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Polaroid

Cast: Madelaine Petsch, Kathryn Prescott, Javier Botet, Katie Stevens, Grace Zabriskie, Mitch Pileggi, Keenan Tracey, Tyler Young, Samantha Logan

trailer for Polaroid, directed by Lars Klevberg, screenplay by Blair Butler (2017)
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Wat Tyler - Act I

ACT I.

SCENE, A BLACKSMITH'S-SHOP

Wat Tyler at work within. A May-pole
before the Door.

ALICE, PIERS, &c.

SONG.

CHEERFUL on this holiday,
Welcome we the merry May.

On ev'ry sunny hillock spread,
The pale primrose rears her head;
Rich with sweets the western gale
Sweeps along the cowslip'd dale.
Every bank with violets gay,
Smiles to welcome in the May.

The linnet from the budding grove,
Chirps her vernal song of love.
The copse resounds the throstle's notes,
On each wild gale sweet music floats;
And melody from every spray,
Welcomes in the merry May.

Cheerful on this holiday,
Welcome we the merry May.

[Dance.

During the Dance, Tyler lays down his
Hammer, and sits mournfully down before
his Door.

[To him.

HOB CARTER.

Why so sad, neighbour?—do not these gay sports,
This revelry of youth, recall the days
When we too mingled in the revelry;
And lightly tripping in the morris dance
Welcomed the merry month?

TYLER.

[...] Read more

poem by Robert Southey
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Samantha

One night in a cold sweat
I heard the call
So without fear and free from fright
I walked tall
As I crept the passages
Only just but faint
In and out of the central heating
It came and then went
Samantha, samantha dear
I have to be gone
Samantha, oh samantha dear
But ooh, she slept on
Well Ive itched a thousand itches
But this one tops them all
While crouched down with an ear to the ground
I saw the call
Springing up in disbelief
The supension spilt
And peering in a bathroom mirror
Hung the men with guilt
Samantha, samantha dear
I have to be gone
Samantha, oh samantha dear
But ooh, she slept on
One night in a cold sweat
I heard the call
So without fear and free from fright
I walked tall
Samantha, samantha dear
I have to be gone
Samantha, oh samantha dear
But
Samantha, samantha dear
I have to be gone
Samantha, oh samantha dear
But
There were all sorts of funny faces
Being pulled
But mine was the funniest face
Samantha, samantha dear
I have to be gone
Samantha, oh samantha dear
But ooh, she slept on

song performed by Madness
Added by Lucian Velea
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Malcolm's Katie: A Love Story - Part III.

The great farm house of Malcolm Graem stood
Square shoulder'd and peak roof'd upon a hill,
With many windows looking everywhere;
So that no distant meadow might lie hid,
Nor corn-field hide its gold--nor lowing herd
Browse in far pastures, out of Malcolm's ken.
He lov'd to sit, grim, grey, and somewhat stern,
And thro' the smoke-clouds from his short clay pipe
Look out upon his riches; while his thoughts
Swung back and forth between the bleak, stern past,
And the near future, for his life had come
To that close balance, when, a pendulum,
The memory swings between me 'Then' and 'Now';
His seldom speech ran thus two diff'rent ways:
'When I was but a laddie, this I did';
Or, 'Katie, in the Fall I'll see to build
'Such fences or such sheds about the place;
'And next year, please the Lord, another barn.'
Katie's gay garden foam'd about the walls,
'Leagur'd the prim-cut modern sills, and rush'd
Up the stone walls--and broke on the peak'd roof.
And Katie's lawn was like a Poet's sward,
Velvet and sheer and di'monded with dew;
For such as win their wealth most aptly take
Smooth, urban ways and blend them with their own;
And Katie's dainty raiment was as fine
As the smooth, silken petals of the rose;
And her light feet, her nimble mind and voice,
In city schools had learn'd the city's ways,
And grafts upon the healthy, lonely vine
They shone, eternal blossoms 'mid the fruit.
For Katie had her sceptre in her hand
And wielded it right queenly there and here,
In dairy, store-room, kitchen--ev'ry spot
Where women's ways were needed on the place.
And Malcolm took her through his mighty fields,
And taught her lore about the change of crops;
And how to see a handsome furrow plough'd;
And how to choose the cattle for the mart;
And how to know a fair day's work when done;
And where to plant young orchards; for he said,
'God sent a lassie, but I need a son--
'Bethankit for His mercies all the same.'
And Katie, when he said it, thought of Max--
Who had been gone two winters and two springs,
And sigh'd, and thought, 'Would he not be your son?'
But all in silence, for she had too much
Of the firm will of Malcolm in her soul
To think of shaking that deep-rooted rock;
But hop'd the crystal current of his love

