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We Are More Alike Than Unalike

Let the gong-gong ring through
The living rooms of Canada Singapore New Zealand
Russia India El Salvador Poland China Botswana Switzerland
England Papua New Guinea Brazil South Africa
Japan Australia Ireland France Vietnam America…
Let the gong-gong bring first
THE CHILDREN: Their seats are Ready!
Let the gong-gong bring first
THE CHILDREN from Thailand Italy Saudi Arabia The Beloved Country
The Hope The Land of Two Rivers Sao Tome &
Principe Seychelles Equatorial Guinea St Christopher and Nevis Kiribati
THE CHILDREN: Their seats are Ready!
From Yamoussoukro Antananarivo Edinburgh Ouagadougou Oslo
Bandung Karachi Abu Dhabi Lesotho Accra Kabul Harare Cairo
Kuala Lumpur Tel Aviv Lisbon Windhoek Abuja…
Let the gong-gong bring first
THE CHILDREN: Their seats are Ready!

Come all you children of the world
Come all you children and take your seats
Under the Big Tree of Durbars
Our newfound Village
Come all you children of the world
Come all you children and take your seats
Grandee Maya Angelou
Wanna tell you a Storyline: We are More Alike than Unalike!

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Life Is For Living

Music/ Lyrics: Pat Sefolosha
In this world there is so
Much anger
Our lives are in danger
We are all living in fears
Weve got to stop the tears
Life is for living
Why must we wait
We all need some loving
Then why do we hate?
In South Africa things are
Still the same
The face of humanity still
Hasnt changed
People have to fight to live together
And share with one another
We can change this to be
A better place for all
If we listen to others when they call
Give a shoulder to lean on
When they fall
Let us bring down the
Apartheid wall
Innocent people pay with their lives
Cause the truth it cuts like a knife
Mandelas life is wasted in jail
Raise your voices for freedom
Woza Mandela
Sibizi gama lakho
Woza Mandela

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I Want to be a Soldier

I will be a soldier
Only when soldiers realize
They are not animals or
Only if soldiers can ask
'Why should I shoot that
innocent man? '
I would be a soldier
If soldiers can ask the
'Why should we shoot at
the children? '
I would be a soldier
If soldiers know that
The red blood that runs
through their veins
Runs in the rest peopl's too.
I would be a soldier if
Soldiers know they aren't
what they ask them to be
When they know that
The Emperor will never ask
them to kill his children
I would be a soldier
When soldiers realize war
is inhuman
When soldiers know war
always starts war
When they know that
World peace can not be
reached through war
When United Nations can
ask themselves
Is war the only way to end
corruption in the globe?
When soldiers know the
distance between peace and
When soldiers realize how
intoxicative the gun is.
When soldiers realize
that gun does not control
them, but they control it.
I would be a soldier only if
soldiers know
why Martin Luther King jnr.
was killed.
If they know Adolf Hitler
also tried to make peace
through war.
I would be a soldier
If they can tell me why they
are only trained to kill.
I would be a soldier if
soldier can say
I would be a soldier if
soldiers know
the difference between
death and birth.
I would be a soldier if they
can tell
Why they are weapons of
If they can explain why they
killed at Vietnam?
Why they killed at Somalia?
Why Ghadafi was killed
without trial?
Why Abraham Lincoln was
Why Ghandi was killed,
Why they dont care if they
die in war in the name of
I would be a soldier If soldiers know they have rights If soldiers know they need Freedom. I would be a soldier If the goverments around the world realize How wonderful the world would be If the money invests in atomic weapons can be spent To feed billions of children on the streets of India, Nigeria, Brazil, South Africa The United States and all the streets of the World. I would be a soldier when soldiers can fight for liberty And not for slavery When soldiers know that nobody should think for them When soldiers know they are humans not cattles, When they realize that nobody should tell them what to think and what to feel. If soldiers can be humans, I would be a soldier.

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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.
Rome, believe me, my friend, is like its own Monte Testaceo,
Merely a marvellous mass of broken and castaway wine-pots.
Ye gods! what do I want with this rubbish of ages departed,
Things that Nature abhors, the experiments that she has failed in?
What do I find in the Forum? An archway and two or three pillars.
Well, but St. Peter's? Alas, Bernini has filled it with sculpture!
No one can cavil, I grant, at the size of the great Coliseum.
Doubtless the notion of grand and capacious and massive amusement,
This the old Romans had; but tell me, is this an idea?
Yet of solidity much, but of splendour little is extant:
'Brickwork I found thee, and marble I left thee!' their Emperor vaunted;
'Marble I thought thee, and brickwork I find thee!' the Tourist may answer.

III. Georgina Trevellyn to Louisa ----.

At last, dearest Louisa, I take up my pen to address you.
Here we are, you see, with the seven-and-seventy boxes,
Courier, Papa and Mamma, the children, and Mary and Susan:
Here we all are at Rome, and delighted of course with St. Peter's,
And very pleasantly lodged in the famous Piazza di Spagna.
Rome is a wonderful place, but Mary shall tell you about it;
Not very gay, however; the English are mostly at Naples;
There are the A.'s, we hear, and most of the W. party.
George, however, is come; did I tell you about his mustachios?
Dear, I must really stop, for the carriage, they tell me, is waiting;
Mary will finish; and Susan is writing, they say, to Sophia.
Adieu, dearest Louise,--evermore your faithful Georgina.
Who can a Mr. Claude be whom George has taken to be with?
Very stupid, I think, but George says so very clever.

IV. Claude to Eustace.

No, the Christian faith, as at any rate I understood it,
With its humiliations and exaltations combining,
Exaltations sublime, and yet diviner abasements,
Aspirations from something most shameful here upon earth and
In our poor selves to something most perfect above in the heavens,--
No, the Christian faith, as I, at least, understood it,
Is not here, O Rome, in any of these thy churches;
Is not here, but in Freiburg, or Rheims, or Westminster Abbey.
What in thy Dome I find, in all thy recenter efforts,
Is a something, I think, more rational far, more earthly,
Actual, less ideal, devout not in scorn and refusal,
But in a positive, calm, Stoic-Epicurean acceptance.
This I begin to detect in St. Peter's and some of the churches,
Mostly in all that I see of the sixteenth-century masters;
Overlaid of course with infinite gauds and gewgaws,
Innocent, playful follies, the toys and trinkets of childhood,
Forced on maturer years, as the serious one thing needful,
By the barbarian will of the rigid and ignorant Spaniard.
Curious work, meantime, re-entering society: how we
Walk a livelong day, great Heaven, and watch our shadows!
What our shadows seem, forsooth, we will ourselves be.
Do I look like that? you think me that: then I am that.

V. Claude to Eustace.

Luther, they say, was unwise; like a half-taught German, he could not
See that old follies were passing most tranquilly out of remembrance;
Leo the Tenth was employing all efforts to clear out abuses;
Jupiter, Juno, and Venus, Fine Arts, and Fine Letters, the Poets,
Scholars, and Sculptors, and Painters, were quietly clearing away the
Martyrs, and Virgins, and Saints, or at any rate Thomas Aquinas:
He must forsooth make a fuss and distend his huge Wittenberg lungs, and
Bring back Theology once yet again in a flood upon Europe:
Lo you, for forty days from the windows of heaven it fell; the
Waters prevail on the earth yet more for a hundred and fifty;
Are they abating at last? the doves that are sent to explore are
Wearily fain to return, at the best with a leaflet of promise,--
Fain to return, as they went, to the wandering wave-tost vessel,--
Fain to re-enter the roof which covers the clean and the unclean,--
Luther, they say, was unwise; he didn't see how things were going;
Luther was foolish,--but, O great God! what call you Ignatius?
O my tolerant soul, be still! but you talk of barbarians,
Alaric, Attila, Genseric;--why, they came, they killed, they
Ravaged, and went on their way; but these vile, tyrannous Spaniards,
These are here still,--how long, O ye heavens, in the country of Dante?
These, that fanaticized Europe, which now can forget them, release not
This, their choicest of prey, this Italy; here you see them,--
Here, with emasculate pupils and gimcrack churches of Gesu,
Pseudo-learning and lies, confessional-boxes and postures,--
Here, with metallic beliefs and regimental devotions,--
Here, overcrusting with slime, perverting, defacing, debasing,
Michael Angelo's Dome, that had hung the Pantheon in heaven,
Raphael's Joys and Graces, and thy clear stars, Galileo!

VI. Claude to Eustace.

Which of three Misses Trevellyn it is that Vernon shall marry
Is not a thing to be known; for our friend is one of those natures
Which have their perfect delight in the general tender-domestic,
So that he trifles with Mary's shawl, ties Susan's bonnet,
Dances with all, but at home is most, they say, with Georgina,
Who is, however, too silly in my apprehension for Vernon.
I, as before when I wrote, continue to see them a little;
Not that I like them much or care a bajocco for Vernon,
But I am slow at Italian, have not many English acquaintance,
And I am asked, in short, and am not good at excuses.
Middle-class people these, bankers very likely, not wholly
Pure of the taint of the shop; will at table d'hôte and restaurant
Have their shilling's worth, their penny's pennyworth even:
Neither man's aristocracy this, nor God's, God knoweth!
Yet they are fairly descended, they give you to know, well connected;
Doubtless somewhere in some neighbourhood have, and are careful to keep, some
Threadbare-genteel relations, who in their turn are enchanted
Grandly among county people to introduce at assemblies
To the unpennied cadets our cousins with excellent fortunes.
Neither man's aristocracy this, nor God's, God knoweth!

VII. Claude to Eustace.

Ah, what a shame, indeed, to abuse these most worthy people!
Ah, what a sin to have sneered at their innocent rustic pretensions!
Is it not laudable really, this reverent worship of station?
Is it not fitting that wealth should tender this homage to culture?
Is it not touching to witness these efforts, if little availing,
Painfully made, to perform the old ritual service of manners?
Shall not devotion atone for the absence of knowledge? and fervour
Palliate, cover, the fault of a superstitious observance?
Dear, dear, what do I say? but, alas! just now, like Iago,
I can be nothing at all, if it is not critical wholly;
So in fantastic height, in coxcomb exaltation,
Here in the garden I walk, can freely concede to the Maker
That the works of His hand are all very good: His creatures,
Beast of the field and fowl, He brings them before me; I name them;
That which I name them, they are,--the bird, the beast, and the cattle.
But for Adam,--alas, poor critical coxcomb Adam!
But for Adam there is not found an help-meet for him.

VIII. Claude to Eustace.

No, great Dome of Agrippa, thou art not Christian! canst not,
Strip and replaster and daub and do what they will with thee, be so!
Here underneath the great porch of colossal Corinthian columns,
Here as I walk, do I dream of the Christian belfries above them?
Or, on a bench as I sit and abide for long hours, till thy whole vast
Round grows dim as in dreams to my eyes, I repeople thy niches,
Not with the Martyrs, and Saints, and Confessors, and Virgins, and children,
But with the mightier forms of an older, austerer worship;
And I recite to myself, how
Eager for battle here
Stood Vulcan, here matronal Juno,
And with the bow to his shoulder faithful
He who with pure dew laveth of Castaly
His flowing locks, who holdeth of Lycia
The oak forest and the wood that bore him,
Delos' and Patara's own Apollo.*

* Hic avidus stetit
Vulcanus, hic matrona Juno, et
Nunquam humeris positurus arcum;
Qui rore puro Castaliae lavit
Crines solutos, qui Lyciae tenet
Dumeta natalemque silvam,
Delius et Patareus Apollo.

IX. Claude to Eustace.

Yet it is pleasant, I own it, to be in their company; pleasant,
Whatever else it may be, to abide in the feminine presence.
Pleasant, but wrong, will you say? But this happy, serene coexistence
Is to some poor soft souls, I fear, a necessity simple,
Meat and drink and life, and music, filling with sweetness,
Thrilling with melody sweet, with harmonies strange overwhelming,
All the long-silent strings of an awkward, meaningless fabric.
Yet as for that, I could live, I believe, with children; to have those
Pure and delicate forms encompassing, moving about you,
This were enough, I could think; and truly with glad resignation
Could from the dream of Romance, from the fever of flushed adolescence,
Look to escape and subside into peaceful avuncular functions.
Nephews and nieces! alas, for as yet I have none! and, moreover,
Mothers are jealous, I fear me, too often, too rightfully; fathers
Think they have title exclusive to spoiling their own little darlings;
And by the law of the land, in despite of Malthusian doctrine,
No sort of proper provision is made for that most patriotic,
Most meritorious subject, the childless and bachelor uncle.

X. Claude to Eustace.

Ye, too, marvellous Twain, that erect on the Monte Cavallo
Stand by your rearing steeds in the grace of your motionless movement,
Stand with your upstretched arms and tranquil regardant faces,
Stand as instinct with life in the might of immutable manhood,--
O ye mighty and strange, ye ancient divine ones of Hellas.
Are ye Christian too? to convert and redeem and renew you,
Will the brief form have sufficed, that a Pope has set up on the apex
Of the Egyptian stone that o'ertops you, the Christian symbol?
And ye, silent, supreme in serene and victorious marble,
Ye that encircle the walls of the stately Vatican chambers,
Juno and Ceres, Minerva, Apollo, the Muses and Bacchus,
Ye unto whom far and near come posting the Christian pilgrims,
Ye that are ranged in the halls of the mystic Christian Pontiff,
Are ye also baptized? are ye of the kingdom of Heaven?
Utter, O some one, the word that shall reconcile Ancient and Modern!
Am I to turn me from this unto thee, great Chapel of Sixtus?

XI. Claude to Eustace.

These are the facts. The uncle, the elder brother, the squire (a
Little embarrassed, I fancy), resides in the family place in
Cornwall, of course; 'Papa is in business,' Mary informs me;
He's a good sensible man, whatever his trade is. The mother
Is--shall I call it fine?--herself she would tell you refined, and
Greatly, I fear me, looks down on my bookish and maladroit manners;
Somewhat affecteth the blue; would talk to me often of poets;
Quotes, which I hate, Childe Harold; but also appreciates Wordsworth;
Sometimes adventures on Schiller; and then to religion diverges;
Questions me much about Oxford; and yet, in her loftiest flights still
Grates the fastidious ear with the slightly mercantile accent.

Is it contemptible, Eustace--I'm perfectly ready to think so,--
Is it,--the horrible pleasure of pleasing inferior people?
I am ashamed of my own self; and yet true it is, if disgraceful,
That for the first time in life I am living and moving with freedom.
I, who never could talk to the people I meet with my uncle,--
I, who have always failed,--I, trust me, can suit the Trevellyns;
I, believe me,--great conquest, am liked by the country bankers.
And I am glad to be liked, and like in return very kindly.
So it proceeds; Laissez faire, laissez aller,--such is the watchword.
Well, I know there are thousands as pretty and hundreds as pleasant,
Girls by the dozen as good, and girls in abundance with polish
Higher and manners more perfect than Susan or Mary Trevellyn.
Well, I know, after all, it is only juxtaposition,--
Juxtaposition, in short; and what is juxtaposition?

