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Ladies in Black

Cast: Julia Ormond, Angourie Rice, Rachael Taylor, Alison McGirr, Ryan Corr, Vincent Perez, Susie Porter, Shane Jacobson, Noni Hazlehurst

trailer for Ladies in Black, directed by Bruce Beresford, screenplay, inspired by Madeleine St. John (2018)
Added by Veronica Serbanoiu
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Susie Cincinati

Well susie cincinnati
Got a groovy little motor car
She lives for the night
And her husbands a security guard
Her looks arent exactly a plus
But it doesnt matter to us
Because she knows where its at
And she gets you there in seconds flat
She knows all the honkies
And the kids are all home in bed
(ooo ride susie cincinnati)
Shed rather do this
Than anything else instead
(ooo ride susie cincinnati)
She got the nicotine fit
And before she discovered it
(ooo ride susie cincinnati)
Everybody in the back seat suffocated
Susie cincinnati we thought you were a winner
Susie cincinnati citys number one sinner
Yeah
Susie cincinnati we thought you were a winner
Woah
Susie cincinnati citys number one sinner
Susie cincinnati we thought you were a winner
Susie cincinnati citys number one sinner
Yeah
Susie cincinnati we thought you were a winner
Susie cincinnati citys number one sinner
Woah yeah
Shell always pick you up
When the others go and leave you down
(to the ride to the ride susie cincinnati)
In her little red cab shes scootin all over town
(to the ride to the ride susie cincinnati)
Shes gotta mind the meter too
My pockets got some signs for you (? ? ? )
But its just one look
Because shell give the ride free to you
Susie cincinnati
Susie cincinnati
Susie cincinnati
Susie cincinnati
Susie cincinnati
Susie cincinnati
Susie cincinnati

song performed by Beach Boys
Added by Lucian Velea
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Susie Cincinnati

Susie cincinnati
Got a groovy little motor car
She lives for the night
And her husbands a security guard
Her looks arent exactly a plus
A-but it doesnt matter to us
Because she knows where its at
And she gets you there in seconds flat
She knows all the honkies
And the kids are all home in bed
(ooo ride susie cincinnati ride)
Shed rather do this
Than anything else instead
(ooo ride susie cincinnati)
She got the nicotine fit
And before she discovered it
Everybody in the back seat suffocated
Susie cincinnati we thought you were a winner
Susie cincinnati citys number one sinner
Yeah
Susie cincinnati we thought you were a winner
Woah
Susie cincinnati citys number one sinner
(get yourself together)
Susie cincinnati we thought you were a winner
Susie cincinnati citys number one sinner
Yeah
Susie cincinnati we thought you were a winner
Yeah
Susie cincinnati citys number one sinner
Woah yeah
Shell always pick you up
When the others go and let you down
(to the ride to the ride susie cincinnati)
In her little red cab shes scootin all over town
(to the ride to the ride susie cincinnati)
Shes gotta mind the meter too
All polished up it shines for you
But its just for looks
Because shell give the ride free to you
Yeah
Susie cincinnati
Susie cincinnati
Susie cincinnati
Oh baby what you do
Susie cincinnati
S-s-susie cincinnati
S-s-susie cincinnati
Susie

song performed by Beach Boys
Added by Lucian Velea
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Julia, or the Convent of St. Claire

Stranger, that massy, mouldering pile,
Whose ivied ruins load the ground,
Reechoed once to pious strains
By holy sisters breathed around.

There many a noble virgin came
To bid the world she loved....adieu;
There, victim of parental pride,
To years of hopeless grief withdrew.

Yes, proud St. Claire! thy costly walls
Have witnessed oft the mourner's pain;
And hearts in joyless durance bound,
Which sighed for kindred hearts in vain.

But never more within thy cells
Shall beauty breathe the fruitless sigh,
Nor hid beneath the envious veil
Shall sorrow dim the sparkling eye.

