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Professor Marston & the Wonder Women

Cast: Luke Evans, Rebecca Hall, JJ Feild, Connie Britton, Bella Heathcote, Maggie Castle, Pamela Figueiredo, Allie Marshall, Acei Martin

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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Rebecca

In my mind , talk about rebecca , suddenly so fine
In my mind , visions of rebecca , suddenly shes mine
All night , seems she put a spell on me , oh yeah
All night , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds
Youre savin yourself for someone , rebecca
Hangin on tight , waiting for rebecca , dancin in the dark
Satin and lace , shes so fine and mellow
Creature from the stars
So wrong , runnin with rebecca now , oh yeah
So wrong , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Youre savin yourself for someone , rebecca
Rebecca , youre runnin away
Rebecca , you cant face the day , alright
Cos you only live for the night
Rebecca , youre always runnin around
(break)
Ooh , talk about rebeccas eyes
Evrything you fantasize
Well, she drag you down to earth
Shes the devil in disguise
Break you down to size
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone
Rebecca , ooh , youre runnin away
Rebecca , you cant face the day , alright
You only live for the night , rebecca
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone , rebecca (fade)

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Charles Baudelaire

Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

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Ain't Gonna Work On Your Farm No More

I ain’t gonna work on your farm no more
I ain’t gonna scrub all your floors,
I ain’t gonna take all your friends who ignore
what I do when they hide behind doors
where they pay no attention to stuff that I think,
and say, when they pay me a dime,
that I ain’t entitled to spend it on drink,
or ladies who show me good time.
I ain’t gonna work for your children or friends
who preach of the law and the Lord,
and hear all those messages God never sends
to people with who He is bored,
like I am. I ain’t gonna work on your farm,
instead I will write me a song,
and pray that its words will all sound the alarm,
for I expect to be back before long.


Mark Z. Barabak (“He’s Digging ‘Farm, ’” LA Times, June 26,2008) writes that Barack Obama’s favorite Bob Dylan song is “Maggie’s Farm, ” performed in 1995 at the Newport Festival, when he turned electric and never looked back:

I AIN’T GONNA WORK ON MAGGIE’S FARM NO MORE

I ain't gonna work on Maggie's farm no more
I ain't gonna work on Maggie's farm no more
I wake up every morning
hold my hands and pray for rain
I've got a head full of ideas
driving me insane
It's a shame the way she makes me scrub the floor
well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's brother no more
I ain't gonna work for Maggie's brother no more
He hands you a nickel
he hands you a dime
He asks you and your friends
if you're having a good time
He blames you every time you slam the door
Well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's Pa no more
I ain't gonna work for Maggie's Pa no more
He stubs his cigarette out in your face just for kicks
his bedroom window is made out of bricks
And the National Guard are standing at his door
well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's mother no more
I ain't gonna work for Maggie's mother no more
She talks to all the servants about man and God and law

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Robert Graves

Allie

Allie, call the birds in,
The birds from the sky.
Allie calls, Allie sings,
Down they all fly.
First there came
Two white doves
Then a sparrow from his nest,
Then a clucking bantam hen,
Then a robin red-breast.

Allie, call the beasts in,
The beasts, every one.
Allie calls, Allie sings,
In they all run.
First there came
Two black lambs,
Then a grunting Berkshire sow,
Then a dog without a tail,
Then a red and white cow.

Allie, call the fish up,
The fish from the stream.
Allie calls, Allie sings,
Up they all swim.
First there came
Two gold fish,
A minnow and a miller's thumb,
Then a pair of loving trout,
Then the twisted eels come.

Allie, call the children,
Children from the green.
Allie calls, Allie sings,
Soon they run in.
First there came
Tom and Madge,
Kate and I who'll not forget
How we played by the water's edge
Till the April sun set.

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Michael: A Pastoral Poem

If from the public way you turn your steps
Up the tumultuous brook of Greenhead Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story--unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of shepherds, dwellers in the valleys, men
Whom I already loved; not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.
UPON the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His bodily frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd's calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and, oftentimes,
When others heeded not, He heard the South

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Rudyard Kipling

The Betrothed

"You must choose between me and your cigar."
-- BREACH OF PROMISE CASE, CIRCA 1885.


