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T. V

means television..

all my poems are inspired by Sir aldo kr'ass'.

poem by Ankur Ankur
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Oh That's Right You're Just Another Girl

i like the echo of the narrow mountain:


Oh! that's right
You're just another girl
That loves to show of And to feel important at the same time

And to feel important at the same time
And to feel important at the same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
And to feel important at the same time
And to feel important at the same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
And to feel important at the same time
And to feel important at the same time
at the same time at the same time
at the same time at the same time
same time same time same time same time
And to feel important at the same time
And to feel important at the same time
at the same time at the same time

Oh! that's right
You're just another girl
You're just another girl
You're just another girl
You're just another girl

aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo aldo

crash! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! krassssssssssssssssssssssssssssssssssssssssssssss sss!

poem by Ric S. Bastasa
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

poem by William Morris
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The Battle Of Lora

ARGUMENT

Fingal, at his return from Ireland, after he had expelled Swaran from that kingdom, made a feast to all his heroes: he forgot to invite Ma-Ronnan and Aldo, two chiefs, who had not been along with him in his expedition. They resented his neglect; and went over to Erragon, king of Sora, a country of Scandinavia, the declared enemy of Fingal. The valor of Aldo soon gained him a great reputation in Sora; and Lorma, the beautiful wife of Erragon, fell in love with him. He found means to escape with her, and to come to Fingal, who resided then in Selma, on the western coast. Erragon invaded Scotland, and was slain in battle by Gaul the son of Morni, after he had rejected terms of peace offered him by Fingal. In this war Aldo fell, in a single combat, by the hands of his rival Erragon, and the unfortunate Lorma afterward died of grief.

SON of the distant land, who dwellest in the secret cell; do I hear the sound of thy grove? or is it thy voice of songs? The torrent was loud in my ear; but I heard a tuneful voice. Dost thou praise the chiefs of thy land: or the spirits of the wind? But, lonely dweller of rocks! look thou on that heathy plain. Thou seest green tombs, with their rank, whistling grass, with their stones of mossy heads. Thou seest them, son of the rock, but Ossian's eyes have failed!

A mountain-stream comes roaring down, and sends its waters round a green hill. Four mossy stones, in the midst of withered grass, rear their heads on the top. Two trees which the storms have bent, spread their whistling branches around. This is thy dwelling, Erragon; this thy narrow house; the sound of thy shells has been long forgot in Sora. Thy shield is become dark in thy hall. Erragon, king of ships, chief of distant Sora! how hast thou fallen on our mountains? How is the mighty low? Son of the secret cell! dost thou delight in songs? Hear the battle of Lora. The sound of its steel is long since past. So thunder on the darkened hill roars and is no more. The sun returns with his silent beams. The glittering rocks, and the green heads of the mountains, smile.

The bay of Cona received our ships from Erin's rolling waves. Our white sheets hung loose to the masts. The boisterous winds roared behind the groves of Morven. The horn of the king is sounded; the deer start from their rocks. Our arrows flew in the woods. The feast of the hill is spread. Our joy was great on our rocks, for the fall of the terrible Swaran. Two heroes were forgot at our feast. The rage of their bosoms burned. They rolled their red eyes in secret. The sigh bursts from their breasts. They were seen to talk together, and to throw their spears on earth. They were two dark clouds in the midst of our joy; like pillars of mist on the settled sea: they glitter to the sun, but the mariners fear a storm.

"Raise my white sails," said Ma-Ronnan, "raise them to the winds of the west. Let us rush, O Aldo! through the foam of the northern wave. We are forgot at the feast: but our arms have been red in blood. Let us leave the hills of Fingal, and serve the king of Sora. His countenance is fierce. War darkens around his spear. Let us be renowned, O Aldo, in the battles of other lands!"

They took their swords, their shields of thongs. They rushed to Lumar's resounding bay. They came to Sora's haughty king, the chief of bounding steeds. Erragon had returned from the chase. His spear was red in blood. He bent his dark face to the ground; and whistled as he went. He took the strangers to his feast: they fought and conquered in his wars.

