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Truth or Dare

Cast: Cassandra Scerbo, Brytni Sarpy, Mason Dye, Harvey Guillen, Alexxis Lemire, Luke Baines, Ricardo Hoyos, Christina Masterson, Heather Langenkamp

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

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Michael: A Pastoral Poem

If from the public way you turn your steps
Up the tumultuous brook of Greenhead Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story--unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of shepherds, dwellers in the valleys, men
Whom I already loved; not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.
UPON the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His bodily frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd's calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and, oftentimes,
When others heeded not, He heard the South

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Cassandra

Down in the street theyre all singing and shouting
Staying alive though the city is dead
Hiding their shame behind hollow laughter
While you are crying alone on your bed
Pity cassandra that no one believed you
But then again you were lost from the start
Now we must suffer and sell our secrets
Bargain, playing smart, aching in our hearts
Sorry cassandra I misunderstood
Now the last day is dawning
Some of us wanted but none of us could
Listen to words of warning
But on the darkest of nights
Nobody knew how to fight
And we were caught in our sleep
Sorry cassandra I didnt believe
You really had the power
I only saw it as dreams you would weave
Until the final hour
So in the morning your ship will be sailing
Now that your father and sister are gone
There is no reason for you to linger
Youre grieving deeply but still moving on
You know the future is casting a shadow
No one else sees it but you know youre fate
Packing your bags, being slow and thorough
Knowing, though youre late, that ship is sure to wait
Sorry cassandra I misunderstood
Now the last day is dawning
Some of us wanted but none of us could
Listen to words of warning
But on the darkest of nights
Nobody knew how to fight
And we were caught in our sleep
Sorry cassandra I didnt believe
You really had the power
I only saw it as dreams you would weave
Until the final hour
I watched the ship leaving harbour at sunrise
Sails almost slack in the cool morning rain
She stood on deck, just a tiny figure
Rigid and restrained, blue eyes filled with pain
Sorry cassandra I misunderstood
Now the last day is dawning
Some of us wanted but none of us could
Listen to words of warning
But on the darkest of nights
Nobody knew how to fight
And we were caught in our sleep
Sorry cassandra I didnt believe

[...] Read more

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Here Begynneth A Lyttell Treatyse Cleped La Conusaunce Damours

Forth gone the virgyns euerychone
Replet with ioye/and eke felicite
To gether floures. And some vnto one
Haue more fantasy/whan they it se
Than to all that in the medowes be
Another shall incontrary wyse
Gether other after theyr deuyse.


So done clerkes/of great grauite
Chose maters/wheron they lyst to wryte
But I that am of small capacite
Toke on me this treatyse to endyte
Tauoyde ydelnesse/more than for delyte
And most parte therof/tolde was to me
As here after/ye may rede and se.


Thus endeth the prologue.

The thyrde idus/in the moneth of July
Phebus his beames/lustryng euery way
Gladdynge the hartes/of all our Hemyspery
And mouynge many/vnto sporte and playe
So dyd it me/the treuthe for to saye
To walke forth/I had great inclination
Per chaunce some where/to fynde recreation


And as I walked/ever I dyd beholde
Goodly yonge people/that them encouraged
In suche maner wyse/as though they wolde
Ryght gladly have songe or daunsed
Or els some other gorgious thynge deuysed
Whose demeanynge/made me ryght ioyous
For to beholde/theyr dedes amorous.


To wryte all thynges of plesure/that I se
In euery place/where I passed by
In all a day recunted it can nat be
Who coude discryue the fresshe beauty
Of dames and pusels/attyred gorgiously
So swete of loke/so amiable of face
Smilyng doulcely/on suche as stande in grace


Certaynly theyr boute/and curtesy
Ofte moueth me/for to do my payne
Some thynge to wryte/them to magnifye

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Guido Sebaldi

Guido Sebaldi the mason
Worked at a house of stone:
Guido Sebaldi the mason
Sand at his work alone.

Till a stranger, he said unto him
As he hammer'd the stone one day'
'Guido Sebaldi the mason,
Hark to the words I say!'