For now, a sight by reason blest,
Thy gloomy dome in ruins falls,
While bats and screechowls harbour there,
Sole tenants of thy crumbling walls.

And soon, blest change! as those dread plains,
Where Etna's burning torrents poured,
Become, when Time its power has shed,
With softly-smiling verdure stored:

So, when thy darkly-frowning towers
The verdant plain no longer load,
These scenes, where sorrow reigned, may prove
Fond, faithful lovers' blest abode.

And they shall pledge the nuptial vow,
Where once far different vows were heard;
And where thy pining virgins mourned,
Shall babes, sweet smiling babes, be reared.

Hail, glorious change, to Nature dear!
Methinks I see the bridal throng;
And hark, where lonely sisters prayed,
How sweetly swells the social song!

But nought, O! nought can her restore
To social life, to happy love,
Who once amidst thy cloistered train
With passion's hopeless sorrow strove.

[...] Read more

poem by Amelia Opie
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Parents Teach Attained Materialism

Rachael wants Rachael wants
Rachael wants because she wants
Rachael wants a piece of cake

Rachael is turning five
Rachael wants a birthday cake
Rachael does not like cake

Rachael wants party expectations
Rachael wants observed promised dreams
Rachael wants her attended party

Rachael sought star centre of attention wants
Rachael her friends wrapped gifts songs wants
Rachael is time suddenly seated shy tongue tied

imagination expectation seed our character dreams
realization awaited seldom matches desired schemes
reality ill matches misconceptions time split seams

to want peer mainstream desires experience teaches
does not fit all personality individual developing tastes
time sows unique thoughts realizations in vision eyes

Rachael to control her micro environment desires
Rachael to around her influence her world desires
Rachael what materialism sales pitch sells desires

turn on the TV hear multiplied sales pitch philosophy
watch TV see value defined as sparkling attained property
learn school seated order clone test graded conformity

why do most parents eventually teach dog eat dog compete?
why do most parents teach attained materialism satisfies?
why not teach love compassion empathy walk in God's light?

poem by Terence George Craddock
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Shane

Written by ricky & marty wilde
I dreamed I lived the whole thing just last night
Somehow this film just seemed to get it right
I watched a gunfire under dirty western skies
The one mans vision seems to pick me up and fill my eyes
Its shane, cant you hear me calling you
Shane, if I thought that you would still be riding through
I said shane, please take me back there with you
(take me to you)
Im watching marian, as she let go
I felt I was her for a time or so
Its hard for anyone to understand her pain
You gotta see the man to understand she wouldnt change
Shane, cant you hear me calling you
Shane, if I thought that you would still be riding through
I said shane, please take me back there with you
(take me to you)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane, cant you hear me calling you
Shane, if I thought that you would still be riding through
I said shane, please take me back there with you
(take me to you)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)
Shane (I hear it, I hear it, I hear it, joes calling)

song performed by Kim Wilde
Added by Lucian Velea
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Susie- Q

Oh, susie q, oh, susie q,
Oh, susie q, baby I love you, susie q.
I like the way you walk, I like the way you talk;
I like the way you walk, I like the way you talk, susie q.
Well, say that youll be true, well, say that youll be true,
Well, say that youll be true, and never leave me blue, susie q.
Well, say that youll be mine, well, say that youll be mine,
Well, say that youll be mine, baby all the time, susie q.
Who do true two you blue who (*)
Oh susie q, oh susie q,
Oh susie q, baby I love you, susie q.
I like the way you walk, I like the way you talk,
I like the way you walk, I like the way you talk, susie q.
Oh susie q, oh susie q,
Oh susie q, baby I love you, susie q.

song performed by Creedence Clearwater Revival
Added by Lucian Velea
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A Piece Of Cake

Rachael wants Rachael wants
Rachael wants because she wants
Rachael wants a piece of cake

Rachael is turning five
Rachael wants a birthday cake
Rachael does not like cake

Rachael wants party expectations
Rachael wants observed promised dreams
Rachael wants her attended party