Aldo returned with his fame towards Sora's lofty walls. From her tower looked the spouse of Erragon, the humid, rolling eyes of Lorma. Her yellow hair flies on the wind of ocean. Her white breast heaves, like snow on heath; when the gentle winds arise, and slowly move it in the light. She saw young Aldo, like the beam of Sora's setting sun. Her soft heart sighed. Tears filled her eyes. Her white arm supported her head. Three days she sat within the hall, and covered her grief with joy. On the fourth she fled with the hero, along the troubled sea. They came to Cona's mossy towers, to Fingal king of spears.

"Aldo of the heart of pride!" said Fingal, rising in wrath; "shall I defend thee from the rage of Sora's injured king? Who will now receive my people into their halls? Who will give the feast of strangers, since Aldo of the little soul has dishonored my name in Sora? Go to thy hills, thou feeble hand! Go: hide thee in thy caves. Mournful is the battle we must fight with Sora's gloomy king. Spirit of the noble Trenmor! when will Fingal cease to fight? I was born in the midst of battles, and my steps must move in blood to the tomb. But my hand did not injure the weak, my steel did not touch the feeble in arms. I behold thy tempests, O Morven! which will overturn my halls! when my children are dead in battle, and none remains to dwell in Selma. Then will the feeble come, but they will not know my tomb. My renown is only in song. My deeds shall be as a dream to future times!"

His people gathered around Erragon, as the storms round the ghosts of night; when he calls them from the top of Morven, and prepares to pour them on the land of the stranger. He came to the shore of Cona. He sent his bard to the king to demand the combat of thousands: or the land of many hills! Fingal sat in his hall with the friends of his youth around him. The young heroes were at the chase, far distant in the desert. The gray-haired chiefs talked of other times; of the actions of their youth; when the aged Nartmor came, the chief of streamy Lora.

"This is no time," said Nartmor, "to hear the songs of other years: Erragon frowns on the coast, and lifts ten thousand swords. Gloomy is the king among his chiefs! he is like the darkened moon amidst the meteors of night; when they sail along her skirts, and give the light that has failed o'er her orb." "Come," said Fingal, "from thy hall, come, daughter of my love: come from thy hall, Bosmina, maid of streamy Morven! Nartmor, take the steeds of the strangers. Attend the daughter of Fingal! Let her bid the king of Sora to our feast, to Selma's shaded wall. Offer him, O Bosmina! the peace of heroes, and the wealth of generous Aldo. Our youths are far distant. Age is on our trembling hands!"

She came to the host of Erragon, like a beam of light to a cloud. In her right hand was seen, a sparkling shell. In her left an arrow of gold. The first, the joyful mark of peace! The latter, the sign of war. Erragon brightened in her presence, as a rock before the sudden beams of the sun; when they issue from a broken cloud divided by the roaring wind!

"Son of the distant Sora," began the mildly-blushing maid," come to the feast of Morven's king, to Selma's shaded walls. Take the peace of heroes, O warrior! Let the dark sword rest by thy side. Choosest thou the wealth of kings? Then hear the words of generous Aldo. He gives to Erragon a hundred steeds, the children of the rein; a hundred maids from distant lands; a hundred hawks with fluttering wing, that fly across the sky. A hundred girdles shall also be thine, to bind high-bosomed maids. The friends of the births of heroes. The cure of the sons of toil. Ten shells, studded with gems, shall shine in Sora's towers: the bright water trembles on their stars, and seems to be sparkling wine. They gladdened once the kings of the world, in the midst of their echoing halls. These, O hero! shall be thine; or thy white bosomed spouse. Lorma shall roll her bright eyes in thy halls; though Fingal loves the generous Aldo: Fingal, who never injured a hero, though his arm is strong!"

"Soft voice of Cona!" replied the king, "tell him, he spreads his feast in vain. Let Fingal pour his spoils around me. Let him bend beneath my power. Let him give me the swords of his fathers: the shields of other times; that my children may behold them in my halls, and say, 'These are the arms of Fingal!'" "Never shall they behold them in thy halls," said the rising pride of the maid. "They are in the hands of heroes, who never yield in war. King of echoing Sora! the storm is gathering on our hills. Dost thou not foresee the fall of thy people, son of the distant land?"