'Leave thou this work, fit only
For oxen that draw the plough:
No longer Sebaldi the mason,
Guido the sculptor thou!'

Then Guido Sebaldi the mason
Look'd on his work in shame.
And 'Lo,' he said, 'I am lusty,
I will build me a noble name.'

Guido Sebaldi the sculptor
Toil'd till his heart grew sore.
Guido Sebaldi the sculptor
Sang at his work no more.

Vainly Sebaldi the mason
Hammer'd the senseless stone.
Vainly Sebaldi the mason
Sigh'd at his work alone.

His hands were ready and skillful,
And his days with toil were rife,
But the soul of the master was needed
To waken the stone to life.

Sadly Sebaldi the mason
Went back to the house of stone;
And his brow once more grew cheery
As he sat at his work alone.

But yet he was always thinking
Of hopes that were long since o'er;
And Guido Sebaldi the mason
Sang at his work no more.

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Christina and You and Home for Lunch

As you went by
the girl's playground
after getting off

the school bus
Christina called to you
through the wire fence

and said
my mother said
you can come home

for lunch today
if you like
ok

you said
where shall I meet you?
Cedric will bring you along

she said
and so when
the lunch time

recess bell rang
you followed Cedric
out of the school

and saw Christina
by the outer fence waiting
are you sure

your mother doesn't mind?
you asked
of course not

she said
Cedric walked on in front
leaving you and Christiana

to walk on behind
she talked about some girl
in her class who had a boyfriend

and claimed
to have had sex
and then she went on

about the teacher
who had been expelled

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My Fault

the tears run down my face
for yet again they disprove of him
when will they like him cause
I will never date anyone else but him
so I’ll just have to put up with this
shit for two more years
I’m sure if we can make it through that
we can make it through anything

some times I wish for another
but I know I couldn’t be able to brake his heart
for his pain would be so great
that it might kill the both of us
for his pain becomes mine
and mine becomes his
because of the bond of life
has always been there under our noses
we were just to blind to notice
once we did notice we feel hard and fast.
the faster we fell
the harder it was to break us apart
right now I feel as if our bond and our lives
are consumed by our love
neither one of us could live with out the other in our lives
for we feed off of each other
I cant stand being away from him

but yet there is anther that they will approve of.
the other guy(josh) is tearing my heart into two pieces
and my beautiful relationship with my boyfriend
I really don’t want that to happen
so every day I tell my self
I don’t like josh a million times
but once I see him he takes my breath away
he makes me almost faint and as he comes closer to hug me
my knees become week and
I want to given to the little devil on my shoulder that’s saying
look at josh he is gorgeous go with josh
take him into your world and show him a good time
but the angle says no
you love mason take mason into your world and mason is hot
take mason into your world
not josh... no josh..... stay away from him he’s trouble

yes josh is gorgeous but I love mason
and I always will love mason
no matter what happens
not even a huge crush such as josh
cause I’ am mason’s soul mate and he is mine
we belong together and not apart for we are in love

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The Ghost,

There stands a City,-- neither large nor small,
Its air and situation sweet and pretty;
It matters very little -- if at all --
Whether its denizens are dull or witty,
Whether the ladies there are short or tall,
Brunettes or blondes, only, there stands a city!--
Perhaps 'tis also requisite to minute
That there's a Castle and a Cobbler in it.

A fair Cathedral, too, the story goes,
And kings and heroes lie entomb'd within her;
There pious Saints, in marble pomp repose,
Whose shrines are worn by knees of many a Sinner;
There, too, full many an Aldermanic nose
Roll'd its loud diapason after dinner;
And there stood high the holy sconce of Becket,
-- Till four assassins came from France to crack it.

The Castle was a huge and antique mound,
Proof against all th' artillery of the quiver,
Ere those abominable guns were found
To send cold lead through gallant warrior's liver.
It stands upon a gently rising ground,
Sloping down gradually to the river,
Resembling (to compare great things with smaller),
A well-scooped, mouldy Stilton cheese,-- but taller.

