced. Cromla echoed around! How can I relate the deaths, when we closed in the strife of arms? O, daughter of Toscar, bloody were our hands! The gloomy ranks of Lochlin fell like the banks of roaring Cona! Our arms were victorious on Lena: each chief fulfilled his promise. Beside the murmur of Branno thou didst often sit, O maid! thy white bosom rose frequent, like the down of the swan when slow she swims on the lake, and sidelong winds blow on her ruffled wing. Thou hast seen the sun retire, red and slow behind his cloud: night gathering round on the mountain, while the unfrequent blast roared in the narrow vales. At length the rain beats hard: thunder rolls in peals. Lightning glances on the rocks! Spirits ride on beams of fire! The strength of the mountain streams comes roaring down the hills. Such was the noise of battle, maid of the arms of snow! Why. daughter of Toscar, why that tear? The maids of Lochlin have cause to weep! The people of their country fell. Bloody were the blue swords of the race of my heroes! But I am sad, forlorn, and blind: no more the corn ion of heroes! Give, lovely maid to me thy tears. I have seen the tombs of all my friends!

It was then, by Fingal's hand, a hero fell, to his grief! Gray-haired he rolled in the dust. He lifted his faint eyes to the king. "And is it by me thou hast fallen," said the son of Comhal, "thou friend of Agandecca? I have seen thy tears for the maid of my love in the halls of the bloody Starno! Thou hast been the foe of the foes of my love, and hast thou fallen by my hand? Raise Ullin, raise the grave of Mathon, and give his name to Agandecca's song. Dear to my soul hast thou been, thou darkly-dwelling maid of Ardven!"

Cuthullin, from the cave of Cromla, heard the noise of the troubled war. He called to Connal, chief of swords: to Carril of other times. The gray-haired heroes heard his voice. They took their pointed spears. They came, and saw the tide of battle, like ocean's crowded waves, when the dark wind blows from the deep, and rolls the billows through the sandy vale! Cuthullin kindled at the sight. Darkness gathered on his brow. His hand is on the sword of his fathers: his red-rolling eyes on the foe. He thrice attempted to rush to battle. He thrice was stopped by Connal. "Chief of the isle of mist," he said, "Fingal subdues the foe. Seek not a part of the fame of the king; himself is like the storm!"

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Jimmy

Jimmy
It started out with a few misfortunes
His daddy ran off with some broad from the motown
When momma said we're leavin tomorrow
Jimmy already had his things together
So many days of thinking of the past
The girl he left behind and hangin out in the
free streets
Somehow Jimmy had survived his reflections
The broken glass in his hands, a noose before him
Said he did it before
He's gonna do it again
Give him a fix and a bottle and he won't complain
Until he's blue in the face
Jimmy's the leader of a losin' race
Hey Jimmy did you learn your lesson
You always know what you were missin'
Hey Jimmy did you solve the problem
Just a kid with no direction
Some people say it was fright that drove him
But Jimmy knows who's really scared of difference
The whipping boy won't take his beating
It only left them alone to their thinking
Of how he knew what they could never know
And he would live and learn to be himself
through his mistakes
Watch and laugh, pretend they were okay
Waiting for things to change is just another day
Said he did it before
He's gonna do it again
Give him a fix or a bottle and he won't complain
Until he's blue in the face
Jimmy's the leader of a losing race
Hey Jimmy did you learn your lesson
You always knew what you were missin'
Hey Jimmy did you solve the problem
Just a kid with no direction
Hey Jimmy don't you walk away
We'll look at life according to me
You're my life support auto biography
Hey Jimmy take a look inside
Let's take a chance, enjoy the ride
Impressions don't die
No one knew your story
Hey Jimmy did you learn you lesson
You always knew what you were missin' (Jimmy)
Hey Jimmy did you solve the problem
Just a kid with no direction (Jimmy)
Hey Jimmy did you learn your lesson
You always knew what you were missin' (Jimmy)