She came to Selma's silent halls. The king beheld her downcast eyes. He rose from his place, in his strength. He shook his aged locks. He took the sounding mail of Trenmor. The dark-brown shield of his fathers. Darkness filled Selma's hall, when he stretched his hand to the spear: the ghosts of thousands were near, and foresaw the death of the people. Terrible joy rose in the face of the aged heroes. They rushed to meet the foe. Their thoughts are on the deeds of other years: and on the fame that rises from death!

Now at Trathal's ancient tomb the dogs of the chase appeared. Fingal knew that his young heroes followed. He stopped in the midst of his course. Oscar appeared the first; then Morni's son, and Némi's race. Fercuth showed his gloomy form. Dermid spread his dark hair on wind. Ossian came the last. I hummed the song of other times. My spear supported my steps over the little streams. My thoughts were of mighty men. Fingal struck his bossy shield, and gave the dismal sign of war. A thousand swords at once, unsheathed, gleam on the waving heath. Three gray-haired sons of the song raise the tuneful, mournful voice. Deep and dark, with sounding steps, we rush, a gloomy ridge, along; like the shower of the storm when it pours on a narrow vale.

The king of Morven sat on his hill. The sunbeam of battle flew on the wind. The friends of his youth are near, with all their waving locks of age. Joy rose in the hero's eyes when he beheld his sons in war; when he saw us amidst the lightning of swords, mindful of the deeds of our fathers. Erragon came on, in his strength, like the roar of a winter stream. The battle falls around his steps: death dimly stalks along by his side.

"Who comes," said Fingal, "like the bounding roe!; like the hart of echoing Cona? His shield glitters on his side. The clang of his armor is mournful. He meets with Erragon in the strife. Behold the battle of the chiefs! It is like the contending of ghosts in a gloomy storm. But fallest thou, son of the hill, and is thy white bosom stained with blood? Weep, unhappy Lorma! Aldo is no more!" The king took the spear of his strength. He was sad for the fall at Aldo. He bent his deathful eyes on the foe: but Gaul met the king of Sora. Who can relate the light of the chiefs? The mighty stranger fell! "Sons of Cona!' Fingal cried aloud, "stop the hand of death. Mighty was he that is low. Much is he mourned in Sora! The stranger will come towards his hall, and wonder why it is so silent. The king is fallen, O stranger! The joy of his house is ceased. Listen to the sound of his woods! Perhaps his ghost is murmuring there! But he is far distant, on Morven, beneath the sword of a foreign foe." Such were the words of Fingal, when the bard raised the song of peace. We stopped our uplifted swords. We spared the feeble foe. We laid Erragon in a tomb. I raised the voice of grief. The clouds of night came rolling down. The ghost of Erragon appeared to some. His face was cloudy and dark; a half-formed sigh in his breast. "Blest be thy soul, O king of Sora! thine arm was terrible in war!"

Lorma sat in Aldo's hall. She sat at the light of a flaming oak. The night came down, but he did not return. The soul of Lorma is sad! "What detains thee, hunter of Cona? Thou didst promise to return. Has the deer been distant far? Do the dark winds sigh, round! thee, on the heath? I am in the land of strangers; who is my friend, but Aldo? Come from thy sounding hills, O my best beloved!"

Her eyes are turned towards the gate. She listens to the rustling blast. She thinks it is Aldo's tread. Joy rises in her face! But sorrow returns again, like a thin cloud on the moon. "Wilt thou not return, my love? Let me behold the face of the hill. The moon is in the east. Calm and bright is the breast of the lake! When shall I behold his dogs, returning from the chase? When shall I hear his voice, loud and distant on the wind? Come from thy sounding hills, hunter of woody Cona!" His thin ghost appeared, on a rock, like a watery beam of feeble light: when the moon rushes sudden from between two clouds, and the midnight shower is on the field. She followed the empty form over the heath. She knew that her hero fell. I heard her approaching cries on the wind, like the mournful voice of the breeze, when it sighs on the grass of the cave

She came. She found her hero! Her voice was heard no more. Silent she rolled her eyes. She was pale and wildly sad! Few were her days on Cona. She sunk into the tomb. Fingal commanded his bards; they sung over the death of Lorma. The daughters of Morven mourned her, for one day in the year, when the dark winds of autumn returned!