The Keep, I find, 's been sadly alter'd lately,
And, 'stead of mail-clad knights, of honour jealous,
In martial panoply so grand and stately,
Its walls are fill'd with money-making fellows,
And stuff'd, unless I'm misinformed greatly,
With leaden pipes, and coke, and coals, and bellows;
In short, so great a change has come to pass,
'Tis now a manufactory of Gas.

But to my tale.-- Before this profanation,
And ere its ancient glories were cut short all,
A poor hard-working Cobbler took his station
In a small house, just opposite the portal;
His birth, his parentage, and education,
I know but little of -- a strange, odd mortal;
His aspect, air, and gait, were all ridiculous;
His name was Mason -- he'd been christen'd Nicholas.

Nick had a wife possessed of many a charm,
And of the Lady Huntingdon persuasion;
But, spite of all her piety, her arm
She'd sometimes exercise when in a passion;
And, being of a temper somewhat warm,

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Tilt Ya Head Back

Somebody gimme a bass line
Yeah that's tight
Jay drop the drums right here
Think we missin' something dog, I got it
Put some horns right here
Ooooohhhh that's right
Yeah yeah yeah yeah
Ha oooooohh
Give her what she wants ooooohhhh ha
Give her what she wants oh give her what she wants
[CHRISTINA]
I see you looking, at what you see
Boy, now don't be shy ain't nothin' but facin' opportunity
[NELLY]
She's right you know, (uh, hah) She's right (ahh)
(Man) She's right you know, (uh, hah)She's right(owwww!)
You stand there looking at me (at me)
I stand here looking at you girl (at you boy)
You know exactly what's on my mind (yeah yeah)
[CHRISTINA]
It's just the way that i see
You came here looking for me
But I don't do this type of thing all the time
(you want me to) come here boy
I got a little something for ya
Got a liitle bit, can't i get a little bit (yeah yeah)
And i don't know-oo, what it is but I just wanna get to know ya,
(alright, alright, yeah yeah)
[NELLY+CHRISTINA]
I need you to dance.......all night
Tilt ya head back
Take it down now
Bring it back up slowly
I need you to dance.......all night
Tilt ya head back
Yake it down now
Bring it back up slowly
[NELLY]
Now situations, girl they often change
Listen to me
Sometimes for the good and sometimes for the bad
But who's to blame?
[CHRISTINA]
He's right you know, (uh, hah) He's right (ahh)
(Baby girl) He's right you know, (uh, hah) He's right (oww!)
[NELLY]
You stand there looking at me (at me)
I stand here looking at you girl (at you boy)
You know exactly what's on my mind (yeah yeah)
[CHRISTINA]

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Old Town Types No. 13 - Larrikin Luke

Luke Gale, the larrikin lad, dwelt in Larrikin Lane,
A low street, a by-street, right at the edge of the town;
King of the boys and hobbledehoys - a vulgar youth, and vain,
Winning from all respectable folk a very respectable frown.
But, oh, to see him on Saturday nights, dolled in his nobbiest duds,
Doing the weekly Saturday rounds; impudent, out for larks
Eyeing the girls at the Saturday shops
Coming for candy and acidy drops,
While Luke and his henchmen leaned on posts, passing inane remarks.

Larrikin Luke knew how to dress; short, black-braided coat,
Big, black, felt hat, low and broad of brim;
Shirt, white and collarless quite, narrow tie at the throat
Neatly drawn thro' a quandong ring; vest low-cut and trim.
But, pride of his wardrobe, badge of his clan, flapping about his feet,
Black pants - wonderful pants, by a snake-skin belt girt low,
Belled at the bottoms and tight on the thighs;
A curly fringe combed down to his eyes;
Thimble heels to his shiny shoes, laced right down to the toe.

When General Booth sent soldiers hence banging the 'Salvo' drum,
Larrikin Luke and his rowdy push hatched more larrikin plots;
And the 'Starvation Army' marched, to the joy of the township's scum,
Down the streets as they wildly beat on old tins and pots.
And the grave town elders shook their heads hearing the ribald songs
As the badgered brothers of 'Blood and Fire' meekly knelt to pray;
'Larrikin Luke is doomed,' they said;
'Nothing but gaol for him ahead.'
Now Luke and his lads have long passed on, but Booth's men came to stay.

