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Wires - Acrostic (or) Misunderstandings...

S incere, Specific

O mit Object

S ad Subject - Suspect

O pen, Optimistic

R egret - Realistic

R eflect, Request Revisit

Y ou, Yet …

I Did Not Mean To Offend You
I Say This With Regret
I Have The Highest Regard For You
… Admire With Deep Respect

I Would Never Insult You
Or Belittle, Or Upset
Not Knowingly, Nor Callously
My Affection and You … Have Met

So, If Our Paths Cross, or Get Lost
Please Forgive, If You Can’t Forget
For The Words Of Your Soul (Now Silent and Cold)
Still Haunt Me … Even Yet …

poem by MoonBee Canady
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Voi Hyv Luoja Mit Nyt?

Hn hirvin ruokahalulla hotkii
Ja kuninkaan tieltn rotkoon potkii
Sivua ja risua ja mnnynkpy
Tlt pojalta puuttuu hpy
Jokaiseen notkoon nostatti taloja
Ja talojensa ylle neonvaloja
Tss on mies joka tehd saa
Jotakin elm suurempaa
Ja liihottelee noita ystvin
Kuin bajamajoissa krpsi
On huvipursia ja autonpaskaa
Mutta miksi huokaukset raskaat
Kun hetkiseksi pyshtyy, niin hkeltyy ja huminaa
vain korvissaan kuulee
Miettii kerro kuvastin, mit tuokin jtk tll
tekevns luulee
Kaiken saatuaan on sit moni kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Kun tyytymttmyys on kaverina pysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Siltoja ja majoja nyt piripintaan
Kun toveruuden myi torihintaan
Neitojen rintoihin iski ahnaasti
Rapatessa roiskuu rasva ja laasti
Ja rappio riemuisa kesken kaiken
Niskaansa sai kylm vett
Jkuninkaan kaikkivoipaisen,
kylm sydnkin saattaa pett
Pian mana tuo arvatenkin paikalle sen
lahtipenkin vaikka onnea kaipasit
onnea vain joka pysytteli piilossa pirulta
Niin moni ihmisparka arkana on kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Niin moni ihmisparka arkana on kysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Kun tyytymttmyys on kaverina pysynyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt
Voi hyv luoja mit nyt

song performed by YUP
Added by Lucian Velea
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Lullaby

Should just hug you goodbye
But I just cant walk away from paradise
So I guess Ill sing you that sweet lullaby
And we can revisit us one more time
Yes, Ill come home with you tonight
Hey boy, whats going on
Thanks, Im doing okay
Dont believe rumours- hey
Hows your family
Please say hello for me
Guess weve both grown up a bit
But I have to admit
It really still feels good
Here by your side
Sitting right next to you
Just like I used to do
You know we cant deny
No one else in our lives
Holds a candle to you and i
Should just hug you goodbye
But I just cant walk away from paradise
So I guess Ill sing you that sweet lullaby
And we can revisit us one more time
Yes, Ill come home with you tonight
I should just hug you goodbye
But I just cant walk away from paradise
So I guess Ill sing you that sweet lullaby
And we can revisit us one more time
Yes, Ill come home with you tonight
So here we are again
All by ourselves
So familiar you know
That it actually almost feels like deja vu
Of that night on the roof
We kissed under the sky amid city lights
A sudden flashback to so long ago
In the dark all alone
With our bodies this close
Guess some things never change
cause I still melt away
When you touch me
And say my name
Should just hug you goodbye (baby)
But I just cant walk away from paradise (so I guess)
So I guess Ill sing you that sweet lullaby
(Ill come and love you to sleep)
And we can revisit us one more time
(revisit paradise for a while)
Yes, Ill come home with you tonight (by your side)
(lullaby)

[...] Read more

song performed by Mariah Carey
Added by Lucian Velea
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Guitar & Pen