Open the old cigar-box, get me a Cuba stout,
For things are running crossways, and Maggie and I are out.

We quarrelled about Havanas -- we fought o'er a good cheroot,
And I knew she is exacting, and she says I am a brute.

Open the old cigar-box -- let me consider a space;
In the soft blue veil of the vapour musing on Maggie's face.

Maggie is pretty to look at -- Maggie's a loving lass,
But the prettiest cheeks must wrinkle, the truest of loves must pass.

There's peace in a Larranaga, there's calm in a Henry Clay;
But the best cigar in an hour is finished and thrown away --

Thrown away for another as perfect and ripe and brown --
But I could not throw away Maggie for fear o' the talk o' the town!

Maggie, my wife at fifty -- grey and dour and old --
With never another Maggie to purchase for love or gold!

And the light of Days that have Been the dark of the Days that Are,
And Love's torch stinking and stale, like the butt of a dead cigar --

The butt of a dead cigar you are bound to keep in your pocket --
With never a new one to light tho' it's charred and black to the socket!

Open the old cigar-box -- let me consider a while.
Here is a mild Manila -- there is a wifely smile.

Which is the better portion -- bondage bought with a ring,
Or a harem of dusky beauties, fifty tied in a string?

Counsellors cunning and silent -- comforters true and tried,
And never a one of the fifty to sneer at a rival bride?

Thought in the early morning, solace in time of woes,
Peace in the hush of the twilight, balm ere my eyelids close,

This will the fifty give me, asking nought in return,
With only a Suttee's passion -- to do their duty and burn.

This will the fifty give me. When they are spent and dead,
Five times other fifties shall be my servants instead.

The furrows of far-off Java, the isles of the Spanish Main,

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The Holy Grail

From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.

And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:

`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'

`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'

To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean--
Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'

`Nay, monk! what phantom?' answered Percivale.

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Tale III

THE GENTLEMAN FARMER.

Gwyn was a farmer, whom the farmers all,
Who dwelt around, 'the Gentleman' would call;
Whether in pure humility or pride,
They only knew, and they would not decide.
Far different he from that dull plodding tribe
Whom it was his amusement to describe;
Creatures no more enliven'd than a clod,
But treading still as their dull fathers trod;
Who lived in times when not a man had seen
Corn sown by drill, or thresh'd by a machine!
He was of those whose skill assigns the prize
For creatures fed in pens, and stalls, and sties;
And who, in places where improvers meet,
To fill the land with fatness, had a seat;
Who in large mansions live like petty kings,
And speak of farms but as amusing things;
Who plans encourage, and who journals keep,
And talk with lords about a breed of sheep.
Two are the species in this genus known;
One, who is rich in his profession grown,
Who yearly finds his ample stores increase,
From fortune's favours and a favouring lease;
Who rides his hunter, who his house adorns;
Who drinks his wine, and his disbursements scorns;
Who freely lives, and loves to show he can, -
This is the Farmer made the Gentleman.
The second species from the world is sent,
Tired with its strife, or with his wealth content;
In books and men beyond the former read
To farming solely by a passion led,
Or by a fashion; curious in his land;
Now planning much, now changing what he plann'd;
Pleased by each trial, not by failures vex'd,
And ever certain to succeed the next;
Quick to resolve, and easy to persuade, -
This is the Gentleman, a farmer made.
Gwyn was of these; he from the world withdrew
Early in life, his reasons known to few;
Some disappointments said, some pure good sense,
The love of land, the press of indolence;
His fortune known, and coming to retire,
If not a Farmer, men had call'd him 'Squire.
Forty and five his years, no child or wife
Cross'd the still tenour of his chosen life;
Much land he purchased, planted far around,
And let some portions of superfluous ground
To farmers near him, not displeased to say
'My tenants,' nor 'our worthy landlord,' they.

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Rokeby: Canto V.

