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Winchester

Cast: Helen Mirren, Sarah Snook, Jason Clarke, Angus Sampson, Eamon Farren, Laura Brent, Laura Brent, Tyler Coppin, Dawayne Jordan

trailer for Winchester (2018)
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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poem by Dante Gabriel Rossetti
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Wat Tyler - Act I

ACT I.

SCENE, A BLACKSMITH'S-SHOP

Wat Tyler at work within. A May-pole
before the Door.

ALICE, PIERS, &c.

SONG.

CHEERFUL on this holiday,
Welcome we the merry May.

On ev'ry sunny hillock spread,
The pale primrose rears her head;
Rich with sweets the western gale
Sweeps along the cowslip'd dale.
Every bank with violets gay,
Smiles to welcome in the May.

The linnet from the budding grove,
Chirps her vernal song of love.
The copse resounds the throstle's notes,
On each wild gale sweet music floats;
And melody from every spray,
Welcomes in the merry May.

Cheerful on this holiday,
Welcome we the merry May.

[Dance.

During the Dance, Tyler lays down his
Hammer, and sits mournfully down before
his Door.

[To him.

HOB CARTER.

Why so sad, neighbour?—do not these gay sports,
This revelry of youth, recall the days
When we too mingled in the revelry;
And lightly tripping in the morris dance
Welcomed the merry month?

TYLER.

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poem by Robert Southey
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Goblin Market

MORNING and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries-
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries--
All ripe together
In summer weather--
Morns that pass by,
Fair eves that fly;
Come buy, come buy;
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye,
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"O! cried Lizzie, Laura, Laura,
You should not peep at goblin men."

[...] Read more

poem by Christina Georgina Rossetti
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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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poem by Percy Bysshe Shelley
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Wat Tyler - Act II

ACT II.

SCENE— BLACKHEATH.

TYLER, HOB, &c.

SONG.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

Wretched is the infant's lot,
Born within the straw-roof'd cot!
Be he generous, wise, or brave,
He must only be a slave.
Long, long labour, little rest,
Still to toil to be oppress'd;
Drain'd by taxes of his store,
Punish'd next for being poor;
This is the poor wretch's lot,
Born within the straw-roof'd cot.

While the peasant works— to sleep;
What the peasant sows— to reap;
On the couch of ease to lie,
Rioting in revelry;
Be he villain, be he fool,
Still to hold despotic rule,
Trampling on his slaves with scorn;
This is to be nobly born.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

JACK STRAW.

The mob are up in London— the proud courtiers
Begin to tremble.

TOM MILLER.

Aye, aye, 'tis time to tremble;
Who'll plow their fields, who'll do their drudgery now?
And work like horses, to give them the harvest?

JACK STRAW.

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poem by Robert Southey
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Sarah’s Special Birthday

There once was a girl named Sarah who had a special toy,

Her toy was a doll named Melodie who brought her lots of joy.

One night when Sarah fell asleep with Melodie in her hand,

Sarah started dreaming she was in a faraway land.

This land was filled with beautiful flowers, birds and butterflies,

This was the land of Krendoll where magical dolls come alive!

Then Sarah saw a shadow along side a tree,

She notices it’s Melodie as happy as can be!

Melodie is sitting on a magical unicorn, the unicorn is fair, soft and
white

The unicorn’s name is UniCandle with his horn shining bright!

Melodie jumps off of UniCandle who lets her to the ground,

And Sarah notices many, many, many presents all around.

The presents are all wrapped with big shiny bows,

They all fit in a glittering cart that has a glittering glow.

“It’s a Special Birthday for…guess who? You guessed it shouts

Melodie, Sarah all the presents are for you! ”

“The magic of your Special Dream brought you to this land,

The land of Special Birthdays is right where you now stand! ”

Then all of a sudden, UniCandle’s horn lit up a deep orange blue,

The flickering of his golden flame would make Sarah’s birthday wish

come true!

Then Melodie moved the cart with the help of the big golden handles,

So UniCandle could reach Sarah’s birthday cake and light Sarah’s

birthday candle.

[...] Read more

poem by Suzae Chevalier
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Using Boot Camp

twink boot camp
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twisters gymnastics camp in lakewood
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two brothers lacrosse camp
two burner camp stove
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two can camp orlando fl
two cousins and camp hill pa
two cousins pizza camp hill
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two day camp del valle
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two harbors camp ground
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two person folding camp chairs
two rivers camp ground minnesota
two rivers camp tennesse
two rivers soccer camp
two rivers soccer camp tahoe
two room suite camp verde az

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poem by Caasder Fronds
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A Modern Day Miracle

Where could you find an example
of true faith in the twentieth century?