[...] Read more

poem by Isabella Valancy Crawford
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Using Boot Camp

twink boot camp
twink camp
twink summer camps
twinks at camp pics
twinks camp
twinlakes camp florence ms
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twister baseball camp in torrington ct
twisters gymnastics camp in lakewood
twitchings holiday camp
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two brothers lacrosse camp
two burner camp stove
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two can camp orlando fl
two cousins and camp hill pa
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two day camp del valle
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two from tarzana escaped nazi camps
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two person folding camp chairs
two rivers camp ground minnesota
two rivers camp tennesse
two rivers soccer camp
two rivers soccer camp tahoe
two room suite camp verde az

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poem by Caasder Fronds
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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

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poem by Isabella Valancy Crawford
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Wat Tyler - Act II

ACT II.

SCENE— BLACKHEATH.

TYLER, HOB, &c.

SONG.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

Wretched is the infant's lot,
Born within the straw-roof'd cot!
Be he generous, wise, or brave,
He must only be a slave.
Long, long labour, little rest,
Still to toil to be oppress'd;
Drain'd by taxes of his store,
Punish'd next for being poor;
This is the poor wretch's lot,
Born within the straw-roof'd cot.

While the peasant works— to sleep;
What the peasant sows— to reap;
On the couch of ease to lie,
Rioting in revelry;
Be he villain, be he fool,
Still to hold despotic rule,
Trampling on his slaves with scorn;
This is to be nobly born.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

JACK STRAW.

The mob are up in London— the proud courtiers
Begin to tremble.

TOM MILLER.

Aye, aye, 'tis time to tremble;
Who'll plow their fields, who'll do their drudgery now?
And work like horses, to give them the harvest?

JACK STRAW.

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poem by Robert Southey
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Malcolm's Katie: A Love Story - Part I.

Max plac'd a ring on little Katie's hand,
A silver ring that he had beaten out
From that same sacred coin--first well-priz'd wage
For boyish labour, kept thro' many years.
'See, Kate,' he said, 'I had no skill to shape
Two hearts fast bound together, so I grav'd
Just K. and M., for Katie and for Max.'
'But, look; you've run the lines in such a way,
That M. is part of K., and K. of M.,'
Said Katie, smiling. 'Did you mean it thus?
I like it better than the double hearts.'
'Well, well,' he said, 'but womankind is wise!
Yet tell me, dear, will such a prophecy
Not hurt you sometimes, when I am away?
Will you not seek, keen ey'd, for some small break
In those deep lines, to part the K. and M.
For you? Nay, Kate, look down amid the globes
Of those large lilies that our light canoe
Divides, and see within the polish'd pool
That small, rose face of yours,--so dear, so fair,--
A seed of love to cleave into a rock,
And bourgeon thence until the granite splits
Before its subtle strength. I being gone--
Poor soldier of the axe--to bloodless fields,
(Inglorious battles, whether lost or won).
That sixteen summer'd heart of yours may say:
''I but was budding, and I did not know
My core was crimson and my perfume sweet;
I did not know how choice a thing I am;
I had not seen the sun, and blind I sway'd
To a strong wind, and thought because I sway'd,
'Twas to the wooer of the perfect rose--
That strong, wild wind has swept beyond my ken--
The breeze I love sighs thro' my ruddy leaves.'
'O, words!' said Katie, blushing, 'only words!
You build them up that I may push them down;
If hearts are flow'rs, I know that flow'rs can root--
'Bud, blossom, die--all in the same lov'd soil;
They do so in my garden. I have made
Your heart my garden. If I am a bud
And only feel unfoldment--feebly stir
Within my leaves: wait patiently; some June,
I'll blush a full-blown rose, and queen it, dear,
In your lov'd garden. Tho' I be a bud,
My roots strike deep, and torn from that dear soil
Would shriek like mandrakes--those witch things I read
Of in your quaint old books. Are you content?'
'Yes--crescent-wise--but not to round, full moon.
Look at yon hill that rounds so gently up
From the wide lake; a lover king it looks,

[...] Read more

poem by Isabella Valancy Crawford
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Katie

It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought,
Along with English creeds and thought --
Entangled in her golden hair --
Some English sunshine, warmth, and air!
I cannot tell -- but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!

