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The adventure of Gingerbreadman

Gingerbreadman
Was frying on a pan
Holding a coca cola can
And he met Peter Pan

Gingerbreadman and Peter Pan was flying a kite
Then they met Snow White
Suddenly, their kites were wreck
So they go and find Shrek.

On the way, They saw Lion King
And also heard Cinderella sing
And they also met Tarzan
And they played on Tarzans swing!

poem by Julian Lam
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Bollicine

Piccolo spazio pubblicit
piccolo spazio pubblicit
radio superstereoradio
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola!
Bevi la coca cola che ti fa bene
bevi la coca cola che ti fa digerire
con tutte quelle, tutte quelle bollicine....
Coca cola s coca cola... a me mi fa morire...
coca cola s coca cola...a me mi fa impazzire...
con tutte quelle tutte quelle bollicine...
brrrr!!!
Piccolo spazio pubblicit
"l'angolo della posta"
Piccolo spazio pubblicit!
radio superstereoradio
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola
coca....cola!
Coca cola chi
coca cola chi vespa mangia le mele
coca cola chi
coca chi non vespa pi e mangia le pere...
con tutte quelle tutte quelle medicine...
Io la coca cola me la porto a scuola coca cola chi
coca cola coca-casa-e-chiesa, scuola
con tutte quelle tutte quelle bollicine!!!
Coca cola...
e sei protagonista!!
Coca cola...
per l'uomo che non deve chiedere.....mai!!!
..con tutte quelle tutte quelle bollicine...
Coca cosa?????
coca cola!!!!!
coca cola!!
...e sai cosa bevi.....
...con tutte quelle tutte quelle bollicine...
....................................
io la coca cola me la porto a scuola
coca cola s coca cola coca-casa-e-chiesa.....

song performed by Vasco Rossi
Added by Lucian Velea
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

poem by William Wordsworth
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Song Of The Evergreens

Listen to the briskly whistling winter evergreen
Whispering through the frozen morning light
And tell me whats to come
Saying my time is near
Never fear
I close each year
Im winter
Reminding me to trade my t-shirts for my woven wools
Trade my sandals for my skis
Whispered warnings in the wind
Saying soon come the dancing snowflakes
Theyre kissing every tree
Theyre kissing you and me
Please hurry
Falling
Dazzling dancing diamonds from the sky
Prisms
Rainbow sparkled flurries in our eyes
Whipping across the frozen crystal meadow
Pond of ice
Race the snow
Well build a warming fire there
And cuddle close and wine and dine
The setting sun
The morning light will find us high
Shooting down the glistening mountain side
Screaming through the whispering pines
The freedom of each day
Will cleanse our minds
I can hardly wait for winter
I can hardly wait for the snow
I can hardly hardly wait for winter
I can hardly wait for the snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow

song performed by Chicago
Added by Lucian Velea
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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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poem by Alfred Lord Tennyson
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Peter Bell The Third

BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punch-some sipping tea;
But, as you by their faces see,
All silent, and all-damned!

Peter Bell, by W. Wordsworth.

Ophelia.-What means this, my lord?
Hamlet.-Marry, this is Miching Mallecho; it means mischief.
~Shakespeare.

PROLOGUE
Pet er Bells, one, two and three,
O'er the wide world wandering be.-
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes-
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peter-he who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.-
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.-
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,-
Go and try else,-just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,-

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poem by Percy Bysshe Shelley
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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poem by William Morris
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The Coming Of Arthur

Leodogran, the King of Cameliard,
Had one fair daughter, and none other child;
And she was the fairest of all flesh on earth,
Guinevere, and in her his one delight.

For many a petty king ere Arthur came
Ruled in this isle, and ever waging war
Each upon other, wasted all the land;
And still from time to time the heathen host
Swarmed overseas, and harried what was left.
And so there grew great tracts of wilderness,
Wherein the beast was ever more and more,
But man was less and less, till Arthur came.
For first Aurelius lived and fought and died,
And after him King Uther fought and died,
But either failed to make the kingdom one.
And after these King Arthur for a space,
And through the puissance of his Table Round,
Drew all their petty princedoms under him.
Their king and head, and made a realm, and reigned.