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London Song

Theres a room in a house in a street in a manor in a borough
Thats part of a city that is generally referred to as london
Its a dark place, a mysterious place
And it is said that if youre born within the sound of bow-bells
You have the necessary qualifications to be christened a londoner
[its a cruel place, its a hard place]
But when you think back to all the great londoners
William blake, charles dickens, dick whittington,
Pearly kings, barrow boys, arthur daley, max wall
And dont forget the kray twins
But if youre ever up on highgate hill on a clear day
You can see right down to leicester square [london, london]
Crystal palace, clapham common, right down to streatham hill
North and south, I feel that Im a londoner still [london, london]
Chiswick bridge to newham and east ham
Churchbells ring out through the land
You were born in london, england
[london, london, through the dark alley-ways and passages of london]
And theres a tap by a reservoir, leading to a stream,
That turns into a river estuary that eventually opens to the sea
[london, london]
And theres a docker by a wharf, sending cargo overseas,
Unloading foreign trade from a large ocean vessel
In the mighty metropolitan port of london
[london, london, through the dark alley-ways and passages of london]
When I think of all the londoners still unsung
East-enders, west-enders, oriental-enders
Fu manchu, sherlock holmes, jack spock, henry cooper,
Thomas abecket, thomas moore, and dont forget the kray twins
Theres a part of me that says get out
Then one day Ill hear somebody shout
Sounds to me like you come from london town
But if youre ever up on highgate hill on a clear day,
Ill be there [Ill be there]
Yes I will be there [there]
Through the dark alley-ways and passages of london, london
London, london, through the dark alley-ways and passages of london, london
London, london, through the dark alley-ways and passages of london, london

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The War Of Inis-Thona

Reflections on the poet's youth. An apostrophe to Selma. Oscar obtains leave to go to Inis-thona, an island of Scandinavia. The mournful story of Argon and Ruro, the two sons of the king of Inis-thona. Oscar revenges their death, and returns in triumph to Selma. A soliloquy by the poet himself.

Our youth is like the dream of the hunter on the hill of heath. He sleeps in the mild beams of the sun: he awakes amidst a storm; the red lightning flies around: trees shake their heads to the wind! He looks back with joy on the day of the sun, and the pleasant dreams of his rest! When shall Ossian's youth return? When his ear delight in the sound of arms? When shall I, like Oscar, travel in the light of my steel? Come with your streams, ye hills of Cona! listen to the voice of Ossian. The song rises, like the sun, in my soul. I feel the joys of other times.

I behold thy towers, O Selma! the oaks of thy shaded wall: thy streams sound in my ear; thy heroes gather round. Fingal sits in the midst. He leans on the shield of Trenmor; his spear stands against the wall; he listens to the songs of his bards. The deeds of his arm are heard; the actions of the king in his youth! Oscar had returned from the chase, and heard the hero's praise. He took the shield of Branno from the wall; his eyes were filed with tears. Red was the cheek of youth. His voice was trembling low. My spear shook its bright head in his hand: he spoke to Morven's king.

"Fingal! thou king of heroes! Ossian, next to him in war! ye have fought in your youth; your names are renowned in song. Oscar is like the mist of Cona; I appear and I vanish away. The bard will not know my name. The hunter will not search in the heath for my tomb. Let me fight, O heroes, in the battles of Inis-thona. Distant is the land of my war! ye shall not hear of Oscar's fall: some bard may find me there; some bard may give my name to song. The daughter of the stranger shall see my tomb, and weep over the youth, that came from afar. The bard shall say, at the feast, Hear the song of Oscar from the distant land!"

" Oscar," replied the king of Morven, " thou shalt fight, son of my fame! Prepare my dark-bosomed ship to carry my hero to Inis-thona. Son of my son, regard our fame; thou art of the race of renown: let not the children of strangers say, Feeble are the sons of Morven! Be thou, in battle, a roaring storm: mild as the evening sun in peace! Tell, Oscar, to Inis-thona's king, that Fingal remembers his youth; when we strove in the combat together, in the days of Agandecca."

They lifted up the sounding sail: the wind whistled through the thongs of their masts. Waves lashed the oozy rocks: the strength of ocean roars. My son beheld, from the wave, the land of groves. He rushed into Runa's sounding bay, and sent his sword to Annir of spears. The gray-headed hero rose, when he saw the sword of Fingal. His eyes were full of tears; he remembered his battles in youth. Twice had they lifted the spear before the lovely Agandecca.: heroes stood far distant, as if two spirits were striving in winds.

" But now," began the king, " I am old; the Sword lies useless in my hall. Thou who art of Morven's race! Annir has seen the battle of spears; but now he is pale and withered, like the oak of Lano. I have no son to meet thee with joy, to bring thee to the halls of his fathers. Argon is pale in the tomb, and Ruro is no more. My daughter is in the hall of strangers: she longs to behold my tomb. Her spouse shakes ten thousand spears; he comes a cloud of death from Lano. Come, to share the feast of Annir, son of echoing Morven?

