Is there anything that can help me let go
I’m tired of crying down this road
I’m young should I feel this old
I’m tired of being split
I’m tired of feeling whipped
I’m tired of not knowing what’s right
I’m tired of looking for this light
I’m tired of living wrong
I’m tired of crying to this repeating sad song
I’m tired of wrong feeling so right
I’m tired of fighting with all my might
I’m tired of hoping friends will be by my side
I’m tired of my feelings I hide
I’m tired of no one picking up the phone
I’m tired of being home
I’m tired of the sun
I’m tired of the moon
I’m tired of thinking what to do
I’m tired of you
All I ever think of is hope
And all I ever heard is have faith
I feel fragile like an old piece of rope
And know I did nothing but disgrace
I hoped to be a good man
I hoped to have a plan
I hoped to be the one
I hoped to have some fun
I hoped life was easer than they say
I hoped home was where I lay
I hoped I always knew right
I hoped I would always fight
I hoped me was the one you see
I hoped true love would always be
I hoped I didn’t need to rest
I hoped life meant happiness
Hope and faith are strong words
They fly away easy like birds
Does one ever know where they stand?
Its harder than I thought to be a man
I remember being young and free
I remember trying to be me
I remember when I first fell in love
I remember hearing the sound of a dove
I remember being young wishing I was old
I remember trying to live out side the mold
I remember when I would dream
I remember when it was all about me
I remember when I wanted to be where I am
I remember that meant I needed to be man
I remember when life was fun
I remember shooting out like a gun
I remember love was a rush
I remember the first time I was crushed
I remember doing and not thinking
I remember doing nothing but drinking
I remember trying to make my tears dry
I remember the feeling of telling a lie
I remember when the world was at my feet
I remember the feeling of being beat
I remember being ashamed of who I am
I remember at one time I knew where I stand
Memory is a gift or is it a curse
It showed you at your best and at your worse
Time is something that should be taken slowly
I don’t want to be old and lonely
I know not to always follow my gut
I know ill always be in this rut
I know tomorrow will come
I know yesterday is gone
I know I will run
I know I am wrong
I know ill live
I know ill die
I know not to ask why
- quotes about illness
- quotes about life
- quotes about elders
- quotes about past
- quotes about telephone
- quotes about beauty
- quotes about home
- quotes about future
- quotes about birds
I Cant Help But Crying
i wont waste my time crying
over things i wanted to happen,
over battles i fought and lost,
over lovers that walked away.
over loved ones that died
too soon, always too soon.
over kingdoms i built that fell.
over mistakes i made
that i cant change....
over dreams that werent real....
but, dammit, every time
i see the face of a hungry child,
dont matter what color, or where,
dont even matter whose child....
i cant help but crying!
My All/Stay Awhile
(I told you, if Jermaine likes it... then I like it)
Don't, don't leave)
I am thinking of you in my sleepless solitude tonight
If it's wrong to love you
Then my heart just won't let me be right
'Cause I've drowned in you and I won't pull through without you by my side
I'd give my all
Just one more night with you
I'd risk my life to feel
Your body next to mine
'Cause I can't go on living in the memory of our song
I'd give my all for your love tonight
So put your loving arms around me, boy
And hold me like I was a cuddly toy
Let me feel that warmth of your embrace
Don't let go
'Cause there could be no sadder sight to see
Than if we were to miss this opportunity
So send me up a signal and I'll catch the line
If there's no time, you know it's up to you
So why don't you
Stay a little while, child
Stay a little while... child
Stay a little while, child
Stay a little while... child
(Now let's take it uptown, get down)
Well since you put it that way, honey I'm gon' stay
And only your love can make Peter parlay
Let the limo leave, we'll cancel the flight
And not only will I stay, girl I'm spending the night
And if it's right, I'm spending my life all out
And if it seems like I'm rushing, then I'll sleep on the couch
MC, it's your call
I'm ready to ball and if you need me, I'm ready to brawl
And that's forever by law
Together we ball, we takin' it all
I make you feel the way a woman never felt before
I seen women on many levels, never hot and young
With a body like that, that face no flaw
You got to be heaven-sent, sayin' you's a dime
You off the meter and a seven then
You like the way I rhyme
Yes shine, I'm a veteran
Picture me and honey spending money like whatever then
We both got it
Why don't you
Stay a little while, child
Stay a little while... child
(Mmm, why don't you)
Stay a little while, child
Stay a little while... child
There's no need to act surprised
'Cause there's no room to serve this right
So let's push love to the limit and life to the edge
I've only one request of you
I'd give my all to have just one more night with you
I'd risk my life to feel your body next to mine
'Cause I can't go on living in the memory of our song
I'd give my all for your love tonight
To Axel Schneider
(The man with the music)
Just imagine how you would feel
if someone wrote to you
telling you, that they have turned
one of your poems into a song.
You are over joyed and elated.
Now just imagine your feelings
when you discover they
have done it to another poem.
You are now walking on air
and having a wow factor.
And just imagine you journey
along to their web site again
and discover to your surprise
that two more have been added.
You start getting that wow factor
all over again times four.
Moreover, I have to thank the man
for whom this poem
is sincerely dedicated to,
the man with the music
that make my words sing - Axel Schneider.
24 September 2011
- quotes about poetry
- quotes about World Wide Web
- quotes about music
- quotes about Thanksgiving
- quotes about travel
- quotes about men
- quotes about beginning
- quotes about words
My All / Stay Awhile (So So Def Remix Without Rap)
I'm thinking of you
in my sleepless solitude tonight.
If it's wrong to love you,
then my heart just won't let me be right,
cos I've drowned in you and I won't pull
through without you by my side
chorus:I give my all to have just one more night with you
I'd risk my life to feel your body next to mine
cos I can't go on living in the memory of our song
I give my all for your love tonight.
Put your lovin' arms around me boy,hold me like I was
a cuddly toy,let me feel that warmth of your embrace
don't let go,cos there could be no sader sight to see
then if we're meant to miss this oppurtunity
so send me up a signal and I catch your line
if there's no time you know it's up to you
Bridge: So won't you stay a little while(stay),stay a little while child
stay a little while(stay),stay a little while child
Why don't you stay a little while ,stay a little while child
then let put love to the limit and life to the edge
got only one request of you
Stay a while............
I am thinking of you
In my sleepless solitude tonight
If its wrong to love you
Then my heart just wont let me be right
cause Ive drowned in you
And I wont pull through
Without you by my side
Id give my all to have
Just one more night with you
Id risk my life to feel
Your body next to mine
cause I cant let go on
Living in the memory of your song
Id give my all for your love tonight
Baby can you feel me
Imagining Im looking in your eyes
I can see you clearly
Vividly emblazoned in my mind
And yet youre so far
Like a distant star
Im wishing on tonight
Id give my all to have
Just one more night with you
Id risk my life to feel
Your body next to mine
cause I cant let go on
Living in the memory of your song
Id give my all for your love tonight
Id give my all to have
Just one more night with you
Id risk my life to feel
Your body next to mine
cause I cant let go on
Living in the memory of your song
Id give my all for your love tonight
Give my all for your love
The Maiden's Song
Good-morning, sun, 'mid the leaves so green --
Mind of youth in the dales' deep reaches,
Smile that brightens their somber speeches,
Heaven's gold on our earth-dust seen!
Good-morning, sun, o'er the royal tower!
Kindly thou beckonest forth each maiden;
Kindle each heart as a star light-laden,
Twinkling so clear, though a sad night lower!
Good-morning, sun, o'er the mountain-side!
Light the land that still sleep disguises
Till it awakens and fresh arises
For yonder day in thy warmth's full tide!
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
I’M INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.
Margaret Alice Comment: As usual, it is the symbolism of making love that is important to me, you clearly depicts the sensual delight, which is fleeting, the enduring aspect of temporary sensory experience lies in its symbolism of unity and inifnite love and read within the context of your previous poems, I think the symbolism is present in this poem also.
Margaret Alice Comment: The symbolism of making love is important, the poem depicts sensual delights, which are fleeting, the enduring aspect of temporary experience lies in its symbolical value of unity and infinite love. Read within the context of the previous poems, the symbolism can be read in this poem also.
SHE SPELLS SIMPLICITY
Sarah Loves Comment: this is awesome
Margaret Alice Comment: Once again you weave the tapestry of the symbolical meaning of her presence in your life and create the context within which sensory experience of love is elevated to the sublime. I repeat myself, I know, but I love these themes.
Margaret Alice Comment: Weaving a tapestry, using a description of lovers to symbolise the presence of love in, creating the context within which sensory experience is elevated to the sublime.
WE DISSOLVED IN THE OTHER
Margaret Alice Comment: Still within context, the poet gives description of sensory love as a symbol of souls united in one goal, eternal love. Humanity is always in danger of separating the playful aspect of lovemaking from its deeper significance. When young, love is the best game their is with no strings attached, as people grow older, they discover how lovemaking becomes a symbol for real affection as loyalty and integrity to a loved one.
Margaret Alice Comment: The scene is very evocative, it could also be the description of sensual love without any other significance than momentary joy, the way young people love, abandoning themselves to physical pleasure without emotional involvement, since young people are on a voyage of discovery and making love is one of the stations along the way. Within the context of this series of poems, I assume the poet wishes to assign an emotional significance to the love he depicts, a love relationship that is meant to last. Very well written, you have done a splendid job.
RHYTHMS OF LIFE
Guillermo Veloso Comment: What a wonderful manifesto. I have been thinking lately of life as a see-saw with our goal the fulcrum. your poem adds clarity to my journey. thank
you for sharing Praveen
I LOVE YOU FOR WHAT YOU ARE
Hasmukh Amathalal Comment: Love sprouts in heart and sits in soul,
Love bounces from the soul to light up loved things,
Love lights steady flame of heavenly bliss
And melts all pride and binds loved ones....ya love bounces from soul to light... truely said... i liked the theme....10
A WALL OF TIME
Rose-marie Mitchell Comment: Nice poem! Nice words! - 'In the womb of deep slumber'.- very poetic.
WE LIVE IN HOPES
Jay greene Comment: amazing is the only word i can think of speechless 10+++++
SHE IS THIRTY, I’M SIXTY
Sadiqullah Khan Comment: This is simple mathematics. Use your lower half (sixty divided by two is equal to thirty) or wait another thirty years for her to become sixty.
BE YOU IN WORDS
Sadiqullah Khan Comment: Good advice, worth following. Will take it to my list, for reference. Thanks for sharing Praveen.10
HIS SMILE FLOODS TREASURE
Sadiqullah Khan Comment: Lucky guy.....................
Sumita Datta Comment: But... it's a recurring strokes... It won't stop...
BYGONES ARE BYGONES
Sumita Datta Comment: Actually, bygones are bygones.. liked your piece of work...
Bonnie Shipman Comment: Praveen, this is very beautiful. The words flow smoothly and finely. In it, I see God's search for man. Even when we would hide ourselves from the living God, He finds us and calls to us. We need only to respond.
Margaret Alice Comment:
'I chose words, I created worlds
To impale you in poetry's net; '
Struck me forcibly - to catch and hold through the power of words...
Bonnie Shipman Comment: I am glad for the expression of this poem. But one question- what of the beauty of a gentle and quiet spirit? It is the spirit which holds the most beauty.
I see music in his hands.
I see eloquence in her mouth.
I see dancing in his feet.
I see understanding in her eyes.
I see prayer in he knees.
I see giving in her arms.
I see compassion in his shoulders.
I see love in their eyes.
I see God in their soul.
Margaret Alice Comment: 'makes sorrow sweet and excess joy bitter
To guide the life through a healthy rich path
Of eternal peace and contentment; '
Eternal, the magic word, take sweetness from joy to sweeten sorrow...
Margaret Alice Comment: A cosmic scope, the speaker becomes a symbol of the dark earth [body] lying in wait for the power of light [spirit] to find and fill it with life and joy. The reader can find several symbols in the poem, find the image of imprisoned lover waiting to be found by the beloved who seeks him out in his despondency and brings hope and joy to his soul. the soul keeps seeking the physical body because it is home, allowing it to interact with other aspects of reality – or infinity. The lover and his beloved becomes a symbol of the unity between spirit and soul. It is a pleasure to come upon a poem that allows the reader scope to speculate in this way.
HER SWEET SOUL NEVER HURTS ANY
Margaret Alice Comment: The poet personifies the qualities of love, compassion, humility, upliftment, righteousness, as a “queen” that reigns over him and controls his actions. He uses the description of adoration for a beloved as a symbol to illustrate his relationship with these qualities that he admires so much. He assigns these admirable virtues to a powerful being who has the ability to reign over him.
Margaret Alice Comment: The unity aspired to and attained in embracing a beloved can be seen symbolise the eternity of love – memories and thoughts are important as ties that bind the poet to the beloved – within the context of this series of poems the beloved is the personification of man’s higher aspirations. When memories and thoughts are lost, love remains and love is symbolised by unity.
IN NATURE’S CELESTIAL TIE
Margaret Alice Comment: 'I live in her, and she, in me, indivisible ever, '
A beautiful depiction of love and hope.
MY SELFLESS ANGEL
Margaret Alice Comment: 'She found her joy I could not give her In my barren shadow, sadly bleak and cold.'
What a strange poem, it can be interpreted in so many ways, within the context of these series, it seems that the virtues personified by the angel would not desert the poet even when he refused to embrace them wholly - I think.
SOUL BOUND TO SOUL
Margaret Alice Comment: 'We know we are one and destined to blend.'
'But, comes our time, all is worth of it.'
Now this is positive, what a great exmaple for the discouraged and tired seeker, keep the faith and all is worth it - great words, inspiring, lovely.
Margaret Alice Comment:
'Oh, how a thing of beauty, breeds that much pain!
How gentle love throttles joy, brings misfortunes! '
I always goes with Terry Pratchett's interpretations when confronted with sad tales like these - just as Romeo and Juliet should have checked for pulse before killing themselves, these characters should have acted in a different way - seems like Pratchett and I refuse to accept sad endings as inevitable - I never shall. Quantum physics says the universe splits every time a decision is made and quite the reverse takes place somewhere else - the universe split and in a parallel universe these two lovers are living happily!
SHE IS PURE GOLD
Margaret Alice Comment: “Wisdom” calling to foolish men and women mentioned to in Proverbs, the Bible, seems to be delineated in this description. Wisdom always seemed to be an aspect of beauty, because beauty without wisdom would lack harmony, balance, truth, joy, peace – this description seems to refer to the highest ideals men aspire to. Lovely way to put it.
WHILE TIME COMES RIGHT
Margaret Alice Comment:
'Yet, a distant glimmer deep in my heart
Distinctly whispers that all is not lost,
Everything will be right while time comes right.'
That's it, hope and trust always, it gives meaning to human lives and best of all, it creates a positive ending, if you don't waver, your wishes will be fulfilled.
SHE FLOODS MY SOUL
Margaret Alice Comment: 'She is the precious jewel I sought all my life.'
This reminds the reader of the parable in the New Testament, when a man found a precious jewel in a piece of land, he buried it again and went away and sold all his possessions and bought that piece of land to keep that jewel for himself.
Nivedita Bagchi SPC UK Comment: ‘I’m “Simply Yours”’ a Romantic poem the …vibe spinning tangentially into horizon and picturesque…10
Margaret Alice Comment: You are my world, my light, You are my fulfillment, You are my reason, my meaning, You are my cause and target, Wherefore I move all through life.
Hasmukh Amathalal Comment:
You are my world, my light,
You are my fulfillment,
You are my reason, my meaning,
You are my cause and target,
Wherefore I move all through life............open and frank admission I am yours' so beautifully interwove3nwith clear heart and it has moved me with its words.. lovely sir.....10
GULF OF LIFE AND DEATH
Cyanic Orchid Comment: nice expressions........
DIVINE IS MY STATE
MaKayla Straight Comment: WOW! ! ! GOOD JOB! ! ! ! ! ! ! ! ! !
Margaret Alice Comment:
“You fill me with such wealth that I, whether high or low,
Need no worldly grace or scope unto me ever flow.”
Ooo, wish all love was like this! I am paid to read dark letters of despair and your uplifting lines is taking me on a journey far away into a new universe of light, love, music and verse. You sing beautifully.
Margaret Alice Comment: 'With an ocean of emotions churning between.'
The universal human condition, yet we all live on surface, we never probe the ice-floes beneath...
TEMPLE OF WORDS
Margaret Alice Comment:
You bring huge waves in the ocean of soul
That washes the shores of heart and mind
With melodious tunes and passions' foams;
While low tides set on the soul's trough,
All go still and disturbingly calm.
This is striking rhythm and melody, oceans of soul and passion's foams, great imagery...
THE TOUCH OF SPRING
Margaret Alice Comment: Comfort, gentle care, warmth - this is real love, wonderful.
Margar et Alice Comment: 'Make life a vaulting heaven, this world, a joy's holy shrine.'
'rousing pleasures' are fleeting, can be a trap, leaves the reveller feeling empty, but the last line is wonderful, the discovery of infinity in the here and now - that is something to dream about.
MY ELUSIVE PRETTY WIFE
Margaret Alice Comment: 'To seek, search and discover my elusive pretty wife. '
What a delightful ode to your wife! I am reading ice-cold words in official grey documents ashen with meaninglessness, therefore it is a delight to follow a series of poems in which a poet delineates love in spiritual terms and emotions are more important than rational logic.
Margaret Alice Comment: What a lovely way to end the official day, words that remind of spiritual truths and joys in feelings and uplifting ideas!
Margaret Alice Comment: it is very difficult to read grey words after these beautiful visions
Margaret Alice Comment: you know not what you are for me, how deep and wide you fill my self,
I LOVE YOU FOR WHAT YOU ARE
Margaret Alice Comment: 'Love is pure bliss, Love is pure feel'
thank you for this reminder that life is bigger than the small official space here and now...
Margaret Alice Comment:
'I love you for what you are,
Not for what you ought to be,
Nor for what you some day is;
You, as you are now, here and near, '
Unconditional love and acceptance, no ifs and buts and demands, to love because, not in spite of.
RISE AGAIN IN THE EAST
Margaret Alice Comment: “on immortal mortal face”
I love juxtapositions like this!
“unite in immortal love’s bond”
That is the only kind of love there is, immortal – I agree.
Margaret Alice Comment:
'You made this life a dulcet music,
A passionate painting, a sensuous poetry.'
You felt this, or imagined it, the ability to feel so much and dream of such visions, it has me in thrall...
Margaret Alice Comment:
You made this life a dulcet music,
A passionate painting, a sensuous poetry.
You dyed my heart in everlasting beauty,
You dyed my soul in everlasting joy;
Margaret Alice Comment: Enormous scope of your visions… bigger than anything I have ever thought about...
Margaret Alice Comment: Shades and hues of infinite joy It is a great world of divine joy Where divinity spreads in fluid opulence, Where love cries in unbound joy, sacred temple Where gods come to worship the queen Who created the world with her pristine charm And lord over it all over since then; The hymns of love and dim temple light Come across to reach only graceful souls. No dusts and smokes of forlorn years Ever ravage her pristine form, Ever disturb her unworldly love, She lives and lives forever and ever in the old world, in all new worlds too.
SHE SMILES FROM A MYSTIC LAND
Margaret Alice Comment: 'Where we dwell in immortal rest.'
Forever and immortal - concepts that give meaning to life.
IN COSMIC CYCLE
Margaret Alice Comment: 'In timeless love that blends our hearts.'
Key word: Timeless - the temporary world is but a window on the eternal timeless spirit that lives forever.
IN CELESTIAL RHYTHM
Margaret Alice Comment: 'She lives in me forever in the shine of my soul, '
'In every streak of love I find anywhere.'
Perfect, love as eternal, every instance of love is one more channel to the infinite source of love, one instance of love opened awareness to all other manifestations of love.
I HEAR ALL DAY YOUR LITTLE WHISPERS
Margaret Alice Comment: ', you are unbound joy, inner peace, sheer harmony, my beauty, my truth and essence.'
'nothing I find harder than knowing you'
So many of us share your quest for mental peace and spiritual joy!
Margaret Alice Comment: 'find her lurking in all splendid things,
In all noble deeds, trusts and all human needs, '
Once again the theme of finding the constant wonder within changing things, finding the eternal beauty within the stream of life ever-changing - holding the eternal within.
I’M JUST NOUGHT WITHOUT HER
Lady Grace Comment: so nice..this poem talks a lot...well appreciated...very nice dear....smileeee
Margaret Alice Comment: “immortal flame of my soul / timeless together / endless bliss / endless future”
This is a language that stirs the soul, uncovers temporality to show the eternal spirit burning wondrously behind short-lived manifestations, the symbols of eternal consciousness.
Margaret Alice Comment: Sarva Karana Karanam, Cause of all causes, Root of all roots, Source of all sources is she.
Yoonoos Peerbocus Comment: you control each stanza up to the theme/ nice write
ALONG THE VENNELS OF YORE
Margaret Alice Comment: 'And held me fast to her for all ages to come.'
Love enduring forever - that is the only true love, the only reality, it lives forever, it is eternity.
ACROSS THE GULF
Margaret Alice Comment: “endless dance, a world of everlasting love and trust”
“endless” and “everlasting”, words that hold more charm than any other in every universe
Margaret Alice Comment: ”Unknown hopes Deepen passions and strengthen bonds.
love does not wait for time's swing, But bides on steadfast patient growth”
Love transcends time’s pendulum and instead of withering, keeps growing, across all intervening space, across the span of time.
Margaret Alice Comment: She sprang from time's tapestry, Like full moon, And streamed soft light all over him; She blew over his heart's barrenness Like the gust of westerly wind do to clouds And poured sprightly rain of joy.A skyward climb discovers descend, ”Unknown hopes Deepen passions and strengthen bonds. love does not wait for time's swing, But bides on steadfast patient growth”
My comment: Yes, love transcends time’s pendulum and instead of withering, keeps growing, across all intervening space.
PARTINGS MEANT TO DEEPEN BOND
Margaret Alice Comment: “While soul is on focus, no labours count, No obstacles haunt, no hurdles mount.”
Having a purpose and led by an ideal, no amount of sacrifice can hold us back, obstacles shrink away under inner power.
“Inseparably we are spliced in endless heavenly field,
Partings we suffer meant perchance to deepen bond.”
When the magnificent effect of temporary pain is understood and meekly submitted to, the pain creates a space for more joy and leaves no scar – we grow stronger at the places where life has broken us, and discover that pain changes us into glowing sticks if we let it!
Margaret Alice Comment: Intense like sun and soft like pure gold,
She stirred my soul to my singular goal
FROM UNKNOWN HORIZONS
Margaret Alice Comment: Perfect description of the soul becoming one with the all, although painful swelling of passion is stilled, the joy of inner experience as oneness is richer with feeling and experience than the physical world ever offered, and giving up the movement of passion is no sacrifice, but the door to a new horizon of celestial joy never experienced before.
“And absorbs me head-on like water on sand;
All passions still, but pure streaks of joy
And I glow as light in communion with light
I see with inner eyes and feel with inner mind;
The soul that drinks the divine glow,
No more sinks back to the hell of black passions.”
Margaret Alice Comment: The reason I love this poem is because it gives hope for transcendence into joy, not away from it. “And absorbs me head-on like water on sand; All passions still, but pure streaks of joy And I glow as light in communion with light I see with inner eyes and feel with inner mind; The soul that drinks the divine glow, No more sinks back to the hell of black passions.”
BLOOMED IN ENDLESS JOY
Margaret Alice Comment: 'Hearts seared in pain for each,
Now bloomed in endless joy; '
Wonderful, the steady, loyal heart recompensed, and even the journey only, the challenge, holds joy indescribable, love is its own recompense, if it also brings the travellers to their beloveds, just so much more beautiful!
Margaret Alice Comment:
'What an immortal joy, you carried on you!
You came and you went, but the light persists all over.
the streams of immortal light, '
This is true love, when the appearance of the loved one changes the lover forever, the joy that was brought is immortal, the light persists even after the person left - the change is eternal and the lovers will be reunited after death for ever and ever. This is the only vision of love that makes life livable - and beautiful.
I KNOW HER
Margaret Alice Comment:
'For eternal commune of souls,
In ecstatic speck of continual 'now', '
Heidegger - in following Zen-Buddhism - experience wihout interpretation - phenomenology - eternal unity and ecstasy as one big eternal present tense - THIS is the perfect spiritual ideal, love becomes godly, the only kind of love to strive for, the dream and ideal...
Margaret Alice Comment: An epic tale of cosmic dimensions...
'Her easy marking him shook deep his soul;
Like life to sunshine, soul to sweet notes,
Her heart danced wild in his warm presence; '
Margaret Alice Comment:
“Trust me”, cried I, “trust the divine designs,
I swear on my lovely Goddess, destiny shall shine bright;
All fears and tears just meant to deepen our mutual bonds;
Nothing shall stop me from bonding to my pretty queen,
Margaret Alice Comment: Only shallow eyes do see me in cage.
MY MORTAL EYES
Margaret Alice Comment: How much I desire to take you in arms And hold you tight to my yearning heart! Tell me where you hide from my mortal eyes; I reach far worlds and find you there
Margaret Alice Comment:
She is my rhythm, the perfect rhyme,
The cosmic dance that bounces worth.
The world is a desert without her presence,
A void is life, devoid of essence;
The spin of time, a whine of hollowness,
Cool and dull, whimpers of shallowness.
Booklover Tv Lounger Comment: Pretty cool. Sounds epic in my opinion, like it should belong to the beggining of an awesome movie or game. Great job! Keep it up
Abhinav Baruah Comment: Thank you
Beautiful fragrance and positive vibrant.....
Abhinav Baruah Comment: 'Man loses to gain,
Falls to rise and bends to standup'
..... Beauty of living.....
Indira Renganathan Comment: The nature is a clean mirror of the soul
Where the soul itself reflects for real,
Bright like the sun, yet soft like the moon
And refreshingly pure like the morning dews.
Amazing observation and study on nature....great
SHINE LIKE THE SUN
Margaret Alice Comment: The poem reminded me of the highest challenge for people who want to shine like the sun: ….. The ideal is to realize one’s full potential without infringing on the rights and happiness of other people. ….. The one who truly shines can love and accept unconditionally without expecting anything in return, ….. – who simply adores and loves the world and its people for the pure reason of the glory of their existence.
Margaret Alice Comment: This exhortation rings beautiful ….. it should be directed to every human being everywhere, …..
“Be different, be the jewel of the crown,
Shine like the sun all over the heaven;
Stand up above the mediocre din
And show how high you are deep within; ”
Margaret Alice Comment: ….. the poet approaching the goddess and asking her to be his muse and share herself, her own inspiring mind and feelings with him, to inspire his poetry so that he can write about the sublime. …..
“Lo, poetry surfaces from discontented soul.
The outside world in the inner cauldron
Sublimates to hot soothing vapour
That lingers in soul like poetic notes;
Trivials of the world, while churned in self,
Coagulate soft and sweet precipitates
That raise this world to enlightenment”,
the poet is addressing his own soul and his own muse, …..
What can I hold to impale you in words,
You wait on the side-stage to dance to tunes
To enter centre-stage, to create new realms,
Build bridges to the mind,
….. it is beautifully written containing all the rhythms and rhymes,
“You pour live words of myriad hues
In forms and shapes and rhythms and depths” the poet is dreaming about.
WINNOCKS OF BEAUTY
Margaret Alice Comment: “as conceived by a poet in a great epic; ” what an overpowering beholder ….. to write an epic song like this, ….. celestial ideal, ….. style is a lovely, alliterative music and ….. take the reader on a heavenly journey –“where desires and peace rise hand in hand, where the heat and light of enlightenment grips the soul glows in divine passions.”
Margaret Alice Comment:
“The road is wild, but a pleasant pursuit
To walk, head held high, in proud respect,
Though hungry beasts with bloody teeth
Wait to pounce and tear her Self.
…..poem brings all the elements of self-respect together that make life worthwhile. The only beasts who can tear self-respect is the subject’s own vision and decision, nobody else’s criticism, opinions or action can ever touch self-respect – it is a citadel, a safe sanctuary, and the source of love – of self and everything else.
Margaret Alice Comment:
The Buddha found his final solace in flight and passivity, the end of all change.
“In nirvana he found the supreme tool;
He attained awareness, he sought all his life;
Gouthama, the Sakyamuni, found abstinence
The cure for all the pain and sorrow.”
”He suffered for all, sacrificed all,
To find the path of deliverance;
He sought and lit the spiritual light
That illumed and liberated self and world
And cast gentle rays on the human race.”
The Buddha gave his life to help those who need to follow the road of sorrow to its very end and attain sainthood – a wonderful thing.
Margaret Alice Comment:
”We partake in a mysterious game,
Where as mere tools, we play the game,
Though inside it, nowhere belong.”
I have great respect for all who share your sentiments and feel the alienation implied by these statements.
THOSE CAREFREE DAYS
Margaret Alice Comment:
“the world was a huge playground then,
but, trust and love filled my world;
the carefree days did light my spirit”
The poet creates a picture of a perfect childhood, an idyllic picture ….
Margaret Alice Comment: Inspiration and ideal personified as a woman, which in turn can be read as the personification of the subconscious also –
Margaret Alice Comment: Theme of inspiration personified as a woman: Together “Blue Beauty and “Poetic Inspiration” form a wonderful whole and the personification of ….. Muse, ascribing sensory experience and inner feeling to the experience, makes it exciting and provocative – thank you for wording your ideas in this way!
LIFE AND COSMOS
Margaret Alice Comment: Thank you for writing a poem about life and its meaning.
“Life is a speck of light
In the womb of infinite darkness,
Life is a chance movement
In the ocean of ceaseless stillness.
Life is a celestial pinhole,
Where matter rocks in endless cycle”
Thank you for offering an opportunity to ponder these things.
I NEVER REACH YOU
Nivedita Bagchi SPC UK Comment: Indeed your poetic affect will ‘cynosure’ you … weather off … is just wreathing in … Excellent emotive poem... thro’ and thro’ vibe...oscillating…
Ms. Nivedita UK
Dilwyn Bowen Comment: Excellent piece of writing. Your pride and sadness come through with great skill. Must give this a ten and a favourite read.
Margaret Alice Comment: What a lovely way to describe finding an ideal, personifying the ideal as a woman and filling the poem with concrete images and enabling the reader to interact with the poem.
Venkatesh Ram Comment: marvellous.unguided it seems but in reality everything has a cyclic life
Milica Franchi de Luri Comment: 'Life is an ocean of infinite waves' What a lovely metaphor...
Resten Swondo Comment: That befall in grotesque forms
Beyond reason’s confines
beyond reason, there is beauty. for love knows know reason as any man with two good eyes will tell you.
Interesting lyrical power...
Sadiqullah Khan Comment: Rich in metaphor, very elaborate, and thought provoking.10 from me, Kumar.
Sadiqullah Khan Comment: How far should I sail to touch the shore of dreams?
........Nice opening sentence.
Sadiqullah Khan Comment: Long reading. The last stanza summs up.
Is It Poetry Comment: These are...
some of the wisest words
i have come to hear...
Fighting is so useless..
wise fight for family, child, country
and reward of labors...from thief...
Sadiqullah Khan Comment: Thought and knowledge. Well explained.10
Niyas Jamal Comment: jai ho! ! ! ! jai ho! ! ! ! jai ho! ! ! ! jai ho! ! ! !
