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Return Of The Grievous Angel

( Original by Gram Parsons)
Won't you scratch my itch sweet Annie Rich
and welcome me back to town
Come out on your porch or I'll step into your parlor
and I'll show you how it all went down
Out with the truckers and the kickers and the cowboy angels
and a good saloon in every single town
Oh, and I remember something you once told me
and I'll be damned if it did not come true
Twenty thousand roads I went down, down, down
and they all lead me straight back home to you
'Cause I headed west to grow up with the country
Across those prairies with the waves of grain
And I saw my devil,
and I saw my deep blue sea
And I thought about a calico bonnet from
Cheyenne to Tennessee
We flew straight across that river bridge,
last night at half past two
The switchman wave his lantern goodbye
and so long as we went rolling through
Billboards and truckstops pass by the grievous angel
And now I know just what I have to do
And the man on the radio won't leave me alone
He wants to take my money for something
that I've never been shown
And I saw my devil,
and I saw my deep blue sea
And I thought about a calico bonnet from
Cheyenne to Tennessee
The news I could bring I met up with the king
On his head an amphetamine crown
He talked about unbuckling that old Bible belt
And lighted out for some desert town
Out with the truckers and the kickers and the cowboy angels
And a good saloon in every single town
Oh, but I remembered something you once told me
and I'll be damned if it did not come true
Twenty thousand roads I went down, down, down
and they all lead me straight back home to you
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you

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Related quotes

Enoch Arden

Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.

Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,
And Philip Ray the miller's only son,
And Enoch Arden, a rough sailor's lad
Made orphan by a winter shipwreck, play'd
Among the waste and lumber of the shore,
Hard coils of cordage, swarthy fishing-nets,
Anchors of rusty fluke, and boats updrawn,
And built their castles of dissolving sand
To watch them overflow'd, or following up
And flying the white breaker, daily left
The little footprint daily wash'd away.

A narrow cave ran in beneath the cliff:
In this the children play'd at keeping house.
Enoch was host one day, Philip the next,
While Annie still was mistress; but at times
Enoch would hold possession for a week:
`This is my house and this my little wife.'
`Mine too' said Philip `turn and turn about:'
When, if they quarrell'd, Enoch stronger-made
Was master: then would Philip, his blue eyes
All flooded with the helpless wrath of tears,
Shriek out `I hate you, Enoch,' and at this
The little wife would weep for company,
And pray them not to quarrel for her sake,
And say she would be little wife to both.

But when the dawn of rosy childhood past,
And the new warmth of life's ascending sun
Was felt by either, either fixt his heart
On that one girl; and Enoch spoke his love,
But Philip loved in silence; and the girl
Seem'd kinder unto Philip than to him;
But she loved Enoch; tho' she knew it not,
And would if ask'd deny it. Enoch set
A purpose evermore before his eyes,
To hoard all savings to the uttermost,
To purchase his own boat, and make a home

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Anything You Can Do

ANNIE: Anything you can do I can do better
......I can do anything better than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can be I can be greater
......Sooner or later I'm greater than you
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am, yes I am
FRANK: I can shoot a partridge with a single cartridge
ANNIE: I can get a sparrow with a bow and arrow
FRANK: I can live on bread and cheese
ANNIE: And only on that?
FRANK: Yes
ANNIE: So can a rat
FRANK: Any note you can reach I can go higher
ANNIE: I can sing anything higher than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
ANNIE: Anything you can buy I can buy cheaper
......I can buy anything cheaper than you
FRANK: Fifty cents
ANNIE: Forty cents
FRANK: Thirty cents
ANNIE: Twenty cents
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can say I can say softer
ANNIE: I can say anything softer than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can

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When You Pick the Ticks Off Monkeys

Your love for monkeys,
Leaves a lump right here...
In my throat!

And I get so emotional,
When you swing from branch to tree branch...
On a vine,
Swinging...
Like one who has swung on a rope!

And when you pick ticks...
From another monkey's fur?
I get teary eyed...
Just watching what occurs!

When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
You remove the itch.
You remove that itch.

