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Artemis Fowl

Cast: Miranda Raison, Hong Chau, Judi Dench, Nonso Anozie, Adrian Scarborough, Ferdia Shaw, Lara McDonnell, Joshua McGuire

trailer for Artemis Fowl, directed by Kenneth Branagh, screenplay, inspired by Eoin Colfer (2019)
Added by Veronica Serbanoiu
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

poem by Byron
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

[...] Read more

poem by Byron
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

poem by Gert Strydom
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Canto the First

I.

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

[...] Read more

poem by Byron from Lara (1815)
Added by Veronica Serbanoiu
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Canto the Second

I.

Night wanes — the vapours round the mountains curl'd,
Melt into morn, and Light awakes the world.
Man has another day to swell the past,
And lead him near to little, but his last;
But mighty Nature bounds as from her birth,
The sun is in the heavens, and life on earth;
Flowers in the valley, splendour in the beam,
Health on the gale, and freshness in the stream.
Immortal man! behold her glories shine,
And cry, exulting inly, "They are thine!"
Gaze on, while yet thy gladden'd eye may see,
A morrow comes when they are not for thee;
And grieve what may above thy senseless bier,
Nor earth nor sky will yield a single tear;
Nor cloud shall gather more, nor leaf shall fall,
Nor gale breathe forth one sigh for thee, for all;
But creeping things shall revel in their spoil,
And fit thy clay to fertilise the soil.

II.

'Tis morn — 'tis noon — assembled in the hall,
The gather'd chieftains come to Otho's call:
'Tis now the promised hour, that must proclaim
The life or death of Lara's future fame;
When Ezzelin his charge may here unfold,
And whatsoe'er the tale, it must be told.
His faith was pledged, and Lara's promise given,
To meet it in the eye of man and Heaven.
Why comes he not? Such truths to be divulged,
Methinks the accuser's rest is long indulged.

III.

The hour is past, and Lara too is there,
With self-confiding, coldly patient air;
Why comes not Ezzelin? The hour is past,
And murmurs rise, and Otho's brow's o'ercast,
"I know my friend! his faith I cannot fear,
If yet he be on earth, expect him here;
The roof that held him in the valley stands
Between my own and noble Lara's lands;
My halls from such a guest had honour gain'd,
Nor had Sir Ezzelin his host disdain'd,
But that some previous proof forbade his stay,
And urged him to prepare against to-day;
The word I pledge for his I pledge again,
Or will myself redeem his knighthood's stain."

[...] Read more

poem by Byron from Lara (1815)
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Joshua Fit The Battle

(arranged and adapted by elvis presley)
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
Good morning sister mary
Good morning brother john
Well I wanna stop and talk with you
Wanna tell you how I come along
I know youve heard about joshua
He was the son of nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your men of saul
Theres none like good old joshua
At the battle of jericho
Up to the walls of jericho
He marched with spear in hand
Go blow them ram horns, joshua cried
cause the battle is in my hands
God knows that
Joshua fit the battle of jericho
Jericho jericho
Joshua fit the battle of jericho
And the walls come tumbling down
You may talk about your men of gideon
You may brag about your king of saul
There none like joshua
At the battle of jericho
They tell me, great God that joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns joshua cried
cause the devil cant do you no harm
Joshua fit the battle of jericho
Jericho jericho

[...] Read more

song performed by Elvis Presley
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Joshua Fit The Battle (take 1)

Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
Good morning sister Mary
Good morning brother John
Well I wanna stop and talk with you
Wanna tell you how I come along
I know you've heard about Joshua
He was the son of Nun
He never stopped his work until
Until the work was done
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your men of Saul
There's none like good old Joshua
At the battle of Jericho
Up to the walls of Jericho
He marched with spear in hand
Go blow them ram horns, Joshua cried
'Cause the battle is in my hands
God knows that
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho
And the walls come tumbling down
You may talk about your men of Gideon
You may brag about your king of Saul
There none like Joshua
At the battle of Jericho
They tell me, great God that Joshuas spear
Was well nigh twelve feet long
And upon his hip was a double edged sword
And his mouth was a gospel horn
Yet bold and brave he stood
Salvation in his hand
Go blow them ram horns Joshua cried
'Cause the devil can't do you no harm
Joshua fit the battle of Jericho
Jericho Jericho
Joshua fit the battle of Jericho