Rachael sought star centre of attention wants
Rachael her friends wrapped gifts songs wants
Rachael is time suddenly seated shy tongue tied

poem by Terence George Craddock
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Wake Up Little Susie

Wake up little susie, wake up. wake up little susie, wake up.
The movie wasnt so hot, it didnt have much of a plot
We fell asleep, out goose is cooked, our reputation is shot
Wake up little susie, wake up little susie
What are you gonna tell your mama, what you gonna tell your pa
What are you gonna tell your friend when they say ooo la la
Wake up little susie, wake up little susie
Well I told your mama that youd be back by ten
Now susie, baby looks like we goofed again
Wake up little susie, wake up little susie, we gotta go home
Wake up little susie, wake up. wake up little susie, wake up.
The bullfrogs sound asleep, wake up little susie and weep
Its four oclock and were in trouble deep
Wake up little susie, wake up little susie

song performed by Grateful Dead
Added by Lucian Velea
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The Oil from Bill Shane

I got the oil: too right. A cove called Shane.
Yes; ole Bill Shane. You've 'eard of 'im, of course.
Big racin' 'ead. There's no need to explain
The things he don't know about a 'orse.
Good ole Bill Shane. They say he's made a pile
At puntin'. Shrewd! I wis I 'ad 'is brain.
An' does 'e know the game? Well, I should smile.
They can't put nothin' over ole Bill Shane.

Yes; Shane, Bill Shane ... Aw, listen, lad. Wake up!
Why everybody's 'eard of ole Bill Shane.
They say he made ten thousan' on the Cup
Last year, an' now he's got the oil again.
Wot? Owner? Trainer? Nah! Who 'eeds their guff?
Bill's a big racin' man - a punter. See?
Top dog. I alwiz sez wot's good enough
For ole Bill Shane is good enough for me.

Yes; he gave me the oil. I got it straight
Well, nearly straight. Of course, I've never spoke
To Bill 'imself direck. I got a mate
Wot knows a bloke wot knows another bloke
Wot's frien's with Shane, an' so - you un'erstand.
Wot? me give you the tip? Aw, take a walk!
Yeh think I'd do a thing so under'and?
Bill Shane would kill me if I was to talk.

Well, listen ... Now, for gosh sake, keep it dark.
An' don't let no one know it came from Shane.
Keep it strick secret. I would be a nark
To let you chuck yer money down the drain ...
Wazzat you said? He's scratched? 'Ere! Lemme look!
Scratched! Ain't that noos to knock a man clean out?
I alwiz said this puntin' game was crook ...
Who? Shane? Aw, I dunno. Some racin' tout.

poem by Clarence Michael James Stanislaus Dennis
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Adelaida: A Cuban Cinderella

Adelaida: A Cuban Cinderella
Written by Ana Monnar


{PAGE 1}
Once upon a time, on the island of Cuba lived two sisters named Adelaida and Marisol. Although identical twins in appearance, their personalities were as different as night and day. Adelaida was noble and loved to help others. She understood that the situation at home was not easy. Their father worked 14 hours a day and their mother was frail and very ill. So Adelaida would wake up very early every morning to cook breakfast and have it ready for her father before he’d go to work. They would eat together while they talked about many different matters.

{PAGE 2}
Adelaida would then prepare a tray for her mother; with love and tenderness she fed her each meal of the day. She also insisted on helping the nurse care for her much-loved mother. She spent time brushing her mami’s hair and would take pleasure in it.

{PAGE 3}
On the other hand, Marisol believed that the world revolved around her. After sleeping until noon, she expected a breakfast menu. From the moment that she stepped out of her bed, she would holler, “Adelaida, bring me my breakfast! ”
Adelaida would serve her sister bacon, eggs, toast, juice, and milk. She would hurry to take the plate to the table and cater to her sister. But Marisol always complained that the food was not hot enough, or the drinks not cold enough. No matter how much Adelaida would try to please her, it never seemed to be enough. Marisol often wanted favors during the very moment that her sister was caring for their mother, and so Adelaida would ignore her sister’s whining and tend to her mother first.