Youre alone above the street somewhere
Youre alone above the street somewhere
Wondering how youll ever count out there
Wondering how youll ever count out there
You can walk, you can talk, you can fight
You can walk, you can talk, you can fight
But inside youve got something to write
But inside youve got something to write
In your hand you hold your only friend
In your hand you hold your only friend
Never spend your guitar or your pen
Never spend your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
When you take up a pencil and sharpen it up
When you take up a pencil and sharpen it up
When youre kicking the fence and still nothing will budge
When youre kicking the fence and still nothing will budge
When the words are immobile until you sit down
When the words are immobile until you sit down
Never feel theyre worth keeping, theyre not easily found
Never feel theyre worth keeping, theyre not easily found
Then you know in some strange, unexplainable way
Then you know in some strange, unexplainable way
You must really have something
You must really have something
Jumping, thumping, fighting, hiding away
Jumping, thumping, fighting, hiding away
Important to say
Important to say
When you sing through the verse and you end in a scream
When you sing through the verse and you end in a scream
And you swear and you curse cause the rhyming aint clean
And you swear and you curse cause the rhyming aint clean
But it suddenly comes after years of delay
But it suddenly comes after years of delay
You pick up your guitar, you can suddenly play
You pick up your guitar, you can suddenly play
When your fingers are bleeding and the knuckles are white
When your fingers are bleeding and the knuckles are white
Then you can be sure, you can open the door
Then you can be sure, you can open the door
Get off of the floor tonight
Get off of the floor tonight

[...] Read more

song performed by Who
Added by Lucian Velea
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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Object

You know you turn me on
Eyes so white and legs so long
But don't try to talk to me
I won't listen to your lies
You're just an object in my eyes
You're just an object in my eyes
Sophisticated smile
You seduce in such fine style
But don't try to fool me
'cause i can see through your disguise
You're just an object in my eyes
You're just an object in my eyes
But i don't mind
I just don't care
I've got no objection
To you touching me there
Object object
Object object
Object object
Object object
You know just what to do
Lick your lips
And i want you
But don't try to hold me
'cause i don't want any ties
You're just an object in my eyes
You're just an object in my eyes
But i don't mind
I just don't care
I've got no objections
To you touching me there
You're just an object object
Object object
You're just an object

song performed by Cure
Added by Lucian Velea
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Samson Agonistes (excerpts)

[Samson's Opening Speech]
A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoin'd me,
Where I a prisoner chain'd, scarce freely draw
The air imprison'd also, close and damp,
Unwholesome draught: but here I feel amends,
The breath of Heav'n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn feast the people hold
To Dagon, their sea-idol, and forbid
Laborious works; unwillingly this rest
Their superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease;
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of hornets arm'd, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an angel, who at last in sight
Of both my parents all in flames ascended
From off the altar, where an off'ring burn'd,
As in a fiery column charioting
His godlike presence, and from some great act
Of benefit reveal'd to Abraham's race?
Why was my breeding order'd and prescrib'd
As of a person separate to God,
Design'd for great exploits; if I must die
Betray'd, captiv'd, and both my eyes put out,
Made of my enemies the scorn and gaze;
To grind in brazen fetters under task
With this Heav'n-gifted strength? O glorious strength
Put to the labour of a beast, debas'd
Lower than bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great deliverer now, and find him
Eyeless in Gaza at the mill with slaves,
Himself in bonds under Philistian yoke.
Yet stay, let me not rashly call in doubt
Divine prediction; what if all foretold
Had been fulfill'd but through mine own default,
Whom have I to complain of but myself?
Who this high gift of strength committed to me,
In what part lodg'd, how easily bereft me,
Under the seal of silence could not keep,

[...] Read more

poem by John Milton
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Chasing Pessimists Away

Pessimists would say that optimism is a gag,
But...
Being optimistic is a good thing to have.

Those who look for troubles got them carried in a bag,
'Cause...
They would rather carry all their troubles that they've had.
Carrying their troubles seeking more of them to nab.

Pessimists would say that optimism is a gag,
But...
Being optimistic is a good thing to have.
Being optimistic is a feeling that could last.

Those who look for troubles got them carried in a bag,
'Cause...
They would rather carry all their troubles that they've had.
And carrying their troubles seeking more of them to nab.

Pessimists would say that optimism is a gag,
But...
Being optimistic is a good thing to have.
Being optimistic is a feeling that could last.
And being optimistic makes those pessimists mad.
And chasing pessimists away should make somebody glad.