[...] Read more

song performed by Elvis Presley
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Artemis Fowl [trailer 2]

Cast: Miranda Raison, Colin Farrell, Josh Gad, Ferdia Shaw, Judi Dench, Nonso Anozie, Hong Chau, Lara McDonnell

trailer for Artemis Fowl, directed by Kenneth Branagh, screenplay, inspired by Eoin Colfer (2020)
Added by Veronica Serbanoiu
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Miranda

At the end of the day
The end of the light
She remains of all of her foes
Miranda is dying with all of her might
She never comes
She always goes
She sticks the camera right into her arm
Anything to forget what the troubles about
It causes her pain
Thats part of the charm
Shes down for the count
And finally out
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
She sees her face in another magazine
And the walls all close in
As the fancy takes flight
Cant stand to be loved
But she loves to be seen
She slips headlong into the night
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
And then all at once
The sun starts to rise
She sees her father holding her down
All the daylight is poison to her eyes
She slips down the shade
And lets herself drown
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
The lights shot down in the arena
All across the safety zone
Loneliness follows miranda
And miranda is always alone
Miranda is always alone
Miranda is always alone

song performed by Fleetwood Mac
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Joshua

Well a good ways down the railroad track
There was this little old rundown shack
And in it lived a man Id never seen
Folks said he was a mean and a vicious man
And you better not set foot on his land
I didnt think nobody could be that mean
So I took me out walking down the railroad track
I was a-gonna go down to that little old shack
And just find out if all them things Id heard was true
There was a big black dog laying out in the yard
And it growled at me and I swallowed hard
And I heard somebody say well who are you
Oh and there he stood in the door of that shack
His beard and his hair was long and black
And he was the biggest man Id ever seen
When he spoke his voice was low and deep
But he just didnt frighten me
cause somehow I just knew he wasnt mean
He said what you doing snooping round my place
And I saw a smile come across his face
So I smiled back and I told him who I was
He said come on in and pull you up a chair
You might as well since you already here
And he said you can call me joshua
Joshua joshua
Whatcha doing living here all alone
Joshua joshua
Aint you got nobody to call your own
No no no no
We talked til the sun was clean out of sight
And we still talking when it come daylight
And there was just so much we had to say hey
Id spent my life in an orphans home
And just like him I was all alone
So I said yeah when he asked if Id stay
Oh we grew closer as time went on
And that little old shack it was a happy home
And we just couldnt help but fall in love
That big black dog and that little old shack
Sitting down by the railroad track
Its plenty good enough for me and joshua
Joshua joshua
Why youre just what Ive been looking for
Joshua joshua
You aint gonna be lonesome anymore
No no
Yodel-a-he-ho
Me and joshua
Me and joshua
Me and joshua yeah yeah

[...] Read more

song performed by Dolly Parton
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Old Siam Sir

In a village in old siam, sir, theres a lady whos lost her way.
In an effort to find a man, sir, she found herself in the old uk.
She waited round in walthamstowe, she skated round in scarborough.
She waited round in walthamstowe, she skated round in scarborough.
In a village in old east end, sir, she mea fellow who made her real.
Took her rushes to show, this man, sir,
He met her dad at the wedding meal.
- guitar solo -
In a letter from old siam, sir, came an awful tale of woe.
She decided the only answer was to get off a pile of dough.
She waited round in walthamstowe, she skated round in scarborough.
She waited round in walthamstowe, she skated round in scarborough.
When a relative told her man, sir, he directed her not to stay.
In a village in old siam, sir, theres a lady whose lost her way.
- guitar solo -
In a village in old siam, sir, theres a lady whose lost her way.
In an effort to find a man, sir, she found herself in the old uk.
She waited round in walthamstowe, she skated round in scarborough.
She waited round in walthamstowe, she skated round in scarborough.
+ repeat first two lines of last verse, then repeat until fade:
Walthamstowe . . . scarborough . . .

