Distorted
Cast: Christina Ricci, John Cusack, Brendan Fletcher, Vicellous Shannon, Nicole Anthony, Oliver Rice, Maja Milkovich
trailer for Distorted, directed by Rob W. King, screenplay by Arne Olsen (2018)
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Allegany Camp
amazing grace circus camp
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amelia earhart in japanese war camp
[...] Read more
poem by Rwetewrt Erwtwer
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The Battle Of Limerick
Ye Genii of the nation,
Who look with veneration.
And Ireland's desolation onsaysingly deplore;
Ye sons of General Jackson,
Who thrample on the Saxon,
Attend to the thransaction upon Shannon shore,
When William, Duke of Schumbug,
A tyrant and a humbug,
With cannon and with thunder on our city bore,
Our fortitude and valiance
Insthructed his battalions
To respict the galliant Irish upon Shannon shore.
Since that capitulation,
No city in this nation
So grand a reputation could boast before,
As Limerick prodigious,
That stands with quays and bridges,
And the ships up to the windies of the Shannon shore.
A chief of ancient line,
'Tis William Smith O'Brine
Reprisints this darling Limerick, this ten years or more:
O the Saxons can't endure
To see him on the flure,
And thrimble at the Cicero from Shannon shore!
This valliant son of Mars
Had been to visit Par's,
That land of Revolution, that grows the tricolor;
And to welcome his returrn
From pilgrimages furren,
We invited him to tay on the Shannon shore.
Then we summoned to our board
Young Meagher of the sword:
'Tis he will sheathe that battle-axe in Saxon gore;
And Mitchil of Belfast
We bade to our repast,
To dthrink a dish of coffee on the Shannon shore.
Convaniently to hould
These patriots so bould,
We tuck the opportunity of Tim Doolan's store;
And with ornamints and banners
(As becomes gintale good manners)
We made the loveliest tay-room upon Shannon shore.
'Twould binifit your sowls,
[...] Read more
poem by William Makepeace Thackeray
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- quotes about Ireland
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- quotes about sadness
- quotes about war
- quotes about nations
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- quotes about revolution
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- quotes about coffee
Robin Hood and the Monk
In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,
To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.
Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.
'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.
'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'
'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.
'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'
Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'
'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'
'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,
[...] Read more
poem by Anonymous Olde English
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Sir Peter Harpdon's End
In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.
John Curzon
Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.
Sir Peter
So-
What are their names?
John Curzon
Why, Jacques Aquadent,
And Peter Plombiere, but-
Sir Peter
What colour'd hair
Has Peter now? has Jacques got bow legs?
John Curzon
Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?
Sir Peter
O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.
John Curzon
going.
Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.
[...] Read more
poem by William Morris
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Wat Tyler - Act III
ACT III.
SCENE—SMITHFIELD.
PIERS (meeting JOHN BALL.)
You look disturb'd, my father?
JOHN BALL.
Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.
PIERS.
The curse of insurrection!
JOHN BALL.
Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.
PIERS.
This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—
JOHN BALL.
A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.
[...] Read more
poem by Robert Southey
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The Beast: Chapter Two
She walked through the door
looking back only to see him fade
into the crowd of students
pouring across the plaza in front of the auditorium.
She watched him recede
vowing
that she would make a point of finding out
more about him.
There was the freshman boat ride in a few days
there was her next opportunity.
Suddenly a voice said:
'Wow, that was chemistry
if I have ever seen chemistry.'
It was Nancy, Nicole's roommate.
They had first met only the day before
when Nicole had arrived at the college for the week long orientation
which included of course
meeting one's roommate.
Nancy was already there in the room
when Nicole arrived her bags in hand
looking to see where she would she might spend the next four years of her life.
The two eyed each other momentarily
quickly sizing each other up after some long seconds
deciding that they liked one another.
Nancy was there on an academic scholarship
just like Nicole and they had been paired together
probably because they had somethings in common.
They seemed to be each other's type,
studious, quiet
and had settled in with each other comfortably.
Nancy falling in beside Nicole
was talking and saying:
'Who was that beautiful blond guy you were talking to. When he put his hands on you I almost died.'
Nancy was gushing.
'Blond? ' Nicole said, blankly? 'Who are you talking about? '
'You know the big blond who opened the door for you looking deep deep into your eyes, ' Nancy said giving Nicole her best dreamy-eyed girl look.
