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Who Lights The Fire?

Who lights the fire-that forth so gracefully
And freely frolicketh the fairy smoke?
Some pretty one who never felt the yoke-
Glad girl, or maiden more sedate than she.

Pedant it cannot, villain cannot be!
Some genius, may-be, his own symbol woke;
But puritan, nor rogue in virtue's cloke,
Nor kitchen-maid has done it certainly!

Ha, ha! you cannot find the lighter out
For all the blue smoke's pantomimic gesture-
His name or nature, sex or age or vesture!
The fire was lit by human care, no doubt-
But now the smoke is Nature's tributary,
Dancing 'twixt man and nothing like a fairy.

poem by George MacDonald
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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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poem by Alfred Lord Tennyson
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Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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poem by Henry Wadsworth Longfellow
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The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

poem by Henry Wadsworth Longfellow
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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poem by Alfred Lord Tennyson
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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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poem by James Thomson
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A Countryman's Wooing

THE MAIDEN.
How fell sage Helen? through a swain like thee.

DAPHNIS.
Nay the true Helen's just now kissing me.

THE MAIDEN.
Satyr, ne'er boast: 'what's idler than a kiss?'

DAPHNIS.
Yet in such pleasant idling there is bliss.

THE MAIDEN.
I'll wash my mouth: where go thy kisses then?

DAPHNIS.
Wash, and return it-to be kissed again.

THE MAIDEN.
Go kiss your oxen, and not unwed maids.

DAPHNIS.
Ne'er boast; for beauty is a dream that fades.

THE MAIDEN.
Past grapes are grapes: dead roses keep their smell.

DAPHNIS.
Come to yon olives: I have a tale to tell.

THE MAIDEN.
Not I: you fooled me with smooth words before.

DAPHNIS.
Come to yon elms, and hear me pipe once more.

THE MAIDEN.
Pipe to yourself: your piping makes me cry.

DAPHNIS.
A maid, and flout the Paphian? Fie, oh fie!

THE MAIDEN.
She's naught to me, if Artemis' favour last.

DAPHNIS.
Hush, ere she smite you and entrap you fast.

THE MAIDEN.
And let her smite me, trap me as she will!

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poem by Theocritus
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Goldilocks And Goldilocks

It was Goldilocks woke up in the morn
At the first of the shearing of the corn.

There stood his mother on the hearth
And of new-leased wheat was little dearth.

There stood his sisters by the quern,
For the high-noon cakes they needs must earn.

“O tell me Goldilocks my son,
Why hast thou coloured raiment on?”

“Why should I wear the hodden grey
When I am light of heart to-day?”

“O tell us, brother, why ye wear
In reaping-tide the scarlet gear?

Why hangeth the sharp sword at thy side
When through the land ’tis the hook goes wide?”

“Gay-clad am I that men may know
The freeman’s son where’er I go.

The grinded sword at side I bear
Lest I the dastard’s word should hear.”

“O tell me Goldilocks my son,
Of whither away thou wilt be gone?”

“The morn is fair and the world is wide
And here no more will I abide.”

“O Brother, when wilt thou come again?”
“The autumn drought, and the winter rain,

The frost and the snow, and St. David’s wind,
All these that were time out of mind,

All these a many times shall be
Ere the Upland Town again I see.”

“O Goldilocks my son, farewell,
As thou wendest the world ’twixt home and hell!”

“O brother Goldilocks, farewell,
Come back with a tale for men to tell!”

So ’tis wellaway for Goldilocks,
As he left the land of the wheaten shocks.

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poem by William Morris
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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

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poem by Charles Churchill
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Where Is That Villain?

Where is the villain...
I'm to fear and not go near?
Who is that villain?

Where is the villain...
I'm to fear and not go near?
Who is that villain?

Before I go outside,
My eyes are open wide...
To,
Look for a villain.
And someone to suspect,
Is...
Other than chillin'.