Pessimists would say that optimism is a gag,
But...
Being optimistic is a good thing to have.
And being optimistic is much better than the bad.
Being optimistic makes a better day had.
Being optimistic makes a better day had.

poem by Lawrence S. Pertillar
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Life-An immortal Love poetry

Life is unconquerably; resplendent poetry of the most
highest degree; incredibly pacifying every
infinitesimal urge of the miserably unfinished soul,

Life is perpetually; majestic poetry of the most
highest degree; royally gifting countless impoverished
souls; with insatiably unending fantasy,

Life is ubiquitously; vibrant poetry of the most
highest degree; triumphantly metamorphosing each
ethereal trace of misery; into a fireball of
ingratiatingly untamed happiness,

Life is marvelously; bountiful poetry of the most
highest degree; beautifully placating every
hedonistically traumatized agony; with the exuberance
of untainted breath,

Life is indomitably; enchanting poetry of the most
highest degree; harmoniously coalescing every organism
irrespective of caste; creed; color or tribe; into the
religion of Omnipresent oneness,

Life is unceasingly; triumphant poetry of the most
highest degree; wholesomely massacring every speck of
the horrifically parasitic devil; with the scepter of
unshakable righteousness,

Life is tirelessly; fantastic poetry of the most
highest degree; iridescently glimmering like the
stream of ultimate unity; even in the heart of
insidiously macabre midnight,

Life is blessedly; exotic poetry of the most highest
degree; inevitably triggering an unprecedented
maelstrom of eclectic fantasy; in every brain on this
planet; enigmatically alike,

Life is irrefutably; sensuous poetry of the most
highest degree; miraculously rekindling every shade of
claustrophobically dwindling expression; with a wave
of undauntedly perennial heavenliness,

Life is astoundingly; impeccable poetry of the most
highest degree; forever erasing the wounds of
dastardly salaciousness; with its eternal mantra of
everlasting mankind,

Life is unrestrictedly; divinely poetry of the most
highest degree; spell bindingly mollifying every

[...] Read more

poem by Nikhil Parekh
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Life-An Immortal Poetry

Life is unconquerably; resplendent poetry of the most
highest degree; incredibly pacifying every
infinitesimal urge of the miserably unfinished soul,

Life is perpetually; majestic poetry of the most
highest degree; royally gifting countless impoverished
souls; with insatiably unending fantasy,

Life is ubiquitously; vibrant poetry of the most
highest degree; triumphantly metamorphosing each
ethereal trace of misery; into a fireball of
ingratiatingly untamed happiness,

Life is marvelously; bountiful poetry of the most
highest degree; beautifully placating every
hedonistically traumatized agony; with the exuberance
of untainted breath,

Life is indomitably; enchanting poetry of the most
highest degree; harmoniously coalescing every organism
irrespective of caste; creed; color or tribe; into the
religion of Omnipresent oneness,

Life is unceasingly; triumphant poetry of the most
highest degree; wholesomely massacring every speck of
the horrifically parasitic devil; with the scepter of
unshakable righteousness,

Life is tirelessly; fantastic poetry of the most
highest degree; iridescently glimmering like the
stream of ultimate unity; even in the heart of
insidiously macabre midnight,

Life is blessedly; exotic poetry of the most highest
degree; inevitably triggering an unprecedented
maelstrom of eclectic fantasy; in every brain on this
planet; enigmatically alike,

Life is irrefutably; sensuous poetry of the most
highest degree; miraculously rekindling every shade of
claustrophobically dwindling expression; with a wave
of undauntedly perennial heavenliness,

Life is astoundingly; impeccable poetry of the most
highest degree; forever erasing the wounds of
dastardly salaciousness; with its eternal mantra of
everlasting mankind,

Life is unrestrictedly; divinely poetry of the most
highest degree; spell bindingly mollifying every

[...] Read more

poem by Nikhil Parekh
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Schneider Strauss

I vas all der country hunting for a man I vants to meet,
I vas bursting me to schlog him on der cop.
If mine hand I vonce can on him lay, I'll hit him mit mine feet
‘Till he'll neffer know vhich side of him vas top.
He vas "Dandy Pat from Ballarat", mit mighty gifts of gab,
Und he got me to insure me for mine house.
Put, py shinks, if I comes down on him, I'll schlog him mit a schlab
Till he von't some more tricks play mit Schneider Strauss.

