Unpacking Mother's Things
Her wedding picture’s with the recipes
for meatloaf. Months before Mother died
she saved this lock, but kept unmatching keys.
This purse holds rings and tokens. Like a tease,
a box within a box, tucked safe inside,
her wedding picture’s with the recipes.
She loved to cook. Now, here’s a bunch of peas,
some lentils and a sprig of parsley, dried.
She saved this lock, but kept unmatching keys
all sorted by some system based on threes,
perhaps, or color. Logic is defied:
her wedding picture’s with the recipes
and here’s a broken comb and two dead bees,
a postcard of a mule with boy astride.
She saved this lock, but kept unmatching keys
while autumn headed for its first hard freeze
and she put mind and memory aside.
Her wedding picture’s with the recipes
she saved and locked, and kept unmatching keys.
After Her Mother Died
After her mother died
They had cremated her mother
And the ashes of her mother
Had been kept inside the little box
At her home she kept the little box that
Contained her mother's ashes
Inside the closet
The day my Mother died I for never forget
The day my mother died I know it broke everyone heart. And nothein will ever be ablr to make it. It's been four years. Please take the time to remember my mother. My mother was a woderful person. Grand mother amd great grand mother. written 5/19/08 Posted 11/30/08
Today is five years since my mother died July 24
Today is five years since my mother died July 24. I feel very sad. But the bright side is. She isn't suffering anymore. She is feel and a Angel. I know she is happy and free. And I will never forget her. I loveed her so much. No one will ever know how much. written and July 24 2009 In the memory of my mother Esther Ferber Klayton
today my mother died
unapreciated by those she bore
at her departure they cried
for they never saw there mother before,
smiling but immobile.
today my mother died
after years of taking care of us
in retrospect we were stupid
for her love we dint reciprocate
alone we are
without a mother anymore
there never will be another like her
like my mother.
a lavish funeral
an expensive casket
an expensive proceeding
and what not
can atone not
for our ingratitude
When Her Mother Died
when her mother died today
she couldn't care less
for she is
like everyone else in the house
there is something though which
she cannot forget
the harsh words, the unkind hands,
the long hair pulled to an end,
and this somehow lessens her pains
she looks behind
and then give a sly smile
in this funeral she hides the
honesty of her heart
there is more to life she promises herself
there is more to mothers
and fathers and husbands and children
it is someone that she misses a lot
herself, a bird flying free from the hassle of family
from the branches of the tree
she longs for the sea
the sunless one
the island in the middle of the ocean
the moon without the marshes
something so private that no one understands
she is now the veiled woman shying away from light
those that hurt her eyes
like stabs of the knife
The Lady in the Tower
Some years long since, though best forgot
I travelled to a country squire,
I'd not seen him since Grammar School
We'd shared those years of learning, dire!
But as young men we'd grown apart
For he had titles, grounds to claim
While I was just a journeyman,
My friend, his name was Daniel Crane.
He owned most of the Bailiwick
And lived alone in quiet content,
His home was known as Motte House
The moat as dry as tongues in Lent,
The carriage took me to his step
Where he had waited long for me,
And we had laughed in merriment
Old friends, to see how changed were we.
The house, a rambling Tudor style
Had more rooms than a grand hotel,
He showed me to a guest room, then
Went down and rang the dinner bell.
I laughed to see the platter laid
By his own hand, the cook had left,
We dined on beef, potatoes mashed,
And drenched down with some vinaigrette.
For wine, he favoured Hock at first
Then claret, we disposed of that,
So when the plates were empty, he
Went down to fetch the Port, a vat!
We tapped it off, grew merrier
Stormed up and down the ancient hall
Reciting verse, our favourite
'Childe Harold' was the first recalled.
For Byron was in London then,
A lion, there at Holland House,
With Lady Caro William
His scandals multiplied so fast,
We roared at passages of verse
Assailing poor virginity,
And drank his health, that he'd be worse
We felt our consanguinity.
'You have not married yet, I see, '
I mentioned to my friend at last,
He shook his head, looked moody,
And I hastened then to fill his glass.
By midnight, with a looser tongue
He told me what had caused his pain
And I grew troubled as he spoke
His darkness then, did Daniel Crane.
Up on the hill a castle stood
With crenellated towers and keep,
We looked up from the balcony
To see it grim, and dark and bleak,
A light shone in the topmost tower
A faint but flickered candlelight,
'It's there the girl that once I loved
Is locked and chained, kept out of sight.'
I held my breath at this, and saw
A glint of tear at either eye,
He turned to go inside, his face
Averted, though I heard him sigh;
'The Baron Fitzwulf mutters there,
As crazy as a lord may be,
He has the syphilis, I heard,
His line, back to infinity.'
'His daughter Joan, I played with once
When still a child, ' - (I barely stirred) ,
'Played 'catch' out in the summer months
Among the butterflies, and birds;
She'd laugh and chase me for a kiss,
A forward wench, she led the play,
Got down and lent her body there
We'd tumble in the new mown hay.'
'But she was just turned seventeen
Her mother died, brought on her cares,
They say the Baron pushed her there,
She tumbled down a flight of stairs.
Her neck was broken, instant death,
And Joan distraught beyond belief,
I showed up at the funeral,
And once they'd gone, I laid a wreath.'
'I never saw my Joan again,
They said she raved, had gone insane,
Some doctor they had brought for her
Said it was humours of the brain.
He locked her in that dingy tower
The one they call the Battle Keep,
I often hear her cry out loud
On nights I find it hard to sleep.'
I'd been there just a week, and then
I heard a piercing cry one night
Like all the demons fled from hell
Pursued her in the candlelight,
'You can't go on like this, ' I said,
As Daniel tore his hair, and cried;
'My God, I can't! ' he said, and then
'I'll free her first, make her my bride! '
One night the moon went in behind
A stormcloud, and the rain came down,
We donned our coats, and took some tools
And walked across the rolling down.
The Castle stood, its shadow formed
An inky blackness, lost to sight,
And there we found the servants' door
And gained admittance in the night.
The stairway was of rotted stone,
One foot askance and we were lost,
We mounted slowly up the keep
The prize above would pay the cost;
The door was triple locked and barred,
We cut the chain and burst the lock,
When from within we heard a growl
Like some dread beast, chained to a rock.
The door flew wide, and in he went
His arms outstretched to claim his love,
I caught a glimpse of her, untamed,
She flew at him, arms raised above,
But then she slashed and tore at him
And screamed her hatred in his face,
'If not for you, my mother dear
Would still be living in this place! '
She ripped his throat wide open then,
He fell, and bled all on the floor,
I caught and bound her in the chain
We'd taken from the prison door;
The Baron came, and tore his hair
'I thought that it might come to this!
I saved her from the hangman when
She pushed her mother down the stairs.'
There was no saving her again,
The magistrates took her away
I stood and watched at Newgate when
They launched her to eternity;
Her mother had forbade the match,
Joan pushed her then, in rage and pain,
And blamed him then; he never knew,
My friend who loved her, Daniel Crane.
5 May 2009
Fra Lippo Lippi
I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do—harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off—he's a certain...how d'ye call?
Master—a...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair prize what comes into this net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hangdogs go
Drink out this quarter-florin to the health
Of the munificent House that harbors me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face—
His, elbowing on his comrade in the door
With the pike and lantern—for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye—
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night—
Ouf! I leaned out of window for fresh air.
There came a hurry of feet and little feet,
A sweep of lute-strings, laughs, and whifts of song—
Flower o' the broom,
Take away love, and our earth is a tomb!
Flower o' the quince,
I let Lisa go, and what good in life since?
Flower o' the thyme—and so on. Round they went.
Scarce had they turned the corner when a titter
Like the skipping of rabbits by moonlight—three slim shapes,
And a face that looked up…zooks, sir, flesh and blood,
That's all I'm made of! Into shreds it went,
Curtain and counterpane and coverlet,
All the bed-furniture—a dozen knots,
There was a ladder! Down I let myself,
Hands and feet, scrambling somehow, and so dropped,
And after them. I came up with the fun
Hard by Saint Laurence, hail fellow, well met—
Flower o' the rose,
If I've been merry, what matter who knows!
And so as I was stealing back again
To get to bed and have a bit of sleep
Ere I rise up tomorrow and go work
On Jerome knocking at his poor old breast
With his great round stone to subdue the flesh,
You snape me of the sudden. Ah, I see!
Though your eye twinkles still, you shake your head—
Mine's shaves—a monk, you say—the sting's in that!
If Master Cosimo announced himself,
Mum's the word naturally; but a monk!
Come, what am I a beast for? tell us, now!
I was a baby when my mother died
And father died and left me in the street.
I starved there, God knows how, a year or two
On fig skins, melon parings, rinds and shucks,
Refuse and rubbish. One fine frosty day,
My stomach being empty as your hat,
The wind doubled me up and down I went.
Old Aunt Lapaccia trussed me with one hand
(Its fellow was a stinger as I knew),
And so along the wall, over the bridge,
By the straight cut to the convent. Six words there,
While I stood munching my first bread that month:
"So, boy, you're minded," quoth the good fat father
Wiping his own mouth, 'twas refection time—
"To quit this very miserable world?
Will you renounce"…"the mouthful of bread?" thought I;
By no means! Brief, they made a monk of me;
I did renounce the world, its pride and greed,
Palace, farm, villa, shop, and banking house,
Trash, such as these poor devils of Medici
Have given their hearts to—all at eight years old.
Well, sir, I found in time, you may be sure,
'Twas not for nothing—the good bellyful,
The warm serge and the rope that goes all round,
And day-long blessed idleness beside!
"Let's see what the urchin's fit for"—that came next.
Not overmuch their way, I must confess.
Such a to-do! They tried me with their books:
Lord, they'd have taught me Latin in pure waste!
Flower o' the clove,
All the Latin I construe is "amo," I love!
But, mind you, when a boy starves in the streets
Eight years together, as my fortune was,
Watching folk's faces to know who will fling
The bit of half-stripped grape bunch he desires,
And who will curse or kick him for his pains—
Which gentleman processional and fine,
Holding a candle to the Sacrament,
Will wink and let him lift a plate and catch
The droppings of the wax to sell again,
Or holla for the Eight and have him whipped—
How say I?—nay, which dog bites, which lets drop
His bone from the heap of offal in the street—
Why, soul and sense of him grow sharp alike,
He learns the look of things, and none the less
For admonition from the hunger-pinch.
I had a store of such remarks, be sure,
Which, after I found leisure, turned to use.
I drew men's faces on my copy-books,
Scrawled them within the antiphonary's marge,
Joined legs and arms to the long music-notes,
Found eyes and nose and chin for A's and B's,
And made a string of pictures of the world
Betwixt the ins and outs of verb and noun,
On the wall, the bench, the door. The monks looked black.
"Nay," quoth the Prior, "turn him out d'ye say?
In no wise. Lose a crow and catch a lark.
What if at least we get our man of parts,
We Carmelites, like those Camaldolese
And Preaching Friars, to do our church up fine
And put the front on it that ought to be!"
And hereupon he bade me daub away.
Thank you! my head being crammed, the walls a blank,
Never was such prompt disemburdening.
First, every sort of monk, the black and white,
I drew them, fat and lean: then, folk at church,
From good old gossips waiting to confess
Their cribs of barrel-droppings, candle-ends,—
To the breathless fellow at the altar-foot,
Fresh from his murder, safe and sitting there
With the little children round him in a row
Of admiration, half for his beard and half
For that white anger of his victim's son
Shaking a fist at him with one fierce arm,
Signing himself with the other because of Christ
(Whose sad face on the cross sees only this
After the passion of a thousand years)
Till some poor girl, her apron o'er her head,
(Which the intense eyes looked through) came at eve
On tiptoe, said a word, dropped in a loaf,
Her pair of earrings and a bunch of flowers
(The brute took growling), prayed, and so was gone.
I painted all, then cried "’Tis ask and have;
Choose, for more's ready!"—laid the ladder flat,
And showed my covered bit of cloister-wall.
The monks closed in a circle and praised loud
Till checked, taught what to see and not to see,
Being simple bodies,—"That's the very man!
Look at the boy who stoops to pat the dog!
That woman's like the Prior's niece who comes
To care about his asthma: it's the life!"
But there my triumph's straw-fire flared and funked;
Their betters took their turn to see and say:
The Prior and the learned pulled a face
And stopped all that In no time. "How? what's here?
Quite from the mark of painting, bless us all!
Faces, arms, legs and bodies like the true
As much as pea and pea! it's devil's-game!
Your business is not to catch men with show,
With homage to the perishable clay,
But lift them over it, ignore it all,
Make them forget there's such a thing as flesh.
Your business is to paint the souls of men—
Man's soul, and it's a fire, smoke…no, it's not…
It's vapor done up like a new-born babe—
(In that shape when you die it leaves your mouth)
It's…well, what matters talking, it's the soul!
Give us no more of body than shows soul!
Here's Giotto, with his Saint a-praising God,
That sets us praising,—why not stop with him?
Why put all thoughts of praise out of our head
With wonder at lines, colors, and what not?
Paint the soul, never mind the legs and arms!
Rub all out, try at it a second time.
Oh, that white smallish female with the breasts,
She's just my niece…Herodias, I would say,—
Who went and danced and got men's heads cut off!
Have it all out!" Now, is this sense, I ask?
A fine way to paint soul, by painting body
So ill, the eye can't stop there, must go further
And can't fare worse! Thus, yellow does for white
When what you put for yellow's simply black
And any sort of meaning looks intense
When all beside itself means and looks naught.
Why can't a painter lift each foot in turn,
Left foot and right foot, go a double step,
Make his flesh liker and his soul more like,
Both in their order? Take the prettiest face,
The Prior's niece…patron-saint—is it so pretty
You can't discover if it means hope, fear,
Sorrow or joy? won't beauty go with these?
Suppose I've made her eyes all right and blue,
Can't I take breath and try to add life's flash,
And then add soul and heighten them three-fold?
Or say there's beauty with no soul at all—
(I never saw it—put the case the same—)
If you get simple beauty and naught else,
You get about the best thing God invents:
That's somewhat: and you'll find the soul you have missed,
Within yourself, when you return him thanks.
"Rub all out!" Well, well, there's my life, in short,
And so the thing has gone on ever since.
I'm grown a man no doubt, I've broken bounds:
You should not take a fellow eight years old
And make him swear to never kiss the girls.
I'm my own master, paint now as I please—
Having a friend, you see, in the Corner-house!
Lord, it's fast holding by the rings in front—
Those great rings serve more purposes than just
To plant a flag in, or tie up a horse! 230
And yet the old schooling sticks, the old grave eyes
Are peeping o'er my shoulder as I work,
The heads shake still—"It's art's decline, my son!
You're not of the true painters, great and old;
Brother Angelico's the man, you'll fine;
Brother Lorenzo stands his single peer:
Fag on at flesh, you'll never make the third!"
Flower o' the pine,
You keep your mistr…manners, and I'll stick to mine!
I'm not the third, then: bless us, they must know!
Don't you think they're the likeliest to know,
They with their Latin? So, I swallow my rage,
Clench my teeth, suck my lips in tight, and paint
To please them—sometimes do and sometimes don't;
For, doing most, there's pretty sure to come
A turn, some warm eve finds me at my saints—
A laugh, a cry, the business of the world—
(Flower o' the peach,
Death for us all, and his own life for each!)
And my whole soul revolves, the cup runs over,
The world and life's too big to pass for a dream,
And I do these wild things in sheer despite,
And play the fooleries you catch me at,
In pure rage! The old mill-horse, out at grass
After hard years, throws up his stiff heels so,
Although the miller does not preach to him
The only good of grass is to make chaff.
What would men have? Do they like grass or no—
May they or mayn't they? all I want's the thing
Settled forever one way. As it is,
You tell too many lies and hurt yourself:
You don't like what you only like too much,
You do like what, if given you at your word,
You find abundantly detestable.
For me, I think I speak as I was taught;
I always see the garden and God there
A-making man's wife: and, my less learned,
The value and significance of flesh,
I can't unlearn ten minutes afterwards.
You understand me: I'm a beast, I know.
But see, now—why, I see as certainly
As that the morning-star's about to shine,
What will hap some day. We've a youngster here
Comes to our convent, studies what I do,
Slouches and stares and lets no atom drop:
His name is Guidi—he'll not mind the monks—
They call him Hulking Tom, he lets them talk—
He picks my practice up—he'll paint apace,
I hope so—though I never live so long,
I know what's sure to follow. You be judge!
You speak no Latin more than I, belike;
However, you're my man, you've seen the world
—The beaty and the wonder and the power,
The shapes of things, their colors, lights and shades,
Changes, surprises—and God made it all!
—For what? Do you feel thankful, ay or no,
For this fair town's face, yonder river's line,
The mountain round it and the sky above,
Much more the figures of man, woman, child,
These are the frame to? What's it all about?
To be passed over, despised? or dwelt upon,
Wondered at? oh, this last of course!—you say.
But why not do as well as say,—paint it these
Just as they are, careless what comes of it?
God's works—paint any one, and count it crime
To let a truth slip. Don't object, "His works
Are here already; nature is complete:
Suppose you reproduce her—(which you can't)
There's no advantage! You must beat her, then."
For, don't you mark? we're made so that we love
First when we see them painted, things we have passed
Perhaps a hundred times nor cared to see;
And so they are better, painted—better to us,
Which is the same thing. Art was given for that;
God uses us to help each other so,
Lending our minds out. Have you noticed, now,
Your cullion's hanging face? A bit of chalk,
And trust me but you should, though! How much more,
If I drew higher things with the same truth!
That were to take the Prior's pulpit-place,
Interpret God to all of you! Oh, oh,
It makes me mad to see what men shall do
And we in our graves! This world's no blot for us,
Nor blank; it means intensely, and means good:
To find its meaning is my meat and drink.
"Ay, but you don't so instigate to prayer!"
Strikes in the Prior: "when your meaning's plain
It does not say to folk—remember matins,
Or, mind you fast next Friday!" Why, for this
What need of art at all? A skull and bones,
Two bits of stick nailed crosswise, or, what's best,
A bell to chime the hour with, does as well.
I painted a Saint Laurence six months since
At Prato, splashed the fresco in fine style:
"How looks my painting, now the scaffold's down?"
I ask a brother: "Hugely," he returns—
"Already not one phiz of your three slaves
Who turn the Deacon off his toasted side,
But's scratched and prodded to our heart's content,
The pious people have so eased their own
With coming to say prayers there in a rage:
We get on fast to see the bricks beneath.
Expect another job this time next year,
For pity and religion grow i' the crowd—
Your painting serves its purpose!" Hang the fools!
—That is—you'll not mistake an idle word
Spoke in a huff by a poor monk, God wot,
Tasting the air this spicy night which turns
The unaccustomed head like Chianti wine!
Oh, the church knows! don't misreport me, now!
It's natural a poor monk out of bounds
Should have his apt word to excuse himself:
And hearken how I plot to make amends.
I have bethought me: I shall paint a piece
…There's for you! Give me six months, then go, see
Something in Sant' Ambrogio's! Bless the nuns!
They want a cast o' my office. I shall paint
God in the midst, Madonna and her babe,
Ringed by a bowery flowery angel-brood,
Lilies and vestments and white faces, sweet
As puff on puff of grated orris-root
When ladies crowd to Church at midsummer.
And when i' the front, of course a saint or two—
Saint John, because he saves the Florentines,
Saint Ambrose, who puts down in black and white
The convent's friends and gives them a long day,
And Job, I must have him there past mistake,
The man of Uz (and Us without the z,
Painters who need his patience). Well, all these
Secured at their devotion, up shall come
Out of a corner when you least expect,
As one by a dark stair into a great light,
Music and talking, who but Lippo! I!—
Mazed, motionless and moonstruck—I'm the man!
Back I shrink—what is this I see and hear?
I, caught up with my monk's-things by mistake,
My old serge gown and rope that goes all round,
I, in this presence, this pure company!
Where's a hole, where's a corner for escape?
Then steps a sweet angelic slip of a thing
Forward, puts out a soft palm—"Not so fast!"
—Addresses the celestial presence, "nay—
He made you and devised you, after all,
Though he's none of you! Could Saint John there draw—
His camel-hair make up a painting-brush?
We come to brother Lippo for all that,
Iste perfecit opus!" So, all smile—
I shuffle sideways with my blushing face
Under the cover of a hundred wings
Thrown like a spread of kirtles when you're gay
And play hot cockles, all the doors being shut,
Till, wholly unexpected, in there pops
The hothead husband! Thus I scuttle off
To home safe bench behind, not letting go
The palm of her, the little lily thing
That spoke the good word for me in the nick,
Like the Prior's niece…Saint Lucy, I would say.
And so all's saved for me, and for the church
A pretty picture gained. Go, six months hence!
Your hand, sir, and good-bye: no lights, no lights!
The street's hushed, and I know my own way back,
Don't fear me! There's the gray beginning. Zooks!
- quotes about saint
- quotes about paintings
- quotes about inventors
- quotes about midsummer
- quotes about melons
- quotes about jobs
- quotes about grapes
- quotes about shopping
- quotes about nose
Poor little diary, with its simple thoughts,
its good resolves, its "Studied French an hour,"
"Read Modern History," "Trimmed up my grey hat,"
"Darned stockings," "Tatted," "Practised my new song,"
"Went to the daily service," "Took Bess soup,"
"Went out to tea." Poor simple diary!
and did I write it? Was I this good girl,
this budding colourless young rose of home?
did I so live content in such a life,
seeing no larger scope, nor asking it,
than this small constant round -- old clothes to mend,
new clothes to make, then go and say my prayers,
or carry soup, or take a little walk
and pick the ragged-robins in the hedge?
Then for ambition, (was there ever life
that could forego that?) to improve my mind
and know French better and sing harder songs;
for gaiety, to go, in my best white
well washed and starched and freshened with new bows,
and take tea out to meet the clergyman.
No wishes and no cares, almost no hopes,
only the young girl's hazed and golden dreams
that veil the Future from her.
So long since:
and now it seems a jest to talk of me
as if I could be one with her, of me
who am ...... me.
And what is that? My looking-glass
answers it passably; a woman sure,
no fiend, no slimy thing out of the pools,
a woman with a ripe and smiling lip
that has no venom in its touch I think,
with a white brow on which there is no brand;
a woman none dare call not beautiful,
not womanly in every woman's grace.
Aye let me feed upon my beauty thus,
be glad in it like painters when they see
at last the face they dreamed but could not find
look from their canvass on them, triumph in it,
the dearest thing I have. Why, 'tis my all,
let me make much of it: is it not this,
this beauty, my own curse at once and tool
to snare men's souls -- (I know what the good say
of beauty in such creatures) -- is it not this
that makes me feel myself a woman still,
some little pride, some little --
Here's a jest!
what word will fit the sense but modesty?
A wanton I but modest!
I'm not drunk in the streets, ply not for hire
at infamous corners with my likenesses
of the humbler kind; yes, modesty's my word --
'twould shape my mouth well too, I think I'll try:
"Sir, Mr What-you-will, Lord Who-knows-what,
my present lover or my next to come,
value me at my worth, fill your purse full,
for I am modest; yes, and honour me
as though your schoolgirl sister or your wife
could let her skirts brush mine or talk of me;
for I am modest."
Well, I flout myself:
but yet, but yet --
Fie, poor fantastic fool,
why do I play the hypocrite alone,
who am no hypocrite with others by?
where should be my "But yet"? I am that thing
called half a dozen dainty names, and none
dainty enough to serve the turn and hide
the one coarse English worst that lurks beneath:
just that, no worse, no better.
And, for me,
I say let no one be above her trade;
I own my kindredship with any drab
who sells herself as I, although she crouch
in fetid garrets and I have a home
all velvet and marqueterie and pastilles,
although she hide her skeleton in rags
and I set fashions and wear cobweb lace:
the difference lies but in my choicer ware,
that I sell beauty and she ugliness;
our traffic's one -- I'm no sweet slaver-tongue
to gloze upon it and explain myself
a sort of fractious angel misconceived --
our traffic's one: I own it. And what then?
I know of worse that are called honourable.
Our lawyers, who, with noble eloquence
and virtuous outbursts, lie to hang a man,
or lie to save him, which way goes the fee:
our preachers, gloating on your future hell
for not believing what they doubt themselves:
our doctors, who sort poisons out by chance,
and wonder how they'll answer, and grow rich:
our journalists, whose business is to fib
and juggle truths and falsehoods to and fro:
our tradesmen, who must keep unspotted names
and cheat the least like stealing that they can:
our -- all of them, the virtuous worthy men
who feed on the world's follies, vices, wants,
and do their businesses of lies and shams
honestly, reputably, while the world
claps hands and cries "good luck," which of their trades,
their honourable trades, barefaced like mine,
all secrets brazened out, would shew more white?
And whom do I hurt more than they? as much?
The wives? Poor fools, what do I take from them
worth crying for or keeping? If they knew
what their fine husbands look like seen by eyes
that may perceive there are more men than one!
But, if they can, let them just take the pains
to keep them: 'tis not such a mighty task
to pin an idiot to your apron-string;
and wives have an advantage over us,
(the good and blind ones have), the smile or pout
leaves them no secret nausea at odd times.
Oh they could keep their husbands if they cared,
but 'tis an easier life to let them go,
and whimper at it for morality.
Oh! those shrill carping virtues, safely housed
from reach of even a smile that should put red
on a decorous cheek, who rail at us
with such a spiteful scorn and rancourousness,
(which maybe is half envy at the heart),
and boast themselves so measurelessly good
and us so measurelessly unlike them,
what is their wondrous merit that they stay
in comfortable homes whence not a soul
has ever thought of tempting them, and wear
no kisses but a husband's upon lips
there is no other man desires to kiss --
refrain in fact from sin impossible?
How dare they hate us so? what have they done,
what borne, to prove them other than we are?
What right have they to scorn us -- glass-case saints,
Dianas under lock and key -- what right
more than the well-fed helpless barn-door fowl
to scorn the larcenous wild-birds?
Pshaw, let be!
Scorn or no scorn, what matter for their scorn?
I have outfaced my own -- that's harder work.
Aye let their virtuous malice dribble on --
mock snowstorms on the stage -- I'm proof long since:
I have looked coolly on my what and why,
and I accept myself.
Oh I'll endorse
the shamefullest revilings mouthed at me,
cry "True! Oh perfect picture! Yes, that's I!"
and add a telling blackness here and there,
and then dare swear you, every nine of ten,
my judges and accusers, I'd not change
my conscience against yours, you who tread out
your devil's pilgrimage along the roads
that take in church and chapel, and arrange
a roundabout and decent way to hell.
Well, mine's a short way and a merry one:
so says my pious hash of ohs and ahs,
choice texts and choicer threats, appropriate names,
(Rahabs and Jezebels), some fierce Tartuffe
hurled at me through the post. We had rare fun
over that tract digested with champagne.
Where is it? where's my rich repertory
of insults biblical? 'I prey on souls' --
only my men have oftenest none I think:
'I snare the simple ones' -- but in these days
there seem to be none simple and none snared,
and most men have their favourite sinnings planned
to do them civilly and sensibly:
'I braid my hair' -- but braids are out of date:
'I paint my cheeks' -- I always wear them pale:
'I -- '
Pshaw! the trash is savourless to-day:
one cannot laugh alone. There, let it burn.
What, does the windy dullard think one needs
his wisdom dove-tailed on to Solomon's,
his threats out-threatening God's, to teach the news
that those who need not sin have safer souls?
We know it, but we've bodies to save too;
and so we earn our living.
Well lit, tract!
at least you've made me a good leaping blaze.
Up, up, how the flame shoots! and now 'tis dead.
Oh proper finish, preaching to the last --
no such bad omen either; sudden end,
and no sad withering horrible old age.
How one would clutch at youth to hold it tight!
and then to know it gone, to see it gone,
be taught its absence by harsh, careless looks,
to live forgotten, solitary, old --
the cruellest word that ever woman learns.
Old -- that's to be nothing, or to be at best
a blurred memorial that in better days
there was a woman once with such a name.
No, no, I could not bear it: death itself
shews kinder promise ...... even death itself,
since it must come one day --
Oh this grey gloom!
This rain, rain, rain, what wretched thoughts it brings!
Death: I'll not think of it.
Will no one come?
'Tis dreary work alone.
Why did I read
that silly diary? Now, sing song, ding dong,
come the old vexing echoes back again,
church bells and nursery good-books, back again
upon my shrinking ears that had forgotten --
I hate the useless memories: 'tis fools' work
singing the hacknied dirge of 'better days:'
best take Now kindly, give the past good-bye,
whether it were a better or a worse.
Yes, yes, I listened to the echoes once,
the echoes and the thoughts from the old days.
The worse for me: I lost my richest friend,
and that was all the difference. For the world
would not have that flight known. How they'd roar:
"What! Eulalie, when she refused us all,
'ill' and 'away,' was doing Magdalene,
tears, ashes, and her Bible, and then off
hide her in a Refuge ... for a week!"
A wild whim that, to fancy I could change
my new self for my old, because I wished!
since then, when in my languid days there comes
that craving, like homesickness, to go back
to the good days, the dear old stupid days,
to the quiet and the innocence, I know
'tis a sick fancy and try palliatives.
What is it? You go back to the old home,
and 'tis not your home, has no place for you,
and, if it had, you could not fit you in it.
And could I fit me to my former self?
If I had had the wit, like some of us,
to sow my wild-oats into three per cents,
could I not find me shelter in the peace
of some far nook where none of them would come,
nor whisper travel from this scurrilous world,
that gloats and moralizes through its leers,
to blast me with my fashionable shame?
There I might -- oh my castle in the clouds!
and where's its rent? -- but there, were there a there,
I might again live the grave blameless life
among such simple pleasures, simple cares:
but could they be my pleasures, be my cares?
The blameless life, but never the content --
never. How could I henceforth be content
in any life but one that sets the brain
in a hot merry fever with its stir?
what would there be in quiet rustic days,
each like the other, full of time to think,
to keep one bold enough to live at all?
Quiet is hell, I say -- as if a woman
could bear to sit alone, quiet all day,
and loathe herself, and sicken on her thoughts.
They tried it at the Refuge, and I failed:
I could not bear it. Dreary hideous room,
coarse pittance, prison rules, one might bear these
and keep one's purpose; but so much alone,
and then made faint and weak and fanciful
by change from pampering to half-famishing --
good God, what thoughts come! Only one week more
and 'twould have ended: but in one day more
I must have killed myself. And I loathe death,
the dreadful foul corruption, with who knows
what future after it.
Well, I came back,
Back to my slough. Who says I had my choice?
Could I stay there to die of some mad death?
and if I rambled out into the world,
sinless but penniless, what else were that
but slower death, slow pining shivering death
by misery and hunger? Choice! what choice
of living well or ill? could I have that?
and who would give it me? I think indeed
some kind hand, a woman's -- I hate men --
had stretched itself to help me to firm ground,
taken a chance and risked my falling back,
could have gone my way not falling back:
but, let her be all brave, all charitable,
how could she do it? Such a trifling boon,
little work to live by, 'tis not much,
and I might have found will enough to last:
but where's the work? More sempstresses than shirts;
and defter hands at white work than are mine
drop starved at last: dressmakers, milliners,
too many too they say; and then their trades
need skill, apprenticeship. And who so bold
as hire me for their humblest drudgery?
not even for scullery slut; not even, I think,
for governess, although they'd get me cheap.
And after all it would be something hard,
with the marts for decent women overfull,
if I could elbow in and snatch a chance
and oust some good girl so, who then perforce
must come and snatch her chance among our crowd.
Why, if the worthy men who think all's done
if we'll but come where we can hear them preach,
could bring us all, or any half of us,
into their fold, teach all us wandering sheep,
or only half of us, to stand in rows
and baa them hymns and moral songs, good lack,
what would they do with us? what could they do?
Just think! with were't but half of us on hand
to find work for ... or husbands. Would they try
to ship us to the colonies for wives?
Well, well; I know the wise ones talk and talk:
"Here's cause, here's cure:" "No, here it is and here:"
and find society to blame, or law,
the Church, the men, the women, too few schools,
too many schools, too much, too little taught:
somewhere or somehow someone is to blame:
but I say all the fault's with God himself
who puts too many women in the world.
We ought to die off reasonably and leave
as many as the men want, none to waste.
Here's cause; the woman's superfluity:
and for the cure, why, if it were the law,
say, every year, in due percentages,
balancing them with men as the times need,
to kill off female infants, 'twould make room;
and some of us would not have lost too much,
losing life ere we know what it can mean.
The other day I saw a woman weep
beside her dead child's bed: the little thing
lay smiling, and the mother wailed half mad,
shrieking to God to give it back again.
I could have laughed aloud: the little girl
living had but her mother's life to live;
there she lay smiling, and her mother wept
to know her gone!
My mother would have wept.
Oh mother, mother, did you ever dream,
you good grave simple mother, you pure soul
no evil could come nigh, did you once dream
in all your dying cares for your lone girl
left to fight out her fortune all alone
that there would be this danger? -- for your girl,
taught by you, lapped in a sweet ignorance,
scarcely more wise of what things sin could be
than some young child a summer six months old
where in the north the summer makes a day,
of what is darkness ... darkness that will come
to-morrow suddenly. Thank God at least
for this much of my life, that when you died,
that when you kissed me dying, not a thought
of this made sorrow for you, that I too
was pure of even fear.
Oh yes, I thought,
still new in my insipid treadmill life,
(my father so late dead), and hopeful still
here might be something pleasant somewhere in it,
some sudden fairy come, no doubt, to turn
any pumpkin to a chariot, I thought then
that I might plod, and plod, and drum the sounds
of useless facts into unwilling ears,
tease children with dull questions half the day,
then con dull answers in my room at night
ready for next day's questions, mend quill pens
and cut my fingers, add up sums done wrong
and never get them right; teach, teach, and teach --
what I half knew, or not at all -- teach, teach
for years, a lifetime -- I!
And yet, who knows?
it might have been, for I was patient once,
and willing, and meant well; it might have been
had I but still clung on in my first place --
a safe dull place, where mostly there were smiles
but never merry-makings; where all days
jogged on sedately busy, with no haste;
where all seemed measured out, but margins broad:
a dull home but a peaceful, where I felt
my pupils would be dear young sisters soon,
and felt their mother take me to her heart,
motherly to all lonely harmless things.
But I must have a conscience, must blurt out
my great discovery of my ignorance!
And who required it of me? And who gained?
What did it matter for a more or less
the girls learnt in their schoolbooks, to forget
in their first season? We did well together:
they loved me and I them: but I went off
to housemaid's pay, six crossgrained brats to teach,
wrangles and jangles, doubts, disgrace ... then this;
and they had a perfection found for them,
who has all ladies' learning in her head
abridged and scheduled, speaks five languages,
knows botany and conchology and globes,
draws, paints, plays, sings, embroiders, teaches all
on a patent method never known to fail:
and now they're finished and, I hear, poor things,
are the worst dancers and worst dressers out.
And where's their profit of those prison years
all gone to make them wise in lesson books?
who wants his wife to know weeds' Latin names?
who ever chose a girl for saying dates?
or asked if she had learned to trace a map?
Well, well, the silly rules this silly world
makes about women! This is one of them.
Why must there be pretence of teaching them
what no one ever cares that they should know,
what, grown out of the schoolroom, they cast off
like the schoolroom pinafore, no better fit
for any use of real grown-up life,
for any use to her who seeks or waits
the husband and the home, for any use,
for any shallowest pretence of use,
to her who has them? Do I not know this,
I like my betters, that a woman's life,
her natural life, her good life, her one life,
is in her husband, God on earth to her,
and what she knows and what she can and is
is only good as it brings good to him?
Oh God, do I not know it? I the thing
of shame and rottenness, the animal
that feed men's lusts and prey on them, I, I,
who should not dare to take the name of wife
on my polluted lips, who in the word
hear but my own reviling, I know that.
I could have lived by that rule, how content:
my pleasure to make him some pleasure, pride
to be as he would have me, duty, care,
to fit all to his taste, rule my small sphere
to his intention; then to lean on him,
be guided, tutored, loved -- no not that word,
that loved which between men and women means
all selfishness, all putrid talk, all lust,
all vanity, all idiocy -- not loved
but cared for. I've been loved myself, I think,
some once or twice since my poor mother died,
but cared for, never: -- that a word for homes,
kind homes, good homes, where simple children come
and ask their mother is this right or wrong,
because they know she's perfect, cannot err;
their father told them so, and he knows all,
being so wise and good and wonderful,
even enough to scold even her at times
and tell her everything she does not know.
Ah the sweet nursery logic!
Fool! thrice fool!
do I hanker after that too? Fancy me
infallible nursery saint, live code of law!
me preaching! teaching innocence to be good!
Yet the baby thing that woke
and wailed an hour or two, and then was dead,
was mine, and had he lived ...... why then my name
would have been mother. But 'twas well he died:
I could have been no mother, I, lost then
beyond his saving. Had he come before
and lived, come to me in the doubtful days
when shame and boldness had not grown one sense,
for his sake, with the courage come of him,
I might have struggled back.
But how? But how?
His father would not then have let me go:
his time had not yet come to make an end
of my 'for ever' with a hireling's fee
and civil light dismissal. None but him
to claim a bit of bread of if I went,
child or no child: would he have given it me?
He! no; he had not done with me. No help,
no help, no help. Some ways can be trodden back,
but never our way, we who one wild day
have given goodbye to what in our deep hearts
the lowest woman still holds best in life,
good name -- good name though given by the world
that mouths and garbles with its decent prate,
and wraps it in respectable grave shams,
and patches conscience partly by the rule
of what one's neighbour thinks but something more
by what his eyes are sharp enough to see.
How I could scorn it with its Pharisees,
if it could not scorn me: but yet, but yet --
oh God, if I could look it in the face!
Oh I am wild, am ill, I think, to night:
will no one come and laugh with me? No feast,
no merriment to-night. So long alone!
Will no one come?
At least there's a new dress
to try, and grumble at -- they never fit
to one's ideal. Yes, a new rich dress,
with lace like this too, that's a soothing balm
for any fretting woman, cannot fail,
I've heard men say it ... and they know so well
what's in all women's hearts, especially
women like me.
No help! no help! no help!
How could it be? It was too late long since --
even at the first too late. Whose blame is that?
there are some kindly people in the world,
but what can they do? If one hurls oneself
into a quicksand, what can be the end,
but that one sinks and sinks? Cry out for help?
Ah yes, and, if it came, who is so strong
to strain from the firm ground and lift one out?
And how, so firmly clutching the stretched hand,
as death's pursuing terror bids, even so,
how can one reach firm land, having to foot
the treacherous crumbling soil that slides and gives
and sucks one in again? Impossible path!
No, why waste struggles, I or any one?
what is must be. What then? I, where I am,
sinking and sinking; let the wise pass by
and keep their wisdom for an apter use,
let me sink merrily as I best may.
Only, I think, my brother -- I forgot
he stopped his brotherhood some years ago --
but if he had been just so much less good
as to remember mercy. Did he think
how once I was his sister, prizing him
as sisters do, content to learn for him
the lesson girls with brothers all must learn,
to do without?