Son of the distant land! Thou dwellest in the field of fame! O let the song arise, at times, in praise of those who fell! Let their thin ghosts rejoice around thee; and the soul of Lorma come on a feeble beam; when thou liest down to rest, and the moon looks into thy cave. Then shalt thou see her lovely; but the tear is still on her cheek!

poem by James Macpherson
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Copied Titles/duplicated By Aldo Kraas Part Ii

Title stealer and copier
When will you learn Originality?
You are worst than a habitual lier
With your habit of duplicity!

Grow up in your literary woes
Shed off that weak inadequacy
Your constant copying just shows
A writer marked by hypocrisy

-

POEM / AUTHOR........................................... ...............COPIED TITLE/
AUTHOR

'April' by Ency Bearis 'April Song' by Kraas

'Freedom' by N. Ahmad 'Freedom Song' by Kraas

'Lies Cover Up' by C. Buhain 'I Covered Up My Lies'
by Aldo Kraas

'Her Final Reason' by sky dreams 'My Final Reason'.
by Aldo Kraas

'The Hand of Man' by Matt Mooney 'The Hand of The Woman'
by Aldo Kraas

'A Love Yet Forgotten' by Kelli Garner 'A Forgotten Love'
by Aldo Kraas

'The Catchers of Dreams' by K. Garner 'The Catchers of My Dreams
by Aldo Kraas

'Open' by Donell Dempsey 'Open' by Aldo Kraas (same
Day)

'he's gone again' by Adriana O'Connor 'She's Gone Again' by
Aldo Kraas

'Come Away' by Nicole Dotzenrod 'Come Away Clean' by
Aldo Kraas

'My Last Breath' by Sharayna Elridge 'Trying To Catch My Last

[...] Read more

poem by Cynthia Buhain-Baello
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

poem by William Wordsworth
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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

[...] Read more

poem by Alfred Lord Tennyson
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Sir Hornbook

I.

O'er bush and briar Childe Launcelot sprung
With ardent hopes elate,
And loudly blew the horn that hung
Before Sir Hornbook's gate.

The inner portals opened wide,
And forward strode the chief,
Arrayed in paper helmet's pride,
And arms of golden leaf.

--"What means,"--he cried,--"This daring noise,
That wakes the summer day?
I hate all idle truant boys:
Away, Sir Childe, away!"--

--"No idle, truant boy am I,"--
Childe Launcelot answered straight;
--"Resolved to climb this hill so high,
I seek thy castle gate.

"Behold the talisman I bear,
And aid my bold design:"--
Sir Hornbook gazed, and written there,
Knew Emulation's sign.

"If Emulation sent thee here,"
Sir Hornbook quick replied,
"My merrymen all shall soon appear,
To aid thy cause with shield and spear,
And I will head thy bold career,
And prove thy faithful guide."--

Loud rung the chains; the drawbridge fell;
The gates asunder flew:
The knight thrice beat the portal bell,
And thrice he call'd "Halloo."

And out, and out, in hasty rout,
By ones, twos, threes, and fours;
His merrymen rush'd the walls without,
And stood before the doors.

II.

Full six and twenty men were they,
In line of battle spread:
The first that came was mighty A,

[...] Read more

poem by Thomas Love Peacock
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The Sorcerer: Act I

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers

ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day

SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

CHORUS OF VILLAGERS

Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.

For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!

Ring forth, ye bells etc.
(Exeunt the men into house.)

(Enter Mrs. Partlet with Constance, her daughter)

RECITATIVE

MRS. P. Constance, my daughter, why this strange depression?

