Snow angels dancing in the breeze,
Brother and sister fall on their knees.
They lay down in the bitter snow,
And figures of angels begin to show.
The pair giggle and smile at each other,
And each prays they will never lose the other.
Snow angels playing on the river,
Then the ice begins to quiver.
He lets out a dreadful scream;
She hopes it's just a dream.
She reaches out her hand,
But he slips away just like sand.
Snow angels in the white field,
A little heart looking to be healed.
She lays down in the bitter snow,
And a figure of an angel begins to show.
She lets out and sheds a tear,
Yet she will always hold her angel near.
- quotes about beginning
- quotes about snow
- quotes about screams
- quotes about ice
- quotes about dance
- quotes about beauty
- quotes about white
- quotes about dreaming
- quotes about heart
A Wild Heart Looking For Home
This song was first released on the dreamland express album. it is the only album it has been released on.
Life in the city gets all closed in
When you stand in a crowd all alone
Wishing that someone would call out your number
Hoping that someone might phone
Nights in the city can drive you crazy
Theres so very much going on
Try to get quiet, youll miss out on something
Like someone whos looking for
Someone whos looking...
There, I almost got caught again
Lost in the night all alone
With nowhere to hide, crying inside
A wild heart looking for home
Sleeping without you is always cold
The nights are so dark and so long
Dreaming of touching your face in the moonlight
Filling the silence with song
Living without you the days are endless
The clock winding steadily down
Imagining footsteps, your hand at the gatepost
The wind shuts the open door
The wind shuts the open...
There, I almost got caught again
Lost in the night all alone
With nowhere to hide, crying inside
A wild heart looking for home
The songbird, she trembles all day long
She sings as if her poor heart must break
Watching the freedom that flies past her window
Dreaming wont fit in a cage
Fly away songbird, the wind she loves you
Your prison is forsaken at last
Follow your dreaming, youre bound up to heaven
Youre reaching for something more
Reaching for something...
There, I almost got caught again
Lost in the night all alone
With nowhere to hide, crying inside
A wild heart looking for home
There, I thought of your face again
A vision to have and to hold
My spirit still sings, Im flying again
A wild heart looking for home
A wild heart looking for home
Words and music by john denver and joe henry
My Heart Is Healed
You rang my phone.
And I heard you there breathing.
Not even an 'hello'...
Did you consider to say to me.
And I wondered 'why' you called,
My telephone number.
When you knew that I would check,
The caller ID.
It was up to you not me to leave.
You had decided it was finally over.
It was up to you not me to leave.
And suddenly you reappear.
Hoping my life,
Seeks you to fill a need.
You rang my phone.
And I heard you there breathing.
Not even an 'hello'...
Did you consider to say to me.
It was up to you not me to leave.
You had decided it was finally over.
It was up to you not me to leave.
And suddenly you reappear.
Hoping my life,
Seeks you to fill a need.
Don't you call me no more!
There is a vacancy.
Empty but you've got the key!
Don't you call me no more!
There is a vacancy.
My heart is healed and has been relieved.
He lay, wrapped in a world of mutilated hands,
Of trees that walked by night and grinning clouds;
To bellowing of bulls, his dream's black cloth
Ripped and let dropp a heart stuck full of swords.
He walked, and by his side there strode a shade
Whose tattered hood half-hid a ram's dry skull:
'There is a place set for me at God's side.'
Said Ram, 'A door swings open outside Hell!'
He rose, upon hysteric wreaths of love,
Soared, nailed to an unrelenting beam;
Through airs that tingled with a child's low cries
He glided, gentle as a girl's soft dream
Of hyacinth and marjoram, in bowers
Of vernal holiness, where at a sigh
The leaves bend back like gracious hostesses
To introduce a lover, golden in glee.
He smashed the bowl of bitterness, let spill
His freighted nightmares on the weeping world.
His soul, ecstatic as the chains fell free,
Sped in the likeness of a tiny bird.
- quotes about walking
- quotes about speed
- quotes about birds
- quotes about roses
- quotes about television
- quotes about girls
- quotes about childhood
- quotes about black
This yarn is a fabric woven of several earlier warped works, lightly laced together with additional braided tales of human frailty. The looms were purling frantically... Some pearls may be found wonting, hanging loose, dangling free within a fuzzy flight of fancy... These untethered strands may be fastened, or be forgotten, or be hidden by the readers in the corners of their minds... Some may end up in stitches, others all torn up or ripped apart, others may just say ‘made of hole cloth', ‘sew what' or ‘I don't seam to get the needle point'... This wanton web is yours to spin...
Some have said that such strange things ‘have Never happened in our Land', such quaint things ‘could Never happen in our Land'', such murky things ‘will Never happen in our Land''... and this may be true... such is the gossamer that veils the human mind... and thus ensues the title of this Fantasy...
An ancient man named Peter Pan, disguised but from the past,
With feathered cap and tunic wrap and sabre's sailed his last.
Though fully grown, on dust he's flown and perched upon a mast
Atop the Walls around the sprawls, unvisited and vast -
And all the while with bitter smile he's watching us aghast.
As day begins, a spindle spins, it weaves a wanton web;
Like puckered prunes, like midday moons, like yesterday's celebs,
We scrape and grope, we seldom hope - he's watching while we ebb:
The organ grinder preaches fine on Sunday afternoons -
He quotes from books but overlooks the Secrets Carved in Runes:
'You've tried and toyed, but can't avoid or shun the pale monsoons,
It's sink or swim as echoed dim in swinging door saloons'.
The laughingstocks are flinging rocks at ball-and-chained baboons.
While ghetto boys are looting toys preparing for their doom
And Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
Where ragged strangers stoop for change, for coppers in the gloom,
Whose thoughts are more upon the doors of crypts in Christmas bloom,
And gold doubloons and silver spoons that tempt beyond the tomb.
Mid Uzi shots from vacant lots, that strike and ricochet
A painted girl with flaxen curl (named Wendy) 's on her way
To tantalise with half-clad thighs, to trick again today;
And indiscreet upon the street she gives her pride away
To any guy who's passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
With flowered thoughts of Camelot and dreams of cabarets.)
The alley ways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
From losers scorned and rubes reborn, and promise paradise,
While in the back they cook some crack, inhale, and roll the dice.
A bum called Boe has stubbed his toe, he's stumbled in the gutter;
With broken neck, he looks a wreck, the sparrows all aflutter,
The passers-by, they close an eye, and turn their heads and mutter:
'Let's pray for rains to wash the lanes, to clear away the clutter.'
A river slows neath mountain snows, and leaves begin to shudder.
Though rip-off shops and crooked cops are paid not once but thrice,
The painted girl with flaxen curl is paring down her price
And loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries 'where am I', a schizo titters twice,
And double quick a lunatic affects a fight with lice.
The jungle teems, a siren screams, the air is filled with meth.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
While telling tales to no avail of everlasting death,
At least imbue Hagg Avenue with whisky on their breath.
The Reverent Priest combats the Beast, they're kneeling down to prey,
To fight the truth with fang and tooth, to toil for yesterday,
To etch their mark within the dark, to paint their résumé
On shrouds and sheets which then completes the devil's dossier.
Old Dan, he's drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan's sins, and asks 'How are you, Bud? '
'I'm feeling pain and crying rain till soon there is a flood.
And no god's there who seems to care I'm always coughing blood.'
The Monk, he turns, Dan's words he spurns and lets the bible thud.
Well, Banjo Boy, he will annoy with jangled rhymes that fray:
'The clanging bells of carousels lead blind men's minds astray
To rings of gold they'll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.'
Now, Railroad Bob has lost his job, he's got no place for working,
His wife, she cries with desperate eyes, their baby's head's a' jerking.
The union man don't give a damn, Big Brother lies a' lurking,
The boss' in cabs are picking scabs, they count their money, smirking.
A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp'ry slope -
She casts the Curse, the Holy Verse, and shoots a shot of dope,
And stalks discreet Asylum Street her daily horoscope -
The stray was struck by random truck which was her only hope.
Well, Banjo Boy, with little joy, he strums her life entire:
'The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
Where no one heeds the childish needs that little ones require;
Where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
Whipped by the flood, stray beads of blood are spattered on the spire;
Though beads of sweat are cool and wet, cold clotted blood is dryer.'
Though broken there, she's fled the snare with dying thoughts serene.
And now she's dead, the rumours spread: her age? a sweet 16,
With child, unwed, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
In limey pits, as well befits, behind forbidding screens;
And all the while a dirge is styled on tattered tambourines
Which echo through the human zoo in valleys of the Queens.
Without rejoice, in hissing voice, near soil that's seldom trod
'In pious role, God bless my soul', was mouthed with mitred nod,
Neath scarlet trim with black, and grim, behind a robed facade -
'She'll burn in hell and sulphur smell', spat Priest and man of god.
Well, angels sweet with cloven feet, they sing in girl's attire,
But Banjo Boy, he's playing coy while chanting in the choir:
'The clueless search within the church to find what they desire,
But near the nave or gravelled grave, there is no Rectifier.'
And when he's through, without ado, he stacks some stones nearby her.
A sodden dreg with wooden leg is dancing for a dime,
To sacred psalms and other balms, all ticking with the time.
He's 22, he's almost through, he's melted in his prime,
His bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life's his only crime.
The eyes behind the head inclined reflect a universe
Of shanty towns and kings in crowns and parties in a hearse,
Of heaping mounds of coffee grounds and pennies in a purse,
Of heart attacks in shoddy shacks, of motion in reverse,
Of reasons why pale kids must die, quite trite and curtly terse,
Of puppet people at the steeple, kneeling down averse,
Of tinkle tones and megaphones with empty words and worse,
Of life's begin' in utter sin and other things perverse,
Of lewd taboos and residues contained within the Curse,
While poets blind, in gallows' rind, carve epitaphs in verse.
Bob walks the streets and begs for eats or little jobs for trying
'The answer's no, you ought to know, no use for you applying,
And don't be sad, it aint that bad, it's soon your time for dying.'