XII. Claude to Eustace.

But I am in for it now,--laissez faire, of a truth, laissez aller.
Yes, I am going,--I feel it, I feel and cannot recall it,--
Fusing with this thing and that, entering into all sorts of relations,
Tying I know not what ties, which, whatever they are, I know one thing,
Will, and must, woe is me, be one day painfully broken,--
Broken with painful remorses, with shrinkings of soul, and relentings,
Foolish delays, more foolish evasions, most foolish renewals.
But I have made the step, have quitted the ship of Ulysses;
Quitted the sea and the shore, passed into the magical island;
Yet on my lips is the moly, medicinal, offered of Hermes.
I have come into the precinct, the labyrinth closes around me,
Path into path rounding slyly; I pace slowly on, and the fancy,
Struggling awhile to sustain the long sequences, weary, bewildered,
Fain must collapse in despair; I yield, I am lost, and know nothing;
Yet in my bosom unbroken remaineth the clue; I shall use it.
Lo, with the rope on my loins I descend through the fissure; I sink, yet
Inly secure in the strength of invisible arms up above me;
Still, wheresoever I swing, wherever to shore, or to shelf, or
Floor of cavern untrodden, shell sprinkled, enchanting, I know I
Yet shall one time feel the strong cord tighten about me,--
Feel it, relentless, upbear me from spots I would rest in; and though the
Rope sway wildly, I faint, crags wound me, from crag unto crag re-
Bounding, or, wide in the void, I die ten deaths, ere the end I
Yet shall plant firm foot on the broad lofty spaces I quit, shall
Feel underneath me again the great massy strengths of abstraction,
Look yet abroad from the height o'er the sea whose salt wave I have tasted.

XIII. Georgina Trevellyn to Louisa ----.

Dearest Louisa,--Inquire, if you please, about Mr. Claude ----.
He has been once at R., and remembers meeting the H.'s.
Harriet L., perhaps, may be able to tell you about him.
It is an awkward youth, but still with very good manners;
Not without prospects, we hear; and, George says, highly connected.
Georgy declares it absurd, but Mamma is alarmed, and insists he has
Taken up strange opinions, and may be turning a Papist.
Certainly once he spoke of a daily service he went to.
'Where?' we asked, and he laughed and answered, 'At the Pantheon.'
This was a temple, you know, and now is a Catholic church; and
Though it is said that Mazzini has sold it for Protestant service,
Yet I suppose this change can hardly as yet be effected.
Adieu again,--evermore, my dearest, your loving Georgina.

P.S. by Mary Trevellyn.

I am to tell you, you say, what I think of our last new acquaintance.
Well, then, I think that George has a very fair right to be jealous.
I do not like him much, though I do not dislike being with him.
He is what people call, I suppose, a superior man, and
Certainly seems so to me; but I think he is terribly selfish.

------------------------------------- -------------------------------------------

Alba, thou findest me still, and, Alba, thou findest me ever,
Now from the Capitol steps, now over Titus's Arch,
Here from the large grassy spaces that spread from the Lateran portal,
Towering o'er aqueduct lines lost in perspective between,
Or from a Vatican window, or bridge, or the high Coliseum,
Clear by the garlanded line cut of the Flavian ring.
Beautiful can I not call thee, and yet thou hast power to o'ermaster,
Power of mere beauty; in dreams, Alba, thou hauntest me still.
Is it religion? I ask me; or is it a vain superstition?
Slavery abject and gross? service, too feeble, of truth?
Is it an idol I bow to, or is it a god that I worship?
Do I sink back on the old, or do I soar from the mean?
So through the city I wander and question, unsatisfied ever,
Reverent so I accept, doubtful because I revere.

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Peace and Justice On Behalf Of Dr. M.L.King

(This poem is dedicated to the dreams of Martin Luther King Jr.)

We want Peace and Justice
We are not asking for too much
We do not want to go too far to search
We want Peace and Justice
For the wrongly convicted
And for the illegally executed
Let the bells of freedom ring
From Paris to Washington
From Bangkok to Beijing
From Sudan to Hong Kong
From Iran to Pakistan
From China to Nigeria
From Haiti to Afghanistan
From Holland to India
From Israel to Canada
From Trinidad to Iceland
From Germany to South Africa
From Egypt to New Zealand
Let the thunders bring the gifts of Liberty
To every country in the universe
We were born to live in peace and harmony
The human mind is creative and diverse
Let's use our imagination to make life better for all
Let’s learn to be just and proud, and to walk tall
Corruption can only destroy; injustice can only rot the pot
Theft can only bring hell and greed is like an insatiable rat
Who will not stop until there is no more in the container
Let’s dream bigger and consistently help each other
We want Peace and Justice
For the demonstrators who are fighting for their alienable rights
We want Peace and Justice
At the end of the tunnel, we want to be able to see glorious lights
That can bring hope and stability throughout the continents
We want the perpetrators, the kidnappers and the criminal elements
To be punished in accordance to the laws of nature
We want the Courts to be fair and impartial
The dictators who stole the people’s money must be brought to trial
Their cronies and their henchmen who robbed our future
Must pay the consequences of their misdeeds
We don’t want violence
We don’t want silence
We want common sense to prevail all the time
We want a world free of crime
We want Peace and Justice for all
We want to eliminate the bad seeds
We want Peace and Justice for all.

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Inside this northern summer's fold
The fields are full of naked gold,
Broadcast from heaven on lands it loves;
The green veiled air is full of doves;
Soft leaves that sift the sunbeams let
Light on the small warm grasses wet
Fall in short broken kisses sweet,
And break again like waves that beat
Round the sun's feet.

But I, for all this English mirth
Of golden-shod and dancing days,
And the old green-girt sweet-hearted earth,
Desire what here no spells can raise.
Far hence, with holier heavens above,
The lovely city of my love
Bathes deep in the sun-satiate air
That flows round no fair thing more fair
Her beauty bare.

There the utter sky is holier, there
More pure the intense white height of air,
More clear men's eyes that mine would meet,
And the sweet springs of things more sweet.
There for this one warm note of doves
A clamour of a thousand loves
Storms the night's ear, the day's assails,
From the tempestuous nightingales,
And fills, and fails.

O gracious city well-beloved,
Italian, and a maiden crowned,
Siena, my feet are no more moved
Toward thy strange-shapen mountain-bound:
But my heart in me turns and moves,
O lady loveliest of my loves,
Toward thee, to lie before thy feet
And gaze from thy fair fountain-seat
Up the sheer street;

And the house midway hanging see
That saw Saint Catherine bodily,
Felt on its floors her sweet feet move,
And the live light of fiery love
Burn from her beautiful strange face,
As in the sanguine sacred place
Where in pure hands she took the head
Severed, and with pure lips still red
Kissed the lips dead.

For years through, sweetest of the saints,
In quiet without cease she wrought,
Till cries of men and fierce complaints
From outward moved her maiden thought;
And prayers she heard and sighs toward France,
"God, send us back deliverance,
Send back thy servant, lest we die!"
With an exceeding bitter cry
They smote the sky.

Then in her sacred saving hands
She took the sorrows of the lands,
With maiden palms she lifted up
The sick time's blood-embittered cup,
And in her virgin garment furled
The faint limbs of a wounded world.
Clothed with calm love and clear desire,
She went forth in her soul's attire,
A missive fire.

Across the might of men that strove
It shone, and over heads of kings;
And molten in red flames of love
Were swords and many monstrous things;
And shields were lowered, and snapt were spears,
And sweeter-tuned the clamorous years;
And faith came back, and peace, that were
Fled; for she bade, saying, "Thou, God's heir,
Hast thou no care?

"Lo, men lay waste thine heritage
Still, and much heathen people rage
Against thee, and devise vain things.
What comfort in the face of kings,
What counsel is there? Turn thine eyes
And thine heart from them in like wise;
Turn thee unto thine holy place
To help us that of God for grace
Require thy face.

"For who shall hear us if not thou
In a strange land? what doest thou there?
Thy sheep are spoiled, and the ploughers plough
Upon us; why hast thou no care
For all this, and beyond strange hills
Liest unregardful what snow chills
Thy foldless flock, or what rains beat?
Lo, in thine ears, before thy feet,
Thy lost sheep bleat.

"And strange men feed on faultless lives,
And there is blood, and men put knives,
Shepherd, unto the young lamb's throat;
And one hath eaten, and one smote,
And one had hunger and is fed
Full of the flesh of these, and red
With blood of these as who drinks wine
And God knoweth, who hath sent thee a sign,
If these were thine."

But the Pope's heart within him burned,
So that he rose up, seeing the sign,
And came among them; but she turned
Back to her daily way divine,
And fed her faith with silent things,
And lived her life with curbed white wings,
And mixed herself with heaven and died:
And now on the sheer city-side
Smiles like a bride.

You see her in the fresh clear gloom,
Where walls shut out the flame and bloom
Of full-breathed summer, and the roof
Keeps the keen ardent air aloof
And sweet weight of the violent sky:
There bodily beheld on high,
She seems as one hearing in tune
Heaven within heaven, at heaven's full noon,
In sacred swoon:

A solemn swoon of sense that aches
With imminent blind heat of heaven,
While all the wide-eyed spirit wakes,
Vigilant of the supreme Seven,
Whose choral flames in God's sight move,
Made unendurable with love,
That without wind or blast of breath
Compels all things through life and death
Whither God saith.

There on the dim side-chapel wall
Thy mighty touch memorial,
Razzi, raised up, for ages dead,
And fixed for us her heavenly head:
And, rent with plaited thorn and rod,
Bared the live likeness of her God
To men's eyes turning from strange lands,
Where, pale from thine immortal hands,
Christ wounded stands;

And the blood blots his holy hair
And white brows over hungering eyes
That plead against us, and the fair
Mute lips forlorn of words or sighs
In the great torment that bends down
His bruised head with the bloomless crown,
White as the unfruitful thorn-flower,
A God beheld in dreams that were
Beheld of her.

In vain on all these sins and years
Falls the sad blood, fall the slow tears;
In vain poured forth as watersprings,
Priests, on your altars, and ye, kings,
About your seats of sanguine gold;
Still your God, spat upon and sold,
Bleeds at your hands; but now is gone
All his flock from him saving one;
Judas alone.

Surely your race it was that he,
O men signed backward with his name,
Beholding in Gethsemane
Bled the red bitter sweat of shame,
Knowing how the word of Christian should
Mean to men evil and not good,
Seem to men shameful for your sake,
Whose lips, for all the prayers they make,
Man's blood must slake.

But blood nor tears ye love not, you
That my love leads my longing to,
Fair as the world's old faith of flowers,
O golden goddesses of ours!
From what Idalian rose-pleasance
Hath Aphrodite bidden glance
The lovelier lightnings of your feet?
From what sweet Paphian sward or seat
Led you more sweet?

O white three sisters, three as one,
With flowerlike arms for flowery bands
Your linked limbs glitter like the sun,
And time lies beaten at your hands.
Time and wild years and wars and men
Pass, and ye care not whence or when;
With calm lips over sweet for scorn,
Ye watch night pass, O children born
Of the old-world morn.

Ah, in this strange and shrineless place,
What doth a goddess, what a Grace,
Where no Greek worships her shrined limbs
With wreaths and Cytherean hymns?
Where no lute makes luxurious
The adoring airs in Amathus,
Till the maid, knowing her mother near,
Sobs with love, aching with sweet fear?
What do ye here?

For the outer land is sad, and wears
A raiment of a flaming fire;
And the fierce fruitless mountain stairs
Climb, yet seem wroth and loth to aspire,
Climb, and break, and are broken down,
And through their clefts and crests the town
Looks west and sees the dead sun lie,
In sanguine death that stains the sky
With angry dye.

And from the war-worn wastes without
In twilight, in the time of doubt,
One sound comes of one whisper, where
Moved with low motions of slow air
The great trees nigh the castle swing
In the sad coloured evening;
"Ricorditi di me, che son
La Pia"--that small sweet word alone
Is not yet gone.

"Ricorditi di me"--the sound
Sole out of deep dumb days remote
Across the fiery and fatal ground
Comes tender as a hurt bird's note
To where, a ghost with empty hands,
A woe-worn ghost, her palace stands
In the mid city, where the strong
Bells turn the sunset air to song,
And the towers throng.

With other face, with speech the same,
A mightier maiden's likeness came
Late among mourning men that slept,
A sacred ghost that went and wept,
White as the passion-wounded Lamb,
Saying, "Ah, remember me, that am
Italia." (From deep sea to sea
Earth heard, earth knew her, that this was she.)

"Love made me of all things fairest thing,
And Hate unmade me; this knows he
Who with God's sacerdotal ring
Enringed mine hand, espousing me."
Yea, in thy myriad-mooded woe,
Yea, Mother, hast thou not said so?
Have not our hearts within us stirred,
O thou most holiest, at thy word?
Have we not heard?

As this dead tragic land that she
Found deadly, such was time to thee;
Years passed thee withering in the red
Maremma, years that deemed thee dead,
Ages that sorrowed or that scorned;
And all this while though all they mourned
Thou sawest the end of things unclean,
And the unborn that should see thee a queen.
Have we not seen?

The weary poet, thy sad son,
Upon thy soil, under thy skies,
Saw all Italian things save one -
Italia; this thing missed his eyes;
The old mother-might, the breast, the face,
That reared, that lit the Roman race;
This not Leopardi saw; but we,
What is it, Mother, that we see,
What if not thee?

Look thou from Siena southward home,
Where the priest's pall hangs rent on Rome,
And through the red rent swaddling-bands
Towards thine she strains her labouring hands.
Look thou and listen, and let be
All the dead quick, all the bond free;
In the blind eyes let there be sight;
In the eighteen centuries of the night
Let there be light.

Bow down the beauty of thine head,
Sweet, and with lips of living breath
Kiss thy sons sleeping and thy dead,
That there be no more sleep or death.
Give us thy light, thy might, thy love,
Whom thy face seen afar above
Drew to thy feet; and when, being free,
Thou hast blest thy children born to thee,
Bless also me.

Me that when others played or slept
Sat still under thy cross and wept;
Me who so early and unaware
Felt fall on bent bared brows and hair
(Thin drops of the overflowing flood!)
The bitter blessing of thy blood;
The sacred shadow of thy pain,
Thine, the true maiden-mother, slain
And raised again.