I.
The sultry summer day is done,
The western hills have hid the sun,
But mountain peak and village spire
Retain reflection of his fire.
Old Barnard's towers are purple still,
To those that gaze from Toller-hill;
Distant and high, the tower of Bowes
Like steel upon the anvil glows;
And Stanmore's ridge, behind that lay,
Rich with the spoils of parting day,
In crimson and in gold array'd,
Streaks yet awhile the closing shade,
Then slow resigns to darkening heaven
The tints which brighter hours had given.
Thus aged men, full loth and slow,
The vanities of life forego,
And count their youthful follies o'er,
Till Memory lends her light no more.

II.
The eve, that slow on upland fades,
Has darker closed on Rokeby's glades,
Where, sunk within their banks profound,
Her guardian streams to meeting wound.
The stately oaks, whose sombre frown
Of noontide made a twilight brown,
Impervious now to fainter light,
Of twilight make an early night.
Hoarse into middle air arose
The vespers of the roosting crows,
And with congenial, murmurs seem
To wake the Genii of the stream;
For louder clamour'd Greta's tide,
And Tees in deeper voice replied,
And fitful waked the evening wind,
Fitful in sighs its breath resign'd.
Wilfrid, whose fancy-nurtured soul
Felt in the scene a soft control,
With lighter footstep press'd the ground,
And often paused to look around;
And, though his path was to his love,
Could not but linger in the grove,
To drink the thrilling interest dear,
Of awful pleasure check'd by fear.
Such inconsistent moods have we,
Even when our passions strike the key.

III.
Now, through the wood's dark mazes past,

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Marshall's Mate

You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.

The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.

`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'

We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.

He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.

The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,

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A Man

George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag.
"George, I left that son of a bitch, I couldn't stand that son of a bitch
anymore."
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled.
"I took his damn money too. I took his damn money and split while he was at work.
You don't know how I've suffered with that son of a bitch." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her.
"You son of a bitch," she said, "I missed you."
"I miss those good legs of yours , Connie. I've really missed those good
legs."
"You still like 'em?"
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milk toast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antiseptic, that's what he was."
"Drink up, you'll feel better."
"And he couldn't make love."
"You mean he couldn't get it up?"
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
was useless."
"I wish I had a college education."
"You don't need one. You have everything you need, George."
"I'm just a flunky. All the shit jobs."
"I said you have everything you need, George. You know how to make a woman
happy."
"Yeh?"
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a whore. Like I was a big bad whore stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my pussy, Walter!' And he wouldn't look at my pussy. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my pussy, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
you George?"
"I suppose I have."
"And you've licked it , sucked it?"
"I suppose so."
"You know damn well, George, what you've done."

[...] Read more

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Tough Love

Tough love

Rebecca was a horrid child.
Her antics drove her mother wild..
Child experts offered their advice
but seldom came to visit twice.

Although her mother tried her best
Rebecca outdid all the rest.
She was unpleasant rude and crude.
An anti social attitude.

She seldom did as she was told
and thought she had the right to scold.
Her mother’s efforts at control
She seemed to have no other goal.

Than making life a misery
for members of her family.
But then her grandma came to stay.
Rebecca came to rue the day.

Grandma applied psychology
Rebecca placed across her knee
She tanned her little bottom hard.
Grandma had but scant regard.

For what the experts had to say
She raised her kids in the old way.
A firm hand lovingly applied
across Rebecca’s small backside.

Quickly changed her attitude.
Because her Grandma understood.
That little girls should never be
allowed to think that they were free.

To act and speak unpleasantly
without they paid the penalty.
Rebecca very swiftly learned
she got exactly what she earned..

She soon became a paragon.
Her bad behaviour was all gone.
Which demonstrates that Grandma knew
exactly what she had to do.

To make Rebecca toe the line
applied a little discipline.
In her own old fashioned way.