[...] Read more

poem by William Schwenck Gilbert
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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

[...] Read more

poem by Alfred Lord Tennyson
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Read This All Writers! ! ! ! ! !

Title stealer and copier
When will you learn originality?
You are worst than a habitual lier
With your habit of duplicity!

Grow up in your literary woes
Shed off that weak inadequacy
Your constant copying just shows
A writer marked by hypocrisy

-

POEM / AUTHOR........................................... ...............COPIED TITLE/
AUTHOR

'April' by Ency Bearis 'April Song' by Kraas

'Freedom' by N. Ahmad 'Freedom Song' by Kraas

'Lies Cover Up' by C. Buhain 'I Covered Up My Lies'
by Aldo Kraas

'Her Final Reason' by sky dreams 'My Final Reason'.
by Aldo Kraas

'The Hand of Man' by Matt Mooney 'The Hand of The Woman'
by Aldo Kraas

'A Love Yet Forgotten' by Kelli Garner 'A Forgotten Love'
by Aldo Kraas

'The Catchers of Dreams' by K. Garner 'The Catchers of My Dreams
by Aldo Kraas

'Open' by Donell Dempsey 'Open' by Aldo Kraas (same
Day)

'he's gone again' by Adriana O'Connor 'She's Gone Again' by
Aldo Kraas

'Come Away' by Nicole Dotzenrod 'Come Away Clean' by
Aldo Kraas

'My Last Breath' by Sharayna Elridge 'Trying To Catch My Last

[...] Read more

poem by Cynthia Buhain-Baello
Added by Poetry Lover
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The Baffled Knight, Or Lady's Policy

There was a knight was drunk with wine,
A riding along the way, sir;
And there he met with a lady fine,
Among the cocks of hay, sir.

'Shall you and I, O lady faire,
Among the grass lye down-a,
And I will have a special care
Of rumpling of your gown-a?'

'Upon the grass there is a dewe
Will spoil my damask gown, sir;
My gowne and kirtle they are newe,
And cost me many a crowne, sir.'

'I have a cloak of scarlet red,
Upon the ground I'll throwe it;
Then, lady faire, come, lay thy head;
We'll play, and none shall knowe it.'

'O yonder stands my steed so free
Among the cocks of hay, sir;
And if the pinner should chance to see,
He'll take my steed away, sir.'

'Upon my finger I have a ring,
It's made of finest gold-a,
And, lady, it thy steed shall bring
Out of the pinner's fold-a.'

'O go with me to my father's hall;
Fair chambers there are three, sir;
And you shall have the best of all,
And I'll your chamberlaine bee, sir.'

He mounted himself on his steed so tall,
And her on her dapple gray, sir;
And there they rode to her father's hall,
Fast pricking along the way, sir.

To her father's hall they arrived strait;
'Twas moated round about-a;
She slipt herself within the gate,
And lockt the knight without-a.

'Here is a silver penny to spend,
And take it for your pain, sir;
And two of my father's men I'll send
To wait on you back again, sir.'

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poem by Anonymous Olde English
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Orlando Furioso Canto 18

ARGUMENT
Gryphon is venged. Sir Mandricardo goes
In search of Argier's king. Charles wins the fight.
Marphisa Norandino's men o'erthrows.
Due pains Martano's cowardice requite.
A favouring wind Marphisa's gallery blows,
For France with Gryphon bound and many a knight.
The field Medoro and Cloridano tread,
And find their monarch Dardinello dead.

I
High minded lord! your actions evermore
I have with reason lauded, and still laud;
Though I with style inapt, and rustic lore,
You of large portion of your praise defraud:
But, of your many virtues, one before
All others I with heart and tongue applaud,
- That, if each man a gracious audience finds,
No easy faith your equal judgment blinds.

II
Often, to shield the absent one from blame,
I hear you this, or other, thing adduce;
Or him you let, at least, an audience claim,
Where still one ear is open to excuse:
And before dooming men to scaith and shame,
To see and hear them ever is your use;
And ere you judge another, many a day,
And month, and year, your sentence to delay.