The air is thick, his baby's sick, the cries are multiplying.
The backyard blight is hid from sight, it's covered up and bland,
The beggar clump beside the dump has pencil box in hand.
With sightless eyes upon the skies he's lying there unmanned,
With no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it's covered up and bland,
And Robin Hood and Brother Hood lie buried in the sand.
While all night queens carve figurines in gelatine and jade,
Behind a door and on the floor a deal is finally made;
The painted girl with flaxen curl has plied again her trade
And now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.
Some boys with cheek play hide and seek within a house condemned
Their faces gaunt reflecting want that's hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stair, he's never had a friend
To talk about his hidden doubt of how the world will end -
To die alone on empty throne and other Fates impend.
And soon the boys chase phantom joys and, presto when they're gone,
The old recluse, with nimble noose and facial features drawn,
No longer waits upon the Fates but yawns his final yawn
- Like Tinker Bell, he spins a spell, in fairy dust chiffon -
With twisted brow, he's tranquil now, he's floating like a swan
And as he fades from life's charades, the night awaits the dawn.
A boomerang with ebon fang is soaring through the air
To pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that's at the top will still be unaware.
A lad is stopped by roving cops, who shoot in disregard.
His face is black, he's on his back, a breeze is breathing hard,
He bleeds and dies, his mama cries, the screaming sky is scarred,
The sheriff and his squad at hand are laughing in the yard.
Bob's wife's in town, she's broken down, she's ranting with a fury,
Their baby coughs, the doctor scoffs, the snow is all a' flurry,
Their life of sin has done them in, they skirmish, scrimp and scurry.
It's getting late, Bob's tempting fate, his choices cruel and blurry,
His midnight dreams are filled with screams, he knows he needs to hurry -
He chooses gas, they breathe their last, there's no more cause to worry.
Per protocols near ivied walls arrayed in sage festoons,
The Countess quips, while giving tips, to crimson caped buffoons:
'To rise from mass to upper class, like twirly bird tycoons,
You stretch the treat you always eat, with tiny tablespoons'
A learned leach begins to teach (with songs upon a liar) :
'Within the thrall of Satan's call to yield to dim desire
Lie wicked lies that tantalize the flesh and blood Vampire;
Abiding souls with self-control in everyday Hellfire
Will rest assured, when once interred, in afterlife Empire'.
The words, they weave the make believe, while slugs in salt expire,
Baptised in tears and rampant fears, all mirrored in the mire.
It's getting hot on private yachts, though far from desert plains -
'Well, come to think, we'll have a drink', Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
They pet their pups and raise their cups, take sips of pale champagnes
To touch the tips of languid lips with pearls of purple rains.
Well, Gypsy Guy would rather die than hunker down in chains,
Be ridden south with bit in mouth, or heed the hold of reins;
The ones that plot are in a spot, the boss man he complains:
'The gypsy soul, I can't control, my patience wears and wanes;
They will not cede to common greed, one only way remains,
In boxcar bins, with violins we'll freight them out in trains,
And in the bogs, they'll die like dogs, and everybody gains.'
Arrayed in shawls with crystal balls, and gazing at the moons,
Wiled women tease with melodies and spooky loony tunes
While making toasts to holey ghosts on rainy day lagoons:
'Well, here's to you and others too, embedded in the dunes,
Avoid the stares, avoid the snares, avoid the veiled typhoons
And fend your way as every day, 'gainst heavy heeled dragoons.'
The birds of pray are on their way, in every beak the Word
(Of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
They roost aloof on every roof, obscene but always herd,
To tell the tale of Jonah's whale and other rhymes absurd -
With shifty eyes, they're giving whys for living life deferred.
While jackals lean, hyenas mean, and hungry crocodiles
Feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say 'unfair, let's try to reconcile.
We'll all relax and weigh the facts, let justice spin the dial.'
With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they're swept into a pile;
With diatribes and petty bribes, the jurors are beguiled.
The Herd entreats, the Shepherd bleats the verdict of the trial:
'You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you're dead, for riches after while';
Aristocrats add caveats while sailing down the Nile:
'If Minds are mugged or simply drugged with philtres in a vial,
Then few indeed will fail to feed the Pharaoh's Crocodile.'
The wordsmiths spin, the bankers grin and politicians smile,
The riff and raff, they never laugh, they mark a martyred mile.
The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
With crossing signs and bloody wines and consecrated yeast,
'The last are first, the rich are cursed.' (The leached remain the least.)
His step is gay without dismay before his evening feast;
He thanks the Lord for room and board and bows to Eden East;
He doesn't sigh or wonder why the sins have not decreased.
The sinking sun is now undone, the sky is fading red.
A spider black hides in a crack and spins a silken thread
And babes will soon collapse and swoon, on curbs they call a bed;
With vacant eyes they fantasize and dream of gingerbread,
And then are freed, though still in need, from anguish of the dead.
While midnight bats are gnawing gnats and feasting free unseen,
A toddler's fed from garbage sheds an elegant cuisine.
Along the trails in distant dales a lonesome wolverine
Feigns appetite on fogy nights and days of crystalline.
The circus gongs excite the throngs in nighttime Never Land -
They swarm to see the destiny of Freaks at their command,
While Acrobats step pitapat across the shifting sands
And Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
Ask crimson Clowns with painted frowns, to lend a mutant hand,
While Tamers' whips with withered tips, throughout the winter land,
Lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
To Sycophants in regiments who overflow the stands,
But No One sees anomalies, and No One understands.
At night's demise, the dither dies, the lonely Crowd disbands,
Down dead-end streets the Horde retreats, their threadbare rags in strands,
And Janes and Joes reweave their woes, for thoughts of change are banned.
The Monk of Mock has fled the flock caught knocking up a tween
(She brought to light the special rite he thought to leave unseen) .
With profaned eyes they agonise, their souls no more serene
And at the shrine the flutes of wine are filled with kerosene
By men unkempt who once had dreamt but now can dream no more
Except when bellowed bellies belch an ever growing roar,
Which churns the seas and stirs a breeze that mercy can't ignore,
And in the night, though filled with fright, they try to end the War.
The slow and quick are hurling bricks and fight with clubs of rage
To break the chains and cleanse the stains of life within a cage,
But yield to stings of armoured things that crush in every age.
At crack of dawn, a broken pawn, in pools of blood and fire,
He washes wounds, in blood festooned - the waves flow nigh and nigher;
The ghetto towns are burning down - the flames grow high and higher -
And in their wake, a golden snake is rising from the pyre,
Her knees are bare, consumed in prayer, applauded by the Friar.
And soon it's clear the end is near - while magpie birds conspire,
The lowly worm is made to squirm while dangling from a wire.
The line was crossed, the battle lost, the losers can't deny,
The residues are far and few, though smoke pervades the sky.
The cool wind's cruel, a cutting tool, the vanquished ask it 'Why? ',
And bittersweet, from Easy Street, the Pashas' puffed reply:
'The rules are set, so don't forget, the rabble will comply;
The grapes of wrath may make you laugh, the day you are to die.'
The down and out, they knock about beneath the barren skies
Where homeward bound, without a sound, a wretched raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
And Peter Pan, a broken man, he tilts his head and cries.
Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.
Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.
Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.
Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.
Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.
Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.
Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.
Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.
Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.
Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.
Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.
Soccer I learn the rights;
Soccer I confess the fouls;
Soccer my black and white.
Soccer my endless thought;
Soccer my very last breathe;
Soccer my dating and being.
Soccer, I …
Soccer! Soccer! Soccer!
Love! Life! and Game!
Life is to pursue your Goal!
Dream a big Goal!
Work hard for your Goal!
Chase passionate for your Goal!
Focus to shoot your Goal!
Play to finish your Goal!
Never ever give up your Goal!
And this is your life Goal!
In the end you will scream, 'Goaaal! '.
(by Laijon Liu 2007.05.25)
Passion Song (Style 2)
Soccer my love;
Soccer my passion;
Soccer my living breath and processing thought.
Without her I do not know
What is love and life?
With her my soul gravitates.
Soccer I give her my awakening touch;
Soccer I receive her irresistible call;
Soccer my magical ball.
Without her my tear, beer, and despair;
What's the purpose of life that plays not?
With her my buddies, friends, and kindly world.
Soccer my morning and my dawn;
Soccer my evening and my dusk;
Soccer my seasons of circling being.
Without her my world is in dark;
When is time to watch my sunrise ball?
With her my sunshine, moonlite, and eternal stars.
Soccer my beginning of journey;
Soccer my pasture where I rest;
Soccer my coming and going.
Without her I do not know
How and where I walk in life?
With her everywhither and everywhere I play.
Soccer I come;
Soccer I will go;
Soccer on earth we live!
On earth peoples become fans;
Care not wars, care not crimes;
Carry our flags, songs, and drums;
Everyone is dancing, chanting, harmonizing;
Restarted our true engine of human life.
On the pitch of our beautiful globe;
Care not politics, care not separatisms;
Carry our joys, passions, and oneness;
Everyone is coming, watching, and sharing;
Rebuilt our perfect sphere in one wholly piece.
On the screens of common household;
Care not victory nor defeat, honor or shame;
Carry our beer, tears, hopes; a great memory;
Everywhere we walk, meet, and argue…
Rekindled our souls in her beginning and ending.
Soccer we play and live,
On the street, beach, and green pasture;
Care not hatred of past, injury of nightmares;
Carry our sweat, spirit, and a virtuous living goal;
Every moment of our game in life
Refines our goodly being thru true love of beautiful game.
S. O. C. C. E. R.
A Red Card in the Game!
A sudden stop of our play,
A bloody card and a cursed sign for us
To walk off our living pitch,
Whether winning or losing,
Artistical expression or violent acts,
Joys, tears, confusion, or frustration,
All must cease!
But our game goes on,
Our players play on,
And fans cheer on,
Coz life must go on.
Yeah, we must walk on!
Soccer is the game, hey, hey, hey;
Beauty is her name, hey, hey, hey;
Playing is the way, hey, hey, hey;
Let her shine n ray, hey, hey, hey.