Me consecrated, if I might,
To praise thee, or to love at least,
O mother of all men's dear delight,
Thou madest a choral-souled boy-priest,
Before my lips had leave to sing,
Or my hands hardly strength to cling
About the intolerable tree
Whereto they had nailed my heart and thee
And said, "Let be."

For to thee too the high Fates gave
Grace to be sacrificed and save,
That being arisen, in the equal sun,
God and the People should be one;
By those red roads thy footprints trod,
Man more divine, more human God,
Saviour; that where no light was known
But darkness, and a daytime flown,
Light should be shown.

Let there be light, O Italy!
For our feet falter in the night.
O lamp of living years to be,
O light of God, let there be light!
Fill with a love keener than flame
Men sealed in spirit with thy name,
The cities and the Roman skies,
Where men with other than man's eyes
Saw thy sun rise.

For theirs thou wast and thine were they
Whose names outshine thy very day;
For they are thine and theirs thou art
Whose blood beats living in man's heart,
Remembering ages fled and dead
Wherein for thy sake these men bled;
They that saw Trebia, they that see
Mentana, they in years to be
That shall see thee.

For thine are all of us, and ours
Thou; till the seasons bring to birth
A perfect people, and all the powers
Be with them that bear fruit on earth;
Till the inner heart of man be one
With freedom, and the sovereign sun;
And Time, in likeness of a guide,
Lead the Republic as a bride
Up to God's side.

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The Merchant of Venice,: A Legend of Italy

I believe there are few
But have heard of a Jew,
Named Shylock, of Venice, as arrant a 'screw'
In money transactions as ever you knew;
An exorbitant miser, who never yet lent
A ducat at less than three hundred per cent.,
Insomuch that the veriest spendthrift in Venice,
Who'd take no more care of his pounds than his pennies,
When press'd for a loan, at the very first sight
Of his terms, would back out, and take refuge in Flight.
It is not my purpose to pause and inquire
If he might not, in managing thus to retire,
Jump out of the frying-pan into the fire;
Suffice it, that folks would have nothing to do,
Who could possibly help it, with Shylock the Jew.

But, however discreetly one cuts and contrives,
We've been most of us taught in the course of our lives,
That 'Needs must when the Elderly Gentleman drives!'
In proof of this rule,
A thoughtless young fool,
Bassanio, a Lord of the Tomnoddy school,
Who, by showing at Operas, Balls, Plays, and Court,
A 'swelling' (Payne Collier would read 'swilling') 'port,'
And inviting his friends to dine, breakfast, and sup,
Had shrunk his 'weak means,' and was 'stump'd,' and 'hard up,'
Took occasion to send
To his very good friend
Antonio, a merchant whose wealth had no end,
And who'd often before had the kindness to lend
Him large sums, on his note, which he'd managed to spend.

'Antonio,' said he, 'Now listen to me;
I've just hit on a scheme which, I think you'll agree,
All matters consider'd, is no bad design,
And which, if it succeeds, will suit your book and mine.
'In the first place, you know all the money I've got,
Time and often, from you has been long gone to pot,
And in making those loans you have made a bad shot;
Now do as the boys do when, shooting at sparrows
And tom-tits, they chance to lose one of their arrows,
-- Shoot another the same way -- I'll watch well its track,
And, turtle to tripe, I'll bring both of them back!
So list to my plan,
And do what you can,
To attend to and second it, that's a good man!

'There's a Lady, young, handsome, beyond all compare, at
A place they call Belmont, whom, when I was there, at
The suppers and parties my friend Lord Mountferrat
Was giving last season, we all used to stare at,
Then, as to her wealth, her solicitor told mine,
Besides vast estates, a pearl fishery, and gold mine,
Her iron strong box
Seems bursting its locks,
It's stuffed so with shares in 'Grand Junctions,' and 'Docks,'
Not to speak of the money's she's got in the stocks,
French, Dutch, and Brazilian, Columbian, and Chilian,
In English Exchequer-bills full half a million,
Not 'kites,' manufactured to cheat and inveigle,
But the right sort of 'flimsy,' all signed by Monteagle.
Then I know not how much in Canal-shares and Railways
And more speculations I need not detail, ways
Of vesting which, if not so safe as some think'em,
Contribute a deal to improving one's income;
In short, she's a Mint!
-- Now I say, deuce is in't
If with all my experience, I can't take a hint,
And her 'eye's speechless messages,' plainer than print
At the time that I told you of, know from a squint,
In short, my dear Tony,
My trusty old crony,
Do stump up three thousand once more as a loan -- I
Am sure of my game -- though, of course there are brutes,
Of all sorts and sizes, preferring their suits
To her you may call the Italian Miss Coutts,
Yet Portia -- she's named from that daughter of Cato's--
Is not to be snapp'd up like little potatoes,
And I have not a doubt I shall rout every lout
Ere you'll whisper Jack Robinson -- cut them all out --
Surmount every barrier, Carry her, marry her!
-- Then hey! my old Tony, when once fairly noosed,
For her Three-and-a-half per cents -- New and Reduced!'

With a wink of his eye His friend made reply
In his jocular manner, sly, caustic, and dry.
'Still the same boy, Bassanio -- never say 'die'!
-- Well -- I hardly know how I shall do't, but I'll try.--
Don't suppose my affairs are at all in a hash,
But the fact is, at present I'm quite out of cash;
The bulk of my property, merged in rich cargoes, is
Tossing about, as you know, in my Argosies,
Tending, of course, my resources to cripple,-- I
've one bound to England,-- another to Tripoli--
Cyprus -- Masulipatam -- and Bombay;--
A sixth, by the way, I consigned t'other day
To Sir Gregor M'Gregor, Cacique of Poyais,
A country where silver's as common as clay.
Meantime, till they tack, And come, some of them, back,
What with Custom-house duties, and bills falling due,
My account with Jones Loyd and Co. looks rather blue;
While, as for the 'ready,' I'm like a Church-mouse,--
I really don't think there's five pounds in the house.
But, no matter for that,
Let me just get my hat,
And my new silk umbrella that stands on the mat,
And we'll go forth at once to the market -- we two,--
And try what my credit in Venice can do;
I stand well on 'Change, and, when all's said and done, I
Don't doubt I shall get it for love or for money.'

They were going to go,
When, lo! down below,
In the street, they heard somebody crying, 'Old Clo'!'
--'By the Pope, there's the man for our purpose!-- I knew
We should not have to search long. Salanio, run you,
-- Salarino,-- quick!-- haste! ere he get out of view,
And call in that scoundrel, old Shylock the Jew!'

With a pack,
Like a sack
Of old clothes at his back,
And three hats on his head, Shylock came in a crack,
Saying, 'Rest you fair, Signior Antonio!-- vat, pray,
Might your vorship be pleashed for to vant in ma vay!'

--'Why, Shylock, although, As you very well know,
I am what they call 'warm,'-- pay my way as I go,
And, as to myself, neither borrow nor lend,
I can break through a rule to oblige an old friend;
And that's the case now -- Lord Bassanio would raise
Some three thousand ducats -- well,-- knowing your ways,
And that nought's to be got from you, say what one will,
Unless you've a couple of names to the bill,
Why, for once, I'll put mine to it,
Yea, seal and sign to it --
Now, then, old Sinner, let's hear what you'll say
As to 'doing' a bill at three months from to-day?
Three thousand gold ducats, mind -- all in good bags
Of hard money -- no sealing-wax, slippers, or rags?'

'-- Vell, ma tear,' says the Jew, 'I'll see vat I can do!
But Mishter Antonio, hark you, 'tish funny
You say to me, 'Shylock, ma tear, ve'd have money!'
Ven you very vell knows, How you shpit on ma clothes,
And use naughty vords -- call me Dog -- and avouch
Dat I put too much int'resht py half in ma pouch,
And vhile I, like de resht of ma tribe, shrug and crouch,
You find fault mit ma pargains, and say I'm a Smouch.
-- Vell!--n o matters, ma tear,-- Von vord in your ear!
I'd be friends mit you bote -- and to make dat appear,
Vy, I'll find you de monies as soon as you vill,
Only von littel joke musht be put in de pill;
Ma tear, you musht say,
If on such and such day
Such sum or such sums, you shall fail to repay,
I shall cut vere I like, as de pargain is proke,
A fair pound of your flesh -- chest by vay of a joke.'

So novel a clause Caused Bassanio to pause;
But Antonio, like most of those sage 'Johnny Raws'
Who care not three straws
About Lawyers or Laws,
And think cheaply of 'Old Father Antic,' because
They have never experienced a gripe from his claws,
'Pooh pooh'd' the whole thing.--'Let the Smouch have his way,
Why, what care I, pray,
For his penalty?-- Nay,
It's a forfeit he'd never expect me to pay:
And, come what come may, I hardly need say
My ships will be back a full month ere the day.'
So, anxious to see his friend off on his journey,
And thinking the whole but a paltry concern, he
Affixed with all speed
His name to a deed,
Duly stamp'd and drawn up by a sharp Jew attorney.
Thus again furnish'd forth, Lord Bassanio, instead
Of squandering the cash, after giving one spread,
With fiddling and masques, at the Saracen's Head,
In the morning 'made play,' And without more delay,
Started off in the steam-boat for Belmont next day.
But scarcely had he
From the harbour got free,
And left the Lagunes for the broad open sea,
Ere the 'Change and Rialto both rung with the news
That he'd carried off more than mere cash from the Jew's.

Though Shylock was old,
And, if rolling in gold,
Was as ugly a dog as you' wish to behold,
For few in his tribe 'mongst their Levis and Moseses,
Sported so Jewish an eye, beard, and nose as his,
Still, whate'er the opinion of Horace and some be,
Your aquilæ generate sometimes Columbæ,
Like Jephthah, as Hamlet says, he'd 'one fair daughter,'
And every gallant, who caught sight of her, thought her,
A jewel -- a gem of the very first water;
A great many sought her,
Till one at last caught her,
And, upsetting all that the Rabbis had taught her,
To feelings so truly reciprocal brought her,
That the very same night Bassanio thought right
To give all his old friends that farewell 'invite,'
And while Shylock was gone there to feed out of spite,
On 'wings made by a tailor' the damsel took flight.

By these 'wings' I'd express
A grey duffle dress,
With brass badge and muffin cap, made, as by rule,
For an upper-class boy in the National School.
Jessy ransack'd the house, popp'd her breeks on, and when so
Disguised, bolted off with her beau -- one Lorenzo,
An 'Unthrift,' who lost not a moment in whisking
Her into the boat,
And was fairly afloat
Ere her Pa had got rid of the smell of the griskin.
Next day, while old Shylock was making a racket,
And threatening how well he'd dust every man's jacket
Who'd help'd her in getting aboard of the packet,
Bassanio at Belmont was capering and prancing,
And bowing, and scraping, and singing, and dancing,
Making eyes at Miss Portia, and doing his best
To perform the polite, and to cut out the rest;
And, if left to herself, he, no doubt, had succeeded,
For none of them waltz'd so genteelly as he did;
But an obstacle lay, Of some weight, in his way,
The defunct Mr. P. who was now turned to clay,
Had been an odd man, and, though all for the best he meant,
Left but a queer sort of 'Last will and testament,'--
Bequeathing her hand,
With her houses and land,
&c., from motives one don't understand,
As she rev'renced his memory, and valued his blessing,
To him who should turn out the best hand at guessing!

Like a good girl, she did
Just what she was bid,
In one of three caskets her picture she hid,
And clapp'd a conundrum a-top of each lid.

A couple of Princes, a black and a white one,
Tried first, but they both fail'd in choosing the right one.
Another from Naples, who shoe'd his own horses;
A French Lord, whose graces might vie with Count D'Orsay's;--
A young English Baron;-- a Scotch Peer his neighbour;--
A dull drunken Saxon, all moustache and sabre;
All follow'd, and all had their pains for their labour.
Bassanio came last -- happy man be his dole!
Put his conjuring cap on,-- considered the whole,--
The gold put aside as
Mere 'hard food for Midas,'
The silver bade trudge
As a 'pale common drudge;'
Then choosing the little lead box in the middle,
Came plump on the picture, and found out the riddle.

Now, you're not such a goose as to think, I dare say,
Gentle Reader, that all this was done in a day,
Any more than the dome Of St. Peter's at Rome
Was built in the same space of time; and, in fact,
Whilst Bassanio was doing
His billing and cooing,
Three months had gone by ere he reach'd the fifth act;
Meanwhile that unfortunate bill became due,
Which his Lordship had almost forgot, to the Jew,
And Antonio grew In a deuce of a stew,
For he could not cash up, spite of all he could do;
(The bitter old Israelite would not renew,)
What with contrary winds, storms, wrecks, and embargoes, his
Funds were all stopp'd, or gone down in his argosies,
None of the set having come into port,
And Shylock's attorney was moving the Court
For the forfeit supposed to be set down in sport.

The serious news
Of this step of the Jew's,
And his fix'd resolution all terms to refuse,
Gave the newly-made Bridegroom a fit of 'the Blues,'
Especially, too, as it came from the pen
Of his poor friend himself on the wedding-day,-- then,
When the Parson had scarce shut his book up, and when
The Clerk was yet uttering the final Amen.

'Dear Friend,' it continued, 'all's up with me -- I
Have nothing on earth now to do but to die!
And, as death clears all scores, you're no longer my debtor;
I should take it as kind
Could you come -- never mind --
If your love don't persaude you, why,-- don't let this letter!'

I hardly need say this was scarcely read o'er
Ere a post-chaise and four
Was brought round to the door
And Bassanio, though, doubtless, he thought it a bore,
Gave his Lady one kiss, and then started at score.
But scarce in his flight
Had he got out of sight
Ere Portia, addressing a groom, said, 'My lad, you a
Journey must take on the instant to Padua;
Find out there Bellario,a Doctor of Laws,
Who, like Follett, is never left out of a cause,
And give him this note,
Which I've hastily wrote,
Take the papers he'll give you -- then push for the ferry
Below, where I'll meet you, you'll do't in a wherry,
If you can't find a boat on the Brenta with sails to it
-- Stay, bring his gown too, and wig with three tails to it.'

Giovanni (that's Jack)
Brought out his hack,
Made a bow to his mistress, then jump'd on its back,
Put his hand to his hat, and was off in a crack.
The Signora soon follow'd herself, taking as her
Own escort Nerissa her maid, and Balthasar.