III
Had Norandine been with your care endued,
What he by Gryphon did, he had not done.
Profit and fame have from your rule accrued:
A stain more black than pitch he cast upon
His name: through him, his people were pursued
And put to death by Olivero's son;
Who at ten cuts or thrusts, in fury made,
Some thirty dead about the waggon laid.

IV
Whither fear drives, in rout, the others all,
Some scattered here, some there, on every side,
Fill road and field; to gain the city-wall
Some strive, and smothered in the mighty tide,
One on another, in the gateway fall.
Gryphon, all thought of pity laid aside,
Threats not nor speaks, but whirls his sword about,
Well venging on the crowd their every flout.

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poem by Ludovico Ariosto
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Yes Sir, No Sir

Yes sir, no sir
Where do I go sir
What do I do sir
What do I say
Yes sir, no sir
Where do I go sir
What do I do sir
How do I behave
Yes sir, no sir
Permission to speak sir
Permission to breathe sir
What do I say, how do I behave, what do I say
So you think that youve got ambition
Stop your dreaming and your idle wishing
Youre outside and there aint no admission
To our play
Pack up your ambition in your old kit bag
Soon youll be happy with a packet of fags
Chest out stomach in
Do what I say, do what I say
Yes right away
Yes sir, no sir
Where do I go sir
What do I do sir
What do I say
Yes sir, no sir
Permission to speak sir
Permission to breathe sir
What do I say, how do I behave, what do I say
Doesnt matter who you are
Youre there and there you are
Everything is in its place
Authority must be maintained
And then we know exactly where we are
Let them feel that theyre important to the cause
But let them know that they are fighting for their homes
Just be sure that theyre contributing their all
Give the scum a gun and make the bugger fight
And be sure to have deserters shot on sight
If he dies well send a medal to his wife
Yes sir, no sir
Please let me die sir
I think this life is affecting my brain
Yes sir, no sir
Three bags full sir
What do I do sir, what do I say
What do I say, how do I behave, what do I say

song performed by Kinks
Added by Lucian Velea
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The 9th Satire Of Book I. Of Horace : The Description Of An Impertinent. Adapted To The Present Times

Sauntering along the street one day,
On trifles musing by the way,
Up steps a free familiar wight;
(I scarcely knew the man by sight.)
'Carlos (he cried), your hand, my dear!
Gad, I rejoice to meet you here!
Pray heaven I see you well!' 'So, so;
Even well enough as times now go.
The same good wishes, sir, to you.'
'Sir, you have business, I suppose?'
'My business, sir, is quickly done,
'Tis but to make my merit known.
Sir, I have read ---- ' 'O learned sir,
You and your learning I revere.'
Then, sweating with anxiety,
And sadly longing to get free,
Gods, how I scampered, scuffled for't,
Ran, halted, ran again, stopped short,
Beckoned my boy, and pulled him near,
And whispered nothing in his ear.
Teased with his loose unjointed chat,
'What street is this? What house is that?'
O Harlow, how I envied thee
Thy unabashed effrontery,
Who darest a foe with freedom blame,
And call a coxcomb by his name!
When I returned him answer none,
Obligingly the fool ran on,
'I see you're dismally distressed,
Would give the world to be released,
But, by your leave, sir, I shall still
Stick to your skirts, do what you will.
Pray which way does your journey tend?'
'Oh, 'tis a tedious way, my friend,
Across the Thames, the Lord knows where;
I would not trouble you so far.'
'Well, I'm at leisure to attend you.'
'Are you? (thought I) the deil befriend you!'
No ass with double panniers racked,
Oppressed, o'erladen, broken-backed,
E'er looked a thousandth part so dull
As I, nor half so like a fool.
'Sir, I know little of myself
(Proceeds the pert conceited elf),
If Gray or Mason you will deem
Than me more worthy your esteem.
Poems I write by folios,
As fast as other men write prose.
Then I can sing so loud, so clear,
That Beard cannot with me compare.