SHE SPELLS SIMPLICITY
Nivedita Bagchi SPC UK Comment: Wonderful portraying of femininity in various tones and tunes ….svelte supple lissome limber…
Yeah we women are like that…and look for cooperation from all….this poem aesthetically sounds like: Glory Unto Women …thanks for this tribute-type poem especially when the aura and aroma of World Woman’s Day still oscillating …spreading noetic message … enjoyed by all heart…
Nivedita Bagchi SPC UK Comment: Amazing…spellbound…full of wisdom…gleaming glittering with all noble thoughts… Finish is ‘We ride the tides of ruthless time/In timeless love that blends our hearts. ‘Ruthless time can’t shackle us where Love is the propelling force… We stay anchored in the sanctuary of Love. Finest diction and plenty of food for contemplation and deeply…10+
IN CELESTIAL RHYTHM
Nivedita Bagchi SPC UK Comment: Sir to me it is narrative poem rich in metaphor ambience and spilling vibes of emotions. Who she was? Indeed a poetic riddle poets’ love to keep inside …allow readers to ponder and find the answer…and your crafting is likewise… ‘Lay still and breathless, alas, in endless sleep... ‘gush of gosh… well it’s a part of poetry…thanks for sharing. Voted 10
Nivedita Bagchi SPC UK Comment: Magnificent chant soliloquizing with the All Highest. The canvas is unfathomable but your vibe outstretched max to cover in allness and fullness… you’ve made a free to and fro travel with ‘You and me and I ‘
Finally consecrated yourself ‘And spur you to the probe/By the sheer strength of our bond. ‘ Excellent poetic experience for me and learning …than you very much for such a great poem… Voted 10
SHE IS PURE GOLD
Nivedita Bagchi SPC UK Comment: Your poem reminds me great Swami Vivekananda’s opinion: Unless she [read women] are respected and adored no nation can progress. Here I find you’ve beautifully followed [might be unknowingly] the same thing… being a woman please don’t think it’s a gender bias I’m favoring for… it’s because of my great country India where I originated…that genotype working subconsciously… Its wonderful poem and enjoyed and cherished thro’ and thru…
Of Ancient Mastodon, Sleepy Bee & Young Men Who Leap Too Soon From Bridges - Nightingale Confesses Into Straighter Teeth
'...descend, and of the curveship lend a myth to God.' - Hart Crane
Pueri aeterna, septem cadens
Etiam plures ad
The boys eternal, seven falling
Too many more to come
Sub olivae, pacem
Ut vos omnes adoremus orientatio
Under the olive trees, peace
May you all adore this orientation
"I imagine one of the reasons people cling to their
hates so stubbornly is because they sense, once
hate is gone, they will be forced to deal with pain."
- James Baldwin
'Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him
He sought for his beautiful body
and encountered his opened blood
Do not ask me to see it! '
- Federico Garcia Lorca*
Even the pigeons on my stoop are silent now.
One mourning dove coos tenderly for these who
have taken their own lives publicly on our behalf,
for those many gone before them, broken hearts
enraged, no more to engage the unpersuaded
world which, one of them, one of the public ones,
in spite of murmuring wharves, in spite of amorous
dark alleys bitter in the pitch of the last hateful
American Century, Hart Crane, wrote before his leap
from the ship beside the phallic curve where Cuba
meets the lisping sea, took his tongue away which
sang of chill dawns breaking upon bridges whose
spans still freely splinter light returning hungover
from the night wharves, grottoes, and denim World
Wars, industrial embraces crushing every man and
now another one abandons his fingers and fiddling
to scattering light, takes flight from ledges to
edge close to an embrace no longer forbidden -
'And so it was I entered the broken world
to trace the visionary company of love...'
I am at the 'Way of Peace Bistro, ' where the server
Alberto whose cousins are the famous Wolf Boys in
Jalisco, Mexico, hirsute himself, gives me free double
espressos so I may hear his confession, who only just
yesterday came out to me in my confessional booth
here at the perpetually wobbly table in the far corner
at the cracked window rocking with Hart's un-confessed
bones wrapped in soothing silt which he now dreams
to be his silken pall.
Life is indeed strange above the veiled bottom.
I do receive confessions here where I weekly haunt
for studying, writing, chasing down dreams, waves,
Why, I wonder, is each window where I sit cracked?
I am the itinerant priest who sits at meager feasts.
Suffering congregants, forlorn over their starfish
and soup, ask about dreams, confess to anguish, ask
what should be done. I consult espresso foam, open
the nearest book at hand willy nilly to see what advice
or wisdom might be gained from That which, we hope,
indiscriminately sustains us all here straining after
some realing thing to keep us going when Hart and
those too recent others obey some impulse to place
at last the final period, reifiying the punctuate
though unrepentant ending of this too too long run-on
sentence of hate. One hopes this period holds fast,
that Logos/meaning is somehow, plates of starfish
with fork and knife beside, true or truing at least.
One serves where needed. And when.
So come unto me you 'sad young men.
All the news is bad again so kiss your dreams goodbye.'**
Here at my confessional I can only plead mercy upon the boys
who have jumped from bridges, hung themselves, cut, sliced their
compulsive hands, exploded hearts, leaping dears eyes ablaze in
thrall of antlers, trembling flanks strong to fly decrying the
violent hunt which always ends in a death bequeathing these
chopped bits to me and to others like me who remain at table,
plates before, to stare at what is to be later scattered, sown,
these pieces in and for Love-without-name still a stain upon
confused local deities and their wild-eyed supplicants.
But there is no stain upon the promiscuous sea.
The compliant sky is not confused.
Neither is all that is between confused,
allowing birth and blessing, passing of
all kinds in all manner of motive and motion.
But in the human world, distressing, there
will be more boys, more men growing up as
from the very beginning where earliest enmity
mythically grew strong before shoes, before
hearts were capable of breaking, before turgid
theological floods spilled blood of brother
by brother turning witness stones toward silence,
echoing lamenting Federico,
'Do not ask me to see it! '
I don't want to see it!
I will not see it!
But I, but perhaps we, who remain to plant these
petaled parts of these unwitting scapegoats whose
eyes are milk now forever, we must bar sentimentality,
must move toward genuine knowing which comes from
the long hard stare beyond Milky Ways at the way
things still inexorably are. 'Nothing gets better -
or changes for the better - until it is what it is.'
But the falling ones, half-way to eternity while
here and eschewed, know what the 'is' is of the matter,
that it is the others, too many of them, who don't
or won't know, who willingly refuse to see 'what is'
in order to reach beyond the collective NOT SEE
solutions' of hetero-normative culture/religion.
Perhaps even in the deepest fault of the ocean that
very visionary company - in league with stuporous
pigeons, a mourning dove, me here who remains-not
-yet-remains, tearful over my espresso looking for
signs, finding only an endlessly fracturing rainbow,
remembering, too, the murmuring secrets of wharves
and co-mingled breath - that very visionary company
traces all the sunken ones, the jumping ones, those
with other means for departure by their own hands
empty now of demands for love.
Here I sit, arthritic living hands still
demanding, remembering full of past and
present griefs the Violin with a cut throat
in a youthful suicide once writ years ago,
hidden, hiding out, refusing to shout my
rage to Almighty 'Nothing-But':
Do not hear nothing but the cabin walls,
do not hear nothing but late summer roses
petal by petal leaping from the still too
white trellises, leaping pinkly, redly,
memory to breezes, overwhelmed by trellises
shagged with cut sleeves.***
But not me. Not yet.
I don't want to see it!
I will not see it.
On the mute page, the Violin refusing to sing
- in love with Garcia Lorca,
the goring horn of the Bull,
the destined cornada -
each and all appalling, commanding 'Write'
in long nights working where the mentally ill
wandered with me, keys ironically in my hand,
the yellowing hallways with even more ironic
EXIT signs brightly RED above the locked doors,
silent companions somnolent but for the jangling
joke of the keys.
Do not ask me to see it!
I don't want to see it!
I will not see it.
Still, I have now these better days in the Village,
broke or near to it, with eggs and beans, cheap but
edible things. An epicurean after all, I do luxuriously
head to the Polish butcher shop nearby to gather meat
but not any of the young butchers want to be gathered
- too Catholic - for Poland is 'passing strange' with
bad teeth, fingers stained with nicotine. Or is it rust
from once Curtains of Iron,
or the Blood of the Acetylene Virgin? ****
I get my meat, cook my greens and things, have good-enough feasts for garlic and the right spice make grander the demanded abstemiousness of current coin. I purloin my pleasure during eats in my dirty yet happy apron with recordings of poetry, lectures or a good aria or two to salt my food with tears, a blubbering fool beside his one low watt lamp, darkness too too comfortable like a pooch or cat at feet. What is that bleating in the darker corner? I shall wait for daylight to see what it can be. And if I can I shall free it from it's trap and in doing so perhaps free me from all this, all this witnessing as life demands I must, of young ones setting themselves free because they are forced to do so by collective psychopathology now rendered even more effective and efficient via technology, via internet, emphasis upon the 'net', where the ills set free from Pandora's Modem have only begun to be revealed.
But I shall use that 'net' and my still goodly paper and goodly pen to dim whatever ill tides there are and to come, as they surely will in spite of low wattage. I'll jangle keys on the night watches reading my mystic books, making my prayers with roamers of wards and wharves glancing up, considering bridges, edges, silty bottoms. The tides are here even now. But right now I wish to sing a lullaby in protest to those hurting departed, even to those coming ills, that I may sing innocence dumbly back to those who may come ashore again more gently having forgotten enforcing depths insisting them toward resistant yet resolved embraces...
...So breech then, waves. Feet first. Heads in the brine. I shall keep time on your wrinkled toes sticking up from the sand, play peek-a-boo. Then while you sleep I shall harvest gently, place them firmly in that old woman's shoe...'there was an old woman who lived in a shoe, had so many children she didn't know what to do'.
She may yet have learned what to by now.
I haven't. But for my one strange harvest here below...
Somniculosus Apis, Sleepy Bee
Ascendit infra me, He rises beneath me
Deus absconditus placet, The hidden God is pleased
He is busy even as I write this preparing a repast for many paying guests who will watch him cook sacred chilies of his Mother's garden born, who will hear him sing their praises...Krishna was over yesterday, nervous and excited about it all. Working out regularly at the gym he is now very toned, muscular in a good way, not too pumped in exaggerated lumps, and he is even more radiantly beautiful/handsome than when we first met beside the cardamom and the ghee in the intoxicating basement of the Indian spice and food shop not easily hidden, such aromas are not to be tucked down like the shop is beside and below the avenue.
Which flower should I adorn my table with? I ask, approaching shyly beside the spice bins. I buzz inside, a bee for the nectar.
If you serve, said he, If you serve with cardamom and ghee then flowers three are best, the jasmine, the oleander, the anthurium. But if choosing only one, he looks at me, something insistent, responding, in his eyes, I would choose for you the anthurium.
And so we began our time together, the cooking lessons, the first demur approaches, the blushing papayas, then the fires, the chilies harvested, curtains drawn. One day perhaps I to shall fall but in this way:
I shall fling back the curtains
Open the window
Throw cut sleeves for years
gathered, hidden, to the street.
Shouting out names of lovers,
I shall then leap openly into life
land softly upon the Autumn
ginkgo leaves and, golden,
kiss every parked car
on the street leaving
lips like leaves and all
the cut sleeves in love
with all the world and if
not all the world then
all the cars and a fiddle
dee dee for the fall of me
Yesterday I coached him on slowing down as he speaks (his accent is thickly, richly Tamil) , how to enunciate each syllable. He had several stories to choose from which he may relate to the guests, all of which he related to me, a sweet one of him as a little boy waking up at dawn, asking his dear mama for an omelet to eat:
'Sleepy Bee, ' she called to him. 'Go, my Sleepy Bee, to the garden and be sure to smell the jasmine there, touch softly the spices in trembling rows, fetch then some chilies of many colors and I will prepare for you a dish as you wish. When the teacher makes you sleepy by noon reach then your fingers to your face, smell the spices there, remember the touch of smooth skinned chilies whispering of lingering liaisons to come, and you will brighten my Sleepy Bee.'
A chili omelet she would make, a side of yogurt to soothe the burn, and milk from the cow drawn before dawn's first udder swelled against the press of distant hills where even the Temple soundly sleeps so very full and pleased with itself. Mother, each morning as he stumbles, rubbing his eyes, into the garden, tells him,
You may shout if you wish to wake
the Temple for the cow cannot speak -
Wake up! Awake! Make haste!
Lord Indra comes! Prepare the wicks,
the incense sticks for His Holy Fire!
Hasten! Hurry! Quicken!
There beside Lord Indra's captured fire in the little grate her Bee awakens watching her slow movements, the slicing of chilies, the removal of seeds, the washing again of plump hands, the cracking of eggs, beating them with the whisk, spreading ghee upon the hot flat stone, the enchantment of liquid whites and yokes becoming firm, becoming food. She turns them in round rhythms as she rhythmically prays.
After eggs and chilies are eaten comes the rose oil poured upon his raven hair smoothly brushed back to reveal his shining face, his smile. She prepares him for school with kisses, his uniform freshly cleaned, ironed, smelling, too, of rose-flavored soap. Then off to school with a lunch, a string of chilies of all colors sewn together, sewn when he was still in a waking dream.
'The chilies may burn, ' he tells me, speaking slowly, enunciating each syllable, practicing through smiles, returning to my gaze. 'But not like the touch of my mother's hand. She is far away but I can feel her burning hands on me now.' He smiles. I stammer. How can one enunciate such wonder?
Visionary company, Krishna, his mother, and me.
I have been encouraging Krishna (which is a funny thing to say, Krishna being a bold, blue God) to find a language coach to help him with his accent, to tone it down while keeping the wonderful music/lilt of it and he's going to do that...he complains of tilting his head as he talks 'as all Indians do' but I insist he merely speak and let his head and hands speak, too, in their own way. If he does more public events he will need to be understood clearly when he speaks while preparing his magnificent dishes from his country, his rich feasts of stories of the chilies from his mother's garden entwined by morning glories, the morning cock already at quarrel with the world just beyond the tin reaching in to take some spices too enticing to refuse...
I always feel as if he is, or will soon be, bored with me and my humble 'ministrations' but he sweeps into my little 'box-doir' - you recall how tiny my expensive studio on the 5th floor is! - like a Raj, a young prince beaming, brimming full of stories to tell me, usually some food, spicy hot, he has prepared for me, offered with a grin. Then he strips instantly down, lays upon the down pallet in easy, unabashed nakedness - it catches my breath, I do want to see! - checks his Blackberry for the latest cricket scores while I hurriedly 'hide' my Ganesha, the prominent statue of the god I have in front of my useless fireplace; this hiding I half understand...but still, naked, he has a fresh and beautifully made tattoo of Ganesha on his shoulder, he wears a Ganesha necklace, a Ganesha bracelet, and a Ganesha waist scapular, the image of which is just below his navel. So why, I ask only myself and Ganesha, never Krishna, why must I hide my large wooden Ganesha statue? But I do hide Him in deference to Krishna's wishes and meanwhile have intercourse with the god-in-miniature, scraping a necklace trunk with an ear, a tongue, receive a scapular kiss of the image upon my forehead as I trace those wonderful hairlines of the male body on my way to other deities.
Ah! give me all the beans in the world in all my poverty! Am I not, too, a Raj of floors and scented pillows, this beaming god beneath me thrusting utterly to reveal his secrets, his desires, his pleasures to me who am not a god?
Life, dear Valdosta, over all, is good, yes? I wish it no ill. But, agreeing with the cock, I will quarrel, even fight, with life when young men still leap too soon from bridges because I have learned (and relearn it hard lesson by hard lesson at a time) visionary company insists its tracings in many forms, man to man being but one holy expression, those sons, burning mother's hands upon them demanding, insisting to life that each her sons is a rajah, a Sleepy Bee.
So please the intemperate humanity, in the face of patient deities the burning ones are leaping still and I am ill with grief, with prayer, their dead bodies gone, their now emptier hands.
And he leaves me.
I return to my poems.
The room is filled with Krishna, aromas of rose oil in his hair, pungent spices in his sweat and upon his hands and skin, and sex.
I retrieve Lord Ganesha out from his little sanctuary of hiding (it seems I am always retrieving deities) and we both laugh richly. I remember to sprinkle some cologne upon Him, to pour out some milk into His votive bowl, to rub His belly, to light another candle (the other extinguished, panting, while we were busy bees exchanging knees and sighs, diffusing male spices into bracing air, fingers upon oily chilies thickening in always morning hunger) .
I light more incense and thank the Lord Ganesha in all his forms, appearing both large and small, His adornment of Secrets, though one cannot easily hide an Elephant, man-love and more in such a small infinite universe whose toes I seek to tickle then gather for a shoe as tides shrink and swell, grow and diminish depending upon the worshipers, those who will do so in spite of those who would kill delicate or manly infidels whose worship, forever babies breath, is all the more meaningful.
Be damned the trellises. The petals shall reach, shall extend outward.
The violin's throat cut.
'Do not ask me to see it! '
Then, Ganesha restored to His rightful place; good-natured about being hidden, it is back to the kitchen, the slicing of the onion, the crushing of the garlic, the pouring of the wine, the selecting of the greens and washing them of the clinging sand and grit they kindly bring, then to the pot to cook them in, the meat to go with, and begins the fire, O Indra, more aromas extend into, entwine with what Krishna has left to me and the god and I am grateful, full of heart, for each time he is here is a miracle. A grace. Mother India with hot hands gifts me one of Her Raj's who graces me with his presence evoking praise bestowed from oft bitter lips and tongue made the more bilious by aging, aching joints, laxer muscles, and yet the encroaching decrepitude is bent and stretched, the better for the wear from Krishna's 'half nelsons' and yogic overreaches. More the better for me.
Yet I remain bitter, too, from the senseless loss of young men who could not endure, no fault of their own, for sure, who leap from bridges, forced to by killing edges broken open within and by hateful, fearful others forgetting, if ever had, those restorative burning constancies of a Mother's hands upon them
I have placed your picture, dear Valdosta, upon my altar beside Lorca's portrait, and Hart Crane's young face, the image of a sweet Christ holding a lamb en perpetua, and the yellowed newspaper clipping from Spain of the Matador's death, along with photos of the young men in the past two weeks who have joined Hart becoming ghostly visionary company. They now remain forever chaste not having lived long enough to be wasted, emptied of love from loving deeply out into love for more love, endlessly bleeding out like our Lorca, a corrida of laurel encircling his head no longer remembering but remembering only one sound, guns exploding outward, extending, bullets, petals, one by one beyond the wall where he stood stunned, 'how young and handsome are assassins' faces', he flew backward in the wall graced with his brave shadow then his blood until he fell. I believe he fell hard for life demands it as does death which will continue its duende.
Love, as Hart and all hearts love, is still a vision not yet fully, solidly formed in spite of stones and walls forgetting noble shadows, but there are foolish Krishnas, restoring Krishna-moments, patient hidden gods though human hearts and bodies remove themselves from the potter's wheel too early, too broken, too tired, too alone to try to shape love from Love from the tiny shard, the remnant bone of the ancient mastodon, the last one, dreaming within each heart of that Love which all Nature yearns for.
I pray for my inherited brood of brothers, and remember to be gay for all the gray afternoons in this sad but forgiving confessional, while not forgetting mine and the cock's quarrel with life, in the booth by the cracked window near the corner of 7th and Second.
I am yours, bleating, sometimes crowing, but almost always bestowing praise. I am loved, Valdosta, and I love you.
*Opening quote is from Lorca's elegy, 'Lament for Ignacio Sánchez Mejías'
** The Ballad of the Sad Young Men
Music written by: Tommy WolfLyrics written by: Fran Landesman
(best version sung that I know of is by an aged Mabel Mercer in concert, hard to find it now)
Sing a song of sad young men
Glasses full of rye
All the news is bad again so
Kiss your dreams goodbye
All the sad young men
Sitting in the bars
Knowing neon nights
Missing all the stars
All the sad young men
Drifting through the town
Drinking up the night
Trying not to drown
All the sad young men
Singing in the cold
Trying to forget
That they're growing old
All the sad young men
Choking on their youth
Trying to be brave
Running from the truth
Autumn turns the leaves to gold
Slowly dies the heart
Sad young men are growing old
That's the cruelest part
All the sad young men
Seek a certain smile
Someone they can hold
For a little while
Tired little bird,
She does the best she can
Trying to be gay for her
sad young man
While the grimy moon
Blossoms up above
All the sad young men
Play at making love
Shine for sad young men
Let your gentle light
Guide them home again
All the sad young men
***In China homosexuality was referred to as 'the cut sleeve'.
Read an excellent account of this in
Passions of the Cut Sleeve, The Male Homosexual Tradition in China.
http: //www.ucpress.edu/book.php? isbn=9780520078697
****Surrealistic Sutures For The Acetylene Virgin by Warren Falcon
'I think that poetry should stay awake all night drinking in dark cellars.' - Thomas Merton
Look to the body for metaphor
Look to blood, use this word
in relation to dreams or flowers
while silver runs in veins which
are usually streets or vines.
Breasts, male and female,
are stars, have to do with
a handful or feet to span them.
Abdomen, then, is a great
Milky Way gathering,
holding, expelling comets,
caroling colons' humming.
Spleens are bones to
pick teeth with, teeth
which are, of course,
sea horses or gravestones
bearing images of the Flagrant
Heart to tame this spot of
gypsum and flint, to charm
where Violin's cut throat
sings itself awake, one
black breast out of its fold
slapping metal seas against
dropping metal shores in
Sidelight's shadow across
this hand writing now,
slap of waves mute in
this stillness of knees.
So lend a darkness to gardens,
ancient pattern of a breast,
cloth lightly lifting, black on black.
From Her chest reveal a slenderer throat
that nods when she swallows
and names her peace.
The delicate will not pass away just yet.
Great Seamstress of Space
with fingers of dew.
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
Can swell to a pair of nationalities,
However ill-lodged in a woman's breast.
And so I am strong to love this noble France,
This poet of the nations, who dream on
And wails on (while the household goes to wreck)
For ever, after some ideal good,–
Some equal poise of sex, some unvowed love
Inviolate, some spontaneous brotherhood,
Some wealth, that leaves none poor and finds none tired,
Some freedom of the many, that respects
The wisdom of the few. Heroic dreams!
Sublime, to dream so; natural, to wake:
And sad, to use such lofty scaffoldings,
Erected for the building of a church,
To build instead, a brothel . . or a prison–
May God save France!
However she have sighed
Her great soul up into a great man's face,
To flush his temples out so gloriously
That few dare carp at Cæsar for being bald,
What then?–this Cæsar represents, not reigns,
And is not despot, though twice absolute;
This Head has all the people for a heart;
This purple's lined with the democracy,–
Now let him see to it! for a rent within
Must leave irreparable rags without.
A serious riddle: find such anywhere
Except in France; and when it's found in France,
Be sure to read it rightly. So, I mused
Up and down, up and down, the terraced streets,
The glittering Boulevards, the white colonnades
Of fair fantastic Paris who wears boughs
Like plumes, as if a man made them,–tossing up
Her fountains in the sunshine from the squares,
As dice i' the game of beauty, sure to win;
Or as she blew the down-balls of her dreams,
And only waited for their falling back,
To breathe up more, and count her festive hours.
The city swims in verdure, beautiful
As Venice on the waters, the sea-swan.
What bosky gardens, dropped in close-walled courts,
As plums in ladies' laps, who start and laugh:
What miles of streets that run on after trees,
Still carrying the necessary shops,
Those open caskets, with the jewels seen!
And trade is art, and art's philosophy,
In Paris. There's a silk, for instance, there,
As worth an artist's study for the folds,
As that bronze opposite! nay, the bronze has faults;
Art's here too artful,–conscious as a maid,
Who leans to mark her shadow on the wall
Until she lose a 'vantage in her step.
Yet Art walks forward, and knows where to walk:
The artists also, are idealists,
Too absolute for nature, logical
To austerity in the application of
The special theory; not a soul content
To paint a crooked pollard and an ass,
As the English will, because they find it so,
And like it somehow.–Ah, the old Tuileries
Is pulling its high cap down on its eyes,
Confounded, conscience-stricken, and amazed
By the apparition of a new fair face
In those devouring mirrors. Through the grate,
Within the gardens, what a heap of babes,
Swept up like leaves beneath the chestnut-trees,
From every street and alley of the town,
By the ghosts perhaps that blow too bleak this way
A-looking for their heads! Dear pretty babes,
I'll wish them luck to have their ball-play out
Before the next change comes.–And further on,
What statues, posed upon their columns fine,
As if to stand a moment were a feat,
Against that blue! What squares! what breathing-room
For a nation that funs fast,–ay, runs against
The dentist's teeth at the corner, in pale rows,
Which grin at progress in an epigram.
I walked the day out, listening to the chink
Of the first Napoleon's dry bones, as they lay
In his second grave beneath the golden dome
That caps all Paris like a bubble. 'Shall
These dry bones live,' thought Louis Philippe once,
And lived to know. Herein is argument
For kings and politicians, but still more
For poets, who bear buckets to the well,
Of ampler draught.
These crowds are very good
For meditation, (when we are very strong)
Though love of beauty makes us timorous,
And draws us backward from the coarse town-sights
To count the daisies upon dappled fields,
And hear the streams bleat on among the hills
In innocent and indolent repose;
While still with silken elegiac thoughts
We wind out from us the distracting world,
And die into the chrysalis of a man,
And leave the best that may, to come of us
In some brown moth. Be, rather, bold, and bear
To look into the swarthiest face of things,
For God's sake who has made them.
Seven days' work;
The last day shutting 'twixt its dawn and eve,
The whole work bettered, of the previous six!
Since God collected and resumed in man
The firmaments, the strata, and the lights,
Fish, fowl, and beast, and insect,–all their trains
Of various life caught back upon His arm,
Reorganised, and constituted MAN,
The microcosm, the adding up of works;
Within whose fluttering nostrils, then at last,
Consummating Himself, the Maker sighed,
As some strong winner at the foot race sighs
Touching the goal.
Humanity is great;
And, if I would not rather pore upon
An ounce of common, ugly, human dust,
An artisan's palm, or a peasant's brow,
Unsmooth, ignoble, save to me and God,
Than track old Nilus to his silver roots,
And wait on all the changes of the moon
Among the mountain-peaks of Thessaly,
(Until her magic crystal round itself
For many a witch to see in)–set it down
As weakness,–strength by no means. How is this
That men of science, osteologists
And surgeons, beat some poets, in respect
For nature,–count nought common or unclean,
Spend raptures upon perfect specimens
Of indurated veins, distorted joints,
Or beautiful new cases of curved spine:
While we, we are shocked at nature's falling off,
We dare to shrink back from her warts and blains,
We will not, when she sneezes, look at her,
Not even to say 'God bless her'? That's our wrong;
For that, she will not trust us often with
Her larger sense of beauty and desire,
But tethers us to a lily or a rose
And bids us diet on the dew inside,–
Left ignorant that the hungry beggar-boy
(Who stares unseen against our absent eyes,
And wonders at the gods that we must be,
To pass so careless for the oranges!)
Bears yet a breastful of a fellow-world
To this world, undisparaged, undespoiled,
And (while we scorn him for a flower or two,
As being, Heaven help us, less poetical)
Contains, himself, both flowers and firmaments
And surging seas and aspectable stars,
And all that we would push him out of sight
In order to see nearer. Let us pray
God's grace to keep God's image in repute;
That so, the poet and philanthropist
(Even I and Romney) may stand side by side,
Because we both stand face to face with men
Contemplating the people in the rough,–
Yet each so follow a vocation,–his
I walked on, musing with myself
On life and art, and whether, after all,
A larger metaphysics might not help
Our physics, a completer poetry
Adjust our daily life and vulgar wants,
More fully than the special outside plans,
Phalansteries, material institutes
The civil conscriptions and lay monasteries
Preferred by modern thinkers, as they thought
The bread of man indeed made all his life,
And washing seven times in the 'People's Baths'
Were sovereign for a people's leprosy,–
Still leaving out the essential prophet's word
That comes in power. On which, we thunder down,
We prophets, poets,–Virtue's in the word!
The maker burnt the darkness up with His,
To inaugurate the use of vocal life;
And, plant a poet's word even, deep enough
In any man's breast, looking presently
For offshoots, you have done more for the man,
Than if you dressed him in a broad-cloth coat
And warmed his Sunday potage at your fire.
Yet Romney leaves me . . .
God! what face is that?
O Romney, O Marian!
Walking on the quays
And pulling thoughts to pieces leisurely,
As if I caught at grasses in a field,
And bit them slow between my absent lips,
And shred them with my hands . .
What face is that?
What a face, what a look, what a likeness! Full on mine
The sudden blow of it came down, till all
My blood swam, my eyes dazzled. Then I sprang–
If was as if a meditative man
Were dreaming out a summer afternoon
And watching gnats a-prick upon a pond,
When something floats up suddenly, out there,
Turns over . . a dead face, known once alive–
So old, so new! It would be dreadful now
To lose the sight and keep the doubt of this.
He plunges–ha! he has lost it in the splash.
I plunged–I tore the crowd up, either side,
And rushed on,–forward, forward . . after her.
A woman sauntered slow, in front,
Munching an apple,–she left off amazed
As if I had snatched it: that's not she, at least.
A man walked arm-linked with a lady veiled,
Both heads dropped closer than the need of talk:
They started; he forgot her with his face,
And she, herself,–and clung to him as if
My look were fatal. Such a stream of folk,
All with cares and business of their own!
I ran the whole quay down against their eyes;
No Marian; nowhere Marian. Almost, now,
I could call Marian, Marian, with the shriek
Of desperate creatures calling for the Dead.
Where is she, was she? was she anywhere?
I stood still, breathless, gazing, straining out
In every uncertain distance, till, at last,
A gentleman abstracted as myself
Came full against me, then resolved the clash
In voluble excuses,–obviously
Some learned member of the Institute
Upon his way there, walking, for his health,
While meditating on the last 'Discourse;'
Pinching the empty air 'twixt finger and thumb,
From which the snuff being ousted by that shock,
Defiled his snow-white waistcoat, duly pricked
At the button-hole with honourable red;
'Madame, your pardon,'–there, he swerved from me
A metre, as confounded as he had heard
That Dumas would be chosen to fill up
The next chair vacant, by his 'men in us,'
Since when was genius found respectable?
It passes in its place, indeed,–which means
The seventh floor back, or else the hospital;
Revolving pistols are ingenious things,
But prudent men (Academicians are)
Scare keep them in the cupboard, next the prunes.
And so, abandoned to a bitter mirth,
I loitered to my inn. O world, O world,
O jurists, rhymers, dreamers, what you please,
We play a weary game of hide and seek!
We shape a figure of our fantasy,
Call nothing something, and run after it
And lose it, lose ourselves too in the search,
Till clash against us, comes a somebody
Who also has lost something and is lost,
Philosopher against philanthropist,
Academician against poet, man
Against woman, against the living, the dead,–
Then home, with a bad headache and worse jest!
To change the water for my heliotropes
And yellow roses. Paris has such flowers,
But England, also. 'Twas a yellow rose,
By that south window of the little house,
My cousin Romney gathered with his hand
On all my birthdays for me, save the last;
And then I shook the tree too rough, too rough,
For roses to stay after.
Now, my maps
I must not linger here from Italy
Till the last nightingale is tired of song,
And the last fire-fly dies off in the maize.
My soul's in haste to leap into the sun
And scorch and seethe itself to a finer mood,
Which here, in this chill north, is apt to stand
Too stiffly in former moulds.
That face persists.
It floats up, it turns over in my mind,
As like to Marian, as one dead is like
That same alive. In very deed a face
And not a fancy, though it vanished so;
The small fair face between the darks of hair,
I used to liken, when I saw her first,
To a point of moonlit water down a well:
The low brow, the frank space between the eyes,
Which always had the brown pathetic look
Of a dumb creature who had been beaten once,
And never since was easy with the world.
Ah, ah–now I remember perfectly
Those eyes to-day,–how overlarge they seemed
As if some patient passionate despair
(Like a coal dropt and forgot on tapestry,
Which slowly burns a widening circle out)
Had burnt them larger, larger. And those eyes,
To-day, I do remember, saw me too,
As I saw them, with conscious lids astrain
In recognition. Now, a fantasy,
A simple shade or image of the brain,
Is merely passive, does not retro-act,
Is seen, but sees not.
'Twas a real face,
Perhaps a real Marian.
Which being so,
I ought to write to Romney, 'Marian's here.
Be comforted for Marian.'
My pen fell,
My hands struck sharp together, as hands do
Which hold at nothing. Can I write to him
A half truth? can I keep my own soul blind
To the other half, . . the worse? What are our souls,
If still, to run on straight a sober pace
Nor start at every pebble or dead leaf,
They must wear blinkers, ignore facts, suppress
Six-tenths of the road? Confront the truth, my soul!
And oh, as truly as that was Marian's face,
The arms of the same Marian clasped a thing
. . Not hid so well beneath the scanty shawl,
I cannot name it now for what it was.
A child. Small business has a cast-away
Like Marian, with that crown of prosperous wives
At which the gentlest she grows arrogant
And says, 'my child.' Who'll find an emerald ring
On a beggar's middle finger, and require
More testimony to convict a thief?
A child's too costly for so mere a wretch;
She filched it somewhere; and it means, with her,
Instead of honour, blessing, . . merely shame.
I cannot write to Romney, 'Here she is,
Here's Marian found! I'll set you on her track:
I saw her here, in Paris, . . and her child.