‘Faith Like Potatoes’ to plant
in El Nino, in drought, in dust
a never grown before potato crop?

Angus Buchan, a farmer, in Durban

South Africa declared before 35,000
“To hell with El Nino! We are going
to plant this year! And we are going
to plant potatoes.” Fool or Man of Faith?

The Wisdom Of The Modern World
Scientists warned farmers not to plant!

“Do not plant this season unless
you have irrigation.” Angus had none!

Planting planting potatoes in dust
would be a massive massive risk!

It would require a miracle!

Did Angus expect a miracle?
Or was he an experienced potato farmer?

Angus was a maize and cattle farmer!
He had never grown potatoes!
No farmer could grow potatoes in drought!
Not in drought without irrigation!

But all farmers and men of faith
know a crop, a harvest is grown,
from a seed, a seed of planted faith.

Angus prayed and prayed
during the planting and he knew;
in his heart that the Lord;
wanted him to plant potatoes.

Angus expected a modern day miracle from God!

God has complained men lack faith!
To dream their dreams large enough!

Angus planted potatoes in dust on his farm in drought!
Without irrigation without water on his farm in faith!

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poem by Terence George Craddock
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Hey Hey Helen

So at last youre free
Its the way you wanted it to be
And the price you pay
To become a woman of today
Is it worth the pain to see the children cry
Does it hurt when they ask for daddy
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
(yes you can)
So youre free at last
And beginning to forget the past
Does it make you sad
When you think about the life you ha-ha-had
But youre right, you had to take a second chance
So you fight to find your freedom
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
Hey hey helen (hey hey helen)
Whats the matter with you
Hey hey helen (hey hey helen)
Dont you know what to do
(yes you do)
(ahah, yes you do yes you do)
(ahah, yes you do yes you do)
Hey hey helen
Now you live on your own
Hey hey helen
Can you make it alone
Hey hey helen (hey hey helen)
Whats the matter with you
Hey hey helen (hey hey helen)
Dont you know what to do
Hey hey helen (hey hey helen)
Now you live on your own
Hey hey helen (hey hey helen)
(fade)

song performed by ABBA
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The Iliad: Book 3

When the companies were thus arrayed, each under its own captain,
the Trojans advanced as a flight of wild fowl or cranes that scream
overhead when rain and winter drive them over the flowing waters of
Oceanus to bring death and destruction on the Pygmies, and they
wrangle in the air as they fly; but the Achaeans marched silently,
in high heart, and minded to stand by one another.
As when the south wind spreads a curtain of mist upon the mountain
tops, bad for shepherds but better than night for thieves, and a man
can see no further than he can throw a stone, even so rose the dust
from under their feet as they made all speed over the plain.
When they were close up with one another, Alexandrus came forward as
champion on the Trojan side. On his shoulders he bore the skin of a
panther, his bow, and his sword, and he brandished two spears shod
with bronze as a challenge to the bravest of the Achaeans to meet
him in single fight. Menelaus saw him thus stride out before the
ranks, and was glad as a hungry lion that lights on the carcase of
some goat or horned stag, and devours it there and then, though dogs
and youths set upon him. Even thus was Menelaus glad when his eyes
caught sight of Alexandrus, for he deemed that now he should be
revenged. He sprang, therefore, from his chariot, clad in his suit
of armour.
Alexandrus quailed as he saw Menelaus come forward, and shrank in
fear of his life under cover of his men. As one who starts back
affrighted, trembling and pale, when he comes suddenly upon a
serpent in some mountain glade, even so did Alexandrus plunge into the
throng of Trojan warriors, terror-stricken at the sight of the son
Atreus.
Then Hector upbraided him. "Paris," said he, "evil-hearted Paris,
fair to see, but woman-mad, and false of tongue, would that you had
never been born, or that you had died unwed. Better so, than live to
be disgraced and looked askance at. Will not the Achaeans mock at us
and say that we have sent one to champion us who is fair to see but
who has neither wit nor courage? Did you not, such as you are, get
your following together and sail beyond the seas? Did you not from
your a far country carry off a lovely woman wedded among a people of
warriors- to bring sorrow upon your father, your city, and your
whole country, but joy to your enemies, and hang-dog shamefacedness to
yourself? And now can you not dare face Menelaus and learn what manner
of man he is whose wife you have stolen? Where indeed would be your
lyre and your love-tricks, your comely locks and your fair favour,
when you were lying in the dust before him? The Trojans are a
weak-kneed people, or ere this you would have had a shirt of stones
for the wrongs you have done them."
And Alexandrus answered, "Hector, your rebuke is just. You are
hard as the axe which a shipwright wields at his work, and cleaves the
timber to his liking. As the axe in his hand, so keen is the edge of
your scorn. Still, taunt me not with the gifts that golden Venus has
given me; they are precious; let not a man disdain them, for the
gods give them where they are minded, and none can have them for the
asking. If you would have me do battle with Menelaus, bid the