[...] Read more
poem by Lonnie Hicks
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Brent River Bride
Flow proudly fair river,
For one who fell under
Your spell was the liver
Doc, Gershon - asunder
Found all his plans, muddled
By nymphs of the water -
He greatly befuddled
Then married the daughter
Of Count Joe of Wandle
Far south of the city
And went on to fondle
Her milk flowing titty.
I send this wet letter
To Brentische planners;
Such amour is better
Than yekkishe manners.
LRH
6.5.06 In reply to GWH's Bride of Brent of 6.5.06
Bride of Brent
Unlike Lucia from far Lammermoor,
fair Linda, hailing from far Chaumonix,
excels when she’s preparing salmon or
deep-frying spuds and spinach that aren’t gammony.
She tried to keep the frog which wooing went
outside the net she guarded as a goalie
till she became the Bride of River Brent
and played the role of Princess Rowley-Powley.
The frog, he always used to say “Heigh-ho, '
because he knew that he could never find a
more lovely princess once she’d kissed him so
he was more charmed than Chaumonix by Linda.
Inspired by Linda, who married me at the Brent Bridge Hotel in August 1996, and by “A frog he would a-wooing go”: [Old folk song].
A Frog he would a-wooing go,
Heigho! says Rowley,
Whether his mother would let him or no.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.
So off he set with his opera hat,
Heigho! says Rowley,
And on the way he met with a Rat.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.
[...] Read more
poem by Linda Hepner
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Shannon
Love lasts forever, isn't that true
Shannon asked that once of me,
And with a smile on her face
I then spoke with no haste,
I said yes, and too her I did agree.
She was a child, but knew not of truth
And she wanted that story to be so true,
As sadly her own mother has been
With yet so many, many men,
So about love, Shannon had not one clue.
Though she read it in books, and heard it in stories
Maybe that's why Shannon was so confused,
As she always saw her mother
With yet again, a different lover,
So poor little Shanny the truth she never knew.
Love lasts forever, to me she cried
As she showed me a picture of another man,
Though the picture wasn't of me or her father
So she wept for the pain a little longer,
As she wished, her mother could just understand.
The church said marriage is forever, Shannon spoke
Not only for a second, or a minute, or just a day,
To her statements I nodded and I agreed
And I told her, to her words always do heed,
And then in my soul, for her I did pray.
As the day will come, when she will be a woman
And I hope not like her mother that she loves,
As all Shannon wants is too be loved forever
By one man and not one man after another,
As one love for her, will always be enough.
Love lasts forever, that's what the bible has said
As Shannon ran to me with a smile upon her face,
God, he will join two souls as one
And they will be forever from dusk until dawn.
And never, will they ever fall from Gods great grace.
I want just one man, to come into my life
That I will love with all my heart and soul,
The man who will always be at my side
Even though we might argue and fight,
But one, and I swear I will never let him go.
I will never use my man, Shannon then did swear
And never will I put anyone above him,
I also promise I will not be like my mother
As my man I will love only him and no other,
And all I ask from him, is his love to me send.
Love lasts forever, I do believe that now
As Shannon spoke with happiness in her mind,
[...] Read more
poem by Randy McClave
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John Daniel
(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
song performed by Dolly Parton
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Two Gardens in Linndale
Two brothers, Oakes and Oliver,
Two gentle men as ever were,
Would roam no longer, but abide
In Linndale, where their fathers died,
And each would be a gardener.
“Now first we fence the garden through,
With this for me and that for you,”
Said Oliver.—“Divine!” said Oakes,
“And I, while I raise artichokes,
Will do what I was born to do.”
“But this is not the soil, you know,”
Said Oliver, “to make them grow:
The parent of us, who is dead,
Compassionately shook his head
Once on a time and told me so.”
“I hear you, gentle Oliver,”
Said Oakes, “and in your character
I find as fair a thing indeed
As ever bloomed and ran to seed
Since Adam was a gardener.
“Still, whatsoever I find there,
Forgive me if I do not share
The knowing gloom that you take on
Of one who doubted and is done:
For chemistry meets every prayer.”
“Sometimes a rock will meet a plough,”
Said Oliver; “but anyhow
’Tis here we are, ’tis here we live,
With each to take and each to give:
There’s no room for a quarrel now.