She put away your love two years ago,
But, plainly, not to starve. You suffered then;
And, now that you've forgot her utterly
As any lost year's annual in whose place
You've planted a thick flowering evergreen,
I choose, being kind, to write and tell you this
To make you wholly easy–she's not dead,
But only . . damned.'
Stop there: I go too fast;
I'm cruel like the rest,–in haste to take
The first stir in the arras for a rat,
And set my barking, biting thoughts upon't.
–A child! what then? Suppose a neighbour's sick
And asked her, 'Marian, carry out my child
In this spring air,'–I punish her for that?
Or say, the child should hold her round the neck
For good child-reasons, that he liked it so
And would not leave her–she had winning ways–
I brand her therefore, that she took the child?
I will not write to Romney Leigh.
For now he's happy,–and she may indeed
Be guilty,–and the knowledeg of her fault
Would draggle his smooth time. But I, whose days
Are not so fine they cannot bear the rain,
And who, moreover, having seen her face,
Must see it again, . . will see it, by my hopes
Of one day seeing heaven too. The police
Shall track her, hound her, ferret their own soil;
We'll dig this Paris to its catacombs
But certainly we'll find her, have her out,
And save her, if she will or will not–child
Or no child,–if a child, then one to save!
The long weeks passed on without consequence.
As easy find a footstep on the sand
The morning after spring-tied, as the trace
Of Marian's feet between the incessant surfs
Of this live flood. She may have moved this way,–
But so the star-fish does, and crosses out
The dent of her small shoe. The foiled police
Renounced me; 'Could they find a girl and child,
No other signalment but girl and child?
No data shown, but noticeable eyes
And hair in masses, low upon the brow,
As if it were an iron crown and pressed?
Friends heighten, and suppose they specify:
Why, girls with hair and eyes are everywhere
In Paris; they had turned me up in vain
No Marian Erle indeed, but certainly
Mathildes, Justines, Victoires, . . or, if I sought
The English, Betsis, Saras, by the score.
They might as well go out into the fields
To find a speckled bean, that's somehow specked,
And somewhere in the pod.'–They left me so.
Shall I leave Marian? have I dreamed a dream?
–I thank God I have found her! I must say
'Thank, God,' for finding her, although 'tis true
I find the world more sad and wicked for't.
I'll write about her, presently;
My hand's a-tremble as I had just caught up
My heart to write with, in the place of it.
At least you'd take these letters to be writ
At sea, in storm!–wait now . .
A simple chance
Did all. I could not sleep last night, and tired
Of turning on my pillow and harder thoughts
Went out at early morning, when the air
Is delicate with some last starry touch,
To wander through the Market-place of Flowers
(The prettiest haunt in Paris), and make sure
At worst, that there were roses in the world.
So wandering, musing with the artist's eye,
That keeps the shade-side of the thing it loves,
Half-absent, whole-observing, while the crowd
Of young vivacioius and black-braided heads
Dipped, quick as finches in a blossomed tree,
Among the nosegays, cheapening this and that
In such a cheerful twitter of rapid speech,–
My heart leapt in me, startled by a voice
That slowly, faintly, with long breaths that marked
The interval between the wish and word,
Inquired in stranger's French, 'Would that be much,
That branch of flowering mountain-gorse?'–'So much?
Too much for me, then!' turning the face round
So close upon me, that I felt the sigh
It turned with.
'Marian, Marian!'–face to face–
'Marian! I find you. Shall I let you go?'
I held her two slight wrists with both my hands;
'Ah, Marian, Marian, can I let you go?'
–She fluttered from me like a cyclamen,
As white, which, taken in a sudden wind,
Beats on against the palisade.–'Let pass,'
She said at last. 'I will not,' I replied;
'I lost my sister Marian many days,
And sought her ever in my walks and prayers,
And now I find her . . . do we thrown away
The bread we worked and prayed for,–crumble it
And drop it, . . to do even so by thee
Whom still I've hungered after more than bread,
My sister Marian?–can I hurt thee, dear?
Then why distrust me? Never tremble so.
Come with me rather, where we'll talk and live,
And none shall vex us. I've a home for you
And me and no one else' . . .
She shook her head.
'A home for you and me and no one else
Ill-suits one of us: I prefer to such,
A roof of grass on which a flower might spring,
Less costly to me than the cheapest here;
And yet I could not, at this hour, afford
A like home, even. That you offer yours,
I thank you. You are good as heaven itself–
As good as one I knew before . . Farewell.'
I loosed her hands. 'In his name, no farewell!'
(She stood as if I held her,) 'for his sake,
For his sake, Romney's! by the good he meant,
Ay, always! by the love he pressed for once,–
And by the grief, reproach, abandonment,
He took in change' . .
'He, Romney! who grieved him?
Who had the heart for't? what reproach touch'd him?
Be merciful,–speak quickly.'
I answered with authority,–'I think
We dare to speak such things, and name such names,
In the open squares of Paris!'
Not a word
She said, but, in a gentle humbled way,
(As one who had forgot herself in grief)
Turned round and followed closely where I went.
As if I led her by a narrow plank
Across devouring waters, step by step,–
And so in silence we walked on a mile.
And then she stopped: her face was white as wax.
'We go much further?'
'You are ill,' I asked,
She looked the whiter for her smile.
'There's one at home,' she said, 'has need of me
By this time,–and I must not let him wait.'
'Not even,' I asked, 'to hear of Romney Leigh?'
'Not even,' she said, 'to hear of Mister Leigh.'
'In that case,' I resumed, 'I go with you,
And we can talk the same thing there as here.
None waits for me: I have my day to spend.'
Her lips moved in a spasm without a sound,–
But then she spoke. 'It shall be as you please;
And better so,–'tis shorter seen than told.
And though you will not find me worth your pains,
That even, may be worth some pains to know,
For one as good as you are.'
Then she led
The way, and I, as by a narrow plank
Across devouring waters, followed her,
Stepping by her footsteps, breathing by her breath,
And holding her with eyes that would not slip;
And so, without a word, we walked a mile,
And so, another mile, without a word.
Until the peopled streets being all dismissed,
House-rows and groups all scattered like a flock,
The market-gardens thickened, and the long
White walls beyond, like spiders' outside threads,
Stretched, feeling blindly toward the country-fields
Through half-built habitations and half-dug
Foundations,–intervals of trenchant chalk,
That bite betwixt the grassy uneven turfs
Where goats (vine tendrils trailing from their mouths)
Stood perched on edges of the cellarage
Which should be, staring as about to leap
To find their coming Bacchus. All the place
Seemed less a cultivation than a waste:
Men work here, only,–scarce begin to live:
All's sad, the country struggling with the town,
Like an untamed hawk upon a strong man's fist,
That beats its wings and tries to get away,
And cannot choose be satisfied so soon
To hop through court-yards with its right foot tied,
The vintage plains and pastoral hills in sight!
We stopped beside a house too high and slim
To stand there by itself, but waiting till
Five others, two on this side, three on that,
Should grow up from the sullen second floor
They pause at now, to build it to a row.
The upper windows partly were unglazed
Meantime,–a meagre, unripe house: a line
Of rigid poplars elbowed it behind,
And just in front, beyond the lime and bricks
That wronged the grass between it and the road,
A great acacia, with its slender trunk
And overpoise of multitudinous leaves,
(In which a hundred fields might spill their dew
And intense verdure, yet find room enough)
Stood reconciling all the place with green.
I follwoed up the stair upon her step.
She hurried upward, shot across a face,
A woman's on the landing,–'How now, now!
Is no one to have holidays but you?
You said an hour, and stay three hours, I think,
And Julie waiting for your betters here!
Why if he had waked, he might have waked for me.'
–Just murmuring an excusing word she passed
And shut the rest out with the chamber-door,
Myself shut in beside her.
'Twas a room
Scarce large than a grave, and near as bare;
Two stools, a pallet-bed; I saw the room;
A mouse could find no sort of shelter in't,
Much less a greater secret; curtainless,–
The window fixed you with its torturing eye,
Defying you to take a step apart.
If peradventure you would hide a thing.
I saw the whole room, I and Marian there
Alone? She threw her bonnet off,
Then sighing as 'twere sighing the last time,
Approached the bed, and drew a shawl away:
You could not peel a fruit you fear to bruise
More calmly and more carefully than so,–
Nor would you find within, a rosier flushed
There he lay, upon his back,
The yearling creature, warm and moist with life
To the bottom of his dimples,–to the ends
Of the lovely tumbled curls about his face;
For since he had been covered over-much
To keep him from the light glare, both his cheeks
Were hot and scarlet as the first live rose
The shepherd's heart blood ebbed away into,
The faster for his love. And love was here
As instant! in the pretty baby-mouth,
Shut close as if for dreaming that it sucked;
The little naked feet drawn up the way
Of nestled birdlings; everything so soft
And tender,–to the little holdfast hands,
Which, closing on a finger into sleep,
Had kept the mould of't.
While we stood there dumb,–
For oh, that it should take such innocence
To prove just guilt, I thought, and stood there dumb;
The light upon his eyelids pricked them wide,
And staring out at us with all their blue,
As half perplexed between the angelhood
He had been away to visit in his sleep,
And our most mortal presence,–gradually
He saw his mother's face, accepting it
In change for heaven itself, with such a smile
As might have well been learnt there,–never moved,
But smiled on, in a drowse of ecstasy,
So happy (half with her and half with heaven)
He could not have the trouble to be stirred,
But smiled and lay there. Like a rose, I said:
As red and still indeed as any rose,
That blows in all the silence of its leaves,
Content, in blowing, to fulfil its life.
She leaned above him (drinking him as wine)
In that extremity of love, 'twill pass
For agony or rapture, seeing that love
Includes the whole of nature, rounding it
To love . . no more,–since more can never be
Than just love. Self-forgot, cast out of self,
And drowning in the transport of the sight,
Her whole pale passionate face, mouth, forehead, eyes,
One gaze, she stood! then, slowly as he smiled,
She smiled too, slowly, smiling unaware,
And drawing from his countenance to hers
A fainter red, as if she watched a flame
And stood in it a-glow. 'How beautiful!'
I answered, trying to be cold.
(Must sin have compensations, was my thought,
As if it were a holy thing like grief?
And is a woman to be fooled aside
From putting vice down, with that woman's toy,
A baby?)––'Ay! the child is well enough,'
I answered. 'If his mother's palms are clean,
They need be glad, of course, in clasping such:
But if not,–I would rather lay my hand,
Were I she,–on God's brazen altar-bars
Red-hot with burning sacrificial lambs,
Than touch the sacred curls of such a child.'
She plunged her fingers in his clustering locks,
As one who would not be afraid of fire;
And then, with indrawn steady utterance, said,–
'My lamb, my lamb! although, through such as thou,
The most unclean got courage and approach
To God, once,–now they cannot, even with men,
Find grace enough for pity and gentle words.'
'My Marian,' I made answer, grave and sad,
'The priest who stole a lamb to offer him,
Was still a thief. And if a woman steals
(Through God's own barrier-hedges of true love,
Which fence out licence in securing love)
A child like this, that smiles so in her face,
She is no mother, but a kidnapper,
And he's a dismal orphan . . not a son;
Whom all her kisses cannot feed so full
He will not miss herafter a pure home
To live in, a pure heart to lean against,
A pure good mother's name and memory
To hope by when the world grows thick and bad,
And he feels out for virtue.'
'Oh,' she smiled
With bitter patience, 'the child takes his chance,–
Not much worse off in being fatherless
Than I was fathered. He will say, belike,
His mother was the saddest creature born;
He'll say his mother lived so contrary
To joy, that even the kindest, seeing her,
Grew sometimes almost cruel: he'll not say
She flew contrarious in the face of God
With bat-wings of her vices. Stole my child,–
My flower of earth, my only flower on earth,
My sweet, my beauty!' . . Up she snatched the child,
And breaking on him in a storm of tears,
Drew out her long sobs from their shivering roots,
Until he took it for a game, and stretched
His feet, and flapped his eager arms like wings,
And crowed and gurgled through his infant laugh:
'Mine, mine,' she said; 'I have as sure a right
As any glad pround mother in the world,
Who sets her darling down to cut his teeth
Upon her church-ring. If she talks of law,
I talk of law! I claim my mother-dues
By law,–the law which now is paramount;
The common law, by which the poor and weak
Are trodden underfoot by vicious men,
And loathed for ever after by the good.
Let pass! I did not filch . . I found the child.'
'You found him, Marian?'
'Ay, I found him where
I found my curse,–in the gutter with my shame!
What have you, any of you, to say to that,
Who all are happy, and sit safe and high,
And never spoke before to arraign my right
To grief itself? What, what, . . being beaten down
By hoofs of maddened oxen into a ditch,
Half-dead, whole mangled . . when a girl, at last,
Breathes, sees . . and finds, there, bedded in her flesh,
Because of the overcoming shock perhaps,
Some coin of price! . . and when a good man comes
(That's God! the best men are not quite as good)
And says, 'I dropped the coin there: take it, you,
And keep it,–it shall pay you for the loss,–
You all put up your finger–'See the thief!
'Observe that precious thing she has come to filch!
'How bad those girls are!' Oh, my flower, my pet,
I dare forget I have you in my arms,
And fly off to be angry with the world,
And fright you, hurt you with my tempers, till
You double up your lip? Ah, that indeed
Is bad: a naughty mother!'
I interrupted. 'If I loved you not,
I should not, Marian, certainly be here.'
'Alas,' she said, 'you are so very good;
And yet I wish, indeed, you had never come
To make me sob until I vex the child.
It is not wholesome for these pleasure-plats
To be so early watered by our brine.
And then, who knows? he may not like me now
As well, perhaps, as ere he saw me fret,–
One's ugly fretting! he has eyes the same
As angels, but he cannot see as deep,
And so I've kept for ever in his sight
A sort of smile to please him, as you place
A green thing from the garden in a cup,
To make believe it grows there. Look, my sweet,
My cowslip-ball! we've done with that cross face,
And here's the face come back you used to like.
And, ah! he laughs! he likes me. Ah, Miss Leigh,
You're great and pure; but were you purer still,–
As if you had walked, we'll say, no otherwhere
Than up and down the new Jerusalem,
And held your trailing lutestring up yourself
From brushing the twelve stones, for fear of some
Small speck as little as a needle prick,
White stitched on white,–the child would keep to me,
Would choose his poor lost Marian, like me best,
And, though you stretched your arms, cry back and cling,
As we do, when God says it's time to die
And bids us go up higher. Leave us then;
We two are happy. Does he push me off?
He's satisfied with me, as I with him.'
'So soft to one, so hard to others! Nay.'
I cried, more angry that she melted me,
'We make henceforth a cushion of our faults
To sit and practise easy virtues on?
I thought a child was given to sanctify
A woman,–set her in the sight of all
The clear-eyed heavens, a chosen minister
To do their business and lead spirits up
The difficult blue heights. A woman lives,
Not bettered, quickened toward the truth and good
Through being a mother? . . . then she's none although
She damps her baby's cheeks by kissing them,
As we kill roses.'
'Kill! O Christ,' she said,
And turned her wild sad face from side to side
With most despairing wonder in it–'What,
What have you in your souls against me then,
All of you? am I wicked, do you think?
God knows me, trusts me with a child! but you,
You think me really wicked?'
I answered softly, 'to a wrong you've done,
Because of certain profits,–which is wrong
Beyond the first wrong, Marian. When you left
The pure place and the noble heart, to take
The hand of a seducer' . .
'Whom? whose hand?
I took the hand of' . .
Springing up erect,
And lifting up the child at full arm's length,
As if to bear him like an oriflamme
Unconquerable to armies of reproach,–
'By him,' she said, 'my child's head and its curls,
By those blue eyes no woman born could dare
A perjury on, I make my mother's oath,
That if I left that Heart, to lighten it,
The blood of mine was still, except for grief!
No cleaner maid than I was, took a step
To a sadder cup,–no matron-mother now
Looks backwards to her early maidenhood
Through chaster pulses. I speak steadily:
And if I lie so, . . if, being fouled in will
And paltered with in soul by devil's lust,
I dare to bid this angel take my part, . .
Would God sit quiet, let us think, in heaven,
Nor strike me dumb with thunder? Yet I speak:
He clears me therefore. What, 'seduced' 's your word?
Do wolves seduce a wandering fawn in France?
Do eagles, who have pinched a lamb with claws,
Seduce it into carrion? So with me.
I was not ever as you say, seduced,
But simply murdered.'
There she paused, and sighed,
With such a sigh as drops from agony
To exhaustion,–sighing while she let the babe
Slide down upon her bosom from her arms,
And all her face's light fell after him,
Like a torch quenched in falling. Down she sank,
And sate upon the bedside with the child.
But I, convicted, broken utterly,
With woman's passion clung about her waist,
And kissed her hair and eyes,–'I have been wrong,
Sweet Marian' . . (weeping in a tender rage)
'Sweet holy Marian! And now, Marian, now,
I'll use your oath although my lips are hard,
And by the child, my Marian, by the child,
I'll swear his mother shall be innocent
Before my conscience, as in the open Book
Of Him who reads for judgment. Innocent,
My sister! let the night be ne'er so dark,
The moon is surely somewhere in the sky:
So surely is your whiteness to be found
Through all dark facts. But pardon, pardon me,
And smile a little, Marian,–for the child,
If not for me, my sister.'
The poor lip
Just motioned for the smile and let it go.
And then, with scarce a stirring of the mouth,
As if a statue spoke that could not breathe,
But spoke on calm between its marble lips,–
'I'm glad, I'm very glad you clear me so.
I should be sorry that you set me down
With harlots, or with even a better name
Which misbecomes his mother. For the rest
I am not on a level with your love,
Nor ever was, you know,–but now am worse,
Because that world of yours has dealt with me
As when the hard sea bites and chews a stone
And changes the first form of it. I've marked
A shore of pebbles bitten to one shape
From all the various life of madrepores;
And so, that little stone, called Marian Erle,
Picked up and dropped by you and another friend,
Was ground and tortured by the incessant sea
And bruised from what she was,–changed! death's a change,
And she, I said, was murdered; Marian's dead.
What can you do with people when they are dead,
But, if you are pious, sing a hymn and go;
Or, if you are tender, heave a sigh and go,
But go by all means,–and permit the grass
To keep its green feud up 'twixt them and you?
Then leave me,–let me rest. I'm dead, I say.
And if, to save the child from death as well,
The mother in me has survived the rest,
Why, that's God's miracle you must not tax,–
I'm not less dead for that: I'm nothing more
But just a mother. Only for the child,
I'm warm, and cold, and hungry, and afraid,
And smell the flowers a little, and see the sun,
And speak still, and am silent,–just for him!
I pray you therefore to mistake me not
And treat me haply, as I were alive;
For though you ran a pin into my soul,
I think it would not hurt nor trouble me.
Here's proof, dear lady,–in the market-place
But now, you promised me to say a word
About . . a friend, who once, long years ago,
Took God's place toward me, when He draws and loves
And does not thunder, . . whom at last I left,
As all of us leave God. You thought perhaps
I seemed to care for hearing of that friend?
Now, judge me! we have sate here half an hour
And talked together of the child and me,
And I not asked as much as 'What's the thing
You had to tell me of the friend . . the friend?'
He's sad, I think you said,–he's sick perhaps?
It's nought to Marian if he's sad or sick.
Another would have crawled beside your foot
And prayed your words out. Why, a beast, a dog,
A starved cat, if he had fed it once with milk,
Would show less hardness. But I'm dead, you see,
And that explains it.'
Poor, poor thing, she spoke
And shook her head, as white and calm as frost
On days too cold for raining any more,
But still with such a face, so much alive,
I could not choose but take it on my arm
And stroke the placid patience of its cheeks,–
Then told my story out, of Romney Leigh,
How, having lost her, sought her, missed her still,
He, broken-hearted for himself and her,
Had drawn the curtains of the world awhile
As if he had done with morning. There I stopped,
For when she gasped, and pressed me with her eyes,
'And now . . how is it with him? tell me now,'–
I felt the shame of compensated grief,
And chose my words with scruple–slowly stepped
Upon the slippery stones set here and there
Across the sliding water. 'Certainly,
As evening empties morning into night,
Another morning takes the evening up
With healthful, providential interchange;
And, though he thought still of her–'
'Yes, she knew,
She understood: she had supposed indeed
That, as one stops a hole upon a flute,
At which a new note comes and shapes the tune,
Excluding her would bring a worthier in,
And, long ere this, that Lady Waldemar
He loved so' . .
'Loved,' I started,–'loved her so!
Now tell me' . .
'I will tell you,' she replied:
'But since we're taking oaths, you'll promise first
That he in England, he, shall never learn
In what a dreadful trap his creature here,
Round whose unworthy neck he had meant to tie
The honourable ribbon of his name,
Fell unaware and came to butchery:
Because,–I know him,–as he takes to heart
The grief of every stranger, he's not like
To banish mine as far as I should choose
In wishing him most happy. Now he leaves
To think of me, perverse, who went my way,
Unkind, and left him,–but if once he knew . .
Ah, then, the sharp nail of my cruel wrong
Would fasten me for ever in his sight,
Like some poor curious bird, through each spread wing
Nailed high up over a fierce hunter's fire
To spoil the dinner of all tenderer folk
Come in by chance. Nay, since your Marian's dead,
You shall not hang her up, but dig a hole
And bury her in silence! ring no bells.'
I answered gaily, though my whole voice wept,
'We'll ring the joy-bells, not the funeral-bells,
Because we have her back, dead or alive.'
She never answered that, but shook her head;
Then low and calm, as one who, safe in heaven,
Shall tell a story of his lower life,
Unmoved by shame or anger,–so she spoke.
She told me she had loved upon her knees
As others pray, more perfectly absorbed
In the act and inspiration. She felt his,
For just his uses, not her own at all,–
His stool, to sit on or put up his foot,
His cup, to fill with wine or vinegar,
Whichever drink might please him at the chance,
For that should please her always: let him write
His name upon her . . it seemed natural;
It was most precious, standing on his shelf,
To wait until he chose to lift his hand.
Well, well,–I saw her then, and must have seen
How bright her life went floating on her love,
Like wicks the housewives send afloat on oil
Which feeds them to a flame that lasts the night.
To do good seemed so much his business,
That, having done it, she was fain to think,
Must fill up his capacity for joy.
At first she never mooted with herself
If he was happy, since he made her so,
Or if he loved her, being so much beloved:
Who thinks of asking if the sun is light,
Observing that it lightens? Who's so bold,
To question God of his felicity?
Still less. And thus she took for granted first,
What first of all she should have put to proof,
And sinned against him so, but only so.
'What could you hope,' she said, 'of such as she?
You take a kid you like, and turn it out
In some fair garden: though the creature's fond
And gentle, it will leap upon the beds
And break your tulips, bite your tender trees;
The wonder would be if such innocence
Spoiled less. A garden is no place for kids.'
And, by degrees, when he who had chosen her
Brought in his courteous and benignant friends
To spend their goodness on her, which she took
So very gladly, as a part of his,–
By slow degrees it broke on her slow sense,
That she, too, in that Eden of delight
Was out of place, and, like the silly kid,
Still did most mischief where she meant most love.
A thought enough to make a woman mad
(No beast in this, but she may well go mad),
That, saying, 'I am thine to love and use;'
May blow the plague in her protesting breath
To the very man for whom she claims to die,–
That, clinging round his neck, she pulls him down
And drowns him,–and that, lavishing her soul
She hales perdition on him. 'So, being mad,'
Said Marian . .
'Ah–who stirred such thoughts, you ask?
Whose fault it was, that she should have such thoughts?
None's fault, none's fault. The light comes, and we see:
But if it were not truly for our eyes,
There would be nothing seen, for all the light.
And so with Marian. If she saw at last,
The sense was in her,–Lady Waldemar
Had spoken all in vain else.'
'Oh my heart,
O prophet in my heart,' I cried aloud,
'Then Lady Waldemar spoke!'
'Did she speak,'
Mused Marian softly, 'or did she only sign?
Or did she put a word into her face
And look, and so impress you with the word?
Or leave it in the foldings of her gown,
Like rosemary smells, a movement will shake out
When no one's conscious? who shall say, or guess?
One thing alone was certain–from the day
The gracious lady paid a visit first,
She, Marian, saw things different,–felt distrust
Of all that sheltering roof of circumstance
Her hopes were building into with clay nests:
Her heart was restless, pacing up and down
And fluttering, like dumb creatures before storms,
Not knowing wherefore she was ill at ease.'
'And still the lady came,' said Marian Erle,
'Much oftener than he knew it, Mister Leigh.
She bade me never tell him she had come,
She liked to love me better than he knew,
So very kind was Lady Waldemar:
And every time she brought with her more light,
And every light made sorrow clearer . . Well,
Ah, well! we cannot give her blame for that;
'Twould be the same thing if an angel came,
Whose right should prove our wrong. And every time
The lady came, she looked more beautiful
And spoke more like a flute among green trees,
Until at last, as one, whose heart being sad
On hearing lovely music, suddenly
Dissolves in weeping, I brake out in tears
Before her . . asked her counsel . . 'had I erred
'In being too happy? would she set me straight?
'For she, being wise and good and born above
'The flats I had never climbed from, could perceive
'If such as I, might grow upon the hills;
'And whether such poor herb sufficed to grow,
'For Romney Leigh to break his fast upon't,–
'Or would he pine on such, or haply starve?'
She wrapt me in her generous arms at once,
And let me dream a moment how it feels
To have a real mother, like some girls:
But when I looked, her face was younger . . ay,
Youth's too bright not to be a little hard,
And beauty keeps itself still uppermost,
That's true!–Though Lady Waldemar was kind,
She hurt me, hurt, as if the morning-sun
Should smite us on the eyelids when we sleep,
And wake us up with headache. Ay, and soon
Was light enough to make my heart ache too:
She told me truths I asked for, . . 'twas my fault, . .
'That Romney could not love me, if he would,
'As men call loving; there are bloods that flow
'Together, like some rivers, and not mix,
'Through contraries of nature. He indeed
'Was set to wed me, to espouse my class,
'Act out a rash opinion,–and, once wed,
'So just a man and gentle, could not choose
'But make my life as smooth as marriage-ring,
'Bespeak me mildly, keep me a cheerful house,
'With servants, brooches, all the flowers I liked,
'And pretty dresses, silk the whole year round' . .
At which I stopped her,–'This for me. And now
'For him.'–She murmured,–truth grew difficult;
She owned, Twas plain a man like Romney Leigh
'Required a wife more level to himself.
'If day by day he had to bend his height
'To pick up sympathies, opinions, thoughts,
'And interchange the common talk of life
'Which helps a man to live as well as talk,
'His days were heavily taxed. Who buys a staff
'To fit the hand, that reaches but the knee?
'He'd feel it bitter to be forced to miss
'The perfect joy of married suited pairs,
'Who, bursting through the separating hedge
'Of personal dues with that sweet eglantine
'Of equal love, keep saying, 'So we think,
It strikes us,–that's our fancy.–When I asked
If earnest will, devoted love, employed
In youth like mine, would fail to raise me up,–
As two strong arms will always raise a child
To a fruit hung overhead? she sighed and sighed . .
'That could not be,' she feared. 'You take a pink,
'You dig about its roots and water it,
'And so improve it to a garden-pink,
'But will not change it to a heliotrope,
'The kind remains. And then, the harder truth–
'This Romney Leigh, so rash to leap a pale,
'So bold for conscience, quick for martyrdom,
'Would suffer steadily and never flinch,
'But suffer surely and keenly, when his class
'Turned shoulder on him for a shameful match,
'And set him up as nine-pin in their talk
'To bowl him down with jestings.'–There, she paused;
And when I used the pause in doubting that
We wronged him after all in what we feared–
'Suppose such things should never touch him, more
'In his high conscience, (if the things should be,)
'Than, when the queen sits in an upper room
'The horses in the street can spatter her!'–
A moment, hope came,–but the lady closed
That door and nicked the lock and shut it out,
Observing wisely that 'the tender heart
'Which made him over-soft to a lower class,
'Could scarcely fail to make him sensitive
'To a higher,–how they thought and what they felt.'
'Alas, alas!' said Marian, rocking slow
The pretty baby who was near asleep,
The eyelids creeping over the blue balls,–
'She made it clear, too clear–I saw the whole!
And yet who knows if I had seen my way
Straight out of it, by looking, though 'twas clear,
Unless the generous lady, 'ware of this,
Had set her own house all a-fire for me,
To light me forwards? Leaning on my face
Her heavy agate eyes which crushed my will,
She told me tenderly, (as when men come
To a bedside to tell people they must die)
'She knew of knowledge,–aye, of knowledge, knew,
'That Romney Leigh had loved her formerly.
'And she loved him, she might say, now the chance
'Was past . . but that, of course, he never guessed,–
'For something came between them . . something thin
As a cobweb . . catching every fly of doubt
'To hold it buzzing at the window-pane
'And help to dim the daylight. Ah, man's pride
'Or woman's–which is greatest? most averse
'To brushing cobwebs? Well, but she and he
'Remained fast friends; it seemed not more than so,
'Because he had bound his hands and could not stir:
'An honorable man, if somewhat rash;
'And she, not even for Romney, would she spill
'A blot . . as little even as a tear . .
'Upon his marriage-contract,–not to gain
'A better joy for two than came by that!
'For, though I stood between her heart and heaven,
'She loved me wholly.
Did I laugh or curse?
I think I sat there silent, hearing all,
Ay, hearing double,–Marian's tale, at once,
And Romney's marriage vow, 'I'll keep to THEE,'
Which means that woman-serpent. Is it time
For church now?
'Lady Waldemar spoke more,'
Continued Marian, 'but, as when a soul
Will pass out through the sweetness of a song
Beyond it, voyaging the uphill road,–
Even so mine wandered from the things I heard,
To those I suffered. It was afterward
I shaped the resolution to the act.
For many hours we talked. What need to talk?
The fate was clear and close; it touched my eyes;
But still the generous lady tried to keep
The case afloat, and would not let it go,
And argued, struggled upon Marian's side,
Which was not Romney's! though she little knew
What ugly monster would take up the end,–
What griping death within the drowning death
Was ready to complete my sum of death.'
I thought,–Perhaps he's sliding now the ring
Upon that woman's finger . .
She went on:
'The lady, failing to prevail her way,
Upgathered my torn wishes from the ground
And pieced them with her strong benevolence;
And, as I thought I could breathe freer air
Away from England, going without pause,
Without farewell,–just breaking with a jerk
The blossomed offshoot from my thorny life,–
She promised kindly to provide the means,
With instant passage to the colonies
And full protection, would commit me straight
'To one who once had been her waiting-maid
'And had the customs of the world, intent
'On changing England for Australia
'Herself, to carry out her fortune so.'
For which I thanked the Lady Waldemar,
As men upon their death-beds thank last friends
Who lay the pillow straight: it is not much,
And yet 'tis all of which they are capable,
This lying smoothly in a bed to die.
And so, 'twas fixed;–and so, from day to day,
The woman named, came in to visit me.'
Just then the girl stopped speaking,–sate erect,
And stared at me as if I had been a ghost,
(Perhaps I looked as white as any ghost),
With large-eyed horror. 'Does God make,' she said,
'All sorts of creatures really, do you think?
Or is it that the Devil slavers them
So excellently, that we come to doubt
Who's stronger, He who makes, or he who mars?
I never liked the woman's face or voice,
Or ways: it made me blush to look at her;
It made me tremble if she touched my hand;
And when she spoke a fondling word I shrank,
As if one hated me, who had power to hurt;
And, every time she came, my veins ran cold,
As somebody were walking on my grave.
At last I spoke to Lady Waldemar:
'Could such an one be good to trust?' I asked.
Whereat the lady stroked my cheek and laughed
Her silver-laugh (one must be born to laugh,
To put such music in it) 'Foolish girl,
'Your scattered wits are gathering wool beyond
'The sheep-walk reaches!–leave the thing to me.'
And therefore, half in trust, and half in scorn
That I had heart still for another fear
In such a safe despair, I left the thing.
'The rest is short. I was obedient:
I wrote my letter which delivered him
From Marian to his own prosperities,
And followed that bad guide. The lady?–hush,–
I never blame the lady. Ladies who
Sit high, however willing to look down,
Will scarce see lower than their dainty feet;
And Lady Waldemar saw less than I
With what a Devil's daughter I went forth
The swine's road, headlong over a precipice,
In such a curl of hell-foam caught and choked,
No shriek of soul in anguish could pierce through
To fetch some help. They say there's help in heaven
For all such cries. But if one cries from hell. .