[...] Read more

poem by Homer, translated by Samuel Butler
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Oh Jordan River Lord Say Lay My Burdens On Thee

Oh Jordan River Lord Say Lay My Burdens On Thee

Oh Jordan River down yonder where the
Black sea sings,
Oh Jordan River, cry loud with me
Oh Jordan River the blood in my hand
Oh Jordan River, the black sea sings

Oh Jordan River, lord come for me
Oh Jordan River lord say I be free
Oh Jordan River, lord protect me
Negroes at the river wanna be free

Oh Jordan river put chains on me
Oh Jordan river take my baby from me
Oh Jordan river lord waits for me
Going to break the chains
Down yonder by the black sea

Oh Jordan river I sing to thee
Oh Jordan River the master say
Nigger’s got to serve them
But lord say I free
Oh Jordan River, I'm bound to lord savior,
walking in the black river,
Oh Jordan River saves me.
I‘sa a free mind train
I set me free
Oh Jordan River
Lord say I Free

poem by Jacqueline Amos
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Beppo

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The people take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment night with dusky mantle covers
The skies (and the more duskily the better),
The time less liked by husbands than by lovers
Begins, and prudery flings aside her fetter;
And gaiety on restless tiptoe hovers,
Giggling with all the gallants who beset her;
And there are songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses splendid, but fantastical,
Masks of all times and nations, Turks and Jews,
And harlequins and clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the clergy, —
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of coat and smallclothes, than put on
A single stitch reflecting upon friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one mass to cool the caldron's bubble
That boil'd your bones, unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak.
Such as in Monmouth-street, or in Rag Fair,
Would rig you out in seriousness or joke;
And even in Italy such places are,
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called "Piazza" in Great Britain.

[...] Read more

poem by Byron (1818)
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Beppo, A Venetian Story

I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The People take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.

II.
The moment Night with dusky mantle covers
The skies (and the more duskily the better),
The Time--less liked by husbands than by lovers--
Begins, and Prudery flings aside her fetter,
And Gaiety on restless tiptoe hovers,
Giggling with all the Gallants who beset her;
And there are Songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.

III.
And there are dresses, splendid but fantastical,
Masks of all times and nations, Turks and Jews,
And Harlequins and Clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the Clergy,--
Therefore take heed, ye Freethinkers! I charge ye.

IV.
You'd better walk about begirt with briars,
Instead of Coat and smallclothes, than put on
A single stitch reflecting upon Friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one Mass to cool the Caldron's bubble
That boil'd your bones--unless you paid them double.

V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak,
Such as in Monmouth Street, or in Rag Fair,
Would rig you out in Seriousness or Joke;
And even in Italy such places are
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called 'Piazza' in Great Britain.

[...] Read more

poem by Byron
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Metamorphoses: Book The Seventh

THE Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
The Story of Meanwhile Medea, seiz'd with fierce desire,
Medea and By reason strives to quench the raging fire;
Jason But strives in vain!- Some God (she said)
withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,

[...] Read more

poem by Ovid
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Oscar Of Alva: A Tale

How sweetly shines through azure skies,
The lamp of heaven on Lora's shore;
Where Alva's hoary turrets rise,
And hear the din of arms no more!

But often has yon rolling moon
On Alva's casques of silver play'd;
And view'd at midnight's silent noon,
Her chief's in gleaming mail array'd:

And on the crimson'd rocks beneath,
Which scowl o'er ocean's sullen flow,
Pale in the scatter'd runks of death,
She saw the gasping warrior low;

While many an eye which ne'er again
Could mark the rising orb of day,
T'urn'd feebly from the gory plain,
Beheld in death her fading ray.

Once to those eyes the lamp of Love,
They blest her dear propitious light;
But now she glimmer'd from above,
A sad, funereal torch of night.

Faded is Alva's noble race,
And gray her towers are seen afar;
No more her heroes urge the chase,
Or roll the crimson tide of war.

But who was last of Alva's clan?
Why grows the moss on Alva's stone?
Her towers resound no steps of man,
They echo to the gale alone.

And when that gale is fierce and high,
A sound is heard in yonder hall;
It rises hoarsely through the sky,
And vibrates o'er the mould'ring wall.