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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Maggie Mgill

Miss maggie mgill, she lived on a hill.
Her daddy got drunk and left her no will
So she went down, down to tangie town.
People down there really like to get it on.
Now if youre sad and youre feeling blue
Go out and buy a new pair of shoes
And you go down, down to tangie town
The people down there really like to get it on.
Illegitimate son of a rock and roll star
Illegitimate son of a rock and roll star
Mom met dad in the back of a rock and roll car.
Well Im an old blues man
And I think that you understand
Ive been singing the blues ever since the world began.
Maggie, maggie, maggie mgill
Roll on, roll on, maggie mgill
Maggie, maggie, maggie mgill
Roll on, roll on, maggie mgill

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Bellas Birthday Cake

Bellas birthday cake
Bella played the bridge every second loneliest night of the year
Took a certain liking to a fellow there - bella
She said I brought her back to some old better man - fellah
Bella she was born today feeling kinda spry
Bellas birthday cake was burning
Like lightning, like fire
Bellas birthday cake was burning...
Bella made her bed in red every loneliest night of the year
Tied me to the rages of her rocking chair - bella
Fed me quiet offer through her ever wares - Ill tell ya
Bella she was born today feeling kinda spry
Bellas birthday cake was burning
Like lightning, like fire
Bellas birthday cake was burning
Ever yearning forest fire
And all of her lines she left unread
Spirits and battles won, she said
And over her mountian tops she ground me off
Where...i cant remember...
Bella played the bridge on the second loneliest night of the year
Bella she was born today...
Bellas birthday cake was burning
Bellas birthday cake was burning
Bellas birthday cake was burning
Bellas birthday cake was burning...50 years gone.

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Handles Bermuda

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beijo bags

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Twilight the poem

A narrative poem about the book Twilight

Mountains of rain pouring down.
Slapping hard against the ground.
To one girl named Bella swan.
The rain and thunder were oh so wrong.
She moved from Pheonix a place with sun.
Filled with laughter and so much fun.
To a place with rain and cloud filled skies.
A horrible sight for her tear filled eyes.
In a small town was not much to see.
School was the for her place to be.
At lunch she saw a beautiful face.
Of a small girl with godlike grace.
Her name was alice she was told.
Her eyes where the coulor of fine spun gold.
At Alice's table four other sat.
Who dissapeared just like that.
But before they left Bella was shown.
A beauty that is seldom known.
At biology she say beside.
A boy with coal black eyes.
She felt a shock of pure desire.
From this boy with hair like fire.
She heared his name was Edward Cullen.
Who's family showed up all of a sudden.
His family is like gypsys in a way.
Coming and going when they may.
All the boys are big and strong.
But something seems alittle wrong.
The girls are more beautiful then anyother.
They could easily land a magazine cover.
But they dont look like they care.
They dont notice that anyones there.
Bella who never saw such beauty and grace.
Was mystified by Edwards face.
But to her surprise and dismay.
Edward didnt show up for five whole days.
She thought he was gone and would never come back.
She felt as if all the coulors had become white and black.
Like an old time movie with no blue sky.
And at this thought tears filled her eyes.
But he did come back but something was weird.
He wasnt as pale and he seemed full of cheer.
Bella saw a change in his eyes.
They seemed lighter than last time.
She asked him this but he replied no.
The conversation had ended before hello.
So many people liked Bella swan.
And they all wanted to take her to the prom.

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Pamela

Side by side, Ill be yours forever
Rain or shine, any kind of weather
There isnt anything I wouldnt do for you
Lets take whats getting old and make it new
Oh, eye to eye, its a blinding confrontation
You and i, were a deadly combination
So dont start mixing truth with jealousy
The road were on is clear as far as I can see
Chorus:
Pamela, dont break this heart of mine
Just remember, it may not heal this time
Pamela, there is no second chance, for the one who leaves it all behind
Black and white always go together
Day and night youre the precious juwel I treasure
Wanting every part of you is not a crime
Or could it be that youre the one whos wrong this time
Chorus:
Pamela, dont break this heart of mine
Just remember, it may not heal this time
Pamela, there is no second chance, for the one who leaves it all behind
(instrumental break)
All that I love (all that I love)
Thousands of miles away, but always in my heart
Chorus:
Pamela, dont break this heart of mine
Just remember, it may not heal this time
Pamela, there is no second chance, for the one who leaves it all behind

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