{PAGE 4}
During the long hours of each day Adelaida would sweep the floor, wash, iron, and do the dishes. In between chores, she would hurry each time Marisol rang a bell demanding her services. Marisol would command, “Curl my hair! ” “Wash and iron my clothes! ” “Make my bed! ” “I’m hungry! ” “I want chicken and yellow rice, salad, and custard for dinner! ”
Adelaida would just give in to her sister’s demands to avoid confrontations that would disturb their mother’s peace. Luckily Adelaida had dogs, cats, and birds that adored her and followed her around. Even the mice would come to keep her company and help out. Little Maria the mouse carried the napkin on top of her head to set the table. Sometimes Adelaida and her critters would have fun together carving a giant pumpkin to make pumpkin soup, pumpkin pie, and pumpkin custard.

{PAGE 5}
One evening when their father came home from work he called both of his daughters. Adelaida and Marisol both kissed him and listened to what he had to say. With a frown, he mumbled, “My boss is having a dinner at his mansion and he wants our family to attend. Mr. Perez wishes to reward me for being the employee of the year. He also is very proud of his son who just finished his internship and graduated as a doctor. He is coming home just in time for the Christmas holidays and he would like for us to meet him.' In his mind he was thinking, ‘How am I going to get my wife to go? She is so weak and frail.’

{Page 6}
Adelaida, who felt and shared her father’s concern and sorrow, read his mind and replied, “Papi, you go ahead and enjoy the party and take Marisol with you. I will stay home with Mami and I promise to call the nurse if I need the extra help.”
Marisol leaped and yelped, “It sounds like a great plan to me! Take me shopping for a new dress, shoes, purse, and jewelry.” Deep in her mind she was scheming to snatch the young doctor. If she married rich she could have servants, a chef, and a chauffeur.
Their father tried to coax Adelaida into going with them. He said, “Adelaida, please come along with us and I will call the nurse to care for your mother during the few hours that we will be gone.” Adelaida gently but firmly begged her dad to let her stay. He finally agreed.

{Page 7}
The dinner was only two weeks away and Marisol continued nagging about a dress, pair of shoes, purse, jewelry, and now even added perfume to her inventory. Finally, even after working 14-hour shifts, Papi took Marisol out on several occasions to buy her luxuries. If Adelaida, their mother, or the nurse tried to reason with her insistent demands, Marisol would weep and whine until she got her way. Their father looked fatigued and could barely keep his feet firmly on the ground. Adelaida hugged her father and whispered, “Papi, I love you.” He cracked a slight grin and kissed her on the top of her head.

{Page 8}
Adelaida felt sorry for her father and hoped her sister would grow up and mature someday. They were both 23 years old and even though they were twins, their actions and values were poles apart. Adelaida often proved to be as wise as an owl perched up high in a tree as the moon glistened and sparkled above.

{Page 9}
Finally the day of the invitation arrived and Marisol was ecstatic. This would be her big break for securing her future husband! She just wanted to get away from their home, which reeked of medicines, antiseptic, and illness. Adelaida helped Marisol into her gown, but instead of showing gratitude, Marisol's whimpering continued. Marisol applied globs of make-up. If someone were to wet a couple of fingers and roll them against her foundation, rouge, and eye shadow, they would have enough watercolors to cover a canvas with frolicking ocean waves. When she put on her big gold hoop earrings and dabbed on cologne, Marisol was thrilled by the look and smell created by these finishing touches.