I can't sleep at night.
Without lights turned on bright,
Because...
I am looking for a villain.
Someone who says 'Boo',
And scares me too!
A villain hidden to do me in.

I can't sleep at night.
Without lights turned on bright,
Because...
I am looking for a villain.
Someone who says 'Boo',
And scares me too!
A villain hidden to do me in.

But...
Where is the villain,
I'm to fear and not go near?
Where is that villain?
Hidden to creep on me to leap.

Before I go outside,
My eyes are open wide...
To,
Look for a villain.
And someone to suspect,
Is...
Other than chillin'.
Hidden to creep on me to leap.

Where is the villain...
I'm to fear and not go near?
Where is that villain?

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poem by Lawrence S. Pertillar
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Tennants Anster Fair

I.

'TIS the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,
And through their clustering branches dark
Glimmers and dies the fire-fly's spark -
Like starry twinkles that momently break
Through the rifts of the gathering tempest's rack.

II.

The stars are on the moving stream,
And fling, as its ripples gently flow,
A burnished length of wavy beam
In an eel-like, spiral line below;
The winds are whist, and the owl is still,
The bat in the shelvy rock is hid,
And nought is heard on the lonely hill
But the cricket's chirp, and the answer shrill
Of the gauze-winged katy-did;
And the plaint of the wailing whip-poor-will,
Who moans unseen, and ceaseless sings,
Ever a note of wail and wo,
Till morning spreads her rosy wings,
And earth and sky in her glances glow.

III.

'Tis the hour of fairy ban and spell:
The wood-tick has kept the minutes well;
He has counted them all with click and stroke,
Deep in the heart of the mountain oak,
And he has awakened the sentry elve
Who sleeps with him in the haunted tree,
To bid him ring the hour of twelve,
And call the fays to their revelry;
Twelve small strokes on his tinkling bell -
('Twas made of the white snail's pearly shell:- )
"Midnight comes, and all is well!

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poem by Joseph Rodman Drake
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The Culprit Fay

'TIS the middle watch of a summer's night -
The earth is dark, but the heavens are bright;
Nought is seen in the vault on high
But the moon, and the stars, and the cloudless sky,
And the flood which rolls its milky hue,
A river of light on the welkin blue.
The moon looks down on old Cronest,
She mellows the shades on his shaggy breast,
And seems his huge gray form to throw
In a sliver cone on the wave below;

His sides are broken by spots of shade,
By the walnut bough and the cedar made,
And through their clustering branches dark
Glimmers and dies the fire-fly's spark -
Like starry twinkles that momently break
Through the rifts of the gathering tempest's rack.

II.

The stars are on the moving stream,
And fling, as its ripples gently flow,
A burnished length of wavy beam
In an eel-like, spiral line below;
The winds are whist, and the owl is still,
The bat in the shelvy rock is hid,
And nought is heard on the lonely hill
But the cricket's chirp, and the answer shrill
Of the gauze-winged katy-did;
And the plaint of the wailing whip-poor-will,
Who moans unseen, and ceaseless sings,
Ever a note of wail and wo,
Till morning spreads her rosy wings,
And earth and sky in her glances glow.

III.

'Tis the hour of fairy ban and spell:
The wood-tick has kept the minutes well;
He has counted them all with click and stroke,
Deep in the heart of the mountain oak,
And he has awakened the sentry elve
Who sleeps with him in the haunted tree,
To bid him ring the hour of twelve,
And call the fays to their revelry;
Twelve small strokes on his tinkling bell -
('Twas made of the white snail's pearly shell:- )
'Midnight comes, and all is well!
Hither, hither, wing your way!
'Tis the dawn of the fairy day.'