I vas built mine house mit packing cases, roofed him in mit tin,
Mit a gutter for der vater, und a shpout;
Und suppose some leetle cracks der vas, vat let der vind come in,
Dere vas lots of pigger vons to let it out.
So efery night I drunk mine pipe und smoked mine lager peer,
Und I felt shoost most ash happy ash a mouse;
Till von efening apout two o'clock, a voice falls on mine ear,
Und it said, "Vas you dat man called Schneider Strauss?"

Und der voice vas dat insurance man. He coomed und sat him down
On a candle box, und talked like eferythings;
Py der vay der vords fell out of him, you'd bet a half-a-crown
Dat his tongue vas on a see-saw vorked mit shprings.
Und he talked apout insurances, und told me I could get
Lots of money if a fire purnt down mine house,
So I paid him down two pound ker-splash, und says to him,
"You bet,
Dat you von't find no plowflies catch on Schneider Strauss.

Dat insurance man he gafe me, vat you call, "a polisee",
Und I nearly laughed mine sides out mit der yoke.
In apout a veek, or sefen days - mine house -
Oh, vere vas he?
He vas gone; und dere vas notings left but smoke.
So der Gompany I vent to see, to get mine leetle bill,
Und I promised me a yolly big carouse;
But like forty tousand tons of boulders falling down a hill,
Did der troubles tumble down on Schneider Strauss.

Vhen der Gompany I seen he asked me vhat I was apout?
Und I told him I vas coomed to get some tin.
Put, he called a pig policeman und shouted "Roon him out."
Dey put me on a canvas suit, dey cut me off mine hair,
In some vater cold like ice, dey made me souse;
Und der shtones I vas preaking opp for six months, you can schvear
Dey vas not so bad proke up as Schneider Strauss.

Und mine house vas gone to plazes, und mine money vas gone too;
Dat insurance man - vhere he vas - who can tell?
Und mine polisee - mine lots of tin - vas gone clean oop der flue.
It vas turned to shmoke, und dat vas gone ash well.

[...] Read more

poem by Thomas E. Spencer
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Breitmann In Forty-Eight

DERE woned once a studente,
All in der Stadt Paris,
Whom jeder der ihn kennte,
Der rowdy Breitmann hiess.
He roosted in de rue La Harpe,
Im Luxembourg Hotel,
'Twas shoost in anno '48,
Dat all dese dings pefel.

Boot he who vouldt go hoontin now
To find dat rue La Harpe,
Moost hafe oongommon shpecdagles,
Und look darnation sharp.
For der Kaisar und his Hausmann
Mit hauses made so vree,
Dere roon shoost now a Bouleverse
Vhere dis shdreet used to pe.

In dis Hotel de Luxembourg,
A vild oldt shdory say,
A shtudent vonce pring home a dame,
Und on de nexter day,
He pooled a ribbon from her neck-
Off fell de lady's het;
She'd trafelled from de guillotine,
Und valked de city - deadt.

Boot Breitmann nefer cared himself
If dis vas falsch or drue,
I kess he hat mit lifin gals
Pout quite enough to do.
Und Februar vas gomin,
Ganz revolutionnaire,
Und vhere der Teufel had vork on hand,
Der Hans vas alvays dere.

Und darker grew de beople's brows,
No Banquet could dey raise,
So dey shtood und shvore at gorners,
Or dey singed de Marseillaise.
Und here und dere a crashin sound
Like forcin shutters ran,
Und boorstin gun-schmidts' vindows in
Hard vorked der Breitemann.