I meet her on the dusty street,
And daisies spring about her feet;
Or, touched to life beneath her tread,
An English cowslip lifts its head;
And, as to do her grace, rise up
The primrose and the buttercup!
I roam with her through fields of cane,
And seem to stroll an English lane,
Which, white with blossoms of the May,
Spreads its green carpet in her way!
As fancy wills, the path beneath
Is golden gorse, or purple heath:
And now we hear in woodlands dim
Their unarticulated hymn,
Now walk through rippling waves of wheat,
Now sink in mats of clover sweet,
Or see before us from the lawn
The lark go up to greet the dawn!
All birds that love the English sky
Throng round my path when she is by:
The blackbird from a neighboring thorn
With music brims the cup of morn,
And in a thick, melodious rain
The mavis pours her mellow strain!
But only when my Katie's voice
Makes all the listening woods rejoice
I hear -- with cheeks that flush and pale --
The passion of the nightingale!

Anon the pictures round her change,
And through an ancient town we range,
Whereto the shadowy memory clings
Of one of England's Saxon kings,
And which to shrine his fading fame
Still keeps his ashes and his name.

[...] Read more

poem by Henry Timrod
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Madelaine

(copyright nazareth, tiflis tunes,inc.-ascap)
Standing watching a pale blue moon,
Rising slowly in the winter sky,
Waiting, hoping shell be home soon,
And I wont ask her where or why.
As the evening shadows fall,
Madelaine, madelaine
I can hear the night wind call,
Call her name, madelaine.
Turning slowly I hear her call,
Echo softly through the silver pines,
Walking home the first snowflake falls,
Still, shes always on my mind.
As the evening shadows fall,
Madelaine, madelaine
I can hear the night wind call,
Call her name, madelaine.

song performed by Nazareth
Added by Lucian Velea
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Metempsychosis

DRAMATIS PERSONAE.

ST. JOHN _a Presidential Candidate_
MCDONALD _a Defeated Aspirant_
MRS. HAYES _an Ex-President_
PITTS-STEVENS _a Water Nymph_

_Scene_-A Small Lake in the Alleghany Mountains.

ST. JOHN:

Hours I've immersed my muzzle in this tarn
And, quaffing copious potations, tried
To suck it dry; but ever as I pumped
Its waters into my distended skin
The labor of my zeal extruded them
In perspiration from my pores; and so,
Rilling the marginal declivity,
They fell again into their source. Ah, me!
Could I but find within these ancient hills
Some long extinct volcano, by the rains
Of countless ages in its crater brimmed
Like a full goblet, I would lay me down
Prone on the outer slope, and o'er its edge
Arching my neck, I'd siphon out its store
And flood the valleys with my sweat for aye.
So should I be accounted as a god,
Even as Father Nilus is. What's that?
Methought I heard some sawyer draw his file
With jarring, stridulous cacophany
Across his notchy blade, to set its teeth
And mine on edge. Ha! there it goes again!

_Song, within_.

Cold water's the milk of the mountains,
And Nature's our wet-nurse. O then,
Glue thou thy blue lips to her fountains
Forever and ever, amen!

ST. JOHN:

Why surely there's congenial company
Aloof-the spirit, I suppose, that guards
This sacred spot; perchance some water-nymph
Who laving in the crystal flood her limbs
Has taken cold, and so, with raucous voice
Afflicts the sensitive membrane of mine ear
The while she sings my sentiments.
_(Enter Pitts-Stevens.)_

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poem by Ambrose Bierce
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Madelaine Mann

'Pass me my pearl handled brush, and my comb, '
She had said, as she gazed at the glass,
The child had obeyed, though he shuffled and moaned
As he pulled at his pretty pink dress.
'Be still with you, child! Learn some patience and grace,
Wipe that scowl off your face - do you hear?
Just be a good girl, and I'll powder your face,
Tie ribbons up high in your hair.'

The boy bit his lip, and he stared at his aunt
In the mirror; she simpered and smiled,
Her lips were so thin and so twisted in sin
Though she thought she was beauty, beguiled.
The eyes were so close, and were hooded and dark,
The cheeks were both sallow and thin,
'A little more rouge - there we are! Is your aunt
The most beautiful creature you've seen? '

The boy nodded then, as he knew he must do
If he wouldn't be beaten and sore,
The lash of her cane had left scars in his brain
And he just couldn't take any more.
His mother had died when her sister denied her
A telephone call in the night,
She'd wanted to call out an ambulance then,
But her sister said: 'You'll be all right! '

She died the next morning, and Madelaine Mann
Had dug a large hole by the tree,
She buried her sister there, in the moonlight,
Leaving Andrew, who wasn't quite three.
They lived in the country, so nobody knew
What went on in that foul looking den,
And Andrew became little Andrea soon,
Because Madelaine Mann hated men.

