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Joseph Heller

Everyone in my book accuses everyone else of being crazy. Frankly, I think the whole society is nuts — and the question is: What does a sane man do in an insane society?

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Insane

Somebody told me it was over
Nobody told me where it began
No one believes in you
I understand
Like a blind man
Whos lost his way
No one hears a word
Of what you say
I forgive you
Would you do the same
I would believe you
If only youd be true
I would believe if it were true
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same for me
Its the same for you
Its insane insane insane insane insane
Insane insane insane insane insane insane
I dont know where youve been looking
I think its only in your mind
Its tied so tight inside of you
All the thoughts unkind
I would believe you
If only youd be true
I would believe if it were true
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same for me
Its the same for you
Its insane insane insane insane insane
Insane insane insane insane insane
Insane
I would believe you
If only youd be true
Im getting older
And I cant escape time
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same for me
Its the same for you
Its insane insane insane insane insane
Insane insane insane
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same or me
Its the same for you
Its insane insane insane insane insane
Insane insane insane insane insane insane
Insane

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Elizabeth Barrett Browning

Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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Give The Po Man A Break

Give po man a break
Give po man a break
Give po man a
Give po man a
Give po man a
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Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a

[...] Read more

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Maybe I'm crazy

I am not Emo
I’m not a Goth
I’m perfectly normal
But I know what it feels to be lost
Stuck in the crowd
Can’t hear a sound
Feels like I’m pushed back in the distance
Can’t come out
Do people see?
Do they believe?
Or am I just crazy from being lonely?


The words burst from my lips as I scream
But the people around me don’t seem to hear a thing
Am I invisible? Am I going crazy?
The world is acting like they don’t know about me
Am I forgotten? Am I just crazy?
Am I just lost? Am I just lonely?
Somebody hear me
Somebody save me

I check my phone, nobody calls
I can’t help, but feeling so forgot
I put on a show, nobody knows
Where did all the people I used to love, go?
I see a face, forgot its name
But they don’t seem to recognize me, anyway
All of my friends are with somebody else
And now I’m sitting here all by myself
(All by myself)

The words burst from my lips as I scream
(From my lips, as I scream)
But the people around me don’t seem to hear a thing
(But the people, don’t hear a thing)
Am I invisible? Am I going crazy?
(Am I invisible? Am I going crazy?)
The world is acting like they don’t know about me
(Acting like, don’t know about me)
Am I forgotten? Am I going crazy?
(Am I forgotten? Am I going crazy?)
Am I just lost? Am I just lonely?
(Am I just lost, maybe I’m lonely)
Somebody hear me
(Somebody near me)
Somebody save me
(Somebody save me)
Or am I just crazy?
Or am I just crazy?

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Power Junkie

Im out of control
I think Im goin crazy
Im out of my mind
You can see it in my eyes
Im lookin for love
In all of your faces
Im lookin for love
I think Im goin crazy
I feel tonight
Were bought and sold
Ah yeah
Think Ill overload
Think Ill overload
Im talkin about crazy
Im talkin about crazy
Im a mad man
I shook up the world
Im a crazy man
Aint that right
This ball of confusion
Too big for the both of us
Get out of my town tonight
Im a mad man
I wanna shake up the world
Im a crazy man
Im goin crazy
Im goin crazy
Suck on my love meat
Now suck on my steed
I gotta go crazy
If you know what I mean
Im goin crazy
Im goin crazy
Im a mad man
Crazy
Im looking for you
Through all of these faces
Waiting so long
I think Im going crazy
Im lookin at you
Feel my direction
A yeah
No reason to survive
Yeah Im talkin bout crazy
Ha ha ha think Im gonna blow
Im a mad man
I shook up the world
Im a crazy man
Aint that right
This ball of confusion