“I leave you in all gentleness
To science and a ripe success.
Now God be with you, brother Oakes,
With you and with your artichokes:
You have the vision, more or less.”
“By fate, that gives to me no choice,
I have the vision and the voice:
Dear Oliver, believe in me,
And we shall see what we shall see;
Henceforward let us both rejoice.”
“But first, while we have joy to spare
We’ll plant a little here and there;
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poem by Edwin Arlington Robinson
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John, John
John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.
song performed by Yoko Ono
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John, John
John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.
song performed by Yoko Ono
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Tale XIX
THE CONVERT.
Some to our Hero have a hero's name
Denied, because no father's he could claim;
Nor could his mother with precision state
A full fair claim to her certificate;
On her own word the marriage must depend -
A point she was not eager to defend:
But who, without a father's name, can raise
His own so high, deserves the greater praise;
The less advantage to the strife he brought,
The greater wonders has his prowess wrought;
He who depends upon his wind and limbs,
Needs neither cork nor bladder when he swims;
Nor will by empty breath be puff'd along,
As not himself--but in his helpers--strong.
Suffice it then, our Hero's name was clear,
For call John Dighton, and he answer'd 'Here!'
But who that name in early life assign'd
He never found, he never tried to find:
Whether his kindred were to John disgrace,
Or John to them, is a disputed case;
His infant state owed nothing to their care -
His mind neglected, and his body bare;
All his success must on himself depend,
He had no money, counsel, guide, or friend;
But in a market-town an active boy
Appear'd, and sought in various ways employ;
Who soon, thus cast upon the world, began
To show the talents of a thriving man.
With spirit high John learn'd the world to
brave,
And in both senses was a ready knave;
Knave as of old obedient, keen, and quick,
Knave as of present, skill'd to shift and trick;
Some humble part of many trades he caught,
He for the builder and the painter wrought;
For serving-maids on secret errands ran,
The waiter's helper, and the ostler's man;
And when he chanced (oft chanced he) place to lose,
His varying genius shone in blacking shoes:
A midnight fisher by the pond he stood,
Assistant poacher, he o'erlook'd the wood;
At an election John's impartial mind
Was to no cause nor candidate confined;
To all in turn he full allegiance swore,
And in his hat the various badges bore:
His liberal soul with every sect agreed,
Unheard their reasons, he received their creed:
[...] Read more
poem by George Crabbe
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Vae Victis parody Gilles Menage Thomas Hood Faithless Nellie Gray
Vae Victis
Good people all, with one accord
lament for David Wren,
who never wanted a good word –
from those his praise did pen.
He strove all of this House to please
with manners wondrous winning;
and never followed wicked ways –
except when he was sinning.
At meals, in slacks and jackets neat,
with smile of monstrous size;
he sat up straight upon his seat –
for ladies, though, he’d rise.
His love was sought, the little wren,
by twenty birds and more;
where e’er he went they followed him
to Annesley’s shady shore.
So let us sigh, in sorrow sore,
for South House well may say;
had he but slaved in school some more,
he had not sobbed today.
14 December 1969 University of Toronto, Victoria College
Parody Gilles MENAGE - The Happy Man Oliver GOLDSMITH – Elegy on the Death of a Mad Dog Thomas HOOD Faithless Nellie Gray and Sally Brown
robi3_0002_mena1_0001 19691214
Faithless Ben Simon
Ben Simon was a broker bold
who’d turned his share of crashes,
the recent slump his stumps had bowled
with shares returned to ashes.
Then as they hammered him from ‘Change,
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poem by Jonathan Robin
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Christina and You and Home for Lunch
As you went by
the girl's playground
after getting off
the school bus
Christina called to you
through the wire fence
and said
my mother said
you can come home
for lunch today
if you like
ok
you said
where shall I meet you?