I have heard girls lament
that doing so without all things one would,
but I saw never aught to murmur at,
for men must be made ready for their work,
and women all have more or less their chance
of husbands to work for them, keep them safe
like summer roses in soft greenhouse air
that never guess 'tis winter out of doors:
no, I saw never aught to murmur at,
content with stinted fare and shabby clothes
and cloistered silent life to save expense,
teaching myself out of my borrowed books,
while he for some one pastime, (needful true
to keep him of his rank, 'twas not his fault),
spent in a month what could have given me
my teachers for a year.
'Twas no one's fault:
for could he be launched forth on the rude sea
of this contentious world and left to find
oars and the boatman's skill by some good chance?
'Twas no one's fault: yet still he might have thought
of our so different youths, and owned at least
'tis pitiful when a mere nerveless girl,
untutored, must put forth upon that sea,
not in the woman's true place, the wife's place,
to trust a husband and be borne along,
but impotent blind pilot to herself.
Merciless, merciless -- like the prudent world
that will not have the flawed soul prank itself
with a hoped second virtue, will not have
the woman fallen once lift up herself ......
lest she should fall again. Oh how his taunts,
his loathing fierce reproaches, scarred and seared,
like branding iron hissing in a wound!
And it was true -- that killed me: and I felt
a hideous hopeless shame kill out my heart,
and knew myself for ever that he said,
that which I was -- Oh it was true, true, true.
No, not true then. I was not all that then.
Oh, I have drifted on before mad winds
6 and made ignoble shipwreck, not to-day
could any breeze of heaven prosper me
into the track again, nor any hand
snatch me out of the whirlpool I have reached;
Nay he judged very well: he knew
repentance was too dear a luxury
for a beggar's buying, knew it earns no bread --
and knew me a too base and nerveless thing
to bear my first fault's sequel and just die.
And how could he have helped me? Held my hand,
owned me for his, fronted the angry world
clothed with my ignominy? Or maybe
taken me to his home to damn him worse?
What did I look for? for what less would serve
that he could do, a man without a purse?
He meant me well, he sent me that five pounds,
much to him then; and, if he bade me work
and never vex him more with news of me,
we both knew him too poor for pensioners.
I see he did his best; I could wish now
sending it back I had professed some thanks.
But there! I was too wretched to be meek:
it seemed to me as if he, every one,
the whole great world, were guilty of my guilt,
abettors and avengers: in my heart
I gibed them back their gibings; I was wild.
I see clear now and know one has one's life
in hand at first to spend or spare or give
like any other coin; spend it or give
or drop it in the mire, can the world see
you get your value for it, or bar back
the hurrying of its marts to grope it up
and give it back to you for better use?
And if you spend or give that is your choice;
and if you let it slip that's your choice too,
you should have held it firmer. Yours the blame,
and not another's, not the indifferent world's
which goes on steadily, statistically,
and count by censuses not separate souls --
and if it somehow needs to its worst use
so many lives of women, useless else,
it buys us of ourselves, we could hold back,
free all of us to starve, and some of us,
(those who have done no ill and are in luck),
to slave their lives out and have food and clothes
until they grow unserviceably old.
Oh I blame no one -- scarcely even myself.
It was to be: the very good in me
has always turned to hurt; all I thought right
at the hot moment, judged of afterwards,
Why, look at it, had I taken
the pay my dead child's father offered me
for having been its mother, I could then
have kept life in me, (many have to do it,
that swarm in the back alleys, on no more,
cold sometimes, mostly hungry, but they live);
I could have gained a respite trying it,
and maybe found at last some humble work
to eke the pittance out. Not I, forsooth,
I must have spirit, must have womanly pride,
must dash back his contemptuous wages, I,
who had not scorned to earn them, dash them back
the fiercer that he dared to count our boy
in my appraising: and yet now I think
I might have taken it for my dead boy's sake;
it would have been his gift.
But I went forth
with my fine scorn, and whither did it lead?
Money's the root of evil do they say?
money is virtue, strength: money to me
would then have been repentance: could I live
upon my idiot's pride?
Well, it fell soon.
I had prayed Edward might believe me dead,
and yet I begged of him -- That's like me too,
beg of him and then send him back his alms!
What if he gave as to a whining wretch
that holds her hand and lies? I am less to him
than such a one; her rags do him no wrong,
but I, I, wrong him merely that I live,
being his sister. Could I not at least
have still let him forget me? But 'tis past:
and naturally he may hope I am long dead.
Good God! to think that we were what we were
one to the other ... and now!
He has done well;
married a sort of heiress, I have heard,
a dapper little madam, dimple cheeked
and dimple brained, who makes him a good wife --
No doubt she'd never own but just to him,
and in a whisper, she can even suspect
that we exist, we other women things:
what would she say if she could learn one day
she has a sister-in-law! So he and I
must stand apart till doomsday.
But the jest,
to think how she would look! -- Her fright, poor thing!
The notion! -- I could laugh outright ...... or else,
for I feel near it, roll on the ground and sob.
Well, after all, there's not much difference
between the two sometimes.
Was that the bell?
Some one at last, thank goodness. There's a voice,
and that's a pleasure. Whose though? Ah I know.
Why did she come alone, the cackling goose?
why not have brought her sister? -- she tells more
and titters less. No matter; half a loaf
is better than no bread.
Oh, is it you?
Most welcome, dear: one gets so moped alone.
The Parish Register - Part I: Baptisms
The year revolves, and I again explore
The simple Annals of my Parish poor;
What Infant-members in my flock appear,
What Pairs I bless'd in the departed year;
And who, of Old or Young, or Nymphs or Swains,
Are lost to Life, its pleasures and its pains.
No Muse I ask, before my view to bring
The humble actions of the swains I sing. -
How pass'd the youthful, how the old their days;
Who sank in sloth, and who aspired to praise;
Their tempers, manners, morals, customs, arts,
What parts they had, and how they 'mploy'd their
By what elated, soothed, seduced, depress'd,
Full well I know-these Records give the rest.
Is there a place, save one the poet sees,
A land of love, of liberty, and ease;
Where labour wearies not, nor cares suppress
Th' eternal flow of rustic happiness;
Where no proud mansion frowns in awful state,
Or keeps the sunshine from the cottage-gate;
Where young and old, intent on pleasure, throng,
And half man's life is holiday and song?
Vain search for scenes like these! no view appears,
By sighs unruffled or unstain'd by tears;
Since vice the world subdued and waters drown'd,
Auburn and Eden can no more be found.
Hence good and evil mixed, but man has skill
And power to part them, when he feels the will!
Toil, care, and patience bless th' abstemious few,
Fear, shame, and want the thoughtless herd pursue.
Behold the Cot! where thrives th' industrious
Source of his pride, his pleasure, and his gain;
Screen'd from the winter's wind, the sun's last ray
Smiles on the window and prolongs the day;
Projecting thatch the woodbine's branches stop,
And turn their blossoms to the casement's top:
All need requires is in that cot contain'd,
And much that taste untaught and unrestrain'd
Surveys delighted; there she loves to trace,
In one gay picture, all the royal race;
Around the walls are heroes, lovers, kings;
The print that shows them and the verse that sings.
Here the last Louis on his throne is seen,
And there he stands imprison'd, and his Queen;
To these the mother takes her child, and shows
What grateful duty to his God he owes;
Who gives to him a happy home, where he
Lives and enjoys his freedom with the free;
When kings and queens, dethroned, insulted, tried,
Are all these blessings of the poor denied.
There is King Charles, and all his Golden Rules,
Who proved Misfortune's was the best of schools:
And there his Son, who, tried by years of pain,
Proved that misfortunes may be sent in vain.
The Magic-mill that grinds the gran'nams young,
Close at the side of kind Godiva hung;
She, of her favourite place the pride and joy,
Of charms at once most lavish and most coy,
By wanton act the purest fame could raise,
And give the boldest deed the chastest praise.
There stands the stoutest Ox in England fed;
There fights the boldest Jew, Whitechapel bred;
And here Saint Monday's worthy votaries live,
In all the joys that ale and skittles give.
Now, lo! on Egypt's coast that hostile fleet,
By nations dreaded and by NELSON beat;
And here shall soon another triumph come,
A deed of glory in a deed of gloom;
Distressing glory! grievous boon of fate!
The proudest conquest at the dearest rate.
On shelf of deal beside the cuckoo-clock,
Of cottage reading rests the chosen stock;
Learning we lack, not books, but have a kind
For all our wants, a meat for every mind.
The tale for wonder and the joke for whim,
The half-sung sermon and the half-groan'd hymn.
No need of classing; each within its place,
The feeling finger in the dark can trace;
'First from the corner, farthest from the wall,'
Such all the rules, and they suffice for all.
There pious works for Sunday's use are found;
Companions for that Bible newly bound;
That Bible, bought by sixpence weekly saved,
Has choicest prints by famous hands engraved;
Has choicest notes by many a famous head,
Such as to doubt have rustic readers led;
Have made them stop to reason WHY? and HOW?
And, where they once agreed, to cavil now.
Oh! rather give me commentators plain,
Who with no deep researches vex the brain;
Who from the dark and doubtful love to run,
And hold their glimmering tapers to the sun;
Who simple truth with nine-fold reasons back,
And guard the point no enemies attack.
Bunyan's famed Pilgrim rests that shelf upon;
A genius rare but rude was honest John;
Not one who, early by the Muse beguiled,
Drank from her well the waters undefiled;
Not one who slowly gained the hill sublime,
Then often sipp'd and little at a time;
But one who dabbled in the sacred springs,
And drank them muddy, mix'd with baser things.
Here to interpret dreams we read the rules,
Science our own! and never taught in schools;
In moles and specks we Fortune's gifts discern,
And Fate's fix'd will from Nature's wanderings
Of Hermit Quarll we read, in island rare,
Far from mankind and seeming far from care;
Safe from all want, and sound in every limb;
Yes! there was he, and there was care with him.
Unbound and heap'd, these valued tomes beside,
Lay humbler works, the pedlar's pack supplied;
Yet these, long since, have all acquired a name:
The Wandering Jew has found his way to fame;
And fame, denied to many a labour'd song,
Crowns Thumb the Great, and Hickathrift the strong.
There too is he, by wizard-power upheld,
Jack, by whose arm the giant-brood were quell'd:
His shoes of swiftness on his feet he placed;
His coat of darkness on his loins he braced;
His sword of sharpness in his hand he took,
And off the heads of doughty giants stroke:
Their glaring eyes beheld no mortal near;
No sound of feet alarm'd the drowsy ear;
No English blood their Pagan sense could smell,
But heads dropt headlong, wondering why they fell.
These are the Peasant's joy, when, placed at
Half his delighted offspring mount his knees.
To every cot the lord's indulgent mind
Has a small space for garden-ground assign'd;
Here--till return of morn dismiss'd the farm -
The careful peasant plies the sinewy arm,
Warm'd as he works, and casts his look around
On every foot of that improving ground :
It is his own he sees; his master's eye
Peers not about, some secret fault to spy;
Nor voice severe is there, nor censure known; -
Hope, profit, pleasure,--they are all his own.
Here grow the humble cives, and, hard by them,
The leek with crown globose and reedy stem;
High climb his pulse in many an even row,
Deep strike the ponderous roots in soil below;
And herbs of potent smell and pungent taste,
Give a warm relish to the night's repast.
Apples and cherries grafted by his hand,
And cluster'd nuts for neighbouring market stand.
Nor thus concludes his labour; near the cot,
The reed-fence rises round some fav'rite spot;
Where rich carnations, pinks with purple eyes,
Proud hyacinths, the least some florist's prize,
Tulips tall-stemm'd and pounced auriculas rise.
Here on a Sunday-eve, when service ends,
Meet and rejoice a family of friends;
All speak aloud, are happy and are free,
And glad they seem, and gaily they agree.
What, though fastidious ears may shun the speech,
Where all are talkers, and where none can teach;
Where still the welcome and the words are old,
And the same stories are for ever told;
Yet theirs is joy that, bursting from the heart,
Prompts the glad tongue these nothings to impart;
That forms these tones of gladness we despise,
That lifts their steps, that sparkles in their
That talks or laughs or runs or shouts or plays,
And speaks in all their looks and all their ways.
Fair scenes of peace! ye might detain us long,
But vice and misery now demand the song;
And turn our view from dwellings simply neat,
To this infected Row, we term our Street.
Here, in cabal, a disputatious crew
Each evening meet; the sot, the cheat, the shrew;
Riots are nightly heard: --the curse, the cries
Of beaten wife, perverse in her replies;
While shrieking children hold each threat'ning
And sometimes life, and sometimes food demand:
Boys, in their first-stol'n rags, to swear begin,
And girls, who heed not dress, are skill'd in gin:
Snarers and smugglers here their gains divide;
Ensnaring females here their victims hide;
And here is one, the Sibyl of the Row,
Who knows all secrets, or affects to know.
Seeking their fate, to her the simple run,
To her the guilty, theirs awhile to shun;
Mistress of worthless arts, depraved in will,
Her care unblest and unrepaid her skill,
Slave to the tribe, to whose command she stoops,
And poorer than the poorest maid she dupes.
Between the road-way and the walls, offence
Invades all eyes and strikes on every sense;
There lie, obscene, at every open door,
Heaps from the hearth, and sweepings from the
And day by day the mingled masses grow,
As sinks are disembogued and kennels flow.
There hungry dogs from hungry children steal;
There pigs and chickens quarrel for a meal;
Their dropsied infants wail without redress,
And all is want and woe and wretchedness;
Yet should these boys, with bodies bronzed and
High-swoln and hard, outlive that lack of care -
Forced on some farm, the unexerted strength,
Though loth to action, is compell'd at length,
When warm'd by health, as serpents in the spring,
Aside their slough of indolence they fling.
Yet, ere they go, a greater evil comes -
See! crowded beds in those contiguous rooms;
Beds but ill parted, by a paltry screen
Of paper'd lath, or curtain dropt between;
Daughters and sons to yon compartments creep,
And parents here beside their children sleep:
Ye who have power, these thoughtless people part,
Nor let the ear be first to taint the heart.
Come! search within, nor sight nor smell regard;
The true physician walks the foulest ward.
See on the floor, where frousy patches rest!
What nauseous fragments on yon fractured chest!
What downy dust beneath yon window-seat!
And round these posts that serve this bed for feet;
This bed where all those tatter'd garments lie,
Worn by each sex, and now perforce thrown by!
See! as we gaze, an infant lifts its head,
Left by neglect and burrow'd in that bed;
The Mother-gossip has the love suppress'd
An infant's cry once waken'd in her breast;
And daily prattles, as her round she takes
(With strong resentment), of the want she makes.
Whence all these woes?--From want of virtuous
Of honest shame, of time-improving skill;
From want of care t'employ the vacant hour,
And want of every kind but want of power.
Here are no wheels for either wool or flax,
But packs of cards--made up of sundry packs;
Here is no clock, nor will they turn the glass,
And see how swift th' important moments pass;
Here are no books, but ballads on the wall,
Are some abusive, and indecent all;
Pistols are here, unpair'd; with nets and hooks,
Of every kind, for rivers, ponds, and brooks;
An ample flask, that nightly rovers fill
With recent poison from the Dutchman's still;
A box of tools, with wires of various size,
Frocks, wigs, and hats, for night or day disguise,
And bludgeons stout to gain or guard a prize.
To every house belongs a space of ground,
Of equal size, once fenced with paling round;
That paling now by slothful waste destroyed,
Dead gorse and stumps of elder fill the void;
Save in the centre-spot, whose walls of clay
Hide sots and striplings at their drink or play:
Within, a board, beneath a tiled retreat,
Allures the bubble and maintains the cheat;
Where heavy ale in spots like varnish shows,
Where chalky tallies yet remain in rows;
Black pipes and broken jugs the seats defile,
The walls and windows, rhymes and reck'nings vile;
Prints of the meanest kind disgrace the door,
And cards, in curses torn, lie fragments on the
Here his poor bird th' inhuman Cocker brings,
Arms his hard heel and clips his golden wings;
With spicy food th' impatient spirit feeds,
And shouts and curses as the battle bleeds.
Struck through the brain, deprived of both his
The vanquished bird must combat till he dies;
Must faintly peck at his victorious foe,
And reel and stagger at each feeble blow:
When fallen, the savage grasps his dabbled plumes,
His blood-stain'd arms, for other deaths assumes;
And damns the craven-fowl, that lost his stake,
And only bled and perished for his sake.
Such are our Peasants, those to whom we yield
Praise with relief, the fathers of the field;
And these who take from our reluctant hands
What Burn advises or the Bench commands.
Our Farmers round, well pleased with constant
Like other farmers, flourish and complain. -
These are our groups; our Portraits next appear,
And close our Exhibition for the year.
WITH evil omen we that year begin:
A Child of Shame,--stern Justice adds, of Sin,
Is first recorded;--I would hide the deed,
But vain the wish; I sigh, and I proceed:
And could I well th'instructive truth convey,
'Twould warn the giddy and awake the gay.
Of all the nymphs who gave our village grace,
The Miller's daughter had the fairest face:
Proud was the Miller; money was his pride;
He rode to market, as our farmers ride,
And 'twas his boast, inspired by spirits, there,
His favourite Lucy should be rich as fair;
But she must meek and still obedient prove,
And not presume, without his leave, to love.
A youthful Sailor heard him;--'Ha!' quoth he,
'This Miller's maiden is a prize for me;
Her charms I love, his riches I desire,
And all his threats but fan the kindling fire;
My ebbing purse no more the foe shall fill,
But Love's kind act and Lucy at the mill.'
Thus thought the youth, and soon the chase
Stretch'd all his sail, nor thought of pause or
His trusty staff in his bold hand he took,
Like him and like his frigate, heart of oak;
Fresh were his features, his attire was new;
Clean was his linen, and his jacket blue:
Of finest jean his trousers, tight and trim,
Brush'd the large buckle at the silver rim.
He soon arrived, he traced the village-green,
There saw the maid, and was with pleasure seen;
Then talk'd of love, till Lucy's yielding heart
Confess'd 'twas painful, though 'twas right to
'For ah! my father has a haughty soul;
Whom best he loves, he loves but to control;
Me to some churl in bargain he'll consign,
And make some tyrant of the parish mine:
Cold is his heart, and he with looks severe
Has often forced but never shed the tear;
Save, when my mother died, some drops expressed
A kind of sorrow for a wife at rest: -
To me a master's stern regard is shown,
I'm like his steed, prized highly as his own;
Stroked but corrected, threatened when supplied,
His slave and boast, his victim and his pride.'
'Cheer up, my lass! I'll to thy father go,
The Miller cannot be the Sailor's foe;
Both live by Heaven's free gale, that plays aloud
In the stretch'd canvass and the piping shroud;
The rush of winds, the flapping sails above,
And rattling planks within, are sounds we love;
Calms are our dread; when tempests plough the deep,
We take a reef, and to the rocking sleep.'
'Ha!' quoth the Miller, moved at speech so rash,
'Art thou like me? then where thy notes and cash?
Away to Wapping, and a wife command,
With all thy wealth, a guinea in thine hand;
There with thy messmates quaff the muddy cheer,
And leave my Lucy for thy betters here.'
'Revenge! revenge!' the angry lover cried,
Then sought the nymph, and 'Be thou now my bride.'
Bride had she been, but they no priest could move
To bind in law the couple bound by love.
What sought these lovers then by day by night?
But stolen moments of disturb'd delight;
Soft trembling tumults, terrors dearly prized,
Transports that pain'd, and joys that agonised;
Till the fond damsel, pleased with lad so trim,
Awed by her parent, and enticed by him,
Her lovely form from savage power to save,
Gave--not her hand--but ALL she could she gave.
Then came the day of shame, the grievous night,
The varying look, the wandering appetite;
The joy assumed, while sorrow dimm'd the eyes,
The forced sad smiles that follow'd sudden sighs;
And every art, long used, but used in vain,
To hide thy progress, Nature, and thy pain.
Too eager caution shows some danger's near,
The bully's bluster proves the coward's fear;
His sober step the drunkard vainly tries,
And nymphs expose the failings they disguise.
First, whispering gossips were in parties seen,
Then louder Scandal walk'd the village--green;
Next babbling Folly told the growing ill,
And busy Malice dropp'd it at the mill.
'Go! to thy curse and mine,' the Father said,
'Strife and confusion stalk around thy bed;
Want and a wailing brat thy portion be,
Plague to thy fondness, as thy fault to me; -
Where skulks the villain?' -
'On the ocean wide
My William seeks a portion for his bride.' -
'Vain be his search; but, till the traitor come,
The higgler's cottage be thy future home;
There with his ancient shrew and care abide,
And hide thy head,--thy shame thou canst not hide.'
Day after day was pass'd in pains and grief;
Week follow'd week,--and still was no relief:
Her boy was born--no lads nor lasses came
To grace the rite or give the child a name;
Nor grave conceited nurse, of office proud,
Bore the young Christian roaring through the crowd:
In a small chamber was my office done,
Where blinks through paper'd panes the setting sun;
Where noisy sparrows, perch'd on penthouse near,
Chirp tuneless joy, and mock the frequent tear;
Bats on their webby wings in darkness move,
And feebly shriek their melancholy love.
No Sailor came; the months in terror fled!
Then news arrived--He fought, and he was DEAD!
At the lone cottage Lucy lives, and still
Walks for her weekly pittance to the mill;
A mean seraglio there her father keeps,
Whose mirth insults her, as she stands and weeps;
And sees the plenty, while compell'd to stay,
Her father's pride, become his harlot's prey.
Throughout the lanes she glides, at evening's
And softly lulls her infant to repose;
Then sits and gazes, but with viewless look,
As gilds the moon the rippling of the brook;
And sings her vespers, but in voice so low,
She hears their murmurs as the waters flow:
And she too murmurs, and begins to find
The solemn wanderings of a wounded mind.
Visions of terror, views of woe succeed,
The mind's impatience, to the body's need;
By turns to that, by turns to this a prey,
She knows what reason yields, and dreads what
Next, with their boy, a decent couple came,
And call'd him Robert, 'twas his father's name;
Three girls preceded, all by time endear'd,
And future births were neither hoped nor fear'd:
Blest in each other, but to no excess,
Health, quiet, comfort, form'd their happiness;
Love all made up of torture and delight,
Was but mere madness in this couple's sight:
Susan could think, though not without a sigh,
If she were gone, who should her place supply;
And Robert, half in earnest, half in jest,
Talk of her spouse when he should be at rest:
Yet strange would either think it to be told,
Their love was cooling or their hearts were cold.
Few were their acres,--but, with these content,
They were, each pay-day, ready with their rent:
And few their wishes--what their farm denied,
The neighbouring town, at trifling cost, supplied.
If at the draper's window Susan cast
A longing look, as with her goods she pass'd,
And, with the produce of the wheel and churn,
Bought her a Sunday--robe on her return;
True to her maxim, she would take no rest,
Till care repaid that portion to the chest:
Or if, when loitering at the Whitsun-fair,
Her Robert spent some idle shillings there;
Up at the barn, before the break of day,
He made his labour for th' indulgence pay:
Thus both--that waste itself might work in vain -
Wrought double tides, and all was well again.
Yet, though so prudent, there were times of joy,
(The day they wed, the christening of the boy.)
When to the wealthier farmers there was shown
Welcome unfeign'd, and plenty like their own;
For Susan served the great, and had some pride
Among our topmost people to preside:
Yet in that plenty, in that welcome free,
There was the guiding nice frugality,
That, in the festal as the frugal day,
Has, in a different mode, a sovereign sway;
As tides the same attractive influence know,
In the least ebb and in their proudest flow;
The wise frugality, that does not give
A life to saving, but that saves to live;
Sparing, not pinching, mindful though not mean,
O'er all presiding, yet in nothing seen.
Recorded next a babe of love I trace!
Of many loves, the mother's fresh disgrace. -
'Again, thou harlot! could not all thy pain,
All my reproof, thy wanton thoughts restrain?'
'Alas! your reverence, wanton thoughts, I grant,
Were once my motive, now the thoughts of want;
Women, like me, as ducks in a decoy,
Swim down a stream, and seem to swim in joy.
Your sex pursue us, and our own disdain;
Return is dreadful, and escape is vain.
Would men forsake us, and would women strive
To help the fall'n, their virtue might revive.'
For rite of churching soon she made her way,
In dread of scandal, should she miss the day: -
Two matrons came! with them she humbly knelt,
Their action copied and their comforts felt,
From that great pain and peril to be free,
Though still in peril of that pain to be;
Alas! what numbers, like this amorous dame,
Are quick to censure, but are dead to shame!
Twin-infants then appear; a girl, a boy,
Th' overflowing cup of Gerard Ablett's joy:
One had I named in every year that passed
Since Gerard wed! and twins behold at last!
Well pleased, the bridegroom smiled to hear--'A
Fruitful and spreading round the walls be thine,
And branch-like be thine offspring!'--Gerard then
Look'd joyful love, and softly said 'Amen.'
Now of that vine he'd have no more increase,
Those playful branches now disturb his peace:
Them he beholds around his tables spread,
But finds, the more the branch, the less the bread;
And while they run his humble walls about,
They keep the sunshine of good humour out.
Cease, man, to grieve! thy master's lot survey,
Whom wife and children, thou and thine obey;
A farmer proud, beyond a farmer's pride,
Of all around the envy or the guide;
Who trots to market on a steed so fine,
That when I meet him, I'm ashamed of mine;
Whose board is high upheaved with generous fare,
Which five stout sons and three tall daughters
Cease, man, to grieve, and listen to his care.
A few years fled, and all thy boys shall be
Lords of a cot, and labourers like thee:
Thy girls unportion'd neighb'ring youths shall lead
Brides from my church, and thenceforth thou art
But then thy master shall of cares complain,
Care after care, a long connected train;
His sons for farms shall ask a large supply,
For farmers' sons each gentle miss shall sigh;
Thy mistress, reasoning well of life's decay,
Shall ask a chaise, and hardly brook delay;
The smart young cornet, who with so much grace
Rode in the ranks and betted at the race,
While the vex'd parent rails at deed so rash,
Shall d**n his luck, and stretch his hand for cash.
Sad troubles, Gerard! now pertain to thee,
When thy rich master seems from trouble free;
But 'tis one fate at different times assign'd,
And thou shalt lose the cares that he must find.
'Ah!' quoth our village Grocer, rich and old,
'Would I might one such cause for care behold!'
To whom his Friend, 'Mine greater bliss would be,
Would Heav'n take those my spouse assigns to me.'
Aged were both, that Dawkins, Ditchem this,
Who much of marriage thought, and much amiss;
Both would delay, the one, till--riches gain'd,
The son he wish'd might be to honour train'd;
His Friend--lest fierce intruding heirs should
To waste his hoard and vex his quiet home.
Dawkins, a dealer once, on burthen'd back
Bore his whole substance in a pedlar's pack;
To dames discreet, the duties yet unpaid,
His stores of lace and hyson he convey'd:
When thus enriched, he chose at home to stop,
And fleece his neighbours in a new-built shop;
Then woo'd a spinster blithe, and hoped, when wed,
For love's fair favours and a fruitful bed.
Not so his Friend;--on widow fair and staid
He fix'd his eye, but he was much afraid;
Yet woo'd; while she his hair of silver hue
Demurely noticed, and her eye withdrew:
Doubtful he paused--'Ah! were I sure,' he cried,
No craving children would my gains divide;
Fair as she is, I would my widow take,
And live more largely for my partner's sake.'
With such their views some thoughtful years they
And hoping, dreading, they were bound at last.
And what their fate? Observe them as they go,
Comparing fear with fear and woe with woe.
'Humphrey!' said Dawkins, 'envy in my breast
Sickens to see thee in thy children blest:
They are thy joys, while I go grieving home
To a sad spouse, and our eternal gloom:
We look despondency; no infant near,
To bless the eye or win the parent's ear;
Our sudden heats and quarrels to allay,
And soothe the petty sufferings of the day:
Alike our want, yet both the want reprove;
Where are, I cry, these pledges of our love?
When she, like Jacob's wife, makes fierce reply,
Yet fond--Oh! give me children, or I die:
And I return--still childless doom'd to live,
Like the vex'd patriarch--Are they mine to give?
Ah! much I envy thee thy boys, who ride
On poplar branch, and canter at thy side;
And girls, whose cheeks thy chin's fierce fondness
And with fresh beauty at the contact glow.'
'Oh! simple friend,' said Ditchem, 'wouldst thou
A father's pleasure by a husband's pain?
Alas! what pleasure--when some vig'rous boy
Should swell thy pride, some rosy girl thy joy;
Is it to doubt who grafted this sweet flower,
Or whence arose that spirit and that power?
'Four years I've wed; not one has passed in
Behold the fifth! behold a babe again!
My wife's gay friends th' unwelcome imp admire,
And fill the room with gratulation dire:
While I in silence sate, revolving all
That influence ancient men, or that befall;
A gay pert guest--Heav'n knows his business--came;
A glorious boy! he cried, and what the name?
Angry I growl'd,--My spirit cease to tease,
Name it yourselves,--Cain, Judas, if you please;
His father's give him,--should you that explore,
The devil's or yours: --I said, and sought the
My tender partner not a word or sigh
Gives to my wrath, nor to my speech reply;
But takes her comforts, triumphs in my pain,
And looks undaunted for a birth again.'
Heirs thus denied afflict the pining heart,
And thus afforded, jealous pangs impart;
Let, therefore, none avoid, and none demand
These arrows number'd for the giant's hand.
Then with their infants three, the parents came,
And each assign'd--'twas all they had--a name;
Names of no mark or price; of them not one
Shall court our view on the sepulchral stone,
Or stop the clerk, th' engraven scrolls to spell,
Or keep the sexton from the sermon bell.
An orphan-girl succeeds: ere she was born
Her father died, her mother on that morn:
The pious mistress of the school sustains
Her parents' part, nor their affection feigns,
But pitying feels: with due respect and joy,
I trace the matron at her loved employ;
What time the striplings, wearied e'en with play,
Part at the closing of the summer's day,
And each by different path returns the well-known
Then I behold her at her cottage-door,
Frugal of light;--her Bible laid before,
When on her double duty she proceeds,
Of time as frugal--knitting as she reads:
Her idle neighbours, who approach to tell
Some trifling tale, her serious looks compel
To hear reluctant,--while the lads who pass,
In pure respect, walk silent on the grass:
Then sinks the day, but not to rest she goes,
Till solemn prayers the daily duties close.
But I digress, and lo! an infant train
Appear, and call me to my task again.
'Why Lonicera wilt thou name thy child?'
I ask the Gardener's wife, in accents mild:
'We have a right,' replied the sturdy dame; -
And Lonicera was the infant's name.
If next a son shall yield our Gardener joy,
Then Hyacinthus shall be that fair boy;
And if a girl, they will at length agree
That Belladonna that fair maid shall be.
High-sounding words our worthy Gardener gets,
And at his club to wondering swains repeats;
He then of Rhus and Rhododendron speaks,
And Allium calls his onions and his leeks;
Nor weeds are now, for whence arose the weed,
Scarce plants, fair herbs, and curious flowers
Where Cuckoo-pints and Dandelions sprung
(Gross names had they our plainer sires among),
There Arums, there Leontodons we view,
And Artemisia grows where wormwood grew.
But though no weed exists his garden round,
From Rumex strong our Gardener frees his ground,
Takes soft Senecio from the yielding land,
And grasps the arm'd Urtica in his hand.
Not Darwin's self had more delight to sing
Of floral courtship, in th' awaken'd Spring,
Than Peter Pratt, who simpering loves to tell
How rise the Stamens, as the Pistils swell;
How bend and curl the moist-top to the spouse,
And give and take the vegetable vows;
How those esteem'd of old but tips and chives,
Are tender husbands and obedient wives;
Who live and love within the sacred bower, -
That bridal bed, the vulgar term a flower.
Hear Peter proudly, to some humble friend,
A wondrous secret, in his science, lend: -
'Would you advance the nuptial hour and bring
The fruit of Autumn with the flowers of Spring;
View that light frame where Cucumis lies spread,
And trace the husbands in their golden bed,
Three powder'd Anthers;--then no more delay,
But to the stigma's tip their dust convey;
Then by thyself, from prying glance secure,
Twirl the full tip and make your purpose sure;
A long-abiding race the deed shall pay,
Nor one unblest abortion pine away.'
T'admire their Mend's discourse our swains
And call it science and philosophy.
''Tis good, 'tis pleasant, through th' advancing
To see unnumbered growing forms appear;
What leafy-life from Earth's broad bosom rise!
What insect myriads seek the summer skies!
What scaly tribes in every streamlet move;
What plumy people sing in every grove!
All with the year awaked to life, delight, and
Then names are good; for how, without their aid,
Is knowledge, gain'd by man, to man convey'd?
But from that source shall all our pleasures flow?
Shall all our knowledge be those names to know?
Then he, with memory blest, shall bear away
The palm from Grew, and Middleton, and Ray:
No! let us rather seek, in grove and field,
What food for wonder, what for use they yield;
Some just remark from Nature's people bring,
And some new source of homage for her King.
Pride lives with all; strange names our rustics
To helpless infants, that their own may live;
Pleased to be known, they'll some attention claim,
And find some by-way to the house of fame.
The straightest furrow lifts the ploughman's
The hat he gained has warmth for head and heart;
The bowl that beats the greater number down
Of tottering nine-pins, gives to fame the clown;
Or, foil'd in these, he opes his ample jaws,
And lets a frog leap down, to gain applause;
Or grins for hours, or tipples for a week,
Or challenges a well-pinch'd pig to squeak:
Some idle deed, some child's preposterous name,
Shall make him known, and give his folly fame.
To name an infant meet our village sires,
Assembled all as such event requires;
Frequent and full, the rural sages sate,
And speakers many urged the long debate, -
Some harden'd knaves, who roved the country round,
Had left a babe within the parish bound. -
First, of the fact they question'd--'Was it true?'
The child was brought--'What then remained to do?'
'Was't dead or living?' This was fairly proved, -
'Twas pinched, it roar'd, and every doubt removed.
Then by what name th' unwelcome guest to call
Was long a question, and it posed them all;
For he who lent it to a babe unknown,
Censorious men might take it for his own:
They look'd about, they gravely spoke to all,
And not one Richard answer'd to the call.
Next they inquired the day, when, passing by,
Th' unlucky peasant heard the stranger's cry:
This known,--how food and raiment they might give
Was next debated--for the rogue would live;
At last, with all their words and work content,
Back to their homes the prudent vestry went,
And Richard Monday to the workhouse sent.
There was he pinched and pitied, thump'd and
And duly took his beatings and his bread;
Patient in all control, in all abuse,
He found contempt and kicking have their use:
Sad, silent, supple; bending to the blow,
A slave of slaves, the lowest of the low;
His pliant soul gave way to all things base,
He knew no shame, he dreaded no disgrace.
It seem'd, so well his passions he suppress'd,
No feeling stirr'd his ever-torpid breast;
Him might the meanest pauper bruise and cheat,
He was a footstool for the beggar's feet;
His were the legs that ran at all commands;
They used on all occasions Richard's hands:
His very soul was not his own; he stole
As others order'd, and without a dole;
In all disputes, on either part he lied,
And freely pledged his oath on either side;
In all rebellions Richard joined the rest,
In all detections Richard first confess'd;
Yet, though disgraced, he watched his time so well,
He rose in favour when in fame he fell;
Base was his usage, vile his whole employ,
And all despised and fed the pliant boy.
At length ''Tis time he should abroad be sent,'
Was whispered near him,--and abroad he went;
One morn they call'd him, Richard answer'd not;
They deem'd him hanging, and in time forgot, -
Yet miss'd him long, as each throughout the clan
Found he 'had better spared a better man.'
Now Richard's talents for the world were fit,
He'd no small cunning, and had some small wit;
Had that calm look which seem'd to all assent,
And that complacent speech which nothing meant:
He'd but one care, and that he strove to hide -
How best for Richard Monday to provide.
Steel, through opposing plates, the magnet draws,
And steely atoms culls from dust and straws;
And thus our hero, to his interest true,
Gold through all bars and from each trifle drew;
But still more surely round the world to go,
This fortune's child had neither friend nor foe.
Long lost to us, at last our man we trace, -
'Sir Richard Monday died at Monday Place:'
His lady's worth, his daughter's, we peruse,
And find his grandsons all as rich as Jews:
He gave reforming charities a sum,
And bought the blessings of the blind and dumb;
Bequeathed to missions money from the stocks,
And Bibles issued from his private box;
But to his native place severely just,
He left a pittance bound in rigid trust; -
Two paltry pounds, on every quarter's-day,
(At church produced) for forty loaves should pay;
A stinted gift that to the parish shows
He kept in mind their bounty and their blows!
To farmers three, the year has given a son,
Finch on the Moor, and French, and Middleton.
Twice in this year a female Giles I see,
A Spalding once, and once a Barnaby: -
A humble man is HE, and when they meet,
Our farmers find him on a distant seat;
There for their wit he serves a constant theme, -
'They praise his dairy, they extol his team,
They ask the price of each unrivall'd steed,
And whence his sheep, that admirable breed.
His thriving arts they beg he would explain,
And where he puts the money he must gain.
They have their daughters, but they fear their
Would think his sons too much would condescend: -
They have their sons who would their fortunes try,
But fear his daughters will their suit deny.'
So runs the joke, while James, with sigh profound,
And face of care, looks moveless on the ground;
His cares, his sighs, provoke the insult more,
And point the jest--for Barnaby is poor.
Last in my list, five untaught lads appear;
Their father dead, compassion sent them here, -
For still that rustic infidel denied
To have their names with solemn rite applied:
His, a lone house, by Deadman's Dyke-way stood;
And his a nightly haunt, in Lonely-wood:
Each village inn has heard the ruffian boast,
That he believed 'in neither God nor ghost;
That when the sod upon the sinner press'd,
He, like the saint, had everlasting rest;
That never priest believed his doctrines true,
But would, for profit, own himself a Jew,
Or worship wood and stone, as honest heathen do;
That fools alone on future worlds rely,
And all who die for faith deserve to die.'
These maxims,--part th' Attorney's Clerk
His own transcendent genius found the rest.
Our pious matrons heard, and, much amazed,
Gazed on the man, and trembled as they gazed;
And now his face explored, and now his feet,
Man's dreaded foe in this bad man to meet:
But him our drunkards as their champion raised,
Their bishop call'd, and as their hero praised:
Though most, when sober, and the rest, when sick,
Had little question whence his bishopric.
But he, triumphant spirit! all things dared;
He poach'd the wood, and on the warren snared;
'Twas his, at cards, each novice to trepan,
And call the want of rogues 'the rights of man;'
Wild as the winds he let his offspring rove,
And deem'd the marriage-bond the bane of love.
What age and sickness, for a man so bold,
Had done, we know not;--none beheld him old;
By night, as business urged, he sought the wood; -
The ditch was deep,--the rain had caused a flood, -
The foot-bridge fail'd,--he plunged beneath the
And slept, if truth were his, th'eternal sleep.