Ooo ooo ooo ooo ahhh ahhh ahhh ahhh,
You remove the itch.
Ooo ooo ooo ooo ahhh ahhh ahhh,
You remove the itch.
Ooo ooo ooo ooo ahhh ahhh ahhh ahhh,
You remove the itch.
You remove the itch.
You remove that itch.

When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
You remove the itch.
You remove that itch.

Your love for monkeys,
Leaves a lump right here...
In my throat!

And I get so emotional,
When you swing from branch to tree branch...
On a vine,
Swinging...

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Return Of The Grievous Angel

(Gram Parsons - T. O'Brown)
Won't you scratch my itch sweet Annie Rich
And welcome me back to town
Come out on your porch or I'll step into your parlor
And I'll tell you how it all went down.
Out with the truckers and the kickers and the cowboy angels
And a good saloon in every single town
Oh, and I remember something you once told me
And I'll be damned if it did not come true
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you.
We flew straight across that river bridge
Last night half past two
The switchman waved his lantern goodbye
And good day as we went rolling through.
Billboards and truckstops pass by the grievous angel
And now I know just what I have to do
'Cause I headed west to grow up with the country
Across those valleys with those waves of grain
And I saw my devil and I saw my deep blue sea
And I thought about a calico bonnet from Cheyenne to Tennessee.
--- Instrumental ---
The news I could bring I met up with the king
On his head an amphetamine crown
He talked about unbuckling that old bible belt
And headed out for some desert town.
Out with the truckers and the kickers and the cowboy angels
And a good saloon in every single town
Oh, and I remember something you once told me
And I'll be damned if it did not come true
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you.
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you...

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Grievous Angel

(gram parsons/thomas o. brown)
Wont you scratch my itch sweet annie rich
And welcome me back to town
Come out on your porch or Ill step into your parlour
And Ill tell you how it all went down
Out with the truckers and the kickers and the cowboy angels
And a good saloon in every single town
And I remember something that you once told me
And Ill be damned if it did not come true
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you
We flew straight across that river bridge,
Last night half past two
The switchman waved his lantern goodbye and good day as we
Went rolling through
Billboards and truckstops pass by the grievous angel
And now i know just what I have to do
Cause I headed west to grow up with the country
Across those prairies with those waves of grain
And I saw my devil, and I saw my deep blue sea
And I thought about a calico bonnet from cheyenne to tennessee
The news I could bring I met up with the king
On his head an amphetamine crown
He talked about unbuckling that old Bible belt
And headed out for some desert town
Out with the truckers and the kickers and the cowboy angels
And a good saloon in every single town
And I remember something that you once told me
And Ill be damned if it did not come true
Twenty thousand roads I went down down down
And they all lead me straight back home to you
Twenty thousand roads I went down down down
And they all lead me straight back home to you

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Annie Mae

Written by natalie cole
(hoo, hoo, hoo) mmm (hoo, hoo, hoo)
Growing up wasnt easy for annie mae
(hoo, hoo, hoo)
A little girl in a great big world
Annie mae (hoo, hoo, hoo)
No one knew about her past
Some people swore shed never last
She was (growing up much too fast)
Growing (hoo, hoo, hoo)
Just a little too fast (hoo, hoo, hoo)
Never had her a mama, no, no
Annie mae (hoo, hoo, hoo)
Rarely heard a kind spoken word
Annie mae (hoo, hoo, hoo)
Looking at life through an empty shell
And all the time shes catching hell
She was growing
(growing up much too fast) up much too fast
Does anybody know where is annie mae today
Where oh where is annie mae
All you got to do is look into the faces of
All the young girls
On the avenue--(young girls!)
Oh, well, (hoo, hoo, hoo) ha
In the night hear her cry, annie mae (hoo, hoo, hoo)
Hurt and pain keeps coming again
And again, and again, annie mae (hoo, hoo, hoo)
Trippin and runnin is blowin her mind
Tryin to decide if shell make it this time
She was (growing up) oh, yeah (much too fast)
She was (growing up much too fast)
Somebody got to stop her, oh annie, annie
(ooh) (hoo, hoo, hoo) (where is annie mae)
Annie, annie
Somebody
(ooh) (hoo, hoo, hoo) (where is annie mae)
Got to stop her, oh, annie, annie,
(ooh) (hoo, hoo, hoo) (where is annie mae)
Annie, annie
Shes runnin, shes runnin
Growin up too fast, oh, oh
(shes running) oh, oh
Growin up too fast, oh, oh
(shes runnin) oh, oh
Growin up too fast, oh, hey
(shes runnin) annie, annie mae, yeah
(shes running) where you goin annie
(shes runnin) dont you think somebody aught to stop you
(shes runnin) somebody aught to stop you