He helped to howl Les Girondins,
To cheer de beople's hearts;
He maket dem bild parricades
Mit garriages und garts.
Vhen a bretty maiden sendinel

[...] Read more

poem by Charles Godfrey Leland
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Deep

blank stare
disrepair
there's a big black hole gonna eat me up someday
(but) someday
fades away
like a memory - or a place that you'd rather be
some place
lost in space
an itch in my head that's telling me somewhere
somewhere
out there anywhere I don't care get me out of here
if I could feel
all the pins and the pricks
if you were real
I could take what's apart and put it all back together now
this will come true
help me get through
into you
deep deep deep deep deep deep deep deep
all I can do
driving me through
into you
deep deep deep deep deep deep deep deep
one track
got you on your back
your skin speaks up but you lips couldn't say it
right now I know somehow
we could take the chance and we could make it make it
right here make it all disappear
everything that we've been missing missing
you make me feel
like there's a part of me
that I want to get back again
make this come true
help me get through
into you
deep deep deep deep deep deep deep deep
all I can do
pushing it through
into you
deep deep deep deep deep deep deep deep
all I can do
driving on through
into you
deep deep deep deep deep deep deep deep
you're slipping through
I'm coming, too
into you
deep deep deep deep deep deep deep deep
we could become

[...] Read more

song performed by Nine Inch Nails
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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Paradise Regained

THE FIRST BOOK

I, WHO erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence 10
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand 20
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan--came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove 30
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers, 40
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:--
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,

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poem by John Milton
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An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.

'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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poem by Alexander Pope
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I Suspect

I suspect...
You are the only one who knows,
What you are doing.
And I suspect,
You also choose the way you feel,
When this you do.
Whether that color is bright,
Sunny and yellow mellow.
Or royal blue to appear as you do,
In the dumps with clouds gray...
That appear to be near you to subdue.

I suspect...
Any cheerfulness you get,
Comes from your chasing of rainbows.
After your eyes have dropped rain...
From many tears you've wept.
With no bucket of gold,
At the end of those chased rainbows.

I suspect...
The happiness I have chosen,
Makes you upset.
Because I wont let you,
Lead my parade...
With a showering done,
Of a negligence you wish to pour on me.
And this I will not accept,
To be in a darkened blackness on bended knees.
Not me!
You wont find me trying to please your disrespect.

I'm on the go and I am green.
Keeping my mind opened,
To experience refreshing beneficial scenes.
Romancing an agony?
You will not find yourself doing that here with me.

I suspect...
There is a controlling of me you wish to do.
In a closeness together...
I will not allow us to get.
Or you attempt to pursue.

And I suspect you have a selfishness.
Since only those things you wish to do...
Disregards what my wishes are with much disrespect.
Yes.
I've noticed that about you too.

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poem by Lawrence S. Pertillar
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English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.

Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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poem by Byron
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Hjertets Melodier

To brune Øine jeg nyelig saae,
I dem mit Hjem og min Verden laae,
Der flammede Snillet og Barnets Fred; -
Jeg glemmer det aldrig i Evighed!


Min Tanke er et mægtigt Fjeld,
Der over Himlene gaaer;
Mit Hjerte er et Hav saa dybt,
Hvor Bølge mod Bølge slaaer.

Og Fjeldet løfter Dit Billed
Høit over Himlenes Blaae,
Men selv Du lever i Hjertet,
Hvor dybe Brændinger gaae.


Du gav mig Blomster; hvis de lege kunde,
Da vandt jeg atter Lunets frie Lyst,
Men nei, de aabne meer den dybe Vunde,
Og sprede Giften i mit unge Bryst.


En Digter-Verden er saa navnløs stor!
Den hvælver sig høit over Himlens Bue;
Hver Sol og Stjerne i dens Luft-Hav boer,
Og ingen Tanke kan den overskue;
Dog kan Dig Intet i det store Rige,
Mit Hjertes dybe Kjærlighed udsige.


Henvisned' er de Blomster Du mig gav,
Men fra de Dødes Grav
Staae Aander frem, i Livets dunkle Gange.
Gjenkjend dem her, i mine bedste Sange.


(Ørkenens Søn)
Den vilde Hengst jeg tumler,
Vi flyve paa Sletten afsted,
Men Hjertet slipper dog ikke
Den stærke Kjærlighed.