song performed by Paul McCartney
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St. Adrian

to St. Adrian I give thanks
the dead leader of dead Roman ranks
a silent prayer to the Roman man
that calm man like deadly white hands
his steadfast wife even locked her door
when she thought he was like her no more

so a prayer to Adrian, saint of knights
a St. only after the lion beasts rites
to him be a morsel of honor, be it true
not more flames or a blunt corkscrew
to Saint Adrian I give thanks
the dead leader of dead Roman ranks

enter the night of Adrianus Incarsaurus
the holy, now, of Rome...MARTYR US!
to Saint Adrian, the saint, the beast
oh cover us, Adrian, from Abaddon and the beast
to Saint Adrian I give thanks
the dead leader of dead Roman ranks

sing your hymn with the name on your lips
or simply, silently 'Adrian' in felt tips
to him be a morsel of honor, be it true
not more flames, or unjust undo
to the leader of dead Roman ranks
to St. Adrian I give thanks

poem by Michael Cook
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Sunset at Scarborough

When you saw
The Golden Sun
Setting on the Sea
At Scarborough
And you thought of me, my love
I felt wonderful…
Being a part of the text
That you sent me
Being a part of your memory
As you remembered me…
Being a part of that
Moment in Time
When the Golden Sun
Was setting
On the Sea
At Scarborough.

As you stood there
In the Balcony
On the 22nd Floor
Of your Hotel-Room
Gazing at the
Swirling waters of the Sea
Radiant and Vibrant
In the oranges and reds
Of the Setting Sun’s
Majestic Charisma -
The waves and the tides
Playing hide and seek
With the lovely bright colours
Of the Setting Sun’s
Enchanting Enigma

I thought of your eyes…

Yes – those very beautiful
Eyes of yours,
With those long eyelashes
That make your eyes
All the more expressive, deep
And enchanting…
Like the Setting Sun’s
Ethereal Beauty
In that evening sea
At Scarborough

I felt like kissing those eyes…

Yes – those very same eyes
Tired and aching

[...] Read more

poem by Aparna Chatterjee
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When Scarborough Had Land

I remember Scarborough proud Protestant and blue,
With portraits of a Queen near every pew.
No Sunday shops, no music hops, no liquor on display,
Where the Lodges and the Legions marched each Victoria Day.

Where ensigns flew, Union Jacks too, unique uniforms on parade.
A raucous rush of pompous pride by pals from every trade,
As they beat the drum down Danforth Road on the twenty fourth of May,
Out to the country and back by Byng, again on Dominion Day.

Those were loyal times before the war for king and queen and all,
For more than a few, this love did cause, their ultimate downfall.
It did at Dieppe and D-day too like their seniors at the Somme,
They died for king and country; they did it for a song.

And soon they were forgotten, those who fought for king and crown,
Though those lucky to return had saved the country and the town.
They would walk again forever with their flags flying high,
Marching medals of the heroes that no one could deny.

Except the town of Scarborough was down on the drawing board,
And those fields and sheep and meadows didn't fit the grand accord.
No newcomers paid attention as the veterans vied for space,
And their parades of marching medals only had an old-time grace.

And Scarborough changed by day and night from a township to a city,
Old soldiers faded fast and few and no one had much pity.
And the immigrants came in wave after wave from places far and wide,
As the soldiers went to grave after grave with their flags and faded pride.

But still a few survive today and I'm sure they are not pleased.
'bout the changes to the town and how Scarborough had been squeezed,
From a township to a city where no one cared for esprit de corps,
So they amalgamated with Toronto and Scarborough was no more.

And culture clash and bureaucrat and ever changing rules,
Of mandarin and moguls and Tamils dressed in jewels,
While traffic roared and the buildings soared sometimes to sixty stories,
Where women wrapped in saris sashayed in all their glories.

They had lost the town without a fight, those men from long ago.
And everything was centralized; they said to save some dough,
But the authorities had lied again; it was all politically correct,
And no one marched, no flags did fly and no one did protest.

There are sometimes you still can hear it, the distant drone of pipes,
And men in kilts still carry on, just watched by boys on bikes.
They're just a faint reminder now of the many marching bands,
When those with flags and medals marched and Scarborough had some land.

[...] Read more

poem by James Bredin
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Mons Angelorum

MOSES, JOSHUA, THE THREE ANGELS OF THE UNIVERSE

Evening: a slope of Pisgah

Moses –Our span of life is lessening with the years,
Our little sun rolls swiftlier to its end
Among the eternal stars. It is a feather
Blown from a careless lip into the dark,
A fallen feather, the lily of a day,
Brimming with blood and tears instead of dew,
And dying with its sleep. Having known life,
Having known day, I pass into the night;
Having long spoken with God, I hold my peace;
Having long held the sword, I lay it down,
And the new watch believes me. Is all well ?