{Page 10}
Marisol scurried to her mother’s room and waved good-bye from the door. The nurse could have been knocked over by a feather after observing such selfishness from Marisol. She pondered how one sister could be so kind, loving, and gentle, while the other was egotistical and self-centered. The nurse had been coming to the house for weeks, having been hired when the mother began to feel weaker and was confined to bed. She was a dutiful and observant nurse who continuously nourished those who needed her help. When the nurse went home for the evening, Adelaida would sit by her mother and hold her hand as she sang to her. Her soothing voice would help her mother fall asleep.

{Page 11}
Adelaida’s father kissed his wife’s forehead and then thanked Adelaida for being so caring and devoted. Marisol yelled from across the corridor, “Papi, hurry up or we’ll be late! ” Although he loved both his daughters equally and played no favorites, he could clearly see the difference in their behaviors.

{Page 12}
Marisol and her father arrived at the mansion. The butler greeted them and announced their appearance. Mr. Garcia’s gentle boss, wife, and son welcomed them. Mr. and Mrs. Perez inquired about the whereabouts of his wife and his other twin daughter. The humble Mr. Garcia replied softly with sad and shameful eyes, “My wife is ill, weak, frail, and bedridden so my other daughter Adelaida stayed home caring for her. She insisted that we come and have an evening out.” Young Dr. Perez did not even glance at Marisol. He just thought it odd that one sister was out partying, while the other was looking after her mother. Mr. and Mrs. Perez felt sorry for the family’s suffering and offered to take the meal to the Garcias’ home and eat there instead. Marisol was flabbergasted! ‘This can’t be happening! I must be having a nightmare! ’ she thought.



{Page 13}
Both families drove to the Garcia residence. The servants and chauffeur carried the meal inside. The Perez family members were guided to the master bedroom where Adelaida was brushing her mother’s hair as she sang so sweetly. Although Adelaida had no make-up and was wearing simple clothes, she looked cool, calm, collected, and as faithful as a saint. Young Dr. Perez looked at Adelaida’s emerald-green eyes and realized that this was one young lady that he would love to befriend. At the end of the corridor Marisol’s green eyes displayed her jealousy and envy.
They sat down around the ill Mrs. Garcia, spoke softly, and ate holding their plates with one hand and their forks with the other. They ate black beans, rice, pork, and fried plantains. Adelaida did not begin eating until she slowly and gently fed her mother first. By this point Marisol was starving, so she devoured her food.
After this very enlightening visit, the young doctor asked Mr. Garcia if he could come regularly to check up on Mrs. Garcia and visit Adelaida. Mr. Garcia was very grateful for his interest and agreed.

[...] Read more

poem by Ana Monnar
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Julia

Half of what i say is meaningless
But i say it just to reach you, julia
Julia, julia, oceanchild, calls me
So i sing a song of love, julia
Julia, seashell eyes, windy smile, calls me
So i sing a song of love, julia
Her hair of floating sky is shimmering, glimmering,
In the sun
Julia, julia, morning moon, touch me
So i sing a song of love, julia
When i cannot sing my heart
I can only speak my mind, julia
Julia, sleeping sand, silent cloud, touch me
So i sing a song of love, julia
Hum hum hum hum...calls me
So i sing a song of love for julia, julia, julia

song performed by Beatles
Added by Lucian Velea
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Julia

Half of what I say is meaningless
But I say it just to reach you
Julia
Julia
Julia
Oceanchild
Calls me
So I sing a song of love
Julia
Julia
Seashell eyes
Windy smile
So I sing a song of love
Julia
Her hair of floating sky is shimmering
Glimmering
In the sun
Julia
Julia
Morning moon
Touch me
So I sing a song of love
Julia
When I cannot sing my heart
I can only speak my mind
Julia
Julia
Sleeping sand
Silent cloud
Touch me
So I sing a song of love
Julia
Calls me
So I sing a song of love
For julia
Julia
Julia

song performed by Lennon John
Added by Lucian Velea
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Blood On The Dancefloor

She got your number
She know your game
She put you under
It's so insane

Since you seduced her
How does it feel
To know that woman
Is out to kill

Every night stance is like takin' a chance
It's not about love and romance
And now you're gonna get it