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poem by William Cowper
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Telemaniaco / Tele Maniac

Un cavernícola golpea a su amada / A caveman hits his lover
y se la lleva de los pelos a la cueva / and it takes it to him from the hair to the cave
no se preocupe no ha pasado nada / don't worry it has not passed anything
el noticiero de las nueve lo comprueba / the news report of nine o'clock checks it

Es un telemaníaco / He is a tele maniac
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV

Me siento bién definitivamente / I feel so good definitively
necesitaba esa dosis de novelas / I really needed that dosis of novels
ya he llorado por cuatro horas y media / I´ve been crying for four hours and a half
ahora cambio para ver una comedia / and now I´m change to see some comedy

Es un telemaníaco / He is a tele maniac
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV

Los dibujitos animados son lo máximo / The cartoons are the maximum thing
me gusta verlos una y otra vez / I like to see them an and another time
luego con mis amigotes los imito / later with my pals I imitate them
y hacemos gala de nuestra inmadurez / and we make Gallic of our immaturity

Es un telemaníaco / He is a tele maniac
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV

Las heroínas buscando chicos malos / The heroines looking for bad boys
los chicos malos buscando diversión / the bad boys looking for amusement
los superhéroes volando por los cielos / the superheros flying for the skies
las chicas pierden sus ligas en el bronx / the girls lose their suspenders in the bronx

Es un telemaníaco / He is a tele maniac
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV

Cómo me aburro estudiando y trabajando / How I get bored studying and working
con mis papeles y con el profesor / with my papers and with the professor
tan solo quiero volver corriendo a casa / all I want is to return running home
para sentarme frente al televisor / to sit down in front of the television

Es un telemaníaco / He is a tele maniac
ama la televisión ama la televisión / He loves to watch the TV, he loves to watch the TV

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poem by Ramiro 2 Burgos
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Marriage of Sir Gawaine

Part the First
King Arthur lives in merry Carleile,
And seemely is to see;
And there with him Queene Guenever,
That bride soe bright of blee.

And there with him Queene Guenever,
That bride soe bright in bowre;
And all his barons about him stoode,
That were both stiffe and stowre.

This king a royale Christmasse kept,
With mirth and princelye cheare;
To him repaired many a knighte,
That came both farre and neare.

And when they were to dinner sette
And cups went freely round:
Before them came a faire damselle,
And knelt upon the ground.

'A boone, a boone, O Kinge Arthure,
I beg a boone of thee;
Avenge me of a carlish knighte,
Who hath shent my love and mee.

'At Tearne-Wadling his castle stands,
Near to that lake so fair,
And proudlye rise the battlements,
And streamers deck the air.

'Noe gentle knighte, nor ladye gay,
May pass that castle-wall,
But from that foule discourteous knighte,
Mishappe will them befalle.

'Hee's twice the size of common men,
Wi' thewes and sinewes stronge,
And on his backe he bears a clubbe,
That is both thicke and longe.

'This grimme barone 'twas our harde happe
But yester morne to see;
When to his bowre he bare my love,
And sore misused mee.

'And when I told him King Arthure
As lyttle shold him spare;
Goe tell, sayd hee, that cuckold kinge
To meete mee if he dare.'

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poem by Anonymous Olde English
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The Sorcerer: Act II

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers

(Twelve hours are supposed to elapse between Acts I and II)

ACT II-- Grounds of Sir Marmaduke's Mansion, Midnight

Scene--Exterior of Sir Marmaduke's mansion by moonlight. All the
peasantry are discovered asleep on the ground, as at the end
of Act I.

Enter Mr. Wells, on tiptoe, followed by Alexis and Aline. Mr. Wells
carries a dark lantern.

TRIO--ALEXIS, ALINE, and MR. WELLS

'Tis twelve, I think,
And at this mystic hour
The magic drink
Should manifest its power.
Oh, slumbering forms,
How little ye have guessed
That fire that warms
Each apathetic breast!

ALEXIS. But stay, my father is not here!

ALINE. And pray where is my mother dear?