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poem by Joseph Rodman Drake
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The Birth of The War-God (Canto Fifth ) - Uma's Reward

Now woe to Umá, for young Love is slain,
Her Lord hath left her, and her hope is vain.
Woe, woe to Umá! how the Mountain-Maid
Cursed her bright beauty for its feeble aid!
'Tis Beauty's guerdon which she loves the best,
To bless her lover, and in turn be blest.
Penance must aid her now—or how can she
Win the cold heart of that stern deity?
Penance, long penance: for that power alone
Can make such love, so high a Lord, her own.
But, ah! how troubled was her mother's brow
At the sad tidings of the mourner's vow!
She threw her arms around her own dear maid,
Kissed, fondly kissed her, sighed, and wept, and prayed:
'Are there no Gods, my child, to love thee here?
Frail is thy body, yet thy vow severe.
The lily, by the wild bee scarcely stirred,
Bends, breaks, and dies beneath the weary bird.'
Fast fell her tears, her prayer was strong, but still
That prayer was weaker than her daughter's will.
Who can recall the torrent's headlong force,
Or the bold spirit in its destined course?
She sent a maiden to her sire, and prayed
He for her sake would grant some bosky shade,
That she might dwell in solitude, and there
Give all her soul to penance and to prayer.
In gracious love the great Himálaya smiled,
And did the bidding of his darling child.
Then to that hill which peacocks love she came,
Known to all ages by the lady's name.
Still to her purpose resolutely true,
Her string of noble pearls aside she threw,
Which, slipping here and there, had rubbed away
The sandal dust that on her bosom lay,
And clad her in a hermit coat of bark,
Rough to her gentle limbs, and gloomy dark,
Pressing too tightly, till her swelling breast
Broke into freedom through the unwonted vest.
Her matted hair was full as lovely now
As when 'twas braided o'er her polished brow.
Thus the sweet beauties of the lotus shine
When bees festoon it in a graceful line;
And, though the tangled weeds that crown the rill
Cling o'er it closely, it is lovely still.
With zone of grass the votaress was bound,
Which reddened the fair form it girdled round:
Never before the lady's waist had felt
The ceaseless torment of so rough a belt.
Alas! her weary vow has caused to fade
The lovely colours that adorned the maid.

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poem by Kalidasa
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Henry And Emma. A Poem.

Upon the Model of The Nut-Brown Maid. To Cloe.

Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.

No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.
Whatever has been writ, whatever said
Henceforth shall in my verse refuted stand,
Be said to winds, or writ upon the sand:
And while my notes to future times proclaim
Unconquer'd love and ever-during flame,
O, fairest of the sex, be thou my muse;
Deign on my work thy influence to diffuse:
Let me partake the blessings I rehearse,
And grant me love, the just reward of verse.

As beauty's potent queen with every grace
That once was Emma's has adorn'd thy face,
And as her son has to my bosom dealt
That constant flame which faithful Henry felt,
O let the story with thy life agree,
Let men once more the bright example see;
What Emma was to him be thou to me:
Nor send me by thy frown from her I love,
Distant and sad, a banish'd man to rove:
But, oh! with pity long entreated crown
My pains and hopes: and when thou say'st that one
Of all mankind thou lovest, oh! think on me alone.

Where beauteous Isis and her husband Thame
With mingled waves for ever flow the same,
In times of yore an ancient baron lived,
Great gifts bestowed, and great respect received.

When dreadful Edward, with successful care
Led his free Britons to the Gallic war,

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poem by Matthew Prior
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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The Bridal Of Triermain

Introduction.
I.
Come Lucy! while 'tis morning hour
The woodland brook we needs must pass;
So, ere the sun assume his power,
We shelter in our poplar bower,
Where dew lies long upon the flower,
Though vanish'd from the velvet grass.
Curbing the stream, this stony ridge
May serve us for a silvan bridge;
For here, compell'd to disunite,
Round petty isles the runnels glide,
And chafing off their puny spite,
The shallows murmurers waste their might,
Yielding to footstep free and light
A dry-shod pass from side to side.

