One becomes a critic when one cannot be an artist, just as a man becomes a stool pigeon when he cannot be a soldier.
quote by Gustave Flaubert
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The Young British Soldier
When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier ~OF~ the Queen!
Now all you recruities what's drafted to-day,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier . . .
First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts --
Ay, drink that 'ud eat the live steel from your butts --
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier . . .
When the cholera comes -- as it will past a doubt --
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier . . .
But the worst o' your foes is the sun over'ead:
You ~must~ wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier . . .
If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier . . .
Now, if you must marry, take care she is old --
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier . . .
If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em -- you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier . . .
[...] Read more
poem by Rudyard Kipling
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Mother’s Cry of Late
Where for art thou, soldier?
Out East? West? –
And when? –
What part your rabid history?
And why? –
What wrought your destiny? –
For whom
You’d wreak your enmity –
I crave your fate to pen!
What comprehension of the
Order? –
‘Listen up! you men!
Raze to ground the taken land!
See they die and e’er you’ll stand, for
Death is but a grain of sand –
The mighty triumph, medal grand!
Now go you well!
Amen! ’
What sight upon the bloody lie
Of war? – your doubtful fate.
‘Where for art thou, soldier? ’ –
Your mother’s cry of late.
Copyright © Mark R Slaughter 2011
[...] Read more
poem by Mark R Slaughter
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Soldier's Ghost
I bled for you - would you for me?
I blessed a skin in blazing fuel
Then took a bullet in a duel of
‘He or I to Die.'
I often question ‘Why? '
Do you?
My country was my life to give -
Would you for country cease to live?
Sinking in a mire of death,
You have no choice -
So while you're still alive,
Rejoice!
I cried in failure - did you care?
And as I waned, were you aware of
What I did -?
Fighting for my country while you hid
Behind your comfort back at home?
Still relaxed?
My wife and child are fading at the tomb.
Copyright © Mark R Slaughter 2009
[...] Read more
poem by Mark R Slaughter
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The mother and the artist
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling
[...] Read more
poem by Nikhil Parekh
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
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Oh! He's Nothing But A Soldier
'Oh! he's nothing but a soldier,'
But he's coming here tonight,
For I saw him pass this morning,
With his uniform so bright.
He was coming in from picket,
Whilst he sung a sweet refrain,
And he kissed his hand at some one
Peeping through the window pane.
Ah! he rode no dashing charger
'With a black and flowing mane,'
But his bayonet glistened brightly,
As the sun lit up the plain.
No waving plume or feather
Flashed its crimson in the light -
He belonged to the Light Infantry,
And he came to war- to fight.
'Oh! he's nothing but a soldier,'
His trust is in his sword -
To carve his way to glory,
Through the servile Yankee horde.
No pompous pageant heralds him,
No sycophants attend,
In his belt you see his body guard -
His tried and trusty friend.
'Oh! he's nothing but a soldier,'
And a stranger in our land;
His home is in the sunny South,
By the blue Gulf's golden strand.
But I wish I knew his people,
Some little of his past,
For father's always telling me
About our 'social caste'.
'Oh! he's nothing but a soldier,'
But his eyes are very fine,
And I sometimes think, when passing,
They are piercing into mine.
Pshaw! 'He's nothing but a soldier,'
Come, let me be discreet;
But really, for a soldier,
His toilet's very neat.
'Oh! he's nothing but a soldier,'
But last night he came to tea -
What an interesting soldier -
But then, he's rather free.
'Twas two o'clock this morning,
Before he took his leave;
He has my ring - the fellow!
But what's the use to grieve?
He has been again to see us,
The 'gentleman' in grey;
[...] Read more
poem by Anonymous Americas
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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Give The Po Man A Break
Give po man a break
Give po man a break
Give po man a
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Give po man a
[...] Read more
song performed by Fatboy Slim
Added by Lucian Velea
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Strict It Gets
To challenge oneself,
Isn't fun that's done.