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Allegany Camp

amazing grace circus camp
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amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
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amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
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ambleside scotland school camp
ambon pow camp
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ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
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amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

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Itch

Ha ha ha (ahh)
Don't wanna hurt you (hurt you baby)
You think you love me, but you don't really know me
Don't wanna hurt you (hurt you baby)
Wanna go ride, not a backseat drive
Ahhhhh ooh - ay ay ay I need
Ahhhhh ohh - something inside that you can't provide
I'm feeling the itch again
I need to get tricked again
I'm starting to twitch again
I feel the itch again
I'm starting to twitch again
I need to get tricked again
I feel the itch again
I feel the itch
i-i-itch, i-i-i-i-itch (ahh)
i-i-itch (ahh), i-i-i-i-itch
Don't want to hurt you (hurt you baby)
You can hug me, but you can't really hold me
what I do, and it's crazy
Don't wanna be cold, but I'm out of control
Ahhhhh ooh - ay ay ay that's true
Ahhhhh ooh - wish I could, but I can't be good
I'm feeling the itch again
I need to get tricked again
I'm starting to twitch again
I feel the itch again
I'm starting to twitch again
I need to get tricked again
I feel the itch
I feel the itch again
i-i-itch, i-i-i-i-itch (ahh)
i-i-itch (ahh), i-i-i-i-itch
Cause I want to go down wanna feel my heart pound
Don't you know that I get restless
You can't reach where I need scratching
So feel the itch again
Itch
Itch
Ahhhhh ooh - ay ay ay I need
Something inside that you can't provide
I'm feeling the itch again
I need to get tricked again
I'm starting to twitch again
I feel the itch again
I'm starting to twitch again
I need to get tricked again
I feel the itch again
I feel the itch
Yeah yeah, I feel the itch again

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Annie Marshall the Foundling

Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.

The night was tempestuous, most terrific, and pitch dark,
When Matthew Pengelly rescued Annie Marshall from an ill-fated barque,
But her parents were engulfed in the briny deep,
Which caused poor Annie at times to sigh and weep.

One day Matthew asked Annie if she would be his wife,
And Annie replied, I never thought of it in all my life;
Yes, my wife, Annie, replied Matthew, hold hard a bit,
Remember, Annie, I've watched you grow up, and consider you most fit.

Poor Annie did not speak, she remained quite mute,
And with agitation she trembled from head to foot,
The poor girl was in a dilemma, she knew not what to say,
And owing to Matthew training her, she couldn't say him nay.

Oh! Matthew, I'm afraid I would not make you a good wife,
And in that respect there would be too much strife,
And the thought thereof, believe me, makes me feel ill,
Because I'm unfit to be thy wife, Matthew, faltered the poor girl.

Time will prove that, dear Annie, but why are you so calm?
Then Annie put her hand shyly into Matthew's brown palm
Just then the flashing lightning played upon Annie's face,
And the loud thunder drowned Matthew's words as Annie left the place.

But Matthew looked after her as she went home straightway,
And his old heart felt light and gay,
As he looked forward for his coming marriage day,
Because he knew that Annie Marshall couldn't say him nay.

Then the sky drew dark, and the sea lashed itself into foam,
But he heeded it not as he sat there alone,
Till the sound of a gun came booming o'er the sea,
Then Matthew had to attend to his duty immediately.

A ship, he muttered, Lord, help them! and coming right in by the sound,
And in a few minutes she will run aground.
And the vessel was dashed against the rocks with her helpless crew,
Then in hot haste for assistance Matthew instantly flew.

