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There once was a sage playwright from Stratford,
Whose witty meanings I couldn't afford.
I popped in New Place maison,
Right upon River Avon,
And scrubbed all of his texts on my washboard.

limerick by Dan Costinaş (26 June 2022)
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Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.

So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.

So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;

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poem by Edwin Arlington Robinson
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Ben Jonson Entertains a Man from Stratford

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass’s head in Fairyland
As he would add a shilling to more shillings,
All most harmonious,—and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him—
All you down there where your small Avon flows
By Stratford, and where you’re an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.
Not you—no fear of that; for I discern
In you a kindling of the flame that saves—
The nimble element, the true caloric;
I see it, and was told of it, moreover,
By our discriminate friend himself, no other.
Had you been one of the sad average,
As he would have it,—meaning, as I take it,
The sinew and the solvent of our Island,
You’d not be buying beer for this Terpander’s
Approved and estimated friend Ben Jonson;
He’d never foist it as a part of his
Contingent entertainment of a townsman
While he goes off rehearsing, as he must,
If he shall ever be the Duke of Stratford.
And my words are no shadow on your town—
Far from it; for one town’s as like another
As all are unlike London. Oh, he knows it,—
And there’s the Stratford in him; he denies it,
And there’s the Shakespeare in him. So, God help him!
I tell him he needs Greek; but neither God
Nor Greek will help him. Nothing will help that man.
You see the fates have given him so much,
He must have all or perish,—or look out
Of London, where he sees too many lords.
They’re part of half what ails him: I suppose
There’s nothing fouler down among the demons
Than what it is he feels when he remembers
The dust and sweat and ointment of his calling
With his lords looking on and laughing at him.
King as he is, he can’t be king de facto,
And that’s as well, because he wouldn’t like it;
He’d frame a lower rating of men then
Than he has now; and after that would come
An abdication or an apoplexy.
He can’t be king, not even king of Stratford,—

[...] Read more

poem by Edwin Arlington Robinson
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The Iliad: Book 21

Now when they came to the ford of the full-flowing river Xanthus,
begotten of immortal Jove, Achilles cut their forces in two: one
half he chased over the plain towards the city by the same way that
the Achaeans had taken when flying panic-stricken on the preceding day
with Hector in full triumph; this way did they fly pell-mell, and Juno
sent down a thick mist in front of them to stay them. The other half
were hemmed in by the deep silver-eddying stream, and fell into it
with a great uproar. The waters resounded, and the banks rang again,
as they swam hither and thither with loud cries amid the whirling
eddies. As locusts flying to a river before the blast of a grass fire-
the flame comes on and on till at last it overtakes them and they
huddle into the water- even so was the eddying stream of Xanthus
filled with the uproar of men and horses, all struggling in
confusion before Achilles.
Forthwith the hero left his spear upon the bank, leaning it
against a tamarisk bush, and plunged into the river like a god,
armed with his sword only. Fell was his purpose as he hewed the
Trojans down on every side. Their dying groans rose hideous as the
sword smote them, and the river ran red with blood. As when fish fly
scared before a huge dolphin, and fill every nook and corner of some
fair haven- for he is sure to eat all he can catch- even so did the
Trojans cower under the banks of the mighty river, and when
Achilles' arms grew weary with killing them, he drew twelve youths
alive out of the water, to sacrifice in revenge for Patroclus son of
Menoetius. He drew them out like dazed fawns, bound their hands behind
them with the girdles of their own shirts, and gave them over to his
men to take back to the ships. Then he sprang into the river,
thirsting for still further blood.
There he found Lycaon, son of Priam seed of Dardanus, as he was
escaping out of the water; he it was whom he had once taken prisoner
when he was in his father's vineyard, having set upon him by night, as
he was cutting young shoots from a wild fig-tree to make the wicker
sides of a chariot. Achilles then caught him to his sorrow unawares,
and sent him by sea to Lemnos, where the son of Jason bought him.
But a guest-friend, Eetion of Imbros, freed him with a great sum,
and sent him to Arisbe, whence he had escaped and returned to his
father's house. He had spent eleven days happily with his friends
after he had come from Lemnos, but on the twelfth heaven again
delivered him into the hands of Achilles, who was to send him to the
house of Hades sorely against his will. He was unarmed when Achilles
caught sight of him, and had neither helmet nor shield; nor yet had he
any spear, for he had thrown all his armour from him on to the bank,
and was sweating with his struggles to get out of the river, so that
his strength was now failing him.
Then Achilles said to himself in his surprise, "What marvel do I see
here? If this man can come back alive after having been sold over into
Lemnos, I shall have the Trojans also whom I have slain rising from
the world below. Could not even the waters of the grey sea imprison
him, as they do many another whether he will or no? This time let
him taste my spear, that I may know for certain whether mother earth