These have we named; on life's rough sea they
With many a prosperous, many an adverse gale!
Where passion soon, like powerful winds, will rage,
And prudence, wearied, with their strength engage:
Then each, in aid, shall some companion ask,
For help or comfort in the tedious task;
And what that help--what joys from union flow,
What good or ill, we next prepare to show;
And row, meantime, our weary bark to shore,
As Spenser his--but not with Spenser's oar.
The Cenci : A Tragedy In Five Acts
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Orsino, a Prelate.
Savella, the Pope's Legate.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witness-not the lamp-shall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:-it angers me!
Respited me from Hell!-So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.-But much yet remains
To which they show no title.
Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!-
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,-you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished not-I marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
For which Aldobrandino owes you now
My fief beyond the Pincian.-Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter-
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.
Thou execrable man, beware!-
Nay this is idle:-We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart-
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel-
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.
Art thou not
No.-I am what your theologians call
Hardened;-which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:-Ay, we must all grow old-
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mine-I'd do-I know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:-yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.
My Lord, a gentleman from Salamanca
Would speak with you.
Bid him attend me in
The grand saloon.
Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursèd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:-then, as to Beatrice- [Looking around him suspiciously.
I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,-let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!-Andrea!
Bid Beatrice attend me in her chamber
This evening:-no, at midnight and alone.
-A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.
Pervert not truth,
Orsino. You remember where we held
That conversation;-nay, we see the spot
Even from this cypress;-two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.
You said you loved me then.
You are a Priest,
Speak to me not of love.
I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.-Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,-but what can they forbode
Worse than I now endure?
All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Your zeal for all I wish;-Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.
This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:-
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my love-a net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.-Ah, no! A friendless girl
Who clings to me, as to her only hope:-
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.
-A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)
I never saw such blithe and open cheer
In any eye!
Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard-
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,-
Then honour me thus far-for I am he.
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.
Fear not, Child,
He speaks too frankly.
Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!-Why, dead!-What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with me-my heart is wondrous glad.
[Lucretia sinks, half fainting; Beatrice supports her.
It is not true!-Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;-
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.
[The Assembly appears confused; several of the guests rise.
Oh, horrible! I will depart-
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursèd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!-But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.
Will none among this noble company
Check the abandoned villain?
For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.
Seize, silence him!
(addressing those who rise with a threatening gesture).
Who moves? Who speaks?
(turning to the Company)
Enjoy yourselves.-Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.
[The Banquet is broken up; several of the Guests are departing.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,-until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
I hope my good friends here
Will think of their own daughters-or perhaps
Of their own throats-before they lend an ear
To this wild girl.
(not noticing the words of Cenci).
Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!
A bitter wish for one so young and gentle;
Can we do nothing?
Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.
Retire to your chamber, insolent girl!
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.-Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.
My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
[Exeunt all but Cenci and Beatrice.
My brain is swimming round;
Give me a bowl of wine!
Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do.- [Drinking the wine.
Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!
END OF THE FIRST ACT.
-An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.
O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!
Alas! Poor boy, what else couldst thou have done?
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.
Almighty God, how merciful Thou art!
'Tis but Orsino's servant.-Well, what news?
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.
And he demands at what hour 'twere secure
To visit you again?
At the Ave Mary.[Exit Servant.
So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.
You see I am not mad: I speak to you.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet never-Oh! Before worse comes of it
'Twere wise to die: it ends in that at last.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursèd feast
One moment in your chamber.-Speak to me.
Oh, sister, sister, prithee, speak to us!
(speaking very slowly with a forced calmness).
It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.-He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despaired-but now!
What could I say?
Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;-nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!
My dear, dear children!
Enter Cenci, suddenly.
What, Beatrice here!
[She shrinks back, and covers her face.
Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell you-but in vain.
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command you-from this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursèd mother, [To Bernardo.
Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
So much has passed between us as must make
Me bold, her fearful.-'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.
Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?-This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?
So help me God,
I never thought the things you charge me with!
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All things-not question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.-Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.
The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.-Would that it were done!
-A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing-
Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agèd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?-
Nay, there is reason in your plea; 'twere hard.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.
You, my good Lord Orsino, heard those words.
Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.-But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?
Why, if they would petition to the Pope
I see not how he could refuse it-yet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.
But you, Orsino,
Have the petition: wherefore not present it?
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in it-in truth they might well baffle
Any belief-have turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would-
What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.-My heart denies itself
To think what you demand.
But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected-
Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should be-a murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewell-farewell!
I would that to my own suspected self
I could address a word so full of peace.
Farewell!-Be your thoughts better or more bold. [Exit Giacomo.
I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.
(After a pause.)
Now what harm
If Cenci should be murdered?-Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.-Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!-Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.
END OF THE SECOND ACT.
-An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!-My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .
My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?
How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.-O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)
What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .
Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?
My dearest child, what has your father done?
Who art thou, questioner? I have no father.
She is the madhouse nurse who tends on me,
It is a piteous office.
[To Lucretia, in a slow, subdued voice.
Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .
[Pauses, suddenly recollecting herself.
Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!
My sweet child, know you . . .
Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .
[Her voice dies away faintly.
Alas! What has befallen thee, child?
What has thy father done?
What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!-Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.
'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!-O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.
I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?
The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.
Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:-O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.
(She approaches him solemnly.)
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.
And what is he who has thus injured you?
The man they call my father: a dread name.
It cannot be . . .
What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!
Accuse him of the deed, and let the law
Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthèd story;
A mock, a byword, an astonishment:-
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!
You will endure it then?
It seems your counsel is small profit.
[Turns from him, and speaks half to herself.
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?
Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?
Thou double-visaged shadow? Only judge!
[She retires absorbed in thought.
If the lightning
Of God has e'er descended to avenge . . .
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .
But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?
But that there is redress where there is wrong,
So we be bold enough to seize it.
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .
Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .
For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.
Then . . .
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.
You think we should devise
And execute what is devised,
And suddenly. We must be brief and bold.
And yet most cautious.
For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.
Be cautious as ye may, but prompt. Orsino,
What are the means?
I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.
To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .
He must not arrive.
Will it be dark before you reach the tower?
The sun will scarce be set.
But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .
What sound is that?
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.
[Exeunt Lucretia and Beatrice.
What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.
How! Have you ventured hither? Know you then
That Cenci is from home?
I sought him here;
And now must wait till he returns.
Weigh you the danger of this rashness?
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?
Be calm, dear friend.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggèd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .
The compensation which thou seekest here
Will be denied.
Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.
Is he dead?
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.
That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .
'Tis my brother's voice! You know me not?
My sister, my lost sister!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.
-A mean Apartment in Giacomo's House. Giacomo alone.
'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.
What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingèd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!
[A bell strikes.
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
The Victories Of Love. Book II
From Jane To Her Mother
Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,
Can feel just what their husbands do,
Without a word or look; but then
It is not so, you know, with men.
From that time many a Scripture text
Help'd me, which had, before, perplex'd.
Oh, what a wond'rous word seem'd this:
He is my head, as Christ is his!
None ever could have dared to see
In marriage such a dignity
For man, and for his wife, still less,
Such happy, happy lowliness,
Had God Himself not made it plain!
This revelation lays the rein—
If I may speak so—on the neck
Of a wife's love, takes thence the check
Of conscience, and forbids to doubt
Its measure is to be without
All measure, and a fond excess
Is here her rule of godliness.
I took him not for love but fright;
He did but ask a dreadful right.
In this was love, that he loved me
The first, who was mere poverty.
All that I know of love he taught;
And love is all I know of aught.
My merit is so small by his,
That my demerit is my bliss.
My life is hid with him in Christ,
Never thencefrom to be enticed;
And in his strength have I such rest
As when the baby on my breast
Finds what it knows not how to seek,
And, very happy, very weak,
Lies, only knowing all is well,
Pillow'd on kindness palpable.
From Lady Clitheroe To Mary Churchill
Dear Saint, I'm still at High-Hurst Park.
The house is fill'd with folks of mark.
Honoria suits a good estate
Much better than I hoped. How fate
Loads her with happiness and pride!
And such a loving lord, beside!
But between us, Sweet, everything
Has limits, and to build a wing
To this old house, when Courtholm stands
Empty upon his Berkshire lands,
And all that Honor might be near
Papa, was buying love too dear.
With twenty others, there are two
Guests here, whose names will startle you:
Mr. and Mrs. Frederick Graham!
I thought he stay'd away for shame.
He and his wife were ask'd, you know,
And would not come, four years ago.
You recollect Miss Smythe found out
Who she had been, and all about
Her people at the Powder-mill;
And how the fine Aunt tried to instil
Haut ton, and how, at last poor Jane
Had got so shy and gauche that, when
The Dockyard gentry came to sup,
She always had to be lock'd up;
And some one wrote to us and said
Her mother was a kitchen-maid.
Dear Mary, you'll be charm'd to know
It must be all a fib. But, oh,
She is the oddest little Pet
On which my eyes were ever set!
She's so outrée and natural
That, when she first arrived, we all
Wonder'd, as when a robin comes
In through the window to eat crumbs
At breakfast with us. She has sense,
Humility, and confidence;
And, save in dressing just a thought
Gayer in colours than she ought,
(To-day she looks a cross between
Gipsy and Fairy, red and green,)
She always happens to do well.
And yet one never quite can tell
What she might do or utter next.
Lord Clitheroe is much perplex'd.
Her husband, every now and then,
Looks nervous; all the other men
Are charm'd. Yet she has neither grace,
Nor one good feature in her face.
Her eyes, indeed, flame in her head,
Like very altar-fires to Fred,
Whose steps she follows everywhere
Like a tame duck, to the despair
Of Colonel Holmes, who does his part
To break her funny little heart.
Honor's enchanted. 'Tis her view
That people, if they're good and true,
And treated well, and let alone,
Will kindly take to what's their own,
And always be original,
Like children. Honor's just like all
The rest of us! But, thinking so,
'Tis well she miss'd Lord Clitheroe,
Who hates originality,
Though he puts up with it in me.
Poor Mrs. Graham has never been
To the Opera! You should have seen
The innocent way she told the Earl
She thought Plays sinful when a girl,
And now she never had a chance!
Frederick's complacent smile and glance
Towards her, show'd me, past a doubt,
Honoria had been quite cut out.
'Tis very strange; for Mrs. Graham,
Though Frederick's fancy none can blame,
Seems the last woman you'd have thought
Her lover would have ever sought.
She never reads, I find, nor goes
Anywhere; so that I suppose
She got at all she ever knew
By growing up, as kittens do.
Talking of kittens, by-the-bye,
You have more influence than I
With dear Honoria. Get her, Dear,
To be a little more severe
With those sweet Children. They've the run
Of all the place. When school was done,
Maud burst in, while the Earl was there,
With ‘Oh, Mama, do be a bear!’
Do you know, Dear, this odd wife of Fred
Adores his old Love in his stead!
She is so nice, yet, I should say,
Not quite the thing for every day.
Wonders are wearying! Felix goes
Next Sunday with her to the Close,
And you will judge.
All Wiltshire Belles here; Felix basks
Like Puss in fire-shine, when the room
Is thus aflame with female bloom.
But then she smiles when most would pout;
And so his lawless loves go out
With the last brocade. 'Tis not the same,
I fear, with Mrs. Frederick Graham.
Honoria should not have her here,—
And this you might just hint, my Dear,—
For Felix says he never saw
Such proof of what he holds for law,
That ‘beauty is love which can be seen.’
Whatever he by this may mean,
Were it not dreadful if he fell
In love with her on principle!
From Jane To Mrs. Graham
Mother, I told you how, at first,
I fear'd this visit to the Hurst.
Fred must, I felt, be so distress'd
By aught in me unlike the rest
Who come here. But I find the place
Delightful; there's such ease, and grace,
And kindness, and all seem to be
On such a high equality.
They have not got to think, you know,
How far to make the money go.
But Frederick says it's less the expense
Of money, than of sound good-sense,
Quickness to care what others feel,
And thoughts with nothing to conceal;
Which I'll teach Johnny. Mrs. Vaughan
Was waiting for us on the Lawn,
And kiss'd and call'd me ‘Cousin.’ Fred
Neglected his old friends, she said.
He laugh'd, and colour'd up at this.
She was, you know, a flame of his;
But I'm not jealous! Luncheon done,
I left him, who had just begun
To talk about the Russian War
With an old Lady, Lady Carr,—
A Countess, but I'm more afraid,
A great deal, of the Lady's Maid,—
And went with Mrs. Vaughan to see
The pictures, which appear'd to be
Of sorts of horses, clowns, and cows
Call'd Wouvermans and Cuyps and Dows.
And then she took me up, to show
Her bedroom, where, long years ago,
A Queen slept. 'Tis all tapestries
Of Cupids, Gods, and Goddesses,
And black, carved oak. A curtain'd door
Leads thence into her soft Boudoir,
Where even her husband may but come
By favour. He, too, has his room,
Kept sacred to his solitude.
Did I not think the plan was good?
She ask'd me; but I said how small
Our house was, and that, after all,
Though Frederick would not say his prayers
At night till I was safe upstairs,
I thought it wrong to be so shy
Of being good when I was by.
‘Oh, you should humour him!’ she said,
With her sweet voice and smile; and led
The way to where the children ate
Their dinner, and Miss Williams sate.
She's only Nursery-Governess,
Yet they consider her no less
Than Lord or Lady Carr, or me.
Just think how happy she must be!
The Ball-Room, with its painted sky
Where heavy angels seem to fly,
Is a dull place; its size and gloom
Make them prefer, for drawing-room,
The Library, all done up new
And comfortable, with a view
Of Salisbury Spire between the boughs.
When she had shown me through the house,
(I wish I could have let her know
That she herself was half the show;
She is so handsome, and so kind!)
She fetch'd the children, who had dined;
And, taking one in either hand,
Show'd me how all the grounds were plann'd.
The lovely garden gently slopes
To where a curious bridge of ropes
Crosses the Avon to the Park.
We rested by the stream, to mark
The brown backs of the hovering trout.
Frank tickled one, and took it out
From under a stone. We saw his owls,
And awkward Cochin-China fowls,
And shaggy pony in the croft;
And then he dragg'd us to a loft,
Where pigeons, as he push'd the door,
Fann'd clear a breadth of dusty floor,
And set us coughing. I confess
I trembled for my nice silk dress.
I cannot think how Mrs. Vaughan
Ventured with that which she had on,—
A mere white wrapper, with a few
Plain trimmings of a quiet blue,
But, oh, so pretty! Then the bell
For dinner rang. I look'd quite well
(‘Quite charming,’ were the words Fred said,)
With the new gown that I've had made.
I am so proud of Frederick.
He's so high-bred and lordly-like
With Mrs. Vaughan! He's not quite so
At home with me; but that, you know,
I can't expect, or wish. 'Twould hurt,
And seem to mock at my desert.
Not but that I'm a duteous wife
To Fred; but, in another life,
Where all are fair that have been true
I hope I shall be graceful too,
Like Mrs. Vaughan. And, now, good-bye!
That happy thought has made me cry,
And feel half sorry that my cough,
In this fine air, is leaving off.
From Frederick To Mrs. Graham
Honoria, trebly fair and mild
With added loves of lord and child,
Is else unalter'd. Years, which wrong
The rest, touch not her beauty, young
With youth which rather seems her clime,
Than aught that's relative to time.
How beyond hope was heard the prayer
I offer'd in my love's despair!
Could any, whilst there's any woe,
Be wholly blest, then she were so.
She is, and is aware of it,
Her husband's endless benefit;
But, though their daily ways reveal
The depth of private joy they feel,
'Tis not their bearing each to each
That does abroad their secret preach,
But such a lovely good-intent
To all within their government
And friendship as, 'tis well discern'd,
Each of the other must have learn'd;
For no mere dues of neighbourhood
Ever begot so blest a mood.
And fair, indeed, should be the few
God dowers with nothing else to do,
And liberal of their light, and free
To show themselves, that all may see!
For alms let poor men poorly give
The meat whereby men's bodies live;
But they of wealth are stewards wise
Whose graces are their charities.
The sunny charm about this home
Makes all to shine who thither come.
My own dear Jane has caught its grace,
And, honour'd, honours too the place.
Across the lawn I lately walk'd
Alone, and watch'd where mov'd and talk'd,
Gentle and goddess-like of air,
Honoria and some Stranger fair.
I chose a path unblest by these;
When one of the two Goddesses,
With my Wife's voice, but softer, said,
‘Will you not walk with us, dear Fred?’
She moves, indeed, the modest peer
Of all the proudest ladies here.
Unawed she talks with men who stand
Among the leaders of the land,
And women beautiful and wise,
With England's greatness in their eyes.
To high, traditional good-sense,
And knowledge ripe without pretence,
And human truth exactly hit
By quiet and conclusive wit,
Listens my little, homely Dove,
Mistakes the points and laughs for love;
And, after, stands and combs her hair,
And calls me much the wittiest there!
With reckless loyalty, dear Wife,
She lays herself about my life!
The joy I might have had of yore
I have not; for 'tis now no more,
With me, the lyric time of youth,
And sweet sensation of the truth.
Yet, past my hope or purpose bless'd,
In my chance choice let be confess'd
The tenderer Providence that rules
The fates of children and of fools!
I kiss'd the kind, warm neck that slept,
And from her side this morning stepp'd,
To bathe my brain from drowsy night
In the sharp air and golden light.
The dew, like frost, was on the pane.
The year begins, though fair, to wane.
There is a fragrance in its breath
Which is not of the flowers, but death;
And green above the ground appear
The lilies of another year.
I wander'd forth, and took my path
Among the bloomless aftermath;
And heard the steadfast robin sing
As if his own warm heart were Spring,
And watch'd him feed where, on the yew,
Hung honey'd drops of crimson dew;
And then return'd, by walls of peach,
And pear-trees bending to my reach,
And rose-beds with the roses gone,
To bright-laid breakfast. Mrs. Vaughan
Was there, none with her. I confess
I love her than of yore no less!
But she alone was loved of old;
Now love is twain, nay, manifold;
For, somehow, he whose daily life
Adjusts itself to one true wife,
Grows to a nuptial, near degree
With all that's fair and womanly.
Therefore, as more than friends, we met,
Without constraint, without regret;
The wedded yoke that each had donn'd
Seeming a sanction, not a bond.
From Mrs. Graham
Your love lacks joy, your letter says.
Yes; love requires the focal space
Of recollection or of hope,
Ere it can measure its own scope.
Too soon, too soon comes Death to show
We love more deeply than we know!
The rain, that fell upon the height
Too gently to be call'd delight,
Within the dark vale reappears
As a wild cataract of tears;
And love in life should strive to see
Sometimes what love in death would be!
Easier to love, we so should find,
It is than to be just and kind.
She's gone: shut close the coffin-lid:
What distance for another did
That death has done for her! The good,
Once gazed upon with heedless mood,
Now fills with tears the famish'd eye,
And turns all else to vanity.
'Tis sad to see, with death between,
The good we have pass'd and have not seen!
How strange appear the words of all!
The looks of those that live appal.
They are the ghosts, and check the breath:
There's no reality but death,
And hunger for some signal given
That we shall have our own in heaven.
But this the God of love lets be
A horrible uncertainty.
How great her smallest virtue seems,
How small her greatest fault! Ill dreams
Were those that foil'd with loftier grace
The homely kindness of her face.
'Twas here she sat and work'd, and there
She comb'd and kiss'd the children's hair;
Or, with one baby at her breast,
Another taught, or hush'd to rest.
Praise does the heart no more refuse
To the chief loveliness of use.
Her humblest good is hence most high
In the heavens of fond memory;
And Love says Amen to the word,
A prudent wife is from the Lord.
Her worst gown's kept, ('tis now the best,
As that in which she oftenest dress'd,)
For memory's sake more precious grown
Than she herself was for her own.
Poor child! foolish it seem'd to fly
To sobs instead of dignity,
When she was hurt. Now, more than all,
Heart-rending and angelical
That ignorance of what to do,
Bewilder'd still by wrong from you:
For what man ever yet had grace
Ne'er to abuse his power and place?
No magic of her voice or smile
Suddenly raised a fairy isle,
But fondness for her underwent
An unregarded increment,
Like that which lifts, through centuries,
The coral-reef within the seas,
Till, lo! the land where was the wave,
Alas! 'tis everywhere her grave.
From Jane To Mrs. Graham
Dear Mother, I can surely tell,
Now, that I never shall get well.
Besides the warning in my mind,
All suddenly are grown so kind.
Fred stopp'd the Doctor, yesterday,
Downstairs, and, when he went away,
Came smiling back, and sat with me,
Pale, and conversing cheerfully
About the Spring, and how my cough,
In finer weather, would leave off.
I saw it all, and told him plain
I felt no hope of Spring again.
Then he, after a word of jest,
Burst into tears upon my breast,
And own'd, when he could speak, he knew
There was a little danger, too.
This made me very weak and ill,
And while, last night, I lay quite still,
And, as he fancied, in the deep,
Exhausted rest of my short sleep,
I heard, or dream'd I heard him pray:
‘Oh, Father, take her not away!
‘Let not life's dear assurance lapse
‘Into death's agonised 'Perhaps,'
‘A hope without Thy promise, where
‘Less than assurance is despair!
‘Give me some sign, if go she must,
‘That death's not worse than dust to dust,
‘Not heaven, on whose oblivious shore
‘Joy I may have, but her no more!
‘The bitterest cross, it seems to me,
‘Of all is infidelity;
‘And so, if I may choose, I'll miss
‘The kind of heaven which comes to this.
‘If doom'd, indeed, this fever ceased,
‘To die out wholly, like a beast,
‘Forgetting all life's ill success
‘In dark and peaceful nothingness,
‘I could but say, Thy will be done;
‘For, dying thus, I were but one
‘Of seed innumerable which ne'er
‘In all the worlds shall bloom or bear.
‘I've put life past to so poor use
‘Well may'st Thou life to come refuse;
‘And justice, which the spirit contents,
‘Shall still in me all vain laments;
‘Nay, pleased, I will, while yet I live,
‘Think Thou my forfeit joy may'st give
‘To some fresh life, else unelect,
‘And heaven not feel my poor defect!
‘Only let not Thy method be
‘To make that life, and call it me;
‘Still less to sever mine in twain,
‘And tell each half to live again,
‘And count itself the whole! To die,
‘Is it love's disintegrity?
‘Answer me, 'No,' and I, with grace,
‘Will life's brief desolation face,
‘My ways, as native to the clime,
‘Adjusting to the wintry time,
‘Ev'n with a patient cheer thereof—’
He started up, hearing me cough.
Oh, Mother, now my last doubt's gone!
He likes me more than Mrs. Vaughan;
And death, which takes me from his side,
Shows me, in very deed, his bride!
From Jane To Frederick
I leave this, Dear, for you to read,
For strength and hope, when I am dead.
When Grace died, I was so perplex'd,
I could not find one helpful text;
And when, a little while before,
I saw her sobbing on the floor,
Because I told her that in heaven
She would be as the angels even,
And would not want her doll, 'tis true
A horrible fear within me grew,
That, since the preciousness of love
Went thus for nothing, mine might prove
To be no more, and heaven's bliss
Some dreadful good which is not this.
But being about to die makes clear
Many dark things. I have no fear,
Now, that my love, my grief, my joy
Is but a passion for a toy.
I cannot speak at all, I find,
The shining something in my mind,
That shows so much that, if I took
My thoughts all down, 'twould make a book.
God's Word, which lately seem'd above
The simpleness of human love,
To my death-sharpen'd hearing tells
Of little or of nothing else;
And many things I hoped were true,
When first they came, like songs, from you,
Now rise with witness past the reach
Of doubt, and I to you can teach,
As if with felt authority
And as things seen, what you taught me.
Yet how? I have no words but those
Which every one already knows:
As, ‘No man hath at any time
‘Seen God, but 'tis the love of Him
‘Made perfect, and He dwells in us,
‘If we each other love.’ Or thus,
‘My goodness misseth in extent
‘Of Thee, Lord! In the excellent
‘I know Thee; and the Saints on Earth
‘Make all my love and holy mirth.’
And further, ‘Inasmuch as ye
‘Did it to one of these, to Me
‘Ye did it, though ye nothing thought
‘Nor knew of Me, in that ye wrought.’
What shall I dread? Will God undo
Our bond, which is all others too?
And when I meet you will you say
To my reclaiming looks, ‘Away!
‘A dearer love my bosom warms
‘With higher rights and holier charms.
‘The children, whom thou here may'st see,
‘Neighbours that mingle thee and me,
‘And gaily on impartial lyres
‘Renounce the foolish filial fires
‘They felt, with 'Praise to God on high,
‘'Goodwill to all else equally;'
‘The trials, duties, service, tears;
‘The many fond, confiding years
‘Of nearness sweet with thee apart;
‘The joy of body, mind, and heart;
‘The love that grew a reckless growth,
‘Unmindful that the marriage-oath
‘To love in an eternal style
‘Meant—only for a little while:
‘Sever'd are now those bonds earth-wrought:
‘All love, not new, stands here for nought!’
Why, it seems almost wicked, Dear,
Even to utter such a fear!
Are we not ‘heirs,’ as man and wife,
‘Together of eternal life?’
Was Paradise e'er meant to fade,
To make which marriage first was made?
Neither beneath him nor above
Could man in Eden find his Love;
Yet with him in the garden walk'd
His God, and with Him mildly talk'd!
Shall the humble preference offend
In heaven, which God did there commend?
Are ‘honourable and undefiled’
The names of aught from heaven exiled?
And are we not forbid to grieve
As without hope? Does God deceive,
And call that hope which is despair,
Namely, the heaven we should not share?
Image and glory of the man,
As he of God, is woman. Can
This holy, sweet proportion die
Into a dull equality?
Are we not one flesh, yea, so far
More than the babe and mother are,
That sons are bid mothers to leave
And to their wives alone to cleave,
‘For they two are one flesh?’ But 'tis
In the flesh we rise. Our union is,
You know 'tis said, ‘great mystery.’
Great mockery, it appears to me;
Poor image of the spousal bond
Of Christ and Church, if loosed beyond
This life!—'Gainst which, and much more yet,
There's not a single word to set.
The speech to the scoffing Sadducee
Is not in point to you and me;
For how could Christ have taught such clods
That Cæsar's things are also God's?
The sort of Wife the Law could make
Might well be ‘hated’ for Love's sake,
And left, like money, land, or house;
For out of Christ is no true spouse.
I used to think it strange of Him
To make love's after-life so dim,
Or only clear by inference:
But God trusts much to common sense,
And only tells us what, without
His Word, we could not have found out.
On fleshly tables of the heart
He penn'd truth's feeling counterpart
In hopes that come to all: so, Dear,
Trust these, and be of happy cheer,
Nor think that he who has loved well
Is of all men most miserable.
There's much more yet I want to say,
But cannot now. You know my way
Of feeling strong from Twelve till Two
After my wine. I'll write to you
Daily some words, which you shall have
To break the silence of the grave.
From Jane To Frederick
You think, perhaps, ‘Ah, could she know
How much I loved her!’ Dear, I do!
And you may say, ‘Of this new awe
‘Of heart which makes her fancies law,
‘These watchful duties of despair,
‘She does not dream, she cannot care!’
Frederick, you see how false that is,
Or how could I have written this?
And, should it ever cross your mind
That, now and then, you were unkind,
You never, never were at all!
Remember that! It's natural
For one like Mr. Vaughan to come,
From a morning's useful pastime, home,
And greet, with such a courteous zest,
His handsome wife, still newly dress'd,
As if the Bird of Paradise
Should daily change her plumage thrice.
He's always well, she's always gay.
Of course! But he who toils all day,
And comes home hungry, tired, or cold,
And feels 'twould do him good to scold
His wife a little, let him trust
Her love, and say the things he must,
Till sooth'd in mind by meat and rest.
If, after that, she's well caress'd,
And told how good she is, to bear
His humour, fortune makes it fair.
Women like men to be like men;
That is, at least, just now and then.
Thus, I have nothing to forgive,
But those first years, (how could I live!)
When, though I really did behave
So stupidly, you never gave
One unkind word or look at all:
As if I was some animal
You pitied! Now, in later life,
You used me like a proper Wife.
You feel, Dear, in your present mood,
Your Jane, since she was kind and good,
A child of God, a living soul,
Was not so different, on the whole,
From Her who had a little more
Of God's best gifts: but, oh, be sure,
My dear, dear Love, to take no blame
Because you could not feel the same
Towards me, living, as when dead.
A hungry man must needs think bread
So sweet! and, only at their rise
And setting, blessings, to the eyes,
Like the sun's course, grow visible.
If you are sad, remember well,
Against delusions of despair,
That memory sees things as they were,
And not as they were misenjoy'd,
And would be still, if ought destroy'd
The glory of their hopelessness:
So that, in truth, you had me less
In days when necessary zeal
For my perfection made you feel
My faults the most, than now your love
Forgets but where it can approve.
You gain by loss, if that seem'd small
Possess'd, which, being gone, turns all
Surviving good to vanity.
Oh, Fred, this makes it sweet to die!
Say to yourself: ‘'Tis comfort yet
‘I made her that which I regret;
‘And parting might have come to pass
‘In a worse season; as it was,
‘Love an eternal temper took,
‘Dipp'd, glowing, in Death's icy brook!’
Or say, ‘On her poor feeble head
‘This might have fallen: 'tis mine instead!
‘And so great evil sets me free
‘Henceforward from calamity.
‘And, in her little children, too,
‘How much for her I yet can do!’
And grieve not for these orphans even;
For central to the love of Heaven
Is each child as each star to space.
This truth my dying love has grace
To trust with a so sure content,
I fear I seem indifferent.
You must not think a child's small heart
Cold, because it and grief soon part.
Fanny will keep them all away,
Lest you should hear them laugh and play,
Before the funeral's over. Then
I hope you'll be yourself again,
And glad, with all your soul, to find
How God thus to the sharpest wind
Suits the shorn lambs. Instruct them, Dear,
For my sake, in His love and fear.
And show how, till their journey's done,
Not to be weary they must run.
Strive not to dissipate your grief
By any lightness. True relief
Of sorrow is by sorrow brought.
And yet for sorrow's sake, you ought
To grieve with measure. Do not spend
So good a power to no good end!
Would you, indeed, have memory stay
In the heart, lock up and put away
Relics and likenesses and all
Musings, which waste what they recall.
True comfort, and the only thing
To soothe without diminishing
A prized regret, is to match here,
By a strict life, God's love severe.
Yet, after all, by nature's course,
Feeling must lose its edge and force.
Again you'll reach the desert tracts
Where only sin or duty acts.
But, if love always lit our path,
Where were the trial of our faith?
Oh, should the mournful honeymoon
Of death be over strangely soon,
And life-long resolutions, made
In grievous haste, as quickly fade,
Seeming the truth of grief to mock,
Think, Dearest, 'tis not by the clock
That sorrow goes! A month of tears
Is more than many, many years
Of common time. Shun, if you can,
However, any passionate plan.
Grieve with the heart; let not the head
Grieve on, when grief of heart is dead;
For all the powers of life defy
A superstitious constancy.
The only bond I hold you to
Is that which nothing can undo.
A man is not a young man twice;
And if, of his young years, he lies
A faithful score in one wife's breast,
She need not mind who has the rest.
In this do what you will, dear Love,
And feel quite sure that I approve.
And, should it chance as it may be,
Give her my wedding-ring from me;
And never dream that you can err
T'wards me by being good to her;
Nor let remorseful thoughts destroy
In you the kindly flowering joy
And pleasure of the natural life.
But don't forget your fond, dead Wife.
And, Frederick, should you ever be
Tempted to think your love of me
All fancy, since it drew its breath
So much more sweetly after death,
Remember that I never did
A single thing you once forbid;
All poor folk liked me; and, at the end,
Your Cousin call'd me ‘Dearest Friend!’
And, now, 'twill calm your grief to know,—
You, who once loved Honoria so,—
There's kindness, that's look'd kindly on,
Between her Emily and John.
Thus, in your children, you will wed!
And John seems so much comforted,
(Like Isaac when his mother died
And fair Rebekah was his bride),
By his new hope, for losing me!
So all is happiness, you see.
And that reminds me how, last night,
I dreamt of heaven, with great delight.
A strange, kind Lady watch'd my face,
Kiss'd me, and cried, ‘His hope found grace!’
She bade me then, in the crystal floor,
Look at myself, myself no more;
And bright within the mirror shone
Honoria's smile, and yet my own!
‘And, when you talk, I hear,’ she sigh'd,
‘How much he loved her! Many a bride
‘In heaven such countersemblance wears
‘Through what Love deem'd rejected prayers.’
She would have spoken still; but, lo,
One of a glorious troop, aglow
From some great work, towards her came,
And she so laugh'd, 'twas such a flame,
Aaron's twelve jewels seem'd to mix
With the lights of the Seven Candlesticks.
From Lady Clitheroe To Mrs. Graham
My dearest Aunt, the Wedding-day,
But for Jane's loss, and you away,
Was all a Bride from heaven could beg!
Skies bluer than the sparrow's egg,
And clearer than the cuckoo's call;
And such a sun! the flowers all
With double ardour seem'd to blow!
The very daisies were a show,
Expanded with uncommon pride,
Like little pictures of the Bride.
Your Great-Niece and your Grandson were
Perfection of a pretty pair.
How well Honoria's girls turn out,
Although they never go about!
Dear me, what trouble and expense
It took to teach mine confidence!
Hers greet mankind as I've heard say
That wild things do, where beasts of prey
Were never known, nor any men
Have met their fearless eyes till then.
Their grave, inquiring trust to find
All creatures of their simple kind
Quite disconcerts bold coxcombry,
And makes less perfect candour shy.
Ah, Mrs. Graham! people may scoff,
But how your home-kept girls go off!
How Hymen hastens to unband
The waist that ne'er felt waltzer's hand!
At last I see my Sister's right,
And I've told Maud this very night,
(But, oh, my daughters have such wills!)
To knit, and only dance quadrilles.
You say Fred never writes to you
Frankly, as once he used to do,
About himself; and you complain
He shared with none his grief for Jane.
It all comes of the foolish fright
Men feel at the word, hypocrite.
Although, when first in love, sometimes
They rave in letters, talk, and rhymes,
When once they find, as find they must.
How hard 'tis to be hourly just
To those they love, they are dumb for shame,
Where we, you see, talk on the same.
Honoria, to whose heart alone
He seems to open all his own,
At times has tears in her kind eyes,
After their private colloquies.
He's her most favour'd guest, and moves
My spleen by his impartial loves.
His pleasure has some inner spring
Depending not on anything.
Petting our Polly, none e'er smiled
More fondly on his favourite child;
Yet, playing with his own, it is
Somehow as if it were not his.
He means to go again to sea,
Now that the wedding's over. He
Will leave to Emily and John
The little ones to practise on;
And Major-domo, Mrs. Rouse,
A deal old soul from Wilton House,
Will scold the housemaids and the cook,
Till Emily has learn'd to look
A little braver than a lamb
Surprised by dogs without its dam!
Do, dear Aunt, use your influence,
And try to teach some plain good sense
To Mary. 'Tis not yet too late
To make her change her chosen state
Of single silliness. In truth,
I fancy that, with fading youth,
Her will now wavers. Yesterday,
Though, till the Bride was gone away,
Joy shone from Mary's loving heart,
I found her afterwards apart,
Hysterically sobbing. I
Knew much too well to ask her why.
This marrying of Nieces daunts
The bravest souls of maiden Aunts.
Though Sisters' children often blend
Sweetly the bonds of child and friend,
They are but reeds to rest upon.
When Emily comes back with John,
Her right to go downstairs before
Aunt Mary will but be the more
Observed if kindly waived, and how
Shall these be as they were, when now
Niece has her John, and Aunt the sense
Of her superior innocence?
Somehow, all loves, however fond,
Prove lieges of the nuptial bond;
And she who dares at this to scoff,
Finds all the rest in time drop off;
While marriage, like a mushroom-ring,
Spreads its sure circle every Spring.
She twice refused George Vane, you know;
Yet, when he died three years ago
In the Indian war, she put on gray,
And wears no colours to this day.
And she it is who charges me,
Dear Aunt, with ‘inconsistency!’
From Frederick To Honoria
Cousin, my thoughts no longer try
To cast the fashion of the sky.
Imagination can extend
Scarcely in part to comprehend
The sweetness of our common food
Ambrosial, which ingratitude
And impious inadvertence waste,
Studious to eat but not to taste.
And who can tell what's yet in store
There, but that earthly things have more
Of all that makes their inmost bliss,
And life's an image still of this,
But haply such a glorious one
As is the rainbow of the sun?
Sweet are your words, but, after all
Their mere reversal may befall
The partners of His glories who
Daily is crucified anew:
Splendid privations, martyrdoms
To which no weak remission comes,
Perpetual passion for the good
Of them that feel no gratitude,
Far circlings, as of planets' fires,
Round never-to-be-reach'd desires,
Whatever rapturously sighs
That life is love, love sacrifice.
All I am sure of heaven is this:
Howe'er the mode, I shall not miss
One true delight which I have known.
Not on the changeful earth alone
Shall loyalty remain unmoved
T'wards everything I ever loved.
So Heaven's voice calls, like Rachel's voice
To Jacob in the field, ‘Rejoice!
‘Serve on some seven more sordid years,
‘Too short for weariness or tears;
‘Serve on; then, oh, Beloved, well-tried,
‘Take me for ever as thy Bride!’
From Mary Churchill To The Dean
Charles does me honour, but 'twere vain
To reconsider now again,
And so to doubt the clear-shown truth
I sought for, and received, when youth,
Being fair, and woo'd by one whose love
Was lovely, fail'd my mind to move.
God bids them by their own will go,
Who ask again the things they know!
I grieve for my infirmity,
And ignorance of how to be
Faithful, at once, to the heavenly life,
And the fond duties of a wife.
Narrow am I and want the art
To love two things with all my heart.
Occupied singly in His search,
Who, in the Mysteries of the Church,
Returns, and calls them Clouds of Heaven,
I tread a road, straight, hard, and even;
But fear to wander all confused,
By two-fold fealty abused.
Either should I the one forget,
Or scantly pay the other's debt.
You bid me, Father, count the cost.
I have; and all that must be lost
I feel as only woman can.
To make the heart's wealth of some man,
And through the untender world to move,
Wrapt safe in his superior love,
How sweet! How sweet the household round
Of duties, and their narrow bound,
So plain, that to transgress were hard,
Yet full of manifest reward!
The charities not marr'd, like mine,
With chance of thwarting laws divine;
The world's regards and just delight
In one that's clearly, kindly right,
How sweet! Dear Father, I endure,
Not without sharp regret, be sure,
To give up such glad certainty,
For what, perhaps, may never be.
For nothing of my state I know,
But that t'ward heaven I seem to go,
As one who fondly landward hies
Along a deck that seaward flies.