Then Matthew returned with a few men all willing to lend their aid,
But amongst them all Matthew seemed the least afraid;
Then an old man cried, Save my boy, for his mother's sake,
Oh! Matthew, try and save him, or my heart will break!

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The Lass of Lochroyan

'O WHA will shoe my bonny foot?
   And wha will glove my hand?
And wha will bind my middle jimp
   Wi' a lang, lang linen band?

'O wha will kame my yellow hair,
   With a haw bayberry kame?
And wha will be my babe's father
   Till Gregory come hame?'

'They father, he will shoe thy foot,
   Thy brother will glove thy hand,
Thy mither will bind thy middle jimp
   Wi' a lang, lang linen band.

'Thy sister will kame thy yellow hair,
   Wi' a haw bayberry kame;
The Almighty will be thy babe's father
   Till Gregory come hame.'

'And wha will build a bonny ship,
   And set it on the sea?
For I will go to seek my love,
   My ain love Gregory.'

Up then spak her father dear,
   A wafu' man was he;
'And I will build a bonny ship,
   And set her on the sea.

'And I will build a bonny ship,
   And set her on the sea,
And ye sal gae and seek your love,
   Your ain love Gregory.'

Then he 's gart build a bonny ship,
   And set it on the sea,
Wi' four-and-twenty mariners,
   To bear her company.

O he 's gart build a bonny ship,
   To sail on the salt sea;
The mast was o' the beaten gold,
   The sails o' cramoisie.

The sides were o' the gude stout aik,
   The deck o' mountain pine,
The anchor o' the silver shene,
   The ropes o' silken twine.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from justyour lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Damned

(young - young)
Dont smoke dont fight dont light no cigarettes
Or else youll wind up in the can
No jokes no rights sit tight dont fool around
You are a guest of uncle sam
Stand up look right dont slouch and stand at ease
Allow no sex above the knees
When I snap you jump into the master plan
Ill be damned
Well Ill be damned
Ill be damned if I drink or smoke
Damned if I steal your joke
Ill be damned if I go for broke
Damned if I do
Damned if I dont
Dont talk dont fool dont try to mess around
Ill make a monkey outta you
You sign your name right on that dotted line boy
Ill be damned
Ill be damned if I drink or smoke
Damned if I steal your joke
Ill be damned if I go for broke
Damned if I do
And damned if I dont, yeah
Come on
Ill be damned if I drink or smoke
Damned if I steal your joke
Ill be damned if I go for broke
Im damned if I do
Im damned if I dont
Ill be damned if I drink or smoke
Damned if I steal your joke
Ill be damned if I go for broke
Im damned if I do
Im damned if I dont
Ill be damned
Ill be damned
Ill be damned
Ill be damned
Ill be damned
Ill be damned
2000, j. albert & son, pty.

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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I remember, I remember - Past and Present after Thomas Hood and William Wordsworth - Lucy

I remember, I remember
the house where I was born
before foreclosure took away
the homestead I had sworn
in good faith, all attest 'tis true,
to leave grandchildren three: -
times change, leave little rest, I rue
that difference to me!

It seems so very long ago
the liberating Yanks
found welcome everywhere they'd go -
though some were pita swanks,
but since the Shah announced 'I ran'
our bearings all at sea
became - time reeled again would ban
all difference for me!

I remember, I remember
the sun porch, now in pawn,
proud flag a flying red, white, blue,
which now hangs so forlorn
Sun, moon spun round each priceless day,
or so I seemed to see,
four bucks a gallon gas I pay -
what difference to me!

My mind thought then nostalgic ease
eternally could last,
all my desires, priorities
seemed sated very fast,
The fever on my brow shoots higher
now Sheiks of Araby,
up ante for crude imports, tire -
what difference to me!

I remember, I remember
before Alaskan oil
had spilled upon once pristine shore,
polluting fauna, soil.
With climate change I'm feeling sore,
note each commodity
continues rising more and more -
what difference to me!

Back then I'd travel aimlessly,
cared not I ran Iraq,
from dawn till dark, from sea to sea
could, rising with the lark,
ignore the cost of gasoline

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