Joshua –O father of my soul, I cannot tell.
The burden of the Lord is heavy on me,
And I am broken beneath it.

Moses – Since I knew,
All my desires and cares have gone from me.
Rather I think on old forgotten things–
A song within the temple-court, to her,
Isis, the Lady of Love. How white she sat
Above the crowded gate ! I was a boy:
I ran and laid a lotus on her knees,
Dreaming she smiled in answer. Ah, those dreams
Far on the shining level of the sands,–
Thebes and old Tanis builded of a cloud !
The reeds beside the river, those sweet trees
Full of warm buds that ripen and unclose
At eve; the barges passing on the Nile
Like golden water-fowl with ivory wings;
The gardens and the great pomegranate flowers,
And she, my gentle mother in Mizraim,
Calling me, 'Mesu, Mesu.'

Joshua – I cannot think.
My sorrow stays me and my grief prevents.
Yet there are heathen foes and wars to come.
I take thy sword. I cannot take thy soul,
Master of Law, unshaken friend of God,
But I can fight for Israel.

Moses – Fight, and stand
Firmly for God. Jehovah is salvation.
And now, beloved son in all but blood,
Go, get you down again.

[...] Read more

poem by Marjorie Lowry Christie Pickthall
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Countess From Hong Kong

Countess from hong kong she moves so lightly
Like the summer rain
Everytime I see and I think about her
It ends up the same
Walkin the streets out in singapore
It was a funny sight
But let me say the countess from hong kong
She did everything right
Countess from hong kong
Oh, countess from hong kong
Countess from hong kong she moves so lightly
Shes like the summer breeze
And all of the princes they came from india
They fell down on their knees
Silks and satins, what a purple suede
She cut among the trees
Countess from hong kong believe me baby
Now youre, ooohhh, like a summer breeze
Oh, countess from hong kong
Countess from hong kong

song performed by Velvet Underground
Added by Lucian Velea
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Countess From Hong Kong (demo)

Countess from Hong Kong she moves so lightly
like the summer rain
Everytime I see and I think about her
it ends up the same
Walkin' the streets out in Singapore
it was a funny sight
But let me say the countess from Hong Kong
she did everything right
Countess from Hong Kong
oh, countess from Hong Kong
Countess from Hong Kong she moves so lightly
she's like the summer breeze
And all of the princes they came from India
they fell down on their knees
Silks and satins, what a purple suede
she cut among the trees
Countess from Hong Kong believe me baby
now you're, ooohhh, like a summer breeze
Oh, countess from Hong Kong
Countess from Hong Kong

song performed by Velvet Underground
Added by Lucian Velea
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A Lady Who Thinks She Is Thirty

Unwillingly Miranda wakes,
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.

Miranda in Miranda's sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.

Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.

Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.

Time is timelessness for you;
Calendars for the human;
What's a year, or thirty, to
Loveliness made woman?

Oh, Night will not see thirty again,
Yet soft her wing, Miranda;
Pick up your glass and tell me, then--
How old is Spring, Miranda?

poem by Ogden Nash
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Bagsakan

Nandito na si chito
Si chito miranda
Nandito na si kiko
Si francis magalona
Nandito na si gloc 9
Wala syang apelyido
Magbabagsakan dito in 5 4 3 2

Nandito na si chito
Si chito miranda
Nandito rin si kiko
Si francis magalona
Nandito rin si gloc 9
Wala syang apelyido
Magbabagsakan dito
Mauuna si chito!

Chito miranda:
Hindi ko alam kung bat ako kasama dito
Sama-sama sa mga pasabog nila kiko at ni glock - astig patinikan ng bibig
Teka muna teka lang painom muna ng tubig
Shift sa segunda bago mapatumba
Dapat may maisip ka na rhyme na maganda
At madulas ang pagbigkas
At astig baka sakaling marinig
Ng libo libo na pilipino nakikinig sa mga pabibo ko
Di ka ba nagugulat sa mga naganap
Di ko din alam kung bat ako sikat
Para bang panaginip na pinilit makamit
Talagang sinusulit ang pagiging makulit
Kailangan galingan hindi na kayang tapatan ang tugtugan ng parokya at aming samahan
Shit! panu to wala nko masabi
Ngunit kailangan gumalaw ng mga labi kong ito
Kunyari nagbabakasakali
Na magaling din ako kaya nasali!