Every hot man is out takin' a chance
It's not about love and romance
And now you do regret it

To escape the world I've got to enjoy that simple dance
And it seemed that everything was on my side
(Blood on my side)

She seemed sincere like it was love and true romance
And now she's out to get me
And I just can't take it
Just can't break it

Susie got your number
And Susie ain't your friend
Look who took you under
With seven inches in
Blood is on the dance floor
Blood is on the knife
Susie's got your number
And Susie says its right

She got your number
How does it feel
To know this stranger
Is out to kill

She got your baby
It happened fast
If you could only
Erase the past

Every night stance is like takin a chances
It's not about love and romance
And now you're gonna get it

[...] Read more

song performed by Michael Jackson
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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

[...] Read more

poem by Anonymous Olde English
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In Pursuit of the Poetic Soul of Ryan Adams

In Pursuit of the Poetic Soul of Ryan Adams

By Uriah Lee Hamilton

Last day of summer, football Saturday afternoon. A Warm breeze was pushing me toward Ann Arbor like a happy autumn leaf in pursuit of the beautiful poetic soul of Ryan Adams. Lovely charming mood all the way playing Easy Tiger and Demolition and feeling like the universe was kind and smiling.
Exit off 94 West onto State Street and all excited to make my way to Liberty Street and the heart of the College town I love. Kids were milling around everywhere in their gold and blue, gleeful and happy that Michigan is now playing 500 football after a discouraging start. Parking spaces across the street from Michigan Theater in the parking structure are all taken, I have to drive to the roof and still wait for a football fan to leave.
Me and my friend Cassandra start walking around and dig everything and everyone we see. Ann Arbor brings out your gentle Jack Kerouac nature, the part of you that wants to praise everything for it’s sad but beautiful, integral purpose to this existence.
We enter an Eastern clothing and folk art store that is positively charming and enlightening. I can’t remember the name of the store. Perhaps, it is called the Enchanted Sarong. It almost felt like George Harrison was there with us, beautiful carved statues of Buddha and Krishna and Ganesha were everywhere. The sales lady was friendly and helpful and said sweetly, “we’re Om friendly” as we asked about carved symbols for the breath-word Om. The serene incense Nag Champa drifted through the room but it was now time to leave and make our way to the Ryan Adams concert at Michigan Theater.
I purchased my tickets the very minute they went on sale and prayed I had front row despite my tickets saying double A. No Such luck, but I was still happy to be in row 27. As I was waiting for the show to begin, I saw my concert friend Jeremy and got his attention. He looked as happy and as excited as myself and said he had spent a fortune at some cool record store. Jeremy then handed me a beautiful soundboard copy of Ryan Adams at the Gem Theater in downtown Detroit June 20th 2007. Man, how I’ve been longing for that show! I then gave Jeremy a copy of Ryan’s punk rock band the Finger.
Now the lights go out and the music begins. Ryan Opens with Goodnight Rose and closes with Goodnight Hollywood Boulevard. Everything in-between is just magical. The first auspicious sign was that Ryan came out playing guitar! ! In June, he only sang, he didn’t play any instruments, some injury sidelined him. The June Show as a result was more subtle, almost like MTV Unplugged. Subtle but amazing. Last night was more rocking and adventurous with reworked extended arrangements, ala the Grateful Dead. In particular was a long and lovely version of Off Broadway from Easy Tiger. At the completion of Off Broadway, I shouted, “That was gorgeous! ” Of course, I may have added an expletive, all in the interest of ecstatic joy for music.
Ryan told a story during the show about running into a girl on her way to the concert that didn’t recognize him because he dresses like a plumber. My friend after the show said she thought she saw Ryan Adams on the street near the theater. I asked, “Really? ” She said, “I saw someone that looked like a plumber.” I can say, I didn’t see Ryan on the streets anywhere in Ann Arbor yesterday, but I have been known to miss a plumber or two in my day.
The first two songs in the encore made the whole show for me. Ryan came out by himself with an acoustic guitar and sang Call Me On Your Way Back Home. Toward the end of the song, Ryan played harmonica and I screamed like a schoolgirl, pretty much the way I do whenever Bobby Dylan plays harmonica! And if that wasn’t enough to make the end of summer completely magical, Ryan then sat down at the piano and sang Sylvia Plath: Oh my God, the point of tears! I’ve waited six years to hear him sing that song live from the Album Gold. As I told my friend, that was the song that sealed the deal making Ryan Adams my modern hero! If you want to get my attention and loyalty, sing about one of the tragic poets I love.