And thus the land of Cameliard was waste,
Thick with wet woods, and many a beast therein,
And none or few to scare or chase the beast;
So that wild dog, and wolf and boar and bear
Came night and day, and rooted in the fields,
And wallowed in the gardens of the King.
And ever and anon the wolf would steal
The children and devour, but now and then,
Her own brood lost or dead, lent her fierce teat
To human sucklings; and the children, housed
In her foul den, there at their meat would growl,
And mock their foster mother on four feet,
Till, straightened, they grew up to wolf-like men,
Worse than the wolves. And King Leodogran
Groaned for the Roman legions here again,
And Csar's eagle: then his brother king,
Urien, assailed him: last a heathen horde,
Reddening the sun with smoke and earth with blood,
And on the spike that split the mother's heart
Spitting the child, brake on him, till, amazed,
He knew not whither he should turn for aid.

But--for he heard of Arthur newly crowned,
Though not without an uproar made by those
Who cried, `He is not Uther's son'--the King
Sent to him, saying, `Arise, and help us thou!
For here between the man and beast we die.'

And Arthur yet had done no deed of arms,

[...] Read more

poem by Alfred Lord Tennyson
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

[...] Read more

poem by Robinson Jeffers
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Things Go Better With Coke #1

Orbison/dees
Roy orbison wants to get together again
Baby, how it hurts to break up, but its so much fun to make up
Lets do the things we used to do, you love me and I love you
Lets talk again, joke again lets get together for a coke again
Things go better with coca cola, things go better with coke
Lets relive the date that we just broke, our favorite cafe, the special of the day
The jukebox playing, things go better with coke
Well, waiter, waiter, treat us right, you remember what we like
Shes back again, by my side again, waiter, we want to feel alive again
Things go better with coca cola, things go better with coke
I;m glad we kept the date we almost broke, our favorite cafe, the special of the day
The jukebox playing, things go better with coke
(spoken) you never get tired of its taste coke after coke
Things go better with coke #2
Orbison/dees
Roy orbison takes a break
Stayed out too late, at work at eight, dont wanna wait for that ten o clock break
Big man, if you can, let me go for a coke right now
For things go better with coca cola, things go better with coke
Ill get caught up if youll let me stop for a coke, a big tall frosty ice cold bottle of coke
Fun goes better with, food goes better with, people go better with coke
The real live one puts extra fun in you and everything you do
Big man, let me take a five minute break, things go better with coke, things go better with coke
(spoken) sometimes on big jobs I drink coke after coke after coke
And I never get tired of the taste
Yeah, things go better with coke
Things go better with coke #3
Orbison/dees
Things go better with coca cola, things go better with coke
Life is fun when youre refreshed and coke refreshes you the best, ah-ah
Fun goes better with, food goes better with, people go better with coke
The real live one puts extra fun in you and everything you do
Things go better with coca cola, things go better with coke
Life is fun when youre refreshed and coke refreshes you the best
So things go better with coca cola, yeah, things go better with coke
Things go better with coke #4
Orbison/dees
C-o-c-a c-o-l-a
Things go better with coca cola, things go better with coke
Life is much more fun when youre refreshed
Food goes better with, fun goes better with, you go better with coke
The real live one puts extra fun in you and everything you do
Things go better with coca cola, things go better with
Things go better with coke
C-o-c-a c-o-l-a
Things go better with coca cola, things go better with coke
Things go better with coca cola, things go better with.....coke
Things go better with coke #5
Orbison/dees

[...] Read more

song performed by Roy Orbison
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The King's Tragedy James I. Of Scots.—20th February 1437

I Catherine am a Douglas born,
A name to all Scots dear;
And Kate Barlass they've called me now
Through many a waning year.
This old arm's withered now. 'Twas once
Most deft 'mong maidens all
To rein the steed, to wing the shaft,
To smite the palm-play ball.
In hall adown the close-linked dance
It has shone most white and fair;
It has been the rest for a true lord's head,
And many a sweet babe's nursing-bed,
And the bar to a King's chambère.
Aye, lasses, draw round Kate Barlass,
And hark with bated breath
How good King James, King Robert's son,
Was foully done to death.
Through all the days of his gallant youth
The princely James was pent,
By his friends at first and then by his foes,
In long imprisonment.
For the elder Prince, the kingdom's heir,
By treason's murderous brood
Was slain; and the father quaked for the child
With the royal mortal blood.
I' the Bass Rock fort, by his father's care,
Was his childhood's life assured;
And Henry the subtle Bolingbroke,
Proud England's King, 'neath the southron yoke
His youth for long years immured.
Yet in all things meet for a kingly man
Himself did he approve;
And the nightingale through his prison-wall
Taught him both lore and love.
For once, when the bird's song drew him close
To the opened window-pane,
In her bower beneath a lady stood,
A light of life to his sorrowful mood,
Like a lily amid the rain.
And for her sake, to the sweet bird's note,
He framed a sweeter Song,
More sweet than ever a poet's heart
Gave yet to the English tongue.
She was a lady of royal blood;
And when, past sorrow and teen,
He stood where still through his crownless years
His Scotish realm had been,
At Scone were the happy lovers crowned,
A heart-wed King and Queen.
But the bird may fall from the bough of youth,

[...] Read more

poem by Dante Gabriel Rossetti
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The peter-bird

Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.