'The Court is prepared, the Lawyers are met,
The Judges all ranged, a terrible show!'
As Captain Macheath says,-- and when one's in debt,
The sight's as unpleasant a one as I know,
Yet still not so bad after all, I suppose,
As if, when one cannot discharge what one owes,
They should bid people cut off one's toes or one's nose;
Yet here, a worse fate,
Stands Antonio, of late
A Merchant, might vie e'en with Princes in state,
With his waistcoat unbutton'd, prepared for the knife,
Which, in taking a pound of flesh, must take his life;
-- On the other side Shylock, his bag on the floor,
And three shocking bad hats on his head, as before,
Imperturbable stands,
As he waits their commands
With his scales and his great snicker-snee in his hands:
-- Between them, equipt in a wig, gown and bands,
With a very smooth face, a young dandified Lawyer,
Whose air, ne'ertheless, speaks him quite a top-sawyer,
Though his hopes are but feeble,
Does his possible
To make the hard Hebrew to mercy incline,
And in lieu of his three thousand ducats take nine,
Which Bassanio, for reasons we well may divine,
Shows in so many bags all drawn up in a line.
But vain are all efforts to soften him -- still
He points to the bond He so often has conn'd,
And says in plain terms he'll be shot if he will.
So the dandified Lawyer, with talking grown hoarse,
Says, 'I can say no more -- let the law take its course.'

Just fancy the gleam of the eye of the Jew,
As he sharpen'd his knife on the sole of his shoe
From the toe to the heel, And grasping the steel,
With a business-like air was beginning to feel
Whereabouts he should cut, as a butcher would veal,
When the dandified Judge puts a spoke in his wheel.
'Stay, Shylock,' says he, Here's one thing -- you see
This bond of yours gives you here no jot of blood!
-- The words are 'A pound of flesh,'-- that's clear as mud --
Slice away, then, old fellow -- but mind!-- if you spill
One drop of his claret that's not in your bill,
I'll hang you, like Haman?-- By Jingo I will!'

When apprised of this flaw, You never yet saw
Such an awfully mark'd elongation of jaw
As in Shylock, who cried, 'Plesh ma heart! ish dat law?'--
Off went his three hats,
And he look'd as the cats
Do, whenever a mouse has escaped from their claw.
'-- Ish't the law?'-- why the thing won't admit of a query --
'No doubt of the fact,
Only look at the act;
Acto quinto, cap. tertio, Dogi Falieri --
Nay, if, rather than cut, you'd relinquish the debt,
The Law, Master Shy, has a hold on you yet.
See Foscari's 'Statutes at large'--'If a Stranger
A Citizen's life shall, with malice, endanger,
The whole of his property, little or great,
Shall go, on conviction, one half to the State,
And one to the person pursued by his hate;
And, not to create
Any farther debate,
The Doge, if he pleases, may cut off his pate.'
So down on your marrowbones, Jew, and ask mercy!
Defendant and Plaintiff are now wisy wersy.'

What need to declare
How pleased they all were
At so joyful an end to so sad an affair?
Or Bassanio's delight at the turn things had taken,
His friend having saved, to the letter, his bacon?--
How Shylock got shaved, and turn'd Christian, though late,
To save a life-int'rest in half his estate?
How the dandified Lawyer, who'd managed the thing,
Would not take any fee for his pains but a ring
Which Mrs. Bassanio had given to her spouse,
With injunctions to keep it on leaving the house?--
How when he, and the spark
Who appeared as his clerk,
Had thrown off their wigs, and their gowns, and their jetty coats,
There stood Nerissa and Portia in petticoats?--
How they pouted, and flouted, and acted the cruel,
Because Lord Bassanio had not kept his jewel?--
How they scolded and broke out,
Till having their joke out,
They kissed, and were friends, and, all blessing and blessed,
Drove home by the light
Of a moonshiny night,
Like the one in which Troilus, the brave Trojan knight,
Sat astride on a wall, and sigh'd after his Cressid?--

All this, if 'twere meet,
I'd go on to repeat,
But a story spun out so's by no means a treat,
So, I'll merely relate what, in spite of the pains
I have taken to rummage among his remains,
No edition of Shakspeare, I've met with, contains;
But, if the account which I've heard be the true one,
We shall have it, no doubt, before long, in a new one.

In an MS., then sold
For its full weight in gold,
And knock'd down to my friend, Lord Tomnoddy, I'm told
It's recorded that Jessy, coquettish and vain,
Gave her husband, Lorenzo, a good deal of pain;
Being mildly rebuked, she levanted again,
Ran away with a Scotchman, and, crossing the main,
Became known by the name of the 'Flower of Dumblane.'

That Antonio, whose piety caused, as we've seen,
Him to spit upon every old Jew's gaberdine,
And whose goodness to paint
All colours were faint,
Acquired the well-merited prefix of 'Saint,'
And the Doge, his admirer, of honour the fount,
Having given him a patent, and made him a Count,
He went over to England, got nat'ralis'd there,
And espous'd a rich heiress in Hanover Square.

That Shylock came with him; no longer a Jew,
But converted, I think may be possibly true,
But that Walpole, as these self-same papers aver,
By changing the y in his name into er,
Should allow him a fictitious surname to dish up,
And in Seventeen-twenty-eight make him a Bishop,
I cannot believe--but shall still think them two men
Till some Sage proves the fact 'with his usual acumen.'


From this tale of the Bard
It's uncommonly hard
If an editor can't draw a moral.--'Tis clear,
Then,-- In ev'ry young wife-seeking Bachelor's ear
A maxim, 'bove all other stories, this one drums,

To new-married ladies this lesson it teaches,
'You're "no that far wrong" in assuming the breeches!'

Monied men upon 'Change, and rich Merchants it schools
To look well to assets -- nor play with edge tools!
Last of all, this remarkable History shows men,
What caution they need when they deal with old-clothesmen!
So bid John and Mary
To mind and be wary,
And never let one of them come down the are'

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The Restoration Of The Works Of Art In Italy

LAND of departed fame! whose classic plains
Have proudly echo'd to immortal strains;
Whose hallow'd soil hath given the great and brave
Daystars of life, a birth-place and a grave;
Home of the Arts! where glory's faded smile
Sheds lingering light o'er many a mouldering pile;
Proud wreck of vanish'd power, of splendour fled,
Majestic temple of the mighty dead!
Whose grandeur, yet contending with decay,
Gleams through the twilight of thy glorious day;
Though dimm'd thy brightness, riveted thy chain,
Yet, fallen Italy! rejoice again!
Lost, lovely realm! once more 'tis thine to gaze
On the rich relics of sublimer days.

Awake, ye Muses of Etrurian shades,
Or sacred Tivoli's romantic glades;
Wake, ye that slumber in the bowery gloom
Where the wild ivy shadows Virgil's tomb;
Or ye, whose voice, by Sorga's lonely wave,
Swell'd the deep echoes of the fountain's cave,
Or thrill'd the soul in Tasso's numbers high,
Those magic strains of love and chivalry:
If yet by classic streams ye fondly rove,
Haunting the myrtle vale, the laurel grove;
Oh ! rouse once more the daring soul of song,
Seize with bold hand the harp, forgot so long,
And hail, with wonted pride, those works revered
Hallow'd by time, by absence more endear'd.

And breathe to Those the strain, whose warrior-might
Each danger stemm'd, prevail'd in every fight;
Souls of unyielding power, to storms inured,
Sublimed by peril, and by toil matured.
Sing of that Leader, whose ascendant mind
Could rouse the slumbering spirit of mankind:
Whose banners track'd the vanquish'd Eagle's flight
O'er many a plain, and dark sierra's height;
Who bade once more the wild, heroic lay
Record the deeds of Roncesvalles' day;
Who, through each mountain-pass of rock and snow,
An Alpine huntsman chased the fear-struck foe;
Waved his proud standard to the balmy gales,
Rich Languedoc ! that fan thy glowing vales,
And 'midst those scenes renew'd the achievements high,
Bequeath'd to fame by England's ancestry.

Yet, when the storm seem'd hush'd, the conflict past,
One strife remain'd–the mightiest and the last!
Nerved for the struggle, in that fateful hour
Untamed Ambition summon'd all his power;
Vengeance and Pride, to frenzy roused, were there,
And the stern might of resolute Despair.
Isle of the free! 'twas then thy champions stood,
Breasting unmoved the combat's wildest flood;
Sunbeam of battle! then thy spirit shone,
Glow'd in each breast, and sank with life alone.

Oh, hearts devoted! whose illustrious doom
Gave there at once your triumph and your tomb,
Ye, firm and faithful, in the ordeal tried
Of that dread strife, by Freedom sanctified;
Shrined, not entomb'd, ye rest in sacred earth,
Hallow'd by deeds of more than mortal worth.
What though to mark where sleeps heroic dust,
No sculptured trophy rise, or breathing bust,
Yours, on the scene where valour's race was run,
A prouder sepulchre–the field ye won!
There every mead, each cabin's lowly name,
Shall live a watchword blended with your fame;
And well may flowers suffice those graves to crown
That ask no urn to blazon their renown!
There shall the bard in future ages tread,
And bless each wreath that blossoms o'er the dead;
Revere each tree whose sheltering branches wave
O'er the low mounds, the altars of the brave;
Pause o'er each warrior's grass-grown bed, and hear
In every breeze some name to glory dear;
And as the shades of twilight close around,
With martial pageants people all the ground.
Thither unborn descendants of the slain
Shall throng as pilgrims to the holy fane,
While as they trace each spot, whose records tell
Where fought their fathers, and prevail'd, and fell,
Warm in their souls shall loftiest feelings glow,
Claiming proud kindred with the dust below!
And many an age shall see the brave repair,
To learn the Hero's bright devotion there.

And well, Ausonia! may that field of fame,
From thee one song of echoing triumph claim.
Land of the lyre! 'twas there the avenging sword
Won the bright treasures to thy fanes restored;
Those precious trophies o'er thy realms that throw
A veil of radiance, hiding half thy woe,
And bid the stranger for awhile forget
How deep thy fall, and deem thee glorious yet.

Yes, fair creations! to perfection wrought,
Embodied visions of ascending thought!
Forms of sublimity! by Genius traced
In tints that vindicate adoring taste;
Whose bright originals, to earth unknown,
Live in the spheres encircling glory's throne;
Models of art, to deathless fame consign'd,
Stamp'd with the high-born majesty of mind;
Yes, matchless works! your presence shall restore
One beam of splendour to your native shore,
And her sad scenes of lost renown illume,
As the bright sunset gilds some hero's tomb.

Oh! ne'er, in other climes, though many an eye
Dwelt on your charms, in beaming ecstasy;
Ne'er was it yours to bid the soul expand
With thoughts so mighty, dreams so boldly grand,
As in that realm, where each faint breeze's moan
Seems a low dirge for glorious ages gone;
Where 'midst the ruin'd shrines of many a vale,
E'en Desolation tells a haughty tale,
And scarce a fountain flows, a rock ascends,
But its proud name with song eternal blends!

Yes! in those scenes where every ancient stream
Bids memory kindle o'er some lofty theme;
Where every marble deeds of fame records,
Each ruin tells of Earth's departed lords;
And the deep tones of inspiration swell
From each wild olive-wood, and Alpine dell;
Where heroes slumber on their battle plains,
Midst prostrate altars and deserted fanes,
And Fancy communes, in each lonely spot,
With shades of those who ne'er shall be forgot;
There was your home, and there your power imprest,
With tenfold awe, the pilgrim's glowing breast;
And, as the wind's deep thrills and mystic sighs
Wake the wild harp to loftiest harmonies,
Thus at your influence, starting from repose,
Thought, Feeling, Fancy, into grandeur rose.

Fair Florence! queen of Arno's lovely vale!
Justice and Truth indignant heard thy tale,
And sternly smiled, in retribution's hour,
To wrest thy treasures from the Spoiler's power.
Too long the spirits of thy noble dead
Mourn'd o'er the domes they rear'd in ages fled.
Those classic scenes their pride so richly graced,
Temples of genius, palaces of taste,
Too long, with sad and desolated mien,
Reveal'd where Conquest's lawless track had been;
Reft of each form with brighter light imbued,
Lonely they frown'd, a desert solitude,
Florence ! the Oppressor's noon of pride is o'er,
Rise in. thy pomp again, and weep no more!

As one, who, starting at the dawn of day
From dark illusions, phantoms of dismay,
With transport heighten'd by those ills of night,
Hails the rich glories of expanding light;
E'en thus, awakening from thy dream of woe,
While heaven's own hues in radiance round thee glow,
With warmer ecstasy 'tis thine to trace
Each tint of beauty, and each line of grace
More bright, more prized, more precious, since deplored,
As loved, lost relics, ne'er to be restored,
Thy grief as hopeless as the tear-drop shed
By fond affection bending o'er the dead.

Athens of Italy! once more are thine
Those matchless gems of Art's exhaustless mine.
For thee bright Genius darts his living beam,
Warm o'er thy shrines the tints of Glory stream,
And forms august as natives of the sky,
Rise round each fane in faultless majesty,
So chastely perfect, so serenely grand,
They seem creations of no mortal hand.

Ye, at whose voice fair Art, with eagle glance,
Burst in full splendour from her deathlike trance;
Whose rallying call bade slumbering nations wake,
And daring Intellect his bondage break;
Beneath whose eye the lords of song arose,
And snatch'd the Tuscan Iyre from long repose,
And bade its pealiing energies resound,
With power electric, through the realms around;
Oh! high in thought, magnificent in soul!
Born to inspire, enlighten, and control;
Cosmo, Lorenzo! view your reign once more,
The shrine where nations mmgle to adore!
Again the Enthusiast there, with ardent gaze,
Shall hail the mighty of departed days:
Those sovereign spirits, whose commanding mind
Seems in the marble's breathing mould enshrined;
Still with ascendant power the wor]d to awe,
Still the deep homage of the heart to draw
To breathe some spell of holiness around,
Bid all the scene be consecrated ground,
And from the stone, by Inspiration wrought,
Dart the pure lightnings of exalted thought.

There thou, fair offspring of immortal Mind!
Love's radiant goddess, idol of mankind!
Once the bright object of Devotion's vow,
Shalt claim from taste a kindred worship now.
Oh! who can te]l what beams of heavenly light
Flash'd o'er the sculptor's intellectual sight,
How many a glimpse, reveal'd to him alone,
Made brighter beings, nobler worlds, his own;
Ere, like some vision sent the earth to bless,
Burst into life thy pomp of loveliness!

Young Genius there, while dwells his kindling eye
On forms, instinct with bright divinity,
While new-born powers, dilating in his heart,
Embrace the full magnificence of Art;
From scenes, by Raphael's gifted hand array'd,
From dreams of heaven, by Angelo portray'd;
From each fair work of Grecian skill sublime,
Seal'd with perfection, 'sanctified by time';
Shall catch a kindred glow, and proudly feel
His spirit burn with emulative zeal,
Buoyant with loftier hopes, his soul shall rise,
Imbued at once with nobler energies;
O'er life's dim scenes on rapid pinions soar,
And worlds of visionary grace explore,
Till his bold hand give glory's daydream birth,
And with new wonders charm admiring earth.