With every year, meantime, some grace
Of earthly happiness gives place
To humbling ills, the very charms
Of youth being counted, henceforth, harms:
To blush already seems absurd;
Nor know I whether I should herd
With girls or wives, or sadlier balk
Maids' merriment or matrons' talk.
But strait's the gate of life! O'er late,
Besides, 'twere now to change my fate:
For flowers and fruit of love to form,
It must be Spring as well as warm.
The world's delight my soul dejects,
Revenging all my disrespects
Of old, with incapacity
To chime with even its harmless glee,
Which sounds, from fields beyond my range,
Like fairies' music, thin and strange.
With something like remorse, I grant
The world has beauty which I want;
And if, instead of judging it,
I at its Council chance to sit,
Or at its gay and order'd Feast,
My place seems lower than the least.
The conscience of the life to be
Smites me with inefficiency,
And makes me all unfit to bless
With comfortable earthliness
The rest-desiring brain of man.
Finally, then, I fix my plan
To dwell with Him that dwells apart
In the highest heaven and lowliest heart;
Nor will I, to my utter loss,
Look to pluck roses from the Cross.
As for the good of human love,
'Twere countercheck almost enough
To think that one must die before
The other; and perhaps 'tis more
In love's last interest to do
Nought the least contrary thereto,
Than to be blest, and be unjust,
Or suffer injustice; as they must,
Without a miracle, whose pact
Compels to mutual life and act,
Whether love shines, or darkness sleeps
Cold on the spirit's changeful deeps.
Enough if, to my earthly share,
Fall gleams that keep me from despair.
Happy the things we here discern;
More happy those for which we yearn;
But measurelessly happy above
All else are those we guess not of!
From Felix To Honoria
Dearest, my Love and Wife, 'tis long
Ago I closed the unfinish'd song
Which never could be finish'd; nor
Will ever Poet utter more
Of love than I did, watching well
To lure to speech the unspeakable!
‘Why, having won her, do I woo?’
That final strain to the last height flew
Of written joy, which wants the smile
And voice that are, indeed, the while
They last, the very things you speak,
Honoria, who mak'st music weak
With ways that say, ‘Shall I not be
‘As kind to all as Heaven to me?’
And yet, ah, twenty-fold my Bride!
Rising, this twentieth festal-tide,
You still soft sleeping, on this day
Of days, some words I long to say,
Some words superfluously sweet
Of fresh assurance, thus to greet
Your waking eyes, which never grow
Weary of telling what I know
So well, yet only well enough
To wish for further news thereof.
Here, in this early autumn dawn,
By windows opening on the lawn,
Where sunshine seems asleep, though bright,
And shadows yet are sharp with night,
And, further on, the wealthy wheat
Bends in a golden drowse, how sweet
To sit and cast my careless looks
Around my walls of well-read books,
Wherein is all that stands redeem'd
From time's huge wreck, all men have dream'd
Of truth, and all by poets known
Of feeling, and in weak sort shown,
And, turning to my heart again,
To find I have what makes them vain,
The thanksgiving mind, which wisdom sums,
And you, whereby it freshly comes
As on that morning, (can there be
Twenty-two years 'twixt it and me?)
When, thrill'd with hopeful love I rose
And came in haste to Sarum Close,
Past many a homestead slumbering white
In lonely and pathetic light,
Merely to fancy which drawn blind
Of thirteen had my Love behind,
And in her sacred neighbourhood
To feel that sweet scorn of all good
But her, which let the wise forfend
When wisdom learns to comprehend!
Dearest, as each returning May
I see the season new and gay
With new joy and astonishment,
And Nature's infinite ostent
Of lovely flowers in wood and mead,
That weet not whether any heed,
So see I, daily wondering, you,
And worship with a passion new
The Heaven that visibly allows
Its grace to go about my house,
The partial Heaven, that, though I err
And mortal am, gave all to her
Who gave herself to me. Yet I
Boldly thank Heaven, (and so defy
The beggarly soul'd humbleness
Which fears God's bounty to confess,)
That I was fashion'd with a mind
Seeming for this great gift design'd,
So naturally it moved above
All sordid contraries of love,
Strengthen'd in youth with discipline
Of light, to follow the divine
Vision, (which ever to the dark
Is such a plague as was the ark
In Ashdod, Gath, and Ekron,) still
Discerning with the docile will
Which comes of full persuaded thought,
That intimacy in love is nought
Without pure reverence, whereas this,
In tearfullest banishment, is bliss.
And so, dearest Honoria, I
Have never learn'd the weary sigh
Of those that to their love-feasts went,
Fed, and forgot the Sacrament;
And not a trifle now occurs
But sweet initiation stirs
Of new-discover'd joy, and lends
To feeling change that never ends;
And duties, which the many irk,
Are made all wages and no work.
How sing of such things save to her,
Love's self, so love's interpreter?
How the supreme rewards confess
Which crown the austere voluptuousness
Of heart, that earns, in midst of wealth,
The appetite of want and health,
Relinquishes the pomp of life
And beauty to the pleasant Wife
At home, and does all joy despise
As out of place but in her eyes?
How praise the years and gravity
That make each favour seem to be
A lovelier weakness for her lord?
And, ah, how find the tender word
To tell aright of love that glows
The fairer for the fading rose?
Of frailty which can weight the arm
To lean with thrice its girlish charm?
Of grace which, like this autumn day,
Is not the sad one of decay,
Yet one whose pale brow pondereth
The far-off majesty of death?
How tell the crowd, whom passion rends,
That love grows mild as it ascends?
That joy's most high and distant mood
Is lost, not found in dancing blood;
Albeit kind acts and smiling eyes,
And all those fond realities
Which are love's words, in us mean more
Delight than twenty years before?
How, Dearest, finish, without wrong
To the speechless heart, the unfinish'd song,
Its high, eventful passages
Consisting, say, of things like these:—
One morning, contrary to law,
Which, for the most, we held in awe,
Commanding either not to intrude
On the other's place of solitude
Or solitary mind, for fear
Of coming there when God was near,
And finding so what should be known
To Him who is merciful alone,
And views the working ferment base
Of waking flesh and sleeping grace,
Not as we view, our kindness check'd
By likeness of our own defect,
I, venturing to her room, because
(Mark the excuse!) my Birthday 'twas,
Saw, here across a careless chair,
A ball-dress flung, as light as air,
And, here, beside a silken couch,
Pillows which did the pressure vouch
Of pious knees, (sweet piety!
Of goodness made and charity,
If gay looks told the heart's glad sense,
Much rather than of penitence,)
And, on the couch, an open book,
And written list—I did not look,
Yet just in her clear writing caught:—
‘Habitual faults of life and thought
‘Which most I need deliverance from.’
I turn'd aside, and saw her come
Adown the filbert-shaded way,
Beautified with her usual gay
Hypocrisy of perfectness,
Which made her heart, and mine no less,
So happy! And she cried to me,
‘You lose by breaking rules, you see!
‘Your Birthday treat is now half-gone
‘Of seeing my new ball-dress on.’
And, meeting so my lovely Wife,
A passing pang, to think that life
Was mortal, when I saw her laugh,
Shaped in my mind this epitaph:
‘Faults had she, child of Adam's stem,
‘But only Heaven knew of them.’
For many a dreadful day,
In sea-side lodgings sick she lay,
Noteless of love, nor seem'd to hear
The sea, on one side, thundering near,
Nor, on the other, the loud Ball
Held nightly in the public hall;
Nor vex'd they my short slumbers, though
I woke up if she breathed too low.
Thus, for three months, with terrors rife,
The pending of her precious life
I watch'd o'er; and the danger, at last,
The kind Physician said, was past.
Howbeit, for seven harsh weeks the East
Breathed witheringly, and Spring's growth ceased,
And so she only did not die;
Until the bright and blighting sky
Changed into cloud, and the sick flowers
Remember'd their perfumes, and showers
Of warm, small rain refreshing flew
Before the South, and the Park grew,
In three nights, thick with green. Then she
Revived, no less than flower and tree,
In the mild air, and, the fourth day,
Look'd supernaturally gay
With large, thanksgiving eyes, that shone,
The while I tied her bonnet on,
So that I led her to the glass,
And bade her see how fair she was,
And how love visibly could shine.
Profuse of hers, desiring mine,
And mindful I had loved her most
When beauty seem'd a vanish'd boast,
She laugh'd. I press'd her then to me,
Nothing but soft humility;
Nor e'er enhanced she with such charms
Her acquiescence in my arms.
And, by her sweet love-weakness made
Courageous, powerful, and glad,
In a clear illustration high
Of heavenly affection, I
Perceived that utter love is all
The same as to be rational,
And that the mind and heart of love,
Which think they cannot do enough,
Are truly the everlasting doors
Wherethrough, all unpetition'd, pours
The eternal pleasance. Wherefore we
Had innermost tranquillity,
And breathed one life with such a sense
Of friendship and of confidence,
That, recollecting the sure word:
‘If two of you are in accord,
‘On earth, as touching any boon
‘Which ye shall ask, it shall be done
‘In heaven,’ we ask'd that heaven's bliss
Might ne'er be any less than this;
And, for that hour, we seem'd to have
The secret of the joy we gave.
How sing of such things, save to her,
Love's self, so love's interpreter?
How read from such a homely page
In the ear of this unhomely age?
'Tis now as when the Prophet cried:
‘The nation hast Thou multiplied,
‘But Thou hast not increased the joy!’
And yet, ere wrath or rot destroy
Of England's state the ruin fair,
Oh, might I so its charm declare,
That, in new Lands, in far-off years,
Delighted he should cry that hears:
‘Great is the Land that somewhat best
‘Works, to the wonder of the rest!
‘We, in our day, have better done
‘This thing or that than any one;
‘And who but, still admiring, sees
‘How excellent for images
‘Was Greece, for laws how wise was Rome;
‘But read this Poet, and say if home
‘And private love did e'er so smile
‘As in that ancient English isle!’
From Lady Clitheroe To Emily Graham
My dearest Niece, I'm charm'd to hear
The scenery's fine at Windermere,
And glad a six-weeks' wife defers
In the least to wisdom not yet hers.
But, Child, I've no advice to give!
Rules only make it hard to live.
And where's the good of having been
Well taught from seven to seventeen,
If, married, you may not leave off,
And say, at last, ‘I'm good enough!’
Weeding out folly, still leave some.
It gives both lightness and aplomb.
We know, however wise by rule,
Woman is still by nature fool;
And men have sense to like her all
The more when she is natural.
'Tis true that, if we choose, we can
Mock to a miracle the man;
But iron in the fire red hot,
Though 'tis the heat, the fire 'tis not:
And who, for such a feint, would pledge
The babe's and woman's privilege,
No duties and a thousand rights?
Besides, defect love's flow incites,
As water in a well will run
Only the while 'tis drawn upon.
‘Point de culte sans mystère,’ you say,
‘And what if that should die away?’
Child, never fear that either could
Pull from Saint Cupid's face the hood.
The follies natural to each
Surpass the other's moral reach.
Just think how men, with sword and gun,
Will really fight, and never run;
And all in sport: they would have died,
For sixpence more, on the other side!
A woman's heart must ever warm
At such odd ways: and so we charm
By strangeness which, the more they mark,
The more men get into the dark.
The marvel, by familiar life,
Grows, and attaches to the wife
By whom it grows. Thus, silly Girl,
To John you'll always be the pearl
In the oyster of the universe;
And, though in time he'll treat you worse,
He'll love you more, you need not doubt,
And never, never find you out!
My Dear, I know that dreadful thought
That you've been kinder than you ought.
It almost makes you hate him! Yet
'Tis wonderful how men forget,
And how a merciful Providence
Deprives our husbands of all sense
Of kindness past, and makes them deem
We always were what now we seem.
For their own good we must, you know,
However plain the way we go,
Still make it strange with stratagem;
And instinct tells us that, to them,
'Tis always right to bate their price.
Yet I must say they're rather nice,
And, oh, so easily taken in
To cheat them almost seems a sin!
And, Dearest, 'twould be most unfair
To John your feelings to compare
With his, or any man's; for she
Who loves at all loves always; he,
Who loves far more, loves yet by fits,
And when the wayward wind remits
To blow, his feelings faint and drop
Like forge-flames when the bellows stop.
Such things don't trouble you at all
When once you know they're natural.
My love to John; and, pray, my Dear,
Don't let me see you for a year;
Unless, indeed, ere then you've learn'd
That Beauties wed are blossoms turn'd
To unripe codlings, meant to dwell
In modest shadow hidden well,
Till this green stage again permute
To glow of flowers with good of fruit.
I will not have my patience tried
By your absurd new-married pride,
That scorns the world's slow-gather'd sense,
Ties up the hands of Providence,
Rules babes, before there's hope of one,
Better than mothers e'er have done,
And, for your poor particular,
Neglects delights and graces far
Beyond your crude and thin conceit.
Age has romance almost as sweet
And much more generous than this
Of yours and John's. With all the bliss
Of the evenings when you coo'd with him,
And upset home for your sole whim,
You might have envied, were you wise,
The tears within your Mother's eyes,
Which, I dare say, you did not see.
But let that pass! Yours yet will be,
I hope, as happy, kind, and true
As lives which now seem void to you.
Have you not seen shop-painters paste
Their gold in sheets, then rub to waste
Full half, and, lo, you read the name?
Well, Time, my Dear, does much the same
With this unmeaning glare of love.
But, though you yet may much improve,
In marriage, be it still confess'd,
There's little merit at the best.
Some half-a-dozen lives, indeed,
Which else would not have had the need,
Get food and nurture, as the price
Of antedated Paradise;
But what's that to the varied want
Succour'd by Mary, your dear Aunt,
Who put the bridal crown thrice by,
For that of which virginity,
So used, has hope? She sends her love,
As usual with a proof thereof—
Papa's discourse, which you, no doubt,
Heard none of, neatly copied out
Whilst we were dancing. All are well,
Adieu, for there's the Luncheon Bell.
The Wedding Sermon
The truths of Love are like the sea
For clearness and for mystery.
Of that sweet love which, startling, wakes
Maiden and Youth, and mostly breaks
The word of promise to the ear,
But keeps it, after many a year,
To the full spirit, how shall I speak?
My memory with age is weak,
And I for hopes do oft suspect
The things I seem to recollect.
Yet who but must remember well
'Twas this made heaven intelligible
As motive, though 'twas small the power
The heart might have, for even an hour,
To hold possession of the height
Of nameless pathos and delight!
In Godhead rise, thither flow back
All loves, which, as they keep or lack,
In their return, the course assign'd,
Are virtue or sin. Love's every kind,
Lofty or low, of spirit or sense,
Desire is, or benevolence.
He who is fairer, better, higher
Than all His works, claims all desire,
And in His Poor, His Proxies, asks
Our whole benevolence: He tasks,
Howbeit, His People by their powers;
And if, my Children, you, for hours,
Daily, untortur'd in the heart,
Can worship, and time's other part
Give, without rough recoils of sense,
To the claims ingrate of indigence,
Happy are you, and fit to be
Wrought to rare heights of sanctity,
For the humble to grow humbler at.
But if the flying spirit falls flat,
After the modest spell of prayer
That saves the day from sin and care,
And the upward eye a void descries,
And praises are hypocrisies,
And, in the soul, o'erstrain'd for grace,
A godless anguish grows apace;
Or, if impartial charity
Seems, in the act, a sordid lie,
Do not infer you cannot please
God, or that He His promises
Postpones, but be content to love
No more than He accounts enough.
Account them poor enough who want
Any good thing which you can grant;
And fathom well the depths of life
In loves of Husband and of Wife,
Child, Mother, Father; simple keys
To what cold faith calls mysteries.
The love of marriage claims, above
All other kinds, the name of love,
As perfectest, though not so high
As love which Heaven with single eye
Considers. Equal and entire,
Therein benevolence, desire,
Elsewhere ill-join'd or found apart,
Become the pulses of one heart,
Which now contracts, and now dilates,
And, both to the height exalting, mates
Self-seeking to self-sacrifice.
Nay, in its subtle paradise
(When purest) this one love unites
All modes of these two opposites,
All balanced in accord so rich
Who may determine which is which?
Chiefly God's Love does in it live,
And nowhere else so sensitive;
For each is all that the other's eye,
In the vague vast of Deity,
Can comprehend and so contain
As still to touch and ne'er to strain
The fragile nerves of joy. And then
'Tis such a wise goodwill to men
And politic economy
As in a prosperous State we see,
Where every plot of common land
Is yielded to some private hand
To fence about and cultivate.
Does narrowness its praise abate?
Nay, the infinite of man is found
But in the beating of its bound,
And, if a brook its banks o'erpass,
'Tis not a sea, but a morass.
No giddiest hope, no wildest guess
Of Love's most innocent loftiness
Had dared to dream of its own worth,
Till Heaven's bold sun-gleam lit the earth.
Christ's marriage with the Church is more,
My Children, than a metaphor.
The heaven of heavens is symbol'd where
The torch of Psyche flash'd despair.
But here I speak of heights, and heights
Are hardly scaled. The best delights
Of even this homeliest passion, are
In the most perfect souls so rare,
That they who feel them are as men
Sailing the Southern ocean, when,
At midnight, they look up, and eye
The starry Cross, and a strange sky
Of brighter stars; and sad thoughts come
To each how far he is from home.
Love's inmost nuptial sweetness see
In the doctrine of virginity!
Could lovers, at their dear wish, blend,
'Twould kill the bliss which they intend;
For joy is love's obedience
Against the law of natural sense;
And those perpetual yearnings sweet
Of lives which dream that they can meet
Are given that lovers never may
Be without sacrifice to lay
On the high altar of true love,
With tears of vestal joy. To move
Frantic, like comets to our bliss,
Forgetting that we always miss,
And so to seek and fly the sun,
By turns, around which love should run,
Perverts the ineffable delight
Of service guerdon'd with full sight
And pathos of a hopeless want,
To an unreal victory's vaunt,
And plaint of an unreal defeat.
Yet no less dangerous misconceit
May also be of the virgin will,
Whose goal is nuptial blessing still,
And whose true being doth subsist,
There where the outward forms are miss'd,
In those who learn and keep the sense
Divine of ‘due benevolence,’
Seeking for aye, without alloy
Of selfish thought, another's joy,
And finding in degrees unknown
That which in act they shunn'd, their own.
For all delights of earthly love
Are shadows of the heavens, and move
As other shadows do; they flee
From him that follows them; and he
Who flies, for ever finds his feet
Embraced by their pursuings sweet.
Then, even in love humane, do I
Not counsel aspirations high,
So much as sweet and regular
Use of the good in which we are.
As when a man along the ways
Walks, and a sudden music plays,
His step unchanged, he steps in time,
So let your Grace with Nature chime.
Her primal forces burst, like straws,
The bonds of uncongenial laws.
Right life is glad as well as just,
And, rooted strong in ‘This I must,’
It bears aloft the blossom gay
And zephyr-toss'd, of ‘This I may;’
Whereby the complex heavens rejoice
In fruits of uncommanded cho
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
Paused scarcely a moment, and then sped away,
And two actors more now enliven our play.
A graceful young woman with eyes like the morn,
With hair like the tassels which hang from the corn,
And a face that might serve as a model for Peace,
Moved lightly along, smiled and bowed to Maurice,
Then was lost in the circle of friends waiting near.
A discord of shrill nasal tones smote the ear,
As they greeted their comrade and bore her from sight.
(The ear oft is pained while the eye feels delight
In the presence of women throughout our fair land:
God gave them the graces which win and command,
But the devil, who always in mischief rejoices,
Slipped into their teachers and ruined their voices.)
There had stepped from the train just behind Mabel Lee
A man whose deportment bespoke him to be
A child of good fortune. His mien and his air
Were those of one all unaccustomed to care.
His brow was not vexed with the gold seeker's worry,
His manner was free from the national hurry.
Repose marked his movements. Yet gaze in his eye,
And you saw that this calm outer man was a lie;
And you knew that deep down in the depths of his breast
There dwelt the unmerciful imp of unrest.
He held out his hand; it was clasped with a will
In both the firm palms of Maurice Somerville.
'Well, Reese, my old Comrade;' 'Ha, Roger, my boy,'
They cried in a breath, and their eyes gemmed with joy
(Which but for their sex had been set in a tear),
As they walked arm in arm to the trap waiting near,
And drove down the shining shell roadway which wound
Through forest and meadow, in search of the Sound.
I smell the salt water-that perfume which starts
The blood from hot brains back to world withered hearts;
You may talk of the fragrance of flower filled fields,
You may sing of the odors the Orient yields,
You may tell of the health laden scent of the pine,
But give me the subtle salt breath of the brine.
Already I feel lost emotions of youth
Steal back to my soul in their sweetness and truth;
Small wonder the years leave no marks on your face,
Time's scythe gathers rust in this idyllic place.
You must feel like a child on the Great Mother's breast,
With the Sound like a nurse watching over your rest?
There is beauty and truth in your quaint simile,
I love the Sound more than the broad open sea.
The ocean seems always stern, masculine, bold,
The Sound is a woman, now warm, and now cold.
It rises in fury and threatens to smite,
Then falls at your feet with a coo of delight;
Capricious, seductive, first frowning, then smiling,
And always, whatever its mood is, beguiling.
Look, now you can see it, bright beautiful blue,
And far in the distance there loom into view
The banks of Long Island, full thirty miles off;
A sign of wet weather to-morrow. Don't scoff!
We people who chum with the waves and the wind
Know more than all wise signal bureaus combined.
But come, let us talk of yourself-for of me
There is little to tell which your eyes may not see.
Since we finished at College (eight years, is it not?)
I simply have dreamed away life in this spot.
With my dogs and my horses, a book and a pen,
And a week spent in town as a change now and then.
Fatigue for the body, disease for the mind,
Are all that the city can give me, I find.
Yet once in a while there is wisdom I hold
In leaving the things that are dearer than gold,-
Loved people and places-if only to learn
The exquisite rapture it is to return.
But you, I remember, craved motion and change;
You hated the usual, worshiped the strange.
Adventure and travel I know were your theme:
Well, how did the real compare with the dream?
You have compassed the earth since we parted at Yale,
Has life grown the richer, or only grown stale?
Stale, stale, my dear boy! that's the story in short,
I am weary of travel, adventure and sport;
At home and abroad, in all climates and lands,
I have had what life gives when a full purse commands
I have chased after Pleasure, that phantom faced elf,
And lost the best part of my youth and myself.
And now, barely thirty, I'm heart sick and blue;
Life seems like a farce scarcely worth sitting through.
I dread its long stretch of dissatisfied years;
Ah! wealth is not always the boon it appears.
And poverty lights not such ruinous fires
As gratified appetites, tastes and desires.
Fate curses, when letting us do as we please-
It stunts a man's soul to be cradled in ease.
You are right in a measure; the devil I hold
Is oftener found in full coffers of gold
Than in bare, empty larders. The soul, it is plain,
Needs the conflicts of earth, needs the stress and the strain
Of misfortune, to bring out its strength in this life-
The Soul's calisthenics are sorrow and strife.
But, Roger, what folly to stand in youth's prime
And talk like a man who could father old Time.
You have life all before you; the past,-let it sleep;
Its lessons alone are the things you should keep.
There is virtue sometimes in our follies and sinnings;
Right lives very often have faulty beginnings.
Results, and not causes, are what we should measure.
You have learned precious truths in your search after pleasure.
You have learned that a glow worm is never a star,
You have learned that Peace builds not her temples afar.
And now, dispossessed of the spirit to roam,
You are finely equipped to establish a home.
That's the one thing you need to lend savor to life,
A home, and the love of a sweet hearted wife,
And children to gladden the path to old age.
Alas! from life's book I have torn out that page;
I have loved many times and in many a fashion,
Which means I know nothing at all of the passion.
I have scattered my heart, here and there, bit by bit,
'Til now there is nothing worth while left of it;
And, worse than all else, I have ceased to believe
In the virtue and truth of the daughters of Eve.
There's tragedy for you-when man's early trust
In woman, experience hurls to the dust!
Then you doubt your own mother?
She passed heavenward
Before I remember; a saint, I have heard,
While she lived; there are scores of good women to-day,
Temptation has chanced not to wander their way.
The devil has more than his lordship can do,
He can't make the rounds, so some women keep true.
You think then each woman, if tempted, must fall?
Yes, if tempted her way-not one way suits them all-
They have tastes in their sins as they have in their clothes,
The tempter, of course, has to first study those.
One needs to be flattered, another is bought;
One yields to caresses, by frowns one is caught.
One wants a bold master, another a slave,
With one you must jest, with another be grave.
But swear you're a sinner whom she has reformed
And the average feminine fortress is stormed.
In rescuing men from abysses of sin
She loses her head-and herself tumbles in.
The mind of a woman was shaped for a saint,
But deep in her heart lies the devil's own taint.
With plans for salvation her busy brain teems,
While her heart longs in secret to know how sin seems.
And if with this question unanswered she dies,
Temptation came not in the right sort of guise.
There's my estimate, Reese, of the beautiful sex;
I see by your face that my words wound and vex,
But remember, my boy, I'm a man of the world.
Thank God, in the vortex I have not been hurled.
If experience breeds such a mental disease,
I am glad I have lived with the birds and the bees,
And the winds and the waves, and let people alone.
So far in my life but good women I've known.
My mother, my sister, a few valued friends-
A teacher, a schoolmate, and there the list ends.
But to know one true woman in sunshine and gloom,
From the zenith of life to the door of the tomb,
To know her, as I knew that mother of mine,
Is to know the whole sex and to kneel at the shrine.
Then you think saint and woman synonymous terms?
Oh, no! we are all, men and women, poor worms
Crawling up from the dampness and darkness of clay
To bask in the sunlight and warmth of the day.
Some climb to a leaf and reflect its bright sheen,
Some toil through the grass, and are crushed there unseen.
Some sting if you touch them, and some evolve wings;
Yet God dwells in each of the poor, groping things.
They came from the Source-to the Source they go back;
The sinners are those who have missed the true track.
We can not judge women or men as a class,
Each soul has its own distinct place in the mass.
There is no sex in sin; it were folly to swear
All women are angels, but worse to declare
All are devils as you do. You're morbid, my boy,
In what you thought gold you have found much alloy
And now you are doubting there is the true ore.
But wait till you study my sweet simple store
Of pure sterling treasures; just wait till you've been
A few restful weeks, or a season, within
The charmed circle of home life; then, Roger, you'll find
These malarial mists clearing out of your mind.
As a ship cuts the fog and is caught by the breeze,
And swept through the sunlight to fair, open seas,
So your heart will be caught and swept out to the ocean
Of youth and youth's birthright of happy emotion.
I'll wager my hat (it was new yesterday)
That you'll fall in love, too, in a serious way.
Our girls at Bay Bend are bewitching and fair,
And Cupid lurks ever in salt Summer air.
I question your gifts as a prophet, and yet,
I confess in my travels I never have met
A woman whose face so impressed me at sight,
As one seen to-day; a mere girl, sweet and bright,
Who entered the train quite alone and sat down
Surrounded by parcels she'd purchased in town.
A trim country lass, but endowed with the beauty
Which makes a man think of his conscience and duty.
Some women, you know, move us that way-God bless them,
While others rouse only a thirst to possess them
The face of the girl made me wish to be good,
I went out and smoked to escape from the mood.
When conscience through half a man's life has been sleeping
What folly to wake it to worry and weeping!
The pessimist role is a modern day fad,
But, Roger, you make a poor cynic, my lad.
Your heart at the core is as sound as a nut,
Though the wheels of your mind have dropped into the rut
Of wrong thinking. You need a strong hand on the lever
Of good common sense, and an earnest endeavor
To pull yourself out of the slough of despond
Back into the highway of peace just beyond.
And now, here we are at Peace Castle in truth,
And there stands its Chatelaine, sweet Sister Ruth,
To welcome you, Roger; you'll find a new type
In this old-fashioned girl, who in years scarcely ripe,
And as childish in heart as she is in her looks,
And without worldly learning or knowledge of books,
Yet in housewifely wisdom is wise as a sage.
She is quite out of step with the girls of her age,
For she has no ambition beyond the home sphere.
Ruth, here's Roger Montrose, my comrade of dear College days.
The gray eyes of the girl of nineteen
Looked into the face oft in fancy she'd seen
When her brother had talked of his comrade at Yale.
His stature was lower, his cheek was more pale
Than her thought had portrayed him; a look in his eye
Made her sorry, she knew not for what nor knew why,
But she longed to befriend him, as one needing aid.
While he, gazing down on the face of the maid,
Spoke some light words of greeting, the while his mind ran
On her 'points' good and bad; for the average man
When he looks at a woman proceeds first to scan her
As if she were horse flesh, and in the same manner
Notes all that is pleasing, or otherwise. So
Roger gazed at Ruth Somerville.
'Mouth like a bow
And eyes full of motherhood; color too warm,
And too round in the cheek and too full in the form
For the highest ideal of beauty and art.
Domestic-that word is the cue to her part
She would warm a man's slippers, but never his veins;
She would feed well his stomach, but never his brains.
And after she looks on her first baby's face,
Her husband will hold but a second-class place
In her thoughts or emotions, unless he falls ill,
When a dozen trained nurses her place can not fill.
She is sweet of her kind; and her kind since the birth
Of this sin ridden, Circe-cursed planet, the Earth,
Has kept it, I own, with its medleys of evil
From going straight into the hands of the devil.
It is not through its heroes the world lives and thrives,
But through its sweet commonplace mothers and wives.
We love them, and leave them; deceive, and respect them,
We laud loud their virtues and straightway neglect them.
They are daisy and buttercup women of earth
Who grace common ways with their sweetness and worth.
We praise, but we pass them, to reach for some flower
That stings when we pluck it, or wilts in an hour.
'You are thornless, fair Ruth! you are useful and sweet!
But lovers shall pass you to sigh at the feet
Of the selfish and idle, for such is man's way;
Your lot is to work, and to weep, and to pray.
To give much and get little; to toil and to wait
For the meager rewards of indifferent fate.
Yet so wholesome your heart, you will never complain;
You will feast on life's sorrow and drink of its pain,
And thank God for the banquet; 'tis women like you
Who make the romancing of preachers seem true.
The earth is your debtor to such large amounts
There must be a heaven to square up accounts,
Or else the whole scheme of existence at best
Is a demon's poor effort at making a jest.'
That night as Ruth brushed out her bright hazel hair
Her thoughts were of Roger, 'His bold laughing air
Is a cloak to some sorrow concealed in his breast,
His mind is the home of some secret unrest.'
She sighed; and there woke in her bosom once more
The impulse to comfort and help him; to pour
Soothing oil from the urn of her heart on his wounds.
Where motherhood nature in woman abounds
It is thus Cupid comes; unannounced and unbidden,
In sweet pity's guise, with his arrows well hidden.
But once given welcome and housed as a guest,
He hurls the whole quiver full into her breast,
While he pulls off his mask and laughs up in her eyes
With an impish delight at her start of surprise.
So intent is this archer on bagging his game
He scruples at nothing which gives him good aim.
Ruth's heart was a virgin's, in love menaced danger
While she sat by her mirror and pitied the stranger.
But just as she blew out her candle and stood
Robed for sleep in the moonlight, a change in her mood
Quickly banished the dreamer, and brought in its stead
The practical housekeeper. Sentiment fled;
And she puzzled her brain to decide which were best,
Corn muffins or hot graham gems, for the guest!
The short-sighted minister preached at Bay Bend
His long-winded sermon quite through to the end,
Unmindful there sat in the Somerville pew
A stranger whose pale handsome countenance drew
All eyes from his own reverend self; nor suspected
What Ruth and her brother too plainly detected
That the stranger was bored.
'Though his gaze never stirred
From the face of the preacher, his heart has not heard,'
Ruth said to herself; and her soft mother-eye
Was fixed on his face with a look like a sigh
In its tremulous depths, as they rose to depart.
Then suddenly Roger, alert, seemed to start
And his dull, listless glance changed to one of surprise
And of pleasure. Ruth saw that the goal of his eyes
Was her friend Mabel Lee in the vestibule; fair
As a saint that is pictured with sun tangled hair
And orbs like the skies in October. She smiled,
And the saint disappeared in the innocent child
With an unconscious dower of beauty and youth
She paused in the vestibule waiting for Ruth
And seemed not to notice the warm eager gaze
Of two men fixed upon her in different ways.
One, the look which souls lift to a being above,
The other a look of unreasoning love
Born of fancy and destined to grow in an hour
To a full fledged emotion of mastering power.
She spoke, and her voice disappointed the ear;
It lacked some deep chords that the heart hoped to hear.
It was sweet, but not vibrant; it came from the throat,
And one listened in vain for a full chested note.
While something at times like a petulant sound
Seemed in strange disaccord with the peace so profound
Of the eyes and the brow.
Though our sight is deceived
The ear is an organ that may be believed.
The faces of people are trained to conceal,
But their unruly voices are prone to reveal
What lies deep in their natures; a voice rarely lies,
But Mabel Lee's voice told one tale, while her eyes
Told another. Large, liquid, and peaceful as lakes
Where the azure dawn rests, ere the loud world awakes,
Were the beautiful eyes of the maiden. 'A saint,
Without mortal blemish or weak human taint,'
Said Maurice to himself. To himself Roger said:
'The touch of her soft little hands on my head
Would convert me. What peace for a world weary breast
To just sit by her side and be soothed into rest.'
Daring thoughts for a stranger. Maurice, who had known
Mabel Lee as a child, to himself would not own
Such bold longings as those were. He held her to be
Too sacred for even a thought that made free.
And the voice in his bosom was silenced and hushed
Lest the bloom from her soul by his words should be brushed.
There are men to whom love is religion; but woman
Is far better pleased with a homage more human.
Though she may not be able to love in like fashion,
She wants to be wooed with both ardor and passion.
Had Mabel Lee read Roger's thoughts of her, bold
Though they were, they had flattered and pleased her, I hold.
The stranger was duly presented.
I am sure, has no least recollection of me,
But the pleasure is mine to have looked on her face
Once before this.
Indeed? May I ask where?
Was the train, and the time yesterday.
'Then I came
From my shopping excursion in town by the same
Fast express which brought you? Had I known that the friend
Of my friends, was so near me en route for Bay Bend,
I had waived all conventions and asked him to take
One-half of my parcels for sweet pity's sake.
You sadden me sorely. As long as I live
I shall mourn the great pleasure chance chose not to give.
Take courage, mon ami. Our fair friend, Miss Lee,
Fills her time quite as full of sweet works as the bee;
Like the bee, too, she drives out the drones from her hive.
You must toil in her cause, in her favor to thrive.
She need but command me. To wait upon beauty
And goodness combined makes a pleasure of duty.
Who serves Mabel Lee serves all Righteousness too.
Pray, then, that she gives you some labor to do.
The cure for the pessimist lies in good deeds.
Who toils for another forgets his own needs,
And mischief and misery never attend
On the man who is occupied fully.
Has the town on her shoulders. Whatever may be
The cause that is needy, we look to Miss Lee.
Have you gold? She will make you disgorge it ere long;
Are you poor? Well, perchance you can dance-sing a song-
Make a speech-tell a story, or plan a charade.
Whatever you have, gold or wits, sir, must aid
In her numerous charities.
Riches and brain
Are but loans from the Master. He meant them, 'tis plain,
To be used in His service; and people are kind,
When once you can set them to thinking. I find
It is lack of perception, not lack of good heart
Which makes the world selfish in seeming. My part
Is to call the attention of Plenty to need,
And to bid Pleasure pause for a moment and heed
The woes and the burdens of Labor.
From the rosy and eloquent lips of Miss Lee
Would make Avarice pour out his coffers of gold
At her feet, I should fancy; would soften the cold,
Selfish heart of the world to compassionate sighs,
And bring tears of pity to vain Pleasure's eyes.
As the sunset a color on lily leaves throws,
The words and the glances of Roger Montrose
O'er the listener's cheeks sent a pink tinted wave;
While Maurice seemed disturbed, and his sister grew grave.
The false chink of flattery's coin smites the ear
With an unpleasant ring when the heart is sincere.
Yet the man whose mind pockets are filled with this ore,
Though empty his brain cells, is never a bore
To the opposite sex.
While Maurice knew of old
Roger's wealth in that coin that does duty for gold
In Society dealings, it hurt him to see
The cheap metal offered to sweet Mabel Lee.
(Yet, perchance, the hurt came, not so much that 'twas offered,
As in seeing her take, with a smile, what was proffered.)
They had walked, two by two, down the elm shaded street,
Which led to a cottage, vine hidden, and sweet
With the breath of the roses that covered it, where
Mabel paused in the gateway; a picture most fair.
'I would ask you to enter,' she said, 'ere you pass,
But in just twenty minutes my Sunday-school class
Claims my time and attention; and later I meet
A Committee on Plans for the boys of the street.
We seek to devise for these pupils in crime
Right methods of thought and wise uses of time.
I am but a vagrant, untutored and wild,
May I join your street class, and be taught like a child?
If you come I will carefully study your case.
I must go along, too, just to keep him in place.
Then you think him unruly?
I was, but am changed since one-half hour ago.
The change is too sudden to be of much worth;
The deepest convictions are slowest of birth.
Conversion, I hold, to be earnest and lasting,
Begins with repentance and praying and fasting,
And (begging your pardon for such a bold speech),
You seem, sir, a stranger to all and to each
Of these ways of salvation.
Since yesterday, miss,
When, unseen, I first saw you (believe me in this),
I have deeply repented my sins of the past.
To-night I will pray, and to-morrow will fast-
Or, make it next week, when my shore appetite
May be somewhat subdued in its ravenous might.
That's the way of the orthodox sinner! He waits
Until time or indulgence or misery sates
All his appetites, then his repentance begins,
When his sins cease to please, then he gives up his sins
And grows pious. Now prove you are morally brave
By actually giving up something you crave!
We have fricasseed chicken and strawberry cake
For our dinner to-day.
For dear principle's sake
I could easily do what you ask, were it not
Most unkind to Miss Ruth, who gave labor and thought
To that menu, preparing it quite to my taste.
But the thought and the dinner will both go to waste,
If we linger here longer; and Mabel, I see,
Is impatient to go to her duties.
Is reluctant to turn from the lily although
The lily may obviously wish he would go
And leave her to muse in the sunlight alone.
Yet when the rose calls him, his sorrow, I own,
Has its recompense. So from delight to delight
I fly with my wings honeyladen.
Oh, love is like the dawnlight
That turns the dark to day,
And love is like the deep night
With secrets hid away.
And love is like the moonlight
Where tropic Summers glow,
And love is like the twilight
When dreams begin to grow.
Oh, love is like the sunlight
That sets the world ablaze.
And love is like the moonlight
With soft, illusive rays.
And love is like the starlight
That glimmers o'er the skies.
And love is like the far light
That shines from God's great eyes.
Maurice Somerville from his turreted den
Looked out of the window and laid down his pen.
A soft salty wind from the water was blowing,
Below in the garden sat Ruth with her sewing.
And stretched on the grass at her feet Roger lay
With a book in his hand.
Through the ripe August day,
Piped the Katydids' voices, Jack Frost's tally-ho
Commanding Queen Summer to pack up and go.