He grew up confused as he followed her rules
But he always knew something was wrong,
He pulled all the heads off the dolls as he played
And his voice couldn't carry a song.
She'd beat him whenever his needlework strayed
Showing great ugly stitches and knots,
But his mind wandered out where the mud puddles lay,
And that patch of forget-me-nots.

Those precious blue flowers grew under the tree
Where her sister lay, cold in the ground,
She'd smile as she passed them, her own little joke
As she turned the son's gender around;
But Andrew, he sat and he picked at the flowers

[...] Read more

poem by David Lewis Paget
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Katies Been Gone

(by j. r. robertson and r. manuel)
Katies been gone since the spring time;
She wrote one timen sent her love.
Katies been gone for such a long time now.
I wonder what kind of love shes thinkin of.
Dear katie,
If you can hear me,
I cant wait to have ya near me.
Oh, katie, since ya caught that bus,
Well, I just dont know how things are with us.
Im still here and youre out there.
Katie laughed when I said I was lonely.
She said, theres no need tfeel that way.
Katie said that I was her only one,
But then I wonder why she didnt wanna stay.
Dear katie, if Im the only one,
How much longer will you be gone?
Oh, katie, wont ya tell me straight:
How much longer do I have to wait?
Ill believe you,
But please come through.
I know its wrong to be apart this long;
You should be here, near me.
Katies been gone and now her face is slowly fading from my mind.
Shes gone to find some newer places,
Left the old life far behind.
Dear katie, dont ya miss your home?
I dont see why you had to roam.
Dear katie, since youve been away
I lose a little something every day
I need you here, but youre still out there.
Dear katie, please drop me a line,
Just write, love, to tell me youre fine.
Oh, katie, if you can hear me,
I just cant wait to have you near me.
I can only think
Where are you,
What ya do, may be theres someone new.

song performed by Bob Dylan
Added by Lucian Velea
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Malcolm's Katie: A Love Story - Part V.

Said the high hill, in the morning: 'Look on me--
'Behold, sweet earth, sweet sister sky, behold
'The red flames on my peaks, and how my pines
'Are cressets of pure gold; my quarried scars
'Of black crevase and shadow-fill'd canon,
'Are trac'd in silver mist. How on my breast
'Hang the soft purple fringes of the night;
'Close to my shoulder droops the weary moon,
'Dove-pale, into the crimson surf the sun
'Drives up before his prow; and blackly stands
'On my slim, loftiest peak, an eagle, with
'His angry eyes set sunward, while his cry
'Falls fiercely back from all my ruddy heights;
'And his bald eaglets, in their bare, broad nest,
'Shrill pipe their angry echoes: ''Sun, arise,
''And show me that pale dove, beside her nest,
''Which I shall strike with piercing beak and tear
''With iron talons for my hungry young.''
And that mild dove, secure for yet a space,
Half waken'd, turns her ring'd and glossy neck
To watch dawn's ruby pulsing on her breast,
And see the first bright golden motes slip down
The gnarl'd trunks about her leaf-deep nest,
Nor sees nor fears the eagle on the peak.

* * * * *

'Aye, lassie, sing--I'll smoke my pipe the while,
'And let it be a simple, bonnie song,
'Such as an old, plain man can gather in
'His dulling ear, and feel it slipping thro'
'The cold, dark, stony places of his heart.'
'Yes, sing, sweet Kate,' said Alfred in her ear;
'I often heard you singing in my dreams
'When I was far away the winter past.'
So Katie on the moonlit window lean'd,
And in the airy silver of her voice
Sang of the tender, blue 'Forget-me-not.'

Could every blossom find a voice,
And sing a strain to me;
I know where I would place my choice,
Which my delight should be.
I would not choose the lily tall,
The rose from musky grot;
But I would still my minstrel call
The blue 'Forget-me-not!'