Venice, exult ! and o'er thy moonlight seas,
Swell with gay strains each Adriatic breeze!
What though long fled those years of martial fame,
That shed romantic lustre o'er thy name;
Though to the winds thy streamers idly play,
And the wild waves another Queen obey;
Though quench'd the spirit of thine ancient race,
And power and freedom scarce have left a trace;
Yet still shall Art her splendours round thee cast,
And gild the wreck of years for ever past.
Again thy fanes may boast a Titian's dyes,
Whose clear soft brilliance emulates thy skies,
And scenes that glow in colouring's richest bloom,
With life's warm flush Palladian halls illume.
From thy rich dome again the unrivall'd steed
Starts to existence, rushes into speed,
Still for Lysippus claims the wreath of fame,
Panting with ardour, vivified with flame.

Proud Racers of the Sun! to fancy's thought
Burning with spirit, from his essence caught,
No mortal birth ye seem–but form'd to bear
Heaven's car of triumph through the realms of air;
To range uncurb'd the pathless fields of space,
The winds your rivals in the glorious race;
Traverse empyreal spheres with buoyant feet,
Free as the zephyr, as the shot-star fleet;
And waft through worlds unknown the vital ray,
The flame that wakes creations into day.
Creatures of fire and ether ! wing'd with light,
To track the regions of the Infinite!
From purer elements whose life was drawn,
Sprung from the sunbeam, offspring of the dawn.
What years on years, in silence gliding by,
Have spared those forms of perfect symmetry!
Moulded by Art to dignify, alone,
Her own bright deity's resplendent throne,
Since first her skill their fiery grace bestow'd,
Meet for such lofty fate, such high abode,
How many a race, whose tales of glory seem
An echo's voice–the music of a dream,
Whose records feebly from oblivion save
A few bright traces of the wise and brave;
How many a state, whose pillar'd strength sublime,
Defied the storms of war, the waves of time,
Towering o'er earth majestic and alone,
Fortress of power–has flourish'd and is gone!
And they, from clime to clime by conquest borne,
Each fleeting triumph destined to adorn,
They, that of powers and kingdoms lost and won,
Have seen the noontide and the setting sun,
Consummate still in every grace remain,
As o'er their heads had ages roll'd in vain!
Ages, victorious in their ceaseless flight,
O'er countless monuments of earthly might!
While she, from fair Byzantium's lost domain,
Who bore those treasures to her ocean-reign,
'Midst the blue deep, who rear'd her island-throne,
And called the infinitude of waves her own;
Venice, the proud, the Regent of the sea,
Welcomes in chains the trophies of the Free!:

And thou, whose Eagle's towering plume umfurl'd,
Once cast its shadow o'er a vassal world,
Eternal city! round whose Curule throne,
The lords of nations knelt in ages flown;
Thou, whose Augustan years have left to time
Immortal records of their glorious prime;
When deathless bards, thine olive-shades among,
Swell'd the high raptures of heroic song;
Fair, fallen Empress! raise thy languid head
From the cold altars of the illustrious dead,
And once again, with fond delight survey
The proud memorials of thy noblest day.

Lo! where thy sons, O Rome! a godlike train,
In imaged majesty return again!
Bards, chieftains, monarchs, tower with mien august
O'er scenes that shrine their venerable dust.
Those forms, those features, luminous with soul,
Still o'er thy children seem to claim control;
With awful grace arrest the pilgrim's glance,
Bind his rapt soul in elevating trance,
And bid the past, to fancy's ardent eyes,
From time's dim sepulchre in glory rise.

Souls of the lofty! whose undying names
Rouse the young bosom still to noblest aims;
Oh! with your images could fate restore,
Your own high spirit to your sons once more;
Patriots and Heroes! could those flames return,
That bade your hearts with freedom's ardours burn
Then from the sacred ashes of the first,
Might a new Rome in phoenix grandeur burst!
With one bright glance dispel the horizon's gloom,
With one loud call wake empire from the tomb;
Bind round her brows her own triumphal crown,
Lift her dread aegis with majestic frown,
Unchain her eagle's wing, and guide his flight,
To bathe his plumage in the fount of light.

Vain dream! degraded Rome! thy noon is o'er,
Once lost, thy spirit shall revive no more.
It sleeps with those, the sons of other days,
Who fix'd on thee the world's adoring gaze;
Those, blest to live, while yet thy star was high,
More blest, ere darkness quench'd its beam, to die!

Yet, though thy faithless tutelary powers
Have fled thy shrines, left desolate thy towers,
Still, still to thee shall nations bend their way,
Revered in ruin, sovereign in decay!
Oh! what can realms, in fame's full zenith, boast,
To match the relics of thy splendour lost!
By Tiber's waves, on each illustrious hill,
Genius and Taste shall love to wander still,
For there has Art survived an empire's doom,
And rear'd her throne o'er Latium's trophied tomb;
She from the dust recalls the brave and free,
Peopling each scene with beings worthy thee!

Oh! ne'er again may War, with lightning-stroke,
Rend its last honours from the shatter'd oak!
Long be those works, revered by ages, thine,
To lend one triumph to thy dim decline.

Bright with stern beauty, breathing wrathful fire,
In all the grandeur of celestial ire,
Once more thine own, the immortal Archer's form
Sheds radiance round, with more than Being warm!
Oh! who could view, nor deem that perfect frame,
A living temple of ethereal flame?

Lord of the daystar! how may words portray
Of thy chaste glory one reflected ray?
Whate'er the soul could dream, the hand could trace,
Of regal dignity, and heavenly grace;
Each purer effluence of the fair and bright,
Whose fitful gleams have broke on mortal sight;
Each bold idea, borrow'd from the sky,
To vest the embodied form of Deity;
All, all in thee ennobled and refined,
Breathe and enchant, transcendently combined!
Son of Elysium! years and ages gone
Have bow'd, in speechless homage, at thy throne,
And days unborn, and nations yet to be,
Shall gaze, absorb'd in ecstasy, on thee!

And thou, triumphant wreck, e'en yet sublime,
Disputed trophy, claimed by Art and Time;
Hail to that scene again, where Genius caught
From thee its fervours of diviner thought!
Where He, the inspired One, whose gigantic mind
Lived in some sphere, to him alone assign'd;
Who from the past, the future, and the unseen,
Could call up forms of more than earthly mien:
Unrivall'd Angelo on thee would gaze,
Till his full soul imbibed perfection's blaze!
And who but he, that Prince of Art, might dare
Thy sovereign greatness view without despair?
Emblem of Rome! from power's meridian hurl'd,
Yet claiming still the homage of the world.

What hadst thou been, ere barbarous hands defaced
The work of wonder, idolized by taste?
Oh! worthy still of some divine abode,
Mould of a Conqueror! ruin of a God!
Still, like some broken gem, whose quenchless beam
From each bright fragment pours its vital stream,
'Tis thine, by fate unconquer'd, to dispense
From every part some ray of excellence!
E'en yet, inform'd with essence from on high,
Thine is no trace of frail mortality!
Within that frame a purer being glows,
Through viewless veins a brighter current flows;
Fill'd with immortal life each muscle swells,
In every line supernal grandeur dwells.

Consummate work! the noblest and the last
Of Grecian Freedom, ere her reign was past:
Nurse of the mighty, she, while lingering still,
Her mantle flow'd o'er many a classic hill,
Ere yet her voice its parting accents breathed,
A hero's image to the world bequeathed;
Enshrined in thee the imperishable ray
Of high-soul'd Genius, foster'd by her sway.
And bade thee teach, to ages yet unborn,
What lofty dreams were hers–who never shall return!

And mark yon group, transfixed with many a throe,
Seal'd with the image of eternal woe:
With fearful truth, terrific power, exprest,
Thy pangs, Laocoon, agonize the breast,
And the stern combat picture to mankind
Of suffering nature, and enduring mind.
Oh, mighty conflict! though his pains intense
Distend each nerve, and dart through every sense;
Though fix'd on him, his children's suppliant eyes
Implore the aid avenging fate denies;
Though with the giant-snake in fruitless strife,
Heaves every muscle with convulsive life,
And in each limb existence writhes, enroll'd
'Midst the dread circles of the venom'd fold;
Yet the strong spirit lives–and not a cry
Shall own the might of Nature's agony!
That furrow'd brow unconquer'd soul reveals,
That patient eye to angry Heaven appeals,
That struggling bosom concentrates its breath,
Nor yields one moan to torture or to death!

Sublimest triumph of intrepid Art!
With speechless horror to congeal the heart,
To freeze each pulse, and dart through every vein,
Cold thrills of fear, keen sympathies of pain;
Yet teach the spirit how its lofty power
May brave the pangs of fate's severest hour.

Turn from such conflicts, and enraptured gaze
On scenes where Painting all her skill displays:
Landscapes, by colouring dress'd in richer dyes,
More mellow'd sunshine, more unclouded skies,
Or dreams of bliss, to dying martyrs given,
Descending seraphs, robed in beams of heaven.

Oh ! sovereign Masters of the Pencil's might,
Its depths of shadow, and its blaze of light;
Ye, whose bold thought, disdaining every bound,
Explored the worlds above, below, around,
Children of Italy! who stand alone
And unapproach'd, 'midst regions all your own;
What scenes, what beings bless'd your favour'd sight
Severely grand, unutterably bright!
Triumphant spirits! your exulting eye
Could meet the noontide of eternity,
And gaze untired, undaunted, uncontroll'd,
On all that Fancy trembles to behold.

Bright on your view such forms their splendour shed,
As burst on prophet-bards in ages fled:
Forms that to trace, no hand but yours might dare,
Darkly sublime, or exquisitely fair;
These, o'er the walls your magic skill array'd,
Glow in rich sunshine, gleam through melting shade,
Float in light grace, in awful greatness tower,
And breathe and move, the records of your power.
Inspired of Heaven! what heighten'd pomp ye cast
O'er all the deathless trophies of the past!
Round many a marble fane and classic dome,
Asserting still the majesty of Rome;
Round many a work that bids the world believe
What Grecian Art could image and achieve;
Again, creative minds, your visions throw
Life's chasten'd warmth, and Beauty's mellowest glow,
And when the Morn's bright beams and mantling dyes,
Pour the rich lustre of Ausonian skies,
Or evening suns illume, with purple smile,
The Parian altar, and the pillar'd aisle,
Then, as the full, or soften'd radiance falls
On angel-groups that hover o'er the walls,
Well may those Temples, where your hand has shed
Light o'er the tomb, existence round the dead,
Seem like some world, so perfect and so fair,
That naught of earth should find admittance there,
Some sphere, where beings, to mankind unknown
Dwell in the brightness of their pomp alone!

Hence, ye vain fictions! fancy's erring theme!
Gods of illusion! phantoms of a dream!
Frail, powerless idols of departed time,
Fables of song, delusive, though sublime!
To loftier tasks has Roman Art assign'd
Her matchless pencil, and her mighty mind!
From brighter streams her vast ideas flow'd
With purer fire her ardent spirit glow'd.
To her 'twas given in fancy to explore
The land of miracles, the holiest shore;
That realm where first the light of life was sent,
The loved, the punish'd, of the Omnipotent!
O'er Judah's hills her thoughts inspired would stray,
Through Jordan's valleys trace their lonely way;
By Siloa's brook, or Almotana's deep,
Chain'd in dead silence, and unbroken sleep;
Scenes, whose cleft rocks, and blasted deserts tell,
Where pass'd the Eternal, where His anger fell!
Where oft His voice the words of fate reveal'd,
Swell'd in the whirlwind, in the thunder peal'd,
Or heard by prophets in some palmy vale,
Breathed 'still small' whispers on the midnight gale.
There dwelt her spirit–there her hand portray'd,
'Midst the lone wilderness or cedar-shade,
Ethereal forms with awful missions fraught,
Or patriarch-seers absorb'd in sacred thought,
Bards, in high converse with the world of rest,
Saints of the earth, and spirits of the blest.
But chief to Him, the Conqueror of the grave,
Who lived to guide us, and who died to save;
Him, at whose glance the powers of evil fled,
And soul return'd to animate the dead;
Whom the waves own'd–and sunk beneath His eye,
Awed by one accent of Divinity;
To Him she gave her meditative hours,
Hallow'd her thoughts, and sanctified her powers.
O'er her bright scenes sublime repose she threw,
As all around the Godhead's presence knew,
And robed the Holy One's benignant mien
In beaming mercy, majesty serene.

Oh! mark where Raphael's pure and perfect line
Portrays that form ineffably divine!
Where with transcendent skill his hand has shed
Diffusive sunbeams round the Saviour's head;
Each heaven-illumined lineament imbued
With all the fullness of beatitude,
And traced the sainted group, whose mortal sight
Sinks overpower'd by that excess of light!

Gaze on that scene, and own the might of Art,
By truth inspired, to elevate the heart!
To bid the soul exultingly possess,
Of all her powers, a heighten'd consciousness;
And strong in hope, anticipate the day,
The last of life, the first of freedom's ray;
To realize, in some unclouded sphere,
Those pictured glories imaged here!
Dim, cold reflections from her native sky,
Faint effluence of 'the Day-spring from on high!'

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Oliver Goldsmith

Vida's Game Of Chess


ARMIES of box that sportively engage
And mimic real battles in their rage,
Pleased I recount; how, smit with glory's charms,
Two mighty Monarchs met in adverse arms,
Sable and white; assist me to explore,
Ye Serian Nymphs, what ne'er was sung before.
No path appears: yet resolute I stray
Where youth undaunted bids me force my way.
O'er rocks and cliffs while I the task pursue,
Guide me, ye Nymphs, with your unerring clue.
For you the rise of this diversion know,
You first were pleased in Italy to show
This studious sport; from Scacchis was its name,
The pleasing record of your Sister's fame.

When Jove through Ethiopia's parch'd extent
To grace the nuptials of old Ocean went,
Each god was there; and mirth and joy around
To shores remote diffused their happy sound.
Then when their hunger and their thirst no more
Claim'd their attention, and the feast was o'er;
Ocean with pastime to divert the thought,
Commands a painted table to be brought.
Sixty-four spaces fill the chequer'd square;
Eight in each rank eight equal limits share.
Alike their form, but different are their dyes,
They fade alternate, and alternate rise,
White after black; such various stains as those
The shelving backs of tortoises disclose.
Then to the gods that mute and wondering sate,
You see (says he) the field prepared for fate.
Here will the little armies please your sight,
With adverse colours hurrying to the fight:
On which so oft, with silent sweet surprise,
The Nymphs and Nereids used to feast their eyes,
And all the neighbours of the hoary deep,
When calm the sea, and winds were lull'd asleep
But see, the mimic heroes tread the board;
He said, and straightway from an urn he pour'd
The sculptured box, that neatly seem'd to ape
The graceful figure of a human shape:--
Equal the strength and number of each foe,
Sixteen appear'd like jet, sixteen like snow.
As their shape varies various is the name,
Different their posts, nor is their strength the same.
There might you see two Kings with equal pride
Gird on their arms, their Consorts by their side;
Here the Foot-warriors glowing after fame,
There prancing Knights and dexterous Archers came
And Elephants, that on their backs sustain
Vast towers of war, and fill and shake the plain.