[...] Read more

poem by Homer, translated by Samuel Butler
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Lines on Stratford

Our Canadian County Perth
Commemorates great bard of earth ;
Stratford and Avon both are here,
And they enshrine the name Shakespeare.

For here in Stratford every ward
Is named from drama of great bard.
Here you may roam o'er Romeo
Or glance on Juliet bestow.

The valley of the Thames we presume includes Stratford
on the north and Woodstock and Ingersoll on the south.
The Avon, on whose banks Stratford is located, joins the
Thames near St.Mary's. The middle branch flows through
Embro and Thamesford, the south and middle branches
unite and flow through Dorchester and Westminster and
blend with the northern branch at London, where it deviates
to Elgin in the south.

poem by James McIntyre
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The Hind And The Panther, A Poem In Three Parts : Part II.

“Dame,” said the Panther, “times are mended well,
Since late among the Philistines you fell.
The toils were pitched, a spacious tract of ground
With expert huntsmen was encompassed round;
The inclosure narrowed; the sagacious power
Of hounds and death drew nearer every hour.
'Tis true, the younger lion 'scaped the snare,
But all your priestly calves lay struggling there,
As sacrifices on their altars laid;
While you, their careful mother, wisely fled,
Not trusting destiny to save your head.
For, whate'er promises you have applied
To your unfailing Church, the surer side
Is four fair legs in danger to provide;
And whate'er tales of Peter's chair you tell,
Yet, saving reverence of the miracle,
The better luck was yours to 'scape so well.”
“As I remember,” said the sober Hind,
“Those toils were for your own dear self designed,
As well as me; and with the selfsame throw,
To catch the quarry and the vermin too,—
Forgive the slanderous tongues that called you so.
Howe'er you take it now, the common cry
Then ran you down for your rank loyalty.
Besides, in Popery they thought you nurst,
As evil tongues will ever speak the worst,
Because some forms, and ceremonies some
You kept, and stood in the main question dumb.
Dumb you were born indeed; but, thinking long,
The test, it seems, at last has loosed your tongue:
And to explain what your forefathers meant,
By real presence in the sacrament,
After long fencing pushed against a wall,
Your salvo comes, that he's not there at all:
There changed your faith, and what may change may fall.
Who can believe what varies every day,
Nor ever was, nor will be at a stay?”
“Tortures may force the tongue untruths to tell,
And I ne'er owned myself infallible,”
Replied the Panther: “grant such presence were,
Yet in your sense I never owned it there.
A real virtue we by faith receive,
And that we in the sacrament believe.”
“Then,” said the Hind, “as you the matter state,
Not only Jesuits can equivocate;
For real, as you now the word expound,
From solid substance dwindles to a sound.
Methinks, an Æsop's fable you repeat;
You know who took the shadow for the meat:
Your Church's substance thus you change at will,

[...] Read more

poem by John Dryden
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Cant Afford To Do It

Written by james williamson.
Well, I wanna go out without tearing my bed, now
Ise so scared my baby quit n
I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine
Well she spend my money - buying me clothes
Shes done cheapest woman I ever did know n
So, I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine
Yeah
Break:
I got a good friend from alabam
He tried to steal my chick I dont know how many time
I cant afford to do it
I cant afford to do it, ah
I cant afford to do it
And loose that girl of mine, ah
I cant afford to do it
I cant afford to do it
I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine, um

song performed by Fleetwood Mac
Added by Lucian Velea
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Mon ami, le paysage

J'ai pour voisin et compagnon
Un vaste et puissant paysage
Qui change et luit comme un visage
Devant le seuil de ma maison.