Natapos na si chito
Si chito miranda
Nandito na si kiko
Si francis magalona
Nandito rin si gloc 9
Wala syang apelyido
Magbabagsakan dito
Babanat na si kiko!
[ Lyrics from:
Francis magalona:
It aint uzi or ingram
Triggers in the maximum
Not a 45 but 44 magnum
And it aint even a 357

[...] Read more

poem by Sirius White
Added by Poetry Lover
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The Death Of Carthullin

ARGUMENT.

Cuthullin, after the arms of Fingal had expelled Swaran from Ireland, continued to manage the affairs of that kingdom as the guardian of Cormac the young king. In the third year of Cuthullin's administration, Torlath, the son of Cantela, rebelled in Connaught: and advanced to Temora to dethrone Cormac. Cuthullin marched against him, came up with him at the lake of Lego, and totally defeated his forces. Torlath fell in battle by Cuthullin's hand; but as he too eagerly pressed on the enemy, he was mortally wounded. The affairs of Cormac, though for some time supported by Nathos, as mentioned in the preceding poem, fell into confusion at the death of Cuthullin. Cormac himself was slain by the rebel Cairbar; and the re-establishment of the royal family of Ireland, by Fingal, furnishes the subject of the epic poem of Temora.

Is the wind on the shield of Fingal? Or is the voice of past times in my hall? Sing on, sweet voice! for thou art pleasant. Thou carriest away my night with joy. Sing on, O Bragéla, daughter of car-borne Sorglan!

"It is the white wave of the rock, and not Cuthullin's sails. Often do the mists deceive me for the ship of my love! when they rise round some ghost, and spread their gray skirts on the wind. Why dost thou delay thy coming, son of the generous Semo? Four times has autumn returned with its winds, and raised the seas of Togorma, since thou hast been in the roar of battles, and Bragéla distant far! Hills of the isle of mist! when will ye answer to his hounds? But ye are dark in your clouds. Sad Bragéla calls in vain! Night comes rolling down. The face of ocean falls. The heath-cock's head is beneath his wing. The hind sleeps with the hart of the desert. They shall rise with morning's light, and feed by the mossy stream. But my tears return with the sun. My sighs come on with the night. When wilt thou come in thine arms, O chief of Erin's wars?"

Pleasant is thy voice in Ossian's ear, daughter of car-borne Sorglan! But retire to the hall of shells, to the beam of the burning oak. Attend to the murmur of the sea: it rolls at Dunscäi's walls: let sleep descend on thy blue eyes. Let the hero arise in thy dreams!

Cuthullin sits at Lego's lake, at the dark rolling of waters. Night is around the hero. His thousands spread on the heath. A hundred oaks burn in the midst. The feast of shells is smoking wide. Carril strikes the harp beneath a tree. His gray locks glitter in the beam. The rustling blast of night is near, and lifts his aged hair. His song is of the blue Togorma, and of its chief, Cuthullin's friend! "Why art thou absent, Connal, in the days of the gloomy storm? The chiefs of the south have convened against the car-borne Cormac. The winds detain thy sails. Thy blue waters roll around thee. But Cormac is not alone. The son of Semo fights his wars! Semo's son his battles fights! the terror of the stranger! He that is like the vapor of death, slowly borne by sultry winds. The sun reddens in its presence; the people fall around."

Such was the song of Carril, when a son of the foe appeared. He threw down his pointless spear. He spoke the words of Torlath; Torlath chief of heroes, from Lego's sable surge! He that led his thousands to battle, against car-borne Cormac. Cormac, who was distant far, in Temora's echoing halls: he learned to bend the bow of his fathers; and to lift the spear. Nor long didst thou lift the spear, mildly-shining beam of youth! death stands dim behind thee, like the darkened half of the moon behind its growing light. Cuthullin rose before the bard, that came from generous Torlath. He offered him the shell of joy. He honored the son of songs. "Sweet voice of Lego!" he said, "what are the words of Torlath? Comes he to our feast or battle, the car-borne son of Cantela?"