Three days they feasted together. On the fourth, Annir heard the name of Oscar. They rejoiced in the shell. They pursued the boars of Runa. Beside the fount of mossy stones the weary heroes rest. The tear steals in secret from Annir: he broke the rising sigh. "Here darkly rest," the hero said, "the children of my youth. This stone is the tomb of Ruro; that tree sounds over the grave of Argon. Do ye hear my voice, O my sons, within your narrow house? Or do ye speak in these rustling leaves, when the wind of the desert rises?"

"King of Inis-thona," said Oscar, "how fell the children of youth? The wild boar rushes over their tombs, but he does not disturb their repose. They pursue deer formed of clouds, and bend their airy bow. They still love the sport of their youth; and mount the wind with joy."

"Cormalo," replied the king, " is a chief of ten thousand spears. He dwells at the waters of Lano which sends forth the vapor of death. He came to Runa's echoing halls, and sought the honor of the spear. The youth was lovely as the first beam of the sun; few were they who could meet him in fight. My heroes yielded to Cormalo; my daughter was seized in his love. Argon and Ruro returned from the chase; the tears of their pride descend: they roll their silent eyes on Runa's heroes, who had yielded to stranger. Three days they feasted with Cormalo; on the fourth young Argon fought. But who could light with Argon? Cormalo is overcome. His heart swelled with the grief of pride; he resolved in secret to behold the death of my sons. They went to the hills of Runa; they pursued the dark-brown hinds. The arrow of Cormalo flew in secret; my children fell in blood. He came to the maid of his love; to Inis-thona's long-haired maid. They fled over the desert, Annir remained alone. Night came on, and day appeared; nor Argon's voice nor Ruro's came. At length their much-loved dog was seen; the fleet and bounding Runa. He came into the hall and howled; and seemed to look towards the place of their fall. We followed him; we found them here: we laid them by this mossy stream. This is the haunt of Annir, when the chase of the hinds is past. I bend like the trunk of an aged oak; my tears for ever flow!"

" O Ronnan!" said the rising Oscar, "Osgar, king of spears! call my heroes to my side, the sons of streamy Morven. To-day we go to Lano's water, that sends forth the vapor of death. Cormalo will not long rejoice: death is often at the point of our swords!"

They came over the desert like stormy clouds, when the winds roll them along the heath; their edges are tinged with lightning; the echoing groves foresee the storm! The horn of Oscar's battle is heard; Lano shook over all its waves. The children of the lake convened around the sounding shield of Cormalo. Oscar fought as he was wont in war. Cormalo fell beneath his sword: the sons of dismal Lano fled to their secret vales! Oscar brought the daughter of Inis-thona to Annir's echoing halls. The face of age is bright with joy; he blest the king of swords.

How great was the joy of Ossian, when he beheld the distant sail of his son! it was like a cloud of light that rises in the east, when the traveller is sad in a land unknown: and dismal night with her ghosts, is sitting around in shades! We brought him with songs to Selma's halls. Fingal spread the feast of shells. A thousand bards raised the name of Oscar: Morven answered to the sound. The daughter of Toscar was there; her voice was like the harp, when the distant sound comes in the evening, on the soft rustling breeze of the vale!

O lay me, ye that see the light, near some rock of my hills! let the thick hazels be around, let the rustling oak be near. Green be the place of my rest; let the sound of the distant torrent be heard. Daughter of Toscar, take the harp, and raise the lovely song of Selma; that sleep may overtake my soul in the midst of joy; that the dreams of my youth may return, and the days of the mighty Fingal. Selma! I behold thy towers, thy trees, thy shaded wall! I see the heroes of Morven; I hear the song of bards: Oscar lifts the sword of Cormalo; a thousand youths admire its studded thongs. They look with wonder on my son: they admire the strength of his arm. They mark the joy of his father's eyes; they long for an equal fame, and ye shall have your fame, O sons of streamy Morven! My soul is often brightened with song; I remember the friends of my youth. But sleep descends in the sound of the harp! pleasant dreams begin to rise! Ye Sons of the chase, stand far distant nor disturb my rest The bard of other times holds discourse with his fathers! the chiefs of the days of old! Sons of the chase, stand far distant! disturb not the dreams of Ossian!