What then?–the heavens are deaf upon that side.
A woman . . hear me,–let me make it plain,–
A woman . . not a monster . . both her breasts
Made right to suckle babes . . she took me off,
A woman also, young and ignorant,
And heavy with my grief, my two poor eyes
Near washed away with weeping, till the trees,
The blessed unaccustomed trees and fields,
Ran either side the train like stranger dogs
Unworthy of any notice,–took me off,
So dull, so blind, and only half alive,
Not seeing by what road, nor by what ship,
Nor toward what place, nor to what end of all.–
Men carry a corpse thus,–past the doorway, past
The garden-gate, the children's playground, up
The green lane,–then they leave it in the pit,
To sleep and find corruption, cheek to cheek
With him who stinks since Friday.
To go down with one's soul into the grave,–
To go down half dead, half alive, I say,
And wake up with corruption, . . cheek to cheek
With him who stinks since Friday! There it is,
And that's the horror of't, Miss Leigh.
You understand?–no, do not look at me,
But understand. The blank, blind, weary way,
Which led . . where'er it led . . away at least;
The shifted ship . . to Sydney or to France . .
Still bound, wherever else, to another land;
The swooning sickness on the dismal sea,
The foreign shore, the shameful house, the night,
The feeble blood, the heavy-headed grief, . .
No need to bring their damnable drugged cup,
And yet they brought it! Hell's so prodigal
Of devil's gifts . . hunts liberally in packs,
Will kill no poor small creature of the wilds
But fifty red wide throats must smoke at it,
As HIS at me . . when waking up at last . .
I told you that I waked up in the grave.
'Enough so!–it is plain enough so. True,
We wretches cannot tell out all our wrong,
Without offence to decent happy folk.
I know that we must scrupulously hint
With half-words, delicate reserves, the thing
Which no one scrupled we should feel in full.
Let pass the rest, then; only leave my oath
Upon this sleeping child,–man's violence,
Not man's seduction, made me what I am,
As lost as . . I told him I should be lost.
When mothers fail us, can we help ourselves?
That's fatal!–And you call it being lost,
That down came next day's noon and caught me there,
Half gibbering and half raving on the floor,
And wondering what had happened up in heaven,
That suns should dare to shine when God Himself
Was certainly abolished.
'I was mad,–
How many weeks, I know not,–many weeks.
I think they let me go, when I was mad,
They feared my eyes and loosed me, as boys might
A mad dog which they had tortured. Up and down
I went, by road and village, over tracts
Of open foreign country, large and strange,
Crossed everywhere by long thin poplar-lines
Like fingers of some ghastly skeleton hand
Through sunlight and through moonlight evermore
Pushed out from hell itself to pluck me back,
And resolute to get me, slow and sure;
While every roadside Christ upon his cross
Hung reddening through his gory wounds at me,
And shook his nails in anger, and came down
To follow a mile after, wading up
The low vines and green wheat, crying 'Take the girl!
She's none of mine from henceforth.' Then, I knew,
(But this is somewhat dimmer than the rest)
The charitable peasants gave me bread
And leave to sleep in straw: and twice they tied,
At parting, Mary's image round my neck–
How heavy it seemed! as heavy as a stone;
A woman has been strangled with less weight:
I threw it in a ditch to keep it clean
And ease my breath a little, when none looked;
I did not need such safeguards:–brutal men
Stopped short, Miss Leigh, in insult, when they had seen
My face,–I must have had an awful look.
And so I lived: the weeks passed on,–I lived.
'Twas living my old tramp-life o'er again,
But, this time, in a dream, and hunted round
By some prodigious Dream-fear at my back,
Which ended, yet: my brain cleared presently,
And there I sate, one evening, by the road,
I, Marian Erle, myself, alone, undone,
Facing a sunset low upon the flats,
As if it were the finish of all time,–
The great red stone upon my sepulchre,
Which angels were too weak to roll away.
Feeling Out Of Sorts?
Feeling out of sorts these days?
Want to know what you can do?
Need help? Here are 50 ways,
Maybe you'll benefit from a few
SYMPTOMS OF SPIRITUAL AWAKENING
1. Changing sleep patterns: restlessness, hot feet, waking up two or three times a night. Feeling tired after you wake up and sleepy off and on during the day.
There is something called the Triad Sleep Pattern that occurs for many: you sleep for about 2-3 hours, wake up, go back to sleep for another couple of hours, wake again, and go back to sleep again. For others, the sleep requirements have changed. You can get by on less sleep.
Lately I have been experiencing huge waves of energy running into my body from the crown. It feels good, but it keeps me awake for a long time, then subsides.
Advice: Get used to it. Make peace with it and don't worry about getting enough sleep (which often causes more insomnia) . You will be able to make it through the day if you hold thoughts of getting just what you need. You can also request your Higher Power to give you a break now and then and give you a good, deep night's sleep.
If you can't go back to sleep right away, use the waking moments to meditate, read poetry, write in your journal or look at the moon. Your body will adjust to the new pattern.
2. Activity at the crown of the head: Tingling, itching, prickly, crawling sensations along the scalp and/or down the spine. A sense of energy vibrating on top of the head, as if energy is erupting from the head in a shower. Also the sensation of energy pouring in through the crown, described as 'sprinkles'.
This may also be experienced as pressure on the crown, as if someone is pushing his/her finger into the center of your head. As I mentioned in #1, I have been experiencing huge downloads of energy through the crown.
In the past, I have felt more generalized pressure, as if my head is in a gentle vise. One man related that his hair stood on end and his body was covered with goosebumps.
Advice: This is nothing to be alarmed about. What you are experiencing is an opening of the crown chakra. The sensations mean that you are opening up to receive divine energy.
3. Sudden waves of emotion. Crying at the dropp of a hat. Feeling suddenly angry or sad with little provocation. Or inexplicably depressed. Then very happy. Emotional roller coaster. There is often a pressure or sense of emotions congested in the heart chakra (the middle of the chest) . This is not to be confused with the heart, which is located to the left of the heart chakra.
Advice: Accept your feelings as they come up and let them go. Go directly to your heart chakra and feel the emotion. Expand it outward to your all your fields and breathe deeply from the belly all the way up to your upper chest. Just feel the feeling and let it evaporate on its own. Don't direct the emotions at anyone.
You are cleaning out your past. If you want some help with this, say out loud that you intend to release all these old issues and ask your Higher Power to help you. You can also ask Grace Elohim to help you release with ease and gentleness. Be grateful that your body is releasing the see motions and not holding onto them inside where they can do harm.
One source suggests that depression is linked to letting go of relationships to people, work, etc. that no longer match us and our frequencies. When we feel guilty about letting go of these relationships, depression helps us medicate that pain.
4. Old 'stuff' seems to be coming up, as described above, and the people with whom you need to work it out (or their clones) appear in your life. Completion issues.
Or perhaps you need to work through issues of self-worth, abundance, creativity, addictions, etc. The resources or people you need to help you move through these issues start to appear.
Advice: Same as #3. Additionally, don't get too involved in analyzing these issues. Examining them too much will simply cycle you back through them over and over again at deeper and deeper levels. Get professional help if you need to and walk through it.
Do not try to avoid them or disassociate yourself from them. Embrace whatever comes up and thank it for helping you move ahead. Thank your Higher Power for giving you the opportunity to release these issues. Remember, you don't want these issues to stay stuck in your body.
5. Changes in weight. The weight gain in the US population is phenomenal. Other people may be losing weight.
We often gain weight because many fears we have suppressed are now coming up to the surface to be healed. We react by building up a defense. We also attempt to ground ourselves or provide bulk against increasing frequencies in our bodies.
Advice: Don't freak out, but just accept it as a symptom of where you are right now. You will release/gain the weight when all your fears have been integrated. Release your anxiety about this. Then you might find it easier to lose/gain the weight eventually. Exercise.
Before eating, try this: Sit at the table with an attractive place setting. Light a candle. Enjoy how the food looks. Place your dominant hand over your heart and bless the food. Tell your body that you are going to use the food to richly nourish it, but that you are not going to use the food to fulfill your emotional hungers.
Then pass your hand from left to right over the food and bless it. You may notice that the food feels warm to your hand even if the food is cold- I like to think that the food is good for me when it feels warm and nourishing to my hand. I have also noticed that when I practice blessing the food, I don't eat as much. It is important not to let yourself off the hook when you forget to bless the food before you eat.
If I've forgotten and I've nearly finished eating, I bless the food anyway. That way I don't slip out of the habit. Another thing you can do is to stay present while eating - don't watch TV or read. Heartily enjoy what blessings are before you.
6. Changes in eating habits: Strange cravings and odd food choices. Some find they are not as hungry as they used to be. Or hungrier.
Advice: Don't deny what your body tells you it needs. If you are not sure, you might try muscle-testing before you chose a food to see if it's what your body wants. Also try blessing the food as described in #5.
7. Food intolerances, allergies you never had before: As you grow more spiritual, you are more sensitive to everything around you. Your body will tell you what it can no longer tolerate, as if it, too, is sloughing off what doesn't serve it anymore. You might be cleansing yourself of toxins. Some people find they often have a white residue in their mouth, much like that of runners at the end of a race.
Advice: An acupuncturist told me that this film can be removed by sloshing 2 tablespoons of cold-pressed olive oil in your mouth for 10-15 minutes (don't swallow, whatever you do) , then spitting it out into the toilet - not the sink, for you just removed toxins from your body and don't want them in the sink. Brush your teeth and do the same. Then clean your brush. (Sorry this is yucky, but it works.)
8. Amplification of the senses. Increased sensitivity.
8a. Sight: Blurry vision, shimmering objects, seeing glittery particles, auras around people, plants, animals, and objects. Some report seeing formerly opaque objects as transparent. When you close your eyes, you no longer see darkness, but a redness. You may also see geometric shapes or brilliant colors and pictures when eyes are closed. Colors appear more vivid - the sky might look teal or the grass an amazing green. Often I see grids running across the ground.
As you become more sensitive, you may see shapes or outlines in the air, especially when the room is almost dark. When your eyes are open or closed, you may see white shapes in your peripheral vision (these are your guides) .
Advice: Your vision is changing in many ways - you are experiencing new ways of seeing. Be patient. Whatever you do, do not be afraid. Hazy vision maybe relieved by yawning.
8b. Hearing: Increased or decreased hearing. I once thought I would have to pull off the road because of the painfully amplified sound of my tires on the freeway. Other symptoms are hearing white noise in the head, beeps, tones, music or electronic patterns. Some hear water rushing, bees buzzing, whooshing, roaring or ringing. Others have what is called audio dyslexia- you can't always make out what people are saying, as if you can no longer translate your own language.
Some hear strange voices in their dreams, as if someone is hovering near them. You can either ask the presence(s) to leave or ask Archangel Michael to take care of the situation. Again, there is nothing to fear.
Advice: Surrender to it. Let it come through. Listen. Your ears are adjusting to new frequencies.
8c. Enhanced senses of smell, touch, and/or taste. I notice I can now smell and taste chemical additives in some foods in a rather unpleasant manner. Other food may taste absolutely wonderful. For some people, these enhancements are both delightful and distracting. You might even smell the fragrance of flowers now and then. Many of the mystics did. Enjoy it.
9. Skin eruptions: Rashes, bumps, acne, hives, and shingles. Anger produces outbreaks around the mouth and chin. I had a dermatitis on my extremities for several months that accompanied healing an episode from my past. When I had worked through most of the issue, the condition was released.
Advice: You may be sloughing off toxins and bringing emotions to the surface. When there is an issue to be released and you are trying to repress it, your skin will express the issue for you until you process the emotions. Work through your 'stuff'.
10. Episodes of intense energy which make you want to leap out of bed and into action. Followed by periods of lethargy and fatigue. The fatigue usually follows great shifts. This is a time of integration, so give into it.
Advice: Roll with the nature of the energy. Don't fight it. Be gentle with yourself. Take naps if you are tired. Write your novel if you are too energized to sleep. Take advantage of the type of energy.
11. Changes in prayer or meditation. Not feeling the same sensations as before. Not having the same experience of being in contact with Spirit. Difficulty in focusing.
Advice: You may be in more instant and constant communion with Spirit now and the sensation may therefore be altered. You will adapt to this new feeling. You are actually thinking and acting in partnership with Spirit most of the time now. You may find your meditation periods shorter.
12. Power surges: All of a sudden you are heated from head to toe. It is a momentary sensation, but uncomfortable. In contrast, some people have felt inexplicably cold. I have experienced both. More recently I experience waves or currents of energy rolling through me. Sometimes the energy seems so intense when it first comes into my body that I feel a little nauseated.
But if I think of the energy as divine and let go of fear, I feel wonderful and enjoy the sensation. If you are an energy worker, you may have noticed that the heat running through your hands has increased tremendously. This is good. Advice: If you are uncomfortable, ask your Higher Power, that if it be for your best and highest good, to turn down/up the temperature a bit.
13. A range of physical manifestations: Headaches, backaches, neck pains, flu-like symptoms (this is called vibrational flu) , digestive problems, muscular spasms or cramps, racing heartbeat, chest pains, changes in sexual desire, numbness or pain in the limbs, and involuntary vocalizations or bodily movements. Some of us have even had old conditions from childhood reappear briefly for healing.
Advice: Remember what I said about seeking medical help if you need it! If you have determined that this is not a medical condition, relax in the realization that it is only temporary.
14. Looking younger. Yippee! As you clear emotional issues and release limiting beliefs and heavy baggage from the past, you are actually lighter. Your frequency is higher. You love yourself and life more. You begin to resemble the perfect you that you really are.
15. Vivid dreams. Sometimes the dreams are so real that you wake up confused. You may even have lucid dreams in which you are in control. Many dreams may be mystical or carry messages for you. And in some dreams, you just know that you are not 'dreaming' - that what is happening is somehow real. Advice: You will remember what is important for you to remember. Don't force anything. Above all, stay out of fear.
16. Events that completely alter your life: death, divorce, change in job status, loss of home, illness, and/or other catastrophes - sometimes several at once! Forces that cause you to slow down, simplify, change, re-examine who you are and what your life means to you. Forces that you cannot ignore. Forces that cause you release your attachments. Forces that awaken your sense of love and compassion for all.
17. A desire to break free from restrictive patterns, life-draining jobs consumptive lifestyles, and toxic people or situations. You feel a compelling need to 'find yourself' and your life purpose - now! You want to be creative and free to be who you really are. You might find yourself drawn to the arts and nature. You want to unclutter yourself from things and people that no longer serve you. Advice: Do it!
18. Emotional and mental confusion: A feeling that you need to get your life straightened out-it feels like a mess. But at the same time you feel chaotic and unable to focus. See #45.
Advice: Put your ear to your heart and your own discernment will follow.
19. Introspection, solitude and loss of interest in more extroverted activities: This stage has come as a surprise to many extroverts who formerly saw themselves as outgoing and involved. They say, 'I don't know why, but I don't like to go out as much as before.'
20. Creativity bursts: Receiving images, ideas, music, and other creative inspirations at an often overwhelming rate.
Advice: At least record these inspirations, for Spirit is speaking to you about how you might fulfill your purpose and contribute to the healing of the planet.
21. A perception that time is accelerating. It seems that way because you have had so many changes introduced into your life at an unprecedented rate. The number of changes seems to be growing.
Advice: Breaking your day up into appointments and time segments increases the sense of acceleration
You can slow time down by relaxing into the present moment and paying attention to what's at hand, not anticipating what's ahead. Slow down and tell yourself that you have plenty of time. Ask your Higher Power to help you. Keep your focus on the present. Try to flow from one activity to the next. Stay tuned to your inner guidance..You can also warp time by asking for it. Next time you feel rushed, say, 'Time warp, please. I need some more time to --.' Then relax.22. A sense of impending-ness. There is a feeling that something is about to happen. This can create anxiety.
Advice: There is nothing to worry about. Things are definitely happening, but anxiety only creates more problems for you. All your thoughts - positive or negative- are prayers. There is nothing to fear.
23. Impatience. You know better, but sometimes you can't help it. You want to get on with what seems to be coming your way. Uncertainty is not comfortable. Advice: Learn to live with the uncertainty, knowing that nothing comes to you until you are ready. Impatience is really a lack of trust, especially trust in your Higher Power. When you focus on the present, you will experience miracles - yes, even in traffic.
24. A deep yearning for meaning, purpose, spiritual connection, and revelation. Perhaps an interest in the spiritual for the first time in your life. 'Constant craving', as K.D. Lang says. The material world cannot fulfill this longing. Advice: Follow your heart and the way will open up for you.
25. A feeling that you are somehow different. A disquieting sense that everything in your life feels new and altered, that you have left your old self behind. You have. You are much greater than you can possibly imagine. There is more to come.
26. 'Teachers' appear everywhere with perfect timing to help you on your spiritual journey: people, books, movies, events, Mother Nature, etc. Teachers may appear to be negative or positive when you are trapped in polarity thinking, but, from a transcendent perspective, they are always perfect. Just what you need to learn from and move on. By the way, we never get more than we are ready to master. Each challenge presents us with an opportunity to show our mastery in passing through it.
27. You find a spiritual track that makes sense to you and 'speaks to you' at the most profound levels. Suddenly you are gaining a perspective that you would never have considered before. You hunger to know more. You read, share with others, ask questions, and go inside to discover more about who you are and why you are here
28. You are moving through learning and personal issues at a rapid pace. You sense that you are 'getting it' quite readily.
Advice: Keep remembering that things will come to you when they are ready to be healed. Not sooner. Deal with whatever comes up with courage and you will move through the issues rapidly.
29. Invisible presences. Here is the woo-woo stuff. Some people report feeling surrounded by beings at night or having the sensation of being touched or talked to. Often they will wake with a start. Some also feel their body orbed vibrate. The vibrations are caused by energetic changes after emotional clearing has taken place.
Advice: This is a sensitive topic, but you may feel better blessing your bed and space around it before you sleep. I rest assured that I am surrounded only by the most magnificent spiritual entities and am always safe in God's care. Sometimes, however, the fear gets to me, and I call in Archangel Michael and/or Archangel Uriel. I don't beat myself up for being afraid sometimes. I forgive myself for not always sovereign at 3: 00 a.m.
30. Portents, visions, 'illusions', numbers, and symbols: Seeing things that have spiritual importance for you. Noticing how numbers appear synchronistically in your awareness. Everything has a message if you take the time to look. I enjoy the experience of 'getting the messages.' What fun!
31. Increased integrity: You realize that it is time for you to seek and speak your truth. It suddenly seems important for you to become more authentic, more yourself. You may have to say 'no' to people whom you have tried to please in the past. You may find it intolerable to stay in a marriage or job or place that doesn't support who you are. You may also find there is nowhere to hide, no secrets to keep anymore. Honesty becomes important in all your relationships.
Advice: Listen to your heart. If your guidance tells you not to do something, speak up and take action. Say 'no'. Likewise, you must also say 'yes' to that which compels you. You must risk displeasing others without guilt in order to attain spiritual sovereignty.
32. Harmony with seasons and cycles: You are becoming more tuned to the seasons, the phases of the moon and natural cycles. More awareness of your place in the natural world. A stronger connection to the earth.
33. Electrical and mechanical malfunctions: When you are around, light bulbs flicker, the computer locks up, or the radio goes haywire. Advice: Call on your angels, guides, or Grace Elohim to fix it or put up a field of protection of light around the machine. Surround your car with blue light. Laugh.
34. Increased synchronicity and many small miracles. Look for more of these.
Advice: Synchronistic events tell you if you are heading in the right direction or making the correct choices. Honor these clues and you cannot go astray. Spirit uses synchronicity to communicate to you. That's when you begin to experience daily miracles. See #30.
35. Increased intuitive abilities and altered states of consciousness: Thinking of someone and immediately hearing from them. More synchronicities. Having sudden insights about patterns or events from the past. Clairvoyance, out-of-body experiences, and other psychic phenomena. Intensified sensitivity and knowing. Awareness of one's essence and that of others. Channeling angelic and Christ-consciousness energies.
36. Communication with Spirit. Contact with angels, spirit guides, and other divine entities. Channeling. More and more people seem to be given this opportunity. Feeling inspiration and downloading information that takes form as writing, painting, ideas, communications, dance, etc.
37. A sense of Oneness with all. A direct experience of this Wholeness. Transcendent awareness. Being flooded with compassion and love for all life. Compassionate detachment or unconditional love for all is what lifts us up to higher levels of consciousness and joy.
38. Moments of joy and bliss. A deep abiding sense of peace and knowing that you are never alone.
39. Integration: You become emotionally, psychologically, physically, and spiritually stronger and clearer. You feel as if you are in alignment with your Higher Self.
40. Living your purpose: You know you are finally doing what you came to earth for. New skills and gifts are emerging, especially healing ones. Your life/work experiences are now converging and starting to make sense. You are finally going to use them all.
Advice: Listen to your heart. Your passion leads you to where you must go. Go within and ask your Higher Power, 'What is it you would have me do? ' Watch for synchronicities. Listen.
41. Feeling closer to animals and plants. To some people, animals now seem to be more 'human' in their behavior. Wild animals are less afraid. Plants respond to your love and attention more than ever. Some may even have messages for you.
42. Seeing beings of other dimensions. The veil between dimensions is thinner, so it is not surprising. Just stay in your sovereignty. You are more powerful than you can ever imagine, so do not entertain fear. Ask your guides for help if you slip into fear.
43. Seeing a person's true form or seeing loved ones with a different face - past life or parallel life.44. Physically manifesting thoughts and desires more quickly and efficiently.
Advice: Monitor your thoughts. All thoughts are prayers. Be careful what you ask for.45. Left -brain fogginess. Your psychic abilities, your intuitive knowing, your feeling and compassion, your ability to experience your body, your visioning, your expressiveness all emanate from the right brain. In order for this side of the brain to develop more fully, the left brain must shut down a little bit. Normally the left-hemisphere's capacity for order, organization, structure, linear sequencing, analysis, evaluation, precision, focus, problem-solving, and mathematics dominate our often less-valued right brain.
What results are memory lapses, placing words in the wrong sequence, inability or no desire to read for very long, inability to focus; forgetting what you are just about to say; impatience with linear forms of communication (audio or written formats): a feeling of spaciness, being scattered; losing interesting research or complex information; feeling bombarded with words and talk and information; and a reluctance to write. Sometimes you feel dull and have no interest in analysis, lively intellectual discussion, or investigation.
On the other hand, you might find yourself drawn to the sensate: videos, magazines with photos, beautiful artwork, movies, music, sculpting, painting, being with people, dancing, gardening, walking, and other kinesthetic forms of expression. You may search for spiritual content, even science fiction. Advice: You may discover that if you allow your heart and your right brain to lead you, the left will then be activated appropriately to support you. And someday we will be well-balanced, using both hemispheres with mastery.
46. Dizziness. This occurs when you are ungrounded. Perhaps you have just cleared a big emotional issue and your body is adjusting to your 'lighter' state. Advice: Ground yourself by eating protein. Sometimes 'comfort food' feels right. Don't make any food right or wrong for you. Use your guidance to know what you need at any given moment. Take your shoes off and put your feet in the grass for a couple of minutes.
47. Falling, having accidents, breaking bones. Your body is not grounded or perhaps your life is out of balance. Or your body may be telling you to slow down, examine certain aspects of your life, or heal certain issues. There is always a message. When I recently broke my ankle, I understand that my ankle was taking on what I myself refused to deal with. And that was all of the above.
Advice: Stay grounded by taking your shoes off and putting your feet in the grass; even better, lie down on the grass without a blanket under you. Feel the earth beneath you. Get out in nature. Slow down and pay attention. Be mindful about what you are doing. Feel your feelings when they come up. Stay in the present. Surround yourself with blue light when you are feeling shaky.
49. Heart palpitations. A racing heart usually accompanies a heart opening. It only lasts for a few moments and means that the heart is re-balancing itself after an emotional release. I had one episode that terrified me: I woke up in the middle of the night, my heart pounding. I thought it was going to come right out of my chest. It only happened once and was, I understand, a huge heart-chakra opening. But I did check it out. There is nothing wrong with my heart.
Advice: Remember what I said about getting medical attention when needed. Consult your doctor about any conditions you are not comfortable with.
50. Faster hair and nail growth. More protein is being used in the body. Too bad we can't tell the body where to grow the hair and where not to grow it. (Or can we? Hmm.)
Article from Ashtar Command Website;
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Wind-Clouds And Star-Drifts
FROM THE YOUNG ASTRONOMER'S POEM
ANOTHER clouded night; the stars are hid,
The orb that waits my search is hid with them.
Patience! Why grudge an hour, a month, a year,
To plant my ladder and to gain the round
That leads my footsteps to the heaven of fame,
Where waits the wreath my sleepless midnights won?
Not the stained laurel such as heroes wear
That withers when some stronger conqueror's heel
Treads down their shrivelling trophies in the dust;
But the fair garland whose undying green
Not time can change, nor wrath of gods or men!
With quickened heart-beats I shall hear tongues
That speak my praise; but better far the sense
That in the unshaped ages, buried deep
In the dark mines of unaccomplished time
Yet to be stamped with morning's royal die
And coined in golden days,--in those dim years
I shall be reckoned with the undying dead,
My name emblazoned on the fiery arch,
Unfading till the stars themselves shall fade.
Then, as they call the roll of shining worlds,
Sages of race unborn in accents new
Shall count me with the Olympian ones of old,
Whose glories kindle through the midnight sky
Here glows the God of Battles; this recalls
The Lord of Ocean, and yon far-off sphere
The Sire of Him who gave his ancient name
To the dim planet with the wondrous rings;
Here flames the Queen of Beauty's silver lamp,
And there the moon-girt orb of mighty Jove;
But this, unseen through all earth's ions past,
A youth who watched beneath the western star
Sought in the darkness, found, and shewed to men;
Linked with his name thenceforth and evermore
So shall that name be syllabled anew
In all the tongues of all the tribes of men:
I that have been through immemorial years
Dust in the dust of my forgotten time
Shall live in accents shaped of blood-warm breath,
Yea, rise in mortal semblance, newly born
In shining stone, in undecaying bronze,
And stand on high, and look serenely down
On the new race that calls the earth its own.
Is this a cloud, that, blown athwart my soul,
Wears a false seeming of the pearly stain
Where worlds beyond the world their mingling rays
Blend in soft white,--a cloud that, born of earth,
Would cheat the soul that looks for light from heaven?
Must every coral-insect leave his sign
On each poor grain he lent to build the reef,
As Babel's builders stamped their sunburnt clay,
Or deem his patient service all in vain?
What if another sit beneath the shade
Of the broad elm I planted by the way,--
What if another heed the beacon light
I set upon the rock that wrecked my keel,--
Have I not done my task and served my kind?
Nay, rather act thy part, unnamed, unknown,
And let Fame blow her trumpet through the world
With noisy wind to swell a fool's renown,
Joined with some truth he stumbled blindly o'er,
Or coupled with some single shining deed
That in the great account of all his days
Will stand alone upon the bankrupt sheet
His pitying angel shows the clerk of Heaven.
The noblest service comes from nameless hands,
And the best servant does his work unseen.
Who found the seeds of fire and made them shoot,
Fed by his breath, in buds and flowers of flame?
Who forged in roaring flames the ponderous stone,
And shaped the moulded metal to his need?
Who gave the dragging car its rolling wheel,
And tamed the steed that whirls its circling round?
All these have left their work and not their names,--
Why should I murmur at a fate like theirs?
This is the heavenly light; the pearly stain
Was but a wind-cloud drifting o'er the stars!
BRIEF glimpses of the bright celestial spheres,
False lights, false shadows, vague, uncertain gleams,
Pale vaporous mists, wan streaks of lurid flame,
The climbing of the upward-sailing cloud,
The sinking of the downward-falling star,--
All these are pictures of the changing moods
Borne through the midnight stillness of my soul.
Here am I, bound upon this pillared rock,
Prey to the vulture of a vast desire
That feeds upon my life. I burst my bands
And steal a moment's freedom from the beak,
The clinging talons and the shadowing plumes;
Then comes the false enchantress, with her song;
'Thou wouldst not lay thy forehead in the dust
Like the base herd that feeds and breeds and dies
Lo, the fair garlands that I weave for thee,
Unchanging as the belt Orion wears,
Bright as the jewels of the seven-starred Crown,
The spangled stream of Berenice's hair!'
And so she twines the fetters with the flowers
Around my yielding limbs, and the fierce bird
Stoops to his quarry,--then to feed his rage
Of ravening hunger I must drain my blood
And let the dew-drenched, poison-breeding night
Steal all the freshness from my fading cheek,
And leave its shadows round my caverned eyes.
All for a line in some unheeded scroll;
All for a stone that tells to gaping clowns,
'Here lies a restless wretch beneath a clod
Where squats the jealous nightmare men call
I marvel not at him who scorns his kind
And thinks not sadly of the time foretold
When the old hulk we tread shall be a wreck,
A slag, a cinder drifting through the sky
Without its crew of fools! We live too long,
And even so are not content to die,
But load the mould that covers up our bones
With stones that stand like beggars by the road
And show death's grievous wound and ask for tears;
Write our great books to teach men who we are,
Sing our fine songs that tell in artful phrase
The secrets of our lives, and plead and pray
For alms of memory with the after time,
Those few swift seasons while the earth shall wear
Its leafy summers, ere its core grows cold
And the moist life of all that breathes shall die;
Or as the new-born seer, perchance more wise,
Would have us deem, before its growing mass,
Pelted with star-dust, stoned with meteor-balls,
Heats like a hammered anvil, till at last
Man and his works and all that stirred itself
Of its own motion, in the fiery glow
Turns to a flaming vapor, and our orb
Shines a new sun for earths that shall be born.
I am as old as Egypt to myself,
Brother to them that squared the pyramids
By the same stars I watch. I read the page
Where every letter is a glittering world,
With them who looked from Shinar's clay-built towers,
Ere yet the wanderer of the Midland sea
Had missed the fallen sister of the seven.
I dwell in spaces vague, remote, unknown,
Save to the silent few, who, leaving earth,
Quit all communion with their living time.
I lose myself in that ethereal void,
Till I have tired my wings and long to fill
My breast with denser air, to stand, to walk
With eyes not raised above my fellow-men.
Sick of my unwalled, solitary realm,
I ask to change the myriad lifeless worlds
I visit as mine own for one poor patch
Of this dull spheroid and a little breath
To shape in word or deed to serve my kind.
Was ever giant's dungeon dug so deep,
Was ever tyrant's fetter forged so strong,
Was e'er such deadly poison in the draught
The false wife mingles for the trusting fool,
As he whose willing victim is himself,
Digs, forges, mingles, for his captive soul?
THE snows that glittered on the disk of Mars
Have melted, and the planet's fiery orb
Rolls in the crimson summer of its year;
But what to me the summer or the snow
Of worlds that throb with life in forms unknown,
If life indeed be theirs; I heed not these.
My heart is simply human; all my care
For them whose dust is fashioned like mine own;
These ache with cold and hunger, live in pain,
And shake with fear of worlds more full of woe;
There may be others worthier of my love,
But such I know not save through these I know.
There are two veils of language, hid beneath
Whose sheltering folds, we dare to be ourselves;
And not that other self which nods and smiles
And babbles in our name; the one is Prayer,
Lending its licensed freedom to the tongue
That tells our sorrows and our sins to Heaven;
The other, Verse, that throws its spangled web
Around our naked speech and makes it bold.
I, whose best prayer is silence; sitting dumb
In the great temple where I nightly serve
Him who is throned in light, have dared to claim
The poet's franchise, though I may not hope
To wear his garland; hear me while I tell
My story in such form as poets use,
But breathed in fitful whispers, as the wind
Sighs and then slumbers, wakes and sighs again.
Thou Vision, floating in the breathless air
Between me and the fairest of the stars,
I tell my lonely thoughts as unto thee.
Look not for marvels of the scholar's pen
In my rude measure; I can only show
A slender-margined, unillumined page,
And trust its meaning to the flattering eye
That reads it in the gracious light of love.
Ah, wouldst thou clothe thyself in breathing shape
And nestle at my side, my voice should lend
Whate'er my verse may lack of tender rhythm
To make thee listen.
I have stood entranced
When, with her fingers wandering o'er the keys,
The white enchantress with the golden hair
Breathed all her soul through some unvalued rhyme;
Some flower of song that long had lost its bloom;
Lo! its dead summer kindled as she sang!