I kindly roll; roll it with my sole
To left and right; my soul, my soul;
I gently spin; spin it with my toe
As it may flow; my ode, my ode;
I softly knock; knock with my heel
In Achilles' mole; my show, my show;
I carefully stroke; stroke it through
Their wicked loophole, my hole, my hole;
I swiftly shoot; shoot it for my home
To my sweet home; my goal, my goal;
I earnestly pray: to play with my all
My ball is my all; my all, my all.
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
Stick on your dives, quit your faking,
Throw your moves without acting;
Shut your yelling and start kicking,
Too much talking, let's working;
Stop dribbling and start passing,
Time's not waiting, stop longing;
Shun the world that they're joking,
The superstar is in the making.
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
I always take ball for a walk,
Show my love dance Rumba;
I let your dogs do the talk,
Juggle it with my driving Jive;
I am here to earn my stock,
Shaking with it in Samba;
I let you chase me and stalk,
Getting down low in Hip Hop.
Take it to a long walk to show off.
I'm a bit short, but still a big shock.
You can wag your finger and talk.
As long as I've got my ball,
My all, my all, my all
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
Hey, Get off my stage,
You bad dogs in rage;
Coz the Hyena outta cage,
My k9 cut you in siege.
I've paid full to wage
A revolt on my page;
To stop your sinful rampage
And welcome a new age.
Take it to a long walk to make people talk.
The board is green, my feet are chalk,
Let my single footnote be taught,
As long as I've got my ball,
My all, my all, my all
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
Can't you see I'm in flame;
I'm here for a good game;
Work hard for my common name;
Not to make it into a frame;
You can keep all the fame;
But I play for a higher aim,
Even I end up walk in lame
Or go down in shame, no blame.
Take it to a long walk to the splashing wave.
Rise above all shouts of your dead cave,
Let your noise be my rhymed stave.
As long as I've got my ball,
My all, my all, my all
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
When my game meets rain,
My dream is into the drain;
When my faith is on the string,
My gut hurts your brain;
The Cup is for me to drink,
Coz God Is always in reign;
And I always live to train,
So all fields are fair terrain.
Take it to a long walk to test my backbone.
Even tonight you throw your stone;
Let it be my wellstone or milestone;
As long as I've got my Cornerstone;
My all, my all, my all
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
I can hold my peace;
I can play with ease.
Gals love me as cheese;
All faults are gonna cease.
Coz I've got a real piece
To make all race in peace,
And you think it's fleece,
But I believe it's Grace.
Take it to a long walk to where my heart goes.
Even time decides to join my foes;
Let my Wind come with His blows;
As long as I've got my ball;
My all, my all, my all
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
Stick on your dives, quit your faking,
Throw your moves without acting;
Shut your yelling and start kicking,
Too much talking, let's working;
Stop dribbling and start passing,
Time's not waiting, stop longing;
Shun the world that they're joking,
The superstar is in the making.
You all be coming and start watching,
The superstar is in the making.
You all be standing, and start singing,
The superstar is in the making.
Journey is in curiosity;
We play in creativity;
Winning is a possibility;
Love provides ability;
Faith is in charity;
All is in the Almighty
Soccer is the game, hey, hey, hey;
Beauty is her name, hey, hey, hey;
Playing is the way, hey, hey, hey;
Let her shine n ray, hey, hey, hey.
They say soloists are selfish and proud,
But I think they have guts and courage;
After watching some bad politician news
I felt that all of us were used for amuse,
So I somehow had the image of soloists,
who have balls and ball and skill to solo
against all the things they disagree with.
I don't think this is about soccer, if not
Then 'One Man Against the World! '
He or She can be Hero or Villain, or both.
I Dream a Greatest Living Show (Revised 20090402)
- The Start Is Play -
On green earth in the dark universe,
What is the greatest living show?
There people find their true home,
and in sweetest dream they roam.
When sinful wars poke all the holes,
but their game points a better road;
to their sorrow days and lost hope,
they still can sing a rhymed prose.
From the presence to ancient old,
I swear we never lose our true goal;
Even the night rains strike with cold,
But dawn gonna come in color of rose.
Coz I see petal fly and sticker snow,
from my screen to the front rows.
There the stars fall in heavenly glow
to sing an intro for my heroes’ show.
'No more sorrows' they sing, 'behold.
the world gonna become one big hood.'
The camera flash for their perfect pose,
And their peaceful hand heals broken soul.
The whistle of commander for ref to blow,
it’s made for games and not for gun smoke.
My hot babes and my sweet maids
I cannot refrain myself not to gaze.
For their pure face and glamour shape
Shine ten thousand splendors to amaze.
They are the sunshine of my days,
And night rose of my secret space,
Brings me blue sky and good odors,
that the world is not a shitty place.
They stretch their beautiful feet,
Swing their shining sharpen cleats,
so all the cockroaches on my screen
are swept away, off the wicked games.
They work hard on the green pitch,
and always play under fair light,
even dive and foul in an honest name:
The chasing of their dream is true fame.
And peace filled their graceful heart;
Perfect shorts wrapped their sexy butt.
As butterflies they dance here n there,
Like doves they circle a ring of light.
They come in kicking and screaming,
playing with guts n breaking the balls,
composing all the greatest dramas that
even Shakespeare never saw!
Greek heroes of the present day
surely broke Achilles' feeble heel.
Odysseus always had strong arms,
But hey! Look at his weak legs.
Homer sold his Helen’s fair look,
but I do lust for Divas on the stand.
Sun Zi wrote Art of War, for war? !
Oh, No! I believe it is just for game.
And game wheels in movement of life,
as sprinting river clashing waves to the ocean.
People climb high to reach the peak,
but water streams low as art of my poem.
Generations in current from past to future,
Rolling and waving, pushing and pulling,
As songs and dance shift in tones and steps,
All kinds of fashions, old n new, switching trends,
But our passion for it forever runs.
Days and nights I stare at my TV screen,
Hope all channels show any team’s news.
According to result I drink beer or tears;
but if any rats or flies or cockroach wins,
I’d spit and blow a tooting fart: “what a damn scheme! ”
Yeah, I should quit those; coz gals hate them.
But my fields are invaded by the true aliens,
who show me their phony cards and tell me to play or not.
And the damn cockroaches sharing my meal
Before my lifetime potato feast is over;
Freaking flies soaring high in the ceiling
and dropp their filthy eggs all over my bed;
And vicious rats sharpening their teeth,
Chewing my precious peanuts as concerto;
And I look toward my dream field and know:
Before the night is over, my heroes gonna win.
Even though the flies set up the fireworks
To make the skies to illume as a short day;
The cockroaches consume all the markets,
Marching in with an overwhelmed number;
The rats of the world drain my only oil jar,
And they dare to kill anyone without blinking an eye;
But I know their works are dust and smoke,
Once my players step in the field, then all dirt are dispersed.
So all my players are my heroes and stars
And defending my crappy poetry space-
Where Beauty shines and Hope glows
There my dream rows and heart goes
As the ball rolls that my desire flows
There the gods feed me their shows
In the company of the musical odes;
They chase n woo and fighting my foes!
Their gentle touch n clever play,
and buildup ways make me daze.
Their teasing moves never delay,
Tricked the world into fancy gate.
One and Two they call it Wall Play,
Bring out woohs n aahs in any day.
They patiently wait, as time won’t pay,
but I can’t hold n yell “Come on! Ain’t got all day! ”
Yeah, what a game! It’s never a shame.
90 minutes length; never 2 minutes fame.
Guys strive for competition;
Gals always require communication,
but I say, 'Forget about connection,
Just shoot to the goal with passion.
If anyone asks for an explanation,
just tell that we were caught by emotion and lost in sensation.'
Players stand and start in formation,
their thoughts of plans are deep as ocean,
And cleansed by their rousing sweat lotion
to push our earth to a perfect spinning motion.
What an inspiration to the world in depression,
when all of us stumble in confusion n frustration,
and struggle to get out of the freaking desperation,
there they deliver our satisfaction -another resurrection.
And I know resurrection is after death,
and death is after life, and life begins by birth.
Confucius said: “Why one asks about death,
when he does not grasp the meaning of life? ”
And Jesus said: “If anyone wants to gain life,
then he must die first, to receive his true life.”
But why I mention this topic in my paragraph,
maybe I just wanna show I know something, or add on more words.
But let me offer another way for explaining:
The ending of game is after its beginning,
And the game must end for a new starting,
And in it, whatever we are experiencing
Is just eternal struggling in a flashing;
And in the end, nothing remains its glowing,
Nor greatest ranking, nor highest scoring,
If there are really anything, then I'd say playing, drinking n snoring.
But wait, in the game what a suffering for playing!
Physical, I called it aching, like a nail pulling;
Spiritual, I called it battling, like a bad dating.
But these two are always coming with smiling.
And we can do nothing but to skip and running.
When the physical pain comes with knocking,
the spiritual wound is wrapped and covered,
once our body healed, then spiritual torment revealed.
Pills for cold, surgery for bone fracture,
but what’s the treatment for missing shots?
Chocolate for girls, sorry notes for wife,
But how can we run away from our Own Goal?
Fill up the cups, drink up the whole bottle,
But before we awake, sorrow returns with a stick.
When the body melts, shatters into dust,
our spirit lingers, roams solo as a cursed ghost.
Yeah, no one is sadder than a lonely soul;
as a solo player tries to fit in the team,
plays an unfamiliar game thru an unusual frame:
Communications for a single connection;
Negotiations to deal individual obsession;
and cut-throat competition for a short possession.
One must surf against all the mighty waves,
to find himself and others thru endlessly searching, forever downloading and acceptable uploading.
Struggling life as striving game in a flash,
for single second glory, forever to catch.
So let’s drive it with ease and hush,
and bring no more harms or headless rush.
If it really hurts and our regretful thoughts gush,
then drink beer, shed tear, and kiss our dear.
Even night seems forever, but love never over;
Even we can’t abide together, let’s share before it’s all over.