And I on mossy bank would lie
Of brooklet, ripp'ling clear;

[...] Read more

poem by Isabella Valancy Crawford
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Tyler

Appeal to the governor of louisiana
You may get an answer the process is slow
Federal government too much to help him
It's been nearly five years
And they won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Testify under pressure, a racist jury
Government lawyers its all for show
With rows of white faces
False accusations
He's framed up for murder
They won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler ..... etc
Police gun was planted
No matching bullets
No prints on the handle, no proof to show
But tyler is guilty the white judge has said so
They show him no mercy
They won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler...... etc
Appeal to the governor of louisiana
You may get an answer the process is slow
Federal government too much to help him
It's been nearly five years
And they won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler .... etc

song performed by Ub40
Added by Lucian Velea
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Montezuma's Anguish

Cortés identified with Quetzalcóatl,
We think we know the story, but don’t know it all.
In writing stories of the people whom we vanquish,
how can we understand king Montezuma’s anguish?
It’s only with unconscionable audacity
that we consider science and sagacity
enable us to understand those we defeat
like open books to which we are the exegete.

Inspired by an article in the TLS, July 31,2009, by J. H. Elliott on the Boston gentleman-scholar William Hickling Prescott, the author of History of the Conquest of Mexico (1843) and History of the Conquest of Peru (1847) . Criticizing Prescott’s approach, Elliott, former Regius Professor of History at Oxford University, writes:

As part of this process of re-evaluation, historians try to recover “the vision of the vanquished” and to reconstruct the history of “peoples without history”, victims not only of imperial domination but also the lack of written records....

Montezuma’s assumed identification of Cortés with Quetzalcóatl has been a staple element of the story from Prescott’s day to our own, but it has also come to be contested as a post-conquest fabrication. Equally the omens have been shown to have suspicious affinities with the omens and prodigies recorded by classical authors like Plutarch, Lucan and Josephus. If the Quetzalcóatl myth and the story of the omens are no more than retrospective attempts to make sense of the extraordinary succession of events, Prescott’s doom-laden interpretation of Montezuma’s behaviour loses much of its credibility….Was he killed by stones thrown by his own rebellious subjects, as the account commonly goes, or was he put to death by the Spaniards, as one or two alternative sources suggest? Or did he perhaps die “as much under the anguish of a wounded spirit, as under disease”, as Prescott ws inclined to believe?

8/15/09

poem by Gershon Hepner
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Blazing Through All Precedents

Blazing through all precedents,
Supreme Court Justices have customarily abused
omnipotence until as decedents
they are compelled by death, an act of God, to be recused.

Of corporate money there’s no dearth
in politics, said John Paul Stevens, arguing in dissent;
decisions with some moral worth
are lacking in the Highest Court, should have been his lament.

Inspired by a comment by Justice John Paul Stevens, cited by Adam Liptak in an article on him in the NYT, January 25,2010 (“After 34 Years, a Plainspoken Justice Gets Louder”) :
The Supreme Court announced its big campaign finance decision at 10 in the morning last Thursday. By 10: 30 a.m., after Justice Anthony M. Kennedy had offered a brisk summary of the majority opinion and Justice John Paul Stevens labored through a 20-minute rebuttal, a sort of twilight had settled over the courtroom. It seemed the Stevens era was ending. Justice Stevens, who will turn 90 in April, joined the court in 1975 and is the longest-serving current justice by more than a decade. He has given signals that he intends to retire at the end of this term, and his dissent on Thursday was shot through with disappointment, frustration and uncharacteristic sarcasm.He seemed weary, and more than once he stumbled over and mispronounced ordinary words in the lawyer’s lexicon — corruption, corporation, allegation. Sometimes he would take a second or third run at the word, sometimes not. But there was no mistaking his basic message. “The rule announced today — that Congress must treat corporations exactly like human speakers in the political realm — represents a radical change in the law, ” he said from the bench. “The court’s decision is at war with the views of generations of Americans.”..
“It is difficult to convey how thoroughly egregious counsel’s closing argument was, ” Justice Stevens wrote of a defense lawyer’s work. “Suffice it to say that the argument shares far more in common with a prosecutor’s closing than with a criminal defense attorney’s. Indeed, the argument was so outrageous that it would have rightly subjected a prosecutor to charges of misconduct.” In the second case, Justice Stevens did vote to uphold the death sentence, saying that even a closing argument worthy of Clarence Darrow would not have spared the defendant. That carefully calibrated distinction was of a piece with the view he announced in 2008 in Baze v. Rees, when he said he had come to the conclusion that the death penalty violates the Eighth Amendment. But he went on to say that his conclusion did not justify “a refusal to respect precedents that remain a part of our law.”