The sweet contralto, like the ringdove's coo,
Thrilled it with brooding, fond, caressing tones,
And the pale minstrel's passion lived again,
Tearful and trembling as a dewy rose
The wind has shaken till it fills the air
With light and fragrance. Such the wondrous charm
A song can borrow when the bosom throbs
That lends it breath.
So from the poet's lips
His verse sounds doubly sweet, for none like him
Feels every cadence of its wave-like flow;
He lives the passion over, while he reads,
That shook him as he sang his lofty strain,
And pours his life through each resounding line,
As ocean, when the stormy winds are hushed,
Still rolls and thunders through his billowy caves.
MASTER AND SCHOLAR
LET me retrace the record of the years
That made me what I am. A man most wise,
But overworn with toil and bent with age,
Sought me to be his scholar,-me, run wild
From books and teachers,-kindled in my soul
The love of knowledge; led me to his tower,
Showed me the wonders of the midnight realm
His hollow sceptre ruled, or seemed to rule,
Taught me the mighty secrets of the spheres,
Trained me to find the glimmering specks of light
Beyond the unaided sense, and on my chart
To string them one by one, in order due,
As on a rosary a saint his beads.
I was his only scholar; I became
The echo to his thought; whate'er he knew
Was mine for asking; so from year to year
W e wrought together, till there came a time
When I, the learner, was the master half
Of the twinned being in the dome-crowned tower.
Minds roll in paths like planets; they revolve,
This in a larger, that a narrower ring,
But round they come at last to that same phase,
That selfsame light and shade they showed before.
I learned his annual and his monthly tale,
His weekly axiom and his daily phrase,
I felt them coming in the laden air,
And watched them laboring up to vocal breath,
Even as the first-born at his father's board
Knows ere he speaks the too familiar jest
Is on its way, by some mysterious sign
Forewarned, the click before the striking bell.
He shrivelled as I spread my growing leaves,
Till trust and reverence changed to pitying care;
He lived for me in what he once had been,
But I for him, a shadow, a defence,
The guardian of his fame, his guide, his staff,
Leaned on so long he fell if left alone.
I was his eye, his ear, his cunning hand,
Love was my spur and longing after fame,
But his the goading thorn of sleepless age
That sees its shortening span, its lengthening shades,
That clutches what it may with eager grasp,
And drops at last with empty, outstretched hands.
All this he dreamed not. He would sit him down
Thinking to work his problems as of old,
And find the star he thought so plain a blur,
The columned figures labyrinthine wilds
Without my comment, blind and senseless scrawls
That vexed him with their riddles; he would strive
And struggle for a while, and then his eye
Would lose its light, and over all his mind
The cold gray mist would settle; and erelong
The darkness fell, and I was left alone.
ALONE! no climber of an Alpine cliff,
No Arctic venturer on the waveless sea,
Feels the dread stillness round him as it chills
The heart of him who leaves the slumbering earth
To watch the silent worlds that crowd the sky.
Alone! And as the shepherd leaves his flock
To feed upon the hillside, he meanwhile
Finds converse in the warblings of the pipe
Himself has fashioned for his vacant hour,
So have I grown companion to myself,
And to the wandering spirits of the air
That smile and whisper round us in our dreams.
Thus have I learned to search if I may know
The whence and why of all beneath the stars
And all beyond them, and to weigh my life
As in a balance,--poising good and ill
Against each other,--asking of the Power
That flung me forth among the whirling worlds,
If I am heir to any inborn right,
Or only as an atom of the dust
That every wind may blow where'er it will.
I AM not humble; I was shown my place,
Clad in such robes as Nature had at hand;
Took what she gave, not chose; I know no shame,
No fear for being simply what I am.
I am not proud, I hold my every breath
At Nature's mercy. I am as a babe
Borne in a giant's arms, he knows not where;
Each several heart-beat, counted like the coin
A miser reckons, is a special gift
As from an unseen hand; if that withhold
Its bounty for a moment, I am left
A clod upon the earth to which I fall.
Something I find in me that well might claim
The love of beings in a sphere above
This doubtful twilight world of right and wrong;
Something that shows me of the self-same clay
That creeps or swims or flies in humblest form.
Had I been asked, before I left my bed
Of shapeless dust, what clothing I would wear,
I would have said, More angel and less worm;
But for their sake who are even such as I,
Of the same mingled blood, I would not choose
To hate that meaner portion of myself
Which makes me brother to the least of men.
I dare not be a coward with my lips
Who dare to question all things in my soul;
Some men may find their wisdom on their knees,
Some prone and grovelling in the dust like slaves;
Let the meek glowworm glisten in the dew;
I ask to lift my taper to the sky
As they who hold their lamps above their heads,
Trusting the larger currents up aloft,
Rather than crossing eddies round their breast,
Threatening with every puff the flickering blaze.
My life shall be a challenge, not a truce!
This is my homage to the mightier powers,
To ask my boldest question, undismayed
By muttered threats that some hysteric sense
Of wrong or insult will convulse the throne
Where wisdom reigns supreme; and if I err,
They all must err who have to feel their way
As bats that fly at noon; for what are we
But creatures of the night, dragged forth by day,
Who needs must stumble, and with stammering steps
Spell out their paths in syllables of pain?
Thou wilt not hold in scorn the child who dares
Look up to Thee, the Father,--dares to ask
More than thy wisdom answers. From thy hand
The worlds were cast; yet every leaflet claims
From that same hand its little shining sphere
Of star-lit dew; thine image, the great sun,
Girt with his mantle of tempestuous flame,
Glares in mid-heaven; but to his noon-tide blaze
The slender violet lifts its lidless eye,
And from his splendor steals its fairest hue,
Its sweetest perfume from his scorching fire.
FROM my lone turret as I look around
O'er the green meadows to the ring of blue,
From slope, from summit, and from half-hid vale
The sky is stabbed with dagger-pointed spires,
Their gilded symbols whirling in the wind,
Their brazen tongues proclaiming to the world,
'Here truth is sold, the only genuine ware;
See that it has our trade-mark! You will buy
Poison instead of food across the way,
The lies of -----' this or that, each several name
The standard's blazon and the battle-cry
Of some true-gospel faction, and again
The token of the Beast to all beside.
And grouped round each I see a huddling crowd
Alike in all things save the words they use;
In love, in longing, hate and fear the same.
Whom do we trust and serve? We speak of one
And bow to many; Athens still would find
The shrines of all she worshipped safe within
Our tall barbarian temples, and the thrones
That crowned Olympus mighty as of old.
The god of music rules the Sabbath choir;
The lyric muse must leave the sacred nine
To help us please the dilettante's ear;
Plutus limps homeward with us, as we leave
The portals of the temple where we knelt
And listened while the god of eloquence
(Hermes of ancient days, but now disguised
In sable vestments) with that other god
Somnus, the son of Erebus and Nox,
Fights in unequal contest for our souls;
The dreadful sovereign of the under world
Still shakes his sceptre at us, and we hear
The baying of the triple-throated hound;
Eros is young as ever, and as fair
The lovely Goddess born of ocean's foam.
These be thy gods, O Israel! Who is he,
The one ye name and tell us that ye serve,
Whom ye would call me from my lonely tower
To worship with the many-headed throng?
Is it the God that walked in Eden's grove
In the cool hour to seek our guilty sire?
The God who dealt with Abraham as the sons
Of that old patriarch deal with other men?
The jealous God of Moses, one who feels
An image as an insult, and is wroth
With him who made it and his child unborn?
The God who plagued his people for the sin
Of their adulterous king, beloved of him,--
The same who offers to a chosen few
The right to praise him in eternal song
While a vast shrieking world of endless woe
Blends its dread chorus with their rapturous hymn?
Is this the God ye mean, or is it he
Who heeds the sparrow's fall, whose loving heart
Is as the pitying father's to his child,
Whose lesson to his children is 'Forgive,'
Whose plea for all, 'They know not what they do'?
I CLAIM the right of knowing whom I serve,
Else is my service idle; He that asks
My homage asks it from a reasoning soul.
To crawl is not to worship; we have learned
A drill of eyelids, bended neck and knee,
Hanging our prayers on hinges, till we ape
The flexures of the many-jointed worm.
Asia has taught her Allahs and salaams
To the world's children,-we have grown to men!
We who have rolled the sphere beneath our feet
To find a virgin forest, as we lay
The beams of our rude temple, first of all
Must frame its doorway high enough for man
To pass unstooping; knowing as we do
That He who shaped us last of living forms
Has long enough been served by creeping things,
Reptiles that left their footprints in the sand
Of old sea-margins that have turned to stone,
And men who learned their ritual; we demand
To know Him first, then trust Him and then love
When we have found Him worthy of our love,
Tried by our own poor hearts and not before;
He must be truer than the truest friend,
He must be tenderer than a woman's love,
A father better than the best of sires;
Kinder than she who bore us, though we sin
Oftener than did the brother we are told
We--poor ill-tempered mortals--must forgive,
Though seven times sinning threescore times and
This is the new world's gospel: Be ye men!
Try well the legends of the children's time;
Ye are the chosen people, God has led
Your steps across the desert of the deep
As now across the desert of the shore;
Mountains are cleft before you as the sea
Before the wandering tribe of Israel's sons;
Still onward rolls the thunderous caravan,
Its coming printed on the western sky,
A cloud by day, by night a pillared flame;
Your prophets are a hundred unto one
Of them of old who cried, 'Thus saith the Lord;'
They told of cities that should fall in heaps,
But yours of mightier cities that shall rise
Where yet the lonely fishers spread their nets,
Where hides the fox and hoots the midnight owl;
The tree of knowledge in your garden grows
Not single, but at every humble door;
Its branches lend you their immortal food,
That fills you with the sense of what ye are,
No servants of an altar hewed and carved
From senseless stone by craft of human hands,
Rabbi, or dervish, brahmin, bishop, bonze,
But masters of the charm with which they work
To keep your hands from that forbidden tree!
Ye that have tasted that divinest fruit,
Look on this world of yours with opened eyes!
Y e are as gods! Nay, makers of your gods,--
Each day ye break an image in your shrine
And plant a fairer image where it stood
Where is the Moloch of your fathers' creed,
Whose fires of torment burned for span--long babes?
Fit object for a tender mother's love!
Why not? It was a bargain duly made
For these same infants through the surety's act
Intrusted with their all for earth and heaven,
By Him who chose their guardian, knowing well
His fitness for the task,--this, even this,
Was the true doctrine only yesterday
As thoughts are reckoned,--and to--day you hear
In words that sound as if from human tongues
Those monstrous, uncouth horrors of the past
That blot the blue of heaven and shame the earth
As would the saurians of the age of slime,
Awaking from their stony sepulchres
And wallowing hateful in the eye of day!
WHAT am I but the creature Thou hast made?
What have I save the blessings Thou hast lent?
What hope I but thy mercy and thy love?
Who but myself shall cloud my soul with fear?
Whose hand protect me from myself but thine?
I claim the rights of weakness, I, the babe,
Call on my sire to shield me from the ills
That still beset my path, not trying me
With snares beyond my wisdom or my strength,
He knowing I shall use them to my harm,
And find a tenfold misery in the sense
That in my childlike folly I have sprung
The trap upon myself as vermin use,
Drawn by the cunning bait to certain doom.
Who wrought the wondrous charm that leads us on
To sweet perdition, but the selfsame power
That set the fearful engine to destroy
His wretched offspring (as the Rabbis tell),
And hid its yawning jaws and treacherous springs
In such a show of innocent sweet flowers
It lured the sinless angels and they fell?
Ah! He who prayed the prayer of all mankind
Summed in those few brief words the mightiest plea
For erring souls before the courts of heaven,--
_Save us from being tempted_,--lest we fall!
If we are only as the potter's clay
Made to be fashioned as the artist wills,
And broken into shards if we offend
The eye of Him who made us, it is well;
Such love as the insensate lump of clay
That spins upon the swift-revolving wheel
Bears to the hand that shapes its growing form,--
Such love, no more, will be our hearts' return
To the great Master-workman for his care,--
Or would be, save that this, our breathing clay,
Is intertwined with fine innumerous threads
That make it conscious in its framer's hand;
And this He must remember who has filled
These vessels with the deadly draught of life,--
Life, that means death to all it claims. Our love
Must kindle in the ray that streams from heaven,
A faint reflection of the light divine;
The sun must warm the earth before the rose
Can show her inmost heart-leaves to the sun.
He yields some fraction of the Maker's right
Who gives the quivering nerve its sense of pain;
Is there not something in the pleading eye
Of the poor brute that suffers, which arraigns
The law that bids it suffer? Has it not
A claim for some remembrance in the book
That fills its pages with the idle words
Spoken of men? Or is it only clay,
Bleeding and aching in the potter's hand,
Yet all his own to treat it as He will
And when He will to cast it at his feet,
Shattered, dishonored, lost forevermore?
My dog loves me, but could he look beyond
His earthly master, would his love extend
To Him who--Hush! I will not doubt that He
Is better than our fears, and will not wrong
The least, the meanest of created things!
He would not trust me with the smallest orb
That circles through the sky; He would not give
A meteor to my guidance; would not leave
The coloring of a cloudlet to my hand;
He locks my beating heart beneath its bars
And keeps the key himself; He measures out
The draughts of vital breath that warm my blood,
Winds up the springs of instinct which uncoil,
Each in its season; ties me to my home,
My race, my time, my nation, and my creed
So closely that if I but slip my wrist
Out of the band that cuts it to the bone,
Men say, 'He hath a devil;' He has lent
All that I hold in trust, as unto one
By reason of his weakness and his years
Not fit to hold the smallest shred in fee
Of those most common things he calls his own,--
And yet--my Rabbi tells me--He has left
The care of that to which a million worlds
Filled with unconscious life were less than naught,
Has left that mighty universe, the Soul,
To the weak guidance of our baby hands,
Let the foul fiends have access at their will,
Taking the shape of angels, to our hearts,--
Our hearts already poisoned through and through
With the fierce virus of ancestral sin;
Turned us adrift with our immortal charge,
To wreck ourselves in gulfs of endless woe.
If what my Rabbi tells me is the truth
Why did the choir of angels sing for joy?
Heaven must be compassed in a narrow space,
And offer more than room enough for all
That pass its portals; but the under-world,
The godless realm, the place where demons forge
Their fiery darts and adamantine chains,
Must swarm with ghosts that for a little while
Had worn the garb of flesh, and being heirs
Of all the dulness of their stolid sires,
And all the erring instincts of their tribe,
Nature's own teaching, rudiments of 'sin,'
Fell headlong in the snare that could not fail
To trap the wretched creatures shaped of clay
And cursed with sense enough to lose their souls!
Brother, thy heart is troubled at my word;
Sister, I see the cloud is on thy brow.
He will not blame me, He who sends not peace,
But sends a sword, and bids us strike amain
At Error's gilded crest, where in the van
Of earth's great army, mingling with the best
And bravest of its leaders, shouting loud
The battle-cries that yesterday have led
The host of Truth to victory, but to-day
Are watchwords of the laggard and the slave,
He leads his dazzled cohorts. God has made
This world a strife of atoms and of spheres;
With every breath I sigh myself away
And take my tribute from the wandering wind
To fan the flame of life's consuming fire;
So, while my thought has life, it needs must burn,
And, burning, set the stubble-fields ablaze,
Where all the harvest long ago was reaped
And safely garnered in the ancient barns.
But still the gleaners, groping for their food,
Go blindly feeling through the close-shorn straw,
While the young reapers flash, their glittering steel
Where later suns have ripened nobler grain!
THE time is racked with birth-pangs; every hour
Brings forth some gasping truth, and truth newborn
Looks a misshapen and untimely growth,
The terror of the household and its shame,
A monster coiling in its nurse's lap
That some would strangle, some would only starve;
But still it breathes, and passed from hand to hand,
And suckled at a hundred half-clad breasts,
Comes slowly to its stature and its form,
Calms the rough ridges of its dragon-scales,
Changes to shining locks its snaky hair,
And moves transfigured into angel guise,
Welcomed by all that cursed its hour of birth,
And folded in the same encircling arms
That cast it like a serpent from their hold!
If thou wouldst live in honor, die in peace,
Have the fine words the marble-workers learn
To carve so well, upon thy funeral-stone,
And earn a fair obituary, dressed
In all the many-colored robes of praise,
Be deafer than the adder to the cry
Of that same foundling truth, until it grows
To seemly favor, and at length has won
The smiles of hard-mouthed men and light-lipped dames;
Then snatch it from its meagre nurse's breast,
Fold it in silk and give it food from gold;
So shalt thou share its glory when at last
It drops its mortal vesture, and, revealed
In all the splendor of its heavenly form,
Spreads on the startled air its mighty wings!
Alas! how much that seemed immortal truth
That heroes fought for, martyrs died to save,
Reveals its earth-born lineage, growing old
And limping in its march, its wings unplumed,
Its heavenly semblance faded like a dream!
Here in this painted casket, just unsealed,
Lies what was once a breathing shape like thine,
Once loved as thou art loved; there beamed the eyes
That looked on Memphis in its hour of pride,
That saw the walls of hundred-gated Thebes,
And all the mirrored glories of the Nile.
See how they toiled that all-consuming time
Might leave the frame immortal in its tomb;
Filled it with fragrant balms and odorous gums
That still diffuse their sweetness through the air,
And wound and wound with patient fold on fold
The flaxen bands thy hand has rudely torn!
Perchance thou yet canst see the faded stain
Of the sad mourner's tear.
BUT what is this?
The sacred beetle, bound upon the breast
Of the blind heathen! Snatch the curious prize,
Give it a place among thy treasured spoils,
Fossil and relic,--corals, encrinites,
The fly in amber and the fish in stone,
The twisted circlet of Etruscan gold,
Medal, intaglio, poniard, poison-ring,--
Place for the Memphian beetle with thine hoard!
AM longer than thy creed has blest the world
This toy, thus ravished from thy brother's breast,
Was to the heart of Mizraim as divine,
As holy, as the symbol that we lay
On the still bosom of our white-robed dead,
And raise above their dust that all may know
Here sleeps an heir of glory. Loving friends,
With tears of trembling faith and choking sobs,
And prayers to those who judge of mortal deeds,
Wrapped this poor image in the cerement's fold
That Isis and Osiris, friends of man,
Might know their own and claim the ransomed soul.
An idol? Man was born to worship such!
An idol is an image of his thought;
Sometimes he carves it out of gleaming stone,
And sometimes moulds it out of glittering gold,
Or rounds it in a mighty frescoed dome,
Or lifts it heavenward in a lofty spire,
Or shapes it in a cunning frame of words,
Or pays his priest to make it day by day;
For sense must have its god as well as soul;
A new-born Dian calls for silver shrines,
And Egypt's holiest symbol is our own,
The sign we worship as did they of old
When Isis and Osiris ruled the world.
Let us be true to our most subtle selves,
We long to have our idols like the rest.
Think! when the men of Israel had their God
Encamped among them, talking with their chief,
Leading them in the pillar of the cloud
And watching o'er them in the shaft of fire,
They still must have an image; still they longed
For somewhat of substantial, solid form
Whereon to hang their garlands, and to fix
Their wandering thoughts and gain a stronger hold
For their uncertain faith, not yet assured
If those same meteors of the day and night
Were not mere exhalations of the soil.
Are we less earthly than the chosen race?
Are we more neighbors of the living God
Than they who gathered manna every morn,
Reaping where none had sown, and heard the voice
Of him who met the Highest in the mount,
And brought them tables, graven with His hand?
Yet these must have their idol, brought their gold,
That star-browed Apis might be god again;
Yea, from their ears the women brake the rings
That lent such splendors to the gypsy brown
Of sunburnt cheeks,--what more could woman do
To show her pious zeal? They went astray,
But nature led them as it leads us all.
We too, who mock at Israel's golden calf
And scoff at Egypt's sacred scarabee,
Would have our amulets to clasp and kiss,
And flood with rapturous tears, and bear with us
To be our dear companions in the dust;
Such magic works an image in our souls.
Man is an embryo; see at twenty years
His bones, the columns that uphold his frame
Not yet cemented, shaft and capital,
Mere fragments of the temple incomplete.
At twoscore, threescore, is he then full grown?
Nay, still a child, and as the little maids
Dress and undress their puppets, so he tries
To dress a lifeless creed, as if it lived,
And change its raiment when the world cries shame!
We smile to see our little ones at play
So grave, so thoughtful, with maternal care
Nursing the wisps of rags they call their babes;--
Does He not smile who sees us with the toys
We call by sacred names, and idly feign
To be what we have called them? He is still
The Father of this helpless nursery-brood,
Whose second childhood joins so close its first,
That in the crowding, hurrying years between
We scarce have trained our senses to their task
Before the gathering mist has dimmed our eyes,
And with our hollowed palm we help our ear,
And trace with trembling hand our wrinkled names,
And then begin to tell our stories o'er,
And see--not hear--the whispering lips that say,
'You know? Your father knew him.--This is he,
Tottering and leaning on the hireling's arm,'--
And so, at length, disrobed of all that clad
The simple life we share with weed and worm,
Go to our cradles, naked as we came.
WHAT if a soul redeemed, a spirit that loved
While yet on earth and was beloved in turn,
And still remembered every look and tone
Of that dear earthly sister who was left
Among the unwise virgins at the gate,--
Itself admitted with the bridegroom's train,--
What if this spirit redeemed, amid the host
Of chanting angels, in some transient lull
Of the eternal anthem, heard the cry
Of its lost darling, whom in evil hour
Some wilder pulse of nature led astray
And left an outcast in a world of fire,
Condemned to be the sport of cruel fiends,
Sleepless, unpitying, masters of the skill
To wring the maddest ecstasies of pain
From worn-out souls that only ask to die,--
Would it not long to leave the bliss of heaven,--
Bearing a little water in its hand
To moisten those poor lips that plead in vain
With Him we call our Father? Or is all
So changed in such as taste celestial joy
They hear unmoved the endless wail of woe;
The daughter in the same dear tones that hushed
Her cradle slumbers; she who once had held
A babe upon her bosom from its voice
Hoarse with its cry of anguish, yet the same?
No! not in ages when the Dreadful Bird
Stamped his huge footprints, and the Fearful Beast
Strode with the flesh about those fossil bones
We build to mimic life with pygmy hands,--
Not in those earliest days when men ran wild
And gashed each other with their knives of stone,
When their low foreheads bulged in ridgy brows
And their flat hands were callous in the palm
With walking in the fashion of their sires,
Grope as they might to find a cruel god
To work their will on such as human wrath
Had wrought its worst to torture, and had left
With rage unsated, white and stark and cold,
Could hate have shaped a demon more malign
Than him the dead men mummied in their creed
And taught their trembling children to adore!
Made in his image! Sweet and gracious souls
Dear to my heart by nature's fondest names,
Is not your memory still the precious mould
That lends its form to Him who hears my prayer?
Thus only I behold Him, like to them,
Long-suffering, gentle, ever slow to wrath,
If wrath it be that only wounds to heal,
Ready to meet the wanderer ere he reach
The door he seeks, forgetful of his sin,
Longing to clasp him in a father's arms,
And seal his pardon with a pitying tear!
Four gospels tell their story to mankind,
And none so full of soft, caressing words
That bring the Maid of Bethlehem and her Babe
Before our tear-dimmed eyes, as his who learned
In the meek service of his gracious art
The tones which, like the medicinal balms
That calm the sufferer's anguish, soothe our souls.
Oh that the loving woman, she who sat
So long a listener at her Master's feet,
Had left us Mary's Gospel,--all she heard
Too sweet, too subtle for the ear of man!
Mark how the tender-hearted mothers read
The messages of love between the lines
Of the same page that loads the bitter tongue
Of him who deals in terror as his trade
With threatening words of wrath that scorch like flame
They tell of angels whispering round the bed
Of the sweet infant smiling in its dream,
Of lambs enfolded in the Shepherd's arms,
Of Him who blessed the children; of the land
Where crystal rivers feed unfading flowers,
Of cities golden-paved with streets of pearl,
Of the white robes the winged creatures wear,
The crowns and harps from whose melodious strings
One long, sweet anthem flows forevermore!
We too had human mothers, even as Thou,
Whom we have learned to worship as remote
From mortal kindred, wast a cradled babe.
The milk of woman filled our branching veins,
She lulled us with her tender nursery-song,
And folded round us her untiring arms,
While the first unremembered twilight yeas
Shaped us to conscious being; still we feel
Her pulses in our own,--too faintly feel;
Would that the heart of woman warmed our creeds!
Not from the sad-eyed hermit's lonely cell,
Not from the conclave where the holy men
Glare on each other, as with angry eyes
They battle for God's glory and their own,
Till, sick of wordy strife, a show of hands
Fixes the faith of ages yet unborn,--
Ah, not from these the listening soul can hear
The Father's voice that speaks itself divine!
Love must be still our Master; till we learn
What he can teach us of a woman's heart,
We know not His whose love embraces all.
The Iliad: Book 13
Now when Jove had thus brought Hector and the Trojans to the
ships, he left them to their never-ending toil, and turned his keen
eyes away, looking elsewhither towards the horse-breeders of Thrace,
the Mysians, fighters at close quarters, the noble Hippemolgi, who
live on milk, and the Abians, justest of mankind. He no longer
turned so much as a glance towards Troy, for he did not think that any
of the immortals would go and help either Trojans or Danaans.
But King Neptune had kept no blind look-out; he had been looking
admiringly on the battle from his seat on the topmost crests of wooded
Samothrace, whence he could see all Ida, with the city of Priam and
the ships of the Achaeans. He had come from under the sea and taken
his place here, for he pitied the Achaeans who were being overcome
by the Trojans; and he was furiously angry with Jove.
Presently he came down from his post on the mountain top, and as
he strode swiftly onwards the high hills and the forest quaked beneath
the tread of his immortal feet. Three strides he took, and with the
fourth he reached his goal- Aegae, where is his glittering golden
palace, imperishable, in the depths of the sea. When he got there,
he yoked his fleet brazen-footed steeds with their manes of gold all
flying in the wind; he clothed himself in raiment of gold, grasped his
gold whip, and took his stand upon his chariot. As he went his way
over the waves the sea-monsters left their lairs, for they knew
their lord, and came gambolling round him from every quarter of the
deep, while the sea in her gladness opened a path before his
chariot. So lightly did the horses fly that the bronze axle of the car
was not even wet beneath it; and thus his bounding steeds took him
to the ships of the Achaeans.
Now there is a certain huge cavern in the depths of the sea midway
between Tenedos and rocky Imbrus; here Neptune lord of the
earthquake stayed his horses, unyoked them, and set before them
their ambrosial forage. He hobbled their feet with hobbles of gold
which none could either unloose or break, so that they might stay
there in that place until their lord should return. This done he
went his way to the host of the Achaeans.
Now the Trojans followed Hector son of Priam in close array like a
storm-cloud or flame of fire, fighting with might and main and raising
the cry battle; for they deemed that they should take the ships of the
Achaeans and kill all their chiefest heroes then and there.
Meanwhile earth-encircling Neptune lord of the earthquake cheered on
the Argives, for he had come up out of the sea and had assumed the
form and voice of Calchas.
First he spoke to the two Ajaxes, who were doing their best already,
and said, "Ajaxes, you two can be the saving of the Achaeans if you
will put out all your strength and not let yourselves be daunted. I am
not afraid that the Trojans, who have got over the wall in force, will
be victorious in any other part, for the Achaeans can hold all of them
in check, but I much fear that some evil will befall us here where
furious Hector, who boasts himself the son of great Jove himself, is
leading them on like a pillar of flame. May some god, then, put it
into your hearts to make a firm stand here, and to incite others to do
the like. In this case you will drive him from the ships even though
he be inspired by Jove himself."
As he spoke the earth-encircling lord of the earthquake struck
both of them with his sceptre and filled their hearts with daring.
He made their legs light and active, as also their hands and their
feet. Then, as the soaring falcon poises on the wing high above some
sheer rock, and presently swoops down to chase some bird over the
plain, even so did Neptune lord of the earthquake wing his flight into
the air and leave them. Of the two, swift Ajax son of Oileus was the
first to know who it was that had been speaking with them, and said to
Ajax son of Telamon, "Ajax, this is one of the gods that dwell on
Olympus, who in the likeness of the prophet is bidding us fight hard
by our ships. It was not Calchas the seer and diviner of omens; I knew
him at once by his feet and knees as he turned away, for the gods
are soon recognised. Moreover I feel the lust of battle burn more
fiercely within me, while my hands and my feet under me are more eager
for the fray."
And Ajax son of Telamon answered, "I too feel my hands grasp my
spear more firmly; my strength is greater, and my feet more nimble;
I long, moreover, to meet furious Hector son of Priam, even in
Thus did they converse, exulting in the hunger after battle with
which the god had filled them. Meanwhile the earth-encircler roused
the Achaeans, who were resting in the rear by the ships overcome at
once by hard fighting and by grief at seeing that the Trojans had
got over the wall in force. Tears began falling from their eyes as
they beheld them, for they made sure that they should not escape
destruction; but the lord of the earthquake passed lightly about among
them and urged their battalions to the front.
First he went up to Teucer and Leitus, the hero Peneleos, and
Thoas and Deipyrus; Meriones also and Antilochus, valiant warriors;
all did he exhort. "Shame on you young Argives," he cried, "it was
on your prowess I relied for the saving of our ships; if you fight not
with might and main, this very day will see us overcome by the
Trojans. Of a truth my eyes behold a great and terrible portent
which I had never thought to see- the Trojans at our ships- they,
who were heretofore like panic-stricken hinds, the prey of jackals and
wolves in a forest, with no strength but in flight for they cannot
defend themselves. Hitherto the Trojans dared not for one moment
face the attack of the Achaeans, but now they have sallied far from
their city and are fighting at our very ships through the cowardice of
our leader and the disaffection of the people themselves, who in their
discontent care not to fight in defence of the ships but are being
slaughtered near them. True, King Agamemnon son of Atreus is the cause
of our disaster by having insulted the son of Peleus, still this is no
reason why we should leave off fighting. Let us be quick to heal,
for the hearts of the brave heal quickly. You do ill to be thus
remiss, you, who are the finest soldiers in our whole army. I blame no
man for keeping out of battle if he is a weakling, but I am
indignant with such men as you are. My good friends, matters will soon
become even worse through this slackness; think, each one of you, of
his own honour and credit, for the hazard of the fight is extreme.
Great Hector is now fighting at our ships; he has broken through the
gates and the strong bolt that held them."
Thus did the earth-encircler address the Achaeans and urge them
on. Thereon round the two Ajaxes there gathered strong bands of men,
of whom not even Mars nor Minerva, marshaller of hosts could make
light if they went among them, for they were the picked men of all
those who were now awaiting the onset of Hector and the Trojans.
They made a living fence, spear to spear, shield to shield, buckler to
buckler, helmet to helmet, and man to man. The horse-hair crests on
their gleaming helmets touched one another as they nodded forward,
so closely seffied were they; the spears they brandished in their
strong hands were interlaced, and their hearts were set on battle.
The Trojans advanced in a dense body, with Hector at their head
pressing right on as a rock that comes thundering down the side of
some mountain from whose brow the winter torrents have torn it; the
foundations of the dull thing have been loosened by floods of rain,
and as it bounds headlong on its way it sets the whole forest in an
uproar; it swerves neither to right nor left till it reaches level
ground, but then for all its fury it can go no further- even so easily
did Hector for a while seem as though he would career through the
tents and ships of the Achaeans till he had reached the sea in his
murderous course; but the closely serried battalions stayed him when
he reached them, for the sons of the Achaeans thrust at him with
swords and spears pointed at both ends, and drove him from them so
that he staggered and gave ground; thereon he shouted to the
Trojans, "Trojans, Lycians, and Dardanians, fighters in close
combat, stand firm: the Achaeans have set themselves as a wall against
me, but they will not check me for long; they will give ground
before me if the mightiest of the gods, the thundering spouse of Juno,
has indeed inspired my onset."
With these words he put heart and soul into them all. Deiphobus
son of Priam went about among them intent on deeds of daring with
his round shield before him, under cover of which he strode quickly
forward. Meriones took aim at him with a spear, nor did he fail to hit
the broad orb of ox-hide; but he was far from piercing it for the
spear broke in two pieces long ere he could do so; moreover
Deiphobus had seen it coming and had held his shield well away from
him. Meriones drew back under cover of his comrades, angry alike at
having failed to vanquish Deiphobus, and having broken his spear. He
turned therefore towards the ships and tents to fetch a spear which he
had left behind in his tent.