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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Otto Di Catania

1:caris pettatori
2:cari spettatori
3:ladies and gentlemen
1:amitshi del variete
2:amici del varieta'
3:cabaret lovers
1:caror lissimo publiku
2:carissimo pubblico
3:distinguished audience
4:calorosissimo pubblico [I find this more correct -jk]
1:buanas sera gia stella matto
2:buona sera ?????????
3:good evening
1:della pina par ti del program
2:della prima parte del programma
3:of the first part of our program
1:venut di retta mente vel cairo
2:venuta direttamente dal Cairo
3:coming directly from Cairo
1:lafamosissiva
2:la famosissima
3:the famous
1:mo lita del sudan
2:?molita? del Sudan
3:^^^^^^^^ not an italian word...
3:song of Sudan
1:una tanza trishi del vento
2:una danza triste del vento
3:a sad dance of the wind
4:una danzatrice del ventre(?)
1:akompanjato come sempre
2:accompagnato come sempre
3:accompained as usual
1:bella no orchestra paul sileste
2:dalla nostra orchestra Paul ?Sileste?
3:by our orchestra, Paul Sileste
1:rego maestro, allee
2:prego maestro, vada
3:please maestro, go
1:suno otto, suno otto di catania
2:sono Otto, sono Otto di Catania
3:I am Otto, I am Otto from Catania
1:suno rivatto roma ventianiva
2:son arrivato a Roma vent'anni fa
3:I came to Rome 20 years ago
1:suno gui, perriveri
2:sono qui per vivere
3:I am here to live
1:perriveri la vita pervanjare
2:per vivere la vita, per viaggiare

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Otto Di Catania

1:caris pettatori
2:cari spettatori
3:ladies and gentlemen
1:amitshi del variete
2:amici del varieta'
3:cabaret lovers
1:caror lissimo publiku
2:carissimo pubblico
3:distinguished audience
4:calorosissimo pubblico [I find this more correct -jk]
1:buanas sera gia stella matto
2:buona sera ?????????
3:good evening
1:della pina par ti del program
2:della prima parte del programma
3:of the first part of our program
1:venut di retta mente vel cairo
2:venuta direttamente dal Cairo
3:coming directly from Cairo
1:lafamosissiva
2:la famosissima
3:the famous
1:mo lita del sudan
2:?molita? del Sudan
3:^^^^^^^^ not an italian word...
3:song of Sudan
1:una tanza trishi del vento
2:una danza triste del vento
3:a sad dance of the wind
4:una danzatrice del ventre(?)
1:akompanjato come sempre
2:accompagnato come sempre
3:accompained as usual
1:bella no orchestra paul sileste
2:dalla nostra orchestra Paul ?Sileste?
3:by our orchestra, Paul Sileste
1:rego maestro, allee
2:prego maestro, vada
3:please maestro, go
1:suno otto, suno otto di catania
2:sono Otto, sono Otto di Catania
3:I am Otto, I am Otto from Catania
1:suno rivatto roma ventianiva
2:son arrivato a Roma vent'anni fa
3:I came to Rome 20 years ago
1:suno gui, perriveri
2:sono qui per vivere
3:I am here to live
1:perriveri la vita pervanjare
2:per vivere la vita, per viaggiare

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The Barrel-Organ

There's a barrel-organ carolling across a golden street
In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
And fulfilled it with the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light;
And they've given it a glory and a part to play again
In the Symphony that rules the day and night.

And now it's marching onward through the realms of old romance,
And trolling out a fond familiar tune,
And now it's roaring cannon down to fight the King of France,
And now it's prattling softly to the moon.
And all around the organ there's a sea without a shore
Of human joys and wonders and regrets;
To remember and to recompense the music evermore
For what the cold machinery forgets...

Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;
Dissects the common carnival
Of passions and regrets,
And gives the world a glimpse of all
The colours it forgets.

And there La Traviata sighs
Another sadder song;
And there Il Trovatore cries
A tale of deeper wrong;
And bolder knights to battle go
With sword and shield and lance,
Than ever here on earth below
Have whirled into--a dance!--

Go down to Kew in lilac-time, in lilac-time, in lilac-time;
Go down to Kew in lilac-time (it isn't far from London!)
And you shall wander hand in hand with love in summer's wonderland;
Go down to Kew in lilac-time (it isn't far from London!)