1/25/10

poem by Gershon Hepner
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song - Crammag Light

The winter winds are blowin in from Ireland ‘cross the sea
I’m waiting on the pierhead here just watching seagulls wheel
The light is going down now and I’m thinking of the night
When you sailed out from this harbour wall down past Crammag light

The years have passed so slowly since I watched you sail away
I wonder if you’re on the waves still fishing night and day
The tourists have all gone now and I’m by the fireside
In the flames I see you sailing off down past Crammag light

(chorus)
Oh Johnny are you never coming back to Logan Bay
The harbour bell is silent now but seabirds on the wing
Are calling out to everywhere, above the breaking waves
But the only song that I can hear is the song the winter sings
Oh Johnny are you never coming back to Logan Bay

Remember when we stood upon the cliff at logan head
The sea was like a mill pond and the sun was setting red
The herring boats were drifting southwards on the flooding tide
In the distance we could see the moon over Crammag light

The waves are running high towards the fishpond cottage wall
And all the sea is empty now as darkness starts to fall
The Sanderlings are crying for another day that’s gone
To the south of Laggantulloch, Crammag’s light has just come on

(chorus)
Oh Johnny are you never coming back to Logan Bay
The harbour bell is silent now but seabirds on the wing
Are calling out to everywhere, above the breaking waves
But the only song that I can hear is the song the winter sings
Oh Johnny are you never coming back to Logan Bay

I’ve heard the talk about the ghost that haunts the waters here
They say that when the sun goes down his fishing boat appears
In winter’s gales and breaking waves, or so the legends say,
In the sweeping light from Crammag, heading north for Logan Bay

poem by Jim Hogg
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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.

The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right

No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.

Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,

That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.

But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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poem by Anonymous Olde English
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Goodbye Sam Hello Samantha

Goodbye Sam hello Samantha
Goodbye Sam hello Samantha
Sam, I'm leavin' the gang
so don't come around for me on Sunday.
Joe, I want you to know
I'll have to skip the game on Monday.
Had a whole lot of fun
but now the time has come
I need the sweet touch of a woman's love.
Goodbye Sam hello Samantha
goodbye Joe hello Joanne.
suddenly need a new kind of company
someone to love me.
Goodbye Sam hello Samantha
goodbye Lou hello Louise.
From today there'll be new games
for me to play
So good luck and goodbye Sam.
Guys you ought-a get wise
there's more to the world than pool and fishin'.
easy ridin' is fine
but look around see what you're missin'.
girls are waitin' in line
and now has come the time
I'm goin' out and I'm gonna get me some.
Goodbye Sam hello Samantha
goodbye Joe hello Joanne.
suddenly need a new kind of company
someone to love me.
Goodbye Sam hello Samantha
goodbye Lou hello Louise.
From today there'll be new games
for me to play
So good luck and goodbye Sam.

song performed by Cliff Richard
Added by Lucian Velea
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Young Americans

They pulled in just behind the fridge
He lays her down, he frowns
Gee my lifes a funny thing, am I still too young?
He kissed her then and there
She took his ring, took his babies
It took him minutes, took her nowhere
Heaven knows, shed have taken anything, but
All night
She wants the young american
Young american, young american, she wants the young american
All right
She wants the young american
Scanning life through the picture windows
She finds the slinky vagabond
He coughs as he passes her ford mustang, but
Heaven forbid, shell take anything
But the freak, and his type, all for nothing
He misses a step and cuts his hand, but
Showing nothing, he swoops like a song
She cries where have all papas heroes gone?
All night
She wants the young american
Young american, young american, she wants the young american
All right
She wants the young american
All the way from washington
Her bread-winner begs off the bathroom floor
We live for just these twenty years
Do we have to die for the fifty more?
All night
He wants the young american
Young american, young american, he wants the young american
All right
He wants the young american
Do you remember, your president nixon?
Do you remember, the bills you have to pay
Or even yesterday
Have you been an un-american?
Just you and your idol singing falsetto bout
Leather, leather everywhere, and
Not a myth left from the ghetto
Well, well, well, would you carry a razor
In case, just in case of depression
Sit on your hands on a bus of survivors
Blushing at all the afro-sheilas
Aint that close to love?
Well, aint that poster love?
Well, it aint that barbie doll
Her hearts been broken just like you have
And

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song performed by David Bowie
Added by Lucian Velea
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