Som Solen brænder i Sandet,
Saa brænder det dybt i mit Bryst;
Det er som Hjertet vil sprænges
Af Længsel og af Lyst!

Saa høi og saa stor er Himlen,
Med Sol og Stjerner paa,

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poem by Hans Christian Andersen
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Opus Null

1
Ich bin der große Derdiedas
das rigorose Regiment
der Ozonstengel prima Qua
der anonyme Einprozent.
Das P. P. Tit und auch die Po
Posaune ohne Mund und Loch
das große Herkulesgeschirr
der linke Fuß vom rechten Koch.

Ich bin der lange Lebenslang
der zwölfte Sinn im Eierstock
der insgesamte Augustin
im lichten Zelluloserock.

2
Er zieht aus seinem schwarzen Sarg
um Sarg um Sarg um Sarg hervor.
Er weint mit seinem Vorderteil
und wickelt sich in Trauerflor.
Halb Zauberer halb Dirigent
taktiert er ohne Alpenstock
sein grünes Ziffernblatt am Hut
und fällt von seinem Kutscherbock.

Dabei stößt er den Ghettofisch
von der möblierten Staffelei.
Sein langer Würfelstrumpf zerreißt
zweimal entzwei dreimal entdrei.

3
Er sitzt mit sich in einem Kreis.
Der Kreis sitzt mit dem eignen Leib.
Ein Sack mit einem Kamm der steht
dient ihm als Sofa und als Weib.
Der eigne Leib der eigne Sack.
Der Vonvon und die linke Haut.
Und tick und tack und tipp und topp
der eigne Leib fällt aus der Braut.

Er schwingt als Pfund aus seinem Stein
die eigne Braut im eignen Sack.
Der eigne Leib im eignen Kreis
fällt nackt als Sofa aus dem Frack.

4
Mit seiner Dampfmaschine treibt
er Hut um Hut aus seinem Hut
und stellt sie auf in Ringelreihn
wie man es mit Soldaten tut.

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poem by Jean Arp
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Das Schlauraffen Landt.

Ain gegent haist Schlauraffen land,
Den faulen leuten wol bekant,
Das ligt drey meyl hinder Weyhnachten.
Vnd welcher darein wölle trachten,
5
Der muß sich grosser ding vermessn
Vnd durch ein Berg mit Hirßbrey essn,
Der ist wol dreyer Meylen dick.
Als dann ist er im augenblick
Inn den selbing Schlauraffen Landt,
10
Da aller Reychthumb ist bekant.
Da sind die Heuser deckt mit Fladn,
Leckuchen die Haußthür vnd ladn,
Von Speckuchen Dielen vnd wend,
Die Tröm von Schweynen braten send.
15
Vmb yedes Hauß so ist ein Zaun,
Geflochten von Bratwürsten braun.
Von Maluasier so sindt die Brunnen,
Kommen eim selbs ins maul gerunnen.
Auff den Tannen wachssen Krapffen,
20
Wie hie zu Land die Tannzapffen.
Auff Fichten wachssen bachen schnittn.
Ayrpletz thut man von Pircken schüttn.
Wie Pfifferling wachssen die Fleckn,
Die Weyntrauben inn Dorenheckn.
25
Auff Weyden koppen Semel stehn,
Darunter Pech mit Milich gehn;
Die fallen dann inn Pach herab,
Das yederman zu essen hab.
Auch gehen die Visch inn den Lachn
30
Gsotten, Braten, Gsulzt vnd pachn
Vnd gehn bey dem gestat gar nahen,
Lassen sich mit den henden fahen.
Auch fliegen vmb (müget jr glaubn)
Gebraten Hüner, Genß vnd Taubn.
35
Wer sie nicht facht vnd ist so faul,
Dem fliegen sie.selbs in das maul.
Die Sew all Jar gar wol geratn,
Lauffen im Land vmb, sind gebratn.
Yede eyn Messer hat im rück
40
Darmit eyn yeder schneydt eyn stück
Und steckt das Messer wider dreyn.
Die Creutzkeß wachssen wie die steyn.

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poem by Hans Sachs
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