II.
Nay, why this hesitating pause?
And, Lucy, as thy step withdraws,
Why sidelong eye the streamlet's brim?
Titania's foot without a slip,
Like, thine, though timid, light, and slim,
From stone to stone might safely trip,
Nor risk the glow-worm clasp to dip
That binds her slipper's silken rim.
Or trust thy lover's strength; nor fear
That this same stalwart arm of mine,
Which could yon oak's prone trunk uprear,
Shall shrink beneath, the burden dear
Of form so slender, light, and fine;
So! now, the danger dared at last,
Look back, and smile at perils past!

III.
And now we reach the favourite glade,
Paled in copsewood, cliff, and stone,
Where never harsher sounds invade,
To break affection's whispering tone,
Than the deep breeze that waves the shade,
Than the small brooklet's feeble moan.
Come! rest thee on thy wonted seat;
Moss'd is the stone, the turf is green,
A place where lovers best may meet
Who would not that their love be seen.
The boughs, that dim the summer sky,
Shall hide us from each lurking spy,
That fain would spread the invidious tale,
How Lucy of the lofty eye,
Noble in birth, in fortunes high,

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poem by Sir Walter Scott
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Atalanta's Race

Through thick Arcadian woods a hunter went,
Following the beasts upon a fresh spring day;
But since his horn-tipped bow but seldom bent,
Now at the noontide nought had happed to slay,
Within a vale he called his hounds away,
Hearkening the echoes of his lone voice cling
About the cliffs and through the beech-trees ring.

But when they ended, still awhile he stood,
And but the sweet familiar thrush could hear,
And all the day-long noises of the wood,
And o'er the dry leaves of the vanished year
His hounds' feet pattering as they drew anear,
And heavy breathing from their heads low hung,
To see the mighty corner bow unstrung.

Then smiling did he turn to leave the place,
But with his first step some new fleeting thought
A shadow cast across his sun-burnt face;
I think the golden net that April brought
From some warm world his wavering soul had caught;
For, sunk in vague sweet longing, did he go
Betwixt the trees with doubtful steps and slow.

Yet howsoever slow he went, at last
The trees grew sparser, and the wood was done;
Whereon one farewell backward look he cast,
Then, turning round to see what place was won,
With shaded eyes looked underneath the sun,
And o'er green meads and new-turned furrows brown
Beheld the gleaming of King Schœneus' town.

So thitherward he turned, and on each side
The folk were busy on the teeming land,
And man and maid from the brown furrows cried,
Or midst the newly blossomed vines did stand,
And as the rustic weapon pressed the hand
Thought of the nodding of the well-filled ear,
Or how the knife the heavy bunch should shear.

Merry it was: about him sung the birds,
The spring flowers bloomed along the firm dry road,
The sleek-skinned mothers of the sharp-horned herds
Now for the barefoot milking-maidens lowed;
While from the freshness of his blue abode,
Glad his death-bearing arrows to forget,
The broad sun blazed, nor scattered plagues as yet.

Through such fair things unto the gates he came,
And found them open, as though peace were there;

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poem by William Morris
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Kensington Garden