Je vis chez moi de sa lumière
Et de son ciel dont les grands vents
Agenouillent ses bois mouvants
Avec leur ombre sur la terre.

Il est gardé par onze tours
Qui regardent du bout des plaines
De larges mains semer les graines
Sur l'aire immense des labours.

Un chêne y détient l'étendue
Sous sa rugueuse autorité,
Mais les cent doigts de la clarté
Jouent dans ses feuilles suspendues.

Un bruit s'entend : c'est un ruisseau
Qui abaisse de pente en pente
Le geste bleu de son eau lente
Jusqu'à la crique d'un hameau,

Tandis qu'au loin sur les éteules
Tassant le blé sous le soleil
Semble tenir dûment conseil
Le peuple d'or des grandes meules.

J'ai pour voisin et compagnon
Un vaste et puissant paysage
Qui change et luit comme un visage
Devant le seuil de ma maison.

Sous l'azur froid qui le diapre
L'hiver, il accueille mes pas
Pour aiguiser à ses frimas
Ma volonté rugueuse et âpre.

Lorsqu'en Mai brillent les taillis,
Tout mon être tremble et chatoie
De l'immense frisson de joie
Dont son feuillage a tressailli.

En Août quand les moissons proclament
Les triomphes de la clarté,
Je fais régner le bel été
Avec son calme dans mon âme.

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poem by Emile Verhaeren
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Beautiful River

And he showed me a pure River of Water of Life, clear as crystal, proceeding out of the Throne of God and of the Lamb." -- Rev. xxii. 1

Shall we gather at the river
Where bright angel feet have trod;
With its crystal tide forever
Flowing by the throne of God?

CHORUS.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

On the margin of the river,
Washing up its silver spray,
We will walk and worship ever,
All the happy, golden day.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

On the bosom of the river,
Where the Saviour-king we own,
We shall meet, and sorrow never
'Neath the glory of the throne. Cho.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

Ere we reach the shining river,
Lay we every burden down;
Grace our spirits will deliver,
And provide a robe and crown. Cho.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

At the smiling of the river,
Rippling with the Saviour's face,
Saints, whom death will never sever,
Lift their songs of saving grace. Cho.

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poem by Robert Wadsworth Lowry
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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poem by Gert Strydom
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Peter Pan

He'd buried his head in manuscripts
And books for twenty years,
He'd kept himself to himself had never
Ventured down the stairs,
His meals were brought on a silver tray
His clothes were laundered and pressed,
No callers came to his stately rooms
To invade his hours of rest.

He'd turned his back on the world out there
When young, and his sister went,
His parents left the estate to him
Though most of the money was spent,
He had no interest in state affairs,
No more in the works of man,
Looked rarely out of the windows
Of his mansion, Maison Grande.

He studied the force of nature,
Tempests, storms, tornado files,
Read books on the brontosaurus,
Mammoths, raptors, crocodiles,
The only women he knew of,
Little girls like his sister Ann,
He lived like a boy forever
In his mind, like Peter Pan.

He didn't hear when the Bailiffs
Took his furniture from below,
Cleaned out the candelabra
Caused his silver trays to go,
Ripped up the hallway carpet
Took the Louis the XVI chairs,
And finally came up knocking
When they exhausted the loot downstairs.

He stood in shock when they carried off
His desk of Baltic Pine,
Ripped the books from the shelves and
Took the last of his stock of wine,
He saw the bills he'd neglected when
The cook came up to quit,
Her owed her three months wages and
That was the least of it.

The man from the real estate came up,
A man called Arty Hook,
The name sat deep in his memory
Had he read it in some old book?
The Maison Grande would have to be sold

[...] Read more

poem by David Lewis Paget
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Ford O' Kabul River

Kabul town's by Kabul river --
Blow the bugle, draw the sword --
There I lef' my mate for ever,
Wet an' drippin' by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
There's the river up and brimmin', an' there's 'arf a squadron swimmin'
'Cross the ford o' Kabul river in the dark.

Kabul town's a blasted place --
Blow the bugle, draw the sword --
'Strewth I sha'n't forget 'is face
Wet an' drippin' by the ford!
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
Keep the crossing-stakes beside you, an' they will surely guide you
'Cross the ford o' Kabul river in the dark.