Maurice leaned his head on the casement and sighed,
Strong and full in his heart surged love's turbulent tide.
And thoughts of the woman he worshiped with longing
Took shape and like angels about him came thronging.
The world was all Mabel! her exquisite face
Seemed etched on the sunlight and gave it its grace;
Her eyes made the blue of the heavens, the sun
Was her wonderful hair caught and coiled into one
Shining mass. With a reverent, worshipful awe,
It was Mabel, fair Mabel, dear Mabel he saw,
When he looked up to God.
They had been much together
Through all the bright stretches of midsummer weather,
Ruth, Roger, and Mabel and he. Scarce a day
But the four were united in work or in play.
And much of the play to a man or a maid
Not in love had seemed labor. Recital, charade,
Garden party, church festival, musical, hop,
Were all planned by Miss Lee without respite or stop.
The poor were the richer; school, hospital, church,
The heathen, the laborer left in the lurch
By misfortune, the orphan, the indigent old,
Our kind Lady Bountiful aided with gold
Which she filched from the pockets of pleasure-God's spoil,
And God's blessing will follow such lives when they toil
Through an infinite sympathy.
Fair Mabel Lee
Loved to rule and to lead. She was eager to be
In the eyes of the public. That modern day craze
Possessed her in secret, and this was its phase.
An innocent, even commendable, fad
Which filled empty larders and cheered up the sad.
She loved to do good. But, alas! in her heart,
She loved better still the authoritative part
Which she played in her town.
'Neath the saint's aureole
Lurked the feminine tyrant who longed to control,
And who never would serve; but her sway was so sweet,
That her world was contented to bow at her feet.
Who toils in the great public vineyard must needs
Let other hands keep his own garden from weeds.
So busy was Mabel with charity fairs
She gave little thought to her home or its cares.
Mrs. Lee, like the typical modern day mother,
Was maid to her daughter; the father and brother
Were slaves at her bidding; an excellent plan
To make a tyrannical wife for some man.
Yet where was the man who, beholding the grace
Of that slight girlish creature, and watching her face
With its infantile beauty and sweetness, would dare
Think aught but the rarest of virtues dwelt there?
Rare virtues she had, but in commonplace ones
Which make happy husbands and home loving sons
She was utterly lacking. Ruth Somerville saw
In sorrow and silence this blemishing flaw
In the friend whom she loved with devotion! Maurice
Saw only the angel with eyes full of peace.
The faults of plain women are easily seen.
But who cares to peer back of beauty's fair screen
For things which are ugly to look on?
Is not quite in love when his sharp eyes discover
The flaws in his jewel.
Maurice from his room
Looked dreamily down on the garden of bloom,
Where Ruth sat with Roger; he smiled as he thought
How quickly the world sated cynic was brought
Into harness by Cupid. The man mad with drink,
And the man mad with love, is quite certain to think
All other men drunkards or lovers. In truth
Maurice had expected his friend to love Ruth.
'She was young, she was fair; with her bright sunny art
She could scatter the mists from his world befogged heart.
She could give him the one heaven under God's dome,
A peaceful, well ordered, and love-guarded home.
And he? why of course he would worship her! When
Cupid finds the soft spot in the hearts of such men
They are ideal husbands.' Maurice Somerville
Felt the whole world was shaping itself to his will.
And his heart stirred with joy as, by thought necromancy,
He made the near future unfold to his fancy,
And saw Ruth the bride of his friend, and the place
She left vacant supplied with the beauty and grace
Of this woman he longed for, the love of his life,
Fair Mabel, his angel, his sweet spirit wife.
Maurice to his desk turned again and once more
Began to unburden his bosom and pour
His heart out on paper-the poet's relief,
When drunk with life's rapture or sick with its grief.
When shall I tell my lady that I love her?
Will it be while the sunshine woos the world,
Or when the mystic twilight bends above her,
Or when the day's bright banners all are furled?
Will wild winds shriek, or will the calm stars glow,
When I shall tell her that I love her so,
I love her so?
I think the sun should shine in all his glory;
Again, the twilight seems the fitting time.
Yet sweet dark night would understand the story,
So old, so new, so tender, so sublime.
Wild storms should rage to chord with my desire,
Yet faithful stars should shine and never tire,
And never tire.
Ah, if my lady will consent to listen,
All hours, will times, shall hear my story told.
In amorous dawns, on nights when pale stars glisten
In dim hushed gloamings and in noon hours bold,
While thunders crash, and while the winds breathe low,
Will I re-tell her that I love her so.
I love her so.
The October day had been luscious and fair
Like a woman of thirty. A chill in the air
As the sun faced the west spoke of frost lurking near
All day the Sound lay without motion, and clear
As a mirror, and blue as a blond baby's eyes.
A change in the tide brought a change to the skies.
The bay stirred and murmured and parted its lips
And breathed a long sigh for the lost lovely ships,
That had gone with the Summer.
Its calm placid breast
Was stirred into passionate pain and unrest.
Not a sail, not a sail anywhere to be seen!
The soft azure eyes of the sea turned to green.
A sudden wind rose; like a runaway horse
Unchecked and unguided it sped on its course.
The waves bared their teeth, and spat spray in the face
Of the furious gale as they fled in the chase.
The sun hurried into a cloud; and the trees
Bowed low and yet lower, as if to appease
The wrath of the storm king that threatened them Close
To the waves at their wildest stood Roger Montrose.
The day had oppressed him; and now the unrest
Of the wind beaten sea brought relief to his breast,
Or at least brought the sense of companionship. Lashed
By his higher emotions, the man's passions dashed
On the shore of his mind in a frenzy of pain,
Like the waves on the rocks, and a frenzy as vain.
Since the day he first looked on her face, Mabel Lee
Had seemed to his self sated nature to be,
On life's troubled ocean, a beacon of light,
To guide him safe out from the rocks and the night.
Her calm soothed his passion; her peace gave him poise;
She seemed like a silence in life's vulgar noise.
He bathed in the light which her purity cast,
And felt half absolved from the sins of the past.
He longed in her mantle of goodness to hide
And forget the whole world. By the incoming tide
He talked with his heart as one talks with a friend
Who is dying. 'The summer has come to an end
And I wake from my dreaming,' he mused. 'Wake to know
That my place is not here-I must go I must go.
Who dares laugh at Love shall hear Love laughing last,
As forth from his bowstring barbed arrows are cast.
I scoffed at the god with a sneer on my lip,
And he forces me now from his chalice to sip
A bitter sweet potion. Ah, lightly the part
Of a lover I've played many times, but my heart
Has been proud in its record of friendship. And now
The mad, eager lover born in me must bow
To the strong claims of friendship. I love Mabel Lee;
Dared I woo as I would, I could make her love me.
The soul of a maid who knows not passion's fire
Is moth to the flame of a man's strong desire.
With one kiss on her lips I could banish the nun
And wake in her virginal bosom the one
Mighty love of her life. If I leave her, I know
She will be my friend's wife in a season or so.
He loves her, he always has loved her; 'tis he
Who ever will do all the loving; and she
Will accept it, and still be the saint to the end,
And she never will know what she missed; but my friend
Has the right to speak first. God! how can he delay?
I marvel at men who are fashioned that way.
He has worshiped her since first she put up her tresses,
And let down the hem of her school-girlish dresses
And now she is full twenty-two; were I he
A brood of her children should climb on my knee
By this time! What a sin against love to postpone
The day that might make her forever his own.
The man who can wait has no blood in his veins.
Maurice is a dreamer, he loves with his brains
Not with soul and with senses. And yet his whole life
Will be blank if he makes not this woman his wife.
She is woof of his dreams, she is warp of his mind;
Who tears her away shall leave nothing behind.
No, no, I am going: farewell to Bay Bend
I am no woman's lover-I am one man's friend.
Still-born in the arms of the matron eyed year
Lies the beautiful dream that my life buries here.
Its tomb was its cradle; it came but to taunt me,
It died, but its phantom shall ever more haunt me.'
He turned from the waves that leaped at him in wrath
To find Mabel Lee, like a wraith, in his path.
The rose from her cheek had departed in fear;
The tip of her eyelash was gemmed with a tear.
The rude winds had disarranged mantle and dress,
And she clung with both hands to her hat in distress.
'I am frightened,' she cried, in a tremulous tone;
'I dare not proceed any farther alone.
As I came by the church yard the wind felled a tree,
And invisible hands seemed to hurl it at me;
I hurried on, shrieking; the wind, in disgust,
Tore the hat from my head, filled my eyes full of dust,
And otherwise made me the butt of its sport.
Just then I spied you, like a light in the port,
And I steered for you. Please do not laugh at my fright!
I am really quite bold in the calm and the light,
But when a storm gathers, or darkness prevails,
My courage deserts me, my bravery fails,
And I want to hide somewhere and cover my ears,
And give myself up to weak womanish tears.'
Her ripple of talk allowed Roger Montrose
A few needed moments to calm and compose
His excited emotions; to curb and control
The turbulent feelings that surged through his soul
At the sudden encounter.
'I quite understand,'
He said in a voice that was under command
Of his will, 'All your fears in a storm of this kind.
There is something uncanny and weird in the wind;
Intangible, viewless, it speeds on its course,
And forests and oceans must yield to its force.
What art has constructed with patience and toil,
The wind in one second of time can despoil.
It carries destruction and death and despair,
Yet no man can follow it into its lair
And bind it or stay it-this thing without form.
Ah! there comes the rain! we are caught in the storm.
Put my coat on your shoulders and come with me where
Yon rock makes a shelter-I often sit there
To watch the great conflicts 'twixt tempest and sea.
Let me lie at your feet! 'Tis the last time, Miss Lee,
I shall see you, perchance, in this life, who can say?
I leave on the morrow at break o' the day.'
Indeed? Why, how sudden! and may I inquire
The reason you leave us without one desire
To return? for your words seem a final adieu.
I never expect to return, that is true,
Yet my wish is to stay.
Are you not your own master?
Alas, yes! and therein lies the cause of disaster.
Myself bids me go, my calm, reasoning part,
The will is the man, not the poor, foolish heart,
Which is ever at war with the intellect. So
I silence its clamoring voices and go.
Were I less my own master, I then might remain.
Your words are but riddles, I beg you explain.
No, no, rather bid me keep silent! To say
Why I go were as weak on my part as to stay.
I think you most cruel! You know, sir, my sex
Loves dearly a secret. Then why should you vex
And torment me in this way by hinting at one?
Let us talk of the weather, I think the storm done.
Very well! I will go! No, you need not come too,
And I will not shake hands, I am angry with you.
And you will not shake hands when we part for all time?
Then read me your riddle!
No, that were a crime
Against honor and friendship; girl, girl, have a care-
You are goading my poor, tortured heart to despair.
His last words were lost in the loud thunder's crash;
The sea seemed ablaze with a sulphurous flash.
From the rocks just above them an evergreen tree
Was torn up by the roots and flung into the sea.
The waves with rude arms hurled it back on the shore;
The wind gained in fury. The glare and the roar
Of the lightning and tempest paled Mabel Lee's cheek.
Her pupils dilated; she sprang with a shriek
Of a terrified child lost to all save alarm,
And clasped Roger Montrose with both hands by the arm,
While her cheek pressed his shoulder. An agony, sweet
And unbearable, thrilled from his head to his feet,
His veins were like rivers, with billows of fire:
His will lost control; and long fettered desire
Slipped its leash. He caught Mabel Lee to his breast,
Drew her face up to his, on her frightened lips pressed
Wild caresses of passion that startled and shocked.
Like a madman he looked, like a madman he talked,
Waiting not for reply, with no pause but a kiss,
While his iron arms welded her bosom to his.
'Girl, girl, you demanded my secret,' he cried;
'Well, that bruise on your lips tells the story! I tried,
Good God, how I tried! to be silent and go
Without speaking one word, without letting you know
That I loved you; yet how could you look in my eyes
And not see love was there like the sun in the skies?
Ah, those hands on my arm-that dear head lightly pressed
On my shoulder! God, woman, the heart in my breast
Was dry powder, your touch was the spark; and the blame
Must be yours if both lives are scorched black with the flame.
Do you hate me, despise me, for being so weak?
No, no! let me kiss you again ere you speak!
You are mine for the moment; and mine-mine alone
Is the first taste of passion your soft mouth has known.
Whoever forestalls me in winning your hand,
Between you and him shall this mad moment stand-
You shall think of me, though you think only to hate.
There-speak to me-speak to me-tell me my fate;
On your words, Mabel Lee, hangs my whole future life.
I covet you, covet you, sweet, for my wife;
I want to stay here at your side. Since I first
Saw your face I have felt an unquenchable thirst
To be good-to look deep in your eyes and find God,
And to leave in the past the dark paths I have trod
In my search after pleasure. Ah, must I go back
Into folly again, to retread the old track
Which leads out into nothingness? Girl, answer me,
As souls answer at Judgment.'
The face of the sea
Shone with sudden pink splendor. The riotous wind
Swooned away with exhaustion. Each dark cloud seemed lined
With vermilion. The tempest was over. A word
Floated up like a feather; the silence was stirred
By the soul of a sigh. The last remnant of gray
In the skies turned to gold, as a voice whispered, 'Stay.'
God grinds His poor people to powder
All day and all night I can hear,
Their cries growing louder and louder.
Oh, God, have You deadened Your ear?
The chimes in old Trinity steeple
Ring in the sweet season of prayer,
And still God is grinding His people,
He is grinding them down to despair.
Mind, body and muscle and marrow,
He grinds them again and again.
Can He who takes heed of the sparrow
Be blind to the tortures of men?
In a bare little room of a tenement row
Of the city, Maurice sat alone. It was so
(In this nearness to life's darkest phases of grief
And despair) that his own bitter woe found relief.
Joy needs no companion; but sorrow and pain
Long to comrade with sorrow. The flowery chain
Flung by Pleasure about her gay votaries breaks
With the least strain upon it. The chain sorrow makes
Links heart unto heart. As a bullock will fly
To far fields when an arrow has pierced him, to die,
So Maurice had flown over far oceans to find
No balm for his wounds, and no peace for his mind.
Cosmopolitan, always, is sorrow; at home
In all countries and lands, thriving well while we roam
In vain efforts to slay it. Toil only, brings peace
To the tempest tossed heart. What in travel Maurice
Failed to find-self-forgetfulness-came with his work
For the suffering poor in the slums of New York.
He had wandered in strange heathen countries-had been
Among barbarous hordes; but the greed and the sin
Of his own native land seemed the shame of the hour.
In his gold there was balm, in his pen there was power
To comfort the needy, to aid and defend
The unfortunate. Close in their midst, as a friend
And companion, for more than twelve months he had dwelt.
Like a ray of pure light in a cellar was felt
This strong, wholesome presence. His little room bare
Of all luxuries, taught the poor souls who flocked there
For his counsel and aid, how by mere cleanliness
The grim features of want lose some lines of distress.
The slips from the plants on his window ledge, given
To beauty starved souls, spoke more clearly of heaven
And God than did sermons or dry creedy tracts.
Maurice was no preacher; and yet his kind acts
Of mercy and self-immolation sufficed
To wake in dark minds a bright image of Christ-
The Christ often heard of, but doubted before.
Maurice spoke no word of religion. Of yore
His heart had accepted the creeds of his youth
Without pausing to cavil, or question their truth.
Faith seemed his inheritance. But, with the blow
Which slew love and killed friendship, faith, too, seemed to go.
It is easy to be optimistic in pleasure,
But when Pain stands us up by her portal to measure
The actual height of our trust and belief,
Ah! then is the time when our faith comes to grief.
The woes of our fellows, God sends them, 'tis plain;
But the devil himself is the cause of our pain.
We question the wisdom that rules o'er the world,
And our minds into chaos and darkness are hurled.
The average scoffer at faith goes about
Pouring into the ears of his fellows each doubt
Which assails him. One truth he fails wholly to heed;
That a doubt oft repeated may bore like a creed.
Maurice kept his thoughts to himself, but his pen
Was dipped in the gall of his heart now and then,
And his muse was the mouthpiece. The sin unforgiven
I hold by the Cherubim chanting in heaven
Is the sin of the poet who dares sing a strain
Which adds to the world's awful chorus of pain
And repinings. The souls whom the gods bless at birth
With the great gift of song, have been sent to the earth
To better and brighten it. Woe to the heart
Which lets its own sorrow embitter its art.
Unto him shall more sorrow be given; and life
After life filled with sorrow, till, spent with the strife,
He shall cease from rebellion, and bow to the rod
In submission, and own and acknowledge his God.
Maurice, with his unwilling muse in the gloom
Of a mood pessimistic, was shut in his room.
A whistle, a step on the stairway, a knock,
Then over the transom there fluttered a flock
Of white letters. The Muse, with a sigh of content,
Left the poet to read them, and hurriedly went
Back to pleasanter regions. Maurice glanced them through:
There were brief business epistles from two
Daily papers, soliciting work from his pen;
A woman begged money for Christ's sake; three men
Asked employment; a mother wrote only to say
How she blessed him and prayed God to bless him each day
For his kindness to her and to hers; and the last
Was a letter from Ruth. The pale ghost of the past
Rose out of its poor shallow grave, with the scent
And the mold of the clay clinging to it, and leant
O'er Maurice as he read, while its breath fanned his cheek.
'Forgive me,' wrote Ruth; 'for at last I must speak
Of the two whom you wish to forget. Well I know
How you suffered, still suffer, from fate's sudden blow,
Though I am a woman, and women must stay
And fight out pain's battles where men run away.
But my strength has its limit, my courage its end,
The time has now come when I, too, leave Bay Bend.
Maurice, let the bitterness housed in your heart
For the man you long loved as a comrade, depart,
And let pity replace it. Oh, weep for his sorrow-
From your fountain of grief, held in check, let me borrow;
I have so overdrawn on the bank of my tears
That my anguish is now refused payment. For years
You loved Mabel Lee. Well, to some hearts love speaks
His whole tale of passion in brief little weeks.
As Minerva, full grown, from the great brow of Jove
Sprang to life, so full blown from our breasts may spring Love.
Love hid like a bee in my heart's lily cup;
I knew not he was there till his sting woke me up.
Maurice, oh, Maurice! Can you fancy the woe
Of seeing the prize which you coveted so
Misused, or abused, by another? The wife
Of the man whom I worshiped is spoiling the life
That was wax in her hands, wax to shape as she chose.
You were blind to her faults, so was Roger Montrose.
Both saw but the saint; well, let saints keep their places,
And not crowd the women in life's hurried races.
As saint, Mabel Lee might succeed; but, oh brother,
She never was meant for a wife or a mother.
Her beautiful home has the desolate air
Of a house that is ruled by its servants. The care-
The thought of the woman (that sweet, subtle power
Pervading some rooms like the scent of a flower),
Which turns house into home-that is lacking. She goes
On her merciful rounds, does our Lady Montrose,
Looking after the souls of the heathen, and leaving
The poor hungry soul of her lord to its grieving.
He craves her companionship; wants her to be
At his side, more his own, than the public's. But she
Holds such love is but selfish; and thinks he should make
Some sacrifice gladly for charity's sake.
Her schools, and her clubs, and her fairs fill her time;
He wants her to travel; no, that were a crime
To go seeking for pleasure, and leave duty here.
God had given her work and her labor lay near.
A month of the theater season in town?
No, the stage is an evil that needs putting down
By good people. So, scheme as he will, the poor man
Has to finally yield every project and plan
To this sweet stubborn saint; for the husband, you see,
Stands last in her thoughts. He has come, after three
Patient years, to that knowledge; his wishes, his needs
Must always give way to her whims, or her creeds.
She knows not the primer of loving; her soul
Is engrossed with the poor petty wish to control,
And she chafes at restriction. Love loves to be bound,
And its sweetest of freedom in bondage is found.
She pulls at her fetters. One worshiping heart
And its faithful devotion play but a small part
In her life. She would rather be lauded and praised
By a crowd of inferior followers, raised
To the pitiful height of their leader, than be
One man's goddess. There, now, is the true Mabel Lee!
Grieve not that you lost her, but grieve for the one
Who with me stood last night by the corpse of his son,
And with me stood alone. Ah! how wisely and well
Could Mabel descant on Maternity! tell
Other women the way to train children to be
An honor and pride to their parents! Yet she,
From the first, left her child to the nurses. She found
'Twas a tax on her nerves to have baby around
When it worried and cried. The nurse knew what to do,
And a block down the street lived Mama! 'twixt the two
Little Roger would surely be cared for. She must
Keep her strength and be worthy the love and the trust
Of the poor, who were yearly increasing, and not
Bestow on her own all the care and the thought-
That were selfishness, surely.
Well, the babe grew apace,
But yesterday morning a flush on its face
And a look in its eye worried Roger. The mother
Was due at some sort of convention or other
In Boston-I think 'twas a grand federation
Of clubs formed by women to rescue the Nation
From man's awful clutches; and Mabel was made
The head delegate of the Bay Bend Brigade.
Once drop in a small, selfish nature the seed
Of ambition for place, and it grows like a weed.
The fair village angel we called Mabel Lee,
As Mrs. Montrose, has developed, you see,
To a full fledged Reformer. It quite turned her head
To be sent to the city of beans and brown bread
As a delegate! (Delegate! magical word!
The heart of the queer modern woman is stirred
Far more by its sound than by aught she may hear
In the phrases poor Cupid pours into her ear.)
Mabel chirped to the baby a dozen good-byes,
And laughed at the trouble in Roger's grave eyes,
As she leaned o'er the lace ruffled crib of her son
And talked baby-talk: 'Now be good, 'ittle one,
While Mama is away, and don't draw a long breath,
Unless 'oo would worry Papa half to death.
And don't cough, and, of all things, don't sneeze, 'ittle dear,
Or Papa will be thrown into spasms of fear.
Now, good-bye, once again, 'ittle man; mother knows
There is no other baby like Roger Montrose
In the whole world to-day.'
So she left him. That night
The nurse sent a messenger speeding in fright
For the Doctor; a second for Grandmama Lee
And Roger despatched still another for me.
All in vain! through the gray chilly paths of the dawn
The soul of the beautiful baby passed on
Into Mother-filled lands.
Ah! my God, the despair
Of seeing that agonized sufferer there;
To stand by his side, yet denied the relief
Of sharing, as wife, and as mother, his grief.
Enough! I have borne all I can bear. The role
Of friend to a lover pulls hard on the soul
Of a sensitive woman. The three words in life
Which have meaning to me are home, mother and wife-
Or, rather, wife, mother and home. Once I thought
Men cared for the women who found home the spot
Next to heaven for happiness; women who knew
No ambition beyond being loyal and true,
And who loved all the tasks of the housewife. I learn,
Instead, that from women of that kind men turn,
With a yawn, unto those who are useless; who live
For the poor hollow world and for what it can give,
And who make home the spot where, when other joys cease,
One sleeps late when one wishes.
You left me Maurice
Left the home I have kept since our dear Mother died,
With such sisterly love and such housewifely pride,
And you wandered afar, and for what cause, forsooth?
Oh! because a vain, self-loving woman, in truth,
Had been faithless. The man whom I worshiped, ignored
The love and the comfort my woman's heart stored
In its depths for his taking, and sought Mabel Lee.
Well, I'm done with the role of the housewife. I see
There is nothing in being domestic. The part
Is unpicturesque, and at war with all art.
The senile old Century leers with dim eyes
At our sex and demands that we shock or surprise
His thin blood into motion. The home's not the place
To bring a pleased smile to his wicked old face.
To the mandate I bow; since all strive for that end,
I must join the great throng! I am leaving Bay Bend
This day week. I will see you in town as I pass
To the college at C--, where I enter the class
Of medical students-I fancy you will
Like to see my name thus-Dr. Ruth Somerville.'
Maurice dropped the long, closely written epistle,
Stared hard at the wall, and gave vent to a whistle.
A Doctor! his sweet, little home-loving sister.
A Doctor! one might as well prefix a Mister
To Ruth Somerville, that most feminine name.
And then in the wake of astonishment came
Keen pity for all she had suffered. 'Poor Ruth,
She writes like an agonized woman, in truth,
And like one torn with jealousy. Ah, I can see,'
He mused, 'how the pure soul of sweet Mabel Lee
Revolts at the bondage and shrinks from the ban
That lies in the love of that sensual man.
He is of the earth, earthy. He loves but her beauty,
He cares not for conscience, or honor or duty.
Like a moth she was dazzled and lured by the flame
Of a light she thought love, till she learned its true name;
When she found it mere passion, it lost all its charms.
No wonder she flies from his fettering arms!
God pity you, Mabel! poor ill mated wife;
But my love, like a planet, shall watch o'er your life,
Though all other light from your skies disappear,
Like a sun in the darkness my love shall appear.
Unselfish and silent, it asks no return,
But while the great firmament lasts it shall burn.'
Muse, muse, awake, and sing thy loneliest strain,
Song, song, be sad with sorrow's deepest pain,
Heart, heart, bow down and never bound again,
My Lady grieves, she grieves.
Night, night, draw close thy filmy mourning veil,
Moon, moon, conceal thy beauty sweet and pale,
Wind, wind, sigh out thy most pathetic wail,
My Lady grieves, she grieves.
Time, time, speed by, thou art too slow, too slow,
Grief, grief, pass on, and take thy cup of woe,
Life, life, be kind, ah! do not wound her so,
My Lady grieves, she grieves.
Sleep, sleep, dare not to touch mine aching eyes,
Love, love, watch on, though fate thy wish denies,
Heart, heart, sigh on, since she, my Lady, sighs,
My Lady grieves, she grieves.
The flower breathes low to the bee,
'Behold, I am ripe with bloom.
Let Love have his way with me,
Ere I fall unwed in my tomb.'
The rooted plant sighs in distress
To the winds by the garden walk
'Oh, waft me my lover's caress,
Or I shrivel and die on my stalk.'
The whippoorwill utters her love
In a passionate 'Come, oh come,'
To the male in the depths of the grove,
But the heart of a woman is dumb.
The lioness seeks her mate,
The she-tiger calls her own-
Who made it a woman's fate
To sit in the silence alone?
Wooed, wedded and widowed ere twenty. The life
Of Zoe Travers is told in that sentence. A wife
For one year, loved and loving; so full of life's joy
That death, growing jealous, resolved to destroy
The Eden she dwelt in. Five desolate years
She walked robed in weeds, and bathed ever in tears,
Through the valley of memory. Locked in love's tomb
Lay youth in its glory and hope in its bloom.
At times she was filled with religious devotion,
Again crushed to earth with rebellious emotion
And unresigned sorrow.
Ah, wild was her grief!
And the years seemed to bring her no balm of relief.
When a heart from its sorrow time cannot estrange,
God sends it another to alter and change
The current of feeling. Zoe's mother, her one
Tie to earth, became ill. When the doctors had done
All the harm which they dared do with powder and pill,
They ordered a trial of Dame Nature's skill.
Dear Nature! what grief in her bosom must stir
When she sees us turn everywhere save unto her
For the health she holds always in keeping; and sees
Us at last, when too late, creeping back to her knees,
Begging that she at first could have given!
Mother Nature's heart grieved o'er the mother of Zoe,
Who came but to die on her bosom. She died
Where the mocking bird poured out its passionate tide
Of lush music; and all through the dark days of pain
That succeeded, and over and through the refrain
Of her sorrow, Zoe heard that wild song evermore.
It seemed like a blow which pushed open a door
In her heart. Something strange, sweet and terrible stirred
In her nature, aroused by the song of that bird.
It rang like a voice from the future; a call
That came not from the past; yet the past held her all.
To the past she had plighted her vows; in the past
Lay her one dream of happiness, first, only, last.
Alone in the world now, she felt the unrest
Of an unanchored boat on the wild billow's breast.
Two homes had been shattered; the West held but tombs.
She drifted again where the magnolia blooms
And the mocking bird sings. Oh! that song, that wild strain,
Whose echoes still haunted her heart and her brain!
How she listened to hear it repeated! It came
Through the dawn to her heart, and the sound was like flame.
It chased all the shadows of night from her room,
And burst the closed bud of the day into bloom.
It leaped to the heavens, it sank to the earth
It gave life new rapture and love a new birth.
It ran through her veins like a fiery stream,
And the past and its sorrow-was only a dream.
The call of a bird in the spring for its lover
Is the voice of all Nature when winter is over.
The heart of the woman re-echoed the strain,
And its meaning, at last, to her senses was plain.
Grief's winter was over, the snows from her heart
Were melted; hope's blossoms were ready to start.
The spring had returned with its siren delights,
And her youth and emotions asserted their rights.
Then memory struggled with passion. The dead
Seemed to rise from the grave and accuse her. She fled
From her thoughts as from lepers; returned to old ways,
And strove to keep occupied, filling her days
With devotional duties. But when the night came
She heard through her slumber that song like a flame,
And her dreams were sweet torture. She sought all too soon
To chill the warm sun of her youth's ardent noon
With the shadows of premature evening. Her mind
Lacked direction a
A Picture Of Papa
here is papa's picture
before he died
30 years ago
beside his izuzu pick-up
carrying a bottle of gin on one hand
and a gun on his holster
his right hand holds
the waist of a young woman
in white shorts
he has a pipe on his mouth
a smoke over his head
and he is grinning like a
that young woman is not my mother
he says she was his true love
but she was taken away
by the rebels
mother died when i was six
but i already understood what was really going on
papa was very proud of me
he liked my drawings and my
i am the only boy
i do not smoke and i do not drink
and i married
the only woman that i really love.
Grandma's Wedding Shoes
I’m getting ready
For the garage sale tomorrow.
My grandma passed away
A few weeks ago.
She was a collector of things
You would never know.
I am thinking to sell.
Her pair of wedding shoes
She wore one morning
Sixty years ago
In a long tailed wedding gown,
Holding a bouquet of flowers in her one hand
While her father held her other hand,
Soon to be given away to her beaux,
Walking beside her, proud, smiling,
In a wedding tuxedo.
Could she have wildly imagined then,
Thirty years later,
Her unwed daughter
Would give me up for adoption
Shortly after I was born?
My mom, a poor mother,
Could not face rasing me up.
I look at the pair of shoes,
They still look new to me.
She saved them as a treasure
In the original box, tucked
Under her wedding grown,
In her old leather suitcase
Made in some small,
Now a non-existent Texas’ town.
The shoes are high heeled,
Light brown, each with two leather straps
To go around ankles,
Some sort of a hybrid
Of dress shoes and sandals,
High fashion luxury of grandma’s days.
I look at them again
And I change my mind.
I will not sell them,
They are worth a fortune to me.
Sixty years ago,
After, “ I do, I do”,
The choir boy rang
the wedding bells
On top of the steeple.
That moment, my grandma
Was wearing these shoes.
I do not remember who you are
everything escapes from my hand
through the spaces between my fingers
into this nameless land
My life is woven out of water
noting stays and everything goes
my memory is a river
forever running its way out of history
I am nothing desired
I am nothing stopped
I come and go any time and any way
alone and ten times alone
I do not have a single breath to mourn for
And always I give out myself for souvenirs
each time passing for something else
for you and those like you
and what I am will be
what I will be for each one of you
the city of flowers, eyes of the loam
describe shelter: piece of crap
>weak roof, could be blown off anytime
>cardboard walls, easy to put apart when gov’t wants them out
malnourished child reading book
>lamp source of light
>skips parts with words s/he doesnt understand
>books saved by father from fire, father loved books
>father died trying to save more things, leaving behind: 2 children + wife
>mother died giving birth to a still born
whistles from outside
>sister is back, she shouts at the perverts
child comes out with a stick
>drunkards earn enough to get drunk
>they push him/her, throws a pail of water
>dirty water dripping from body of the child
>”useless aral, you should work, inutil! ”
sister helps him/her, shouts at men
>no one bothers to help a “dirty” woman
sister prepares food she bought
>she coughs, months na ang ubo
>angry, “dont turn on lamp unless kailangan, mahal gas”
>not touching the child for fear of infection
>”matulog ka na, tagal pa ako balik”
>puts off the lamp
malnourished child turns on the lamp
>reads book again
* reprinted from a friend's collection
Have you ever made a quilt? I have. its one of the most therapeutic and calming things Ive ever done. and I had a huge sense of accomplishment when I finished.
Both of my grandmothers made quilts, my mama did, and my aunt jeannie did. I loved to open that big box at christmastime knowing it was a quilt that one of them had made. I was so flattered that after all the time and energy they had spent on that quilt, they had selected me to receive it. even as a young girl, I knew a quilt was a gift I would cherish always.
Back when I was living at home, I remember during the winter months mama would set up her sewing machine in the living room over by the window. at night when wed all be in there watching tv after supper, mama would be over at her sewing machine, making another quilt from the scraps left over
From a dress or blouse she had made for one of us earlier.
Then, when she had sewn all the squares sewn together, shed lay the batting on the living room floor, lay the quilted piece on top of that, and then start tacking it down. when that was completed, shed sew the border around it. then it was finished. all that remained was for mama to decide who would be the proud recipient of her precious handiwork which represented so many hours of love.
I feel very blessed to have received one of mamas quilts. I sleep under it every night Im home. it doesnt match the fancy comforter we bought in los angelos, but it feels better than anything you can imagine. just because I know my mama made it just for me.
When daddys mother died in 1950, one year before my sister alice was born, mama got the trunk that held all of the quilts, china, crystal, silverware, and knickknacks that grandma had collected during her lifetime. mama discovered that grandmas trunk also included a few quilt pieces that she had started but had never finished. my sister susie eventually wound up with those quilt pieces and we all figured she would finish them out and keep them for herself.
But as only susie would do, she cut the makings of the quilt into four squares, had them quilted, put a picture of grandma mcentire and a descripion of the quilt ogether, and had them framed for alices, my brother pakes, and my christmas present.
Thats how thoughtful susie is. she could have kept the quilt for herself, but, instead, she shared with her brother and sisters something so special, which had belonged to a woman none of us had ever met. thats part of susies charm.
Thats also the charm of a quilt. like a mother, it wraps its arms around you-sosoft, yet so sturdy, and so comforting. in my grandmas time the sewing of a quilt would bring friends and neighbors together, and in quilting circles today that lovely tradition continues. now we live in a time when so many women do not even have a sewing machine in their home and when country quilts hang in the fanciest boutiques and galleries selling as decorative art. that would sure give my grandma and her circle a good laugh and more than a few shakes of the head.
Can you just imagine the visiting, the stories, and the fellowship that have gone on during the making of all the wonderful quilts through the years? and can you imagine all the children who have been tucked in securely underneath them in their beds night after night? and us adults too?
Thats what you call comfort from a country quilt. I hope this book is as comforting to you as my mamas quilt has always been to me. like a quilt, this book is made up of small pieces of material-some of my favorite stories, memorable experiences, and more than a few opinions-written, rather than sewn, from the stuff of my life. I have stitched these pieces together with my sincere hope that you will find the quilt of a book friendly, warm, and enjoyable, something you can turn to for comfort and entertainment and for sharing with friends and family.
So grab your favorite quilt, wra up, get comfortable, and enjoy.
From me to you.
The Princess (part 6)
My dream had never died or lived again.
As in some mystic middle state I lay;
Seeing I saw not, hearing not I heard:
Though, if I saw not, yet they told me all
So often that I speak as having seen.
For so it seemed, or so they said to me,
That all things grew more tragic and more strange;
That when our side was vanquished and my cause
For ever lost, there went up a great cry,
The Prince is slain. My father heard and ran
In on the lists, and there unlaced my casque
And grovelled on my body, and after him
Came Psyche, sorrowing for Aglaïa.
But high upon the palace Ida stood
With Psyche's babe in arm: there on the roofs
Like that great dame of Lapidoth she sang.
'Our enemies have fallen, have fallen: the seed,
The little seed they laughed at in the dark,
Has risen and cleft the soil, and grown a bulk
Of spanless girth, that lays on every side
A thousand arms and rushes to the Sun.
'Our enemies have fallen, have fallen: they came;
The leaves were wet with women's tears: they heard
A noise of songs they would not understand:
They marked it with the red cross to the fall,
And would have strown it, and are fallen themselves.
'Our enemies have fallen, have fallen: they came,
The woodmen with their axes: lo the tree!
But we will make it faggots for the hearth,
And shape it plank and beam for roof and floor,
And boats and bridges for the use of men.
'Our enemies have fallen, have fallen: they struck;
With their own blows they hurt themselves, nor knew
There dwelt an iron nature in the grain:
The glittering axe was broken in their arms,
Their arms were shattered to the shoulder blade.
'Our enemies have fallen, but this shall grow
A night of Summer from the heat, a breadth
Of Autumn, dropping fruits of power: and rolled
With music in the growing breeze of Time,
The tops shall strike from star to star, the fangs
Shall move the stony bases of the world.
'And now, O maids, behold our sanctuary
Is violate, our laws broken: fear we not
To break them more in their behoof, whose arms
Championed our cause and won it with a day
Blanched in our annals, and perpetual feast,
When dames and heroines of the golden year
Shall strip a hundred hollows bare of Spring,
To rain an April of ovation round
Their statues, borne aloft, the three: but come,
We will be liberal, since our rights are won.
Let them not lie in the tents with coarse mankind,
Ill nurses; but descend, and proffer these
The brethren of our blood and cause, that there
Lie bruised and maimed, the tender ministries
Of female hands and hospitality.'
She spoke, and with the babe yet in her arms,
Descending, burst the great bronze valves, and led
A hundred maids in train across the Park.
Some cowled, and some bare-headed, on they came,
Their feet in flowers, her loveliest: by them went
The enamoured air sighing, and on their curls
From the high tree the blossom wavering fell,
And over them the tremulous isles of light
Slided, they moving under shade: but Blanche
At distance followed: so they came: anon
Through open field into the lists they wound
Timorously; and as the leader of the herd
That holds a stately fretwork to the Sun,
And followed up by a hundred airy does,
Steps with a tender foot, light as on air,
The lovely, lordly creature floated on
To where her wounded brethren lay; there stayed;
Knelt on one knee,--the child on one,--and prest
Their hands, and called them dear deliverers,
And happy warriors, and immortal names,
And said 'You shall not lie in the tents but here,
And nursed by those for whom you fought, and served
With female hands and hospitality.'
Then, whether moved by this, or was it chance,
She past my way. Up started from my side
The old lion, glaring with his whelpless eye,
Silent; but when she saw me lying stark,
Dishelmed and mute, and motionlessly pale,
Cold even to her, she sighed; and when she saw
The haggard father's face and reverend beard
Of grisly twine, all dabbled with the blood
Of his own son, shuddered, a twitch of pain
Tortured her mouth, and o'er her forehead past
A shadow, and her hue changed, and she said:
'He saved my life: my brother slew him for it.'
No more: at which the king in bitter scorn
Drew from my neck the painting and the tress,
And held them up: she saw them, and a day
Rose from the distance on her memory,
When the good Queen, her mother, shore the tress
With kisses, ere the days of Lady Blanche:
And then once more she looked at my pale face:
Till understanding all the foolish work
Of Fancy, and the bitter close of all,
Her iron will was broken in her mind;
Her noble heart was molten in her breast;
She bowed, she set the child on the earth; she laid
A feeling finger on my brows, and presently
'O Sire,' she said, 'he lives: he is not dead:
O let me have him with my brethren here
In our own palace: we will tend on him
Like one of these; if so, by any means,
To lighten this great clog of thanks, that make
Our progress falter to the woman's goal.'