Because,
The critic visits.
And strict it gets.
To challenge oneself,
Isn't fun that's done.
Because,
The critic visits.
And strict it gets.
Stalking as a menace,
Looking for perfection in it.
And...
The critic vists.
And strict it gets.
Stalking as a menace,
Looking for perfection in it.
And...
The critic vists.
And strict it gets.
Picking seeking detail...
To prevail,
And...
The critic visits.
And strict it gets.
Detailed...
The critic visits.
And strict it gets.
Stalking as a menace,
Looking for perfection in it.
And...
The critic vists.
And strict it gets.
To challenge oneself,
Isn't fun that's done.
Because,
The critic visits.
And strict it gets.
Detailed!
The critic visits,
And strict it gets.
Detailed!
[...] Read more
poem by Lawrence S. Pertillar
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In A Soldier...You Will Find...
In a soldier...
Loyalty and strength you see.
In a soldier...
Discipline, bravery.
In a soldier...
A world that is free.
In a soldier..
Sacrifice, so the world can be free.
In a soldier...
No compromise.
In a soldier...
Courage in his eyes.
In a soldier...
A special bond.
In a soldier...
Iraq, Viet-Nam.
In a soldier...
Sad, drooped eyes.
In a soldier...
Pain, when a buddy dies.
In a soldier...
Terrible places.
In a soldier...
Tough, grim faces.
In a soldier...
Stories untold.
In a soldier...
Action makes him old.
In a soldier...
Dark, frightening nights.
In a soldier...
Missing his lovely wife.
In a soldier...
Memories of a decent life.
In a soldier...
Scars deep in the mind.
In a soldier...
An exploding mine.
In a soldier...
The thrill of leaving war.
In a soldier...
No more pains anymore.
In a soldier...
No more tears.
In a soldier...
Leaving war, after a long, trying year.
poem by Philip Lore
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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Brave Little Soldier
Im a brave little soldier
I must be bold and strong
A brave little soldier
And I must carry on
Im a brave little soldier
A brave little soldier
Im a brave little soldier
I must fight, I must win
Im a brave little soldier
Through hell and back again
Im a brave little soldier
A brave little soldier
Per rum, pum, pum
Per rum, pum, pum
Per rum, pum, pum, pum, pum
Ye though I am marching through the valley filled with fear
My steps are sure and sturdy and my aim is straight and clear
The enemy is stalking me just waiting for the kill
Like david slewed galiath
I will claim this battle field
Im a brave little soldier
I must do what I can
Im a brave little soldier
And I must take a stand
Im a brave little soldier
A brave little soldier
Marching, marching onward
Searching out the light of truth
I did not start the war
But its a battle I cant lose
Faith will be my armor
And love my sword and shield
I must defeat the enemy
I will, I will, I will
A brave little soldier
I must be bold and strong
A brave little soldier
And I must carry on
A brave little soldier
A brave little soldier
Im a brave little soldier
A brave little soldier
Brave, little soldier
song performed by Dolly Parton
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Third Book
'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.
For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!
Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.
Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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A Soldier- Dedicated to Nicholas Shelton
There is discipline in A Soldier you can see it when he walks,
There is honor in A Soldier you hear it when he talks.
There is courage in A Soldier you can see it in his eyes,
There is loyalty in A Soldier that he will not compromise.
There is something in A Soldier that makes him stand apart,
There is strength in A Soldier that beats from his heart.
A Soldier isn't a title any man can be hired to do,
A Soldier is the soul of that man buried deep inside of you.
A Soldier's job isn't finished after an 8 hour day or a 40 hour week,
A Soldier is always A Soldier even while he sleeps.
A Soldier serves his country first and his life is left behind,
A Soldier has to sacrifice what comes first in a civilian's mind.
If you are civilian - I am saying this to you..... next time you see A Soldier remember what they do.
A Soldier is the reason our land is 'Home of the free',
A Soldier is the one that is brave protecting you and me.