And my heroes learn from their young age,
that practice makes all things perfect.
When they try to help family cooking,
Mom yells at them: “You need practice! ”
When they miss their easy shots on pitch,
Coach roars at them: “Go Home Practice! ”
When their wife teased them in the morning,
they knew they must work hard in the backyard, kitchen and bathroom.
So their nightly works in a fragrant smell
Breezes kindly in morning winds to miles,
sweetest perfume sweat- irresistible cologne-
70 bucks draws their girl fans to heaven.
Their winning cleats never washed,
Pass down good luck to generations with odor.
So let the ref blow his unfair whistle,
Coz my heroes must dance shirtless for yellow and red cards.
Their game is not only pure physical,
But it also requires some brain, or any;
Most time my heroes use their foot,
And sometimes they also throw their head,
But when their game is on the line,
That time burns to injury count,
And the goal must be achieved,
They will use anything, like their godly hand, vicious elbow and provocative saliva to get things done.
Yeah, the game is a life feast from start to end,
and in it they gather and depart by chance,
thru the taste of sour, sweet, bitter, and hot,
as four season dream they roam to awake.
Sunset and sunrise, moon wanes and wax;
our heroes come and go, rise and fall,
while our passion sings up and shouts out:
The goal of life is a forever chase, and never give-up shot.
This game of war thru peace they exchange,
As life and death exemplified by start and end.
Losing requires tear n beer, nor life, nor blood;
Winning of cup is celebrated in showering wine.
Clubs rearrange all countries and towns,
Nation against nation compete in fair plays,
only the purest concept reigns over all:
Virtuous Way, changing seasons, cultures, wits, and common laws.
No more boundaries and worldly craps,
As what we have submitted for our love:
Options of colors, race and fair looks,
Age for fit, wage for security,
Weights, heights, interests, and habits,
Certificates to speak for minds and wits;
But I long for thy cherry lips and beauty’s rose,
And my size n length to reach thy depth n width,
And my ultimate strength to fulfill thy enduring faith,
If not, then thy merciful forgiveness is my living grace.
And this is moment of my truth -my real bullshits.
My true heroes on green pitch they play;
as injurious insect in the world they beguile.
That they rip off all the crappy covers,
as the bold band of Robin Hood robs the rich for gold,
as the intoxicated outlaw of marsh fighting corruptions,
as the cowboy Jesse James rides riotously in Wild West.
And I raise up my two hands and praise their work:
May their deception in the game never ends.
Oh, deception! How could I forget about!
Wise act as April’s fool; lions speak as meek;
Vultures soar as eagles; and wolves dress as sheep;
Able does not show, giving is to receive;
Enemy is never far, and friends are never close.
Seduce their greed, rob those in chaos,
Avoid the strong, scratch the wrath,
Praise the humbles, and labor the rested,
Separate the close, strike the incautious,
and break into the house of rash head.
But let me stop plagiarizing Sun Zi’s.
Yeah, my heroes are the players that know themselves,
and before their game starts they learn their enemies.
Seasons pass, nights and days, they will never lose.
They launch in a common form and score with surprise.
Ooh, their surprises! Limitless as heavens and earth,
ceaselessly flushes as rolling river and spring water.
Their splashing waves beating the stony shores,
Chunk by chunk the rock are tossed and metal floats.
On the pitch they strike with thunder blow.
Their golden shoes are the cloudy Zeus’ bow,
Aim every wicked hole, and shoot a deadly stroke.
As hawk they soar, as tiger they stalk, as lion they roar,
in sec of flash the old foxes are trapped and choke.
My heroes wax their bow with strength,
Shoot off their silvering arrows in trice,
and beat down their enemies as a giant rock that rolls.
Their great strategy lies in a fluid form,
Changes its infinite shape as time flows;
Swift as high winds that blows, sweeping clouds;
Calm as night forest that grows, unmoving oceans;
Wild as autumn fire that razes, brimstone storms;
Firm as Himalayas that stands, everlasting tall!
They are my monkey king holds a magic staff,
smashes nine heavens and stirs four seas.
People say: “Warriors are born for war,
and they are never made for good date.”
But they are more than heroes and players;
they are lover and mate, and perfect fit.
Coz on our dear mother earth they strive
fearlessly for love, barefoot they pursue;
shamelessly for truth, strip off all their cloth,
Drunk with dreams, and intoxicated for hope.
When their magical sphere rolls and bounces,
Strangers in the world become old time intimate.
One by one and step by step in rhyme and tone,
The world rises to awake, to listen and to echo:
One and two and three, we hold our hand and sing;
Four and five and six, we lean together and dance;
Seven, eight and nine, heaven rains and earth swings;
Ten, eleven and twelve, world melts and spirit joins;
Thirteen, fourteen and sixteen, ah- time stops.
Oh my dreamer! Wake up! Wake up!
Call back your roaming spirit to return,
to the mortal shell of this mirage world.
We don’t call the game, not one, or any.
In chain we are dragged into the coliseum,
we bleed for the worldly gods to drink wine,
we howl bitter tear for ‘the angels’ to sip beer,
we are heroes in our dream, but wake to be slave.
For we rise to end, flourish to decline.
Life goes to death, surviving to end.
Oh love! Topic of two in spirit and mind;
But a single dropp of joy ripples lifetime griefs.
Cupid toys his bow, affection surges and ebbs.
Death preaches his faith, a license to kill,
so we all battle for someone else’ belief,
and offer our tear, blood, and blind faith.
Yeah, world's image clouds and entices,
as the fortune road never in our grasp.
The unseeing stars shiver in deep heavens,
I can see the soaring flies, marching roaches,
hear the symphony of rats, harmonizing;
But I know after dark night, rosy dawn,
after rain storms, then rainbows,
And toward the green field I smile and look.
Winter passes and spring comes quickly,
Sun smiles kindly and rain caresses softly,
Wind blows loving seeds everywhere swiftly,
Willow shade our streets and swing tenderly.
All flowers are blossoming courageously,
spreading their gorgeous petals widely,
and showing off their sweet pistil wildly.
There butterflies offering love dance freely,
Honey bees singing and flying, working n playing joyfully.
Come, my love. Let’s row to the pleasure field,
there we will visit the dream of red chamber,
All the beauties express themselves thru poetry,
As my heroic players en pointed in swan lake;
Their peaceful feet spread blessed good news
To all the children of the green mother earth.
And let’s loose our shoes to play, and be lost;
Coz the pasture of our true heart is holy,
and there we shall stay forever happily.
I will hold your hand, and together we'll fly; and we not gonna touch the blue sky, nor pluck the golden moon, nor stir the star oceans. But we will leap off the high cliff, and free fall, and sink deep into the darkness of downlow, to the mystery of eternity, of the still water, there the Spirit floats, since the beginning of the big bang.
Then, we shall hear the song of birds, wonder the glamour of rainbows, smell the fragrant earth, kiss the flavor roses, taste the sweetest honey dew, pick all the juicy fruit, close our eyes to roam, and plunge into the beauty of Eden – that’s love! And be reborn to a new life.
- The End Is Peace -
Silver light spilled on the green pasture,
Young bucks striving to become heroes.
Thousands thundering songs and drums,
Such wild night suits men’s whole life.
How Lovely Her Classical Old Face
How lovely her classical old face,
The complete sphere of two colors,
That knit the union of black n white,
Serves the game of amity and peace,
Thru her magic bounce and troll,
Never stops till her world spins,
Angels chant and God smiles.
Let’s Get On the Green Pitch
Let’s get on the green pitch
Be our own devils or gods
No more waiting weeps
And no more sideline talks
Let’s get on the grassy field
Before the dews dropp off
There we shed our sweat
And there we taste our tear
Let’s get on the cradle bed
Before the world wakes us
There we swing in our dream
And there we look up to stars
Let’s get on with our ball
Before this magic stops
There we chase and fall
There our love never short
Let’s get on and get on
Till that whistle shouts
No more games or dreams
No more breath and no more
(20090413/ Poem for our Chinatown Soccer Club in New York City,
To Coach Gerhard and all playmates and teammates: -)
It Always Be a Soccer Game
We must conquer it! Mate!
This world of name and fame
Let our life be a fun game
In the days of sunshine or rain
We must not shrink away
From our fear of fault or defeat
Let our time worth in second
Thru all the chance we’ve made
We must never be tamed
By any result or fate
Let our work be forever
In the moment of every take
We must learn to play
For victory, or to lose
Coz whatever our triumph is
It always be a soccer game.
(20091201/After watching Barcelona vs Real Marid)
The White Cliffs
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
In powder and breeches and bright gold braid;
And high above them on the wall
Hung other English faces-all
Part of the pattern of English life—
General Sir Charles, and his pretty wife,
Admirals, Lords-Lieutenant of Shires,
Men who were served by these footmen's sires
At their great parties-none of them knowing
How soon or late they would all be going
In plainer dress to a sterner strife-
Another pattern of English life.
I went up the stairs between them all,
Strange and frightened and shy and small,
And as I entered the ballroom door,
Saw something I had never seen before
Except in portraits— a stout old guest
With a broad blue ribbon across his breast—
That blue as deep as the southern sea,
Bluer than skies can ever be—
The Countess of Salisbury—Edward the Third—
No damn merit— the Duke— I heard
My own voice saying; 'Upon my word,
The garter!' and clapped my hands like a child.
Some one beside me turned and smiled,
And looking down at me said: 'I fancy,
You're Bertie's Australian cousin Nancy.
He toId me to tell you that he'd be late
At the Foreign Office and not to wait
Supper for him, but to go with me,
And try to behave as if I were he.'
I should have told him on the spot
That I had no cousin—that I was not
Australian Nancy—that my name
Was Susan Dunne, and that I came
From a small white town on a deep-cut bay
In the smallest state in the U.S.A.
I meant to tell him, but changed my mind—
I needed a friend, and he seemed kind;
So I put my gloved hand into his glove,
And we danced together— and fell in love.
Young and in love-how magical the phrase!