One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!

Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!

"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"

So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!

[...] Read more

poem by Eugene Field
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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poem by Alfred Lord Tennyson
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

poem by Gert Strydom
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The Brus Book VII

[The king escapes from the hound]

The king towart the wod is gane
Wery forswayt and will of wane
Intill the wod sone entryt he
And held doun towart a vale
5 Quhar throu the woid a watter ran.
Thidder in gret hy wend he than
And begouth for to rest him thar
And said he mycht no forthirmar.
His man said, 'Schyr, it may nocht be.
10 Abyd ye her ye sall son se
Fyve hunder yarnand you to sla,
And thai ar fele aganys us twa.
And sen we may nocht dele with mycht
Help us all that we may with slycht.'
15 The king said, 'Sen that thou will sua,
Ga furth, and I sall with the ga.
Bot Ik haiff herd oftymys say
That quha endlang a watter ay
Wald waid a bow-draucht he suld ger
20 Bathe the slouth-hund and his leder
Tyne the sleuth men gert him ta.
Prove we giff it will now do sa,
For war yone devillis hund away
I roucht nocht off the lave perfay.'
25 As he dyvisyt thai haiff doyn
And entryt in the watter sone
And held down endlang thar way,
And syne to the land yeid thai
And held thar way as thai did er.
30 And Jhone off Lorn with gret affer
Come with hys rout rycht to the place
Quhar that his fyve men slane was.
He menyt thaim quhen he thaim saw
And said eftre a litill thraw
35 That he suld veng thar bloude,
Bot otherwayis the gamyn youde.
Thar wald he mak na mar dwelling
Bot furth in hy folowit the king.
Rycht to the burn thai passyt war,
40 Bot the sleuth-hund maid styntyn thar
And waveryt lang tyme to and fra
That he na certane gate couth ga,
Till at the last that Jhon of Lorn
Persavyt the hund the slouth had lorn
45 And said, 'We haiff tynt this travaill.
To pas forthyr may nocht availe
For the void is bath braid and wid

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poem by John Barbour
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Out Of The Frying Pan

out of the frying pan (and into the fire)
It's only two o'clock and the temperture's beginning to soar
And all around the city you see the walking wounded and the living dead
It's never been this hot and i've never been so bored
And breathing is just no fun anymore
And then i saw you like a summer dream
And you're the answer to every prayer that i ever said
I saw you like a summer dream
And you're the answer to every prayer that i ever said
You can feel the pulse of the pavement racing like a runaway horse
The subways are steaming and the skin of the street is gleaming with sweat
I've seen you sitting on the steps outside
And you were looking so restless and reckless and lost
I think it's time for you to come inside
I'll be waiting here with something that you'll never forget
I think it's time for you to come inside
I'll be waiting here with something that you'll never forget
Come on! come on!
And there'll be no turning back
You were only killing time and it'll kill you right back
Come on! come on!
It's time to burn up the fuse
You've got nothing to do and even less to lose
You've got nothing to do and even less to lose
So wander down the ancient hallway
Taking the stairs only one at a time
Follow the sound of my heartbeat now
I'm in the room at the top, you're at the end of the line
Open the door and lay down on the bed
The sun is just a ball of desire
And i wanna take you out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
And i wanna take you out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
Out of the frying pan (and into the fire)
And into the fire! fire! fire!
And into the fire! fire! fire!
And into the fire! fire! fire!
And into the fire!
It's only two o'clock and the tempertures beginning to soar
And all around the city you see the walking wounded and the living dead
It's never been this hot and i've never been so bored
And breathing is just no fun anymore
And then i saw you like a summer dream
And you're the answer to every prayer that i ever said
I saw you like a summer dream
And you're the answer to every prayer that i ever said
Come on! come on!
And there'll be no turning back

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song performed by Meat Loaf
Added by Lucian Velea
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Shakuntala Act 1

King Dushyant in a chariot, pursuing an antelope, with a bow and quiver, attended by his Charioteer.
Suta (Charioteer). [Looking at the antelope, and then at the king]
When I cast my eye on that black antelope, and on thee, O king, with thy braced bow, I see before me, as it were, the God Mahésa chasing a hart (male deer), with his bow, named Pináca, braced in his left hand.