Yes, when the eddying tempest sighs,
It shakes the shield of Oscar brave;
But there no more his banners rise,
No more his plumes of sable wave.

Fair shone the sun on Oscar's birth,
When Angus hail'd his eldest born
The vassals round their chieftain's hearth
Crowd to applaud the happy morn.

[...] Read more

poem by Byron
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Helen of Troy

A mythological beauty, she had been;
A legendary beauty, she had grown.
Who is it other than Helen of Troy,
The epitome of seductive beauty?

A symbol of man’s erotic desires,
From the other women, Helen differs
In that she never employed her charms
To gain power of self-aggrandizement.

Her era dates back to fifth century B.C.
The fairest of women had been the one
Whom all women should hate and yet envy,
And all men should fear and yet desire.

No wonder, men were captive of her charm,
But not was she captive of any man..
She had admirers; none did she admire.
Her fairness deserved more than what she got.

A puppet she was in the heavenly battle,
Where Greek Gods and Goddesses had sported.
As such, she must be absolved of the taints
She was attached with, sadistically.

Helen was the daughter of Zeus and Leda,
The Greek God and Goddess. Born of an egg,
And brought up by a shepherd, she became
The prince of Sparta, a kingdom’f the Greek.

At her age ten, Helen was kidnapped
By an Athenian Hero for her charm
And was, however, brought back unscathed
By her brother; so famous she became.

At Helen’s wedding, numerous suitors
From far and wide came to claim her fair hand.
They were made to swear an oath to defend
The chosen husband in the event of

A rival attempting to abduct Helen,
The beauty who bred danger where she trod.
The oath assumed a greater importance
In the development of the Trojan War.

Helen was married to Menelaus,
A warrior, on his highest offerings.
On king’s death, he became the king of Sparta.
Helen bore a daughter; nine years rolled.

[...] Read more

poem by Rm. Shanmugam Chettiar
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The Modest Couple

When man and maiden meet, I like to see a drooping eye,
I always droop my own - I am the shyest of the shy.
I'm also fond of bashfulness, and sitting down on thorns,
For modesty's a quality that womankind adorns.

Whenever I am introduced to any pretty maid,
My knees they knock together, just as if I were afraid;
I flutter, and I stammer, and I turn a pleasing red,
For to laugh, and flirt, and ogle I consider most ill-bred.

But still in all these matters, as in other things below,
There is a proper medium, as I'm about to show.
I do not recommend a newly-married pair to try
To carry on as PETER carried on with SARAH BLIGH.

Betrothed they were when very young - before they'd learnt to speak
(For SARAH was but six days old, and PETER was a week);
Though little more than babies at those early ages, yet
They bashfully would faint when they occasionally met.

They blushed, and flushed, and fainted, till they reached the
age of nine,
When PETER'S good papa (he was a Baron of the Rhine)
Determined to endeavour some sound argument to find
To bring these shy young people to a proper frame of mind.

He told them that as SARAH was to be his PETER'S bride,
They might at least consent to sit at table side by side;
He begged that they would now and then shake hands, till he
was hoarse,
Which SARAH thought indelicate, and PETER very coarse.

And PETER in a tremble to the blushing maid would say,
"You must excuse papa, MISS BLIGH, - it is his mountain way."
Says SARAH, "His behaviour I'll endeavour to forget,
But your papa's the coarsest person that I ever met.

"He plighted us without our leave, when we were very young,
Before we had begun articulating with the tongue.
His underbred suggestions fill your SARAH with alarm;
Why, gracious me! he'll ask us next to walk out arm-in-arm!"

At length when SARAH reached the legal age of twenty-one,
The Baron he determined to unite her to his son;
And SARAH in a fainting-fit for weeks unconscious lay,
And PETER blushed so hard you might have heard him miles away.

And when the time arrived for taking SARAH to his heart,
They were married in two churches half-a-dozen miles apart
(Intending to escape all public ridicule and chaff),

[...] Read more

poem by William Schwenck Gilbert
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Tyler

Appeal to the governor of louisiana
You may get an answer the process is slow
Federal government too much to help him
It's been nearly five years
And they won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Testify under pressure, a racist jury
Government lawyers its all for show
With rows of white faces
False accusations
He's framed up for murder
They won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler ..... etc
Police gun was planted
No matching bullets
No prints on the handle, no proof to show
But tyler is guilty the white judge has said so
They show him no mercy
They won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler...... etc
Appeal to the governor of louisiana
You may get an answer the process is slow
Federal government too much to help him
It's been nearly five years
And they won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler .... etc

song performed by Ub40
Added by Lucian Velea
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