The others continued fighting, and the cry of battle rose up into
the heavens. Teucer son of Telamon was the first to kill his man, to
wit, the warrior Imbrius son of Mentor rich in horses. Until the
Achaeans came he had lived in Pedaeum, and had married Medesicaste a
bastard daughter of Priam; but on the arrival of the Danaan fleet he
had gone back to Ilius, and was a great man among the Trojans,
dwelling near Priam himself, who gave him like honour with his own
sons. The son of Telamon now struck him under the ear with a spear
which he then drew back again, and Imbrius fell headlong as an
ash-tree when it is felled on the crest of some high mountain
beacon, and its delicate green foliage comes toppling down to the
ground. Thus did he fall with his bronze-dight armour ringing
harshly round him, and Teucer sprang forward with intent to strip
him of his armour; but as he was doing so, Hector took aim at him with
a spear. Teucer saw the spear coming and swerved aside, whereon it hit
Amphimachus, son of Cteatus son of Actor, in the chest as he was
coming into battle, and his armour rang rattling round him as he
fell heavily to the ground. Hector sprang forward to take
Amphimachus's helmet from off his temples, and in a moment Ajax
threw a spear at him, but did not wound him, for he was encased all
over in his terrible armour; nevertheless the spear struck the boss of
his shield with such force as to drive him back from the two
corpses, which the Achaeans then drew off. Stichius and Menestheus,
captains of the Athenians, bore away Amphimachus to the host of the
Achaeans, while the two brave and impetuous Ajaxes did the like by
Imbrius. As two lions snatch a goat from the hounds that have it in
their fangs, and bear it through thick brushwood high above the ground
in their jaws, thus did the Ajaxes bear aloft the body of Imbrius, and
strip it of its armour. Then the son of Oileus severed the head from
the neck in revenge for the death of Amphimachus, and sent it whirling
over the crowd as though it had been a ball, till fell in the dust
at Hector's feet.
Neptune was exceedingly angry that his grandson Amphimachus should
have fallen; he therefore went to the tents and ships of the
Achaeans to urge the Danaans still further, and to devise evil for the
Trojans. Idomeneus met him, as he was taking leave of a comrade, who
had just come to him from the fight, wounded in the knee. His
fellow-soldiers bore him off the field, and Idomeneus having given
orders to the physicians went on to his tent, for he was still
thirsting for battle. Neptune spoke in the likeness and with the voice
of Thoas son of Andraemon who ruled the Aetolians of all Pleuron and
high Calydon, and was honoured among his people as though he were a
god. "Idomeneus," said he, "lawgiver to the Cretans, what has now
become of the threats with which the sons of the Achaeans used to
threaten the Trojans?"
And Idomeneus chief among the Cretans answered, "Thoas, no one, so
far as I know, is in fault, for we can all fight. None are held back
neither by fear nor slackness, but it seems to be the of almighty Jove
that the Achaeans should perish ingloriously here far from Argos: you,
Thoas, have been always staunch, and you keep others in heart if you
see any fail in duty; be not then remiss now, but exhort all to do
To this Neptune lord of the earthquake made answer, "Idomeneus,
may he never return from Troy, but remain here for dogs to batten
upon, who is this day wilfully slack in fighting. Get your armour
and go, we must make all haste together if we may be of any use,
though we are only two. Even cowards gain courage from
companionship, and we two can hold our own with the bravest."
Therewith the god went back into the thick of the fight, and
Idomeneus when he had reached his tent donned his armour, grasped
his two spears, and sallied forth. As the lightning which the son of
Saturn brandishes from bright Olympus when he would show a sign to
mortals, and its gleam flashes far and wide- even so did his armour
gleam about him as he ran. Meriones his sturdy squire met him while he
was still near his tent (for he was going to fetch his spear) and
"Meriones, fleet son of Molus, best of comrades, why have you left
the field? Are you wounded, and is the point of the weapon hurting
you? or have you been sent to fetch me? I want no fetching; I had
far rather fight than stay in my tent."
"Idomeneus," answered Meriones, "I come for a spear, if I can find
one in my tent; I have broken the one I had, in throwing it at the
shield of Deiphobus."
And Idomeneus captain of the Cretans answered, "You will find one
spear, or twenty if you so please, standing up against the end wall of
my tent. I have taken them from Trojans whom I have killed, for I am
not one to keep my enemy at arm's length; therefore I have spears,
bossed shields, helmets, and burnished corslets."
Then Meriones said, "I too in my tent and at my ship have spoils
taken from the Trojans, but they are not at hand. I have been at all
times valorous, and wherever there has been hard fighting have held my
own among the foremost. There may be those among the Achaeans who do
not know how I fight, but you know it well enough yourself."
Idomeneus answered, "I know you for a brave man: you need not tell
me. If the best men at the ships were being chosen to go on an ambush-
and there is nothing like this for showing what a man is made of; it
comes out then who is cowardly and who brave; the coward will change
colour at every touch and turn; he is full of fears, and keeps
shifting his weight first on one knee and then on the other; his heart
beats fast as he thinks of death, and one can hear the chattering of
his teeth; whereas the brave man will not change colour nor be on
finding himself in ambush, but is all the time longing to go into
action- if the best men were being chosen for such a service, no one
could make light of your courage nor feats of arms. If you were struck
by a dart or smitten in close combat, it would not be from behind,
in your neck nor back, but the weapon would hit you in the chest or
belly as you were pressing forward to a place in the front ranks.
But let us no longer stay here talking like children, lest we be ill
spoken of; go, fetch your spear from the tent at once."
On this Meriones, peer of Mars, went to the tent and got himself a
spear of bronze. He then followed after Idomeneus, big with great
deeds of valour. As when baneful Mars sallies forth to battle, and his
son Panic so strong and dauntless goes with him, to strike terror even
into the heart of a hero- the pair have gone from Thrace to arm
themselves among the Ephyri or the brave Phlegyans, but they will
not listen to both the contending hosts, and will give victory to
one side or to the other- even so did Meriones and Idomeneus, captains
of men, go out to battle clad in their bronze armour. Meriones was
first to speak. "Son of Deucalion," said he, "where would you have
us begin fighting? On the right wing of the host, in the centre, or on
the left wing, where I take it the Achaeans will be weakest?"
Idomeneus answered, "There are others to defend the centre- the
two Ajaxes and Teucer, who is the finest archer of all the Achaeans,
and is good also in a hand-to-hand fight. These will give Hector son
of Priam enough to do; fight as he may, he will find it hard to
vanquish their indomitable fury, and fire the ships, unless the son of
Saturn fling a firebrand upon them with his own hand. Great Ajax son
of Telamon will yield to no man who is in mortal mould and eats the
grain of Ceres, if bronze and great stones can overthrow him. He would
not yield even to Achilles in hand-to-hand fight, and in fleetness
of foot there is none to beat him; let us turn therefore towards the
left wing, that we may know forthwith whether we are to give glory
to some other, or he to us."
Meriones, peer of fleet Mars, then led the way till they came to the
part of the host which Idomeneus had named.
Now when the Trojans saw Idomeneus coming on like a flame of fire,
him and his squire clad in their richly wrought armour, they shouted
and made towards him all in a body, and a furious hand-to-hand fight
raged under the ships' sterns. Fierce as the shrill winds that whistle
upon a day when dust lies deep on the roads, and the gusts raise it
into a thick cloud- even such was the fury of the combat, and might
and main did they hack at each other with spear and sword throughout
the host. The field bristled with the long and deadly spears which
they bore. Dazzling was the sheen of their gleaming helmets, their
fresh-burnished breastplates, and glittering shields as they joined
battle with one another. Iron indeed must be his courage who could
take pleasure in the sight of such a turmoil, and look on it without
Thus did the two mighty sons of Saturn devise evil for mortal
heroes. Jove was minded to give victory to the Trojans and to
Hector, so as to do honour to fleet Achilles, nevertheless he did
not mean to utterly overthrow the Achaean host before Ilius, and
only wanted to glorify Thetis and her valiant son. Neptune on the
other hand went about among the Argives to incite them, having come up
from the grey sea in secret, for he was grieved at seeing them
vanquished by the Trojans, and was furiously angry with Jove. Both
were of the same race and country, but Jove was elder born and knew
more, therefore Neptune feared to defend the Argives openly, but in
the likeness of man, he kept on encouraging them throughout their
host. Thus, then, did these two devise a knot of war and battle,
that none could unloose or break, and set both sides tugging at it, to
the failing of men's knees beneath them.
And now Idomeneus, though his hair was already flecked with grey,
called loud on the Danaans and spread panic among the Trojans as he
leaped in among them. He slew Othryoneus from Cabesus, a sojourner,
who had but lately come to take part in the war. He sought Cassandra
the fairest of Priam's daughters in marriage, but offered no gifts
of wooing, for he promised a great thing, to wit, that he would
drive the sons of the Achaeans willy nilly from Troy; old King Priam
had given his consent and promised her to him, whereon he fought on
the strength of the promises thus made to him. Idomeneus aimed a
spear, and hit him as he came striding on. His cuirass of bronze did
not protect him, and the spear stuck in his belly, so that he fell
heavily to the ground. Then Idomeneus vaunted over him saying,
"Othryoneus, there is no one in the world whom I shall admire more
than I do you, if you indeed perform what you have promised Priam
son of Dardanus in return for his daughter. We too will make you an
offer; we will give you the loveliest daughter of the son of Atreus,
and will bring her from Argos for you to marry, if you will sack the
goodly city of Ilius in company with ourselves; so come along with me,
that we may make a covenant at the ships about the marriage, and we
will not be hard upon you about gifts of wooing."
With this Idomeneus began dragging him by the foot through the thick
of the fight, but Asius came up to protect the body, on foot, in front
of his horses which his esquire drove so close behind him that he
could feel their 'breath upon his shoulder. He was longing to strike
down Idomeneus, but ere he could do so Idomeneus smote him with his
spear in the throat under the chin, and the bronze point went clean
through it. He fell as an oak, or poplar, or pine which shipwrights
have felled for ship's timber upon the mountains with whetted axes-
even thus did he lie full length in front of his chariot and horses,
grinding his teeth and clutching at the bloodstained just. His
charioteer was struck with panic and did not dare turn his horses
round and escape: thereupon Antilochus hit him in the middle of his
body with a spear; his cuirass of bronze did not protect him, and
the spear stuck in his belly. He fell gasping from his chariot and
Antilochus great Nestor's son, drove his horses from the Trojans to
Deiphobus then came close up to Idomeneus to avenge Asius, and
took aim at him with a spear, but Idomeneus was on the look-out and
avoided it, for he was covered by the round shield he always bore- a
shield of oxhide and bronze with two arm-rods on the inside. He
crouched under cover of this, and the spear flew over him, but the
shield rang out as the spear grazed it, and the weapon sped not in
vain from the strong hand of Deiphobus, for it struck Hypsenor son
of Hippasus, shepherd of his people, in the liver under the midriff,
and his limbs failed beneath him. Deiphobus vaunted over him and cried
with a loud voice saying, "Of a truth Asius has not fallen
unavenied; he will be glad even while passing into the house of Hades,
strong warden of the gate, that I have sent some one to escort him."
Thus did he vaunt, and the Argives were stung by his saying. Noble
Antilochus was more angry than any one, but grief did not make him
forget his friend and comrade. He ran up to him, bestrode him, and
covered him with his shield; then two of his staunch comrades,
Mecisteus son of Echius, and Alastor stooped down, and bore him away
groaning heavily to the ships. But Idomeneus ceased not his fury. He
kept on striving continually either to enshroud some Trojan in the
darkness of death, or himself to fall while warding off the evil day
from the Achaeans. Then fell Alcathous son of noble Aesyetes: he was
son-in-law to Anchises, having married his eldest daughter Hippodameia
who was the darling of her father and mother, and excelled all her
generation in beauty, accomplishments, and understanding, wherefore
the bravest man in all Troy had taken her to wife- him did Neptune lay
low by the hand of Idomeneus, blinding his bright eyes and binding his
strong limbs in fetters so that he could neither go back nor to one
side, but stood stock still like pillar or lofty tree when Idomeneus
struck him with a spear in the middle of his chest. The coat of mail
that had hitherto protected his body was now broken, and rang
harshly as the spear tore through it. He fell heavily to the ground,
and the spear stuck in his heart, which still beat, and made the
butt-end of the spear quiver till dread Mars put an end to his life.
Idomeneus vaunted over him and cried with a loud voice saying,
"Deiphobus, since you are in a mood to vaunt, shall we cry quits now
that we have killed three men to your one? Nay, sir, stand in fight
with me yourself, that you may learn what manner of Jove-begotten
man am I that have come hither. Jove first begot Minos chief ruler
in Crete, and Minos in his turn begot a son, noble Deucalion;
Deucalion begot me to be a ruler over many men in Crete, and my
ships have now brought me hither, to be the bane of yourself, your
father, and the Trojans."
Thus did he speak, and Deiphobus was in two minds, whether to go
back and fetch some other Trojan to help him, or to take up the
challenge single-handed. In the end, he deemed it best to go and fetch
Aeneas, whom he found standing in the rear, for he had long been
aggrieved with Priam because in spite his brave deeds he did not
give him his due share of honour. Deiphobus went up to him and said,
"Aeneas, prince among the Trojans, if you know any ties of kinship,
help me now to defend the body of your sister's husband; come with
me to the rescue of Alcathous, who being husband to your sister
brought you up when you were a child in his house, and now Idomeneus
has slain him."
With these words he moved the heart of Aeneas, and he went in
pursuit of Idomeneus, big with great deeds of valour; but Idomeneus
was not to be thus daunted as though he were a mere child; he held his
ground as a wild boar at bay upon the mountains, who abides the coming
of a great crowd of men in some lonely place- the bristles stand
upright on his back, his eyes flash fire, and he whets his tusks in
his eagerness to defend himself against hounds and men- even so did
famed Idomeneus hold his ground and budge not at the coming of Aeneas.
He cried aloud to his comrades looking towards Ascalaphus, Aphareus,
Deipyrus, Meriones, and Antilochus, all of them brave soldiers-
"Hither my friends," he cried, "and leave me not single-handed- I go
in great fear by fleet Aeneas, who is coming against me, and is a
redoubtable dispenser of death battle. Moreover he is in the flower of
youth when a man's strength is greatest; if I was of the same age as
he is and in my present mind, either he or I should soon bear away the
prize of victory
On this, all of them as one man stood near him, shield on
shoulder. Aeneas on the other side called to his comrades, looking
towards Deiphobus, Paris, and Agenor, who were leaders of the
Trojans along with himself, and the people followed them as sheep
follow the ram when they go down to drink after they have been
feeding, and the heart of the shepherd is glad- even so was the
heart of Aeneas gladdened when he saw his people follow him.
Then they fought furiously in close combat about the body of
Alcathous, wielding their long spears; and the bronze armour about
their bodies rang fearfully as they took aim at one another in the
press of the fight, while the two heroes Aeneas and Idomeneus, peers
of Mars, outxied every one in their desire to hack at each other
with sword and spear. Aeneas took aim first, but Idomeneus was on
the lookout and avoided the spear, so that it sped from Aeneas' strong
hand in vain, and fell quivering in the ground. Idomeneus meanwhile
smote Oenomaus in the middle of his belly, and broke the plate of
his corslet, whereon his bowels came gushing out and he clutched the
earth in the palms of his hands as he fell sprawling in the dust.
Idomeneus drew his spear out of the body, but could not strip him of
the rest of his armour for the rain of darts that were showered upon
him: moreover his strength was now beginning to fail him so that he
could no longer charge, and could neither spring forward to recover
his own weapon nor swerve aside to avoid one that was aimed at him;
therefore, though he still defended himself in hand-to-hand fight, his
heavy feet could not bear him swiftly out of the battle. Deiphobus
aimed a spear at him as he was retreating slowly from the field, for
his bitterness against him was as fierce as ever, but again he
missed him, and hit Ascalaphus, the son of Mars; the spear went
through his shoulder, and he clutched the earth in the palms of his
hands as he fell sprawling in the dust.
Grim Mars of awful voice did not yet know that his son had fallen,
for he was sitting on the summits of Olympus under the golden
clouds, by command of Jove, where the other gods were also sitting,
forbidden to take part in the battle. Meanwhile men fought furiously
about the body. Deiphobus tore the helmet from off his head, but
Meriones sprang upon him, and struck him on the arm with a spear so
that the visored helmet fell from his hand and came ringing down
upon the ground. Thereon Meriones sprang upon him like a vulture, drew
the spear from his shoulder, and fell back under cover of his men.
Then Polites, own brother of Deiphobus passed his arms around his
waist, and bore him away from the battle till he got to his horses
that were standing in the rear of the fight with the chariot and their
driver. These took him towards the city groaning and in great pain,
with the blood flowing from his arm.
The others still fought on, and the battle-cry rose to heaven
without ceasing. Aeneas sprang on Aphareus son of Caletor, and
struck him with a spear in his throat which was turned towards him;
his head fell on one side, his helmet and shield came down along
with him, and death, life's foe, was shed around him. Antilochus spied
his chance, flew forward towards Thoon, and wounded him as he was
turning round. He laid open the vein that runs all the way up the back
to the neck; he cut this vein clean away throughout its whole
course, and Thoon fell in the dust face upwards, stretching out his
hands imploringly towards his comrades. Antilochus sprang upon him and
stripped the armour from his shoulders, glaring round him fearfully as
he did so. The Trojans came about him on every side and struck his
broad and gleaming shield, but could not wound his body, for Neptune
stood guard over the son of Nestor, though the darts fell thickly
round him. He was never clear of the foe, but was always in the
thick of the fight; his spear was never idle; he poised and aimed it
in every direction, so eager was he to hit some one from a distance or
to fight him hand to hand.
As he was thus aiming among the crowd, he was seen by Adamas son
of Asius, who rushed towards him and struck him with a spear in the
middle of his shield, but Neptune made its point without effect, for
he grudged him the life of Antilochus. One half, therefore, of the
spear stuck fast like a charred stake in Antilochus's shield, while
the other lay on the ground. Adamas then sought shelter under cover of
his men, but Meriones followed after and hit him with a spear midway
between the private parts and the navel, where a wound is particualrly
painful to wretched mortals. There did Meriones transfix him, and he
writhed convulsively about the spear as some bull whom mountain
herdsmen have bound with ropes of withes and are taking away perforce.
Even so did he move convulsively for a while, but not for very long,
till Meriones came up and drew the spear out of his body, and his eyes
were veiled in darkness.
Helenus then struck Deipyrus with a great Thracian sword, hitting
him on the temple in close combat and tearing the helmet from his
head; the helmet fell to the ground, and one of those who were
fighting on the Achaean side took charge of it as it rolled at his
feet, but the eyes of Deipyrus were closed in the darkness of death.
On this Menelaus was grieved, and made menacingly towards Helenus,
brandishing his spear; but Helenus drew his bow, and the two
attacked one another at one and the same moment, the one with his
spear, and the other with his bow and arrow. The son of Priam hit
the breastplate of Menelaus's corslet, but the arrow glanced from
off it. As black beans or pulse come pattering down on to a
threshing-floor from the broad winnowing-shovel, blown by shrill winds
and shaken by the shovel- even so did the arrow glance off and
recoil from the shield of Menelaus, who in his turn wounded the hand
with which Helenus carried his bow; the spear went right through his
hand and stuck in the bow itself, so that to his life he retreated
under cover of his men, with his hand dragging by his side- for the
spear weighed it down till Agenor drew it out and bound the hand
carefully up in a woollen sling which his esquire had with him.
Pisander then made straight at Menelaus- his evil destiny luring him
on to his doom, for he was to fall in fight with you, O Menelaus. When
the two were hard by one another the spear of the son of Atreus turned
aside and he missed his aim; Pisander then struck the shield of
brave Menelaus but could not pierce it, for the shield stayed the
spear and broke the shaft; nevertheless he was glad and made sure of
victory; forthwith, however, the son of Atreus drew his sword and
sprang upon him. Pisander then seized the bronze battle-axe, with
its long and polished handle of olive wood that hung by his side under
his shield, and the two made at one another. Pisander struck the
peak of Menelaus's crested helmet just under the crest itself, and
Menelaus hit Pisander as he was coming towards him, on the forehead,
just at the rise of his nose; the bones cracked and his two
gore-bedrabbled eyes fell by his feet in the dust. He fell backwards
to the ground, and Menelaus set his heel upon him, stripped him of his
armour, and vaunted over him saying, "Even thus shall you Trojans
leave the ships of the Achaeans, proud and insatiate of battle
though you be: nor shall you lack any of the disgrace and shame
which you have heaped upon myself. Cowardly she-wolves that you are,
you feared not the anger of dread Jove, avenger of violated
hospitality, who will one day destroy your city; you stole my wedded
wife and wickedly carried off much treasure when you were her guest,
and now you would fling fire upon our ships, and kill our heroes. A
day will come when, rage as you may, you shall be stayed. O father
Jove, you, who they say art above all both gods and men in wisdom, and
from whom all things that befall us do proceed, how can you thus
favour the Trojans- men so proud and overweening, that they are
never tired of fighting? All things pall after a while- sleep, love,
sweet song, and stately dance- still these are things of which a man
would surely have his fill rather than of battle, whereas it is of
battle that the Trojans are insatiate."
So saying Menelaus stripped the blood-stained armour from the body
of Pisander, and handed it over to his men; then he again ranged
himself among those who were in the front of the fight.
Harpalion son of King Pylaemenes then sprang upon him; he had come
to fight at Troy along with his father, but he did not go home
again. He struck the middle of Menelaus's shield with his spear but
could not pierce it, and to save his life drew back under cover of his
men, looking round him on every side lest he should be wounded. But
Meriones aimed a bronze-tipped arrow at him as he was leaving the
field, and hit him on the right buttock; the arrow pierced the bone
through and through, and penetrated the bladder, so he sat down
where he was and breathed his last in the arms of his comrades,
stretched like a worm upon the ground and watering the earth with
the blood that flowed from his wound. The brave Paphlagonians tended
him with all due care; they raised him into his chariot, and bore
him sadly off to the city of Troy; his father went also with him
weeping bitterly, but there was no ransom that could bring his dead
son to life again.
Paris was deeply grieved by the death of Harpalion, who was his host
when he went among the Paphlagonians; he aimed an arrow, therefore, in
order to avenge him. Now there was a certain man named Euchenor, son
of Polyidus the prophet, a brave man and wealthy, whose home was in
Corinth. This Euchenor had set sail for Troy well knowing that it
would be the death of him, for his good old father Polyidus had
often told him that he must either stay at home and die of a
terrible disease, or go with the Achaeans and perish at the hands of
the Trojans; he chose, therefore, to avoid incurring the heavy fine
the Achaeans would have laid upon him, and at the same time to
escape the pain and suffering of disease. Paris now smote him on the
jaw under his ear, whereon the life went out of him and he was
enshrouded in the darkness of death.
Thus then did they fight as it were a flaming fire. But Hector had
not yet heard, and did not know that the Argives were making havoc
of his men on the left wing of the battle, where the Achaeans ere long
would have triumphed over them, so vigorously did Neptune cheer them
on and help them. He therefore held on at the point where he had first
forced his way through the gates and the wall, after breaking
through the serried ranks of Danaan warriors. It was here that the
ships of Ajax and Protesilaus were drawn up by the sea-shore; here the
wall was at its lowest, and the fight both of man and horse raged most
fiercely. The Boeotians and the Ionians with their long tunics, the
Locrians, the men of Phthia, and the famous force of the Epeans
could hardly stay Hector as he rushed on towards the ships, nor
could they drive him from them, for he was as a wall of fire. The
chosen men of the Athenians were in the van, led by Menestheus son
of Peteos, with whom were also Pheidas, Stichius, and stalwart Bias:
Meges son of Phyleus, Amphion, and Dracius commanded the Epeans, while
Medon and staunch Podarces led the men of Phthia. Of these, Medon
was bastard son to Oileus and brother of Ajax, but he lived in Phylace
away from his own country, for he had killed the brother of his
stepmother Eriopis, the wife of Oileus; the other, Podarces, was the
son of Iphiclus son of Phylacus. These two stood in the van of the
Phthians, and defended the ships along with the Boeotians.
Ajax son of Oileus never for a moment left the side of Ajax son of
Telamon, but as two swart oxen both strain their utmost at the
plough which they are drawing in a fallow field, and the sweat
steams upwards from about the roots of their horns- nothing but the
yoke divides them as they break up the ground till they reach the
end of the field- even so did the two Ajaxes stand shoulder to
shoulder by one another. Many and brave comrades followed the son of
Telamon, to relieve him of his shield when he was overcome with
sweat and toil, but the Locrians did not follow so close after the son
of Oileus, for they could not hold their own in a hand-to-hand
fight. They had no bronze helmets with plumes of horse-hair, neither
had they shields nor ashen spears, but they had come to Troy armed
with bows, and with slings of twisted wool from which they showered
their missiles to break the ranks of the Trojans. The others,
therefore, with their heavy armour bore the brunt of the fight with
the Trojans and with Hector, while the Locrians shot from behind,
under their cover; and thus the Trojans began to lose heart, for the
arrows threw them into confusion.
The Trojans would now have been driven in sorry plight from the
ships and tents back to windy Ilius, had not Polydamas presently
said to Hector, "Hector, there is no persuading you to take advice.
Because heaven has so richly endowed you with the arts of war, you
think that you must therefore excel others in counsel; but you
cannot thus claim preeminence in all things. Heaven has made one man
an excellent soldier; of another it has made a dancer or a singer
and player on the lyre; while yet in another Jove has implanted a wise
understanding of which men reap fruit to the saving of many, and he
himself knows more about it than any one; therefore I will say what
I think will be best. The fight has hemmed you in as with a circle
of fire, and even now that the Trojans are within the wall some of
them stand aloof in full armour, while others are fighting scattered
and outnumbered near the ships. Draw back, therefore, and call your
chieftains round you, that we may advise together whether to fall
now upon the ships in the hope that heaven may vouchsafe us victory,
or to beat a retreat while we can yet safely do so. I greatly fear
that the Achaeans will pay us their debt of yesterday in full, for
there is one abiding at their ships who is never weary of battle,
and who will not hold aloof much longer."
Thus spoke Polydamas, and his words pleased Hector well. He sprang
in full armour from his chariot and said, "Polydamas, gather the
chieftains here; I will go yonder into the fight, but will return at
once when I have given them their orders."
He then sped onward, towering like a snowy mountain, and with a loud
cry flew through the ranks of the Trojans and their allies. When
they heard his voice they all hastened to gather round Polydamas the
excellent son of Panthous, but Hector kept on among the foremost,
looking everywhere to find Deiphobus and prince Helenus, Adamas son of
Asius, and Asius son of Hyrtacus; living, indeed, and scatheless he
could no longer find them, for the two last were lying by the sterns
of the Achaean ships, slain by the Argives, while the others had
been also stricken and wounded by them; but upon the left wing of
the dread battle he found Alexandrus, husband of lovely Helen,
cheering his men and urging them on to fight. He went up to him and
upbraided him. "Paris," said he, "evil-hearted Paris, fair to see
but woman-mad and false of tongue, where are Deiphobus and King
Helenus? Where are Adamas son of Asius, and Asius son of Hyrtacus?
Where too is Othryoneus? Ilius is undone and will now surely fall!"
Alexandrus answered, "Hector, why find fault when there is no one to
find fault with? I should hold aloof from battle on any day rather
than this, for my mother bore me with nothing of the coward about
me. From the moment when you set our men fighting about the ships we
have been staying here and doing battle with the Danaans. Our comrades
about whom you ask me are dead; Deiphobus and King Helenus alone
have left the field, wounded both of them in the hand, but the son
of Saturn saved them alive. Now, therefore, lead on where you would
have us go, and we will follow with right goodwill; you shall not find
us fail you in so far as our strength holds out, but no man can do
more than in him lies, no matter how willing he may be."
With these words he satisfied his brother, and the two went
towards the part of the battle where the fight was thickest, about
Cebriones, brave Polydamas, Phalces, Orthaeus, godlike Polyphetes,
Palmys, Ascanius, and Morys son of Hippotion, who had come from
fertile Ascania on the preceding day to relieve other troops. Then
Jove urged them on to fight. They flew forth like the blasts of some
fierce wind that strike earth in the van of a thunderstorm- they
buffet the salt sea into an uproar; many and mighty are the great
waves that come crashing in one after the other upon the shore with
their arching heads all crested with foam- even so did rank behind
rank of Trojans arrayed in gleaming armour follow their leaders
onward. The way was led by Hector son of Priam, peer of murderous
Mars, with his round shield before him- his shield of ox-hides covered
with plates of bronze- and his gleaming helmet upon his temples. He
kept stepping forward under cover of his shield in every direction,
making trial of the ranks to see if they would give way be him, but he
could not daunt the courage of the Achaeans. Ajax was the first to
stride out and challenge him. "Sir," he cried, "draw near; why do
you think thus vainly to dismay the Argives? We Achaeans are excellent
soldiers, but the scourge of Jove has fallen heavily upon us. Your
heart, forsooth, is set on destroying our ships, but we too have bands
that can keep you at bay, and your own fair town shall be sooner taken
and sacked by ourselves. The time is near when you shall pray Jove and
all the gods in your flight, that your steeds may be swifter than
hawks as they raise the dust on the plain and bear you back to your
As he was thus speaking a bird flew by upon his right hand, and
the host of the Achaeans shouted, for they took heart at the omen. But
Hector answered, "Ajax, braggart and false of tongue, would that I
were as sure of being son for evermore to aegis-bearing Jove, with
Queen Juno for my mother, and of being held in like honour with
Minerva and Apollo, as I am that this day is big with the
destruction of the Achaeans; and you shall fall among them if you dare
abide my spear; it shall rend your fair body and bid you glut our
hounds and birds of prey with your fat and your flesh, as you fall
by the ships of the Achaeans."
With these words he led the way and the others followed after with a
cry that rent the air, while the host shouted behind them. The Argives
on their part raised a shout likewise, nor did they forget their
prowess, but stood firm against the onslaught of the Trojan
chieftains, and the cry from both the hosts rose up to heaven and to
the brightness of Jove's presence.
Tired Feelings 02
Tired sterile pen sleeping
Moonbeam knows palmistry
Barren depressed morning
Tired depressed life dozing
Scorching summer running
Trembling trees bend knees
Tired old noon seeking oasis
Lives conclude new seeds
Cyclic nature playing epic
As I wake by your dream of side,
My feelings for you I can not hide,
I touch your face in the morning sunshine,
Being with you just feels so right.
I make you feel like i am your king,
Like being inside on my dream,
Although this is real, that I know,
as our loves surrounds us continues to grow.
I think of what the future hold our love.
Marriage, children, us growing old,
And as I lay, with you dear,
i am just so glad you are my mind, you are here.
One With You
Come wash my body
Wash away my sins
And all the ways we hurt each other
Oh how we hurt ourselves
I wanna know you now
Come out of isolation
I wanna show myself
Of god, I wanna cry out loud
I wanna be one with you
Get down to the real emotion
I wanna let love break through
We can kiss the truth
One with you
I wanna hold you deep inside my heart
Feel what love can do
To know that I am one with you
Come lie down in my garden
Leave your mark on me
I know I cant be scared forever
Come on and humble me, humble me
Im so tired of living in my head
The precious comfort of my own bed
Ive glorified my spiritual side
Now take me down to the ground where I cant hide
I know I can love myself
I wanna give to someone else
I wanna know you
Feel you live and breathe
Deep inside of me
0148 Dear Jenny Joseph...
Dear Jenny Joseph,
How are you getting along these days?
Now that you've hit our 'top poems' list?
I'll bet that, as a National Treasure
you're asked to give readings
at a minimal fee
with the request
'please wear a red hat and a purple cloak -
our members would like it...' aw shurrup...
I'm contemplating a parallel
to raise the status of old men
God knows we need it...
Where shall I start?
I guess the secret is
it's fun confounding expectations,
so, first on the list,
anything that labels you British - out!
(then we can start again from scratch) :
out with the stiff upper lip -
weep in public - preferably a full rush-hour commuter train
from Surrey or Gloucestershire
or Berkshire would do;
and watch the men freeze
into emotional ineptitude;
Get on a jam-packed tube train
around the evening rush hour, when they think they're tired,
those poor 20-year-olds who clubbed all night on E
and say very loud
'Which of you young people is going to give up your seat to me?