If you are A Soldier - I am saying this to you.....
Thank God for EVERY SOLDIER Thank God for what YOU do!
I thought about you Mr. Shelton, I figured this is the least I could do to thank you my friend.
poem by Caleb Jones
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What You Find
There is discipline in A Soldier
you can see it when he walks,
There is honor in A Soldier
you hear it when he talks.
There is courage in A Soldier
you can see it in his eyes,
There is loyalty in A Soldier
that he will not compromise.
There is something in A Soldier
that makes him stand apart,
There is strength in A Soldier
that beats from his heart.
A Soldier isn't a title any man
can be hired to do,
A Soldier is the soul of that man
buried deep inside of you.
A Soldier's job isn't finished after
an 8 hour day or a 40 hour week,
A Soldier is always A Soldier
even while he sleeps.
A Soldier serves his country first
and his life is left behind,
A Soldier has to sacrifice what
comes first in a civilian's mind.
If you are civilian -
I am saying this to you.....
next time you see A Soldier
remember what they do.
A Soldier is the reason our land
is 'Home of the free',
A Soldier is the one that is brave
protecting you and me.
If you are A Soldier -
I am saying this to you.....
Thank God for EVERY SOLDIER
Thank God for what YOU do!
TY bohls
poem by Ty. Bohls
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Tom Zart's 52 Best Of The Rest America At War Poems
SONS AND DAUGHTERS OF WORLD WAR III
The White House
Washington
Tom Zart's Poems
March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan
Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.
Sincerely,
George W. Bush
SONS AND DAUGHTERS OF WORLD WAR III
Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.
They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.
The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.
They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.
The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.
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poem by Tom Zart
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Christmas-Eve
I.
OUT of the little chapel I burst
Into the fresh night air again.
I had waited a good five minutes first
In the doorway, to escape the rain
That drove in gusts down the common’s centre,
At the edge of which the chapel stands,
Before I plucked up heart to enter:
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch,
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Four feet long by two feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving:
They eyed me much as some wild beast,
The congregation, still arriving,
Some of them by the mainroad, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self thro’ the paling-gaps,—
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion,” with Love-lane at the back of it,
They front you as little disconcerted,
As, bound for the hills, her fate averted
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.
II.
Well, from the road, the lanes or the common,
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poem by Robert Browning
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The Irish Soldier
The Irish soldier, cast for fight,
Stood to his arms at dead of night,
Watching the east, until its ray
To the battle--field should show his way;--
Soldier, soldier, soldier brave,
You will fight though they call you slave,
And though you but help a bandit hand
Uncheck'd to kill in your native land.
The soldier thought on his chance of doom--
How the trampled sod might be his tomb--
How, in evening's dusk, his sightless stare
To the small pale stars might upward glare;--
Soldier, soldier, soldier brave,
You will fight though you think of the grave--
Though it yawn so near you, black and chill,
Honor and courage man you still.
And o'er his solemn brow he made
The Christian sign, and humbly said--
``Your prayers, good saints, if I should fall;
And for mercy, O Lord, on you I call!''--
Irish soldier, soldier brave,
You will fight, although you crave
The prayers of the saints your own to aid,
And the sign of the cross on your brow have made.
The morning broke--the bugle blew--
The voice of command the soldier knew,
And stern and straight in the van he stood,
And shouting, he rush'd to the work of blood;--
Irish soldier, soldier bold,
Thousands lay round you, crimson'd and cold--
But over their bodies you still fought on,
Till down you sank as the day was won.
And the Irish soldier now hath come,
Worn, and wounded, and crippled, home,
The hated, and slander'd, and scorn'd of those
Who safely slept while he faced their foes;--
Irish soldier, soldier bold,
In your native land you now are told
'Twas traitor--blood on that field you lost,
For you call'd on the saints, and your brow you cross'd!
poem by John Banim
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Soldier, Soldier
"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.
"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."
"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.
poem by Rudyard Kipling
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