And now both hosts, preparing for the storm
Of adverse battle, their encampments form.
In the fourth space, and on the farthest line,
Directly opposite the Monarchs shine;
The swarthy on white ground, on sable stands
The silver King; and then they send commands.
Nearest to these the Queens exert their might;
One the left side, and t'other guards the right:
Where each, by her respective armour known.
Chooses the colour that is like her own.
Then the young Archers, two that snowy-white
Bend the tough yew, and two as black as night;
(Greece call'd them Mars's favourites heretofore,
From their delight in war, and thirst of gore).
These on each side the Monarch and his Queen
Surround obedient; next to these are seen
The crested Knights in golden armour gay;
Their steeds by turns curvet, or snort or neigh.
In either army on each distant wing
Two mighty Elephants their castles bring,
Bulwarks immense! and then at last combine
Eight of the Foot to form the second line,
The vanguard to the King and Queen; from far
Prepared to open all the fate of war.
So moved the boxen hosts, each double-lined,
Their different colours floating in the wind:
As if an army of the Gauls should go,
With their white standards, o'er the Alpine snow
To meet in rigid fight on scorching sands
The sun-burnt Moors and Memnon's swarthy bands.

Then Father Ocean thus; you see them here,
Celestial powers, what troops, what camps appear.
Learn now the sev'ral orders of the fray,
For e'en these arms their stated laws obey.
To lead the fight, the Kings from all their bands
Choose whom they please to bear their great commands.
Should a black hero first to battle go,
Instant a white one guards against the blow;
But only one at once can charge or shun the foe.
Their gen'ral purpose on one scheme is bent,
So to besiege the King within the tent,
That there remains no place by subtle flight
From danger free; and that decides the fight.
Meanwhile, howe'er, the sooner to destroy
Th' imperial Prince, remorseless they employ
Their swords in blood; and whosoever dare
Oppose their vengeance, in the ruin share.
Fate thins their camp; the parti-coloured field
Widens apace, as they o'ercome or yield,
But the proud victor takes the captive's post;
There fronts the fury of th' avenging host
One single shock: and (should he ward the blow),
May then retire at pleasure from the foe.
The Foot alone (so their harsh laws ordain)
When they proceed can ne'er return again.

But neither all rush on alike to prove
The terror of their arms: The Foot must move
Directly on, and but a single square;
Yet may these heroes, when they first prepare
To mix in combat on the bloody mead,
Double their sally, and two steps proceed;
But when they wound, their swords they subtly guide
With aim oblique, and slanting pierce his side.
But the great Indian beasts, whose backs sustain
Vast turrets arm'd, when on the redd'ning plain
They join in all the terror of the fight,
Forward or backward, to the left or right,
Run furious, and impatient of confine
Scour through the field, and threat the farthest line.
Yet must they ne'er obliquely aim their blows;
That only manner is allow'd to those
Whom Mars has favour'd most, who bend the stubborn bows.
These glancing sidewards in a straight career,
Yet each confin'd to their respective sphere,
Or white or black, can send th' unerring dart
Wing'd with swift death to pierce through ev'ry part.
The fiery steed, regardless of the reins,
Comes prancing on; but sullenly disdains
The path direct, and boldly wheeling round,
Leaps o'er a double space at ev'ry bound:
And shifts from white or black to diff'rent colour'd ground.
But the fierce Queen, whom dangers ne'er dismay,
The strength and terror of the bloody day,
In a straight line spreads her destruction wide,
To left or right, before, behind, aside.
Yet may she never with a circling course
Sweep to the battle like the fretful Horse;
But unconfin'd may at her pleasure stray,
If neither friend nor foe block up the way;
For to o'erleap a warrior, 'tis decreed
Those only dare who curb the snorting steed.
With greater caution and majestic state
The warlike Monarchs in the scene of fate
Direct their motions, since for these appear
Zealous each hope, and anxious ev'ry fear.
While the King's safe, with resolution stern
They clasp their arms; but should a sudden turn
Make him a captive, instantly they yield,
Resolved to share his fortune in the field.
He moves on slow; with reverence profound
His faithful troops encompass him around,
And oft, to break some instant fatal scheme,
Rush to their fates, their sov'reign to redeem;
While he, unanxious where to wound the foe,
Need only shift and guard against a blow.
But none, however, can presume t' appear
Within his reach, but must his vengeance fear;
For he on ev'ry side his terror throws;
But when he changes from his first repose,
Moves but one step, most awfully sedate,
Or idly roving, or intent on fate.
These are the sev'ral and establish'd laws:
Now see how each maintains his bloody cause.

Here paused the god, but (since whene'er they wage
War here on earth the gods themselves engage
In mutual battle as they hate or love,
And the most stubborn war is oft above),
Almighty Jove commands the circling train
Of gods from fav'ring either to abstain,
And let the fight be silently survey'd;
And added solemn threats if disobey'd.
Then call'd he Phoebus from among the Powers
And subtle Hermes, whom in softer hours
Fair Maia bore: youth wanton'd in their face;
Both in life's bloom, both shone with equal grace.
Hermes as yet had never wing'd his feet;
As yet Apollo in his radiant seat
Had never driv'n his chariot through the air,
Known by his bow alone and golden hair.
These Jove commission'd to attempt the fray,
And rule the sportive military day;
Bid them agree which party each maintains,
And promised a reward that's worth their pains.
The greater took their seats; on either hand
Respectful the less gods in order stand,
But careful not to interrupt their play,
By hinting when t' advance or run away.

Then they examine, who shall first proceed
To try their courage, and their army lead.
Chance gave it for the White, that he should go
First with a brave defiance to the foe.
Awhile he ponder'd which of all his train
Should bear his first commission o'er the plain;
And then determined to begin the scene
With him that stood before to guard the Queen.
He took a double step: with instant care
Does the black Monarch in his turn prepare
The adverse champion, and with stern command
Bid him repel the charge with equal hand.
There front to front, the midst of all the field,
With furious threats their shining arms they wield;
Yet vain the conflict, neither can prevail
While in one path each other they assail.
On ev'ry side to their assistance fly
Their fellow soldiers, and with strong supply
Crowd to the battle, but no bloody stain
Tinctures their armour; sportive in the plain
Mars plays awhile, and in excursion slight
Harmless they sally forth, or wait the fight.

But now the swarthy Foot, that first appear'd
To front the foe, his pond'rous jav'lin rear'd
Leftward aslant, and a pale warrior slays,
Spurns him aside, and boldly takes his place.
Unhappy youth, his danger not to spy!
Instant he fell, and triumph'd but to die.
At this the sable King with prudent care
Removed his station from the middle square,
And slow retiring to the farthest ground,
There safely lurk'd, with troops entrench'd around.
Then from each quarter to the war advance
The furious Knights, and poise the trembling lance:
By turns they rush, by turns the victors yield,
Heaps of dead Foot choke up the crimson'd field:
They fall unable to retreat; around
The clang of arms and iron hoofs resound.

But while young Phoebus pleased himself to view
His furious Knight destroy the vulgar crew,
Sly Hermes long'd t' attempt with secret aim
Some noble act of more exalted fame.
For this, he inoffensive pass'd along
Through ranks of Foot, and midst the trembling throng
Sent his left Horse, that free without confine
Rov'd o'er the plain, upon some great design
Against the King himself. At length he stood,
And having fix'd his station as he would,
Threaten'd at once with instant fate the King
And th' Indian beast that guarded the right wing.
Apollo sigh'd, and hast'ning to relieve
The straiten'd Monarch, griev'd that he must leave
His martial Elephant expos'd to fate,
And view'd with pitying eyes his dang'rous state.
First in his thoughts however was his care
To save his King, whom to the neighbouring square
On the right hand, he snatch'd with trembling flight;
At this with fury springs the sable Knight,
Drew his keen sword, and rising to the blow,
Sent the great Indian brute to shades below.
O fatal loss! for none except the Queen
Spreads such a terror through the bloody scene.
Yet shall you ne'er unpunish'd boast your prize,
The Delian god with stern resentment cries;
And wedg'd him round with Foot, and pour'd in fresh supplies.
Thus close besieg'd trembling he cast his eye
Around the plain, but saw no shelter nigh,
No way for flight; for here the Queen oppos'd,
The Foot in phalanx there the passage clos'd:
At length he fell; yet not unpleas'd with fate,
Since victim to a Queen's vindictive hate.
With grief and fury burns the whiten'd host,
One of their Tow'rs thus immaturely lost.
As when a bull has in contention stern
Lost his right horn, with double vengeance burn
His thoughts for war, with blood he's cover'd o'er,
And the woods echo to his dismal roar,
So look'd the flaxen host, when angry fate
O'erturn'd the Indian bulwark of their state.
Fired at this great success, with double rage
Apollo hurries on his troops t' engage,
For blood and havoc wild; and, while he leads
His troops thus careless, loses both his steeds:
For if some adverse warriors were o'erthrown,
He little thought what dangers threat his own.
But slyer Hermes with observant eyes
March'd slowly cautious, and at distance spies
What moves must next succeed, what dangers next arise.
Often would he, the stately Queen to snare,
The slender Foot to front her arms prepare,
And to conceal his scheme he sighs and feigns
Such a wrong step would frustrate all his pains.
Just then an Archer, from the right-hand view,
At the pale Queen his arrow boldly drew,
Unseen by Phoebus, who, with studious thought,
From the left side a vulgar hero brought.
But tender Venus, with a pitying eye,
Viewing the sad destruction that was nigh,
Wink'd upon Phoebus (for the Goddess sat
By chance directly opposite); at that
Roused in an instant, young Apollo threw
His eyes around the field his troops to view:
Perceiv'd the danger, and with sudden fright
Withdrew the Foot that he had sent to fight,
And sav'd his trembling Queen by seasonable flight.
But Maia's son with shouts fill'd all the coast:
The Queen, he cried, the important Queen is lost.
Phoebus, howe'er, resolving to maintain
What he had done, bespoke the heavenly train.
What mighty harm, in sportive mimic flight,
Is it to set a little blunder right,
When no preliminary rule debarr'd?
If you henceforward, Mercury, would guard
Against such practice, let us make the law:
And whosoe'er shall first to battle draw,
Or white, or black, remorseless let him go
At all events, and dare the angry foe.
He said, and this opinion pleased around:
Jove turn'd aside, and on his daughter frown'd,
Unmark'd by Hermes, who, with strange surprise,
Fretted and foam'd, and roll'd his ferret eyes,
And but with great reluctance could refrain
From dashing at a blow all off the plain.
Then he resolved to interweave deceits, --
To carry on the war by tricks and cheats.
Instant he call'd an Archer from the throng,
And bid him like the courser wheel along:
Bounding he springs, and threats the pallid Queen.
The fraud, however, was by Phoebus seen;
He smiled, and, turning to the Gods, he said:
Though, Hermes, you are perfect in your trade,
And you can trick and cheat to great surprise,
These little sleights no more shall blind my eyes;
Correct them if you please, the more you thus disguise.
The circle laugh'd aloud; and Maia's son
(As if it had but by mistake been done)
Recall'd his Archer, and with motion due,
Bid him advance, the combat to renew.
But Phoebus watch'd him with a jealous eye,
Fearing some trick was ever lurking nigh,
For he would oft, with sudden sly design,
Send forth at once two combatants to join
His warring troops, against the law of arms,
Unless the wary foe was ever in alarms.

Now the white Archer with his utmost force
Bent the tough bow against the sable Horse,
And drove him from the Queen, where he had stood
Hoping to glut his vengeance with her blood.
Then the right Elephant with martial pride
Roved here and there, and spread his terrors wide:
Glittering in arms from far a courser came,
Threaten'd at once the King and Royal Dame;
Thought himself safe when he the post had seized,
And with the future spoils his fancy pleased.
Fired at the danger a young Archer came,
Rush'd on the foe, and levell'd sure his aim;
(And though a Pawn his sword in vengeance draws,
Gladly he'd lose his life in glory's cause).
The whistling arrow to his bowels flew,
And the sharp steel his blood profusely drew;
He drops the reins, he totters to the ground,
And his life issued murm'ring through the wound.
Pierced by the Foot, this Archer bit the plain;
The Foot himself was by another slain;
And with inflamed revenge, the battle burns again.
Towers, Archers, Knights, meet on the crimson ground,
And the field echoes to the martial sound.
Their thoughts are heated, and their courage fired,
Thick they rush on with double zeal inspired;
Generals and Foot, with different colour'd mien,
Confusedly warring in the camps are seen, --
Valour and fortune meet in one promiscuous scene.
Now these victorious, lord it o'er the field;
Now the foe rallies, the triumphant yield:
Just as the tide of battle ebbs or flows.
As when the conflict more tempestuous grows
Between the winds, with strong and boisterous sweep
They plough th' Ionian or Atlantic deep!
By turns prevail the mutual blustering roar,
And the big waves alternate lash the shore.
But in the midst of all the battle raged
The snowy Queen, with troops at once engaged;
She fell'd an Archer as she sought the plain, --
As she retired an Elephant was slain:
To right and left her fatal spears she sent,
Burst through the ranks, and triumph'd as she went;
Through arms and blood she seeks a glorious fate,
Pierces the farthest lines, and nobly great
Leads on her army with a gallant show,
Breaks the battalions, and cuts through the foe.
At length the sable King his fears betray'd,
And begg'd his military consort's aid:
With cheerful speed she flew to his relief,
And met in equal arms the female chief.

Who first, great Queen, and who at last did bleed?
How many Whites lay gasping on the mead?
Half dead, and floating in a bloody tide,
Foot, Knights, and Archer lie on every side.
Who can recount the slaughter of the day?
How many leaders threw their lives away?
The chequer'd plain is fill'd with dying box,
Havoc ensues, and with tumultuous shocks
The different colour'd ranks in blood engage,
And Foot and Horse promiscuously rage.
With nobler courage and superior might
The dreadful Amazons sustain the fight,
Resolved alike to mix in glorious strife,
Till to imperious fate they yield their life.