Kabul town is sun and dust --
Blow the bugle, draw the sword --
I'd ha' sooner drownded fust
'Stead of 'im beside the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
You can 'ear the 'orses threshin', you can 'ear the men a-splashin',
'Cross the ford o' Kabul river in the dark.

Kabul town was ours to take --
Blow the bugle, draw the sword --
I'd ha' left it for 'is sake --
'Im that left me by the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
It's none so bloomin' dry there; ain't you never comin' nigh there,
'Cross the ford o' Kabul river in the dark?

Kabul town'll go to hell --
Blow the bugle, draw the sword --
'Fore I see him 'live an' well --
'Im the best beside the ford.
Ford, ford, ford o' Kabul river,
Ford o' Kabul river in the dark!
Gawd 'elp 'em if they blunder, for their boots'll pull 'em under,
By the ford o' Kabul river in the dark.

Turn your 'orse from Kabul town --
Blow the bugle, draw the sword --
'Im an' 'arf my troop is down,
Down an' drownded by the ford.
Ford, ford, ford o' Kabul river,

[...] Read more

poem by Rudyard Kipling
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Orlando Furioso Canto 3

ARGUMENT
Restored to sense, the beauteous Bradamant
Finds sage Melissa in the vaulted tomb,
And hears from her of many a famous plant
And warrior, who shall issue from her womb.
Next, to release Rogero from the haunt
Of old Atlantes, learns how from the groom,
Brunello hight, his virtuous ring to take;
And thus the knight's and others' fetters break.

I
Who will vouchsafe me voice that shall ascend
As high as I would raise my noble theme?
Who will afford befitting words, and lend
Wings to my verse, to soar the pitch I scheme?
Since fiercer fire for such illustrious end,
Than what was wont, may well my song beseem.
For this fair portion to my lord is due
Which sings the sires from whom his lineage grew.

II
Than whose fair line, 'mid those by heavenly grace
Chosen to minister this earth below,
You see not, Phoebus, in your daily race,
One that in peace or war doth fairer show;
Nor lineage that hath longer kept its place;
And still shall keep it, if the lights which glow
Within me, but aright inspire my soul,
While the blue heaven shall turn about the pole.

III
But should I seek at full its worth to blaze,
Not mine were needful, but that noble lyre
Which sounded at your touch the thunderer's praise,
What time the giants sank in penal fire.
Yet should you instruments, more fit to raise
The votive work, bestow, as I desire,
All labour and all thought will I combine,
To shape and shadow forth the great design.

IV
Till when, this chisel may suffice to scale
The stone, and give my lines a right direction;
And haply future study may avail,
To bring the stubborn labour to perfection.
Return we now to him, to whom the mail
Of hawberk, shield, and helm, were small protection:
I speak of Pinabel the Maganzeze,
Who hopes the damsel's death, whose fall he sees.

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poem by Ludovico Ariosto
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Orlando Furioso canto 13

ARGUMENT
The Count Orlando of the damsel bland
Who loves Zerbino, hears the piteous woes.
Next puts to death the felons with his hand
Who pent her there. Duke Aymon's daughter goes,
Seeking Rogero, where so large a band
The old Atlantes' magic walls enclose.
Her he impounds, deceived by fictions new.
Agramant ranks his army for review.

I
Those ancient cavaliers right happy were,
Born in an age, when, in the gloomy wood,
In valley, and in cave, wherein the bear,
Serpent, or lion, hid their savage brood,
They could find that, which now in palace rare
Is hardly found by judges proved and good;
Women, to wit, who in their freshest days
Of beauty worthily deserve the praise.

II
Above I told you how a gentle maid
Orlando had discovered under ground,
And asked, by whom she thither was conveyed?
Pursuing now my tale, I tell, how drowned
In grief (her speech by many a sob delayed),
The damsel fair, in sweet and softest sound,
Summing them with what brevity she might,
Her ills recounted to Anglantes' knight.

III
'Though I am sure,' she said, 'O cavalier,
To suffer punishment for what I say;
Because I know, to him who pens me here,
This woman quickly will the fact display;
I would not but thou shouldst the story hear.
- And let my wretched life the forfeit pay!
For what can wait me better than that he,
My gaoler, should one day my death decree?