How magical the fact! Who has not yearned
Over young lovers when to their amaze
They fall in love and find their love returned,
And the lights brighten, and their eyes are clear
To see God's image in their common clay.
Is it the music of the spheres they hear?
Is it the prelude to that noble play,
The drama of Joined Lives? Ah, they forget
They cannot write their parts; the bell has rung,
The curtain rises and the stage is set
For tragedy-they were in love and young.
We went to the Tower,
We went to the Zoo,
We saw every flower
In the gardens at Kew.
We saw King Charles a-prancing
On his long-tailed horse,
And thought him more entrancing
Than better kings, of course.
At a strange early hour,
In St. James's palace yard,
We watched in a shower
The changing of the guard.
And I said, what a pity,
To have just a week to spend,
When London is a city
Whose beauties never end!
When the sun shines on England, it atones
For low-hung leaden skies, and rain and dim
Moist fogs that paint the verdure on her stones
And fill her gentle rivers to the brim.
When the sun shines on England, shafts of light
Fall on far towers and hills and dark old trees,
And hedge-bound meadows of a green as bright—
As bright as is the blue of tropic seas.
When the sun shines, it is as if the face
Of some proud man relaxed his haughty stare,
And smiled upon us with a sudden grace,
Flattering because its coming is so rare.
The English are frosty
When you're no kith or kin
Of theirs, but how they alter
When once they take you in!
The kindest, the truest,
The best friends ever known,
It's hard to remember
How they froze you to a bone.
They showed me all London,
Johnnie and his friends;
They took me to the country
For long week-ends;
I never was so happy,
I never had such fun,
I stayed many weeks in England
Instead of just one.
John had one of those English faces
That always were and will always be
Found in the cream of English places
Till England herself sink into the sea—
A blond, bowed face with prominent eyes
A little bit bluer than English skies.
You see it in ruffs and suits of armour,
You see it in wigs of many styles,
Soldier and sailor, judge and farmer—
That face has governed the British Isles,
By the power, for good or ill bestowed,
Only on those who live by code.
Oh, that inflexible code of living,
That seems so easy and unconstrained,
The Englishman's code of taking and giving
Rights and privileges pre-ordained,
Based since English life began
On the prime importance of being a man.
And what a voice he had-gentle, profound,
Clear masculine!—I melted at the sound.
Oh, English voices, are there any words
Those tones to tell, those cadences to teach!
As song of thrushes is to other birds,
So English voices are to other speech;
Those pure round 'o's '—those lovely liquid 'l's'
Ring in the ears like sound of Sabbath bells.
Yet I have loathed those voices when the sense
Of what they said seemed to me insolence,
As if the dominance of the whole nation
Lay in that clear correct enunciation.
Many years later, I remember when
One evening I overheard two men
In Claridge's— white waistcoats, coats I know
Were built in Bond Street or in Savile Row—
So calm, so confident, so finely bred—
Young gods in tails— and this is what they said:
'Not your first visit to the States?' 'Oh no,
I'd been to Canada two years ago.'
Good God, I thought, have they not heard that we
Were those queer colonists who would be free,
Who took our desperate chance, and fought and won
Under a colonist called Washington?
One does not lose one's birthright, it appears.
I had been English then for many years.
We went down to Cambridge,
Cambridge in the spring.
In a brick court at twilight
We heard the thrushes sing,
And we went to evening service
In the chapel of the King.
The library of Trinity,
The quadrangle of Clare,
John bought a pipe from Bacon,
And I acquired there
The Anecdotes of Painting
From a handcart in the square.
The Playing fields at sunset
Were vivid emerald green,
The elms were tall and mighty,
And many youths were seen,
Carefree young gentlemen
In the Spring of 'Fourteen.
London, just before dawn-immense and dark—
Smell of wet earth and growth from the empty Park,
Pall Mall vacant-Whitehall deserted. Johnnie and I
Strolling together, averse to saying good-bye—
Strolling away from some party in silence profound,
Only far off in Mayfair, piercing, the sound
Of a footman's whistle—the rhythm of hoofs on wood,
Further and further away. . . . And now we stood
On a bridge, where a poet came to keep
Vigil while all the city lay asleep—
Westminster Bridge, and soon the sun would rise,
And I should see it with my very eyes!
Yes, now it came— a broad and awful glow
Out of the violet mists of dawn. 'Ah, no',
I said. 'Earth has not anything to show
More fair— changed though it is— than this.'
A curious background surely for a kiss—
Our first— Westminster Bridge at break of day—
Settings by Wordsworth, as John used to say.
Why do we fall in love? I do believe
That virtue is the magnet, the small vein
Of ore, the spark, the torch that we receive
At birth, and that we render back again.
That drop of godhood, like a precious stone,
May shine the brightest in the tiniest flake.
Lavished on saints, to sinners not unknown;
In harlot, nun, philanthropist, and rake,
It shines for those who love; none else discern
Evil from good; Men's fall did not bestow
That threatened wisdom; blindly still we yearn
After a virtue that we do not know,
Until our thirst and longing rise above
The barriers of reason—and we love.
And still I did not see my life was changed,
Utterly different—by this love estranged
For ever and ever from my native land;
That I was now of that unhappy band
Who lose the old, and cannot gain the new
However loving and however true
To their new duties. I could never be
An English woman, there was that in me
Puritan, stubborn that would not agree
To English standards, though I did not see
The truth, because I thought them, good or ill,
So great a people—and I think so still.
But a day came when I was forced to face
Facts. I was taken down to see the place,
The family place in Devon— and John's mother.
'Of course, you understand,' he said, 'my brother
Will have the place.' He smiled; he was so sure
The world was better for primogeniture.
And yet he loved that place, as Englishmen
Do love their native countryside, and when
The day should be as it was sure to be—
When this was home no more to him— when he
Could go there only when his brother's wife
Should ask him—to a room not his— his life
Would shrink and lose its meaning. How unjust,
I thought. Why do they feel it must
Go to that idle, insolent eldest son?
Well, in the end it went to neither one.
A red brick manor-house in Devon,
In a beechwood of old grey trees,
Ivy climbing to the clustered chimneys,
Rustling in the wet south breeze.
Gardens trampled down by Cromwell's army,
Orchards of apple-trees and pears,
Casements that had looked for the Armada,
And a ghost on the stairs.
Johnnie's mother, the Lady Jean,
Child of a penniless Scottish peer,
Was handsome, worn high-coloured, lean,
With eyes like Johnnie's—more blue and clear—
Like bubbles of glass in her fine tanned face.
Quiet, she was, and so at ease,
So perfectly sure of her rightful place
In the world that she felt no need to please.
I did not like her—she made me feel
Talkative, restless, unsure, as if
I were a cross between parrot and eel.
I thought her blank and cold and stiff.
And presently she said as they
Sooner or later always say:
'You're an American, Miss Dunne?
Really you do not speak like one.'
She seemed to think she'd said a thing
Both courteous and flattering.
I answered though my wrist were weak
With anger: 'Not at all, I speak—
At least I've always thought this true—
As educated people do
In any country-even mine.'
'Really?' I saw her head incline,
I saw her ready to assert
Americans are easily hurt.
Strange to look back to the days
So long ago
When a friend was almost a foe,
When you hurried to find a phrase
For your easy light dispraise
Of a spirit you did not know,
A nature you could not plumb
In the moment of meeting,
Not guessing a day would come
When your heart would ache to hear
Other men's tongues repeating
Those same light phrases that jest and jeer
At a friend now grown so dear— so dear.
Strange to remember long ago
When a friend was almost a foe.
I saw the house with its oaken stair,
And the Tudor Rose on the newel post,
The panelled upper gallery where
They told me you heard the family ghost—
'A gentle unhappy ghost who sighs
Outside one's door on the night one dies.'
'Not,' Lady Jean explained, 'at all
Like the ghost at my father's place, St. Kitts,
That clanks and screams in the great West Hall
And frightens strangers out of their wits.'
I smiled politely, not thinking I
Would hear one midnight that long sad sigh.
I saw the gardens, after our tea
(Crumpets and marmalade, toast and cake)
And Drake's Walk, leading down to the sea;
Lady Jean was startled I'd heard of Drake,
For the English always find it a mystery
That Americans study English history.
I saw the picture of every son—
Percy, the eldest, and John; and Bill
In Chinese Customs, and the youngest one
Peter, the sailor, at Osborne still;
And the daughter, Enid, married, alas,
To a civil servant in far Madras.
A little thing happened, just before
We left— the evening papers came;
John, flicking them over to find a score,
Spoke for the first time a certain name—
The name of a town in a distant land
Etched on our hearts by a murderer's hand.
Mother and son exchanged a glance,
A curious glance of strength and dread.
I thought: what matter to them if Franz
Ferdinand dies? One of them said:
This might be serious.' 'Yes, you're right.'
The other answered, 'It really might.'
Dear John: I'm going home. I write to say
Goodbye. My boat-train leaves at break of day;
It will be gone when this is in your hands.
I've had enough of lovely foreign lands,
Sightseeing, strangers, holiday and play;
I'm going home to those who think the way
I think, and speak as I do. Will you try
To understand that this must be good-bye?
We both rooted deeply in the soil
Of our own countries. But I could not spoil
Our happy memories with the stress and strain
Of parting; if we never meet again
Be sure I shall remember till I die
Your love, your laugh, your kindness. But—goodbye.
Please do not hate me; give the devil his due,
This is an act of courage. Always, Sue.
The boat-train rattling
Through the green country-side;
A girl within it battling
With her tears and pride.
The Southampton landing,
Porters, neat and quick,
And a young man standing,
Leaning on his stick.
'Oh, John, John, you shouldn't
Have come this long way. . .
'Did you really think I wouldn't
Be here to make you stay?'
I can't remember whether
There was much stress and strain,
But presently, together,
We were travelling back again.
The English love their country with a love
Steady, and simple, wordless, dignified;
I think it sets their patriotism above
All others. We Americans have pride—
We glory in our country's short romance.