Meanwhile each Monarch, in a neighbouring cell,
Confined the warriors that in battle fell,
There watch'd the captives with a jealous eye,
Lest, slipping out again, to arms they fly.
But Thracian Mars, in stedfast friendship join'd
To Hermes, as near Phoebus he reclined,
Observed each chance, how all their motions bend,
Resolved if possible to serve his friend.
He a Foot-soldier and a Knight purloin'd
Out from the prison that the dead confined;
And slyly push'd 'em forward on the plain;
Th' enliven'd combatants their arms regain,
Mix in the bloody scene, and boldly war again.

So the foul hag, in screaming wild alarms
O'er a dead carcase muttering her charms,
(And with her frequent and tremendous yell
Forcing great Hecate from out of hell)
Shoots in the corpse a new fictitious soul;
With instant glare the supple eyeballs roll,
Again it moves and speaks, and life informs the whole.

Vulcan alone discern'd the subtle cheat;
And wisely scorning such a base deceit,
Call'd out to Phoebus. Grief and rage assail
Phoebus by turns; detected Mars turns pale.
Then awful Jove with sullen eye reproved
Mars, and the captives order'd to be moved
To their dark caves; bid each fictitious spear
Be straight recall'd, and all be as they were.

And now both Monarchs with redoubled rage
Led on their Queens, the mutual war to wage.
O'er all the field their thirsty spears they send,
Then front to front their Monarchs they defend.
But lo! the female White rush'd in unseen,
And slew with fatal haste the swarthy Queen;
Yet soon, alas! resign'd her royal spoils,
Snatch'd by a shaft from her successful toils.
Struck at the sight, both hosts in wild surprise
Pour'd forth their tears, and fill'd the air with cries;
They wept and sigh'd, as pass'd the fun'ral train,
As if both armies had at once been slain.

And now each troop surrounds its mourning chief,
To guard his person, or assuage his grief.
One is their common fear; one stormy blast
Has equally made havoc as it pass'd.
Not all, however, of their youth are slain;
Some champions yet the vig'rous war maintain.
Three Foot, an Archer, and a stately Tower,
For Phoebus still exert their utmost power.
Just the same number Mercury can boast,
Except the Tower, who lately in his post
Unarm'd inglorious fell, in peace profound,
Pierced by an Archer with a distant wound;
But his right Horse retain'd its mettled pride, --
The rest were swept away by war's strong tide.

But fretful Hermes, with despairing moan,
Griev'd that so many champions were o'erthrown,
Yet reassumes the fight; and summons round
The little straggling army that he found, --
All that had 'scaped from fierce Apollo's rage, --
Resolved with greater caution to engage
In future strife, by subtle wiles (if fate
Should give him leave) to save his sinking state.
The sable troops advance with prudence slow,
Bent on all hazards to distress the foe.
More cheerful Phoebus, with unequal pace,
Rallies his arms to lessen his disgrace.
But what strange havoc everywhere has been!
A straggling champion here and there is seen;
And many are the tents, yet few are left within.

Th' afflicted Kings bewail their consorts dead,
And loathe the thoughts of a deserted bed;
And though each monarch studies to improve
The tender mem'ry of his former love,
Their state requires a second nuptial tie.
Hence the pale ruler with a love-sick eye
Surveys th' attendants of his former wife,
And offers one of them a royal life.
These, when their martial mistress had been slain,
Weak and despairing tried their arms in vain;
Willing, howe'er, amidst the Black to go,
They thirst for speedy vengeance on the foe.
Then he resolves to see who merits best,
By strength and courage, the imperial vest;
Points out the foe, bids each with bold design
Pierce through the ranks, and reach the deepest line:
For none must hope with monarchs to repose
But who can first, through thick surrounding foes,
Through arms and wiles, with hazardous essay,
Safe to the farthest quarters force their way.
Fired at the thought, with sudden, joyful pace
They hurry on; but first of all the race
Runs the third right-hand warrior for the prize, --
The glitt'ring crown already charms her eyes.
Her dear associates cheerfully give o'er
The nuptial chase; and swift she flies before,
And Glory lent her wings, and the reward in store.
Nor would the sable King her hopes prevent,
For he himself was on a Queen intent,
Alternate, therefore, through the field they go.
Hermes led on, but by a step too slow,
His fourth left Pawn: and now th' advent'rous White
Had march'd through all, and gain'd the wish'd for site.
Then the pleased King gives orders to prepare
The crown, the sceptre, and the royal chair,
And owns her for his Queen: around exult
The snowy troops, and o'er the Black insult.

Hermes burst into tears, -- with fretful roar
Fill'd the wide air, and his gay vesture tore.
The swarthy Foot had only to advance
One single step; but oh! malignant chance!
A towered Elephant, with fatal aim,
Stood ready to destroy her when she came:
He keeps a watchful eye upon the whole,
Threatens her entrance, and protects the goal.
Meanwhile the royal new-created bride,
Pleased with her pomp, spread death and terror wide;
Like lightning through the sable troops she flies,
Clashes her arms, and seems to threat the skies.
The sable troops are sunk in wild affright,
And wish th' earth op'ning snatch'd 'em from her sight.
In burst the Queen, with vast impetuous swing:
The trembling foes come swarming round the King,
Where in the midst he stood, and form a valiant ring.
So the poor cows, straggling o'er pasture land,
When they perceive the prowling wolf at hand,
Crowd close together in a circle full,
And beg the succour of the lordly bull;
They clash their horns, they low with dreadful sound,
And the remotest groves re-echo round.

But the bold Queen, victorious, from behind
Pierces the foe; yet chiefly she design'd
Against the King himself some fatal aim,
And full of war to his pavilion came.
Now here she rush'd, now there; and had she been
But duly prudent, she had slipp'd between,
With course oblique, into the fourth white square,
And the long toil of war had ended there,
The King had fallen, and all his sable state;
And vanquish'd Hermes cursed his partial fate.
For thence with ease the championess might go,
Murder the King, and none could ward the blow.

With silence, Hermes, and with panting heart,
Perceived the danger, but with subtle art,
(Lest he should see the place) spurs on the foe,
Confounds his thoughts, and blames his being slow.
For shame! move on; would you for ever stay?
What sloth is this, what strange perverse delay? --
How could you e'er my little pausing blame? --
What! you would wait till night shall end the game?
Phoebus, thus nettled, with imprudence slew
A vulgar Pawn, but lost his nobler view.
Young Hermes leap'd, with sudden joy elate;
And then, to save the monarch from his fate,
Led on his martial Knight, who stepp'd between,
Pleased that his charge was to oppose the Queen --
Then, pondering how the Indian beast to slay,
That stopp'd the Foot from making farther way, --
From being made a Queen; with slanting aim
An archer struck him; down the monster came,
And dying shook the earth: while Phoebus tries
Without success the monarch to surprise.
The Foot, then uncontroll'd with instant pride,
Seized the last spot, and moved a royal bride.
And now with equal strength both war again,
And bring their second wives upon the plain;
Then, though with equal views each hop'd and fear'd,
Yet, as if every doubt had disappear'd,
As if he had the palm, young Hermes flies
Into excess of joy; with deep disguise,
Extols his own Black troops, with frequent spite
And with invective taunts disdains the White.
Whom Phoebus thus reproved with quick return --
As yet we cannot the decision learn
Of this dispute, and do you triumph now?
Then your big words and vauntings I'll allow,
When you the battle shall completely gain;
At present I shall make your boasting vain.
He said, and forward led the daring Queen;
Instant the fury of the bloody scene
Rises tumultuous, swift the warriors fly
From either side to conquer or to die.
They front the storm of war: around 'em Fear,
Terror, and Death, perpetually appear.
All meet in arms, and man to man oppose,
Each from their camp attempts to drive their foes;
Each tries by turns to force the hostile lines;
Chance and impatience blast their best designs.
The sable Queen spread terror as she went
Through the mid ranks: with more reserved intent
The adverse dame declined the open fray,
And to the King in private stole away:
Then took the royal guard, and bursting in,
With fatal menace close besieged the King.
Alarm'd at this, the swarthy Queen, in haste,
From all her havoc and destructive waste
Broke off, and her contempt of death to show,
Leap'd in between the Monarch and the foe,
To save the King and state from this impending blow.
But Phoebus met a worse misfortune here:
For Hermes now led forward, void of fear,
His furious Horse into the open plain,
That onward chafed, and pranced, and pawed amain.
Nor ceased from his attempts until he stood
On the long-wished-for spot, from whence he could
Slay King or Queen. O'erwhelm'd with sudden fears,
Apollo saw, and could not keep from tears.
Now all seem'd ready to be overthrown;
His strength was wither'd, ev'ry hope was flown.
Hermes, exulting at this great surprise,
Shouted for joy, and fill'd the air with cries;
Instant he sent the Queen to shades below,
And of her spoils made a triumphant show.
But in return, and in his mid career,
Fell his brave Knight, beneath the Monarch's spear.

Phoebus, however, did not yet despair,
But still fought on with courage and with care.
He had but two poor common men to show,
And Mars's favourite with his iv'ry bow.
The thoughts of ruin made 'em dare their best
To save their King, so fatally distress'd.
But the sad hour required not such an aid;
And Hermes breathed revenge where'er he stray'd.
Fierce comes the sable Queen with fatal threat,
Surrounds the Monarch in his royal seat;
Rushed here and there, nor rested till she slew
The last remainder of the whiten'd crew.
Sole stood the King, the midst of all the plain,
Weak and defenceless, his companions slain.
As when the ruddy morn ascending high
Has chased the twinkling stars from all the sky,
Your star, fair Venus, still retains its light,
And, loveliest, goes the latest out of sight.
No safety's left, no gleams of hope remain;
Yet did he not as vanquish'd quit the plain,
But tried to shut himself between the foe, --
Unhurt through swords and spears he hoped to go,
Until no room was left to shun the fatal blow.
For if none threaten'd his immediate fate,
And his next move must ruin all his state,
All their past toil and labour is in vain,
Vain all the bloody carnage of the plain, --
Neither would triumph then, the laurel neither gain.
Therefore through each void space and desert tent,
By different moves his various course he bent:
The Black King watch'd him with observant eye,
Follow'd him close, but left him room to fly.
Then when he saw him take the farthest line,
He sent the Queen his motions to confine,
And guard the second rank, that he could go
No farther now than to that distant row.
The sable monarch then with cheerful mien
Approach'd, but always with one space between.
But as the King stood o'er against him there,
Helpless, forlorn, and sunk in his despair,
The martial Queen her lucky moment knew,
Seized on the farthest seat with fatal view,
Nor left th' unhappy King a place to flee unto.
At length in vengeance her keen sword she draws,
Slew him, and ended thus the bloody cause:
And all the gods around approved it with applause.

The victor could not from his insults keep,
But laugh'd and sneer'd to see Apollo weep.
Jove call'd him near, and gave him in his hand
The powerful, happy, and mysterious wand
By which the Shades are call'd to purer day,
When penal fire has purged their sins away;
By which the guilty are condemn'd to dwell
In the dark mansions of the deepest hell;
By which he gives us sleep, or sleep denies,
And closes at the last the dying eyes.
Soon after this, the heavenly victor brought
The game on earth, and first th' Italians taught.

For (as they say) fair Scacchis he espied
Feeding her cygnets in the silver tide,
(Sacchis, the loveliest Seriad of the place)
And as she stray'd, took her to his embrace.
Then, to reward her for her virtue lost,
Gave her the men and chequer'd board, emboss'd
With gold and silver curiously inlay'd;
And taught her how the game was to be play'd.
Ev'n now 'tis honour'd with her happy name;
And Rome and all the world admire the game.
All which the Seriads told me heretofore,
When my boy-notes amused the Serian shore.

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Bring Home The Bacon

To my country
I promised
to bring home
the bacon.

And yes, I did
I did bring home
the bacon.

But to my surprise
the bacon vanished
so instantly.

Oh, my beloved country
forgive this unworthy
child of yours
I wasn't able
to bring home
sufficient bacon
for all your children.

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How strange
and sad
in a living room
like all living rooms

A mind
like a snake
slithering through
desperately searching
for the solar warmth
to rest
in euphoria

But nocturnal you are
nocturnal you've become
a creature of the night
a vampire
living a cheap life
the blood
you feast
of a $7.25 an hour

Sit and wait
you will
until the world
is ready
for your type
of tongue

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Grieve England

Grieve, England, and hang your head
in utter shame,
as the tale of your inhumanity
rings to this very day.

Grieve about your fallen brave, England,
for no glory did your heroes bring
back from the battlefields of South Africa,
where they killed children
who did not want to betray
the whereabouts of their fathers.

What glory shines
in pillage and rape
and how does lament ring,
with the utter destruction
of farmsteads of a nation?

Grieve about the soulless slaughter, England,
of most of a nation’s women
and children in your cruel concentration camps,
where you fed glass mixed with meal
and let thousands of the innocent die of pestilence.

Cry, England, and hang your head
in utter shame,
as the tale of your inhumanity
rings forever more.

[Reference: => To the Anglo-Boer war where thousands of innocent woman and children died in British concentration camps.]

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0089 The top floor

Up that top flight of stairs
whose old, unvarnished wood
scrubs up so well and welcoming,

where it's so quiet at the top of the house
that even the sunlight enjoys the silence,
there's a room kept ready, welcoming,
for every poet I respect:
and yes, for you...

Open each door
and there's such a subtle, same-yet-different,
fragrance in each room - eluding definition,
yet so loved, and so familiar:
a field of wildflowers in the sunlit morning dew,
or grateful after later April shower,
or is it freshly laundered sheets dried in the wind?
a hint of that precious, faintly perfumed scrap of silk
from Grandmother's wedding dress?
A dried rose in a drawer lined with cedarwood?
And just a hint of honey-soaked tobacco,
and once-a-year, and very fine, cigar?
a horse's sweat on crisp and frosty day?
the zinging air on pebbled beach in aftermath of storm?

or freshly-showered skin,
and all the wild and gentle
scents of love?

All that, in these so living rooms,
peaceful, welcoming,
and full of you

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Santas Coming

[verse 1:]
Christmas time is when night comes and snow falls
The seasons filled with cheer
Are the children home rushing off to bed?
Cause santa will be here
You better be ready when santa comes
So spread the love and joy
I hope youre ready when santa comes
Christmas time is here
Hes coming tonight tonight
Santas on his way
Rollin through your roof with goodies on his sleigh
Hes comin tonight tonight
I hope you all been good
Santas on his way
Rollin through the neighborhood
[verse 2:]
I cant wait till santas here
I cant wait
I got my stocking hung by the fireplace
I was good throughout the year
You better be ready when santa comes
So spread your love and joy
I hope youre ready when santa comes
Christmas time is here
[verse 3:]
Sleigh bells ring are you listening?
Santas comin soon because its christmas
He knows if you been good or bad, happy or sad
So be good for goodness sake
You better not pout
You better not cry
You better not shout
Im telling you why
Santa claus is coming
Santa claus is coming to town

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A baby boom

Each ward full of new arrivals
For parents not less than festivals
Joy and happiness could be read on face
Who could definitely tell what their race was?