The cherry-trees are seas of bloom and soft perfume and sweet perfume,
The cherry-trees are seas of bloom (and oh, so near to London!)
And there they say, when dawn is high and all the world's a blaze of sky
The cuckoo, though he's very shy, will sing a song for London.

The nightingale is rather rare and yet they say you'll hear him there
At Kew, at Kew in lilac-time (and oh, so near to London!)
The linnet and the throstle, too, and after dark the long halloo
And golden-eyed tu-whit, tu-whoo of owls that ogle London.

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Desdemonas Building A Rocket Ship

[transcribed by bo b]
Desdemonas building a rocket ship
By: jimmy buffett
1996
Desdemonas building a rocket ship
Desdemonas going away
Desdemonas building a rocket ship
Blasting off today
Shes got a passion for cookies
A crew full of rookies
Its going to be a hell of a blow
Desdemonas building a rocket ship
And Ive got to go
A women on a mission
Quite familiar with quasars
Her heart is in a kitchen
But her soul is in the stars
Crystal clear on logic
But short on expertise
This is a very ancient puzzle
She feels herself a piece
Desdemonas building a rocket ship
Desdemonas going away
Desdemonas building a rocket ship
Blasting off today
She got a passion for cookies
A crew full of rookies
Its going to be a hell of a blow
Desdemonas building a rocket ship
Guess Ive got to go
She was down in puerto rico
Doing a scientist
True, he was no geek though
She was taken with his kiss
It was under the giant telescope
Were she heard the calling voice
It came screaming though the light years
She never had a choice
Pleiades calling her home
Seven sisters, she hears her distant sisters
Pleiades calling me home
Seven sisters, she hears her seven sisters
Pleiades calling her home
Seven sisters, she hears her distant sisters
Pleiades calling me home
Seven sisters, she hears her seven sisters
A woman on a mission
Quite familiar with quasars
Her hearts still in the kitchen
But her soul is in the stars

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Mr. Spaceman

Performed by jimmy buffett, the great gonzo, and rizzo the rat
From kermit unpigged - jim henson records bmg kidz.
(talking)
Rizzo: hey look gonzo, jimmy's buffet!
Gonzo: oh, no no no no/ that's jimmy buffett. he's recording in there.
Come on let's go say hello.
Rizzo: no thanks, i saw a sign down the hall that said meatloaf.
Gonzo: well i'm going to see jimmy...
Gonzo: hello jimmy
Jimmy: gonzo
Gonzo: hey, you don't look so good
Jimmy: i had the most amazing night last night
(singing)
Jimmy: woke up this morning, with light in my eye,
And then realized it was still dark outside.
It was a light coming down from the sky.
I don't know who or why
Gonzo: must be those strangers that come every night,
Whose saucer shaped light, put people uptight.
Leave blue green footprints that glow in the dark.
I hope they get home alright.
(chorus)
Both: hey mr. spaceman,
Won't you please take me along.
I won't do anything wrong.
Hey mr. spaceman,
Won't you please take me along for the ride.
Jimmy: woke up this morning,
I was feeling quite weird.
Had flies in my ear and my toothpaste was smeared.
Opened my window,
They had written my name.
Both: said so long, we'll see you again.
(chorus)
Both: hey mr. spaceman,
Won't you please take me along.
I won't do anything wrong.
Hey mr. spaceman,
Won't you please take me along for the ride.
(talking)
Rizzo: hey you two.
Gonzo: what do you want rizzo?
Rizzo: you won't believe this, but there's a space ship outside.
Jimmy: oh yeah, i knew they'd come back for me.
Rizzo: what!
Jimmy: come on boys, let's go
Gonzo: yeah, let's go
Rizzo: no way, i'm not goin up in that thing.
Gonzo: oh rizzo
(singing)

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Jimmy

Jimmy, my heart is full of love, only true love,
And its wisdom and visions are you.
(baby baby, it's no returning)
Jimmy, there's words unspoken, and unbroken,
Only you can ensure everlasting.
(baby baby, this love is you)
Jimmy, i would like to drive your car,
It don't matter how long, how far.
Jimmy, you can have my loving heart and key and all.
Jimmy, i would like to wear your ring,
All your love songs i sure will sing.
Jimmy, you can have my loving heart and key and all.
Jimmy, i don't need to tell you how good your love is,
You're really all i need.
Jimmy, my heart is full of love, only true love,
And its wisdom and visions are you.
(baby baby, there's no returning)
Jimmy, there's words unspoken, and unbroken,
Only you can ensure everlasting.
(baby baby, this love is you)
Jimmy, i would like to drive your car,
It don't matter how long, how far.
Jimmy, you can have my loving heart and key and all.
Jimmy, i would like to wear your ring,
All your love songs i sure will sing.
Jimmy, you can have my loving heart and key and all.