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Aladdin Sane

Watching him dash away, swinging an old bouquet - dead roses
Sake and strange divine uh-hu-hu-uh-hu-hu youll make it
Passionate bright young things, takes him away to war - dont fake it
Sadden glissando strings
Uh-hu-hu-uh-hu-hu - youll make it
Wholl love aladdin sane
Battle cries and champagne just in time for sunrise
Wholl love aladdin sane
Motor sensational, paris or maybe hell - (Im waiting)
Clutches of sad remains
Waits for aladdin sane - youll make it
Oooh wholl love aladdin sane
Millions weep a fountain, just in case of sunrise
Oooh wholl love aladdin sane
Well love aladdin sane
Love aladdin sane
Oooh wholl love aladdin sane
Millions weep a fountain, just in case of sunrise
Oooh wholl love aladdin sane
Well love aladdin sane
Well love aladdin sane
Oooh wholl love aladdin sane
Millions weep a fountain, just in case of sunrise
Oooh wholl love aladdin sane
Well love aladdin sane
Wholl love aladdin sane
See the lights shine oh so bright on broadway

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Fruit Nut

Tending my fruit, tending my fruit
Ah youve got to have a hobby
A man must have a shed to keep him sane
Spraying my buds, spraying my buds
Got to keep away diseases
I mix the poisons and the wife dont complain
Some people say
That I am out of my tree
Or just a strawberry fool
Someday theyll see
til then Ill blow you a raspberry
cos apples and pears are me
So Im tending my fruit
And I dont give a hoot
cos it keeps me sane, it keeps me sane
Some people say
That I am out of my tree
Or just a strawberry fool
Someday theyll see
til then Ill blow you a raspberry
cos apples and pears are me
So Im tending my fruit, tending my fruit
Ah youve got to have a hobby
A man must have a shed to keep him sane
To keep him sane, to keep him sane, to keep him sane
Oh the wife cant complain
To keep him sane, to keep him sane, yeah keeps him sane
Yeah to keep him sane, to keep him sane, yeah it keeps him sane

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Fruit Nut

Tending my fruit, tending my fruit
Ah youve got to have a hobby
A man must have a shed to keep him sane
Spraying my buds, spraying my buds
Got to keep away diseases
I mix the poisons and the wife dont complain
Some people say
That I am out of my tree
Or just a strawberry fool
Someday theyll see
til then Ill blow you a raspberry
cos apples and pears are me
So Im tending my fruit
And I dont give a hoot
cos it keeps me sane, it keeps me sane
Some people say
That I am out of my tree
Or just a strawberry fool
Someday theyll see
til then Ill blow you a raspberry
cos apples and pears are me
So Im tending my fruit, tending my fruit
Ah youve got to have a hobby
A man must have a shed to keep him sane
To keep him sane, to keep him sane, to keep him sane
Oh the wife cant complain
To keep him sane, to keep him sane, yeah keeps him sane
Yeah to keep him sane, to keep him sane, yeah it keeps him sane

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Crazy Girl (feat. Mashonda)

Crazy Girl
Ll Cool J
(Rush Hour 2)
[LL (Mashonda) *Swizz*]
Crazy baby
Crazy, crazy baby
You crazy baby
Crazy, crazy baby
You crazy baby
Crazy, crazy baby
You crazy baby
Crazy, crazy baby
[Chorus: Mashonda (LL) *Swizz*]
(You just a) *Crazy Girl*
You just movin' around
And just shakin' around
And just runnin' around
And just playin' around
And just foolin' around
And just clowin' around
(You just a) *Crazy Girl*
You just movin' around
And just shakin' around
And just runnin' around
And just playin' around
And just foolin' around
And just clowin' around
You just a *Crazy Girl*
[Verse 1: LL Cool J (Mashonda)]
Ain't no particular color for a crazy girl
Usin' her ass to survive in a crazy world
Lacin' ya baby, givin' ya diamonds and the pearls (Ooh)
Sippin' the Belve makin' ya stomach wanna hurl (Ooh)
Spend chips tonight
Me and Swizz got a miss she gone strip tonight
What you hearin', what's your seein', what's you get tonight
Got an anaconda snake for them lips tonight
Baby hit the lights
That's why I can't explain the way I just keep on dropin' heat
Laughin' at competition because they can't compete
Tiger Woods grand slam, Micheal Jordan threepeat
The body I'm rockin' is harder than my beats
[Chorus: Mashonda (LL) *Swizz*]
You just movin' around
And just shakin' around
And just runnin' around
And just playin' around
And just foolin' around
And just clowin' around
(You just a) *Crazy Girl*