IV
'Lo! I am Isabel, who once was styled
The daughter of Gallicia's hapless king:
I said aright who was; but now the child
(No longer his) of care and suffering:
The fault of Love, by whom I was beguiled;
For against him alone this charge I bring.
Who sweetly, at the first, our wish applauds,
And weaves in secret but deceit and frauds.

[...] Read more

poem by Ludovico Ariosto
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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

[...] Read more

poem by James Thomson
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Electric Eel Song

Ay! me one child Ay-eeee!
Ay! me one daughter
Take out you’ foot
From the black river water
Haul out you’ hand
Out the slow river water
Stay ‘pon the bank
Of the cold river water
Ay! me one daughter
Ay! me one child! Ay-eeee!

Electric eel
Is the eel in the river
Shadow ‘pon the bottom
Is the eel in the river
Something like you’ hand
Is the eel in the river
Swimming like you’ foot
Is the eel in the river

Ay! me one child Ay-eeee!
Ay! me one daughter
Foot after foot
Though the black river water
She can’t touch the bottom
Out the slow river water
Shirt like umbrella
In the cold river water
Ay! me one daughter
Ay! me one child! Ay-eeee!

Electric eel
Is the eel in the river
Cutlass shape
Is the eel in the river
Black blade or brown
Is the eel in the river
Dozing so quiet
Is the eel in the river

Ay! me one child Ay-eeee!
Ay! me one daughter
Slap of a tail
Through the black river water
Shiver like ague
Out the slow river water
As if she take cramp
Of the cold river water
Ay! me one daughter
Ay! me one child! Ay-eeee!

[...] Read more

poem by Slade Hopkinson
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I'm William Shakespeare

I’m born in April,1564 in Stratford-upon-Avon
I’m 100 miles northwest of London
I’m According to the records of Stratford's Holy Trinity Church
I’m baptized on April 26
I’m traditional birth date April 23rd, St. George's day
I’m married Anne Hathaway on November 27,1582
I’m 18; Anne was 26, eight years older than me.
I’m Susanna was born around May 26,1583; twins, Hamnet and Judith, were born around February 2,1585.
I’m likely educated at the grammar school in Stratford from the age of six or seven.
I’m published my first poem, 'Venus and Adonis, ' in 1593. I then wrote 154 poems and 37 plays, and my fame has only increased with time.
I’m recognized as one of the greatest writers of all time, known for works like 'Hamlet, ' 'Much Ado About Nothing, ' 'Romeo and Juliet, ' 'Othello, ' 'The Tempest, ' and many other works.
I’m With the 154 poems and 37 plays of my literary career, my body of works are among the most quoted in literature. I created comedies, histories, tragedies, and poetry. Despite the authorship controversies that have surrounded my works, the name of my continues to be revered by scholars and writers from around the world
I’m William Shakespeare

poem by Valya Madden
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White Trash Wedding

You can't afford no ring
You can't afford no ring
I shouldn't be wearing white and you can't afford no ring

You finally took my hand
You finally took my hand
It took a nip of gin
But you finally
took my hand
You can't afford no ring
You can't afford no ring
I shouldn't be wearing white and you can't afford no ring

Mama don't approve
Mama don't approve
Daddy says he's the best in town
And mama don't approve
You can't afford no ring
You can't afford no ring
I shouldn't be wearing white and you can't afford no ring

Baby's on its way
Baby's on its way
Say I do and kiss me quick
'Cause baby's on its way

I shouldn't be wearing white and you can't afford no ring

song performed by Dixie Chicks from Home
Added by Lucian Velea
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You Dont Pull No Punches But You Dont Push The River