"He comes to thy battle," replied the bard, "to the sounding strife of spears. When morning is gray on Lego, Torlath will fight on the plain. Wilt thou meet him, in thine arms, king of the isle of mist? Terrible is the spear of Torlath! it is a meteor of night. He lifts it, and the people fall! death sits in the lightning of his sword!" — "Do I fear," replied Cuthullin, "the spear of car-borne Torlath? He is brave as a thousand heroes: but my soul delights in war! The sword rests not by the side of Cuthullin, bard of the times of old! Morning shall meet me on the plain, and gleam on the blue arms of Semo's son. But sit thou on the heath, O bard, and let us hear thy voice. Partake of the joyful shell: and hear the songs of Temora!"

"This is no time," replied the bard, "to hear the song of joy: when the mighty are to meet in battle, like the strength of the waves of Lego. Why art thou so dark, Slimora! with all thy silent woods? No star trembles on thy top. No moonbeam on thy side. But the meteors of death are there: the gray watery forms of ghosts. Why art thou dark, Slimora! why thy silent woods?" He retired, in the sound of his song. Carril joined his voice. The music was like the memory of joys that are past, pleasant and mournful to the soul. The ghosts of departed bards heard on Slimora's side. Soft sounds spread along the wood. The silent valleys of night rejoice. So when he sits in the silence of the day, in the valley of his breeze, the humming of the mountain bee comes to Ossian's ear: the gale drowns it in its course: but the pleasant sound returns again! Slant looks the sun on the field! gradual grows the shade of the hill!

"Raise," said Cuthullin to his hundred bards, "the song of the noble Fingal: that song which he hears at night, when the dreams of his rest descend; when the bards strike the distant harp, and the faint light gleams on Selma's walls. Or let the grief of Lara rise: the sighs of the mother of Calmar, when he was sought, in vain, on his hills; when she beheld his bow in the hall. Carril, place the shield of Caithbat on that branch. Let the spear of Cuthullin be near; that the sound of my battle may rise, with the gray beam of the east."

The hero leaned on his father's shield: the song of Lara rose! The hundred bards were distant far: Carril alone is near the chief. The words of the song were his: the sound of his harp was mournful.

"Alcletha with the aged locks! mother of car-borne Calmar! why dost thou look towards the desert, to behold the return of thy son? These are not his heroes, dark on the heath: nor is that the voice of Calmar. It is but the distant grove, Alcletha! but the roar of the mountain-wind — [Alcletha speaks] 'Who bounds over Lara's stream, sister of the noble Calmar? Does not Alcletha behold his spear? But her eyes are dim! Is it not the son of Matha, daughter of my love?'

"'It is but an aged oak, Alcletha!' replied the lovely weeping Alona. 'It is but an oak, Alcletha, bent over Lara's stream. But who comes along the plain? sorrow is in his speed. He lifts high the spear of Calmar. Alcletha, it is covered with blood!' —

"[Alcletha speaks] 'But it is covered with the blood of foes, sister of car-borne Calmar! His spear never returned unstained with blood: nor his bow from the strife of the mighty. The battle is consumed in his presence: he is a flame of death, Alona! — Youth of the mournful speed! where is the son of Alcletha! Does he return with his fame, in the midst of his echoing shields? Thou art dark and silent! Calmar is then no more! Tell me not, warrior, how he fell. I must not hear of his wound!' Why dost thou look towards the desert, mother of low-laid Calmar?"

Such was the song of Carril, when Cuthullin lay on his shield. The bards rested on their harps. Sleep fell softly around. The son of Semo was awake alone. His soul fixed on war. The burning oaks began to decay. Faint red light is spread around. A feeble voice is heard! The ghost of Calmar came! He stalked dimly along the beam. Dark is the wound in his side. His hair is disordered and loose. Joy sits pale on his face. He seems to invite Cuthullin to his cave.

"Son of the cloudy night!" said the rising chief of Erin; "why dost thou bend thy dark eyes on me, ghost of the noble Calmar? wouldst thou frighten me, O Matha's son! from the battles of Cormac? Thy hand was not feeble in war: neither was thy voice for peace. How art thou changed, chief of Lara! if thou now dost advise to fly! But, Calmar, I never fled. I never feared the ghosts of night. Small is their knowledge, weak their hands; their dwelling is in the wind. But my soul grows in danger, and rejoices in the noise of steel. Retire thou to thy cave. Thou art not Calmar's ghost. He delighted in battle. His arm was like the thunder of heaven! He retired in his blast with joy, for he had heard the voice of his praise."