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Prosaic

If poetry’s pronounced prosaic,
like Prozac thought to be archaic,
prescribed for those who are depressed,
with prose preferred by all the rest,
should I consider that I’m dated,
out-rhymed and out-alliterated
by cruel haters of all verse
who poetry pooh-pooh and curse,
especially the rhyming kind
to which prose preachers are unkind
more than to verse so free it looks
like prose that’s printed in their books?

Of course I’m dated, but so what?
Prose writer is what I am not
by birth or inclination, so forgive
the way I write so I can live
with meter, rhyme, and let me scan,
though I am an archaic man,
and keep you daily up to date
with verse that prose-pros love to hate.

Inspired by an article on Kurt Weill by Matthew Gurewitsch in the NYT on November 19 [“The Weill (Almost) Nobody Knows]. Gurewitsch writes about a revival of Weill’s “Maria Galante, ” which Weill wrote in Paris in 1934. It is written in the acid style that made “Threepenny Opera” such a success, and which he abandoned afer he emigrated to the United States. Acid style wsa to Weill what rhyme is to me:

Festive as the title may sound, “Marie Galante” — based on a novel by Jacques Deval — turns out to be a gritty shocker. It opened to mixed reviews on Dec.22,1934, when Weill was in Paris, on the run from the Nazis, and closed the first week of January 1935. (A Jewish cantor’s son, Weill was born in Germany in 1900. He got out just in time, in 1933. In 1935 he landed in New York, where he died in 1950.) A foundling and born sex kitten, Marie blossoms quickly, giving herself freely at first, just for pleasure. Then she starts taking money because she has to. When a ship captain dumps her in Panama, she lucks into higher fees spying but pays with her life.Mr. Clarac, the director, relates “Marie Galante” to a tradition of film noir that continued in France long past the war years, citing titles like “Le Quai des Brumes, ” “Pépé le Moko” and “Les Orgueilleux.” But it is also very much a product of its time and place. “The plays in Paris then were not nice and pink and sweet, ” Mr. Clarac said recently from Marie’s home port of Bordeaux, which is his home also. “The idea was that stories set in a very simple, poor, low-class milieu achieve a kind of universality. Everyone is kind of blasé, tired, washed out. There are no happy characters in ‘Marie Galante.’ Panama may sound exotic, but for those who live there, it is not. It’s superhot and superhumid, nobody has any money and everyone is in exile.” Several songs from “Marie Galante” popularized by Weill specialists like Teresa Stratas and Ute Lemper are sung not by Marie but by other drifters and misfits. The lyrics, by Deval and Roger Fernay, are rough stuff, conjuring nightmares of sexual degradation, mutilation, a boy-eating ogre, a train bound for glory and a fairy-tale king who cheats on the queen. Weill’s music gives them punch and edge and sometimes a desperate longing. His score also features a ravishing instrumental number, which Fernay at an unknown later date retrofitted with lyrics as “Youkali: Tango Habañera.” The vocal version was published in Paris in 1946. The New York production assigns it to Marie, an unauthorized choice but one that seems hard to fault. To Ms. Bayrakdarian the tango is “the song and dance of the common people, the oppressed and disadvantaged, helpless strangers in a strange land, desperately seeking escape.” “Marie embodies these qualities, ” Ms. Bayrakdarian continued. “She is fiery but inconsolable, always hoping for salvation, for Utopia. As for ‘J’Attends un Navire, ’ I believe the song is her mantra to distance herself from her harsh reality, the song she sings to herself every time she has a new customer.”

11/10/08

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Interpretations

INTERPRETATIONS


Fat fortune's made, flat wife Dow fed
rat’s force runes laid, bat - strife - ciao - bed.

Version I Final Hour
Undefeated, all round oppressed,
pun deleted, fall sound suppressed.

Version II Foresight
Insightful plans in stealth prepared
sin, night, culls man, win’s wealth despaired.

Version III Adultery
Distresses through, fears one must stifle,
mistresses two, years won, lust, trifle.

Version IV Dixit Spouse
He’d rule, make hay, term ends today,
heed fool, fake bay, worm wends to play.