(da da da....)
When you were a child, you were a tomboy
Gimme soul satisfaction
Way back in shady lane
Do you remember darlin?
And its the woman in you, and its the woman in you
Gimme soul satisfaction
And it takes the child in you to know
The woman an you are one
Were goin out in the country to get down to the real soul,
I mean the real soul, people,
Were goin out in the country, get down to the real soul
Were gettin out to the west coast
Shining our light into the days of bloomin wonder
Goin as much with the river as not, as not, yeah, yeah
An Im goin as much with the river as not
Yeah, yeah, right, yeah
Blake and the eternals oh standin with the sisters of mercy
Looking for the veedon fleece, yeah
William blake and the eternals oh standin with the sisters of mercy
Looking for the veedon fleece, yeah
You dont pull no punches, but you dont push the river
You dont pull no punches, and you dont push the river
You dont pull no punches, and you dont push the river, no, no
Goin as much with the river as not
Were goin out in the west, down to the cathedrals
Were goin out in the west (alright), down to the beaches
And the sisters of mercy, behind the sun
Oh behind the sun
And william blake and the sisters of mercy looking for the veedon fleece,
Yeah
You dont pull no punches, goin west, goin as much with the river as not
With the river as not, with the river as not, goin as much,
Goin as much with the river as not, no, ah
You dont pull no punches, and you dont push the river, no
You dont pull no punches, but you dont push the river, no
You dont pull no punches, but you dont push the river, no
You dont pull no punches, but you dont push the river
And we was contemplating baba, william blake and the eternals
Goin down to the sisters of mercy
Looking for the veedon fleece
Looking for the veedon fleece
Looking for the veedon fleece
Looking for the veedon fleece
You dont pull no punches, but ya, you dont push the river
You dont pull no punches, but ya, you dont push the river, no
You dont pull no punches, but ya, you dont push the river
You dont push the river, you dont push the river

song performed by Van Morrison
Added by Lucian Velea
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La Course

Vous m’avez dit :
Laisse-les vivre
Là-bas...
Que t’importent leurs bonds ou leurs pas
Sur l’herbe de l’aurore ou l’herbe de midi,
M’avez-vous dit ?

C’est vrai. Ma maison est haute et belle sur la place.
C’est vrai que ma maison est haute et belle et vaste,
Faite de marbre avec un toit de tuiles d’or ;
J’y vis ; j’y dors ;

Mon pas y traîne sur les dalles
Le cuir taillé de mes sandales,
Et mon manteau sur le pavé
Frôle son bruit de laine souple.
J’ai des amis, le poing levé,
Qui heurtent, en chantant, leurs coupes
A la beauté !
On entre ; on sort.
Ma maison est vaste sous son toit de tuiles d’or,
Chacun dit : Notre hôte est heureux.
Et moi aussi je dis comme eux,
Tout bas :
A quoi bon vivre,
Là-bas,
A quoi bon vivre ailleurs qu’ici...

Puis le soir vient et je suis seul alors dans l’ombre
Et je ferme les yeux...

Alors :
Il me semble que l’ombre informe, peu à peu,
Tressaille, tremble, vibre et s’anime et se meut
Et sourdement s’agite en son silence obscur ;
J’entends craquer la poutre et se fendre le mur

Et voici, par sa fente invisible et soudaine,
Que, sournoise d’abord et perceptible à peine,
Une odeur de forêt, d’eau vive et d’herbe chaude,
Pénètre, se répand, rampe, circule et rôde
Et, plus forte, plus ample et plus universelle,
S’accroît, se multiplie et m’apporte avec elle
Les diverses senteurs que la terre sacrée,
Forestière, rustique, aride ou labourée,
Mêle au vent de la nuit, du soir ou de l’aurore ;
Et bientôt, peu à peu, toute l’ombre est sonore.
Elle bourdonne ainsi qu’une ruche éveillée
Qui murmure au soleil à travers la feuillée,
Après la pluie oblique et l’averse pesante ;

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poem by Henri de Regnier
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Christmas-Eve

I.
OUT of the little chapel I burst
Into the fresh night air again.
I had waited a good five minutes first
In the doorway, to escape the rain
That drove in gusts down the common’s centre,
At the edge of which the chapel stands,
Before I plucked up heart to enter:
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch,
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Four feet long by two feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving:
They eyed me much as some wild beast,
The congregation, still arriving,
Some of them by the mainroad, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self thro’ the paling-gaps,—
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion,” with Love-lane at the back of it,
They front you as little disconcerted,
As, bound for the hills, her fate averted
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II.
Well, from the road, the lanes or the common,

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poem by Robert Browning
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