poem by Uriah Hamilton
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Blood On The Dance Floor

Written and composed by michael jackson and teddy riley
She got your number
She know your game
She put you under
Its so insane
Since you seduced her
How does it feel
To know that woman
Is out to kill
Every night stance is like takin a chance
Its not about love and romance
And now youre gonna get it
Every hot man is out takin a chance
Its not about love and romance
And now you do regret it
To escape the world Ive got to enjoy that simple dance
And it seemed that everything was on my side
(blood on my side)
She seemed sincere like it was love and true romance
And now shes out to get me
And I just cant take it
Just cant break it
Susie got your number
And susie aint your friend
Look who took you under
With seven inches in
Blood is on the dance floor
Blood is on the knife
Susies got your number
And susie says its right
She got your number
How does it feel
To know this stranger
Is out to kill
She got your baby
It happened fast
If you could only
Erase the past
Every night stance is like takin a chances
Its not about love and romance
And now youre gonna get it
Every hot man is out takin a chance
Its not about love and romance
And now you do regret it
To escape the world I got to enjoy this simple dance
And it seemed that everything was on my side
(blood on my side)
It seemed sincere like it was love and true romance
And now shes out to get me
And I just cant take it

[...] Read more

song performed by Michael Jackson
Added by Lucian Velea
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Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;

[...] Read more

poem by Andrew Barton Paterson
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Julia

Eyes so bright, so big and wide
Make you feel so strange
Somewhere deep inside
Its the face of an angel
Soul of the devil may care
How Id love to know
What goes on in there
She needs your love
She needs it every day
But speak of love
See her laugh and run away
Julia, which way will you go
Julia, I wanna know
Julia, only the moon and stars
Julia, know just where you are
Julia
See the dance that needs no alibi
Oh you dont need to dream
When you know you can fly
She needs your love
She needs it every day
But speak of love
See her laugh and run away
Julia, which way will you go
Julia, I wanna know
Julia, only the moon and stars
Julia, know just where you are
Julia

song performed by Chris Rea
Added by Lucian Velea
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Reaction Paper

Michael Rose
English 101
'Fender Bender' Short Response
September 29,2009

The short story, 'Fender Bender, ' by Ramon 'Tiangus' Perez,

portrays the prejudiced state in which the contemporary society in

America regards illegally immigrated peoples. The anecdotal

experience which Perez divulges furthermore demonstrates an inter-

cultural conflict between Mexican immigrants: those who have become

Americanized and those who have clung onto the the cultural

idiosyncrosies of Mexico. In the short story, this conflict is catalyzed

over language-preference divergencies between a 'Chicano' cop and

a Mexican semaritan. On the other hand, however, the role which is

carried out by the 'Anglo-saxon' male, who is involved in the fender

bender with Perez, semphores a present-day change which is taking

place in those outlooks held by the base, Caucasian population within

America; the 'Anglo-saxon' insists against those legal complications

with which the 'Chicano' cop desires to have pass upon Perez.

Ultimately, the corruption of the system succeeds, however; the cop

forces Perez to lock his car keys within the vehicle, and proceed to

walk away from the vehicle, into the distance and down the block.

Perez is rescued by a meager hanger on a a street corner.

poem by Michael Timothy Rose
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