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Its Driving Me Crazy

Its driving me crazy!
Its driving me crazy
I dont know where I stand, theres just too many people around
Its driving me crazy
I just dont understand, Im looking but Im making no ground
Its driving me crazy
But I know that theres no need to worry, gonna get ya
Though they tell me theres no need to hurry, got to run me down
Its driving me crazy
I dont know where I stand, theres just too many people around
Its driving me crazy
I just dont understand, Im looking but Im making no ground
Its driving me crazy
If you see me, youd better start runnin, better run run
cos Im telling you Ill be out guarding, gonna run you down
Its driving me crazy, its driving me crazy
Its driving me crazy, its driving me crazy, its driving me crazy
Its driving me crazy
I dont know where I stand, theres just too many people around
Its driving me crazy
I just dont understand, Im looking but Im making no ground
Its driving me crazy
Its driving me crazy, its driving me crazy, its driving me crazy
Crazy, crazy, oooh, oooh, crazy, crazy, ooooh oooh,
Crazy, crazy, oooh ooooh, Im going crazy, crazy...

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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Hate Stinger

For all of time we had a man
Who had a frozen heart
Hes standig on a hill
And sees the morning come
Fear and rage - destruction
He made a world of pain
Hate and sin - confession
He craved a senseless crime
cause hes a sane killer - he takes you by surprise
Hes a sane killer - stares into your eyes
Hes a hate stinger - nothing left to chance
Hes a sane killer - and hes the last to dance
Just in time he finds the way
To do without the lies
Its time to bruise and maim
Stripped of all disguise
Fear and rage - destruction
No warning or a sign
Hate and sin - confession
Hes deadly from behind
cause hes a sane killer - he takes you by surprise
Hes a sane killer - stares into your eyes
Hes a hate stinger - nothing left to chance
Hes a sane killer - and hes the last to dance
The devil rings - we pay the rent
The cruellest cut of all
We built the road he travelled on
The lessons come to call
So look for signs behind the eyes
Destructor of us all
Stands alone deathly still
The stealer has arrived
Fear and rage - destruction
He made a world of pain
Hate and sin - confession
He craved a senseless crime
cause hes a sane killer - he takes you by surprise
Hes a sane killer - stares into your eyes
Hes a hate stinger - nothing left to chance
Hes a sane killer - and hes the last to dance
cause hes a sane killer - he takes you by surprise
Hes a sane killer - stares into your eyes
Hes a hate stinger - nothing left to chance
Hes a sane killer - and hes the last to dance

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

[...] Read more

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You Drive Me Crazy

You drive me crazy.
And I must,
Like...
The craze.

You drive me crazy.
You drive me crazy.
Say...
You drive me crazy.
And I must,
Like...
The craze.

You drive me crazy.
You drive me crazy.

All day long...
I knock my head against the wall.

Holding on...
To nothing that I own at all.

When night falls...
I need some time to just relax.
And not be nit picked behind my back.
With a nagging done by a maniac.

You drive me crazy.
And I must,
Like...
The craze.

You drive me crazy.
You drive me crazy.
Say...
You drive me crazy.
And I must,
Like...
The craze.

You drive me crazy.
You drive me crazy.

All day long...
I knock my head against the wall.

Holding on...
To nothing that I own at all.

When night falls...

[...] Read more

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Elizabeth Barrett Browning

Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by from Aurora Leigh (1856)Report problemRelated quotes
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