Larrikin Luke, when I saw him last, was a sober man and grey,
Boss of a thriving business now, moved to a different town;
Married and made and settled down; marking the young folk's way,
As any respectable citizen would, with a very respectable frown.
A serious man, Luke Gale, esquire, with a grown-up family now,
A family man, and a solid man, as every townsman grants,
Chiding the wayward young, forsooth!
But I see him still in his own wild youth,
With his thimble heels, and his broad-brimmed hat, and those queer bell-bottomed pants.

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Pontius Pilate Said

Pontius Pilate was Prefect of Judea
the Roman governor of Judea
during the reign of Tiberius Caesar.

Luke said at Luke 3: 1 “In the fifteenth
year of the reign of Tiberius Caesar,
when Pontius Pilate was governor of Judea
and Herod was district ruler of Galilee...”

That John the Baptist gave answer
that he was not the Christ declaring
as recorded at Luke 3: 16 “John gave
the answer, saying to all: “I, for my

part, baptize YOU with water; but
the one stronger than I am is coming,
the lace of whose sandals I am not fit
to untie. He will baptize you people

with holy spirit and fire.” Amen Lord!

Luke faithfully records at Luke 3: 21-22
by what authority Jesus the Messiah would
come writing “Now when all the people were
baptized, Jesus also was baptized and, as he

was praying, the heaven was opened up and the
holy spirit in bodily shape like a dove came down
upon him, and a voice came out of heaven; “You
are my son, the beloved; I have approved you.””

Years later just before Calvary, in Latin calvaria
“skull” translated from Aramaic Golgotha, John
faithfully records at John 18: 37 “Therefore Pilate
said to him: “Well, then, are you a king? ” Jesus

answered: “You yourself are saying that I am a king.
For this I have been born, and for this I have come
into the world, that I should bear witness to the truth.
Everyone that is on the side of the truth listens to my voice.”””

And Pontius “Pilate said to him: “What is truth? ”

Now do not be mislead Brothers and Sisters in Christ.
Any official professional master, in the art of appeasement,
who plays the game of massive truth manipulation, in
self serving advancement, knows ‘the truth is never the truth.’

All politicians and government officials know play the game that
‘the truth is never the truth’ truth is what people wish to believe!

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The Hare And The Fox

The fox lay still by the birch-tree's root
In the heather.
The hare was running with nimble foot
O'er the heather.
Was ever brighter a sunshine-day,
Before, behind me, and every way,
O'er the heather!

The fox laughed low by the birch-tree's root
In the heather.
The hare was running with daring foot
O'er the heather.

I am so happy for everything!
Hallo! Why go you with mighty spring
O'er the heather?

The fox lay hid by the birch-tree's root
In the heather.
The hare dashed to him with reckless foot
O'er the heather.
May God have mercy, but this is queer! --
Good gracious, how dare you dance so here
O'er the heather?

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Vengeful Psychic

There once was a psychic who loved to chat,

She made up lies to Christina, saying this or that.

See, psychic needed more money and she wanted revenge,

So she started telling lies to all of Christina's friends.

Then of course she told Christina the biggest lie of all,

She told Christina to date Skunky and suck on his balls.

Skunky was of course the worst creep Christina had ever met,

He was a liar, a cheat and even did theft.

But in the end, Skunky became the psychic’s friend…

Stalking her on the internet.

Then of course psychic didn’t know,

She emailed Skunky photos of her 'island with no snow'.

But as soon as Skunky telephoned psychic a thousand times X 2,

She quickly ended it with Skunky and said they were through.

Now, Skunky had no redeeming qualities as of yet,

But his stalking the psychic made Christina very upset,

And it made Christina think “who is the one I’m worse off to have met?

Well, they are both really scummy just the same,

Playing on Christina’s good heart like a volleyball game.

But Christina won out over both of them,

Making rhyming peeve poems is the best revenge.