(And if there's no move
and everyone hides behind their papers or suddenly closed eyes,
repeat the question louder and louder
until even the kind-hearted of your own age
hate you...) :
When the train stops in a tunnel
and everyone goes quiet,
whistle out of tune one that everyone knows;
And don't forget that
garlic and an open mouth
can gain you valuable personal space.
Open doors for all ladies, and expecially those
wearing pierced noses and lips and eyebrows, tattoos,
SM gear and/or short haircuts
and when they walk past without a glance
say 'Thank you...? ' very loudly;
Walk round the snootiest 'boutiques'
and the more the assistants bridle,
stand near you
or raise their eyebrows at their fellow assistants
the longer you hang around, natch,
and when you say 'Just looking...'
look them in the eye
like Clint Eastwood who just hit town;
At formal weddings,
when it gets to the butt-clenching 'just cause...? ' bit
clear your throat loudly
as if about to speak...
it will give the dry cleaners
Talk to all children with their parents
especially those whose parents quickly pull them away;
feel free to embrace all and especially sundry;
just check you have the address of your Citizen's Advice Bureau
for free legal representation;
Talk to Friends of Friends whom
you're meeting for the first time
as if you know them well;
it's amazing how many 'friends'
you can cross off that way;
who introduce themselves
with their Christian name
(even though Hindus calling from India..)
and are pushy (be kind to the others...)
- pretend you know them
and discuss some past
scandalous relationship with them,
then accuse them of misleading you;
Be natural - but very very publicly so;
in Victorian times, you could pee in the road
on please, only on the offside of horses;
so don't choose motorways
(though the central reservation is OK - I mean, who's going to stop
to be offended in the fast lane, or ring the police on the mobile while driving?)
and if anyone objects to your peeing in the gutter
that's what gutters used to be for
and who asked them to look anyway?
Clothes-wise, it's up to you -
though of course if 'dress-code..' is requested, well, that's obviously
inviting trouble - do they want to see you in person,
or what you bought or hired?
Or are they wanting free film extras
in the home movies of ego?
wear the clothes that 15-year-olds do -
that really pisses them off.
If people dropp a word
about your undone zip in public
and they're polite about it
thank them with a smile
perhaps explaining the circumstances
in friendly fashion;
but if they comment disapprovingly
Sitting on the pavement, that sort of thing -
well, that's personal; if you enjoy it, do it...
Above all - Embarrass Your Children. Mortally.
' D-a-a-d....! '
(This Poem is an Expanding Poem -
there's more cringe-making stuff to come just here...
as Rusty says, that's what parents are for...)
Doesn't sound very exciting, you may be thinking?
OK, just try one of these, and see if
you can't cut the atmosphere with a knife.
-That's not yet court evidence, but it could be,
in a nanny state - 'The witness observed
that you could cut the atmosphere with a knife, m'lud...'
But I'm very open to suggestions
from others, to make this
even better than the first, OK?
And Jenny, by the way, are you married?
It could be fun...
Forsaking All Others Part 5
TRAINED nurses, trained nurses everywhere
Trained nurses by night, trained nurses by day -
In the corridors, on the stair,
Looking for towels, carrying a tray;
Saying, 'you mustn't,' 'you must,' 'you may.'
Smooth as to hair, stiff as to skirt,
Kind in a cool, impersonal way,
Angels of mercy, bright-eyed, alert,
Hard young angels, sent to avert
That older angel of dark despair
Stiff starched angels, a trifle curt
Trained nurses, trained nurses everywhere.
A WHITE figure spoke from the doorway
In a tone deliberately bright:
'Would you like to see the patient
For a moment, and say goodnight?'
Shepherded in like a stranger
He stood beside her bed,
Gazed at those pale, blank eyelids
In that carven ivory head.
Took her hand and heard her
Murmur: 'Is that you, Jim?'
But he knew she was very tired
Tired even of him.
Too much spent with the struggle
Of drawing breath to afford
A brief smile - utterly weary,
And more than utterly bored.
NEVER before had Ruth been out of reach:
Barriers had been - but only of his making.
Now she had passed beyond the power of speech,
Quite, quite indifferent that his heart was breaking.
Here in the bedroom that he used to share
She lived day after day, averse to living,
Indifferent, unforgiving, unaware
That he had any need of her forgiving.
AT first Lee wrote to him every day
Tactful letters, that let him see
She knew very well he would rather be
With her - but it wasn't the thing to say.
Tactful letters at first, and then
Letters less tactful and more sincere,
Ending: 'Why don't you write to me, dear?'
Write to me . . . over and over again.
But he could not answer her piteous call;
Not exactly that he forgot
Their love, but only that she had not
Any reality for him at all.
She seemed like a pleasant book he had read -
Read and enjoyed; but the printed page
Cannot compete with the heritage
Of Nature. . . the living, and Oh, the dead!
At last he sent her a brief reply:
'I cannot write - or eat or sleep
Just now. I am going through the deep
Waters. Forgive me, dear Lee. Good-bye.'
THEN a night came
When in sleep broken
He heard his name
Into his dream
Horrors flocked thickly
Was that a scream?
'Better come quicklyl'
Cold was his room
And his hands shaking;
Out of the gloom
Dawn was just breaking
Dawn cool and green
Over the ocean,
Never more seen
Of death - agony
All dawns that dawn, when he
Knew Ruth was dying.
WHAT can you do with a woman's things
After a woman is dead?
Not the bracelets and rings and strings
Of pearls, but the small unvalued things
What can I do, Wayne said.
What can you do with a woman's dresses,
After a woman is dead?
Hanging limp in the cedar presses,
They are part of herself, her pretty dresses
What can I do, Wayne said.
What can you do with a woman's shoes,
After a woman is dead?
Shoes that perhaps you helped her choose,
Poor little empty half-worn shoes
What can I do, Wayne said.
What can you do with her brush and comb,
After a woman is dead?
What in God's name can you do with her home
And her loss and her love and her brush and comb
What can I do, Wayne said.
UP a little river
Where salmon used to play,
Not twenty miles distant
A little village lay -
Ruth's native village,
Where Wayne used to go
To see his mother's mother
Many years ago.
Here in a churchyard
With pines along the wall
And a wooden church steeple
Almost too tall,
Here in September,
On a bright clear day
Among the graves of sailors,
They laid Ruth away.
In this same churchyard,
Sitting on the stones,
He had first said he loved her
In young shaken tones.
That had been September,
But not this bright light.
Between the pine-needles
The stars shone white,
Such a little maiden,
Such a young man
'I love you.' - And she answered:
'I don't see how you can.'
They had been so happy
They had not cared at all
That the place was a churchyard
With pines along the wall.
WAYNE stood bareheaded on the churchyard sward
By the open grave under the open sky:
'I am the resurrection and the life, saith the Lord,
He who believeth in Me shall never die.'
Beautiful, terrible service! He heard a word
Here and there, and then he would drift away
To other memories and things not heard
Ruth's laugh when she used to laugh, so little and gay.
'When thou with rebukes dost chasten a man from sin..'
Was it sin that had parted him from Ruth?
Was sin the secret corrosion that entered in
Likea moth fretting the garment of love in youth?
Too late, too late! He heard the parson say:
'Before I go hence and be no more seen. . .
A thousand years in thy sight is but as yesterday. . .
Too late, too late! 'As grass in the morning green...'
'Was it Ruth he was leaving here in the churchyard plot
Could it be Ruth who had gone, not saying good-bye?
'What advantageth it me, if the dead rise not?
Let us eat and drink for to-morrow we die.'
How can a man help eating and drinking?
Die to-morrow! To-day, if he had his will.
How many years must he spend in thinking, thinking
Of the thing which someone has said that all men kill?
Well, he could bear what he must bear - even the sound
Of earth on a coffin falling. What must be must.
'We therefore commit her body to the ground,
Ashes to ashes, earth to earth, dust to dust.'
Prayers! Would they never be done, these killing
Rites for the dead! Ah, there was the organ's roll
From the little church, and children's.voices shrilling,
Piping Ruth's favourite hymn, 'Hark, hark, my soul...'
'Hark, hark, my soul! Angelic songs are swelling
O'er earth's green fields and ocean's wave-beat shore;
How sweet the truth those blessed strains are telling
Of that new life where sin shall be no morel
Angels of Jesus,
Angels of light,
Singing to welcome
The pilgrims of the night.'
I've tried so many times to write,
And now I must write, for I sail next week
For Italy - Sardinia - I might
Go on to Egypt later, and the Greek Islands.
I may be several years away.
'I loved you, Lee. I wonder if I can
Explain at all what's happened? From your wealth
You gave me freely - more than any man
Has ever had - beauty, wit, youth and health
I loved you passionately; and now my wife
Is dead. One might expect a mild distress,
A briefly pensive mood. . . Instead, my life
Is shattered. . . is dissolved. . . is meaningless. . .
She whom of late I thought so little of
And saw so little, was, I find, the spring
Of all I did and felt - even of my love
Of you. . . What an insane, incredible thingl
But there it is.
'Dear Lee, this is the truth:
That any marriage founded on devotion
Though that devotion die, as mine for Ruth,
Is not a state, but a unique emotion,
Potent, unalterable - not romantic
Love, though romantic love is where it starts
Marriage begins only when those hot, frantic
Fires have finished welding human hearts.
It is not love, friendship, or partnership,
But this emotion-marriage, of a force
That when it once has held you in its grip
Nothing will free you wholly - not divorce,
Or death, for these destroy not it, but you,
As I am now destroyed.
'Beware, dear Lee,
Of a true marriage, if you are not true
Yourself - or you will be destroyed - like me.'
Lenexa Baptist Church Poet Tom Zart, s = BELL RINGERS of THE SOUL!
POETS ARE THE BELL RINGERS of THE HEART & SOUL!
Poets as a rule are high on adventure
Like wondering bards or prophets today.
Embracing hearts and minds with wisdom
Casting through verse their visions at play.
Poets have their dreams and their nightmares
Of love, life, death, faith and war.
They feel the pain and tragedy of others
Even those they’ve never met before.
They fan the flames of human compassion
With their stories of the failings of man.
Professing to follow a higher power
As they recruit whomever they can.
Poets are the bell ringers of the soul
As they depict the past, the present and beyond.
They sound their alarm of what lies ahead
As the missteps of man live on.
POETS AND POEMS
Poetry blossomed long before Shakespeare, Milton or Poe.
It thrived prior to Solomon and the languages of old.
Poetry today offers itself more often in the form of music
Then in sonnets and poems as the legends of life unfold.
Man has his fear of loneliness, death and the hereafter
As authors compose his doom, desperation and glory.
All hear the words of both good and evil
With too many that fall for the wrong story.
The falsehoods of life find it hard to hide
From the word of God’s poets and poems.
Sharing their joy, frustration and sorrow
By voice, Internet, radio, or books, in our homes.
Poets and poems help man become more human
As the storms of life proliferate their toll.
Poets and poems were put here for a reason
To help tame the savage that dwells in our soul.
GOD’S MOST HUMBLE POET
I’m God’s most humble poet
Whose poems have meter and rhyme.
Stories of love, faith, hate, honor and duty,
Obedience, war, heroes, history and crime.
I’ve performed my gift on T.V. and radio
Before millions I’ve never met.
Preached my praise of God and country
With 410 poems on the net.
Satan’s soldiers, shepherds and bards
Spew forth their foulness and grief.
They attack the joy and goodness of man
Dishonoring life, family, country and belief.
Prospering through work, love and conviction
Enables us to remain whole and how we should be.
Fortifying our soul with fulfillment of faith
Lets our worst tribulations be shouldered by Thee.
Moses, Samson, David, Solomon and Jonah
All failed God in their own human way.
He chose to forgive them and bless their powers
So they might dwell in hearts of man today.
Without God’s grace, wisdom and glorious domain
There’s no doubt all would soon cease to survive.
Through purpose, morals and Christian conviction
We are able to transform and keep hope alive.
EDGAR ALLAN POE
One of America’s most famous writers
Was born in Boston, January of 1809.
Both his parents were failing actors
And his father was drunk most the time.
In 1810 Edgar’s dad disappeared
His mother died soon after.
A childless couple took him in
Raising him with love and laughter.
Edgar had a Negro nurse
Who brought him to her quarters.
There he listened to ghost stories
Far beyond earthly borders.
The strange tales he later wrote
May have come from her inspiration.
The words she used to describe death
Gave Poe his taste for sensation.
The Allans moved to England
Where Poe attended boarding schools.
There’s no doubt his time spent there
Sharpened his skills as tools.
Returning to Richmond and back in school
He began to compose new verse.
Heavy debts forced him to leave college
As his life took a turn for the worse.
Poe caught a ride on a coal barge to Boston
Where he was unable to find employment.
A young printer agreed to publish his poems
Giving him hope and enjoyment.
Penniless, Poe enlisted in the army
And was accepted to West Point in 29.
Poe couldn’t stand not being a writer
Self-imposing his dismissal from The Line.
Afterward he became an editor and critic
And married his cousin who was thirteen.
Six years latter he discovered she was dying
Suffering once more the unforeseen.
He went through periods of insanity
Caused by grieving and functional fall.
He smoked opium and drank too much
Till at his doorstep death would call.
Edgar Allan Poe the master of verse
Still lives in our hearts today
Famous for The Raven and other great works
May his soul rest in peace we pray.
The prize jewels of any nation
Are the philosophers of the heart.
How they think is universal
For it’s God who makes them so smart.
Most poets tell the truth of life
Though they may wrap it in beauty.
It's their passion, not their purpose
To compose is but their duty.
Poets have no reason to lie
When the truth is always so clear.
All that others say and do
Is but food for the poet's ear.
One merit of a poet's work
Which most cannot deny.
They say more and in fewer words
To illuminate you and I.
God sent his poets down to earth
With words of wisdom and of worth.
That they might touch the souls of men
And bring them back to Him again.
A GOOD POEM
A good poem paints a picture
For both your heart and brain.
It doesn't need a second chance
To make its meaning plain.
A good poem is like the flower
The lily or the rose.
God plants it in a poet's brain
And there its beauty grows.
A good poem like a cardinal
Is pregnant with song
You can’t help but hear its message
As it sings what's right or wrong.
A good poem helps us remember
What the joys of life are for
It makes us want to love someone
Till death comes knocking at our door.
God has always had his poets
Who He watches with love from space.
But Satan has his poets too
Who try to lead us from our grace.
King Solomon was a poet
Who spoke of love, life, death and war.
That lips were like threads of scarlet
And that breasts were roses and more.
The wild birds sing and flowers bloom
As clouds form figures in the sky.
But only humans will write poems
That shall last long after they die.
The eldest sister of all arts
Which some have called the devils wine.
Poetry is but pure passion
To stimulate the heart and mind.
My reciting seemed to delight her
Though for me it was love at first sight.
When she found out I was a poet
She asked, what kind do you write?
Love poems, mostly, I told her
While we walked alone in the park
Love's fever became even warmer
As two shadows embraced in the dark
I'll always remember when first we met
I whispered a poem in her ear.
Ever since then how happy I've been
And other women I've no need to be near.
They say that poets are divine
Though my wife would argue, that’s not true!
For, whenever I lose my direction
It’s she who tells me what to do.
Where the city ends and the suburbs begin
We've built our home beneath the sky.
We’ll raise our babies with truth and love
Till one or both of us die.
A verse a day, I always say
Helps keep lawyers from my door
For when I'm paid for what I write
My wife loves me a little more.
ALL POETS SERVE A MASTER
Most poets have a bit of Solomon
Shakespeare and Poe within.
Constantly eager to share their visions
Of love, life, joy and sin.
Some guzzle whiskey
Some sip wine
Some prefer cola
And feel just fine.
Some smoke pot
Or suck cigarettes
Some abuse drugs
With lifetime regrets.
Some attend church
And sing of God
While others make fun
And call them odd.
All have a purpose
Which drives them to compose.
All serve a master
Who by free will, they chose.
I never write a poem
That doesn’t write itself.
I catch a buzz and come alive
Like a puppet off it’s shelf.
Hearing many voices
Whose words are never mine.
My pen becomes a painter’s brush
Forming visions on a line.
I seem to be a better person
When it’s time to sit down and write.
A higher power guides my hand
Sharing wisdom by day and night.
People born to create
Have no choice but to perform.
It’s the rush of sharing their gift
That elevates them from the norm.
What would our world become
Without intervention from above?
Angry beings in a revolving cage
With no sense of passion or love.
THE POWER of POETRY
Poetry is the lighthouse of life
Guiding the lost from a stormy sea.
Without it’s presence darkness prevails
Keeping us from all we can be.
Poems are used to convey passion
By poets of both good and evil mood.
Some are hateful others loving
Sharing thoughts to be consumed as food.
Verse can lead us to glory or doom
As we partake with others within.
Depicting our past, present and future
With words of man’s grace or sin.
People write poetry because they have no choice
Answering to the call of their gift.
Where some tend to pull their readers down
Others compose to give them a lift.
Always remember the power of poetry
Is used by both heaven and hell.
It’s up to us to choose our pleasure
As poetry remains alive and well.
Poetry consumed is where wisdom begins
As we heed to the whispers of the heart.
It’s easy to blame others for our dismay
When from ignorance we refuse to part.
Verse is a beacon of hope in the darkness
To help us navigate the pitfalls of life.
Far more tend to write it, than read it
That’s why there’s endless conflict and strife.
I write poems to help fuel the light
By sharing what God has given me.
With stories of love, life, war and more
Where heroes pray on bended knee.
MASTERS of VERSE
Poetry is one of man’s oldest arts
Practiced long before words of print.
Every race had its masters of verse
In caves, huts, cabins or tent.
Stories in verse were handed down
From one generation to another.
The first told of love, war and more
And how to survive each other.
As man became more civilized
He could not help but wonder within.
Verse then took on a deeper meaning
With stories of faith, superstition and sin.
The act of reciting became in demand
As verse began to advance
Every tribe, city, town and village
Had someone who gave words romance.
Today’s poets are on the World Wide Web
Though many seem spiritually ill.
Thank Heaven for all who still have God’s gift
To compose, teach, comfort and fulfill.
MY FAVORITE POET
My favorite poet is “God”
Who gives Earth its rhythm and rhyme.
Not pied pipers of misguided souls
Who promote distrust, hatred and crime.
Poetry is nature serenading in song
The peaceful roar of the oceans waves.
The wind through the trees and over the hills
And the flowers in the fields by the graves.
The sound of rain as it waters the thirsty
The songs of children at play in the park.
The far off rumble of trains or thunder
As they pass through the night in the dark.
The joy of our babies first words and steps
The passion of life with its heroes and clowns.
The on going struggle to survive our sins
As we proliferate in hamlets and towns.
My favorite poet is our Father of above
Who was first to know us before birth.
His poetry prolongs every thing we love
As His deliverance gives life its worth.
THE POWER of WORDS
Words are the most powerful tools used by man
As hearts and souls reach for one another.
Sharing feelings of fear, wisdom and joy
Or our love for a significant other.
Where would we be without words
Which inspire, unite and motivate.
Songs, poems, stories, blogs, books
Wars, religion, love, lust and hate.
Jesus preached words to the multitudes
And nourish their hunger within.
The stories we tell portray our spirit
As examples of weakness, triumph or sin.
When we fail to control the rage of our thoughts
What is easy to say becomes hard to forgive.
Words are visions which portray our intent
The better we communicate, the better we live.
It’s not a priest that gives us our freedom of religion
And it’s not a reporter that gives us our freedom of voice.
It’s not any judge, lawyer, politician, or teacher
But the blood of a soldier that has sacrificed by choice.
Our soldiers line up to be remembered
As the best of the best at their job.
They wish to be needed and depended on
To save all we love from the mob.
They risk their life and limb for liberty
Standing firm against evil unwilling to break.
To be part of something greater than themselves
They are willing to sacrifice whatever it will take.
Tom Zart’s Poems Are Free To Post To Teach Or Show Love And Support!
By Tom Zart
Most Published Poet
On The Web
To Listen To Tom Zart’s Poems Go To =
http: //www.veteranstodayforum.com/viewforum.php? f=38
A Last Confession
Our Lombard country-girls along the coast
Wear daggers in their garters: for they know
That they might hate another girl to death
Or meet a German lover. Such a knife
I bought her, with a hilt of horn and pearl.
Father, you cannot know of all my thoughts
That day in going to meet her,—that last day
For the last time, she said;—of all the love
And all the hopeless hope that she might change
And go back with me. Ah! and everywhere,
At places we both knew along the road,
Some fresh shape of herself as once she was
Grew present at my side; until it seemed—
So close they gathered round me—they would all
Be with me when I reached the spot at last,
To plead my cause with her against herself
So changed. O Father, if you knew all this
You cannot know, then you would know too, Father,
And only then, if God can pardon me.
What can be told I'll tell, if you will hear.
I passed a village-fair upon my road,
And thought, being empty-handed, I would take
Some little present: such might prove, I said,
Either a pledge between us, or (God help me!)
A parting gift. And there it was I bought
The knife I spoke of, such as women wear.
That day, some three hours afterwards, I found
For certain, it must be a parting gift.
And, standing silent now at last, I looked
Into her scornful face; and heard the sea
Still trying hard to din into my ears
Some speech it knew which still might change her heart,
If only it could make me understand.
One moment thus. Another, and her face
Seemed further off than the last line of sea,
So that I thought, if now she were to speak
I could not hear her. Then again I knew
All, as we stood together on the sand
At Iglio, in the first thin shade o' the hills.
“Take it,” I said, and held it out to her,
While the hilt glanced within my trembling hold;
“Take it and keep it for my sake,” I said.
Her neck unbent not, neither did her eyes
Move, nor her foot left beating of the sand;
Only she put it by from her and laughed.
Father, you hear my speech and not her laugh;
But God heard that. Will God remember all?
It was another laugh than the sweet sound
Which rose from her sweet childish heart, that day
Eleven years before, when first I found her
Alone upon the hill-side; and her curls
Shook down in the warm grass as she looked up
Out of her curls in my eyes bent to hers.
She might have served a painter to pourtray
That heavenly child which in the latter days
Shall walk between the lion and the lamb.
I had been for nights in hiding, worn and sick
And hardly fed; and so her words at first
Seemed fiftul like the talking of the trees
And voices in the air that knew my name.
And I remember that I sat me down
Upon the slope with her, and thought the world
Must be all over or had never been,
We seemed there so alone. And soon she told me
Her parents both were gone away from her.
I thought perhaps she meant that they had died;
But when I asked her this, she looked again
Into my face and said that yestereve
They kissed her long, and wept and made her weep,
And gave her all the bread they had with them,
And then had gone together up the hill
Where we were sitting now, and had walked on
Into the great red light; “and so,” she said,
“I have come up here too; and when this evening
They step out of the light as they stepped in,
I shall be here to kiss them.” And she laughed.
Then I bethought me suddenly of the famine;
And how the church-steps throughout all the town,
When last I had been there a month ago,
Swarmed with starved folk; and how the bread was weighed
By Austrians armed; and women that I knew
For wives and mothers walked the public street,
Saying aloud that if their husbands feared
To snatch the children's food, themselves would stay
Till they had earned it there. So then this child
Was piteous to me; for all told me then
Her parents must have left her to God's chance,
To man's or to the Church's charity,
Because of the great famine, rather than
To watch her growing thin between their knees.
With that, God took my mother's voice and spoke,
And sights and sounds came back and things long since,
And all my childhood found me on the hills;
And so I took her with me.
I was young.
Scarce man then, Father: but the cause which gave
The wounds I die of now had brought me then
Some wounds already; and I lived alone,
As any hiding hunted man must live.
It was no easy thing to keep a child
In safety; for herself it was not safe,
And doubled my own danger: but I knew
That God would help me.
Yet a little while
Pardon me, Father, if I pause. I think
I have been speaking to you of some matters
There was no need to speak of, have I not?
You do not know how clearly those things stood
Within my mind, which I have spoken of,
Nor how they strove for utterance. Life all past
Is like the sky when the sun sets in it,
Clearest where furthest off.
I told you how
She scorned my parting gift and laughed. And yet
A woman's laugh's another thing sometimes:
I think they laugh in Heaven. I know last night
I dreamed I saw into the garden of God,
Where women walked whose painted images
I have seen with candles round them in the church.
They bent this way and that, one to another,
Playing: and over the long golden hair
Of each there floated like a ring of fire
Which when she stooped stooped with her, and when she rose
Rose with her. Then a breeze flew in among them,
As if a window had been opened in heaven
For God to give His blessing from, before
This world of ours should set; (for in my dream
I thought our world was setting, and the sun
Flared, a spent taper; ) and beneath that gust
The rings of light quivered like forest-leaves.
Then all the blessed maidens who were there
Stood up together, as it were a voice
That called them; and they threw their tresses back,
And smote their palms, and all laughed up at once,
For the strong heavenly joy they had in them
To hear God bless the world. Wherewith I woke:
And looking round, I saw as usual
That she was standing there with her long locks
Pressed to her side; and her laugh ended theirs.
For always when I see her now, she laughs.
And yet her childish laughter haunts me too,
The life of this dead terror; as in days
When she, a child, dwelt with me. I must tell
Something of those days yet before the end.
I brought her from the city—one such day
When she was still a merry loving child,—
The earliest gift I mind my giving her;
A little image of a flying Love
Made of our coloured glass-ware, in his hands
A dart of gilded metal and a torch.
And him she kissed and me, and fain would know
Why were his poor eyes blindfold, why the wings
And why the arrow. What I knew I told
Of Venus and of Cupid,—strange old tales.
And when she heard that he could rule the loves
Of men and women, still she shook her head
And wondered; and, “Nay, nay,” she murmured still,
“So strong, and he a younger child than I!”
And then she'd have me fix him on the wall
Fronting her little bed; and then again
She needs must fix him there herself, because
I gave him to her and she loved him so,
And he should make her love me better yet,
If women loved the more, the more they grew.
But the fit place upon the wall was high
For her, and so I held her in my arms:
And each time that the heavy pruning-hook
I gave her for a hammer slipped away
As it would often, still she laughed and laughed
And kissed and kissed me. But amid her mirth,
Just as she hung the image on the nail,
It slipped and all its fragments strewed the ground:
And as it fell she screamed, for in her hand
The dart had entered deeply and drawn blood.
And so her laughter turned to tears: and “Oh!”
I said, the while I bandaged the small hand,—
“That I should be the first to make you bleed,
Who love and love and love you!”—kissing still
The fingers till I got her safe to bed.
And still she sobbed,—“not for the pain at all,”
She said, “but for the Love, the poor good Love
You gave me.” So she cried herself to sleep.
Another later thing comes back to me.
'Twas in those hardest foulest days of all,
When still from his shut palace, sitting clean
Above the splash of blood, old Metternich
(May his soul die, and never-dying worms
Feast on its pain for ever! ) used to thin
His year's doomed hundreds daintily, each month
Thirties and fifties. This time, as I think,
Was when his thrift forbad the poor to take
That evil brackish salt which the dry rocks
Keep all through winter when the sea draws in.
The first I heard of it was a chance shot
In the street here and there, and on the stones
A stumbling clatter as of horse hemmed round.
Then, when she saw me hurry out of doors,
My gun slung at my shoulder and my knife
Stuck in my girdle, she smoothed down my hair
And laughed to see me look so brave, and leaped
Up to my neck and kissed me. She was still
A child; and yet that kiss was on my lips
So hot all day where the smoke shut us in.
For now, being always with her, the first love
I had—the father's, brother's love—was changed,
I think, in somewise; like a holy thought
Which is a prayer before one knows of it.
The first time I perceived this, I remember,
Was once when after hunting I came home
Weary, and she brought food and fruit for me,
And sat down at my feet upon the floor
Leaning against my side. But when I felt
Her sweet head reach from that low seat of hers
So high as to be laid upon my heart,
I turned and looked upon my darling there
And marked for the first time how tall she was;
And my heart beat with so much violence
Under her cheek, I thought she could not choose
But wonder at it soon and ask me why;
And so I bade her rise and eat with me.
And when, remembering all and counting back
The time, I made out fourteen years for her
And told her so, she gazed at me with eyes
As of the sky and sea on a grey day,
And drew her long hands through her hair, and asked me
If she was not a woman; and then laughed:
And as she stooped in laughing, I could see
Beneath the growing throat the breasts half-globed
Like folded lilies deepset in the stream.
Yes, let me think of her as then; for so
Her image, Father, is not like the sights
Which come when you are gone. She had a mouth
Made to bring death to life,—the underlip
Sucked in, as if it strove to kiss itself.
Her face was pearly pale, as when one stoops
Over wan water; and the dark crisped hair
And the hair's shadow made it paler still:—
Deep-serried locks, the dimness of the cloud
Where the moon's gaze is set in eddying gloom.
Her body bore her neck as the tree's stem
Bears the top branch; and as the branch sustains
The flower of the year's pride, her high neck bore
That face made wonderful with night and day.
Her voice was swift, yet ever the last words
Fell lingeringly; and rounded finger-tips
She had, that clung a little where they touched
And then were gone o' the instant. Her great eyes,
That sometimes turned half dizzily beneath
The passionate lids, as faint, when she would speak,
Had also in them hidden springs of mirth,
Which under the dark lashes evermore
Shook to her laugh, as when a bird flies low
Between the water and the willow-leaves,
And the shade quivers till he wins the light.
I was a moody comrade to her then,
For all the love I bore her. Italy,
The weeping desolate mother, long has claimed
Her sons' strong arms to lean on, and their hands
To lop the poisonous thicket from her path,
Cleaving her way to light. And from her need
Had grown the fashion of my whole poor life
Which I was proud to yield her, as my father
Had yielded his. And this had come to be
A game to play, a love to clasp, a hate
To wreak, all things together that a man
Needs for his blood to ripen; till at times
All else seemed shadows, and I wondered still
To see such life pass muster and be deemed
Time's bodily substance. In those hours, no doubt,
To the young girl my eyes were like my soul,—
Dark wells of death-in-life that yearned for day.
And though she ruled me always, I remember
That once when I was thus and she still kept
Leaping about the place and laughing, I
Did almost chide her; whereupon she knelt
And putting her two hands into my breast
Sang me a song. Are these tears in my eyes?
'Tis long since I have wept for anything.
I thought that song forgotten out of mind;
And now, just as I spoke of it, it came
All back. It is but a rude thing, ill rhymed,
Such as a blind man chaunts and his dog hears
Holding the platter, when the children run
To merrier sport and leave him. Thus it goes:—
La bella donna*
“Come son fisse
Le stelle in cielo!
Quel fiato anelo
Dello stanco sole,
Quanto m' assonna!
E la luna, macchiata
Come uno specchio
Logoro e vecchio,—
Che cosa vuole?
“Chè stelle, luna, e sole,
Ciascun m' annoja
E m' annojano insieme;
Non me ne preme
Nè ci prendo gioja.
Che le spalle sien franche
E la braccia bianche
She wept, sweet lady,
And said in weeping:
“What spell is keeping
The stars so steady?
Why does the power
Of the sun's noon-hour
To sleep so move me?
And the moon in heaven,
Stained where she passes
As a worn-out glass is,—
Why walks she above me?
“Stars, moon, and sun too,
I'm tired of either
And all together!
Whom speak they unto
That I should listen?
For very surely,
Though my arms and shoulders
And my eyes glisten,
All's nothing purely!
What are words said for
At all about them,
If he they are made for
Can do without them?”
She laughed, sweet lady,
And said in laughing:
“His hand clings half in
My own already!
Oh! do you love me?
Oh! speak of passion
In no new fashion,
No loud inveighings,
But the old sayings
You once said of me.
“You said: ‘As summer,
Through boughs grown brittle,
Comes back a little
Ere frosts benumb her,—
So bring'st thou to me
All leaves and flowers,
Though autumn's gloomy
To-day in the bowers.’
“Oh! does he love me,
When my voice teaches
The very speeches
He then spoke of me?
Alas! what flavour
Still with me lingers?”
(But she laughed as my kisses
Glowed in her fingers
With love's old blisses.)
“Oh! what one favour
Remains to woo him,
Whose whole poor savour
Belongs not to him?”
E il seno caldo e tondo,
Non mi fa niente.
Che cosa al mondo
Posso più far di questi
Se non piacciono a te, come dicesti?”
La donna rise
E riprese ridendo:—
“Questa mano che prendo
È dunque mia?
Tu m' ami dunque?
Non in modo qualunque,
Ma le parole
Belle e precise
Che dicesti pria.
La state talora
(Dicesti) un qualche istante
Tornare innanzi inverno,
Così tu fai ch' io scerno
Le foglie tutte quante,
Ben ch' io certo tenessi
Per passato l' autunno.’