She said: but at the happy word 'he lives'
My father stooped, re-fathered o'er my wounds.
So those two foes above my fallen life,
With brow to brow like night and evening mixt
Their dark and gray, while Psyche ever stole
A little nearer, till the babe that by us,
Half-lapt in glowing gauze and golden brede,
Lay like a new-fallen meteor on the grass,
Uncared for, spied its mother and began
A blind and babbling laughter, and to dance
Its body, and reach its fatling innocent arms
And lazy lingering fingers. She the appeal
Brooked not, but clamouring out 'Mine--mine--not yours,
It is not yours, but mine: give me the child'
Ceased all on tremble: piteous was the cry:
So stood the unhappy mother open-mouthed,
And turned each face her way: wan was her cheek
With hollow watch, her blooming mantle torn,
Red grief and mother's hunger in her eye,
And down dead-heavy sank her curls, and half
The sacred mother's bosom, panting, burst
The laces toward her babe; but she nor cared
Nor knew it, clamouring on, till Ida heard,
Looked up, and rising slowly from me, stood
Erect and silent, striking with her glance
The mother, me, the child; but he that lay
Beside us, Cyril, battered as he was,
Trailed himself up on one knee: then he drew
Her robe to meet his lips, and down she looked
At the armed man sideways, pitying as it seemed,
Or self-involved; but when she learnt his face,
Remembering his ill-omened song, arose
Once more through all her height, and o'er him grew
Tall as a figure lengthened on the sand
When the tide ebbs in sunshine, and he said:
'O fair and strong and terrible! Lioness
That with your long locks play the Lion's mane!
But Love and Nature, these are two more terrible
And stronger. See, your foot is on our necks,
We vanquished, you the Victor of your will.
What would you more? Give her the child! remain
Orbed in your isolation: he is dead,
Or all as dead: henceforth we let you be:
Win you the hearts of women; and beware
Lest, where you seek the common love of these,
The common hate with the revolving wheel
Should drag you down, and some great Nemesis
Break from a darkened future, crowned with fire,
And tread you out for ever: but howso'er
Fixed in yourself, never in your own arms
To hold your own, deny not hers to her,
Give her the child! O if, I say, you keep
One pulse that beats true woman, if you loved
The breast that fed or arm that dandled you,
Or own one port of sense not flint to prayer,
Give her the child! or if you scorn to lay it,
Yourself, in hands so lately claspt with yours,
Or speak to her, your dearest, her one fault,
The tenderness, not yours, that could not kill,
Give ~me~ it: ~I~ will give it her.
At first her eye with slow dilation rolled
Dry flame, she listening; after sank and sank
And, into mournful twilight mellowing, dwelt
Full on the child; she took it: 'Pretty bud!
Lily of the vale! half opened bell of the woods!
Sole comfort of my dark hour, when a world
Of traitorous friend and broken system made
No purple in the distance, mystery,
Pledge of a love not to be mine, farewell;
These men are hard upon us as of old,
We two must part: and yet how fain was I
To dream thy cause embraced in mine, to think
I might be something to thee, when I felt
Thy helpless warmth about my barren breast
In the dead prime: but may thy mother prove
As true to thee as false, false, false to me!
And, if thou needs must needs bear the yoke, I wish it
Gentle as freedom'--here she kissed it: then--
'All good go with thee! take it Sir,' and so
Laid the soft babe in his hard-mailèd hands,
Who turned half-round to Psyche as she sprang
To meet it, with an eye that swum in thanks;
Then felt it sound and whole from head to foot,
And hugged and never hugged it close enough,
And in her hunger mouthed and mumbled it,
And hid her bosom with it; after that
Put on more calm and added suppliantly:
'We two were friends: I go to mine own land
For ever: find some other: as for me
I scarce am fit for your great plans: yet speak to me,
Say one soft word and let me part forgiven.'
But Ida spoke not, rapt upon the child.
Then Arac. 'Ida--'sdeath! you blame the man;
You wrong yourselves--the woman is so hard
Upon the woman. Come, a grace to me!
I am your warrior: I and mine have fought
Your battle: kiss her; take her hand, she weeps:
'Sdeath! I would sooner fight thrice o'er than see it.'
But Ida spoke not, gazing on the ground,
And reddening in the furrows of his chin,
And moved beyond his custom, Gama said:
'I've heard that there is iron in the blood,
And I believe it. Not one word? not one?
Whence drew you this steel temper? not from me,
Not from your mother, now a saint with saints.
She said you had a heart--I heard her say it--
"Our Ida has a heart"--just ere she died--
"But see that some on with authority
Be near her still" and I--I sought for one--
All people said she had authority--
The Lady Blanche: much profit! Not one word;
No! though your father sues: see how you stand
Stiff as Lot's wife, and all the good knights maimed,
I trust that there is no one hurt to death,
For our wild whim: and was it then for this,
Was it for this we gave our palace up,
Where we withdrew from summer heats and state,
And had our wine and chess beneath the planes,
And many a pleasant hour with her that's gone,
Ere you were born to vex us? Is it kind?
Speak to her I say: is this not she of whom,
When first she came, all flushed you said to me
Now had you got a friend of your own age,
Now could you share your thought; now should men see
Two women faster welded in one love
Than pairs of wedlock; she you walked with, she
You talked with, whole nights long, up in the tower,
Of sine and arc, spheroïd and azimuth,
And right ascension, Heaven knows what; and now
A word, but one, one little kindly word,
Not one to spare her: out upon you, flint!
You love nor her, nor me, nor any; nay,
You shame your mother's judgment too. Not one?
You will not? well--no heart have you, or such
As fancies like the vermin in a nut
Have fretted all to dust and bitterness.'
So said the small king moved beyond his wont.
But Ida stood nor spoke, drained of her force
By many a varying influence and so long.
Down through her limbs a drooping languor wept:
Her head a little bent; and on her mouth
A doubtful smile dwelt like a clouded moon
In a still water: then brake out my sire,
Lifted his grim head from my wounds. 'O you,
Woman, whom we thought woman even now,
And were half fooled to let you tend our son,
Because he might have wished it--but we see,
The accomplice of your madness unforgiven,
And think that you might mix his draught with death,
When your skies change again: the rougher hand
Is safer: on to the tents: take up the Prince.'
He rose, and while each ear was pricked to attend
A tempest, through the cloud that dimmed her broke
A genial warmth and light once more, and shone
Through glittering drops on her sad friend.
O Psyche,' she cried out, 'embrace me, come,
Quick while I melt; make reconcilement sure
With one that cannot keep her mind an hour:
Come to the hollow hear they slander so!
Kiss and be friends, like children being chid!
~I~ seem no more: ~I~ want forgiveness too:
I should have had to do with none but maids,
That have no links with men. Ah false but dear,
Dear traitor, too much loved, why?--why?--Yet see,
Before these kings we embrace you yet once more
With all forgiveness, all oblivion,
And trust, not love, you less.
And now, O sire,
Grant me your son, to nurse, to wait upon him,
Like mine own brother. For my debt to him,
This nightmare weight of gratitude, I know it;
Taunt me no more: yourself and yours shall have
Free adit; we will scatter all our maids
Till happier times each to her proper hearth:
What use to keep them here--now? grant my prayer.
Help, father, brother, help; speak to the king:
Thaw this male nature to some touch of that
Which kills me with myself, and drags me down
From my fixt height to mob me up with all
The soft and milky rabble of womankind,
Poor weakling even as they are.'
Followed: the king replied not: Cyril said:
'Your brother, Lady,--Florian,--ask for him
Of your great head--for he is wounded too--
That you may tend upon him with the prince.'
'Ay so,' said Ida with a bitter smile,
'Our laws are broken: let him enter too.'
Then Violet, she that sang the mournful song,
And had a cousin tumbled on the plain,
Petitioned too for him. 'Ay so,' she said,
'I stagger in the stream: I cannot keep
My heart an eddy from the brawling hour:
We break our laws with ease, but let it be.'
'Ay so?' said Blanche: 'Amazed am I to her
Your Highness: but your Highness breaks with ease
The law your Highness did not make: 'twas I.
I had been wedded wife, I knew mankind,
And blocked them out; but these men came to woo
Your Highness--verily I think to win.'
So she, and turned askance a wintry eye:
But Ida with a voice, that like a bell
Tolled by an earthquake in a trembling tower,
Rang ruin, answered full of grief and scorn.
'Fling our doors wide! all, all, not one, but all,
Not only he, but by my mother's soul,
Whatever man lies wounded, friend or foe,
Shall enter, if he will. Let our girls flit,
Till the storm die! but had you stood by us,
The roar that breaks the Pharos from his base
Had left us rock. She fain would sting us too,
But shall not. Pass, and mingle with your likes.
We brook no further insult but are gone.'
She turned; the very nape of her white neck
Was rosed with indignation: but the Prince
Her brother came; the king her father charmed
Her wounded soul with words: nor did mine own
Refuse her proffer, lastly gave his hand.
Then us they lifted up, dead weights, and bare
Straight to the doors: to them the doors gave way
Groaning, and in the Vestal entry shrieked
The virgin marble under iron heels:
And on they moved and gained the hall, and there
Rested: but great the crush was, and each base,
To left and right, of those tall columns drowned
In silken fluctuation and the swarm
Of female whisperers: at the further end
Was Ida by the throne, the two great cats
Close by her, like supporters on a shield,
Bow-backed with fear: but in the centre stood
The common men with rolling eyes; amazed
They glared upon the women, and aghast
The women stared at these, all silent, save
When armour clashed or jingled, while the day,
Descending, struck athwart the hall, and shot
A flying splendour out of brass and steel,
That o'er the statues leapt from head to head,
Now fired an angry Pallas on the helm,
Now set a wrathful Dian's moon on flame,
And now and then an echo started up,
And shuddering fled from room to room, and died
Of fright in far apartments.
Then the voice
Of Ida sounded, issuing ordinance:
And me they bore up the broad stairs, and through
The long-laid galleries past a hundred doors
To one deep chamber shut from sound, and due
To languid limbs and sickness; left me in it;
And others otherwhere they laid; and all
That afternoon a sound arose of hoof
And chariot, many a maiden passing home
Till happier times; but some were left of those
Held sagest, and the great lords out and in,
From those two hosts that lay beside the walls,
Walked at their will, and everything was changed.
Ask me no more: the moon may draw the sea;
The cloud may stoop from heaven and take the shape
With fold to fold, of mountain or of cape;
But O too fond, when have I answered thee?
Ask me no more.
Ask me no more: what answer should I give?
I love not hollow cheek or faded eye:
Yet, O my friend, I will not have thee die!
Ask me no more, lest I should bid thee live;
Ask me no more.
Ask me no more: thy fate and mine are sealed:
I strove against the stream and all in vain:
Let the great river take me to the main:
No more, dear love, for at a touch I yield;
Ask me no more.
The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.
Storm in the night; the rain on the thin shakes of the roof like
the ocean on rock streamed battering; once thunder
Walked down the narrow canyon into Carmel valley and wore
away westward; Christine was wakeful
With fears and wonders; her father lay too deep for storm to
Dawn comes late in the year's dark,
Later into the crack of a canyon under redwoods; and California
slipped from bed
An hour before it; the buckskin would be tired; there was a little
barley, and why should Johnny
Feed all the barley to his stallion? That is what he would do. She
tip-toed out of the room.
Leaving her clothes, he'd waken if she waited to put them on,
and passed from the door of the house
Into the dark of the rain; the big black drops were cold through
the thin shift, but the wet earth
Pleasant under her naked feet. There was a pleasant smell in the
stable; and moving softly,
Touching things gently with the supple bend of the unclothed
body, was pleasant. She found a box,
Filled it with sweet dry barley and took it down to the old
corral. The little mare sighed deeply
At the rail in the wet darkness; and California returning between
two redwoods up to the house
Heard the happy jaws grinding the grain. Johnny could mind
the pigs and chickens. Christine called to her
When she entered the house, but slept again under her hand. She
laid the wet night-dress on a chair-back
And stole into the bedroom to get her clothes. A plank creaked,
and he wakened. She stood motionless
Hearing him stir in the bed. When he was quiet she stooped after
her shoes, and he said softly,
'What are you doing? Come back to bed.' 'It's late, I'm going
to Monterey, I must hitch up.'
'You come to bed first. I been away three days. I give you money,
I take back the money
And what you do in town then?' she sighed sharply and came to
He reaching his hands from it
Felt the cool curve and firmness of her flank, and half rising
caught her by the long wet hair.
She endured, and to hasten the act she feigned desire; she had not
for long, except in dream, felt it.
Yesterday's drunkenness made him sluggish and exacting; she
saw, turning her head sadly,
The windows were bright gray with dawn; he embraced her still,
stopping to talk about the stallion.
At length she was permitted to put on her clothes. Clear daylight
over the steep hills;
Gray-shining cloud over the tops of the redwoods; the winter
stream sang loud; the wheels of the buggy
Slipped m deep slime, ground on washed stones at the road-edge.
Down the hill the wrinkled river smothered the ford.
You must keep to the bed of stones: she knew the way by willow
and alder: the buckskin halted mid-stream,
Shuddering, the water her own color washing up to the traces;
but California, drawing up
Her feet out of the whirl onto the seat of the buggy swung the
whip over the yellow water
And drove to the road.
All morning the clouds were racing northward
like a river. At noon they thickened.
When California faced the southwind home from Monterey it
was heavy with level rainfall.
She looked seaward from the foot of the valley; red rays cried
sunset from a trumpet of streaming
Cloud over Lobos, the southwest Occident of the solstice. Twilight
came soon, but the tired mare
Feared the road more than the whip. Mile after mile of slow
Then, quite suddenly, darkness.
'Christine will be asleep. It is Christmas Eve. The ford. That hour
of daylight wasted this morning!'
She could see nothing; she let the reins lie on the dashboard and
knew at length by the cramp of the wheels
And the pitch down, they had reached it. Noise of wheels on
stones, plashing of hooves in water; a world
Of sounds; no sight; the gentle thunder of water; the mare snorting,
dipping her head, one knew,
To look for footing, in the blackness, under the stream. The
hushing and creaking of the sea-wind
In the passion of invisible willows.
The mare stood still; the woman
shouted to her; spared whip,
For a false leap would lose the track of the ford. She stood.
'The baby's things,' thought California,
'Under the seat: the water will come over the floor'; and rising
in the midst of the water
She tilted the seat; fetched up the doll, the painted wooden chickens,
the woolly bear, the book
Of many pictures, the box of sweets: she brought them all from
under the seat and stored them, trembling,
Under her clothes, about the breasts, under the arms; the corners
of the cardboard boxes
Cut into the soft flesh; but with a piece of rope for a girdle and
wound about the shoulders
All was made fast. The mare stood still as if asleep in the midst
of the water. Then California
Reached out a hand over the stream and fingered her rump; the
solid wet convexity of it
Shook like the beat of a great heart. 'What are you waiting
for?' But the feel of the animal surface
Had wakened a dream, obscured real danger with a dream of
danger. 'What for? For the water-stallion
To break out of the stream, that is what the rump strains for,
him to come up flinging foam sidewise,
Fore-hooves in air, crush me and the rig and curl over his
woman.' She flung out with the whip then,
The mare plunged forward. The buggy drifted sidelong: was
she off ground? Swimming? No: by the splashes.
The driver, a mere prehensile instinct, clung to the side-irons
of the seat and felt the force
But not the coldness of the water, curling over her knees, breaking
up to the waist
Over her body. They'd turned. The mare had turned up stream
and was wallowing back into shoal water.
Then California dropped her forehead to her knees, having seen
nothing, feeling a danger,
And felt the brute weight of a branch of alder, the pendulous
light leaves brush her bent neck
Like a child's fingers. The mare burst out of water and stopped
on the slope to the ford. The woman climbed down
Between the wheels and went to her head. 'Poor Dora,' she
called her by her name, 'there, Dora. Quietly,'
And led her around, there was room to turn on the margin, the
head to the gentle thunder of the water.
She crawled on hands and knees, felt for the ruts, and shifted
the wheels into them. 'You can see, Dora.
I can't. But this time you'll go through it.' She climbed into the
seat and shouted angrily. The mare
Stopped, her two forefeet in the water. She touched with the
whip. The mare plodded ahead and halted.
Then California thought of prayer: 'Dear little Jesus,
Dear baby Jesus born to-night, your head was shining
Like silver candles. I've got a baby too, only a girl. You had light
wherever you walked.
Dear baby Jesus give me light.' Light streamed: rose, gold, rich
purple, hiding the ford like a curtain.
The gentle thunder of water was a noise of wing-feathers, the
fans of paradise lifting softly.
The child afloat on radiance had a baby face, but the angels had
birds' heads, hawks' heads,
Bending over the baby, weaving a web of wings about him. He
held in the small fat hand
A little snake with golden eyes, and California could see clearly
on the under radiance
The mare's pricked ears, a sharp black fork against the shining
light-fall. But it dropped; the light of heaven
Frightened poor Dora. She backed; swung up the water,
And nearly oversetting the buggy turned and scrambled backward;
the iron wheel-tires rang on boulders.
Then California weeping climbed between the wheels. Her wet
clothes and the toys packed under
Dragged her down with their weight; she stripped off cloak and
dress and laid the baby's things in the buggy;
Brought Johnny's whiskey out from under the seat; wrapped all
in the dress, bottles and toys, and tied them
Into a bundle that would sling over her back. She unharnessed
the mare, hurting her fingers
Against the swollen straps and the wet buckles. She tied the pack
over her shoulders, the cords
Crossing her breasts, and mounted. She drew up her shift about
her waist and knotted it, naked thighs
Clutching the sides of the mare, bare flesh to the wet withers, and
caught the mane with her right hand,
The looped-up bridle-reins in the other. 'Dora, the baby gives
you light.' The blinding radiance
Hovered the ford. 'Sweet baby Jesus give us light.' Cataracts of
light and Latin singing
Fell through the willows; the mare snorted and reared: the roar
and thunder of the invisible water;
The night shaking open like a flag, shot with the flashes; the
baby face hovering; the water
Beating over her shoes and stockings up to the bare thighs; and
over them, like a beast
Lapping her belly; the wriggle and pitch of the mare swimming;
the drift, the sucking water; the blinding
Light above and behind with not a gleam before, in the throat
of darkness; the shock of the fore-hooves
Striking bottom, the struggle and surging lift of the haunches.
She felt the water streaming off her
From the shoulders down; heard the great strain and sob of the
mare's breathing, heard the horseshoes grind on gravel.
When California came home the dog at the door snuffed at her
without barking; Christine and Johnny
Both were asleep; she did not sleep for hours, but kindled fire
and knelt patiently over it,
Shaping and drying the dear-bought gifts for Christmas morning.
She hated (she thought) the proud-necked stallion.
He'd lean the big twin masses of his breast on the rail, his redbrown
eyes flash the white crescents,
She admired him then, she hated him for his uselessness, serving
But Johnny's vanity. Horses were too cheap to breed. She thought,
if he could range in freedom,
Shaking the red-roan mane for a flag on the bare hills.
brought up a mare in April;
Then California, though she wanted to watch, stayed with Christine
indoors. When the child fretted
The mother told her once more about the miracle of the ford;
her prayer to the little Jesus
The Christmas Eve when she was bringing the gifts home; the
appearance, the lights, the Latin singing,
The thunder of wing-feathers and water, the shining child, the
cataracts of splendor down the darkness.
'A little baby,' Christine asked, 'the God is a baby?' 'The child
of God. That was his birthday.
His mother was named Mary: we pray to her too: God came to
her. He was not the child of a man
Like you or me. God was his father: she was the stallion's wife-
what did I say God's wife,'
She said with a cry, lifting Christine aside, pacing the planks of
the floor. 'She is called more blessed
Than any woman. She was so good, she was more loved.' 'Did
God live near her house?' 'He lives
Up high, over the stars; he ranges on the bare blue hill of the
sky.' In her mind a picture
Flashed, of the red-roan mane shaken out for a flag on the bare
hills, and she said quickly, 'He's more
Like a great man holding the sun in his hand.' Her mind giving
her words the lie, 'But no one
Knows, only the shining and the power. The power, the terror,
the burning fire covered her over . . .'
'Was she burnt up, mother?' 'She was so good and lovely, she
was the mother of the little Jesus.
If you are good nothing will hurt you.' 'What did she think?'
'She loved, she was not afraid of the hooves
Hands that had made the hills and sun and moon, and the sea
and the great redwoods, the terrible strength,
She gave herself without thinking.' 'You only saw the baby,
mother?' 'Yes, and the angels about him,
The great wild shining over the black river.' Three times she
had walked to the door, three times returned,
And now the hand that had thrice hung on the knob, full of
prevented action, twisted the cloth
Of the child's dress that she had been mending. 'Oh, oh, I've
torn it.' She struck at the child and then embraced her
Fiercely, the small blonde sickly body.
Johnny came in, his face
reddened as if he had stood
Near fire, his eyes triumphing. 'Finished,' he said, and looked
with malice at Christine. 'I go
Down valley with Jim Carrier; owes me five dollar, fifteen I
charge him, he brought ten in his pocket.
Has grapes on the ranch, maybe I take a barrel red wine instead
of money. Be back to-morrow.
To-morrow night I tell you-Eh, Jim,' he laughed over his
shoulder, 'I say to-morrow evening
I show her how the red fellow act, the big fellow. When I come
home.' She answered nothing, but stood
In front of the door, holding the little hand of her daughter, in the
path of sun between the redwoods,
While Johnny tied the buckskin mare behind Carrier's buggy,
and bringing saddle and bridle tossed them
Under the seat. Jim Carrier's mare, the bay, stood with drooped
head and started slowly, the men
Laughing and shouting at her; their voices could be heard down
the steep road, after the noise
Of the iron-hooped wheels died from the stone. Then one might
hear the hush of the wind in the tall redwoods,
The tinkle of the April brook, deep in its hollow.
the start of the race; I say
Humanity is the mould to break away from, the crust to break
through, the coal to break into fire,
The atom to be split.
Tragedy that breaks man's face and a white
fire flies out of it; vision that fools him
Out of his limits, desire that fools him out of his limits, unnatural
crime, inhuman science,
Slit eyes in the mask; wild loves that leap over the walls of nature,
the wild fcnce-vaulter science,
Useless intelligence of far stars, dim knowledge of the spinning
demons that make an atom,
These break, these pierce, these deify, praising their God shrilly
with fierce voices: not in a man's shape
He approves the praise, he that walks lightning-naked on die
Pacific, that laces the suns with planets,
The heart of the atom with electrons: what is humanity in this
cosmos? For him, the last
Least taint of a trace in the dregs of the solution; for itself, the
mould to break away from, the coal
To break into fire, the atom to be split.
After the child slept, after
the leopard-footed evening
Had glided oceanward, California turned the lamp to its least
flame and glided from the house.
She moved sighing, like a loose fire, backward and forward on
the smooth ground by the door.
She heard the night-wind that draws down the valley like the
draught in a flue under clear weather
Whisper and toss in the tall redwoods; she heard the tinkle of
the April brook deep in its hollow.
Cooled by the night the odors that the horses had left behind
were in her nostrils; the night
Whitened up the bare hill; a drift of coyotes by the river cried
bitterly against moonrise;
Then California ran to the old corral, the empty one where they
kept the buckskin mare,
And leaned, and bruised her breasts on the rail, feeling the sky
whiten. When the moon stood over the hill
She stole to the house. The child breathed quietly. Herself: to
sleep? She had seen Christ in the night at Christmas.
The hills were shining open to the enormous night of the April
moon: empty and empty,
The vast round backs of the bare hills? If one should ride up
high might not the Father himself
Be seen brooding His night, cross-legged, chin in hand, squatting
on the last dome? More likely
Leaping the hills, shaking the red-roan mane for a flag on the
bare hills. She blew out the lamp.
Every fiber of flesh trembled with faintness when she came to
the door; strength lacked, to wander
Afoot into the shining of the hill, high enough, high enough . . .
the hateful face of a man had taken
The strength that might have served her, the corral was empty.
The dog followed her, she caught him by the collar,
Dragged him in fierce silence back to the door of the house,
latched him inside.
It was like daylight
Outdoors and she hastened without faltering down the footpath,
through the dark fringe of twisted oak-brush,
To the open place in a bay of the hill. The dark strength of the
stallion had heard her coming; she heard him
Blow the shining air out of his nostrils, she saw him in the white
lake of moonlight
Move like a lion along the timbers of the fence, shaking the
Of the great mane; his fragrance came to her; she leaned on the
He drew away from it, the hooves making soft thunder in the
Wild love had trodden it, his wrestling with the stranger, the
shame of the day
Had stamped it into mire and powder when the heavy fetlocks
Strained the soft flanks. 'Oh, if I could bear you!
If I had the strength. O great God that came down to Mary,
gently you came. But I will ride him
Up into the hill, if he throws me, if he tramples me, is it not
To endure death?' She climbed the fence, pressing her body
against the rail, shaking like fever,
And dropped inside to the soft ground. He neither threatened
her with his teeth nor fled from her coming,
And lifting her hand gently to the upflung head she caught
the strap of the headstall,
That hung under the quivering chin. She unlooped the halter
from the high strength of the neck
And the arch the storm-cloud mane hung with live darkness. He
stood; she crushed her breasts
On the hard shoulder, an arm over the withers, the other under
the mass of his throat, and murmuring
Like a mountain dove, 'If I could bear you.' No way, no help,
a gulf in nature. She murmured, 'Come,
We will run on the hill. O beautiful, O beautiful,' and led him
To the gate and flung the bars on the ground. He threw his head
To snuff at the bars; and while he stood, she catching mane and
withers with all sudden contracture
And strength of her lithe body, leaped, clung hard, and was
mounted. He had been ridden before; he did not
Fight the weight but ran like a stone falling;
Broke down the slope into the moon-glass of the stream, and
flattened to his neck
She felt the branches of a buckeye tree fly over her, saw the
wall of the oak-scrub
End her world: but he turned there, the matted branches
Scraped her right knee, the great slant shoulders
Laboring the hill-slope, up, up, the clear hill. Desire had died
At the first rush, the falling like death, but now it revived,
She feeling between her thighs the labor of the great engine, the
running muscles, the hard swiftness,
She riding the savage and exultant strength of the world. Having
topped the thicket he turned eastward,
Running less wildly; and now at length he felt the halter when
she drew on it; she guided him upward;
He stopped and grazed on the great arch and pride of the hill,
the silent calvary. A dwarfish oakwood
Climbed the other slope out of the dark of the unknown canyon
beyond; the last wind-beaten bush of it
Crawled up to the height, and California slipping from her mount
tethered him to it. She stood then,
Shaking. Enormous films of moonlight
Trailed down from the height. Space, anxious whiteness, vastness.
Distant beyond conception the shining ocean
Lay light like a haze along the ledge and doubtful world's end.
Little vapors gleaming, and little
Darknesses on the far chart underfoot symbolized wood and
valley; but the air was the element, the moon-
Saturate arcs and spires of the air.
Here is solitude, here on the
calvary, nothing conscious
But the possible God and the cropped grass, no witness, no eye
but that misformed one, the moon's past fullness.
Two figures on the shining hill, woman and stallion, she kneeling
to him, brokenly adoring.
He cropping the grass, shifting his hooves, or lifting the long
head to gaze over the world,
Tranquil and powerful. She prayed aloud, 'O God, I am not
good enough, O fear, O strength, I am draggled.
Johnny and other men have had me, and O clean power! Here
am I,' she said, falling before him,
And crawled to his hooves. She lay a long while, as if asleep, in
reach of the fore-hooves, weeping. He avoided
Her head and the prone body. He backed at first; but later
plucked the grass that grew by her shoulder.
The small dark head under his nostrils: a small round stone, that
smelt human, black hair growing from it:
The skull shut the light in: it was not possible for any eyes
To know what throbbed and shone under the sutures of the
skull, or a shell full of lightning
Had scared the roan strength, and he'd have broken tether,
screaming, and run for the valley.
The atom bounds-breaking,
Nucleus to sun, electrons to planets, with recognition
Not praying, self-equaling, the whole to the whole, the microcosm
Not entering nor accepting entrance, more equally, more utterly,
more incredibly conjugate
With the other extreme and greatness; passionately perceptive of
identity. . . .
The fire threw up figures
And symbols meanwhile, racial myths formed and dissolved in
it, the phantom rulers of humanity
That without being are yet more real than what they are born of,
and without shape, shape that which makes them:
The nerves and the flesh go by shadowlike, the limbs and the lives
shadowlike, these shadows remain, these shadows
To whom temples, to whom churches, to whom labors and wars,
visions and dreams are dedicate:
Out of the fire in the small round stone that black moss covered,
a crucified man writhed up in anguish;
A woman covered by a huge beast in whose mane the stars were
netted, sun and moon were his eyeballs,
Smiled under the unendurable violation, her throat swollen with
the storm and blood-flecks gleaming
On the stretched lips; a womanno, a dark water, split by jets
of lightning, and after a season
What floated up out of the furrowed water, a boat, a fish, a fire-globe?
It had wings, the creature,
And flew against the fountain of lightning, fell burnt out of the
cloud back to the bottomless water . . .
Figures and symbols, castlings of the fire, played in her brain;
but the white fire was the essence,
The burning in the small round shell of bone that black hair
covered, that lay by the hooves on the hilltop.
She rose at length, she unknotted the halter; she walked and led
the stallion; two figures, woman and stallion,
Came down the silent emptiness of the dome of the hill, under
the cataract of the moonlight.
The next night there was moon through cloud. Johnny had returned
half drunk toward evening, and California
Who had known him for years with neither love nor loathing
to-night hating him had let the child Christine
Play in the light of the lamp for hours after her bedtime; who
fell asleep at length on the floor
Beside the dog; then Johnny: 'Put her to bed.' She gathered the
child against her breasts, she laid her
In the next room, and covered her with a blanket. The window
was white, the moon had risen. The mother
Lay down by the child, but after a moment Johnny stood in
the doorway. 'Come drink.' He had brought home
Two jugs of wine slung from the saddle, part payment for the
stallion's service; a pitcher of it
Was on the table, and California sadly came and emptied her
glass. Whiskey, she thought,
Would have erased him till to-morrow; the thin red wine. . . .
'We have a good evening,' he laughed, pouring it.
'One glass yet then I show you what the red fellow did.' She
moving toward the house-door his eyes
Followed her, the glass filled and the red juice ran over the table.
When it struck the floor-planks
He heard and looked. 'Who stuck the pig?' he muttered stupidly,
'here's blood, here's blood,' and trailed his fingers
In the red lake under the lamplight. While he was looking down
the door creaked, she had slipped outdoors,
And he, his mouth curving like a faun's imagined the chase under
the solemn redwoods, the panting
And unresistant victim caught in a dark corner. He emptied the
glass and went outdoors
Into the dappled lanes of moonlight. No sound but the April
brook's. 'Hey Bruno,' he called, 'find her.
Bruno, go find her.' The dog after a little understood and quested,
the man following.
When California crouching by an oak-bush above the house
heard them come near she darted
To the open slope and ran down hill. The dog barked at her
heels, pleased with the game, and Johnny
Followed in silence. She ran down to the new corral, she saw
Move like a lion along the timbers of the fence, the dark arched
neck shaking the nightfall
Of the great mane; she threw herself prone and writhed under
the bars, his hooves backing away from her
Made muffled thunder in the soft soil. She stood in the midst of
the corral, panting, but Johnny
Paused at the fence. The dog ran under it, and seeing the stallion
move, the woman standing quiet,
Danced after the beast, with white-tooth feints and dashes. When
Johnny saw the formidable dark strength
Recoil from the dog, he climbed up over the fence.
The child Christine waked when her mother left her
And lay half dreaming, in the half-waking dream she saw the
ocean come up out of the west
And cover the world, she looked up through clear water at the
tops of the redwoods. She heard the door creak
And the house empty; her heart shook her body, sitting up on the
bed, and she heard the dog
And crept toward light, where it gleamed under the crack of the
door. She opened the door, the room was empty,
The table-top was a red lake under the lamplight. The color of
it was terrible to her;
She had seen the red juice drip from a coyote's muzzle her father
had shot one day in the hills
And carried him home over the saddle: she looked at the rifle on
the wall-rack: it was not moved:
She ran to the door, the dog was barking and the moon was
shining: she knew wine by the odor
But the color frightened her, the empty house frightened her,
she followed down hill in the white lane of moonlight
The friendly noise of the dog. She saw in the big horse's corral,
on the level shoulder of the hill,
Black on white, the dark strength of the beast, the dancing fury
of the dog, and the two others.
One fled, one followed; the big one charged, rearing; one fell
under his fore-hooves. She heard her mother
Scream: without thought she ran to the house, she dragged a
chair past the red pool and climbed to the rifle,
Got it down from the wall and lugged it somehow through the
door and down the hillside, under the hard weight
Sobbing. Her mother stood by the rails of the corral, she gave
it to her. On the far side
The dog flashed at the plunging stallion; in the midst of the space
the man, slow-moving, like a hurt worm
Crawling, dragged his body by inches toward the fence-line. Then
California, resting the rifle
On the top rail, without doubting, without hesitance,
Aimed for the leaping body of the dog, and when it stood, fired.
It snapped, rolled over, lay quiet.
'O mother you've hit Bruno!' 'I couldn't see the sights in the
moonlight!' she answered quietly. She stood
And watched, resting the rifle-butt on the ground. The stallion
wheeled, freed from his torment, the man
Lurched up to his knees, wailing a thin and bitter bird's cry, and
the roan thunder
Struck; hooves left nothing alive but teeth tore up the remnant.
'O mother, shoot, shoot!' Yet California
Stood carefully watching, till the beast having fed all his fury
stretched neck to utmost, head high,
And wrinkled back the upper lip from the teeth, yawning obscene
disgust over not a man
A smear on the moon-like earth: then California moved by some
obscure human fidelity
Lifted the rifle. Each separate nerve-cell of her brain flaming the
stars fell from their places
Crying in her mind: she fired three times before the haunches
crumpled sidewise, the forelegs stiffening,
And the beautiful strength settled to earth: she turned then on
her little daughter the mask of a woman
Who has killed God. The night-wind veering, the smell of the
spilt wine drifted down hill from the house.
The Lady of the Lake: Canto II. - The Island
At morn the black-cock trims his jetty wing,
'T is morning prompts the linnet's blithest lay,
All Nature's children feel the matin spring
Of life reviving, with reviving day;
And while yon little bark glides down the bay,
Wafting the stranger on his way again,
Morn's genial influence roused a minstrel gray,
And sweetly o'er the lake was heard thy strain,
Mixed with the sounding harp, O white-haired Allan-bane!
'Not faster yonder rowers' might
Flings from their oars the spray,
Not faster yonder rippling bright,
That tracks the shallop's course in light,
Melts in the lake away,
Than men from memory erase
The benefits of former days;
Then, stranger, go! good speed the while,
Nor think again of the lonely isle.
'High place to thee in royal court,
High place in battled line,
Good hawk and hound for sylvan sport!
Where beauty sees the brave resort,
The honored meed be thine!
True be thy sword, thy friend sincere,
Thy lady constant, kind, and dear,
And lost in love's and friendship's smile
Be memory of the lonely isle!
'But if beneath yon southern sky
A plaided stranger roam,
Whose drooping crest and stifled sigh,
And sunken cheek and heavy eye,
Pine for his Highland home;
Then, warrior, then be thine to show
The care that soothes a wanderer's woe;
Remember then thy hap erewhile,
A stranger in the lonely isle.
'Or if on life's uncertain main
Mishap shall mar thy sail;
If faithful, wise, and brave in vain,
Woe, want, and exile thou sustain
Beneath the fickle gale;
Waste not a sigh on fortune changed,
On thankless courts, or friends estranged,
But come where kindred worth shall smile,
To greet thee in the lonely isle.'
As died the sounds upon the tide,
The shallop reached the mainland side,
And ere his onward way he took,
The stranger cast a lingering look,
Where easily his eye might reach
The Harper on the islet beach,
Reclined against a blighted tree,
As wasted, gray, and worn as he.
To minstrel meditation given,
His reverend brow was raised to heaven,
As from the rising sun to claim
A sparkle of inspiring flame.
His hand, reclined upon the wire,
Seemed watching the awakening fire;
So still he sat as those who wait
Till judgment speak the doom of fate;
So still, as if no breeze might dare
To lift one lock of hoary hair;
So still, as life itself were fled
In the last sound his harp had sped.
Upon a rock with lichens wild,
Beside him Ellen sat and smiled.-
Smiled she to see the stately drake
Lead forth his fleet upon the lake,
While her vexed spaniel from the beach
Bayed at the prize beyond his reach?
Yet tell me, then, the maid who knows,
Why deepened on her cheek the rose?-
Forgive, forgive, Fidelity!
Perchance the maiden smiled to see
Yon parting lingerer wave adieu,
And stop and turn to wave anew;
And, lovely ladies, ere your ire
Condemn the heroine of my lyre,
Show me the fair would scorn to spy
And prize such conquest of her eve!
While yet he loitered on the spot,
It seemed as Ellen marked him not;
But when he turned him to the glade,
One courteous parting sign she made;
And after, oft the knight would say,
That not when prize of festal day
Was dealt him by the brightest fair
Who e'er wore jewel in her hair,
So highly did his bosom swell
As at that simple mute farewell.
Now with a trusty mountain-guide,
And his dark stag-hounds by his side,
He parts,-the maid, unconscious still,
Watched him wind slowly round the hill;
But when his stately form was hid,
The guardian in her bosom chid,-
'Thy Malcolm! vain and selfish maid!'
'T was thus upbraiding conscience said,-
'Not so had Malcolm idly hung
On the smooth phrase of Southern tongue;
Not so had Malcolm strained his eye
Another step than thine to spy.'-
'Wake, Allan-bane,' aloud she cried
To the old minstrel by her side,-
'Arouse thee from thy moody dream!
I 'll give thy harp heroic theme,
And warm thee with a noble name;
Pour forth the glory of the Graeme!'
Scarce from her lip the word had rushed,
When deep the conscious maiden blushed;
For of his clan, in hall and bower,
Young Malcolm Graeme was held the flower.
The minstrel waked his harp,-three times
Arose the well-known martial chimes,
And thrice their high heroic pride
In melancholy murmurs died.
'Vainly thou bidst, O noble maid,'
Clasping his withered hands, he said,
'Vainly thou bidst me wake the strain,
Though all unwont to bid in vain.
Alas! than mine a mightier hand
Has tuned my harp, my strings has spanned!
I touch the chords of joy, but low
And mournful answer notes of woe;
And the proud march which victors tread
Sinks in the wailing for the dead.
O, well for me, if mine alone
That dirge's deep prophetic tone!