Cedric will bring you along
she said
and so when
the lunch time
recess bell rang
you followed Cedric
out of the school
and saw Christina
by the outer fence waiting
are you sure
your mother doesn't mind?
you asked
of course not
she said
Cedric walked on in front
leaving you and Christiana
to walk on behind
she talked about some girl
in her class who had a boyfriend
and claimed
to have had sex
and then she went on
about the teacher
who had been expelled
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poem by Terry Collett
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The White Cliffs
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
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poem by Alice Duer Miller
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Tilt Ya Head Back
Somebody gimme a bass line
Yeah that's tight
Jay drop the drums right here
Think we missin' something dog, I got it
Put some horns right here
Ooooohhhh that's right
Yeah yeah yeah yeah
Ha oooooohh
Give her what she wants ooooohhhh ha
Give her what she wants oh give her what she wants
[CHRISTINA]
I see you looking, at what you see
Boy, now don't be shy ain't nothin' but facin' opportunity
[NELLY]
She's right you know, (uh, hah) She's right (ahh)
(Man) She's right you know, (uh, hah)She's right(owwww!)
You stand there looking at me (at me)
I stand here looking at you girl (at you boy)
You know exactly what's on my mind (yeah yeah)
[CHRISTINA]
It's just the way that i see
You came here looking for me
But I don't do this type of thing all the time
(you want me to) come here boy
I got a little something for ya
Got a liitle bit, can't i get a little bit (yeah yeah)
And i don't know-oo, what it is but I just wanna get to know ya,
(alright, alright, yeah yeah)
[NELLY+CHRISTINA]
I need you to dance.......all night
Tilt ya head back
Take it down now
Bring it back up slowly
I need you to dance.......all night
Tilt ya head back
Yake it down now
Bring it back up slowly
[NELLY]
Now situations, girl they often change
Listen to me
Sometimes for the good and sometimes for the bad
But who's to blame?
[CHRISTINA]
He's right you know, (uh, hah) He's right (ahh)
(Baby girl) He's right you know, (uh, hah) He's right (oww!)
[NELLY]
You stand there looking at me (at me)
I stand here looking at you girl (at you boy)
You know exactly what's on my mind (yeah yeah)
[CHRISTINA]
[...] Read more
song performed by Nelly
Added by Lucian Velea
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Walkin' In Jerusalem
Walkin in Jerusalem?
Diamond Rio
Oh John, Oh John what did you say, walking in Jerusalem just like John
I'll meet you there on the judgement day, walking in Jerusalem just like John.
...........instrumental..............
(quicker now)
Oh John, Oh John what did you say, walking in Jerusalem just like John
I'll meet you there on the judgement day, walking in Jerusalem just like John.
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
...........instrumental..............
Some come crippled, and some come lame, walking in Jerusalem just like John
Some come walking in Jesus' name, walking in Jerusalem just like John
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
....... instrumental........
If you get to heaven before I do, walking in Jerusalem just like John.
Tell all my friends I'm coming too, walking in Jerusalem just like John
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
........... instrumental...........
Well carrying a load upon your shoulder, walking in Jerusalem just like John.
Yeah I'll meet you there at the first crossover, walking in Jerusalem just like John.
Yeah
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready (lord) I'm walking in Jerusalem just like John.
REPEAT 2 times
I'm gonna be ready
I'm gonna be ready
I'm gonna be ready LORD
(slow right down)
To ........Walking in Jerusalem.......... Just like John
song performed by Diamond Rio
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Courtship of Miles Standish, The
I
MILES STANDISH
In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.
Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted
[...] Read more
poem by Henry Wadsworth Longfellow
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The Farewell
Of A Virginia Slave Mother To Her Daughters Sold Into Southern Bondage
Gone, gone, -- sold and gone
To the rice-swamp dank and lone.
Where the slave-whip ceaseless swings
Where the noisome insect stings
Where the fever demon strews
Poison with the falling dews
Where the sickly sunbeams glare
Through the hot and misty air;
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone
To the rice-swamp dank and lone
There no mother's eye is near them,
There no mother's ear can hear them;
Never, when the torturing lash
Seams their back with many a gash
Shall a mother's kindness bless them
Or a mother's arms caress them.
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
Oh, when weary, sad, and slow,
From the fields at night they go
Faint with toil, and racked with pain
To their cheerless homes again,
There no brother's voice shall greet them
There no father's welcome meet them.
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone,
From Virginia's hills and waters;
Woe is me, my stolen daughters!
Gone, gone, -- sold and gone,
To the rice-swamp dank and lone
From the tree whose shadow lay
On their childhood's place of play;
From the cool sprmg where they drank;
Rock, and hill, and rivulet bank;
From the solemn house of prayer,
And the holy counsels there;
Gone, gone, -- sold and gone,
[...] Read more
poem by John Greenleaf Whittier
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