______ Campos, ubi Troja fuit.
Virg.

Where Kensington, high o'er the neighbouring lands
Midst greens and sweets, a regal fabric, stands,
And sees each spring, luxuriant in her bowers,
A snow of blossoms, and a wild of flowers,
The dames of Britain oft in crowds repair
To gravel walks, and unpolluted air.
Here, while the town in damps and darkness lies,
They breathe in sun-shine, and see azure skies;
Each walk, with robes of various dyes bespread,
Seems from afar a moving tulip-bed,
Where rich brocades and glossy damasks glow,
And chints, the rival of the showery bow.
Here England's daughter, darling of the land,
Sometimes, surrounded with her virgin band,
Gleams through the shades. She, towering o'er the rest,
Stands fairest of the fairer kind confest,
Form'd to gain hearts, that Brunswick's cause deny'd,
And charm a people to her father's side.
Long have these groves to royal guests been known,
Nor Nassau first prefer'd them to a throne.
Ere Norman banners wav'd in British air;
Ere lordly Hubba with the golden hair
Pour'd in his Danes; ere elder Julius came;
Or Dardan Brutus gave our isle a name;
A prince of Albion's lineage grac'd the wood,
The scene of wars, and stain'd with lovers' blood.
You, who thro' gazing crowds, your captive throng,
Throw pangs and passions, as you move along,
Turn on the left, ye fair, your radiant eyes,
Where all unlevel'd the gay garden lies:
If generous anguish for another's pains
Ere heav'd your hearts, or shiver'd through your veins,
Look down attentive on the pleasing dale,
And listen to my melancholy tale.
That hollow space, were now in living rows
Line above line the yew's sad verdure grows,
Was, ere the planter's hand its beauty gave,
A common pit, a rude unfashion'd cave.
The landscape now so sweet we well may praise:
But far, far sweeter in its ancient days,
Far sweeter was it, when its peopled ground
With fairy domes and dazzling towers was crown'd.
Where in the midst those verdant pillars spring,
Rose the proud palace of the Elfin king;
For every edge of vegetable green,
In happier years a crowded street was seen;

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poem by Thomas Tickell
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Hermann And Dorothea - IX. Urania

CONCLUSION.

O YE Muses, who gladly favour a love that is heartfelt,
Who on his way the excellent youth have hitherto guided,
Who have press'd the maid to his bosom before their betrothal,
Help still further to perfect the bonds of a couple so loving,
Drive away the clouds which over their happiness hover!
But begin by saying what now in the house has been passing.

For the third time the mother impatiently enter'd the chamber
Where the men were sitting, which she had anxiously quitted,
Speaking of the approaching storm, and the loss of the moon's light,
Then of her son's long absence, and all the perils that night brings.
Strongly she censured their friends for having so soon left the youngster,
For not even addressing the maiden, or seeking to woo her.

'Make not the worst of the mischief,' the father peevishly answer'd;
'For you see we are waiting ourselves, expecting the issue.'

But the neighbour sat still, and calmly address'd them as follows:--
'In uneasy moments like these, I always feel grateful
To my late father, who when I was young all seeds of impatience
In my mind uprooted, and left no fragment remaining,
And I learnt how to wait, as well as the best of the wise men.
'Tell us what legerdemain he employ'd,' the pastor made answer.
'I will gladly inform you, and each one may gain by the lesson,'
Answer'd the neighbour. 'When I was a boy, I was standing one Sunday
In a state of impatience, eagerly waiting the carriage
Which was to carry us out to the fountain under the lime-trees;
But it came not; I ran like a weasel now hither, now thither,
Up and down the stairs, and from the door to the window;
Both my hands were prickling, I scratch'd away at the tables,
Stamping and trotting about, and scarcely refrain'd I from crying.
All this the calm man composedly saw; but finally when I
Carried my folly too far, by the arm he quietly took me,
Led me up to the window, and used this significant language
'See you up yonder the joiner's workshop, now closed for the Sunday?
'Twill be re-open'd to-morrow, and plane and saw will be working.
Thus will the busy hours be pass'd from morning till evening.
But remember this: the rimming will soon be arriving,
When the master, together with all his men, will be busy
In preparing and finishing quickly and deftly your coffin,
And they will carefully bring over here that house made of boards, which
Will at length receive the patient as well as impatient,
And which is destined to carry a roof that's unpleasantly heavy.
All that he mention'd I forthwith saw taking place in my mind's eye,
Saw the boards join'd together, and saw the black cover made ready,
Patiently then I sat, and meekly awaited the carriage.
And I always think of the coffin whenever I see men
Running about in a state of doubtful and wild expectation.'

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poem by Johann Wolfgang von Goethe
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