We boast of it and love it. Frenchmen when
The ultimate menace comes, will die for France
Logically as they lived. But Englishmen
Will serve day after day, obey the law,
And do dull tasks that keep a nation strong.
Once I remember in London how I saw
Pale shabby people standing in a long
Line in the twilight and the misty rain
To pay their tax. I then saw England plain.
Johnnie and I were married. England then
Had been a week at war, and all the men
Wore uniform, as English people can,
Unconscious of it. Percy, the best man,
As thin as paper and as smart as paint,
Bade us good-by with admirable restraint,
Went from the church to catch his train to hell;
And died-saving his batman from a shell.
We went down to Devon,
In a warm summer rain,
Knowing that our happiness
Might never come again;
I, not forgetting,
'Till death us do part,'
Was outrageously happy
With death in my heart.
Lovers in peacetime
With fifty years to live,
Have time to tease and quarrel
And question what to give;
But lovers in wartime
The fullness of living,
With death close at hand.
My father wrote me a letter—
My father, scholarly, indolent, strong,
Teaching Greek better
Than high-school students repay—
Teaching Greek in the winter, but all summer long
Sailing a yawl in Narragansett Bay;
Happier perhaps when I was away,
Free of an anxious daughter,
He could sail blue water
Day after day,
Beyond Brenton Reef Lightship, and Beavertail,
Past Cuttyhunk to catch a gale
Off the Cape, while he thought of Hellas and Troy,
Chanting with joy
Greek choruses— those lines that he said
Must be written some day on a stone at his head:
'But who can know
As the long years go
That to live is happy, has found his heaven.'
My father, so far away—
I thought of him, in Devon,
Anchoring in a blind fog in Booth Bay.
'So, Susan, my dear,' the letter began,
'You've fallen in love with an Englishman.
Well, they're a manly, attractive lot,
If you happen to like them, which I do not.
I am a Yankee through and through,
And I don't like them, or the things they do.
Whenever it's come to a knock-down fight
With us, they were wrong, and we right;
If you don't believe me, cast your mind
Back over history, what do you find?
They certainly had no justification
For that maddening plan to impose taxation
Without any form of representation.
Your man may be all that a man should be,
Only don't you bring him back to me
Saying he can't get decent tea—
He could have got his tea all right
In Boston Harbour a certain night,
When your great-great-grandmother— also a Sue—
Shook enough tea from her husband's shoe
To supply her house for a week or two.
The war of 1812 seems to me
About as just as a war could be.
How could we help but come to grips
With a nation that stopped and searched our ships,
And took off our seamen for no other reason
Except that they needed crews that season.
I can get angry still at the tale
Of their letting the Alabama sail,
And Palmerston being insolent
To Lincoln and Seward over the Trent.
All very long ago, you'll say,
But whenever I go up Boston-way,
I drive through Concord—that neck of the wood,
Where once the embattled farmers stood,
And I think of Revere, and the old South Steeple,
And I say, by heck, we're the only people
Who licked them not only once, but twice.
Never forget it-that's my advice.
They have their points—they're honest and brave,
Loyal and sure—as sure as the grave;
They make other nations seem pale and flighty,
But they do think England is god almighty,
And you must remind them now and then
That other countries breed other men.
From all of which you will think me rather
Unjust. I am. Your devoted Father.
I read, and saw my home with sudden yearning—
The small white wooden house, the grass-green door,
My father's study with the fire burning,
And books piled on the floor.
I saw the moon-faced clock that told the hours,
The crimson Turkey carpet, worn and frayed,
The heavy dishes—gold with birds and flowers—
Fruits of the China trade.
I saw the jack o' lanterns, friendly, frightening,
Shine from our gateposts every Hallow-e'en;
I saw the oak tree, shattered once by lightning,
Twisted, stripped clean.
I saw the Dioscuri— two black kittens,
Stalking relentlessly an empty spool;
I saw a little girl in scarlet mittens
Trudging through snow to school.
John read the letter with his lovely smile.
'Your father has a vigorous English style,
And what he says is true, upon my word;
But what's this war of which I never heard?
We didn't fight in 1812.' 'Yes, John,
That was the time when you burnt Washington.'
'We couldn't have, my dear. . .' 'I mean the city.'
'We burnt it?' 'Yes, you did.' 'What a pity!
No wonder people hate us. But, I say,
I'll make your father like me yet, some day.'
I settled down in Devon,
When Johnnie went to France.
Such a tame ending
To a great romance—
Two lonely women
With nothing much to do
But get to know each other;
She did and I did, too.
Mornings at the rectory
Learning how to roll
Bandages, and always
Saving light and coal.
Oh, that house was bitter
As winter closed in,
In spite of heavy stockings
And woollen next the skin.
I was cold and wretched,
And never unaware
Of John more cold and wretched
In a trench out there.
All that long winter I wanted so much to complain,
But my mother-in-Iaw, as far as I could see,
Felt no such impulse, though she was always in pain,
An, as the winter fogs grew thick,
Took to walking with a stick,
Those bubble-like eyes grew black
Whenever she rose from a chair—
Rose and fell back,
Unable to bear
The sure agonizing
Torture of rising.
Her hands, those competent bony hands,
Grew gnarled and old,
But never ceased to obey the commands
Of her will— only finding new hold
Of bandage and needle and pen.
And not for the blinking
Of an eye did she ever stop thinking
Of the suffering of Englishmen
And her two sons in the trenches. Now and then
I could forget for an instant in a book or a letter,
But she never, never forgot— either one—
Percy and John—though I knew she loved one better—
Percy, the wastrel, the gambler, the eldest son.
I think I shall always remember
Until I die
Her face that day in December,
When in a hospital ward together, she and I
Were writing letters for wounded men and dying,
Writing and crying
Over their words, so silly and simple and loving,
Suddenly, looking up, I saw the old Vicar moving
Like fate down the hospital ward, until
He stood still
Beside her, where she sat at a bed.
'Dear friend, come home. I have tragic news,' he said
She looked straight at him without a spasm of fear,
Her face not stern or masked—
'Is it Percy or John?' she asked.
'Percy.' She dropped her eyes. 'I am needed here.
Surely you know
I cannot go
Until every letter is written. The dead
Must wait on the living,' she said.
'This is my work. I must stay.'
And she did— the whole long day.
Out of the dark, and dearth
Of happiness on earth,
Out of a world inured to death and pain;
On a fair spring mom
To me a son was born,
And hope was born-the future lived again.
To me a son was born,
The lonely hard forlorn
Travail was, as the Bible tells, forgot.
How old, how commonplace
To look upon the face
Of your first-born, and glory in your lot.
To look upon his face
And understand your place
Among the unknown dead in churchyards lying,
To see the reason why
You lived and why you die—
Even to find a certain grace in dying.
To know the reason why
Buds blow and blossoms die,
Why beauty fades, and genius is undone,
And how unjustified
Is any human pride
In all creation— save in this common one.
Maternity is common, but not so
It seemed to me. Motherless, I did not know—
I was all unprepared to feel this glow,
Holy as a Madonna's, and as crude
As any animal's beatitude—
Crude as my own black cat's, who used to bring
Her newest litter to me every spring,
And say, with green eyes shining in the sun:
'Behold this miracle that I have done.'
And John came home on leave, and all was joy
And thankfulness to me, because my boy
Was not a baby only, but the heir—
Heir to the Devon acres and a name
As old as England. Somehow I became
Almost an English woman, almost at one
With all they ever did— all they had done.
'I want him called John after you, or if not that I'd rather—'
'But the eldest son is always called Percy, dear.'
'I don't ask to call him Hiram, after my father—'
'But the eldest son is always called Percy, dear.'
'But I hate the name Percy. I like Richard or Ronald,
Or Peter like your brother, or Ian or Noel or Donald—'
'But the eldest is always called Percy, dear.'
So the Vicar christened him Percy; and Lady Jean
Gave to the child and me the empty place
In hr heart. Poor Lady, it was as if she had seen
The world destroyed— the extinction of her race,
Her country, her class, her name— and now she saw
Them live again. And I would hear her say:
'No. I admire Americans; my daughter-in-law
Was an American.' Thus she would well repay
The debt, and I was grateful— the English made
Life hard for those who did not come to her aid.
'They must come in in the spring.'
'Don't they care sixpence who's right?'
'What a ridiculous thing—
Saying they're too proud to fight.'
'Saying they're too proud to fight.'
'Wilson's pro-German, I'm told.'
'No, it's financial.' 'Oh, quite,
All that they care for is gold.'
'All that they care for is gold.'
'Seem to like writing a note.'
'Yes, as a penman, he's bold.'
'No. It's the Irish vote.'
'Oh, it's the Irish vote.'
'What if the Germans some night
Sink an American boat?'
'Darling, they're too proud to fight.'
What could I do, but ache and long
That my country, peaceful, rich, and strong,
Should come and do battle for England's sake.
What could I do, but long and ache.
And my father's letters I hid away
Lest some one should know the things he'd say.
'You ask me whether we're coming in—
We are. The English are clever as sin,
Silently, subtly they inspire
Most of youth with a holy fire
To shed their blood for the British Empire
We'll come in— we'll fight and die
Humbly to help them, and by and by,
England will do us in the eye.
They'll get colonies, gold and fame,
And we'll get nothing at all but blame.
Blame for not having come before,
Blame for not having sent them more
Money and men and war supplies,
Blame if we venture to criticise.
We're so damn simple— our skins so thin
We'll get nothing whatever, but we'll come in.'
And at last—at last—like the dawn of a calm, fair day
After a night of terror and storm, they came—
My young light-hearted countrymen, tall and gay,
Looking the world over in search of fun and fame,
Marching through London to the beat of a boastful air,
Seeing for the first time Piccadilly and Leicester Square,
All the bands playing: 'Over There, Over There,
Send the word, send the word to beware—'
And as the American flag went fluttering by
Englishmen uncovered, and I began to cry.
'We're here to end it, by jingo.'
'We'll lick the Heinies okay.'
'I can't get on to the lingo.'