If, as my tuneful fathers said,
This harp, which erst Saint Modan swayed,
Can thus its master's fate foretell,
Then welcome be the minstrel's knell.'
'But ah! dear lady, thus it sighed,
The eve thy sainted mother died;
And such the sounds which, while I strove
To wake a lay of war or love,
Came marring all the festal mirth,
Appalling me who gave them birth,
And, disobedient to my call,
Wailed loud through Bothwell's bannered hall.
Ere Douglases, to ruin driven,
Were exiled from their native heaven.-
O! if yet worse mishap and woe
My master's house must undergo,
Or aught but weal to Ellen fair
Brood in these accents of despair,
No future bard, sad Harp! shall fling
Triumph or rapture from thy string;
One short, one final strain shall flow,
Fraught with unutterable woe,
Then shivered shall thy fragments lie,
Thy master cast him down and die!'
Soothing she answered him: 'Assuage,
Mine honored friend, the fears of age;
All melodies to thee are known
That harp has rung or pipe has blown,
In Lowland vale or Highland glen,
From Tweed to Spey-what marvel, then,
At times unbidden notes should rise,
Confusedly bound in memory's ties,
Entangling, as they rush along,
The war-march with the funeral song?-
Small ground is now for boding fear;
Obscure, but safe, we rest us here.
My sire, in native virtue great,
Resigning lordship, lands, and state,
Not then to fortune more resigned
Than yonder oak might give the wind;
The graceful foliage storms may reeve,
'Fine noble stem they cannot grieve.
For me'-she stooped, and, looking round,
Plucked a blue harebell from the ground,-
'For me, whose memory scarce conveys
An image of more splendid days,
This little flower that loves the lea
May well my simple emblem be;
It drinks heaven's dew as blithe as rose
That in the King's own garden grows;
And when I place it in my hair,
Allan, a bard is bound to swear
He ne'er saw coronet so fair.'
Then playfully the chaplet wild
She wreathed in her dark locks, and smiled.
Her smile, her speech, with winning sway
Wiled the old Harper's mood away.
With such a look as hermits throw,
When angels stoop to soothe their woe
He gazed, till fond regret and pride
Thrilled to a tear, then thus replied:
'Loveliest and best! thou little know'st
The rank, the honors, thou hast lost!
O. might I live to see thee grace,
In Scotland's court, thy birthright place,
To see my favorite's step advance
The lightest in the courtly dance,
The cause of every gallant's sigh,
And leading star of every eye,
And theme of every minstrel's art,
The Lady of the Bleeding Heart!'
'Fair dreams are these,' the maiden cried,-
Light was her accent, yet she sighed,-
'Yet is this mossy rock to me
Worth splendid chair and canopy;
Nor would my footstep spring more gay
In courtly dance than blithe strathspey,
Nor half so pleased mine ear incline
To royal minstrel's lay as thine.
And then for suitors proud and high,
To bend before my conquering eye,-
Thou, flattering bard! thyself wilt say,
That grim Sir Roderick owns its sway.
The Saxon scourge, Clan- Alpine's pride,
The terror of Loch Lomond's side,
Would, at my suit, thou know'st, delay
A Lennox foray-for a day.'-
The ancient bard her glee repressed:
'Ill hast thou chosen theme for jest!
For who, through all this western wild,
Named Black Sir Roderick e'er, and smiled?
In Holy-Rood a knight he slew;
I saw, when back the dirk he drew,
Courtiers give place before the stride
Of the undaunted homicide;
And since, though outlawed, hath his hand
Full sternly kept his mountain land.
Who else dared give-ah! woe the day,
That I such hated truth should say!-
The Douglas, like a stricken deer,
Disowned by every noble peer,
Even the rude refuge we have here?
Alas, this wild marauding
Chief Alone might hazard our relief,
And now thy maiden charms expand,
Looks for his guerdon in thy hand;
Full soon may dispensation sought,
To back his suit, from Rome be brought.
Then, though an exile on the hill,
Thy father, as the Douglas, still
Be held in reverence and fear;
And though to Roderick thou'rt so dear
That thou mightst guide with silken thread.
Slave of thy will, this chieftain dread,
Yet, O loved maid, thy mirth refrain!
Thy hand is on a lion's mane.'-
Minstrel,' the maid replied, and high
Her father's soul glanced from her eye,
'My debts to Roderick's house I know:
All that a mother could bestow
To Lady Margaret's care I owe,
Since first an orphan in the wild
She sorrowed o'er her sister's child;
To her brave chieftain son, from ire
Of Scotland's king who shrouds my sire,
A deeper, holier debt is owed;
And, could I pay it with my blood, Allan!
Sir Roderick should command
My blood, my life,-but not my hand.
Rather will Ellen Douglas dwell
A votaress in Maronnan's cell;
Rather through realms beyond the sea,
Seeking the world's cold charity
Where ne'er was spoke a Scottish word,
And ne'er the name of Douglas heard
An outcast pilgrim will she rove,
Than wed the man she cannot love.
'Thou shak'st, good friend, thy tresses gray,-
That pleading look, what can it say
But what I own?-I grant him brave,
But wild as Bracklinn's thundering wave;
And generous, --save vindictive mood
Or jealous transport chafe his blood:
I grant him true to friendly band,
As his claymore is to his hand;
But O! that very blade of steel
More mercy for a foe would feel:
I grant him liberal, to fling
Among his clan the wealth they bring,
When back by lake and glen they wind,
And in the Lowland leave behind,
Where once some pleasant hamlet stood,
A mass of ashes slaked with blood.
The hand that for my father fought
I honor, as his daughter ought;
But can I clasp it reeking red
From peasants slaughtered in their shed?
No! wildly while his virtues gleam,
They make his passions darker seem,
And flash along his spirit high,
Like lightning o'er the midnight sky.
While yet a child,-and children know,
Instinctive taught, the friend and foe,-
I shuddered at his brow of gloom,
His shadowy plaid and sable plume;
A maiden grown, I ill could bear
His haughty mien and lordly air:
But, if thou join'st a suitor's claim,
In serious mood, to Roderick's name.
I thrill with anguish! or, if e'er
A Douglas knew the word, with fear.
To change such odious theme were best,--
What think'st thou of our stranger guest?--
'What think I of him?--woe the while
That brought such wanderer to our isle!
Thy father's battle-brand, of yore
For Tine-man forged by fairy lore,
What time he leagued, no longer foes
His Border spears with Hotspur's bows,
Did, self-unscabbarded, foreshow
The footstep of a secret foe.
If courtly spy hath harbored here,
What may we for the Douglas fear?
What for this island, deemed of old
Clan-Alpine's last and surest hold?
If neither spy nor foe, I pray
What yet may jealous Roderick say?-
Nay, wave not thy disdainful head!
Bethink thee of the discord dread
That kindled when at Beltane game
Thou least the dance with Malcolm Graeme;
Still, though thy sire the peace renewed
Smoulders in Roderick's breast the feud:
Beware!-But hark! what sounds are these?
My dull ears catch no faltering breeze
No weeping birch nor aspens wake,
Nor breath is dimpling in the lake;
Still is the canna's hoary beard,
Yet, by my minstrel faith, I heard-
And hark again! some pipe of war
Sends the hold pibroch from afar.'
Far up the lengthened lake were spied
Four darkening specks upon the tide,
That, slow enlarging on the view,
Four manned and massed barges grew,
And, bearing downwards from Glengyle,
Steered full upon the lonely isle;
The point of Brianchoil they passed,
And, to the windward as they cast,
Against the sun they gave to shine
The bold Sir Roderick's bannered Pine.
Nearer and nearer as they bear,
Spears, pikes, and axes flash in air.
Now might you see the tartars brave,
And plaids and plumage dance and wave:
Now see the bonnets sink and rise,
As his tough oar the rower plies;
See, flashing at each sturdy stroke,
The wave ascending into smoke;
See the proud pipers on the bow,
And mark the gaudy streamers flow
From their loud chanters down, and sweep
The furrowed bosom of the deep,
As, rushing through the lake amain,
They plied the ancient Highland strain.
Ever, as on they bore, more loud
And louder rung the pibroch proud.
At first the sounds, by distance tame,
Mellowed along the waters came,
And, lingering long by cape and bay,
Wailed every harsher note away,
Then bursting bolder on the ear,
The clan's shrill Gathering they could hear,
Those thrilling sounds that call the might
Of old Clan-Alpine to the fight.
Thick beat the rapid notes, as when
The mustering hundreds shake the glen,
And hurrying at the signal dread,
'Fine battered earth returns their tread.
Then prelude light, of livelier tone,
Expressed their merry marching on,
Ere peal of closing battle rose,
With mingled outcry, shrieks, and blows;
And mimic din of stroke and ward,
As broadsword upon target jarred;
And groaning pause, ere yet again,
Condensed, the battle yelled amain:
The rapid charge, the rallying shout,
Retreat borne headlong into rout,
And bursts of triumph, to declare
Clan-Alpine's congest-all were there.
Nor ended thus the strain, but slow
Sunk in a moan prolonged and low,
And changed the conquering clarion swell
For wild lament o'er those that fell.
The war-pipes ceased, but lake and hill
Were busy with their echoes still;
And, when they slept, a vocal strain
Bade their hoarse chorus wake again,
While loud a hundred clansmen raise
Their voices in their Chieftain's praise.
Each boatman, bending to his oar,
With measured sweep the burden bore,
In such wild cadence as the breeze
Makes through December's leafless trees.
The chorus first could Allan know,
'Roderick Vich Alpine, ho! fro!'
And near, and nearer as they rowed,
Distinct the martial ditty flowed.
Hail to the Chief who in triumph advances!
Honored and blessed be the ever-green Pine!
Long may the tree, in his banner that glances,
Flourish, the shelter and grace of our line!
Heaven send it happy dew,
Earth lend it sap anew,
Gayly to bourgeon and broadly to grow,
While every Highland glen
Sends our shout back again,
'Roderigh Vich Alpine dhu, ho! ieroe!'
Ours is no sapling, chance-sown by the fountain,
Blooming at Beltane, in winter to fade;
When the whirlwind has stripped every leaf on the mountain,
The more shall Clan-Alpine exult in her shade.
Moored in the rifted rock,
Proof to the tempest's shock,
Firmer he roots him the ruder it blow;
Menteith and Breadalbane, then,
Echo his praise again,
'Roderigh Vich Alpine dhu, ho! ieroe!'
Proudly our pibroch has thrilled in Glen Fruin,
And Bannochar's groans to our slogan replied;
Glen Luss and Ross-dhu, they are smoking in ruin,
And the best of Loch Lomond lie dead on her side.
Widow and Saxon maid
Long shall lament our raid,
Think of Clan-Alpine with fear and with woe;
Lennox and Leven-glen
Shake when they hear again,
'Roderigh Vich Alpine dhu, ho! ieroe!'
Row, vassals, row, for the pride of the Highlands!
Stretch to your oars for the ever-green Pine!
O that the rosebud that graces yon islands
Were wreathed in a garland around him to twine!
O that some seedling gem,
Worthy such noble stem,
Honored and blessed in their shadow might grow!
Loud should Clan-Alpine then
Ring from her deepmost glen,
Roderigh Vich Alpine dhu, ho! ieroe!'
With all her joyful female band
Had Lady Margaret sought the strand.
Loose on the breeze their tresses flew,
And high their snowy arms they threw,
As echoing back with shrill acclaim,
And chorus wild, the Chieftain's name;
While, prompt to please, with mother's art
The darling passion of his heart,
The Dame called Ellen to the strand,
To greet her kinsman ere he land:
'Come, loiterer, come! a Douglas thou,
And shun to wreathe a victor's brow?'
Reluctantly and slow, the maid
The unwelcome summoning obeyed,
And when a distant bugle rung,
In the mid-path aside she sprung:-
'List, Allan-bane! From mainland cast
I hear my father's signal blast.
Be ours,' she cried, 'the skiff to guide,
And waft him from the mountain-side.'
Then, like a sunbeam, swift and bright,
She darted to her shallop light,
And, eagerly while Roderick scanned,
For her dear form, his mother's band,
The islet far behind her lay,
And she had landed in the bay.
Some feelings are to mortals given
With less of earth in them than heaven;
And if there be a human tear
From passion's dross refined and clear,
A tear so limpid and so meek
It would not stain an angel's cheek,
'Tis that which pious fathers shed
Upon a duteous daughter's head!
And as the Douglas to his breast
His darling Ellen closely pressed,
Such holy drops her tresses steeped,
Though 't was an hero's eye that weeped.
Nor while on Ellen's faltering tongue
Her filial welcomes crowded hung,
Marked she that fear-affection's proof-
Still held a graceful youth aloof;
No! not till Douglas named his name,
Although the youth was Malcolm Graeme.
Allan, with wistful look the while,
Marked Roderick landing on the isle;
His master piteously he eyed,
Then gazed upon the Chieftain's pride,
Then dashed with hasty hand away
From his dimmed eye the gathering spray;
And Douglas, as his hand he laid
On Malcolm's shoulder, kindly said:
'Canst thou, young friend, no meaning spy
In my poor follower's glistening eye?
I 'll tell thee:-he recalls the day
When in my praise he led the lay
O'er the arched gate of Bothwell proud,
While many a minstrel answered loud,
When Percy's Norman pennon, won
In bloody field, before me shone,
And twice ten knights, the least a name
As mighty as yon Chief may claim,
Gracing my pomp, behind me came.
Yet trust me, Malcolm, not so proud
Was I of all that marshalled crowd,
Though the waned crescent owned my might,
And in my train trooped lord and knight,
Though Blantyre hymned her holiest lays,
And Bothwell's bards flung back my praise,
As when this old man's silent tear,
And this poor maid's affection dear,
A welcome give more kind and true
Than aught my better fortunes knew.
Forgive, my friend, a father's boast,-
O, it out-beggars all I lost!'
Delightful praise!-like summer rose,
That brighter in the dew-drop glows,
The bashful maiden's cheek appeared,
For Douglas spoke, and Malcolm heard.
The flush of shame-faced joy to hide,
The hounds, the hawk, her cares divide;
The loved caresses of the maid
The dogs with crouch and whimper paid;
And, at her whistle, on her hand
The falcon took his favorite stand,
Closed his dark wing, relaxed his eye,
Nor, though unhooded, sought to fly.
And, trust, while in such guise she stood,
Like fabled Goddess of the wood,
That if a father's partial thought
O'erweighed her worth and beauty aught,
Well might the lover's judgment fail
To balance with a juster scale;
For with each secret glance he stole,
The fond enthusiast sent his soul.
Of stature fair, and slender frame,
But firmly knit, was Malcolm Graeme.
The belted plaid and tartan hose
Did ne'er more graceful limbs disclose;
His flaxen hair, of sunny hue,
Curled closely round his bonnet blue.
Trained to the chase, his eagle eye
The ptarmigan in snow could spy;
Each pass, by mountain, lake, and heath,
He knew, through Lennox and Menteith;
Vain was the bound of dark-brown doe
When Malcolm bent his sounding bow,
And scarce that doe, though winged with fear,
Outstripped in speed the mountaineer:
Right up Ben Lomond could he press,
And not a sob his toil confess.
His form accorded with a mind
Lively and ardent, frank and kind;
A blither heart, till Ellen came
Did never love nor sorrow tame;
It danced as lightsome in his breast
As played the feather on his crest.
Yet friends, who nearest knew the youth
His scorn of wrong, his zeal for truth
And bards, who saw his features bold
When kindled by the tales of old
Said, were that youth to manhood grown,
Not long should Roderick Dhu's renown
Be foremost voiced by mountain fame,
But quail to that of Malcolm Graeme.
Now back they wend their watery way,
And, 'O my sire!' did Ellen say,
'Why urge thy chase so far astray?
And why so late returned? And why '-
The rest was in her speaking eye.
'My child, the chase I follow far,
'Tis mimicry of noble war;
And with that gallant pastime reft
Were all of Douglas I have left.
I met young Malcolm as I strayed
Far eastward, in Glenfinlas' shade
Nor strayed I safe, for all around
Hunters and horsemen scoured the ground.
This youth, though still a royal ward,
Risked life and land to be my guard,
And through the passes of the wood
Guided my steps, not unpursued;
And Roderick shall his welcome make,
Despite old spleen, for Douglas' sake.
Then must he seek Strath-Endrick glen
Nor peril aught for me again.'
Sir Roderick, who to meet them came,
Reddened at sight of Malcolm Graeme,
Yet, not in action, word, or eye,
Failed aught in hospitality.
In talk and sport they whiled away
The morning of that summer day;
But at high noon a courier light
Held secret parley with the knight,
Whose moody aspect soon declared
That evil were the news he heard.
Deep thought seemed toiling in his head;
Yet was the evening banquet made
Ere he assembled round the flame
His mother, Douglas, and the Graeme,
And Ellen too; then cast around
His eyes, then fixed them on the ground,
As studying phrase that might avail
Best to convey unpleasant tale.
Long with his dagger's hilt he played,
Then raised his haughty brow, and said:-
'Short be my speech; - nor time affords,
Nor my plain temper, glozing words.
Kinsman and father,-if such name
Douglas vouchsafe to Roderick's claim;
Mine honored mother;-Ellen,-why,
My cousin, turn away thine eye?-
And Graeme, in whom I hope to know
Full soon a noble friend or foe,
When age shall give thee thy command,
And leading in thy native land,-
List all!-The King's vindictive pride
Boasts to have tamed the Border-side,
Where chiefs, with hound and trawl; who came
To share their monarch's sylvan game,
Themselves in bloody toils were snared,
And when the banquet they prepared,
And wide their loyal portals flung,
O'er their own gateway struggling hung.
Loud cries their blood from Meggat's mead,
From Yarrow braes and banks of Tweed,
Where the lone streams of Ettrick glide,
And from the silver Teviot's side;
The dales, where martial clans did ride,
Are now one sheep-walk, waste and wide.
This tyrant of the Scottish throne,
So faithless and so ruthless known,
Now hither comes; his end the same,
The same pretext of sylvan game.
What grace for Highland Chiefs, judge ye
By fate of Border chivalry.
Yet more; amid Glenfinlas' green,
Douglas, thy stately form was seen.
This by espial sure I know:
Your counsel in the streight I show.'
Ellen and Margaret fearfully
Sought comfort in each other's eye,
Then turned their ghastly look, each one,
This to her sire, that to her son.
The hasty color went and came
In the bold cheek of Malcohm Graeme,
But from his glance it well appeared
'T was but for Ellen that he feared;
While, sorrowful, but undismayed,
The Douglas thus his counsel said:
'Brave Roderick, though the tempest roar,
It may but thunder and pass o'er;
Nor will I here remain an hour,
To draw the lightning on thy bower;
For well thou know'st, at this gray head
The royal bolt were fiercest sped.
For thee, who, at thy King's command,
Canst aid him with a gallant band,
Submission, homage, humbled pride,
Shall turn the Monarch's wrath aside.
Poor remnants of the Bleeding Heart,
Ellen and I will seek apart
The refuge of some forest cell,
There, like the hunted quarry, dwell,
Till on the mountain and the moor
The stern pursuit be passed and o'er,'-
'No, by mine honor,' Roderick said,
'So help me Heaven, and my good blade!
No, never! Blasted be yon Pine,
My father's ancient crest and mine,
If from its shade in danger part
The lineage of the Bleeding Heart!
Hear my blunt speech: grant me this maid
To wife, thy counsel to mine aid
To Douglas, leagued with Roderick Dhu,
Will friends and allies flock enow;
Like cause of doubt, distrust, and grief,
Will bind to us each Western Chief
When the loud pipes my bridal tell,
The Links of Forth shall hear the knell,
The guards shall start in Stirling's porch;
And when I light the nuptial torch,
A thousand villages in flames
Shall scare the slumbers of King James!-
Nay, Ellen, blench not thus away,
And, mother, cease these signs, I pray;
I meant not all my heat might say.-
Small need of inroad or of fight,
When the sage Douglas may unite
Each mountain clan in friendly band,
To guard the passes of their land,
Till the foiled King from pathless glen
Shall bootless turn him home again.'
There are who have, at midnight hour,
In slumber scaled a dizzy tower,
And, on the verge that beetled o'er
The ocean tide's incessant roar,
Dreamed calmly out their dangerous dream,
Till wakened by the morning beam;
When, dazzled by the eastern glow,
Such startler cast his glance below,
And saw unmeasured depth around,
And heard unintermitted sound,
And thought the battled fence so frail,
It waved like cobweb in the gale;
Amid his senses' giddy wheel,
Did he not desperate impulse feel,
Headlong to plunge himself below,
And meet the worst his fears foreshow?-
Thus Ellen, dizzy and astound,
As sudden ruin yawned around,
By crossing terrors wildly tossed,
Still for the Douglas fearing most,
Could scarce the desperate thought withstand,
To buy his safety with her hand.
Such purpose dread could Malcolm spy
In Ellen's quivering lip and eye,
And eager rose to speak,-but ere
His tongue could hurry forth his fear,
Had Douglas marked the hectic strife,
Where death seemed combating with life;
For to her cheek, in feverish flood,
One instant rushed the throbbing blood,
Then ebbing back, with sudden sway,
Left its domain as wan as clay.
'Roderick, enough! enough!' he cried,
'My daughter cannot be thy bride;
Not that the blush to wooer dear,
Nor paleness that of maiden fear.
It may not be,-forgive her,
Chief, Nor hazard aught for our relief.
Against his sovereign, Douglas ne'er
Will level a rebellious spear.
'T was I that taught his youthful hand
To rein a steed and wield a brand;
I see him yet, the princely boy!
Not Ellen more my pride and joy;
I love him still, despite my wrongs
By hasty wrath and slanderous tongues.
O. seek the grace you well may find,
Without a cause to mine combined!'
Twice through the hall the Chieftain strode;
The waving of his tartars broad,
And darkened brow, where wounded pride
With ire and disappointment vied
Seemed, by the torch's gloomy light,
Like the ill Demon of the night,
Stooping his pinions' shadowy sway
Upon the righted pilgrim's way:
But, unrequited Love! thy dart
Plunged deepest its envenomed smart,
And Roderick, with thine anguish stung,
At length the hand of Douglas wrung,
While eyes that mocked at tears before
With bitter drops were running o'er.
The death-pangs of long-cherished hope
Scarce in that ample breast had scope
But, struggling with his spirit proud,
Convulsive heaved its checkered shroud,
While every sob-so mute were all
Was heard distinctly through the ball.
The son's despair, the mother's look,
III might the gentle Ellen brook;
She rose, and to her side there came,
To aid her parting steps, the Graeme.
Then Roderick from the Douglas broke-
As flashes flame through sable smoke,
Kindling its wreaths, long, dark, and low,
To one broad blaze of ruddy glow,
So the deep anguish of despair
Burst, in fierce jealousy, to air.
With stalwart grasp his hand he laid
On Malcolm's breast and belted plaid:
'Back, beardless boy!' he sternly said,
'Back, minion! holdst thou thus at naught
The lesson I so lately taught?
This roof, the Douglas. and that maid,
Thank thou for punishment delayed.'
Eager as greyhound on his game,
Fiercely with Roderick grappled Graeme.
'Perish my name, if aught afford
Its Chieftain safety save his sword!'
Thus as they strove their desperate hand
Griped to the dagger or the brand,
And death had been-but Douglas rose,
And thrust between the struggling foes
His giant strength:-' Chieftains, forego!
I hold the first who strikes my foe.-
Madmen, forbear your frantic jar!
What! is the Douglas fallen so far,
His daughter's hand is deemed the spoil
Of such dishonorable broil?'
Sullen and slowly they unclasp,
As struck with shame, their desperate grasp,
And each upon his rival glared,
With foot advanced and blade half bared.
Ere yet the brands aloft were flung,
Margaret on Roderick's mantle hung,
And Malcolm heard his Ellen's scream,
As faltered through terrific dream.
Then Roderick plunged in sheath his sword,
And veiled his wrath in scornful word:'
Rest safe till morning; pity 't were
Such cheek should feel the midnight air!
Then mayst thou to James Stuart tell,
Roderick will keep the lake and fell,
Nor lackey with his freeborn clan
The pageant pomp of earthly man.
More would he of Clan-Alpine know,
Thou canst our strength and passes show.-
Malise, what ho!'-his henchman came:
'Give our safe-conduct to the Graeme.'
Young Malcolm answered, calm and bold:'
Fear nothing for thy favorite hold;
The spot an angel deigned to grace
Is blessed, though robbers haunt the place.
Thy churlish courtesy for those
Reserve, who fear to be thy foes.
As safe to me the mountain way
At midnight as in blaze of day,
Though with his boldest at his back
Even Roderick Dhu beset the track.-
Brave Douglas,-lovely Ellen,-nay,
Naught here of parting will I say.
Earth does not hold a lonesome glen
So secret but we meet again.-
Chieftain! we too shall find an hour,'-
He said, and left the sylvan bower.
Old Allan followed to the strand -
Such was the Douglas's command-
And anxious told, how, on the morn,
The stern Sir Roderick deep had sworn,
The Fiery Cross should circle o'er
Dale, glen, and valley, down and moor
Much were the peril to the Graeme
From those who to the signal came;
Far up the lake 't were safest land,
Himself would row him to the strand.
He gave his counsel to the wind,
While Malcolm did, unheeding, bind,
Round dirk and pouch and broadsword rolled,
His ample plaid in tightened fold,
And stripped his limbs to such array
As best might suit the watery way,-
Then spoke abrupt: 'Farewell to thee,
Pattern of old fidelity!'
The Minstrel's hand he kindly pressed,-
'O, could I point a place of rest!
My sovereign holds in ward my land,
My uncle leads my vassal band;
To tame his foes, his friends to aid,
Poor Malcolm has but heart and blade.
Yet, if there be one faithful Graeme
Who loves the chieftain of his name,
Not long shall honored Douglas dwell
Like hunted stag in mountain cell;
Nor, ere yon pride-swollen robber dare,--
I may not give the rest to air!
Tell Roderick Dhu I owed him naught,
Not tile poor service of a boat,
To waft me to yon mountain-side.'
Then plunged he in the flashing tide.
Bold o'er the flood his head he bore,
And stoutly steered him from the shore;
And Allan strained his anxious eye,
Far mid the lake his form to spy,
Darkening across each puny wave,
To which the moon her silver gave.
Fast as the cormorant could skim.
The swimmer plied each active limb;
Then landing in the moonlight dell,
Loud shouted of his weal to tell.
The Minstrel heard the far halloo,
And joyful from the shore withdrew.
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
So many and still so many and now for you the last. But when it
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
His mother, who was dead. He thought 'If I had a month or two
of life yet
I would remember to be decent, only it's now too late, I'm finished,
I'm sorry.' After that he thought only of pain and raging thirst
until the sundown
Reddened the sea, and hands were reaching for him and drawing
him up the cliff.
His sister Tamar
Nursed him in the big westward bedroom
Of the old house on Point Lobos. After fever
A wonderful day of peace and pleasant weakness
Brought home to his heart the beauty of things. 'O Tamar
I've thrown away years like rubbish. Listen, Tamar,
It would be better for me to be a cripple,
Sit on the steps and watch the forest grow up the hill
Or a new speck of moss on some old rock
That takes ten years agrowing, than waste
Shame and my spirit on Monterey rye whiskey,
And worse, and worse. I shan't be a cripple, Tamar.
We'll walk along the blessed old gray sea,
And up in the hills and watch the spring come home.'
Youth is a troublesome but a magical thing,
There is little more to say for it when you've said
Young bones knit easily; he that fell in December
Walked in the February fields. His sister Tamar
Was with him, and his mind ran on her name,
But she was saying, 'We laugh at poor Aunt Stella
With her spirit
visitors: Lee, something told her truth.
Last August, you were hunting deer, you had been gone
Ten days or twelve, we heard her scream at night,
I went to the room, she told me
She'd seen you lying all bloody on the sea-beach
By a dead deer, its blood dabbling the black weeds of the ebb.'
'I was up Tassajara way,' he answered,
'Far from the sea.' 'We were glad when you rode home
Safe, with the two bucks on the packhorse. But listen,
She said she watched the stars flying over you
In her vision, Orion she said, and made me look
Out of her window southward, where I saw
The stars they call the Scorpion, the red bead
With the curling tail. Then it will be in winter,'
She whispered to me, 'Orion is winter.'
Winter is over, visions are over and vanished,
The fields are winking full of poppies,
In a week or two I'll fill your arms with shining irises.'
The winter sun went under and all that night there came a roaring
from the south; Lee Cauldwell
Lay awake and heard the tough old house creak all her timbers;
he was miserably lonely and vacant,
He'd put away the boyish jets of wickedness, loves with dark
eyes in Monterey back-streets, liquor
And all its fellowship, what was left to live for but the farmwork,
rain would come and hinder?
He heard the cypress trees that seemed to scream in the wind,
and felt the ocean pounding granite.
His father and Tamar's, the old man David Cauldwell, lay in the
eastern chamber; when the storm
Wakened him from the heartless fugitive slumber of age he rose
and made a light, and lighted
The lamp not cold yet; night and day were nearly equal to him,
he had seen too many; he dressed
Slowly and opened his Bible. In the neighboring rooms he heard
on one side Stella Moreland,
His dead wife's sister, quieting his own sister, the idiot Jinny
Cauldwell, who laughed and chuckled
Often for half the night long, an old woman with a child's mind
and mostly sleepless; in the other
Chamber Tamar was moaning, for it seemed that nightmare
Within the house answered to storm without.
To Tamar it seemed that she was walking by the seaside
With her dear brother, who said 'Here's where I fell,
A bad girl that I knew in Monterey pushed me over the cliff,
You can see blood still on the boulders.' Where he vanished to
She could not tell, nor why she was crying 'Lee. No.
No dearest brother, dearest brother no.' But she cried vainly,
Lee was not there to help her, a wild white horse
Came out of the wave and trampled her with his hooves,
The horror that she had dreaded through her dreaming
With mystical foreknowledge. When it wakened her,
She like her father heard old Jinny chuckling
And Stella sighing and soothing her, and the southwind
Raging around the gables of the house and through the forest of
'When it rains it will be quieter,' Tamar thought. She slept
again, all night not a drop fell.
Old Cauldwell from his window saw the cloudy light seep up
the sky from the overhanging
Hilltops, the dawn was dammed behind the hills but overflowed
at last and ran down on the sea.
Lee Cauldwell rode across the roaring southwind to the winter
pasture up in the hills.
A hundred times he wanted Tamar, to show her some new beauty
of canyon wildflowers, water
Dashing its ferns, or oaktrees thrusting elbows at the wind, blackoaks
smoldering with foliage
And the streaked beauty of white-oak trunks, and redwood
glens; he rode up higher across the rainwind
And found his father's cattle in a quiet hollow among the hills,
their horns to the wind,
Quietly grazing. He returned another way, from the headland
over Wildcat Canyon,
Saw the immense water possessing all the west and saw Point Lobos
Gemmed in it, and the barn-roofs and the house-roof
Like ships' keels in the cypress tops, and thought of Tamar.
Toward sundown he approached the house; Will Andrews
Was leaving it and young Cauldwell said, 'Listen, Bill Andrews,
We've had gay times together and ridden at night.
I've quit it, I don't want my old friends to visit my sister.
Better keep off the place.' 'I will,' said the other,
'When Tamar tells me to.' 'You think my bones
Aren't mended yet, better keep off.' Lee Cauldwell
Rode by to the stable wondering why his lips
Twitched with such bitter anger; Tamar wondered
Why he went upstairs without a word or smile
Of pleasure in her. The old man David Cauldwell,
When Lee had told him news of the herd and that Ramon
Seemed faithful, and the calves flourished, the old man answered:
'I hear that there's a dance at Motley's Landing Saturday. You'll
Down the coast, Lee. Don't kill the horse, have a good time.'
'No, I've had all I want, I'm staying
At home now, evenings.' 'Don't do it; better dance your pony
down the cliffs again than close
Young life into a little box; you've been too wild; now I'm worn
out, but I remember
Hell's in the box.' Lee answered nothing, his father's lamp of
thought was hidden awhile in words,
An old man's words, like the dry evening moths that choke a
candle. A space, and he was saying,
'Come summer we'll be mixed into the bloody squabble out there,
and you'll be going headforemost
Unless you make your life so pleasant you'd rather live it. I
mayn't be living
To see you home or hear you're killed.' Lee, smiling at him,
'A soldier's what I won't be, father.' That night
He dreamed himself a soldier, an aviator
Duelling with a German above a battle
That looked like waves, he fired his gun and mounted
In steady rhythm; he must have been winged, he suddenly
Plunged and went through the soft and deadly surface
Of the deep sea, wakening in terror.
He heard his old Aunt Jinny chuckling,
Aunt Stella sighing and soothing her, and the southwind
Raging around the gables of the house and through the forest of
They two had unbridled the horses
And tied them with long halters near the thicket
Under Mai Paso bridge and wandered east
Into the narrow cleft, they had climbed the summit
On the right and looked across the sea.
The steep path down, 'What are we for?' said Tamar wearily,
'to want and want and not dare know it.'
'Because I dropped the faded irises,' Lee answered, 'you're unhappy.
They were all withered, Tamar.
We have grown up in the same house.' 'The withered house
Of an old man and a withered woman and an idiot woman. No
wonder if we go mad, no wonder.'
They came to the hid stream and Tamar said, 'Sweet, green and cool,
After the mad white April sun: you wouldn't mind, Lee?
Here where it makes a pool: you mustn't look; but you're my
brother. And then
I will stand guard for you.' The murmur and splash of water
made his fever fierier; something
Unfelt before kept his eyes seaward: why should he dread to see
the round arm and clear throat
Flash from the hollow stream? He trembled, thinking
'O we are beasts, a beast, what am I for?
Was the old man right, I must be drunk and a dancer and feed on
the cheap pleasures, or it's dangerous?
Lovely and thoughtless, if she knew me how she'd loathe and
avoid me. Her brother, brother. My sister.
Better the life with the bones, and all at once have broken.'
Uneasily dipped her wrists, and crouching in the leaf-grown bank
Saw her breasts in the dark mirror, she trembled backward
From a long ripple and timidly wading entered
The quiet translucence to the thighs. White-shining
Slender and virgin pillar, desire in water
Unhidden and half reflected among the interbranching ripples,
Arched with alder, over-woven with willow.
Ah Tamar, stricken with strange fever and feeling
Her own desirableness, half-innocent Tamar
Thought, 'If I saw a snake in the water he would come now
And kill the snake, he is keen and fearless but he fears
Me I believe.' Was it the wild rock coast
Of her breeding, and the reckless wind
In the beaten trees and the gaunt booming crashes
Of breakers under the rocks, or rather the amplitude
And wing-subduing immense earth-ending water
That moves all the west taught her this freedom? Ah Tamar,
It was not good, not wise, not safe, not provident,
Not even, for custom creates nature, natural,
Though all other license were; and surely her face
Grew lean and whitened like a mask, the lips
Thinned their rose to a split thread, the little breasts
Erected sharp bright buds but the white belly
Shuddered, sucked in. The lips writhed and no voice
Formed, and again, and a faint cry. 'Tamar?'
He answered, and she answered, 'Nothing. A snake in the water
Frightened me.' And again she called his name.
'What is it, Tamar?' 'Nothing. It is cold in the water.
Come, Lee, I have hidden myself all but the head.
Bathe, if you mean to bathe, and keep me company.
I won't look till you're in.' He came, trembling.
He unclothed himself in a green depth and dared not
Enter the pool, but stared at the drawn scars
Of the old wound on his leg. 'Come, Lee, I'm freezing.
Come, I won't look.' He saw the clear-skinned shoulders
And the hollow of her back, he drowned his body
In the watery floor under the cave of foliage,
And heard her sobbing. When she turned, the great blue eyes
Under the auburn hair, streamed. 'Lee.
We have stopped being children; I would have drowned myself;
If you hadn't taught me swimming long ago long ago, Lee
When we were children.' 'Tamar, what is it, what is it?'
'Only that I want . . . death. You lie if you think
Another thing.' She slipped face down and lay
In the harmless water, the auburn hair trailed forward
Darkened like weeds, the double arc of the shoulders
Floated, and when he had dragged her to the bank both arms
Clung to him, the white body in a sobbing spasm
Clutched him, he could not disentangle the white desire,
So they were joined (like drowning folk brought back
By force to bitter life) painfully, without joy.
The spasm fulfilled, poor Tamar, like one drowned indeed, lay
pale and quiet
And careless of her nakedness. He, gulfs opening
Between the shapes of his thought, desired to rise and leave her
and was ashamed to.
He lay by her side, the cheek he kissed was cold like a smooth
stone, the blue eyes were half open,
The bright smooth body seemed to have suffered pain, not love.
One of her arms crushed both her breasts,
The other lay in the grass, the fingers clutching toward the
roots of die soft grass. 'Tamar,'
He whispered, then she breathed shudderingly and answered,
'We have it, we have it. Now I know.
It was my fault. I never shall be ashamed again.' He said,
'What shall I do? Go away?
Kill myself, Tamar?' She contracted all her body and crouched
in the long grass, shivering.
'It hurts, there is blood here, I am too cold to bathe myself
again. O brother, brother,
Mine and twice mine. You knew already, a girl has got to learn.
I love you, I chose my teacher.
Mine, it was my doing.' She flung herself upon him, cold white
and smooth, with sobbing kisses.
'I am so cold, dearest, dearest.' The horses at the canyon mouth
tugged at their halters,
Dug pits under the restless forehooves, shivered in the hill-wind
At sundown, were not ridden till dark, it was near midnight
They came to the old house.
When Jinny Cauldwell slept, the old woman with a child's mind,
then Stella Moreland
Invoked her childish-minded dead, or lying blank-eyed in the
dark egged on her dreams to vision,
Suffering for lack of audience, tasting the ecstasy of vision. This
was the vaporous portion
She endured her life in the strength of, in the sea-shaken loneliness,
little loved, nursing an idiot,
Growing bitterly old among the wind-torn Lobos cypress trunks.
(O torture of needled branches
Doubled and gnarled, never a moment of quiet, the northwind
or the southwind or the northwest.
For up and down the coast they are tall and terrible horsemen on
patrol, alternate giants
Guarding the granite and sand frontiers of the last ocean; but
here at Lobos the winds are torturers,
The old trees endure them. They blew always thwart the old
woman's dreams and sometimes by her bedside
Stood, the south in russety black, the north in white, but the
northwest wave-green, sea-brilliant,
Scaled like a fish. She had also the sun and moon and mightier
presences in her visions.) Tamar
Entered the room toward morning and stood ghost-like among
the old woman's ghosts. The rolled-up eyes,
Dull white, with little spindles of iris touching the upper lids,
played back the girl's blown candle
Sightlessly, but the spirit of sight that the eyes are tools of and
it made them, saw her. 'Ah, Helen,'
Cried out the entranced lips, 'We thought you were tired of the
wind, we thought you never came now.
My sister's husband lies in the next room, go waken him, show
him your beauty, call him with kisses.