Written on Jan.20,2011 by Christina Sunrise

Copyright 2011 Chevalier Originals, Inc.

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Sir Cauline

The First Part.


In Ireland, ferr over the sea,
There dwelleth a bonnye kinge;
And with him a yong and comlye knighte,
Men call him Syr Cauline.

The kinge had a ladye to his daughter,
In fashyon she hath no peere;
And princely wightes that ladye wooed
To be theyr wedded feere.

Syr Cauline loveth her best of all,
But nothing durst he saye;
Ne descreeve his counsayl to no man,
But deerlye he lovde this may.

Till on a daye it so beffell
Great dill to him was dight;
The maydens love removde his mynd,
To care-bed went the knighte.

One while he spred his armes him fro,
One while he spred them nye:
'And aye! but I winne that ladyes love,
For dole now I mun dye.'

And whan our parish-masse was done,
Our kinge was bowne to dyne;
He says, 'Where is Syr Cauline,
That is wont to serve the wyne?'

Then aunswerde him a courteous knighte,
And fast his handes gan wringe:
'Sir Cauline is sicke, and like to dye,
Without a good leechinge.'

'Fetche me downe my daughter deere,
She is a leeche fulle fine;
Goe take him doughe, and the baken bread,
And serve him with the wyne soe red;
Lothe I were him to tine.'

Fair Christabelle to his chaumber goes,
Her maydens follwyng nye:
'O well,' she sayth, 'How doth my lord?'
'O sicke, thou fayr ladye.'

'Nowe ryse up wightlye, man, for shame,

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Nobody Wants To Be Lonely (solo Version)

featuring Christina Aguilera
Ricky:
Why, why, why
Christina:
Oh ooh ohh
Ricky:
There you are, in a darkened room
And you're all alone, looking out the window
Your heart is cold and lost the will to love
Like a broken arrow
Here I stand in the shadows
Christina:
In the shadows
Ricky:
Come to come, come to me
Both:
Can't you see that
Nobody wants to be lonely
Nobody wants to cry
My body's longing to hold you
So bad it hurts inside
Time is precious and it's slipping away
And I've been waiting for you all of my life (ohh)
Nobody wants to be lonely
So why (why), why don't you let me love you
Why (ooh ohh yeah), why (oh why), why
Christina:
Ooh ooh, yeah
Can you hear my voice, do you hear my song
It's a seranade, so your heart can find me, ohh
And suddenly you're flying down the stairs
Into my arms, baby, ohh
Ricky:
Before I start going crazy
Christina:
Going crazy, ohh
Ricky:
Run to me
Christina:
Run to me
Both:
Cause I'm dying...
Nobody wants to be lonely
Nobody wants to cry (don't wanna cry)
My body's longing to hold you (I'm longing to hold you)
So bad it hurts inside
Time is precious and it's slipping away
And I've been waiting for you all of my life (ohh)
Nobody wants to be lonely
So why

[...] Read more

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Tilt Ya Head Back

Somebody give me a bassline
Yeah that's tight (uh)
Check, drop the drums right here
I think they missing something though (mmm, hey)
Oh, I got it (yeah)
Put some horns right here, woo (that's right)
Do it again (yeah yeah yeah yeah, ha, ohh ooh)
Give her what she want (alright), give her what she want (woo, ha)
Give her what she want, gon', give her what she want
Christina:
I see you looking, uh
Like what you see
Boy, now don't be shy
Ain't nothing but facing opportunity
Nelly:
She's right ya know (uh uh), she's right (ah)
Man, she's right ya know (uh uh), she's right (ow)
You stand there looking at me (at me)
I stand here looking at you girl (at you boy)
You know exactly what's on my mind (yeah yeah)
Christina:
It's just so easy to see (to see)
You came here looking for me but (but, uh uh)
I don't do this type of thing all the time, yeah
(Oh, you want me to) Come here boy, uh
I got a little something for ya
Nelly:
You got a little bit
Can I get a little bit, yeah yeah
Christina:
And I don't know
Nelly:
I don't know what it is
But I just want to get to know ya
Alright, alright
Yeah yeah
I need to dance...
(Tilt ya head back, take it down now)
All night
(Bring it back up slowly, that's right)
I need you to dance...
(Tilt ya head back, take it down now)
All night
(Bring it back up slowly, that's right)
Nelly:
Now situations, girl
They often change (listen to me)
Sometimes for the good (eh)
Sometimes for the bad, but who's to blame
Christina:

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Downhill and other Parodies - Christina ROSSETTI - Uphill

Yes, the clock ticks downhill all the way,
until the very end.
Will the day's journey take the whole long day?
From light to mo[u]rn, my friend.
But is there for the spring a resting-place,
a ring before the last dark hours begin,
may not time fleeting mask it from my face?
No second chance for sin.
Will timesharing ease the fears and fright?
Toc ticks till all’s in hock which went before.
May not Time’s knocks be reined in by insight?
There is no reign resistant to scythe sure.
Who may find comfort, travel-sore and weak?
Time echoes onwards though the soul’s struck dumb.
Will there be time for me and all who seek?
Come, come! - the tocsin ticks to each his sum.


(c) Jonathan Robin Parody Christina ROSSETTI - Uphill
15 October 2005


Uphill

Does the road wind up-hill all the way?
Yes, to the very end.
Will the day's journey take the whole long day?
From morn to night, my friend.
But is there for the night a resting-place?
A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you standing at that door.
Shall I find comfort, travel-sore and weak?
Of labor you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.

Christina G ROSSETTI 1830_1894


Uphill Holiday

Will the long journey take the whole long day?
From morn to night, my friend.
And shall I have to stand the whole long way?
Of standing you shall have no end.

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An Early Resurrection

This was at Golgotha
the Skull Place

where Christ
was crucified to save

from consequences of sin
the entire human race!


But nothing strange happened
while Christ was on the Cross
right? To prove...
this was God’s Son? Wrong! ! !

“Well, by now it was about
the sixth hour, and yet
a darkness fell over all the earth

until the ninth hour, because the sunlight
failed; then the curtain of the sanctuary
was rent down the middle.” Luke 23: 44.

Darkness never fell across the entire earth
at this time right? It is a fairy tale right? Wrong! ! !

It is historically recorded at Tarsus,
in China, the Americas. The exact date,
to the day, the exact time, the exact
duration of time! Research! Check it! I have! ...

“Again Jesus cried out
with a loud voice,
and yielded up [his] spirit.” Matthew 27: 50.

And nothing happened right
because he was not
the Son of God right? Wrong! ! ! (Revelation 5: 5-7.)

“And, look! the curtain
of the sanctuary
was rent in two,
from top to bottom,

and the earth quaked,
and the rock-masses were split.” Matthew 27: 51.

God’s testimony
that this was his
only begotten son! ! ! (John 3: 16-19.)

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100 STD's 10,000 MTD's

There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.

The latter take a lot more lives.

*********

In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria

Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.

WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)

POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST


a partial list in alphabetical order

acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)

ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)

BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting

bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions

BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken

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Perry Mason

On his way to dinner when it took him by suprise
And with one pull of the trigger he would vanish overnight
Dancing by the roadside, holding on for dear life
Then a gun from out of nowhere made a widow of his wife
I dont mind, single file down the runway
Feelin fine, and Ill see you my friend
Over and over again
Who can we get on the case?
We need perry mason
Someone to put you in place
Calling perry mason
Riding painted horses, oh the kids they love it so
You can see it on their faces, how they love the wind to blow
Minding my own business like my mama always said
But if I dont try to help him they could wind up on the front page
I dont mind, draw the line then draw me an arrow
Feelin fine, then Ill see you my friend
Over and over again
Who can we get on the case?
We need perry mason
Someone to put you in place
Calling perry mason again, again
Wake me when its over, tell me its all right
Just keep on talking baby, Ive been doing this all night
How much did you give me, tell me itll be all right
Who can we get on this case?
We need perry mason
Someone to put you in place
Calling perry mason, again, again, again, again

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