'Dumb-they don't get what we say.'
'Call that stuff coffee? You oughter
Know better. Gee, take it away.'
'Oh, for a drink of ice water! '
'They think nut-sundae's a day.'
'Say, is this chicken feed money?'
'Say, does it rain every day?'
'Say, Lady, isn't it funny
Every one drives the wrong way?'
How beautiful upon the mountains,
How beautiful upon the downs,
How beautiful in the village post-office,
On the pavements of towns—
How beautiful in the huge print of newspapers,
Beautiful while telegraph wires hum,
While telephone bells wildly jingle,
The news that peace has come—
That peace has come at last—that all wars cease.
How beautiful upon the mountains are the footsteps
Of the messengers of peace!
In the depth of the night betwixt midnight and morning,
In the darkness and silence forerunning the dawn,
The throb of my heart was a drum-beat of warning,
My ears were a-strain and my breath was undrawn.
In the depth of the night, when the old house was sleeping,
I lying alone in a desolate bed,
Heard soft on the staircase a slow footstep creeping—
The ear of the living—the step of the dead.
In the depth of the night betwixt midnight and morning
A step drawing near on the old oaken floor—
On the stair— in the gallery— the ghost that gives warning
Of death, by that heartbreaking sigh at my door.
Bad news is not broken,
By kind tactful word;
The message is spoken
Ere the word can be heard.
The eye and the bearing,
The breath make it clear,
And the heart is despairing
Before the ears hear.
I do not remember
The words that they said:
I knew John was dead.
All done and over—
That day long ago—
The while cliffs of Dover—
Little did I know.
As I grow older, looking back, I see
Not those the longest planted in the heart
Are the most missed. Some unions seem to be
Too close for even death to tear apart.
Those who have lived together many years,
And deeply learnt to read each other's mind,
Vanities, tempers, virtues, hopes, and fears—
One cannot go—nor is one left behind.
Alas, with John and me this was not so;
I was defrauded even of the past.
Our days had been so pitifully few,
Fight as I would, I found the dead go fast.
I had lost all—had lost not love alone,
But the bright knowledge it had been my own.
Oh, sad people, buy not your past too dearly,
Live not in dreams of the past, for understand,
If you remember too much, too long, too clearly,
If you grasp memory with too heavy a hand,
You will destroy memory in all its glory
For the sake of the dreams of your head upon your bed.
You will be left with only the worn dead story
You told yourself of the dead.
Nanny brought up my son, as his father before him,
Austere on questions of habits, manners, and food.
Nobly yielding a mother's right to adore him,
Thinking that mothers never did sons much good.
A Scot from Lady Jean's own native passes,
With a head as smooth and round as a silver bowl,
A crooked nose, and eyes behind her glasses
Grey and bright and wise—a great soul !
Ready to lay down her life for her charge, and ready
To administer discipline without consulting me:
'Is that the way for you to answer my leddy?
I think you'll get no sweet tonight to your tea.'
Bringing him up better than I could do it,
Teaching him to be civil and manly and cool
In the face of danger. And then before I knew it
The time came for him to go off to school.
Off to school to be free of women's teaching,
Into a world of men— at seven years old;
Into a world where a mother's hands vainly reaching
Will never again caress and comfort and hold.
My father came over now and then
To look at the boy and talk to me,
Never staying long,
For the urge was strong
To get back to his yawl and the summer sea.
He came like a nomad passing by,
Hands in his pockets, hat over one eye,
Teasing every one great and small
With a blank straight face and a Yankee drawl;
Teasing the Vicar on Apostolic Succession
And what the Thirty-Nine Articles really meant to convey,
Teasing Nanny, though he did not
Make much impression
On that imperturbable Scot.
Teasing our local grandee, a noble peer,
Who firmly believed the Ten Lost Tribes
Of Israel had settled here—
A theory my father had at his fingers' ends—
Only one person was always safe from his jibes—
My mother-in-law, for they were really friends.
Oh, to come home to your country
After long years away,
To see the tall shining towers
Rise over the rim of the bay,
To feel the west wind steadily blowing
And the sunshine golden and hot,
To speak to each man as an equal,
Whether he is or not.
Was this America—this my home?
Prohibition and Teapot Dome—
Speakeasies, night-clubs, illicit stills,
Dark faces peering behind dark grills,
Hold-ups, kidnappings, hootch or booze—
Every one gambling—you just can't lose,
Was this my country? Even the bay
At home was altered, strange ships lay
At anchor, deserted day after day,
Old yachts in a rusty dim decay—
Like ladies going the primrose way—
At anchor, until when the moon was black,
They sailed, and often never came back.
Even my father's Puritan drawl
Told me shyly he'd sold his yawl
For a fabulous price to the constable's son—
My childhood's playmate, thought to be one
Of a criminal gang, rum-runners all,
Such clever fellows with so much money—
Even the constable found it funny,
Until one morning his son was found,
Floating dead in Long Island Sound.
Was this my country? It seemed like heaven
To get back, dull and secure, to Devon,
Loyally hiding from Lady Jean
And my English friends the horrors I'd seen.
That year she died, my nearest, dearest friend;
Lady Jean died, heroic to the end.
The family stood about her grave, but none
Mourned her as I did. After, one by one,
They slipped away—Peter and Bill—my son
Went back to school. I hardly was aware
Of Percy's lovely widow, sitting there
In the old room, in Lady Jean's own chair.
An English beauty glacially fair
Was Percy's widow Rosamund, her hair
Was silver gilt, and smooth as silk, and fine,
Her eyes, sea-green, slanted away from mine,
From any one's, as if to meet the gaze
Of others was too intimate a phase
For one as cool and beautiful as she.
We were not friends or foes. She seemed to be
Always a little irked— fretted to find
That other women lived among mankind.
Now for the first time after years of meeting,
Never exchanging more than formal greeting,
She spoke to me— that sharp determined way
People will speak when they have things to say.
ROSAMUND: Susan, go home with your offspring. Fly.
Live in America. SUSAN: Rosamund, why?
ROSAMUND: Why, my dear girl, haven't you seen
What English country life can mean
With too small an income to keep the place
Going? Already I think I trace
A change in you, you no longer care
So much how you look or what you wear.
That coat and skirt you have on, you know
You wouldn't have worn them ten years ago.
Those thick warm stockings— they make me sad,
Your ankles were ankles to drive men mad.
Look at your hair— you need a wave.
Get out— go home— be hard— be brave,
Or else, believe me, you'll be a slave.
There's something in you— dutiful— meek—
You'll be saving your pin-money every week
To mend the roof. Well, let it leak.
Why should you care? SUSAN: But I do care,
John loved this place and my boy's the heir.
ROSAMUND: The heir to what? To a tiresome life
Drinking tea with the vicar's wife,
Opening bazaars, and taking the chair
At meetings for causes that you don't care
Sixpence about and never will;
Breaking your heart over every bill.
I've been in the States, where everyone,
Even the poor, have a little fun.
Don't condemn your son to be
A penniless country squire. He
Would be happier driving a tram over there
Than mouldering his life away as heir.
SUSAN: Rosamund dear, this may all be true.
I'm an American through and through.
I don't see things as the English do,
But it's clearly my duty, it seems to me,
To bring up John's son, like him, to be
A country squire—poor alas,
But true to that English upper class
That does not change and does not pass.
ROSAMUND: Nonsense; it's come to an absolute stop.
Twenty years since we sat on top
Of the world, amusing ourselves and sneering
At other manners and customs, jeering
At other nations, living in clover—
Not any more. That's done and over.
No one nowadays cares a button
For the upper classes— they're dead as mutton.
Go home. SUSAN: I notice that you don't go.
ROSAMUND: My dear, that shows how little you know.
I'm escaping the fate of my peers,
Marrying one of the profiteers,
Who hasn't an 'aitch' where an 'aitch' should be,
But millions and millions to spend on me.
Not much fun— but there wasn't any
Other way out. I haven't a penny.
But with you it's different. You can go away,
And oh, what a fool you'd be to stay.
Rabbits in the park,
Scuttling as we pass,
Little white tails
Against the green grass.
'Next time, Mother,
I must really bring a gun,
I know you don't like shooting,
But—!' John's own son,
That blond bowed face,
Those clear steady eyes,
Hard to be certain
That the dead don't rise.
Jogging on his pony
Through the autumn day,
'Bad year for fruit, Mother,
But good salt hay.'
Bowling for the village
As his father had before;
Coming home at evening
To read the cricket score,
Back to the old house
Where all his race belong,
Tired and contented—
Rosamund was wrong.
If some immortal strangers walked our land
And heard of death, how could they understand
That we—doomed creatures—draw our meted breath
Light-heartedly—all unconcerned with death.
So in these years between the wars did men
From happier continents look on us when
They brought us sympathy, and saw us stand
Like the proverbial ostrich-head in sand—
While youth passed resolutions not to fight,
And statesmen muttered everything was right—
Germany, a kindly, much ill-treated nation—
Russia was working out her own salvation
Within her borders. As for Spain, ah, Spain
Would buy from England when peace came again!
I listened and believed— believed through sheer
Terror. I could not look whither my fear
Pointed— that agony that I had known.
I closed my eyes, and was not alone.
Later than many, earlier than some,
I knew the die was cast— that war must come;
That war must come. Night after night I lay
Steeling a broken heart to face the day
When he, my son— would tread the very same
Path that his father trod. When the day came
I was not steeled— not ready. Foolish, wild
Words issued from my lips— 'My child, my child,
Why should you die for England too?' He smiled:
'Is she not worth it, if I must?' he said.
John would have answered yes— but John was dead.
Is she worth dying for? My love, my one
And only love had died, and now his son
Asks me, his alien mother, to assay
The worth of England to mankind today—
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war;
This happy breed of men, this little world,
This precious stone set in the silver sea—
Ah, no, not that—not Shakespeare—I must be
A sterner critic. I must weigh the ill
Against the good, must strike the balance, till
I know the answer— true for me alone—
What is she worth— this country— not my own?