King Dushyant: The fleet animal has given us a long chase. Oh! there he runs, with his neck bent gracefully, looking back, from time to time, at the car (chariot) which follows him. Now, through fear of a descending shaft, he contracts his forehand, and extends his flexible haunches; and now, through fatigue, he pauses to nibble the grass in his path with his mouth half opened. See how he springs and bounds with long steps, lightly skimming the ground, and rising high in the air! And now so rapid is his flight, that he is scarce discernible!

Suta: The ground was uneven, and the horses were checked in their course. He has taken advantage of our delay. It is level now, and we may easily overtake him.

King Dushyant: Loosen the reins.

Suta: As the king commands. – [He drives the car first at full speed, and then gently.] – He could not escape. The horses were not even touched by the clouds of dust which they raised; they tossed their manes, erected their ears, and rather glided than galloped over the smooth plain.

King Dushyant: They soon outran the swift antelope. –Objects which, from their distance, appeared minute, presently became larger: what was really divided, seemed united, as we passed; and what was in truth bent, seemed straight. So swift was the motion of the wheels, that nothing, for many moments, was either distant or near. [He fixes an arrow in his bowstring.]

[Behind the scenes.] He must not be slain. This antelope, O king, has an asylum in our forest: he must not be slain.

Suta: [Listening and Looking.] Just as the animal presents a fair mark for our arrow, two hermits are advancing to interrupt your aim

King Dushyant: Then stop the car.

Suta: The king is obeyed. [He draws in the reins.]

Enter a Hermit and his Pupil.

Hermit: [Raising his hands.] Slay not, O mighty sovereign, slay not a poor fawn, who has found a place of refuge. No, surely, no; he must not be hurt. An arrow in the delicate body of a deer would be like fire in bale of cotton. Compared with thy keen shafts, how weak must be the tender hide of a young antelope! Replace quickly, oh! replace the arrow which thou hast aimed. The weapons of you kings and warriors are destined for the relief of the oppressed, not for the destruction of the guiltless.

King Dushyant: [Saluting them.] It is replaced.

[He places the arrow in his quiver.]

Hermit: [With joy] Worthy is that act of thee, most illustrious; of monarchs; worthy, indeed, of a prince descended from Puru. Mayst thou have a son adorned with virtues, a sovereign of the world!

Pupil: [Elevating both his hands.] Oh! by all means, may thy son be adorned with every virtue, a sovereign of the world!

King Dushyant: [Bowing to them.] My head bears with reverence the order of a Bráhmin

Hermit: Great king, we came hither to collect wood for a solemn sacrifice; and this forest, and the banks of the Malini, affords an asylum to the wild animals protected by Shakuntala, (Shakuntala) whom our holy preceptor Kanva has received as a sacred deposit. If you have no other avocation, enter yon grove, and let the rights of hospitality be duly performed. Having seen with your own eyes the virtuous behaviour of those whose only wealth is their piety, but whose worldly cares are now at an end, you will then exclaim, 'How many good subjects are defended by this arm, which the bowstring has made callous!'

King Dushyant: Is the master of your family at home?

Hermit: Our preceptor is gone to Sómatirt'ha, in hopes of deprecating some calamity, with which destiny threatens the irreproachable Shakuntala, and he has charged her, in his absence, to receive all guests with due honour.

King Dushyant: Holy man, I will attend her; and she, having observed my devotion, will report it favourably to the venerable sage.

Both: Be it so; and we depart on our own business. [The Hermit and his Pupil go out.]

King Dushyant: Drive on Suta. By visiting the abode of holiness, we shall purify our souls.

Suta: As the king (may his life be long!) commands. [He drives on.]

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poem by Kalidasa
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The Last Tournament

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'

To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear.'

`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as given-
Slid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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poem by Alfred Lord Tennyson
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The King of the Vasse

A LEGEND OF THE BUSH.

MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.

But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.

In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,

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poem by John Boyle O'Reilly
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The Holy Grail

From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.

And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:

`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'

`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'

To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean--
Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'

`Nay, monk! what phantom?' answered Percivale.

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poem by Alfred Lord Tennyson
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