“Eccolo il mio alunno!
Io debbo insegnargli
Quei cari detti istessi
Ch' ei mi disse una volta!
Oimè! Che cosa dargli,”
(Ma ridea piano piano
Dei baci in sulla mano,)
“Ch' ei non m'abbia da lungo tempo tolta?”
That I should sing upon this bed!—with you
To listen, and such words still left to say!
Yet was it I that sang? The voice seemed hers,
As on the very day she sang to me;
When, having done, she took out of my hand
Something that I had played with all the while
And laid it down beyond my reach; and so
Turning my face round till it fronted hers,—
“Weeping or laughing, which was best?” she said.
But these are foolish tales. How should I show
The heart that glowed then with love's heat, each day
More and more brightly?—when for long years now
The very flame that flew about the heart,
And gave it fiery wings, has come to be
The lapping blaze of hell's environment
Whose tongues all bid the molten heart despair.
Yet one more thing comes back on me to-night
Which I may tell you: for it bore my soul
Dread firstlings of the brood that rend it now.
It chanced that in our last year's wanderings
We dwelt at Monza, far away from home,
If home we had: and in the Duomo there
I sometimes entered with her when she prayed.
An image of Our Lady stands there, wrought
In marble by some great Italian hand
In the great days when she and Italy
Sat on one throne together: and to her
And to none else my loved one told her heart.
She was a woman then; and as she knelt,—
Her sweet brow in the sweet brow's shadow there,—
They seemed two kindred forms whereby our land
(Whose work still serves the world for miracle)
Made manifest herself in womanhood.
Father, the day I speak of was the first
For weeks that I had borne her company
Into the Duomo; and those weeks had been
Much troubled, for then first the glimpses came
Of some impenetrable restlessness
Growing in her to make her changed and cold.
And as we entered there that day, I bent
My eyes on the fair Image, and I said
Within my heart, “Oh turn her heart to me!”
And so I left her to her prayers, and went
To gaze upon the pride of Monza's shrine,
Where in the sacristy the light still falls
Upon the Iron Crown of Italy,
On whose crowned heads the day has closed, nor yet
The daybreak gilds another head to crown.
But coming back, I wondered when I saw
That the sweet Lady of her prayers now stood
Alone without her; until further off,
Before some new Madonna gaily decked,
Tinselled and gewgawed, a slight German toy,
I saw her kneel, still praying. At my step
She rose, and side by side we left the church.
I was much moved, and sharply questioned her
Of her transferred devotion; but she seemed
Stubborn and heedless; till she lightly laughed
And said: “The old Madonna? Aye indeed,
She had my old thoughts,—this one has my new.”
Then silent to the soul I held my way:
And from the fountains of the public place
Unto the pigeon-haunted pinnacles,
Bright wings and water winnowed the bright air;
And stately with her laugh's subsiding smile
She went, with clear-swayed waist and towering neck
And hands held light before her; and the face
Which long had made a day in my life's night
Was night in day to me; as all men's eyes
Turned on her beauty, and she seemed to tread
Beyond my heart to the world made for her.
Ah there! my wounds will snatch my sense again:
The pain comes billowing on like a full cloud
Of thunder, and the flash that breaks from it
Leaves my brain burning. That's the wound he gave,
The Austrian whose white coat I still made match
With his white face, only the two grew red
As suits his trade. The devil makes them wear
White for a livery, that the blood may show
Braver that brings them to him. So he looks
Sheer o'er the field and knows his own at once.
Give me a draught of water in that cup;
My voice feels thick; perhaps you do not hear;
But you must hear. If you mistake my words
And so absolve me, I am sure the blessing
Will burn my soul. If you mistake my words
And so absolve me, Father, the great sin
Is yours, not mine: mark this: your soul shall burn
With mine for it. I have seen pictures where
Souls burned with Latin shriekings in their mouths:
Shall my end be as theirs? Nay, but I know
'Tis you shall shriek in Latin. Some bell rings,
Rings through my brain: it strikes the hour in hell.
You see I cannot, Father; I have tried,
But cannot, as you see. These twenty times
Beginning, I have come to the same point
And stopped. Beyond, there are but broken words
Which will not let you understand my tale.
It is that then we have her with us here,
As when she wrung her hair out in my dream
To-night, till all the darkness reeked of it.
Her hair is always wet, for she has kept
Its tresses wrapped about her side for years;
And when she wrung them round over the floor,
I heard the blood between her fingers hiss;
So that I sat up in my bed and screamed
Once and again; and once to once, she laughed.
Look that you turn not now,—she's at your back:
Gather your robe up, Father, and keep close,
Or she'll sit down on it and send you mad.
At Iglio in the first thin shade o' the hills
The sand is black and red. The black was black
When what was spilt that day sank into it,
And the red scarcely darkened. There I stood
This night with her, and saw the sand the same.
What would you have me tell you? Father, father,
How shall I make you know? You have not known
The dreadful soul of woman, who one day
Forgets the old and takes the new to heart,
Forgets what man remembers, and therewith
Forgets the man. Nor can I clearly tell
How the change happened between her and me.
Her eyes looked on me from an emptied heart
When most my heart was full of her; and still
In every corner of myself I sought
To find what service failed her; and no less
Than in the good time past, there all was hers.
What do you love? Your Heaven? Conceive it spread
For one first year of all eternity
All round you with all joys and gifts of God;
And then when most your soul is blent with it
And all yields song together,—then it stands
O' the sudden like a pool that once gave back
Your image, but now drowns it and is clear
Again,—or like a sun bewitched, that burns
Your shadow from you, and still shines in sight.
How could you bear it? Would you not cry out,
Among those eyes grown blind to you, those ears
That hear no more your voice you hear the same,—
“God! what is left but hell for company,
But hell, hell, hell?”—until the name so breathed
Whirled with hot wind and sucked you down in fire?
Even so I stood the day her empty heart
Left her place empty in our home, while yet
I knew not why she went nor where she went
Nor how to reach her: so I stood the day
When to my prayers at last one sight of her
Was granted, and I looked on heaven made pale
With scorn, and heard heaven mock me in that laugh.
O sweet, long sweet! Was that some ghost of you,
Even as your ghost that haunts me now,—twin shapes
Of fear and hatred? May I find you yet
Mine when death wakes? Ah! be it even in flame,
We may have sweetness yet, if you but say
As once in childish sorrow: “Not my pain,
My pain was nothing: oh your poor poor love,
Your broken love!”
My Father, have I not
Yet told you the last things of that last day
On which I went to meet her by the sea?
O God, O God! but I must tell you all.
Midway upon my journey, when I stopped
To buy the dagger at the village fair,
I saw two cursed rats about the place
I knew for spies—blood-sellers both. That day
Was not yet over; for three hours to come
I prized my life: and so I looked around
For safety. A poor painted mountebank
Was playing tricks and shouting in a crowd.
I knew he must have heard my name, so I
Pushed past and whispered to him who I was,
And of my danger. Straight he hustled me
Into his booth, as it were in the trick,
And brought me out next minute with my face
All smeared in patches and a zany's gown;
And there I handed him his cups and balls
And swung the sand-bags round to clear the ring
For half an hour. The spies came once and looked;
And while they stopped, and made all sights and sounds
Sharp to my startled senses, I remember
A woman laughed above me. I looked up
And saw where a brown-shouldered harlot leaned
Half through a tavern window thick with vine.
Some man had come behind her in the room
And caught her by her arms, and she had turned
With that coarse empty laugh on him, as now
He munched her neck with kisses, while the vine
Crawled in her back.
And three hours afterwards,
When she that I had run all risks to meet
Laughed as I told you, my life burned to death
Within me, for I thought it like the laugh
Heard at the fair. She had not left me long;
But all she might have changed to, or might change to,
(I know nought since—she never speaks a word—)
Seemed in that laugh. Have I not told you yet,
Not told you all this time what happened, Father,
When I had offered her the little knife,
And bade her keep it for my sake that loved her,
And she had laughed? Have I not told you yet?
“Take it,” I said to her the second time,
“Take it and keep it.” And then came a fire
That burnt my hand; and then the fire was blood,
And sea and sky were blood and fire, and all
The day was one red blindness; till it seemed,
Within the whirling brain's eclipse, that she
Or I or all things bled or burned to death.
And then I found her laid against my feet
And knew that I had stabbed her, and saw still
Her look in falling. For she took the knife
Deep in her heart, even as I bade her then,
And fell; and her stiff bodice scooped the sand
Into her bosom.
And she keeps it, see,
Do you not see she keeps it?—there, beneath
Wet fingers and wet tresses, in her heart.
For look you, when she stirs her hand, it shows
The little hilt of horn and pearl,—even such
A dagger as our women of the coast
Twist in their garters.
Father, I have done:
And from her side now she unwinds the thick
Dark hair; all round her side it is wet through,
But, like the sand at Iglio, does not change.
Now you may see the dagger clearly. Father,
I have told all: tell me at once what hope
Can reach me still. For now she draws it out
Slowly, and only smiles as yet: look, Father,
She scarcely smiles: but I shall hear her laugh
Soon, when she shows the crimson steel to God.
The Undying One - Canto IV
'TIS done--the night has pass'd away;
And, basking in the sunny day,
The laughing fountain's waters bear
No record of each burning tear;--
The silent echoes give no sound
Of shriek or moan; and nothing round
Can tell what breaking hearts have been
So lately in that quiet scene.
But ere the evening falls again,
Many a step o'er mount and glen
Shall hurry far and wide, to seek
Her of the pallid brow and cheek.
Proud is the eye of the bridegroom lord!
He hath girt him round with a trusty sword,
And the horse that hath borne him to battle for years,
Gladly his angry summons hears.
His red nostrils snuffing the morning air,
Nothing he heeds their heavy care,
But waits till his high curving neck shall be freed,
To bound o'er the hills with an arrow's speed.
He is gone--full swiftly he dashes by--
And many a bright and beautiful eye
Follows the rider's form;--and dreams
Of pleasant walks by the dancing streams,
Of moonlight whisperings in the grove,
Of looks of ardour, and vows of love,
Fill those young hearts: and they wonder why
Visions so happy should make them sigh:
And more they wonder, that any one
Of the numberless forms their eyes have known,
Should have stolen a heart which Carlos woo'd
By the fount, and the lone wood's solitude.
Oh! love--real love! intoxicating dream
Of beauty and of happiness! how vain
Are our aspirings after thee, which seem
To bring thee near us!--doubt and causeless pain,
And jealousies, and most unconstant sighs
For something fairer than this world supplies;
And fondness which doth end in faint disgust;
And airy hopes that crumble down to dust ;--
These are not love,--though these too oft impart
A false excitement to the swelling heart.
To look upon the fairy one, who stands
Before you, with her young hair's shining bands,
And rosy lips half parted;--and to muse,
Not on the features which you now peruse,
Not on the blushing bride,--but look beyond
Unto the aged wife, nor feel less fond:
To feel, that while thy arm can strike them dead,
No breathing soul shall harm that gentle head:
To know, that none with fierce and sudden strife
Shall tear thee from her, save with loss of life:
To keep thee but to one, and let that one
Be to thy home what warmth is to the sun;
To gaze, and find no change, when time hath made
Youth's dazzling beauty darken into shade,
But fondly--firmly--cling to her, nor fear
The fading touch of each declining year:--
This is true love, when it hath found a rest
In the deep home of manhood's faithful breast.
To worship silently at some heart's shrine,
And feel, but paint not, all its fire in thine:
To pray for that heart's hopes, when thine are gone,
Nor let its after coldness chill thine own:
To hold that one, with every fault, more dear
Than all who whisper fondness in thine ear:
To joy thee in his joy, and silently
Meet the upbraiding of his angry eye:
To bear unshrinking all the blows of fate,
Save that which leaves thy sorrow desolate:
Nor deem that woe, which thou canst feel is still
Borne with him, and for him; through every ill
To smile on him,--nor weep, save when apart,
God, and God only; looks into thy heart:
To keep unchanged thy calm, pure, quiet love,
If he, inconstant, doth a new one prove;
To love all round him as a part of him,
Ev'n her he worships:--though thine eye be dim
With weeping for thyself--to pray that not
One cloud may darken o'er their earthly lot:
With the affection of true hearts, to see
His happiness, which doth not hang on thee :--
Oh! this is woman's love--its joy--its pain;
And this--it hath been felt--and felt in vain.
They are dancing again, by the misty veil
Of the star-lit sky and the moonlight pale.
Laughing and murmuring voices rise
With their gladsome tones, to the peaceful skies:
And no one voice hath a sadder tone
For the sake of her whose form is gone,
Though her step was light in the dance, and her brow
Fairer than any which gleam there now.
Yet after the dance is done, and faint
Each languid limb on the turf is thrown,
Their gathering voices strive to paint
The stranger-heart that Linda won.
And still, as his wasted form, pale brow,
And mournful looks to their thoughts appear;
With his deep, sad voice, they wonder how
He hath pleaded his tale in Linda's ear.
And some dream wildly of wizard bower
Which hath tempted those fair young feet to stray:
And some of the sweet and charmed power
Which lies in the moonlight's holy ray:
And some who love--oh! they fondly feel,
In the hopeful heart of the promised bride,
That her soul may be bound in the woe or weal
Of the stranger by the fountain's side:
And none be able to know, or tell,
How such a love in her young heart grew--
Till the charm have bound their souls as well,
And the flame burn bright in their bosoms too.
They travel fast--the bridegroom lord,
With his prancing steed and his trusty sword;
And the brother-tyrant by his side,
With marble brow and heart of pride.
But vainly they follow o'er vale and hill,
Through the tufted heath, or the cool clear rill;
That mournful pair are far before,
Where the bleak sands lie, and the billows roar.
Far from the smiling land of her birth,
Her early home on the boundless earth,
Hath Linda, with tears, resolved to go,
For her mother's son is her deadly foe.
Stern as he was when she watch'd each look,
And obey'd ere he spoke--oh! how shall he brook
That her heart hath swerved, and her vows are naught
For the sake of the love which a stranger brought?
Oh! far may her white foot seek, and reach,
A home on Erin's shingled beach!
Where Miriam dwelt--in their bless'd land
Of the free warm heart, and the open hand;
Where no hypocrite sneer their wrath disguises,
But the sword springs out as the heart's blood rises;
There hath she chosen her home to be:
And their bark bounds over the foaming sea.
Silently watching by Isbal's side,
Sadly she looks on the curling tide;
And, gloomily as it roams o'er all,
His eye is a guide where hers shall fall.
Sudden a light shot o'er that eye,
And a quivering through him came;
And Linda, though she knows not why,
Clings trembling to his frame.
Hurriedly he spoke,
As the deep flush broke
O'er his face:
'There is a vessel--would it were a wreck!--
I know it by the flag; and on that deck
Are forms my soul can trace.
Though yet I see them not, I know
That, could we meet, a bitter woe
Were thine, their power beneath:
Though yet I hear them not, I feel
Each voice would tear the polish'd steel
From out its idle sheath.
Curse on the sails, whose lagging speed
Doth leave us in our hour of need!
Is there no wind in heaven?
They come--oh! Linda, cling to me:
Come closer yet: more strength will be
To love and vengeance given!'
Vain wrath! Young Linda gazes on the sight
Which thus hath conjured up a desperate fight;
And, in the distance she doth spy a sail,
With its flag fluttering gently on the gale,
White, calm, and peaceful:--strange in truth it seems,
That such a sight hath power to wake such dreams.
Yet doth she shudder, as with vehement force
He clasps her round, and views the vessel's course.
It nears--it nears--and through the signal glass,
The distant forms of crew and captain pass.--
'Tis they! 'tis they! Her brother's haughty form,
Proudly erect, defies the coming storm:
And, seated near him, in his mantle clad,
With brow almost as haughty, but more sad,
Is he who woo'd her heart, when love was yet
A dream--which those who wake, strive vainly to forget!
She sees them, but all unconscious they,
Who tracks them thus on their distant way.
They hail the vessel, then turn to gaze
Upon the sunset's parting rays;
And veering in their course, they sever,
Careless if they should part for ever!
But Isbal hath fix'd his straining sight
On the gleamy look of her canvas white,
And with impatient glance on high
Chides the full sails that hide the sky;
And yearns, till that distant land be won,
For spirits' wings to bear him on.
Bounds the light ship on her foamy track,
With her crimson pennant floating back:
Onward impell'd by the steady gales,
That are firmly pressing the swelling sails.
On she goes, and the waves are dashing
Under her stern, and under her prow;
Oh! pleasant the sound of the waters splashing
To those who the heat of the desert know.
On she goes--and the light is breaking
In a narrow streak o'er the distant sea;
And the shouts confused of the crew are waking
The silent air with an echo free.
On she goes--and the moon hath risen--
The holy moon that her veil doth shroud;
And like a mournful face from prison,
She looketh out of her watery cloud.
Graceful as earth's most gentle daughters,
That good ship sails through the gleaming spray--
Like a beautiful dream on the darken'd waters,
Till she anchors in Killala bay.
Erin!--be hush'd, my lyre! Oh! thou,
With ardent mind and eager brow;
With heart and harp together strung,
The hero's soul, the poet's tongue;
Who shall attempt the chorded shell
Which thou hast breathed upon so well?
Or who shall seek that land to praise,
Nor seem to echo back thy lays?
That land, 'the land that bore thee;' never
Shall aught thy name from Erin's sever--
Nor dream of Erin's beauty be,
That doth not also breathe of thee.
And if perchance, in after years,
Some other harp shall wake our tears;
Or, with a burst of glorious song,
Bear our rapt souls in dreams along:
The songs they sing, the lays they pour,
Shall bring us back thy genius--Moore!
Oh! yes--by all that others feel,
When from thy lip the low words steal:
By many an unregarded sigh
The winds have caught in passing by:
By wild far dreams of light divine,
That come not, save to souls like thine:
By the heart-swelling thou hast wrought:
By thy deep melody of thought:
By tear, and song, and ardour won--
The harp of Erin is thine own!
A storm is in the sky; a storm on earth;
And terror pale hath hush'd the voice of mirth.
And strong determination gleams forth now
From the deep lines of many a careless brow.
A storm is on the sea; a storm in heaven;
And wildly on the vessel's course is driven.
Forth rushes lightning from the lurid skies,
And ere the pilot's lips can pray,--he dies!
Aghast they stand;--the blacken'd corse lies there,
Sickening their helpless hearts with deep despair:
While Isbal waves his vainly lifted hand,
And shouts in deafen'd ears his proud command:
'Each to his post! Myself will take the helm,
Though lightnings dart, and billows overwhelm.
Why dream ye thus? Is death so dreadful then
To shrinking things that boast the name of men?
Will ye be daunted that one soul hath gone
Ere he had time to say, 'I go alone!'
Struggle for life! for soon the yawning tide,
Which howls and dashes o'er the good ship's side,
Shall come to claim its prey:--each to his post,
And strain and labour, or the ship is lost!'
Alarm, and shame, and wonder fill their hearts;
And then his fiery speech some warmth imparts.
All hands aboard with silent strength obey,
And the strain'd vessel ploughs her labour'd way.
A bark--a bark comes tossing o'er the wave,
(On the dark face of heaven, more darkly seen)
Right on the vessel's course,--while ev'n the brave
Shudder for breath;--what doth the helmsman mean?
Onward she comes--by raging wave and wind
Helplessly driven with a meteor's speed:
Almost she touches:--is the helmsman blind,
That of such danger he doth take no heed?
Well doth he know that ship, whose eye hath watch'd
All the long day; and now doth glaring stand,
His only fear that heaven perchance hath snatch'd
His deep revenge from out his desperate hand.
She comes!--a shock--a hollow whiffing sound--
A wail that o'er the troubled waters went
Of many howling voices;--a harsh sound
Of the keel grating o'er that bark's descent;
And all was over!--Oh! in those few words
How much of agony, and hope, and fear,
And yearnings after life, and treasured hoards
Of young hearts' feelings, cease and disappear!
All--all was over! what, we may not know;
But, looking back, in our own breasts we feel
Much perish'd, with the separate all of those
Who sank beneath that vessel's grating keel.
And with them perish'd Linda's brother stern,
And the young bridegroom in his hour of youth:
And Linda feels her brain and bosom burn--
Oh! it had madden'd her to know the truth!
The murderous truth, that he she loved--for whom
And for whose love she broke her plighted troth,
With strong and ruthless hand prepared the doom,
Which sickens her to dream upon--for both.
But as it was, she gazed into his face,
And round upon the black and empty space,
And then with shudderings cold she bow'd her head,
And gazed upon the waters.--
Have the dead
Power to rise? She sees a single form
All impotently struggling with the storm,
And tossing high his arm, as if to crave
A rescue from his comrades' watery grave.
Oh! save him!--save him! Swift a rope is thrown,
And on the deck, with an exhausted groan,
The half-drown'd wretch is laid. With greedy glare
Doth Isbal watch him for a moment there;
And then with faded glance draws calmly back,
And seems to watch the vessel's furrow'd track.
Meanwhile full many a rough but hearty grasp
Greets the lone stranger; but his hand the clasp
Returns not--and their words of welcome seem
Spoken to one who hears not, but doth dream.
Wistfully gazing up into their eyes,
As though he understood them not--awhile
All motionless he stands; then to the skies,
Then on the sea, with a most bitter smile.
And thus he spoke, but whom he loved, or why,
Is in His book who suffer'd them to die:--
'It was a pleasant dream--possessing thee,
Albeit thy stay was very short on earth:
And still my hopes and heart are blessing thee,
Thou of the glad bright eyes and voice of mirth.
It was a pleasant dream--but thou art gone,
By many a billow cover'd from my sight:
Thou'lt come no more to cheer me when alone--
Thy lips are mute--thine eyes no more are bright.
Oh! thou in whom my life was all bound up,
What is that life without thee? Long ere now
I deem'd that I had drain'd pale sorrow's cup--
Alas! I had not seen death on thy brow.
'Oft, when with boding fears I've sat to watch
For thy dear coming, with dim weary gaze,
Or wander'd out thine eye's first glance to catch,
Fancy hath painted them with fading rays.
I've dream'd of danger and of death; and when
Thine answering look hath met my anxious eye;
When I have clasp'd thee to my heart again--
That heart's full joy hath strain'd to agony.
But it hath come at last--the long dark day,
The cheerless absence which hath no return;
And what is left to me? where lies thy clay--
There--there, beloved, doth my beacon burn!'
Wildly he gazed upon the green deep wave,
As if he sought a spot to be his grave;
Then turning him where Isbal stood aside,
'My curse upon thee, helmsman!' loud he cried.
He leapt--the waters closed, and murmur'd o'er:
The heart that beat to suffer--felt no more.
And Isbal started, and young Linda wept;
And the heavens brighten'd, and the loud winds slept.
The cold pale moon began once more to shine,
And the tall vessel sped athwart the brine.
'Tis deep blue midnight--many a star
Is twinkling in the heavens afar.
The autumn winds are blowing keen
The straight and steady masts between;
And motionless the vessel lies,
As she were traced upon the skies.
Within that anchor'd ship are some
Fond simple hearts who dream of home;
And murmuring in their sleep, they hear
Far distant voices whispering near.
Within that anchor'd ship are many
Whose careless dreams (if they have any)
Bring back some lightly-utter'd jest,
To brighten o'er their lonely rest.
Within that anchor'd ship are none
Who sleep not, save the watch--and one
Who may not rest--who dares not dream;
And he--whence glows that sudden beam
That shot along his pallid brow?
Again--again--'tis brighter now--
Awake! awake! 'tis danger--death!--
The flames are round, above, beneath;
Fire! on the lonely waste of sea--
Fire! where no human help can be!
Wild, breathless, and aghast, the crew
Crowd the scorch'd deck. A busy few,
With the rude instinct that doth make
Man struggle for existence' sake,
Lower the boats:--one after one
Those frail light barks are landward gone,
Ere Isbal from his vision'd trance
Is roused.--What meets his hurried glance?
Half burnt, half drown'd, around him dying,
Are wretches on the waters lying.
He gazes on all with shivering start--
''Tis the curse--'tis the curse of that broken heart!'
He hails the last boat--'Oh! not for my life
Do I ask you to brave the element's strife;
But for her who is dearer than life'--in vain!
A hoarse voice answers him again:
'When thou wert helmsman, the ship went down,
And the heavens look'd out with an angry frown.
How know we who or what thou art,
A man in form, but a fiend in heart!
Thou didst not shudder, nor quail, nor shrink,
When we heard the waves their death-sob drink;
Though brave men held their breath, to see
Their fellows die so suddenly!
The wrath of Heaven is on thy head,
And a cry is come up from the early dead--
It hath wrought on us this awful sign;
And we will not perish for thee or thine!'
It was over now!--and alone they stood
In that fiery ship, on the glowing flood;
With a woman's love, and a woman's fear,
She clung to that bosom, now doubly dear;
And she look'd up into his death-like face,
From the eager clasp of his firm embrace,
With a strange wild smile, which seem'd to say,
'Let us die together.' He turn'd away,
And he gazed far out on the lonely sea,
Where the billows are raging desperately;
He gazed far out to the utmost verge,
But the sickening sound of the booming surge,
And the dashing waves, with their ceaseless strife,
Coursing each other like things of life--
And a howl through the lighted firmament,
As the boat, and the boat's crew downward went--
Sounds of sorrow, and sights of fear,
Were all which struck on his eye and ear.
He look'd around him:--the fiery blaze
Mocking the pale moon's quiet rays;
The red flames licking the top-mast high,
As if climbing to reach the cool clear sky;
And the waters which came with a hissing,
On the side of the burning ship to dash;
The fire-tinged sails, and the lonely deck,
Which must soon be a black and helpless wreck;
The perishing fragments of all which lay
So proudly bright at the close of day;
And the memory of that grating sound,
When the keel pass'd over the wretches drown'd:
These, and the thoughts such scenes impart,
Were all that struck on his eye and heart.
All--was it all? Was there no pale form,
Shining amid the element's storm,
With her lip compress'd, and her dark eye proud,
While the flames rose high, and the blast blew loud?
Feeling that now no earthly power
Could sever their hearts for one short hour,
And careless of death, because she knew
That where he sank, she must perish too!
He look'd on her, and his heart grew sick,
And his filmy glance was dull and thick,
As wildly earnest he gazed once more
From the rolling sea to the distant shore.
A wild light shot o'er his gloomy brow;
'Oh! Heaven, dear Linda, is with us now!
Amid these scenes of fear and dread,
Thy Isbal, still secure, might tread:
The floating wave would bear him on
To live--but he would live alone.
Oh! by the love thou bear'st me still,
Though to me thou owest all earthly ill;
By the hours, and days, and years of bliss
Which made thy dreams, ere life sank to this;
By the hope that hath been, and that still may be,
Plunge into the waves, beloved, with me.'
Wildly she gazes, and shrouds her eyes
From the dark confusion of sea and skies.
Oh! woman's heart! to die by his side
Less fearful seems than to stem that tide;
Those roaring, raging, horrible waves,
Which are rolling o'er her shipmates' graves.
Onward--onward--and Isbal draws
His labour'd breath with a gasping pause;
The curse is light
On his soul that night;
For a heart is beating against his breast,
Where his lonely thoughts have found sweet rest,
And a calm delight.
Onward--onward--she faints not yet--
Though her cheek be cold, and her long hair wet;
And Isbal yearns,
As her fond eye turns
To search for hope in his eager face;
For land, and a mossy resting-place,
Where nothing burns.
Onward--onward--for weary miles
Through the lone chill waters, where nothing smiles,
And the light hath shrunk--
And the wave hath drunk
The last dull, cheerless, ruddy gleam,
And naught remains but an awful dream
Of the good ship sunk.
Onward--onward--in darkness now,
And the dew is standing on Isbal's brow;
And his soul is wrung,
As the arms which clung
Confidingly, droop in their beauty there
On the nervous strength of his shoulder bare,
Where her long hair hung.
Onward--onward--he hears once more
Murmurs and sounds from the blessed shore.
He heedeth not
His long dark lot,
But strains that form in a long embrace,
And tenderly kisses her cold pale face,
And his toil is forgot.
'Thou'rt saved, my Linda! See, the land is won--
The pleasant land where we may live alone:
The deep firm land, where we may stand and gaze
Upon the ocean in its stormiest days.
Linda, my beautiful! oh, blessed be
That day of well-remember'd agony
Which stamp'd the brand of darkness on my brow--
Since I have lived, beloved, to save thee now.'
He hath lifted her and laid her down,
And taken her soft hand in his own,
And wrung the brine from out her hair,
And raised its weight from her bosom fair,
Its cold damp weight, that her breath may come
Free from its pure and lovely home.
He hath press'd his cheek close, close to hers,
To feel when the first pulsation stirs,
And now he watches with patient love
Till that fainting form begin to move.
Long may he watch. Oh! never more
By the rolling sea, or the pleasant shore,
Shall her mournful voice with its gentle sigh
Whisper soft words of melody.
Never, oh! never more, her form
With faithful step, through sun and storm,
Shall follow him from land to land
Or like his guardian spirit stand.
Long may he watch for that head to rise,
For the gentle glance of those waking eyes:
Cold and pale as she lieth now--
With her weary limbs, and her faded brow,
So must she lie for evermore--
She hath pass'd her trials, and reach'd the shore!
Ah! who shall tell their agonized despair,
Who, after watchful nights of ceaseless prayer,
And days of toil, and hours of bitter tears,
And agony that does the work of years--
Stand by the bed of death with whirling brain,
And feel they toil'd, and loved, and pray'd, in vain.
Sadly and fearfully they shrink from those
Whose looks confirm the story of their woes,
And seek with visionary words to buoy
Their spirits up with prophecies of joy:
Ev'n while their blanch'd lips quiver in their dread,
The faint tongue murmurs, 'No, they are not dead!'
And yet we feel they are. So Isbal stood
By the deep, rolling, and eternal flood;
And so he sought some comfort to impart
With a fond falsehood to his conscious heart;
And still repeated, 'Lo, she breathes! she stirs!'
When his own breath had waved a tress of hers.
The oft repeated echo died away
Of those vain words; and as the ocean spray
With its light snow-shower drenches her again,
His lip gives forth uncertain sounds of pain.
In his wrung heart he seeks to guess
When perish'd so much of loveliness;
And in Fancy's dream her arms again
Cling, as they clung around him then.
Which of the mountain waves that rose,
Bade her meek eyes for ever close?
Was it her corpse that he bore for miles,
When he gladly dreamt of her grateful smiles?
Or did her white feet touch the shore,
Ere her spirit departed for evermore?
With a straining force his deep thoughts dwell
On each murmur that rose 'mid the ocean's swell.
Was it, when feebly her young arms sank,
That the dashing waters her spirit drank,
And her breath pass'd out on the billows high
With a faint and an unremember'd sigh?
But no--for long after he spoke to cheer,
And her sweet voice answer'd in his ear.
Was it when darkness fell around,
And the red ship sank with a gurgling sound--
That her angel soul to its haven past
On the unseen wings of the midnight blast?
Did she yearn for the far land hopelessly,
As her stiff limbs shrank from the foaming sea:
Or did she yield her up to death,
With a weary moan, and a gasping breath?
Vainly he searches his tortured brain
For a farewell word, or a sigh of pain;
Silently as he bore her on,
Her soul from its gentle frame hath gone,
And never on earth shall his heart discover
The moment her love and her life were over;
Only this much shall the lost one know--
Where she hath departed, he may not go!
With sternly folded arms, and indrawn breath,
He stands and gazes on that form of death.
The deep--the sickening certainty is there,
The doom eternal of his long despair.
O'er the dim wave he flung his desperate arm,
Forgetful in his anguish of the charm
That bound his life. With effort wild and vain
He plunges headlong in the treacherous main;
While the lone sea, with melancholy sound,
Returns him groaning to the mossy ground.
Again he leaps the tide-wash'd bank, which late
He deem'd a shelter from the storms of fate:
The dashing waters yield, and then divide;
But still he sinks not in the whelming tide.
Proudly he stemm'd the billows, when his arms
Bore the faint burden of his Linda's charms:
Proudly he gazed upon the waters high,
Whose strength contain'd no power to bid him die:
But now he curses, with a bitter voice,
The ocean, which doth triumph and rejoice,
As the green billows, heaving in the day,
Greedily roar around that lifeless clay.
Hark! the wild howl that echoes through the land,
As his foot spurns the smooth and glittering sand.
That wave its floating weight on shore hath thrown;
And 'the Undying One' is left alone.