Version V Dixit Daughter
Who hid himself behind his wealth
in failing health must part from pelf.

Version VI Dixit Son
Abusing all, refusing fall,
lewd now must stall, cued to Death’s call

Version VII Dixit Bureaucrat
Who played sly hand, f[l]ame fanned, cold dust,
grew, greyed, sigh banned, aim sand, old, bust.

Version VIII Conclusion
Statistics show life’s little glow
soon ebbs, tide’s flow goes where none know.
Bonanza dreams, boon nailed, no shows,
so stanza schemes soon fail, flow slows.


23 March 1975 revised 4 February 2009
robi03_1464_robi03_0000 HXX_MXX
For previous version entitled The Art of Interpretation see below
f[l]ame: aim’s fame flame lame

The Art of Interpretation

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We Can Create A Modern International Community

And I wonder when Congress will allow public nationwide schools...
in the United States to set aside time for children again to pray?
To pray for, or quietly reflect on behalf of, their once great Nation!

To pray for their nation during this proclaimed danger time...
of struggle against the forces of evil dark international terrorism!
But in the White House lurks a dark soul of 100% fetus murder!

Barack against murder international terrorism with Pro-Abortion Record!
Like Pharaoh in the time of the birth of Moses, like King Harold at the birth of Jesus, killing innocent children based on state law is ok in America today!

Why? How can this be? On 9th of March 2008 Barack proclaimed “We were once were, we are no longer a Christian nation, at least not just....”
No Ten Commandments, No God’s law displayed in government buildings!

15th April 2009 Barack proclaimed “We can create a modern international community that is respectful that is secure that is prosperous....
(in an aside to himself) and like Baal Worshippers we will support propagate

State Policies funding killing innocent children against the will of the majority of Americans and I Barack will use tax payer dollars to kill innocent unborn! We will fill White House high office with Pro Abortion all! Yes We Can!

Darth Vader will create a universal New World Order!

And in the on going baby killing sweepstakes infant killer Obama selects: -

Pro-Abortion Sen. Joe Biden as Obama’s vice-presidential running mate. Pro-Abortion Rep. Rahm Emanuel as Obama’s White House Chief of Staff.
Pro-Abortion former Sen. Tom Daschle as Obama’s Health and Human Services Secretary.

Former NARAL legal director Dawn Johnsen to serve as a member of Obama’s Department of Justice Review Team. Next appointed Assistant Attorney General for the Office of the Legal Counsel.

Betta check Obama’s rap sheet Pro-Abortion Record, for the rest of his all star elite baby killing machine selections.

'President Barack Obama's Pro-Abortion Record: A Pro-Life Compilation

Washington, DC (LifeNews.com) - The following is a compilation of bill signings, speeches, appointments and other actions that President Barack Obama has engaged in that have promoted abortion before and during his presidency. While Obama has promised to reduce abortions and some of his supporters believe that will happen, this long list proves his only agenda is promoting more abortions.

During the presidential election, Obama selected pro-abortion Sen. Joe Biden as his vice-presidential running mate.

Post-Election / Pre-Inauguration
November 5,2008 - Obama selects pro-abortion Rep. Rahm Emanuel as his White House Chief of Staff. Emanuel has a 0% pro-life voting record according to National Right to Life.

November 19,2008 - Obama picks pro-abortion former Sen. Tom Daschle as his Health and Human Services Secretary. Daschle has a long pro-abortion voting record according to National Right to Life.

November 20,2008 - Obama chooses former NARAL legal director Dawn Johnsen to serve as a member of his Department of Justice Review Team. Later, he finalizes her appointment as the Assistant Attorney General for the Office of the Legal Counsel in the Obama administration.

November 24,2008 - Obama appoints Ellen Moran, the former director of the pro-abortion group Emily's List as his White House communications director. Emily's List only supports candidates who favored taxpayer funded abortions and opposed a partial-birth abortion ban.

November 24,2008 - Obama puts former Emily's List board member Melody Barnes in place as his director of the Domestic Policy Council.

November 30,2008 - Obama named pro-abortion Sen. Hillary Clinton as the Secretary of State. Clinton has an unblemished pro-abortion voting record and has supported making unlimited abortions an international right.

December 10,2008 - Obama selects pro-abortion former Clinton administration official Jeanne Lambrew to become the deputy director of the White House Office of Health Reform. Planned Parenthood is 'excited' about the selection.

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