The faint beam of the morning rose. The sound of Caithbat's buckler spread. Green Erin's warriors convened, like the roar of many streams. The horn of war is heard over Lego. The mighty Torlath came! "Why dost thou come with thy thousands, Cuthullin," said the chief of Lego." I know the strength of thy arm. Thy soul is an unextinguished fire. Why fight we not on the plain, and let our hosts behold our deeds? Let them behold us like roaring waves, that tumble round a rock; the mariners hasten away, and look on their strife with fear."

"Thou risest like the sun, on my soul, replied the son of Semo. Thine arm is mighty, O Torlath! and worthy of my wrath. Retire, ye men of Ullin, to Slimora's shady side. Behold the chief of Erin, in the day of his fame. Carril, tell to mighty Connal, if Cuthullin must fall, tell him I accused the winds, which roar on Togorma's waves. Never was he absent in battle, when the strife of my fame arose. Let his sword be before Cormac, like the beam of heaven. Let his counsel sound in Temora, in the day of danger!"

He rushed, in the sound of his arms, like the terrible spirit of Loda, when he comes, in the roar of a thousand storms, and scatters battles from his eyes. He sits on a cloud over Lochlin's seas. His mighty hand is on his sword. Winds lift his flaming locks! The waning moon half lights his dreadful face. His features blended in darkness arise to view. So terrible was Cuthullin in the day of his fame. Torlath fell by his hand. Lego's heroes mourned. They gather around the chief, like the clouds of the desert. A thousand swords rose at once; a thousand arrows flew; but he stood like a rock in the midst of a roaring sea. They fell around. He strode in blood. Dark Slimora echoed wide. The sons of Ullin came on. The battle spread over Lego. The chief of Erin overcame. He returned over the field with his fame. But pale he returned! The joy of his face was dark. He rolled his eyes in silence. The sword hung, unsheathed, in his hand. His spear bent at every step!

"Carril," said the chief in secret, "the strength of Cuthullin fails. My days are with the years that are past. No morning of mine shall arise. They shall seek me at Temora, but I shall not be found. Cormac will weep in his hall, and say, Where is Erin's chief? But my name is renowned! my fame in the song of bards. The youth will say, in secret, O let me die as Cuthullin died! Renown clothed him like a robe. The light of his fame is great. — Draw the arrow from my side. Lay Cuthullin beneath that oak. Place the shield of Caithbat near, that they may behold me amidst the arms of my fathers!"

"And is the son of Semo fallen?" said Carril with a sigh." Mournful are Tura's walls. Sorrow dwells at Dunscäi. Thy spouse is left alone in her youth. The son of thy love is alone! He shall come to Bragéla and ask her why she weeps! He shalt lift his eyes to the wall, and see his father's sword. Whose sword is that? he will say. The soul of his mother is sad. Who is that, like the hart of the desert, in the murmur of his course? His eyes look wildly round in search of his friend. Connal, son of Colgar, where hast thou been, when the mighty fell? Did the seas of Togorma roll around thee? Was the wind of the south in thy sails? The mighty have fallen in battle, and thou wast not there. Let none tell it in Selma, nor in Morven's woody land. Fingal will be sad, and the sons of the desert mourn!"

By the dark-rolling waves of Lego they raised the hero's tomb. Luath, at a distance, lies. The song of bards rose over the dead.

Blest be thy soul, son of Semo! Thou wert mighty in battle. Thy strength was like the strength of a stream; thy speed like the eagle's wing. Thy path in battle was terrible: the steps of death were behind thy sword. Blest be thy soul, son of Semo, car-borne chief of Dunscäi! Thou hast not fallen by the sword of the mighty, neither was thy blood on the spear of the brave. The arrow came, like the sting of death in a blast: nor did the feeble hand, which drew the bow, perceive it. Peace to thy soul, in thy cave, chief of the isle of mist!

"The mighty are dispersed at Temora; there is none in Cormac's hall. The king mourns in his youth. He does not behold thy return. The sound of thy shield is ceased: his foes are gathering round. Soft be thy rest in thy cave, chief of Erin's wars! Bragéla will not hope for thy return, or see thy sails in ocean's foam. Her steps are not on the shore: nor her ear open to the voice of thy rowers. She sits in the hall of shells. She sees the arms of him that is no more. Thine eyes are full of tears, daughter of car-borne Sorglan! Blest be thy soul in death, O chief of shady Tura!"

poem by James Macpherson
Added by Poetry Lover
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