MR. WELLS. I did not think it meet to see
A dame of lengthy pedigree,

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poem by William Schwenck Gilbert
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Lohengrin

THE holy bell, untouched by human hands,
Clanged suddenly, and tolled with solemn knell.

Between the massive, blazoned temple-doors,
Thrown wide, to let the summer morning in,
Sir Lohengrin, the youngest of the knights,
Had paused to taste the sweetness of the air.
All sounds came up the mountain-side to him,
Softened to music,— noise of laboring men,
The cheerful cock-crow and the low of kine,
Bleating of sheep, and twittering of the birds,
Commingled into murmurous harmonies—
When harsh, and near, and clamorous tolled the bell.
He started, with his hand upon his sword;
His face, an instant since serene and fair,
And simple with the beauty of a boy,
Heroic, flushed, expectant all at once.
The lovely valley stretching out beneath
Was now a painted picture,— nothing more;
All music of the mountain or the vale
Rang meaningless to him who heard the bell.
'I stand upon the threshold, and am called,'
His clear, young voice shrilled gladly through the air,
And backward through the sounding corridors.

'And have ye heard the bell, my brother knights,
Untouched by human hands or winds of heaven?
It called me, yea, it called my very name!'
So, breathing still of morning, Lohengrin
Sprang 'midst the gathering circle of the knights,
Eager, exalted. 'Nay, it called us all:
It rang as it hath often rung before,—
Because the good cause, somewhere on the earth,
Requires a champion,' with a serious smile,
An older gravely answered. 'Where to go?
We know not, and we know not whom to serve.'
Then spake Sir Percivale, their holiest knight,
And father of the young Sir Lohengrin:
'All that to us seems old, familiar, stale,
Unto the boy is vision, miracle.
Cross him not, brethren, in his first desire.
I will dare swear the summons rang to him,
Not sternly solemn, as it tolled to us,
But gracious, sweet, and gay as marriage-bells.'
His pious hands above the young man's head
Wandered in blessing, lightly touching it,
As fondly as a mother. 'Lohengrin,
My son, farewell,— God send thee faith and strength.'
' God send me patience and humility,'
Murmured the boyish knight, from contrite heart,

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poem by Emma Lazarus
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Sir Andrew Barton

The First Part
'When Flora with her fragrant flowers
Bedeckt the earth so trim and gaye,
And Neptune with his daintye showers
Came to present the monthe of Maye;
King Henrye rode to take the ayre,
Over the river of Thames past hee;
When eighty merchants of London came,
And downe they knelt upon their knee.

'O yee are welcome, rich merchants,
Good saylors, welcome unto mee.'
They swore by the rood, they were saylors good,
But rich merchants they cold not bee.
'To France nor Flanders dare we pass,
Nor Bordeaux voyage dare we fare;
And all for a rover that lyes on the seas,
Who robbs us of our merchant ware.'

King Henrye frownd, and turned him rounde,
And swore by the Lord that was mickle of might,
'I thought he had not beene in the world,
Durst have wrought England such unright.'
The merchants sighed, and said, 'Alas!'
And thus they did their answer frame;
'He is a proud Scott, that robbs on the seas,
And Sir Andrewe Barton is his name.'

The king loot over his left shoulder,
And an angrye look then looked hee;
'Have I never a lorde in all my realme,
Will feitch yond traytor unto mee?'
'Yea, that dare I,' Lord Howard sayes;
If it please your grace to give me leave,
Myselfe wil be the only man.'

'Thou art but yong,' the kyng replyed,
'Yond Scott hath numbred manye a yeare.'
'Trust me, my liege, Ile make him quail,
Or before my prince I will never appeare.'
'Then bowemen and gunners thou shalt have,
And chuse them over my realme so free;
Besides good mariners, and shipp-boyes,
To guide the great shipp on the sea.'

The first man that Lord Howard chose,
Was the ablest gunner in all the realme,
Thoughe he was threescore yeeres and ten;
Good Peter Simon was his name.
'Peter,' sais hee, 'I must to the sea,

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poem by Anonymous Olde English
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