Full of cheers and cries all over in the warden
All are excited with their entries all of sudden
May be it is arrival of spring in garden
Plants are ready to make the show very often

It may be just beginning of new season
Flowers may boom with some reason
Fragrance may be spread with lot of joy
Soon children may be playing with beautiful toys

This land is beautiful garden with lot of arrivals
Some may breathe and some may face dismissal
What do they bring in for us to live little longer?
It is feeling of unique kind which grows stronger and stronger

Flowers of different kind and color strongly wish to survive?
We just look at them and do nothing or take no steps to revive
We just enjoy their momentary appearance and allow them to fade
We think of nothing and consider it as routine or mere trade

Why do we love children more in initial days?
What a beautiful way of offering smile in innocent way?
Do they bring all type of hopes in the form of bright ray/
Do we last long in the hope and express solidly in pray?

It is how the world moves on and so we to with our mission
We humbly let almighty to know when we make submission
We seek all the time His blessings for present and future
We need to be simple and honest and make it doubly sure

As children rise on their feet with the passage of time and grow
Their efficiency in all the respect and worth to show
We may realize the importance of their being
They may prove and carry us on their powerful wing

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Internet Fête 1998 French Version 0865

Ici en France les choses avancent et grâce à Internet
Nous pouvons suivre et vivre aussi les changements de vie
Tantôt troublants, tantôt grisants, - le partage est mot qui
Est à la mode où tous ces codes parfois montent à la tête.
Regard nouveau - et pas trop tôt - tourne vers l'Internet,
Nos têtes blondes et brunes sondent une autre galaxie
Echangeant méls par modem - elles inventent jeux aussi.

Travail, hobbies, dans tous pays de nouvelles formes revêtent.
France d'abord et puis encore au monde on fait la fête
En ce printemps où la chanson est gaie et réussie,
Toujours, c'est sûr, ensemble pour s'amuser et aussi
Essayer de cerner du jeu les termes et les requêtes.
Magique est site qui invite à planète Internet.
Ici le temps s'arrête dans l'élan qui l'ennuie
Laisse de côté pour naviguer au gré de la tempête
Lyrique du désir partout de découvrir dans cet
Ensemble un sens où dans la danse on avance et on rit
Niant le noir, trouvant l'espoir, écartant les soucis.

Et nous surfons, dialoguons, on vend et on achète
Unis par des moyens rêvés de s'offrir la gazette
Française, anglaise ou japonaise traitant d'économie,
Cuisine ou pêche on se dépêche en cernant l'alchimie
Entre l'étude d'habitudes étrangères et recettes
Nouvelles pour avancer sur la voie de 'Netiquette'.
Toutefois les uns, inopportuns pensent la technologie
Quand trop rapide apporte un vide où nul ne vérifie
Un virage ou bouleversement que rien n'arrête.

A chacun à sa façon de partager la fête
Tandis que les villes et cités en France sont unies.
Réussissons à l'unisson en changeant les esprits,
Ecartant les freins, les délais, les intérêts qui guettent!
Voyons plus loin quand dans son coin chacun de nous s'apprête
Intensément à trouver dans un job qui gratifie
Nouvel élan qui dans le temps évolue et fleurit.
Grande est l'espoir d'avancer car sur planète internet
Tout peut se faire, - idées prospèrent - évoluent à 'perpet'.

Dans l'univers nous allons vers des réseaux réunis
Information, formation tout au long de la vie -
Xtra la chance pour la France où l'espoir est très net.
Hier passé est dépassé par planète Internet -
Un virage, un bouleversement, arrive - on réagit!
Ici printemps, notre chanson est gaie et réussie,
Travail, hobbies, dans tous pays de nouvelles formes revêtent.

Come to Planet Internet
I know today both work and play will change with Internet,
Now dark and fair exchange mail, share together, soul sincere.
Then surf here there and everywhere to web sites far and near.
Each in his way his part shall play to make this day a fête,
Ring in the mind bells all will find sing through the alphabet.
New ventures start which wide worlds chart, and so it does appear
E-Mail can bring true joy this Spring, to all who volunteer, -
Thus those apart can heart to heart converse without regret.

From hemisphere to hemisphere a global town can yet
Emerge to urge investment surge, as false fears disappear.
The tongues of man will somehow scan - Goethe, Racine and Shakespeare.
Efforts will be rewarded, - we past problems shall forget.
Needs, hopes, combine for future fine as unemployment's threat
Is overcome, leaves critics dumb, as progress from this year
New hope for scope shows - most can cope on-line, can persevere,
Enjoyment all can find to call a friend, or good news get.

Though some may find they're left behind by talk of 'netiquette', -
Each bug dismays, as do delays, the words seem odd and queer -
Electric age now writes new page upon a fresh frontier
Normal today is change - who'd say strange is Fate's silhouette?
Now though some sneer while others jeer, nostalgic some regret,
Is ours an earth throughout whose girth spreads universal cheer?
New methods learn, new freedoms earn, turn to your neighbour here -
Exchange your views with whom you choose - screen faster is than jet!

Those who home stay, who work or roam, few know not care or fret -
Youth's fears, those age imagines, veer from truth to views unclear.
Each in his way must help relay this song both load and clear
In order to discover new ideas through internet!
Great is the chance, in England, France, - world-wide the scene is set!
Here me and you, our children too, can a new message hear,
Through every land can, hand in hand, the future pioneer.
Join in the dance, let us advance and fête the internet!

(23 Janvier 1998)

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Internet Fête 1998 English Version 0865

Come to Planet Internet
I know today both work and play will change with Internet,
Now dark and fair exchange mail, share together, soul sincere.
Then surf here there and everywhere to web sites far and near.
Each in his way his part shall play to make this day a fête,
Ring in the mind bells all will find sing through the alphabet.
New ventures start which wide worlds chart, and so it does appear
E-Mail can bring true joy this Spring, to all who volunteer, -
Thus those apart can heart to heart converse without regret.

From hemisphere to hemisphere a global town can yet
Emerge to urge investment surge, as false fears disappear.
The tongues of man will somehow scan - Goethe, Racine and Shakespeare.
Efforts will be rewarded, - we past problems shall forget.
Needs, hopes, combine for future fine as unemployment's threat
Is overcome, leaves critics dumb, as progress from this year
New hope for scope shows - most can cope on-line, can persevere,
Enjoyment all can find to call a friend, or good news get.

Though some may find they're left behind by talk of 'netiquette', -
Each bug dismays, as do delays, the words seem odd and queer -
Electric age now writes new page upon a fresh frontier
Normal today is change - who'd say strange is Fate's silhouette?
Now though some sneer while others jeer, nostalgic some regret,
Is ours an earth throughout whose girth spreads universal cheer?
New methods learn, new freedoms earn, turn to your neighbour here -
Exchange your views with whom you choose - screen faster is than jet!

Those who home stay, who work or roam, few know not care or fret -
Youth's fears, those age imagines, veer from truth to views unclear.
Each in his way must help relay this song both load and clear
In order to discover new ideas through internet!
Great is the chance, in England, France, - world-wide the scene is set!
Here me and you, our children too, can a new message hear,
Through every land can, hand in hand, the future pioneer.
Join in the dance, let us advance and fête the internet!

Internet Fête 1998 French Version 0865
Ici en France les choses avancent et grâce à Internet
Nous pouvons suivre et vivre aussi les changements de vie
Tantôt troublants, tantôt grisants, - le partage est mot qui
Est à la mode où tous ces codes parfois montent à la tête.
Regard nouveau - et pas trop tôt - tourne vers l'Internet,
Nos têtes blondes et brunes sondent une autre galaxie
Echangeant méls par modem - elles inventent jeux aussi.

Travail, hobbies, dans tous pays de nouvelles formes revêtent.
France d'abord et puis encore au monde on fait la fête
En ce printemps où la chanson est gaie et réussie,
Toujours, c'est sûr, ensemble pour s'amuser et aussi
Essayer de cerner du jeu les termes et les requêtes.
Magique est site qui invite à planète Internet.
Ici le temps s'arrête dans l'élan qui l'ennuie
Laisse de côté pour naviguer au gré de la tempête
Lyrique du désir partout de découvrir dans cet
Ensemble un sens où dans la danse on avance et on rit
Niant le noir, trouvant l'espoir, écartant les soucis.

Et nous surfons, dialoguons, on vend et on achète
Unis par des moyens rêvés de s'offrir la gazette
Française, anglaise ou japonaise traitant d'économie,
Cuisine ou pêche on se dépêche en cernant l'alchimie
Entre l'étude d'habitudes étrangères et recettes
Nouvelles pour avancer sur la voie de 'Netiquette'.
Toutefois les uns, inopportuns pensent la technologie
Quand trop rapide apporte un vide où nul ne vérifie
Un virage ou bouleversement que rien n'arrête.

A chacun à sa façon de partager la fête
Tandis que les villes et cités en France sont unies.
Réussissons à l'unisson en changeant les esprits,
Ecartant les freins, les délais, les intérêts qui guettent!
Voyons plus loin quand dans son coin chacun de nous s'apprête
Intensément à trouver dans un job qui gratifie
Nouvel élan qui dans le temps évolue et fleurit.
Grande est l'espoir d'avancer car sur planète internet
Tout peut se faire, - idées prospèrent - évoluent à 'perpet'.

Dans l'univers nous allons vers des réseaux réunis
Information, formation tout au long de la vie -
Xtra la chance pour la France où l'espoir est très net.
Hier passé est dépassé par planète Internet -
Un virage, un bouleversement, arrive - on réagit!
Ici printemps, notre chanson est gaie et réussie,
Travail, hobbies, dans tous pays de nouvelles formes revêtent.

(23 Janvier 1998)

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The Fairy Temple; Or, Oberon's Chapel





A way enchaced with glass and beads
There is, that to the Chapel leads;
Whose structure, for his holy rest,
Is here the Halcyon's curious nest;
Into the which who looks, shall see
His Temple of Idolatry;
Where he of god-heads has such store,
As Rome's Pantheon had not more.
His house of Rimmon this he calls,
Girt with small bones, instead of walls.
First in a niche, more black than jet,
His idol-cricket there is set;
Then in a polish'd oval by
There stands his idol-beetle-fly;
Next, in an arch, akin to this,
His idol-canker seated is.
Then in a round, is placed by these
His golden god, Cantharides.
So that where'er ye look, ye see
No capital, no cornice free,
Or frieze, from this fine frippery.
Now this the Fairies would have known,
Theirs is a mixt religion:
And some have heard the elves it call
Part Pagan, part Papistical.
If unto me all tongues were granted,
I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis,
Who 'gainst Mab's state placed here right is.
Saint Will o' th' Wisp, of no great bigness,
But, alias, call'd here FATUUS IGNIS.
Saint Frip, Saint Trip, Saint Fill, Saint Filly;--
Neither those other saint-ships will I
Here go about for to recite
Their number, almost infinite;
Which, one by one, here set down are
In this most curious calendar.

First, at the entrance of the gate,
A little puppet-priest doth wait,
Who squeaks to all the comers there,
'Favour your tongues, who enter here.
'Pure hands bring hither, without stain.'
A second pules, 'Hence, hence, profane!'
Hard by, i' th' shell of half a nut,
The holy-water there is put;
A little brush of squirrels' hairs,
Composed of odd, not even pairs,
Stands in the platter, or close by,
To purge the fairy family.
Near to the altar stands the priest,
There offering up the holy-grist;
Ducking in mood and perfect tense,
With (much good do't him) reverence.
The altar is not here four-square,
Nor in a form triangular;
Nor made of glass, or wood, or stone,
But of a little transverse bone;
Which boys and bruckel'd children call
(Playing for points and pins) cockall.
Whose linen-drapery is a thin,
Sub|ile, and ductile codling's skin;
Which o'er the board is smoothly spread
With little seal-work damasked.
The fringe that circumbinds it, too,
Is spangle-work of trembling dew,
Which, gently gleaming, makes a show,
Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand
Something for shew-bread, and at hand
(Just in the middle of the altar)
Upon an end, the Fairy-psalter,
Graced with the trout-flies' curious wings,
Which serve for watchet ribbonings.
Now, we must know, the elves are led
Right by the Rubric, which they read:
And if report of them be true,
They have their text for what they do;
Ay, and their book of canons too.
And, as Sir Thomas Parson tells,
They have their book of articles;
And if that Fairy knight not lies
They have their book of homilies;
And other Scriptures, that design
A short, but righteous discipline.
The bason stands the board upon
To take the free-oblation;
A little pin-dust, which they hold
More precious than we prize our gold;
Which charity they give to many
Poor of the parish, if there's any.
Upon the ends of these neat rails,
Hatch'd with the silver-light of snails,
The elves, in formal manner, fix
Two pure and holy candlesticks,
In either which a tall small bent
Burns for the altar's ornament.
For sanctity, they have, to these,
Their curious copes and surplices
Of cleanest cobweb, hanging by
In their religious vestery.
They have their ash-pans and their brooms,
To purge the chapel and the rooms;
Their many mumbling mass-priests here,
And many a dapper chorister.
Their ush'ring vergers here likewise,
Their canons and their chaunteries;
Of cloister-monks they have enow,
Ay, and their abbey-lubbers too:--
And if their legend do not lie,
They much affect the papacy;
And since the last is dead, there's hope
Elve Boniface shall next be Pope.
They have their cups and chalices,
Their pardons and indulgences,
Their beads of nits, bells, books, and wax-
Candles, forsooth, and other knacks;
Their holy oil, their fasting-spittle,
Their sacred salt here, not a little.
Dry chips, old shoes, rags, grease, and bones,
Beside their fumigations.
Many a trifle, too, and trinket,
And for what use, scarce man would think it.
Next then, upon the chanter's side
An apple's-core is hung up dried,
With rattling kernels, which is rung
To call to morn and even-song.
The saint, to which the most he prays
And offers incense nights and days,
The lady of the lobster is,
Whose foot-pace he doth stroke and kiss,
And, humbly, chives of saffron brings
For his most cheerful offerings.
When, after these, he's paid his vows,
He lowly to the altar bows;
And then he dons the silk-worm's shed,
Like a Turk's turban on his head,
And reverently departeth thence,
Hid in a cloud of frankincense;
And by the glow-worm's light well guided,
Goes to the Feast that's now provided.

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