He is old and the spittle when he dreams runs into his beard, but
he is your lover and your brother.'
'I am not Helen,' she said, 'what Helen, what Helen?' 'Who
was not the wife but the sister of her man,
Mine was his wife.' 'My mother?' 'And now he is an old hulk
battered ashore. Show him your beauty,
Strip for him, Helen, as when he made you a seaweed bed in the
cave. What if the beard is slimy
And the eyes run, men are not always young and fresh like you
dead women.' But Tamar clutching
The plump hand on the coverlet scratched it with her nails, the
old woman groaned but would not waken,
And Tamar held the candle flame against the hand, the soot
striped it, then with a scream
The old woman awoke, sat up, and fell back rigid on the bed.
Tamar found place for the candle
On a little table at the bedside, her freed hands could not awaken
a second answer
In the flesh that now for all its fatness felt like a warmed stone.
But the idiot waked and chuckled,
Waved both hands at the candle saying, 'My little star, my little
star, come little star.'
And to these three old Cauldwell sighing with sleeplessness
Entered, not noticed, and he stood in the open door. Tamar was
Over the bed, loose hair like burnished metal
Concealed her face and sharply cut across one rounded shoulder
The thin night-dress had slipped from. The old man her father
Feared, for a ghost of law-contemptuous youth
Slid through the chilly vaults of the stiff arteries,
And he said, 'What is it, Tamar?' 'She was screaming in a
I came to quiet her, now she has gone stiff like iron.
Who is this woman Helen she was dreaming about?'
'Helen? Helen?' he answered slowly and Tamar
Believed she saw the beard and the hands tremble.
'It's too cold for you, Tamar, go back to bed
And I'll take care of her. A common name for women.'
Old Jinny clapped her hands, 'Little star, little star,
Twinkle all night!' and the stiff form on the bed began to speak,
In a changed voice and from another mode of being
And spirit of thought: 'I cannot think that you have forgotten.
I was walking on the far side of the moon,
Whence everything is seen but the earth, and never forgot.
This girl's desire drew me home, we also had wanted
Too near our blood,
And to tangle the interbranching net of generations
With a knot sideways. Desire's the arrow-sprayer
And shoots into the stars. Poor little Tamar
He gave you a luckless name in memory of me
And now he is old forgets mine.' 'You are that Helen,'
Said Tamar leaning over the fat shape
The quiet and fleshless voice seemed issuing from,
A sound of youth from the old puffed lips, 'What Helen? This
man's . . .
Sister, this body was saying?' 'By as much more
As you are of your brother.' 'Why,' laughed Tamar trembling,
'Hundreds of nasty children do it, and we
Nothing but children.' Then the old man: 'Lies, lies, lies.
No ghost, a lying old woman. Your Aunt Helen
Died white as snow. She died before your mother died.
Your mother and this old woman always hated her,
This liar, as they hated me. I was too hard a nature
To die of it, Lily and Stella.' 'It makes me nothing,
My darling sin a shadow and me a doll on wires,'
Thought Tamar with one half her spirit; and the other half said,
'Poor lies, words without meaning. Poor Aunt Stella,
The voices in her have no minds.' 'Poor little Tamar,'
Murmured the young voice from the swollen cavern,
'Though you are that woman's daughter, if we dead
Could be sorrowful for anyone but ourselves
I would be sorrowful for you, a trap so baited
Was laid to catch you when the world began,
Before the granite foundation. I too have tasted the sweet bait.
But you are the luckier, no one came home to me
To say there are no whips beyond death but only memory,
And that can be endured.' The room was quiet a moment,
And Tamar heard the wind moving outdoors. Then the idiot
Whose mind had been from birth a crippled bird but when she
was twelve years old her mind's cage
Was covered utterly, like a bird-cage covered with its evening
cloth when lamps are lighted,
And her memory skipped the more than forty years between but
caught stray gleams of the sun of childhood,
She in her crumpled voice: 'I'd rather play with Helen, go away
Stella. Stella pinches me,
Lily laughs at me, Lily and Stella are not my sisters.' 'Jinny,
Said the old man shaking like a thin brick house-wall in an earthquake,
'do you remember, Jinny?'
'Jinny don't like the old man,' she answered, 'give me the star,
give me my star,'
She whined, stretching from bed to reach the candle, 'why have
they taken my little star?
Helen would give it to Jinny.' Then Stella waking from the
trance sighed and arose to quiet her
According to her night's habit. Tamar said, 'You were screaming
in your sleep.' 'I had great visions.
And I have forgotten them. There Jinny, there, there. It'll have
the candle, will it? Pretty Jinny.
Will have candle to-morrow. Little Jinny let Aunt Stella sleep
now.' Old Cauldwell tottering
Went to his room; then Tamar said, 'You were talking about
his sister Helen, my aunt Helen,
You never told me about her.' 'She has been dead for forty
years, what should we tell you about her?
Now little Jinny, pretty sister,' And laying her hands upon the
mattress of the bed
The old woman cradled it up and down, humming a weary song.
Tamar stood vainly waiting
The sleep of the monstrous babe; at length because it would not
sleep went to her room and heard it
Gurgle and whimper an hour; and the tired litanies of the lullabies;
not quiet till daylight.
O swiftness of the swallow and strength
Of the stone shore, brave beauty of falcons,
Beauty of the blue heron that flies
Opposite the color of evening
From the Carmel River's reed-grown mouth
To her nest in the deep wood of the deer
Cliffs of peninsular granite engirdle,
beauty of the fountains of the sun
1 pray you enter a little chamber,
I have given you bodies, I have made you puppets,
I have made idols for God to enter
And tiny cells to hold your honey.
I have given you a dotard and an idiot,
An old woman puffed with vanity, youth but botched with incest,
O blower of music through the crooked bugles,
You that make signs of sins and choose the lame for angels,
Enter and possess. Being light you have chosen the dark lamps,
A hawk the sluggish bodies: therefore God you chose
Me; and therefore I have made you idols like these idols
To enter and possess.
Tamar, finding no hope,
Slid back on passion, she had sought counsel of the dead
And found half-scornful pity and found her sin
Fore-dated; there was honey at least in shame
And secrecy in silence, and her lover
Could meet her afield or slip to her room at night
In serviceable safety. They learned, these two,
Not to look back nor forward; and but for the hint
Of vague and possible wreck every transgression
Paints on the storm-edge of the sky, their blue
Though it dulled a shade with custom shone serene
To the fifth moon, when the moon's mark on women
Died out of Tamar. She kept secret the warning,
How could she color such love with perplexed fear?
Her soul walked back and forth like a new prisoner
Feeling the plant of unescapable fate
Root in her body. There was death; who had entered water
To compass love might enter again to escape
Love's fruit; 'But O, but O,' she thought, 'not to die now.
It is less than half a year
Since life turned sweet. If I knew one of the girls
My lover has known
She'd tell me what to do, how to be fruitless,
How to be ... happy? They do it, they do it, all sin
Grew nothing to us that day in Mai Paso water.
A love sterile and sacred as the stars.
I will tell my lover, he will make me safe,
He will find means . . .
Sterile and sacred, and more than any woman
. . . Unhappy. Miserable,' she sobbed, 'miserable,
The rough and bitter water about the cliff's foot
Better to breathe.'
When Lee was not by her side
She walke4 the cliffs to tempt them. The calm and large
Pacific surge heavy with summer rolling southeast from a far origin
Battered to foam among the stumps of granite below.
Tamar watched it swing up the little fjords and fountain
Not angrily in the blowholes; a gray vapor
Breathed up among the buttressed writhings of the cypress trunks
And branches swollen with blood-red lichen. She went home
And her night was full of foolish dreams, two layers of dream,
unrelative in emotion
Or substance to the pain of her thoughts. One, the undercurrent
layer that seemed all night continuous,
Concerned the dead (and rather a vision than a dream, for visions
gathered on that house
Like corposant fire on the hoar mastheads of a ship wandering
strange waters), brown-skinned families
Came down the river and straggled through the wood to the sea,
they kindled fires by knobs of granite
And ate the sea-food that the plow still turns up rotting shells of,
not only around Point Lobos
But north and south wherever the earth breaks off to sea-rock;
Tamar saw the huddled bodies
Squat by the fires and sleep; but when the dawn came there was
throbbing music meant for daylight
And that weak people went where it led them and were nothing;
then Spaniards, priests and horseback soldiers,
Came down the river and wandered through the wood to the sea,
and hearing the universal music
Went where it led them and were nothing; and the English-speakers
Came down the river and wandered through the wood to the sea,
among them Tamar saw her mother
Walking beside a nameless woman with no face nor breasts; and
the universal music
Led them away and they were nothing; but Tamar led her father
from that flood and saved him,
For someone named a church built on a rock, it was beautiful
and white, not fallen to ruin
Like the ruin by Carmel River; she led him to it and made him
enter the door, when he had entered
A new race came from the door and wandered down the river
to the sea and to Point Lobos.
This was the undertow of the dream, obscured by a brighter
surface layer but seeming senseless.
The tides of the sea were quiet and someone said 'because the
moon is lost.' Tamar looked up
And the moon dwindled, rocketing off through lonely space, and
the people in the moon would perish
Of cold or of a star's fire: then Will Andrews curiously wounded
in the face came saying
'Tamar, don't cry. What do you care? I will take care of you.'
Wakening, Tamar thought about him
And how he had stopped coming to see her. Perhaps it was
another man came through her dream,
The wound in the face disguised him, but that morning Lee
having ridden to Mill Creek
To bargain about some fields of winter pasture
Now that the advancing year withered the hill-grass,
Tamar went down and saddled her own pony,
A four-year-old, as white as foam, and cantered
Past San Jose creek-mouth and the Carrows' farm
(Where David Carrow and his fanatical blue eyes,
That afterward saw Christ on the hill, smiled at her passing)
And three miles up the Carmel Valley came
To the Andrews place where the orchards ran to the river
And all the air was rich with ripening apples.
She would not go to the house; she did not find
Whom she was seeking; at length sadly she turned
Homeward, for Lee might be home within two hours,
And on the Carmel bridge above the water
(Shrunken with summer and shot with water lichen,
The surface scaled with minute scarlet leaves,
The borders green with slimy threads) met whom she sought.
'Tamar,' he said, 'I've been to see you.' 'You hadn't
For a long time.' 'I had some trouble with Lee,
I thought you didn't want me.' While they talked
Her eyes tasted his face: was it endurable?
Though it lacked the curious gash her dream had given him. . . .
'I didn't want you, you thought?' 'Lee said so.' 'You might
Till Tamar said so.' 'Well,' he answered, 'I've been,
And neither of you was home but now I've met you.'
Well-looking enough; freckles, light hair, light eyes;
Not tall, but with a chest and hard wide shoulders,
And sitting the horse well 'O I can do it, I can do it,
Help me, God,' murmured Tamar in her mind,
'How else what else can I do?' and said, 'Luck, isn't it?
What did you want to see me about?' 'I wanted . . .
Because I ... like you, Tamar.' 'Why should I be careful,'
She thought, 'if I frighten him off what does it matter,
I have got a little beyond caring.' 'Let's go down
Into the willow,' she said, 'we needn't be seen
Talking and someone tell him and make trouble
Here on the bridge.' They went to the hidden bank
Under the deep green willows, colored water
Stagnated on its moss up to the stems,
Coarse herbage hid the stirrups, Tamar slid from the saddle
As quietly as the long unwhitening wave
Moulds a sunk rock, and while he tethered the horses,
'I have been lonely,' she said. 'Not for me, Tamar.'
'You think not? Will, now that all's over
And likely we'll not see each other again
Often, nor by ourselves, why shouldn't I tell you . . .'
'What, Tamar?' 'There've been moments . . . hours then . .
When anything you might have asked me for
Would have been given, I'd have done anything
You asked me to, you never asked anything, Will.
I'm telling you this so that you may remember me
As one who had courage to speak truth, you'll meet
So many others.' 'But now' he meant to ask,
'Now it's too late, Tamar?' and hadn't courage,
And Tamar thought 'Must I go farther and say more?
Let him despise me as I despise myself.
I have got a little beyond caring.' 'Now?' she said.
'Do you think I am changed? You have changed, Will,
you have grown
Older, and stronger I think, your face is firmer;
And carefuller: I have not changed, I am still reckless
To my own injury, and as trustful as a child.
Would I be with you here in the green thicket
If I weren't trustful? If you should harm me, Will,
I'd think it was no harm.' She had laid her hand
On the round sunburnt throat and felt it throbbing,
And while she spoke the thought ran through her mind,
'He is only a little boy but if he turns pale
I have won perhaps, for white's the wanting color.
If he reddens I’ve lost and it's no matter.' He did not move
And seemed not to change color and Tamar said,
'Now I must go. Lee will be home soon.
How soft the ground is in the willow shadow.
I have ended with you honestly, Will; remember me
Not afraid to speak truth and not ashamed
To have stripped my soul naked. You have seen all of me.
Good-bye.' But when she turned he caught her by the arm,
She sickened inward, thinking, 'Now it has come.
I have called and called it and I can't endure it.
Ah. A dumb beast.' But he had found words now and said,
'How would you feel, Tamar, if all of a sudden
The bird or star you'd broken your heart to have
Flew into your hands, then flew away. O Tamar, Tamar,
You can't go now, you can't.' She unresisting
Took the hot kisses on her neck and hair
And hung loose in his arms the while he carried her
To a clean bank of grass in the deep shadow.
He laid her there and kneeling by her: 'You said you trusted me.
You are wise, Tamar; I love you so much too well
I would cut my hands off not to harm you.' But she,
Driven by the inward spark of life and dreading
Its premature maturity, could not rest
On harmless love, there were no hands to help
In the innocence of love, and like a vision
Came to her the memory of that other lover
And how he had fallen a farther depth
From firmer innocence at Mai Paso, but the stagnant
Autumn water of Carmel stood too far
From the April freshet in the hills. Tamar pushed off
His kisses and stood up weeping and cried
'It's no use, why will you love me till I cry?
Lee hates you and my father is old and old, we can't
Sour the three years he has before he dies.'
'I'll wait for you,' said the boy, 'wait years, Tamar.' Then Tamar
Hiding her face against his throat
So that he felt the tears whispered, 'But I ...'
She sobbed, 'Have no patience ... I can't wait. Will . . .
When I made my soul naked for you
There was one spot ... a fault ... a shame
I was ashamed to uncover.' She pressed her mouth
Between the muscles of his breast: 'I want you and want you.
You didn't know that a clean girl could want a man.
Now you will take me and use me and throw me away
And I've . . . earned it.' 'Tamar, I swear by God
Never to let you be sorry, but protect you
With all my life.' 'This is our marriage,' Tamar answered.
'But God would have been good to me to have killed me
Before I told you.' The boy feeling her body
Vibrant and soft and sweet in its weeping surrender
Went blind and could not feel how she hated him
That moment; when he awakened she was lying
With the auburn hair muddied and the white face
Turned up to the willow leaves, her teeth were bared
And sunk in the under lip, a smear of blood
Reddening the corner of the lips. One of her arms
Crushed both her breasts, the other lay in the grass,
The fingers clutching toward the roots of the soft grass. 'O Tamar,'
Murmured the boy, 'I love you, I love you. What shall I do?
Kill myself, Tamar?' She contracted all her body and crouched
in the long grass, thinking
'That Helen of my old father's never fooled him at least,' and
said, 'There is nothing to do, nothing.
It is horribly finished. Keep it secret, keep it secret, Will. I too
was to blame a little.
But I didn't mean . . . this.' 'I know,' he said, 'it was my
fault, I would kill myself, Tamar,
To undo it but I loved you so, Tamar.' 'Loved? You have hurt
me and broken me, the house is broken
And any thief can enter it.' 'O Tamar!' 'You have broken
our crystal innocence, we can never
Look at each other freely again.' 'What can I do, Tamar?'
'Nothing. I don't know. Nothing.
Never come to the farm to see me.' 'Where can I see you,
Tamar?' 'Lee is always watching me,
And I believe he'd kill us. Listen, Will. To-morrow night I'll
put a lamp in my window,
When all the house is quiet, and if you see it you can climb up
by the cypress. I must go home,
Lee will be home. Will, though you've done to me worse than
I ever dreamed, I love you, you have my soul,
I am your tame bird now.'
This was the high plateau of summer and August waning; white
Breathed up no more from the brown fields nor hung in the hills;
daily the insufferable sun
Rose, naked light, and flaming naked through the pale transparent
ways of the air drained gray
The strengths of nature; all night the eastwind streamed out of
the valley seaward, and the stars blazed.
The year went up to its annual mountain of death, gilded with
hateful sunlight, waiting rain.
Stagnant waters decayed, the trickling springs that all the misty-hooded
summer had fed
Pendulous green under the granite ocean-cliffs dried and turned
foul, the rock-flowers faded,
And Tamar felt in her blood the filth and fever of the season.
Walking beside the house-wall
Under her window, she resented sickeningly the wounds in the
cypress bark, where Andrews
Climbed to his tryst, disgust at herself choked her, and as a fire
Under the fog-bank of the night lines all the sea and sky with
fire, so her self-hatred
Reflecting itself abroad burned back against her, all the world
growing hateful, both her lovers
Hateful, but the intolerably masculine sun hatefullest of all.
The heat of the season
Multiplied centipedes, the black worms that breed under loose
rock, they call them thousand-leggers,
They invaded the house, their phalloid bodies cracking underfoot
with a bad odor, and dropped
Ceiling to pillow at night, a vile plague though not poisonous.
Also the sweet and female sea
Was weak with calm, one heard too clearly a mounting cormorant's
wing-claps half a mile off shore;
The hard and dry and masculine tyrannized for a season. Rain
in October or November
Yearly avenges the balance; Tamar's spirit rebelled too soon, the
female fury abiding
In so beautiful a house of flesh. She came to her aunt the ghost-seer.
'Listen to me, Aunt Stella.
I think I am going mad, I must talk to the dead; Aunt Stella,
will you help me?' That old woman
Was happy and proud, no one for years had sought her for
her talent. 'Dear Tamar, I will help you.
We must go down into the darkness, Tamar, it is hard and painful
for me.' 'I am in the darkness
Already, a fiery darkness.' 'The good spirits will guide you,
it is easy for you; for me, death.
Death, Tamar, I have to die to reach them.' 'Death's no bad
thing,' she answered, 'each hour of the day
Has more teeth.' 'Are you so unhappy, Tamar, the good spirits
will help you and teach you.' 'Aunt Stella,
To-night, to-night?' 'I groan when I go down to death, your
father and brother will come and spoil it.'
'In the evening we will go under the rocks by the sea.' 'Well,
in the evening.' 'If they talk to us
I'll buy you black silk and white lace.'
In and out of the little fjord swam the weak waves
Moving their foam in the twilight. Tamar at one flank, old
Stella at the other, upheld poor Jinny
Among the jags of shattered granite, so they came to the shingle.
Rich, damp and dark the sea's breath
Folding them made amend for days of sun-sickness, but Jinny
among the rubble granite
(They had no choice but take her along with them, who else
would care for the idiot?) slipped, and falling
Gashed knees and forehead, and she whimpered quietly in the
darkness. 'Here,' said Tamar, 'I made you
A bed of seaweed under the nose of this old rock, let Jinny lie
beside you, Aunt Stella,
I’ll lay the rug over you both.' They lay on the odorous kelp,
Tamar squatted beside them,
The weak sea wavered in her rocks and Venus hung over the
west between the cliff-butts
Like the last angel of the world, the crystal night deepening.
The sea and the three women
Kept silence, only Tamar moved herself continually on the fret
of her taut nerves,
And the sea moved, on the obscure bed of her eternity, but
both were voiceless. Tamar
Felt her pulse bolt like a scared horse and stumble and stop,
for it seemed to her a wandering power
Essayed her body, something hard and rounded and invisible
pressed itself for entrance
Between the breasts, over the diaphragm. When she was forced
backward and lay panting, the assault
Failed, the presence withdrew, and in that clearance she heard
her old Aunt Stella monotonously muttering
Words with no meaning in them; but the tidal night under
the cliff seemed full of persons
With eyes, although there was no light but the evening planet's
and her trail in the long water.
Then came a man's voice from the woman, saying, 'Que quieres
pobrecita?' and Tamar, 'Morir,'
Trembling, and marveling that she lied for no reason, and said,
'Es porque no entiendo,
Anything but ingles.' To which he answered, 'Ah pobrecita,'
and was silent. And Tamar
Cried, 'I will talk to that Helen.' But instead another male throat
spoke out of the woman's
Unintelligible gutturals, and it ceased, and the woman changing
voice, yet not to her own:
'An Indian. He says his people feasted here and sang to their
Gods and the tall Gods came walking
Between the tide-marks on the rocks; he says to strip and dance
and he will sing, and his Gods
Come walking.' Tamar answered, crying, 'I will not, I will
not, tell him to go away and let me
Talk to that Helen.' But old Stella after a silence: 'He says No,
no, the pregnant women
Would always dance here and the shore belongs to his people's
ghosts nor will they endure another
Unless they are pleased.' And Tamar said, 'I cannot dance,
drive him away,' but while she said it
Her hands accepting alien life and a strange will undid the
fastenings of her garments.
She panted to control them, tears ran down her cheeks, the
male voice chanted
Hoarse discords from the old woman's body, Tamar drew her
Out of its husks; dwellers on eastern shores
Watch moonrises as white as hers
When the half-moon about midnight
Steps out of her husk of water to dance in heaven:
So Tamar weeping
Slipped every sheath down to her feet, the spirit of the place
Ruling her, she and the evening star sharing the darkness,
And danced on the naked shore
Where a pale couch of sand covered the rocks,
Danced with slow steps and streaming hair,
Dark and slender
Against the pallid sea-gleam, slender and maidenly
Dancing and weeping . . .
It seemed to her that all her body
Was touched and troubled with polluting presences
Invisible, and whatever had happened to her from her two lovers
She had been until that hour inviolately a virgin,
Whom now the desires of dead men and dead Gods and a dead
Used for their common prey . . . dancing and weeping,
Slender and maidenly . . . The chant was changed,
And Tamar's body responded to the change, her spirit
Wailing within her. She heard the brutal voice
And hated it, she heard old Jinny mimic it
In the cracked childish quaver, but all her body
Obeyed it, wakening into wantonness,
Kindling with lust and wilder
Coarseness of insolent gestures,
The senses cold and averse, but the frantic too-governable flesh
Inviting the assaults of whatever desired it, of dead men
Or Gods walking the tide-marks,
The beautiful girlish body as gracile as a maiden's
Gone beastlike, crouching and widening,
Agape to be entered, as the earth
Gapes with harsh heat-cracks, the inland adobe of sun-worn
At the end of summer
Opening sick mouths for its hope of the rain,
So her body gone mad
Invited the spirits of the night, her belly and her breasts
Twisting, her feet dashed with blood where the granite had
And she fell, and lay gasping on the sand, on the tide-line.
Possessed the shore when the evening star was down; old Stella
Was quiet in her trance; old Jinny the idiot clucked and parroted
to herself, there was none but the idiot
Saw whether a God or a troop of Gods came swaggering along
the tide-marks unto Tamar, to use her
Shamefully and return from her, gross and replete shadows,
swaggering along the tide-marks
Against the sea-gleam. After a little the life came back to that
fallen flower; for fear or feebleness
She crept on hands and knees, returning so to the old medium
of this infamy. Only
The new tide moved in the night now; Tamar with her back
bent like a bow and the hair fallen forward
Crouched naked at old Stella's feet, and shortly heard the voice
she had cried for. 'I am your Helen.
I would have wished you choose another place to meet me and
milder ceremonies to summon me.
We dead have traded power for wisdom, yet it is hard for us
to wait on the maniac living
Patiently, the desires of you wild beasts. You have the power.'
And Tamar murmured, 'I had nothing,
Desire nor power.' And Helen, 'Humbler than you were. She
has been humbled, my little Tamar.
And not so clean as the first lover left you, Tamar. Another and
half a dozen savages,
Dead, and dressed up for Gods.' 'I have endured it,' she answered.
Then the sweet disdainful voice
In the throat of the old woman: 'As for me, I chose rather to
die.' 'How can I kill
A dead woman,' said Tamar in her heart, not moving the lips,
but the other listened to thought
And answered, 'O, we are safe, we shan't fear murder. But,
Tamar, the child will die, and all for nothing
You were submissive by the river, and lived, and endured fouling.
I have heard the wiser flights
Of better spirits, that beat up to the breasts and shoulders of our
Father above the star-fire,
Say, 'Sin never buys anything.'
Tamar, kneeling, drew the
thickness of her draggled hair
Over her face and wept till it seemed heavy with blood; and
like a snake lifting its head
Out of a fire, she lifted up her face after a little and said, 'It
will live, and my father's
Bitch be proved a liar.' And the voice answered, and the tone
of the voice smiled, 'Her words
Rhyme with her dancing. Tamar, did you know there were
many of us to watch the dance you danced there,
And the end of the dance? We on the cliff; your mother, who
used to hate me, was among us, Tamar.
But she and I loved each only one man, though it were the
same. We two shared one? You, Tamar,
Are shared by many.' And Tamar: 'This is your help, I dug
down to you secret dead people
To help me and so I am helped now. What shall I ask more?
How it feels when the last liquid morsel
Slides from the bone? Or whether you see the worm that burrows
up through the eye-socket, or thrill
To the maggot's music in the tube of a dead ear? You stinking
dead. That you have no shame
Is nothing: I have no shame: see I am naked, and if my thighs
were wet with dead beasts' drippings
I have suffered no pollution like the worms in yours; and if I
cannot touch you I tell you
There are those I can touch. I have smelled fire and tasted fire,
And all these days of horrible sunlight, fire
Hummed in my ears, I have worn fire about me like a cloak and
burning for clothing. It is God
Who is tired of the house that thousand-leggers crawl about in,
where an idiot sleeps beside a ghost-seer,
A doting old man sleeps with dead women and does not know it,
And pointed bones are at the doors
Or climb up trees to the window. I say He has gathered
Fire all about the walls and no one sees it
But I, the old roof is ripe and the rafters
Rotten for burning, and all the woods are nests of horrible things,
nothing would ever clean them
But fire, but I will go to a clean home by the good river.' 'You
danced, Tamar,' replied
The sweet disdainful voice in the mouth of the old woman, 'and
now your song is like your dance,
Modest and sweet. Only you have not said it was you,
Before you came down by the sea to dance,
That lit a candle in your closet and laid
Paper at the foot of the candle. We were watching.
And now the wick is nearly down to the heap,
It's God will have fired the house? But Tamar,
It will not burn. You will have fired it, your brother
Will quench it, I think that God would hardly touch
Anything in that house.' 'If you know everything,'
Cried Tamar, 'tell me where to go.
Now life won't do me and death is shut against me
Because I hate you. O believe me I hate you dead people
More than you dead hate me. Listen to me, Helen.
There is no voice as horrible to me as yours,
And the breasts the worms have worked in. A vicious berry
Grown up out of the graveyard for my poison.
But there is no one in the world as lonely as I,
Betrayed by life and death.' Like rain breaking a storm
Sobs broke her voice. Holding by a jag of the cliff
She drew herself full height. God who makes beauty
Disdains no creature, nor despised that wounded
Tired and betrayed body. She in the starlight
And little noises of the rising tide
Naked and not ashamed bore a third part
With the ocean and keen stars in the consistence
And dignity of the world. She was white stone,
Passion and despair and grief had stripped away
Whatever is rounded and approachable
In the body of woman, hers looked hard, long lines
Narrowing down from the shoulder-bones, no appeal,
A weapon and no sheath, fire without fuel,
Saying, 'Have you anything more inside you
Old fat and sleepy sepulcher, any more voices?
You can do better than my father's by-play
And the dirty tricks of savages, decenter people
Have died surely. T have so passed nature
That God himself, who's dead or all these devils
Would never have broken hell, might speak out of you
Last season thunder and not scare me.' Old Stella
Groaned but not spoke, old Jinny lying beside her
Wakened at the word thunder and suddenly chuckling
Began to mimic a storm, 'whoo-whoo' for wind
And 'boom-boom-boom' for thunder. Other voices
Wakened far off above the cliff, and suddenly
The farm-bell ringing fire; and on the rock-islets
Sleepy cormorants cried at it. 'Why, now He speaks
Another way than out of the fat throat,'
Cried Tamar, and prayed, 'O strong and clean and terrible
Spirit and not father punish the hateful house.
Fire eat the walls and roofs, drive the red beast
Through every wormhole of the rotting timbers
And into the woods and into the stable, show them,
These liars, that you are alive.' Across her voice
The bell sounded and old Jinny mimicking it,
And shouts above the cliff. 'Look, Jinny, look,'
Cried Tamar, 'the sky'd be red soon, come and we'll dress
And watch the bonfire.' Yet she glanced no thought
At her own mermaid nakedness but gathering
The long black serpents of beached seaweed wove
Wreaths for old Jinny and crowned and wound her. Meanwhile
The bell ceased ringing and Stella ceased her moan,
And in the sudden quietness, 'Tamar,' she said
In the known voice of Helen so many years
Dead, 'though you hate me utterly, Tamar, I
Have nothing to give back, I was quite emptied
Of hate and love and the other fires of the flesh
Before your mother gave the clay to my lover
To mould you a vessel to hold them.' Tamar, winding
Her mindless puppet in the sea-slough mesh
Said over her shoulder, hardly turning, 'Why then
Do you trouble whom you don't hate?' 'Because we hunger
And hunger for life,' she answered. 'Did I come uncalled?
You called me, you have more hot and blind, wild-blooded
And passionate life than any other creature.
How could I ever leave you while the life lasts?
God pity us both, a cataract life
Dashing itself to pieces in an instant.
You are my happiness, you are my happiness and death eats you.
I'll leave you when you are empty and cold and join us.
Then pity me, then Tamar, me flitting
The chilly and brittle pumice-tips of the moon,
While the second death
Corrodes this shell of me, till it makes my end.'
But Tamar would not listen to her, too busily
Decking old Jinny for the festival fire,
And sighing that thin and envious ghost forsook
Her instrument, and about that time harsh pain
Wrung Tamar's loins and belly, and pain and terror
Expelled her passionate fancies, she cried anxiously,
'Stella, Aunt Stella, help me, will you?' and thinking,
'She hears when Jinny whimpers,' twistingly pinched
Her puppet's arm until it screamed. Old Stella
Sat up on the seaweed bed and turned white eyes
No pupils broke the diffused star-gleam in
Upon her sixty-year-old babe, that now
Crouched whimpering, huddled under the slippery leaves
And black whips of the beach; and by it stood gleaming
Tamar, anguished, all white as the blank balls
That swept her with no sight but vision: old Stella
Did not awake yet but a voice blew through her,
Not personal like the other, and shook her body
And shook her hands: 'It was no good to do too soon, your
fire's out, you'd been patient for me
It might have saved two fires.' But Tamar: 'Stella.
I'm dying: or it is dying: wake up Aunt Stella.
O pain, pain, help me.' And the voice: 'She is mine while I
use her. Scream, no one will hear but this one
Who has no mind, who has not more help than July rain.' And
Tamar, 'What are you, what are you, mocking me?
More dirt and another dead man? O,' she moaned, pressing her
flanks with both her hands, and bending
So that her hair across her knees lay on the rock. It answered,
'Not a voice from carrion.
Breaker of trees and father of grass, shepherd of clouds and
waters, if you had waited for me
You'd be the luckier.' 'What shall I give you?' Tamar cried,
'I have given away'
Pain stopped her, and then
Blood ran, and she fell down on the round stones, and felt nor
saw nothing. A little later
Old Stella Moreland woke out of her vision, sick and shaking.
Tamar's mind and suffering
Returned to her neither on the sea-rocks of the midnight nor
in her own room; but she was lying
Where Lee her brother had lain, nine months before, after his
fall, in the big westward bedroom.
She lay on the bed, and in one corner was a cot for Stella who
nursed her, and in the other
A cot for the idiot, whom none else would care for but old
Stella. After the ache of awakening
And blank dismay of the spirit come home to a spoiled house,
she lay thinking with vacant wonder
That life is always an old story, repeating itself always like the
leaves of a tree
Or the lips of an idiot; that herself like Lee her brother
Was picked up bleeding from the sea-boulders under the sea-cliff
and carried up to be laid
In the big westward bedroom . . . was he also fouled with
ghosts before they found him, a gang
Of dead men beating him with rotten bones, mouthing his body,
piercing him? 'Stella,' she whispered,
'Have I been sick long?' 'There, sweetheart, lie still; three or
four days.' 'Has Lee been in to see me?'
'Indeed he has, hours every day.' 'He'll come, then,' and she
closed her eyes and seemed to sleep.
Someone tapped at the door after an hour and Tamar said,
'Come, Lee.' But her old father
Came in, and he said nothing, but sat down by the bed; Tamar
had closed her eyes. In a little
Lee entered, and he brought a chair across the room and sat by
the bed. 'Why don't you speak,
Lee?' And he said, 'What can I say except I love you, sister?'
'Why do you call me sister,
Not Tamar?' And he answered, 'I love you, Tamar.' Then old
Aunt Stella said, 'See, she's much better.
But you must let her rest. She'll be well in a few days; now kiss
her, Lee, and let her rest.'
Lee bent above the white pure cameo-face on the white pillow,
meaning to kiss the forehead.
But Tamar's hands caught him, her lips reached up for his: while
Jinny the idiot clapped and chuckled
And made a clucking noise of kisses; then, while Lee sought to
untwine the arms that yoked his neck,
The old man, rising: 'I opened the Book last night thinking
about the sorrows of this house,
And it said, 'If a man find her in the field and force her and lie
with her, nevertheless the damsel
Has not earned death, for she cried out and there was none to
save her.' Be glad, Tamar, my sins
Are only visited on my son, for you there is mercy.' 'David,
Will you be gone and let her rest now,' cried old Stella, 'do
you mean to kill her with a bible?'
'Woman,' he answered, 'has God anything to do with you?
She will not die, the Book
Opened and said it.' Tamar, panting, leaned against the pillow
and said, 'Go, go. To-morrow
Say all you please; what does it matter?' And the old man said,
'Come, Lee, in the morning she will hear us.'
Tamar stretched out her trembling hand, Lee did not touch it,
but went out ahead of his father.
So they were heard in the hall, and then their footsteps on the
stair. Tamar lay quiet and rigid,
With open eyes and tightening fists, with anger like a coiled steel
spring in her throat but weakness
And pain for the lead weights. After an hour she said, 'What
does he mean to do? Go away?
Kill himself, Stella?' Stella answered, 'Nothing, nothing, they
talk, it's to keep David quiet.
Your father is off his head a little, you know. Now rest you,
little Tamar, smile and be sleepy,
Scold them to-morrow.' 'Shut the sun out of my eyes then,'
Tamar said, but the idiot Jinny
Made such a moaning when the windows were all curtained they
needed to let in one beam
For dust to dance in; then the idiot and the sick girl slept. About
the hour of sundown
Tamar was dreaming trivially an axman chopping down a tree
and field-mice scampering
Out of the roots when suddenly like a shift of wind the dream
Changed and grew awful, she watched dark horsemen coming
out of the south, squadrons of hurrying horsemen
Between the hills and the dark sea, helmeted like the soldiers of
the war in France,
Carrying torches. When they passed Mal Paso Creek the columns
Veered, one of the riders said, 'Here it began,' but another
answered, 'No. Before the granite
Was bedded to build the world on.' So they formed and galloped
north again, hurrying squadrons,
And Tamar thought, 'When they come to the Carmel River
then it will happen. They have passed Mal Paso.'
Who has ever guessed to what odd ports, what sea buoying the
keels, a passion blows its bulkless
Navies of vision? High up in the hills
Ramon Ramirez, who was herdsman of the Cauldwell herds,
stood in his cabin doorway
Rolling a cigarette a half-hour after sundown, and he felt puffs
from the south
Come down the slope of stunted redwoods, so he thought the
year was turning at last, and shortly
There would come showers; he walked therefore a hundred
yards to westward, where a point of the hill
Stood over Wildcat Canyon and the sea was visible; he saw
Point Lobos gemmed in the darkening
Pale yellow sea; and on the point the barn-roofs and the house roof
breaking up through the blackness
Of twilight cypress tops, and over the sea a cloud forming. The
evening darkened. Southwestward
A half-mile loop of the coast-road could be seen, this side Mal
Paso. Suddenly a nebular company
Of lights rounded the hill, Ramirez thought the headlights of
a car sweeping the road,
But in a moment saw that it was horsemen, each carrying a light,
Moving in squads he judged of twenty or twenty-five, he counted
twelve or thirteen companies
When the brush broke behind him and a horseman rode the
headlong ridge like level ground,
Helmeted, carrying a torch. Followed a squad of twelve, helmeted,
cantering the headlong ridge
Like level ground. He thought in the nervous innocence of the
early war, they must be Germans.
Tamar awoke out of her dream and heard old Jinny saying,
'Dear sister Helen, kiss me
As you kiss David. I was watching under a rock, he took your
clothes off and you kissed him
So hard and hard, I love you too, Helen; you hardly ever kiss
me.' Tamar lay rigid,
Breathless to listen to her; it was well known in the house that
under the shell of imbecility
Speech and a spirit, however subdued, existed still; there were
waking flashes, and more often
She talked in sleep and proved her dreams were made out of
clear memories, childhood sights and girlhood
Fancies, before the shadow had fallen; so Tamar craving food
for passion listened to her,
And heard: 'Why are you cross, Helen? I won't peek if you'd
rather I didn't. Darling Helen,
I love him, too; I'd let him play with me the way he does with
you if he wanted to.
And Lily and Stella hate me as much as they hate you.' All
she said after was so mumbled
That Tamar could not hear it, could only hear the mumble, and
old Aunt Stella's nasal sleep
And the sea murmuring. When the mumbled voice was quiet it
seemed to Tamar
A strange thing was preparing, an inward pressure
Grew in her throat and seemed to swell her arms and hands
And join itself with a fluid power
Streaming from somewhere in the room from Jinny?
From Stella? and in a moment the heavy chair
That Lee had sat in, tipped up, rose from the floor,
And floated to the place he had brought it from
Five hours ago. The power was then relaxed,
And Tamar could breathe and speak. She awaked old Stella
And trembling told her what she had seen; who laughed
And answered vaguely so that Tamar wondered
Whether she was still asleep, and let her burrow
In her bed again and sleep. Later that night
Tamar too slept, but shudderingly, in snatches,
For fear of dreaming. A night like years. In the gray of morning
A horse screamed from the stableyard and Tamar
Heard the thud of hooves lashing out and timbers
Splintering, and two or three horses broken loose
Galloped about the grounds of the house. She heard men calling,
And downstairs Lee in a loud angry tone
Saying 'Someone's pitched the saw-buck and the woodpile
Into the horse-corral.' Then Tamar thought
'The same power moved his chair in the room, my hatred, my
Disturbing the house because I failed to burn it.
I must be quiet and quiet and quiet and keep
The serving spirits of my hid hatred quiet
Until my rime serves too. Helen you shadow