I thought of my father's deep traditional wrath
Against England— the redcoat bully— the ancient foe—
That second reaping of hate, that aftermath
Of a ruler's folly and ignorance long ago—
Long, long ago— yet who can honestly say
England is utterly changed— not I— not I.
Arrogance, ignorance, folly are here today,
And for these my son must die?
I thought of these years, these last dark terrible years
When the leaders of England bade the English believe
Lies at the price of peace, lies and fears,
Lies that corrupt, and fears that sap and deceive.
I though of the bars dividing man from man,
Invisible bars that the humble may not pass,
And how no pride is uglier, crueller than
The pride unchecked of class.
Oh, those invisible bars of manners and speech,
Ways that the proud man will not teach
The humble lest they too reach
Those splendid heights where a little band
Have always stood and will always stand
Ruling the fate of this small green land,
Rulers of England—for them must I
Send out my only son to die?
And then, and then,
I thought of Elizabeth stepping down
Over the stones of Plymouth town
To welcome her sailors, common men,
She herself, as she used to say,
Being' mere English' as much as they—
Seafaring men who sailed away
From rocky inlet and wooded bay,
Free men, undisciplined, uncontrolled,
Some of them pirates and all of them bold,
Feeling their fate was England's fate,
Coming to save it a little late,
Much too late for the easy way,
Much too late, and yet never quite
Too late to win in that last worst fight.
And I thought of Hampden and men like him,
St John and Eliot, Cromwell and Pym,
Standing firm through the dreadful years,
When the chasm was opening, widening,
Between the Commons and the King;
I thought of the Commons in tears— in tears,
When Black Rod knocked at Parliament's door,
And they saw Rebellion straight before—
Weeping, and yet as hard as stone,
Knowing what the English have always known
Since then— and perhaps have known alone—
Something that none can teach or tell—
The moment when God's voice says; 'Rebel.'
Not to rise up in sudden gust
Of passion— not, though the cause be just;
Not to submit so long that hate,
Lava torrents break out and spill
Over the land in a fiery spate;
Not to submit for ever, until
The will of the country is one man's will,
And every soul in the whole land shrinks
From thinking—except as his neighbour thinks.
Men who have governed England know
That dreadful line that they may not pass
And live. Elizabeth long ago
Honoured and loved, and bold as brass,
Daring and subtle, arrogant, clever,
English, too, to her stiff backbone,
Somewhat a bully, like her own
Father— yet even Elizabeth never
Dared to oppose the sullen might
Of the English, standing upon a right.
And were they not English, our forefathers, never more
English than when they shook the dust of her sod
From their feet for ever, angrily seeking a shore
Where in his own way a man might worship his God.
Never more English than when they dared to be
Rebels against her-that stern intractable sense
Of that which no man can stomach and still be free,
Writing: 'When in the course of human events. . .'
Writing it out so all the world could see
Whence come the powers of all just governments.
The tree of Liberty grew and changed and spread,
But the seed was English.
I am American bred,
I have seen much to hate here— much to forgive,
But in a world where England is finished and dead,
I do not wish to live.
Tom Zart's 52 Best Of The Rest America At War Poems
SONS AND DAUGHTERS OF WORLD WAR III
The White House
Tom Zart's Poems
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
George W. Bush
SONS AND DAUGHTERS OF WORLD WAR III
Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.
They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.
The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.
They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.
The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.
Now's not the time to fight one another
Or kiss our enemy's cheek.
All through history it remains the same
The strong enslave the weak.
May God continue to bless America
Refusing evil, the upper hand.
It's up to us to stay resolute
Defending the liberty of Man.
Our men and women give the ultimate sacrifice
When they pledge to defend our flag.
In hot spots throughout our world
They defeat our enemies who brag.
Most say their prayers to their own private God
To protect and bring them safely home.
It's our job as patriots and Americans
To let them know we love them as our own.
Think of all of history's heroes of freedom
And what they gave up for "Old Glory".
Nothing has changed for over two hundred years
As our soldiers continue the story.
Those rows of white crosses in manicured fields
Tell the story of ultimate sacrifice and love.
Always remember all we treasure and enjoy
Are because of our soldiers and God above.
Weakness invites moral plight, war and aggression
Encouraged by mistrust, misjudgment and delay.
All we love can be destroyed and transformed
By the powers of darkness maneuvering our way.
When something wicked stares us in the face
To corrupt our morals, faith and resolve.
God gives us courage to defend what's right
No matter the sacrifice or danger involved.
Evil seeks to destroy the good in man
And silence the memory of God's law.
It's up to the faithful to stay unyielding
Defending the liberty and justice of all.
Our men and woman who serve in harm's way
Are the armor of what the free world depends on.
Without their sacrifice of body and soul
All that we stand for is gone.
GOD LOVES HIS SOLDIERS
Sometimes it's hard to protect what is right
Sometimes we're scorned as for others we fight.
Some of us are willing regardless of loss
To commit our soul to save the cross.
Evil prospers on greed and human hate
Always eager to destroy and defecate.
God's grace descends on the souls of man
Cleansing the impure wherever He can.
As long as man has struggled on earth
Life has had its troubles from birth.
God's seed of goodness has delayed man's demise
Thank Heaven for his heroes the strong and the wise.
The Lord adores his heroes of yesterday
Just how numerous, only He could say.
God loves his soldiers who line up to serve
By standing against evil His grace they deserve.
America the abundant the place I was born
I'll cherish till the day I die.
Where the bones of past heroes lie buried in the ground
Who loved her the same as I.
Her mountains are so tall they reach for the sky
With prairies where the green grasses grow.
There's billions of trees where wild birds nest
With creatures that flourish below.
That blue gold called water with which we are blessed
As raindrops or crystallized snow;
Changes to rivers and fresh water lakes
While the winds of our seasons blow.
There's the haunt of a whistle from a lonely freight train
Racing on ribbons of steel
With the harvest of farms and from the factories
Balanced in a box on a wheel.
Some cities have buildings a hundred stories tall
Structures of concrete, glass and steel.
A statue in a harbor, a present from France
Describes how, inside, we feel.
That flag on the moon with red and white stripes
Proves America's dreams come true.
A country of heroes who line up to protect
The past, the present and the few.
We'll defeat terrorism as it should be fought
Never letting Satan's horde chase us to our door.
Safeguarding our borders and system of life
As our forefathers sacrificed before.
Never be afraid to be proud of America
And march with the brave, faithful and just.
Refusing to submit to the will of our enemies
Standing firm to preserve what we trust.
INTO THE TEETH of THE DOG
All through history man was born to struggle
Surviving nature, disease, greed, and war.
Since his conception he has remained the same
Choosing to serve evil or good as before.
Our boys and girls face the teeth of the dog
In hot spots all over our earth.
They leave their families and all they love
To protect and preserve what liberty is worth.
The foes they face are the mad dogs of man
With a desire to kill, disfigure and enslave.
They sing and dance to the death of others
Teaching principles of hate till the grave.
Support our troops who battle the horde
While we live the good life back home.
When you see a soldier show them your smile
Say "hello we love you and your not alone.
THE MAD DOGS OF MAN
Wherever dwell the mad dogs of man
There is corruption, plunder and hate.
In every city, town, or village
Those who promote distrust deserve their fate.
All are born as an innocent child
Till mislead by others along the way.
God has always loved his children
Though it breaks His heart when they stray.
The mad dogs of man never repent
For they have no sense of shame or sorrow.
Worshiping dominance and the dark side of life
Abusing victims as if there were no tomorrow.
God gives the will to sin no more
And to overcome evil unwilling to cease.
The mad dogs of man must be stopped
Who murder, rape and destroy world peace.
Samson, Solomon, and David
Were chosen by God to stand tall.
They faced great odds and the fear of death
Refusing to ignore their call.
The time has come for the good men of Earth
To band together to restrain the horde.
Standing firm against tyranny where it exists
Putting the mad dogs of man to the sword.
WHERE WARS ARE WON OR LOST
Wars are waged by older men
In battle rooms in countries apart.
Who call for greater firepower
And troops for the combat chart.
While out among the shattered flesh
The dreams of all have turned gray.
So young and determined their faces were
Till on the battlefield they lay.
Unable to overcome their pride
The politicians cast their vote.
For this or that or something else
As the rage of war sounds its note.
Wherever wars are won or lost
The soldiers fall like toys.
Down through history it remains the same
Most who die are hardly more than boys.
Like monkeys in a revolving cage
Man squabbles for the peanuts of power.
When will we rise above our greed
And become as a beautiful flower?
Death to death, dust to dust
The wrath of war is a horrible crime.
It's the beast within that still prevails
As it has through the torments of time.
WAR IS THE GREATEST PLAGUE OF MAN
As war is fought it takes charge
And events spin out of control.
The madness of men can alter the soil
Which nourishes the roots of their soul.
Many things will forever change
Far more then wished to be.
As the wrath of war starts to destroy
Those things we fight to keep free.
War is the greatest plague of man
Religion, state, and sanity.
Any scourge is more preferred
Than the one which disables humanity.
When war breaks out, boundaries change
And all who die are a token
Of the rage that must run it's course
Before words of peace are spoken.
War I hate, though not men, flags nor race
But war itself with its ugly face.
When we lose faith in the brave, which die
Then we're not fit to greet those who cry.
What distinguishes war isn't death
But that man is slain by fellow man.
Crushed by cruelty and injustice
With his enemy's murderous hand.
War tends to punish the punishers
So the losers won't suffer alone.
The essence of war is but violence
Till the survivors come marching home.
Sometimes it's hard to defend what's right
Sometimes we're forced to rise up and fight.
Sometimes we survive, while others must die
Sometimes never knowing the reason why.
The rush of combat is a natural buzz
Caused by fear, leaving nothing as it was.
Hunting one another like wild game
Without a shortage of those to blame.
Sometimes victory comes too slow or quick
Sometimes the cost on both sides is sick.
Sometimes God is asked to intervene
To help stop the savage from being so mean.
War is a hell we visit before death
Fueled by the whisper of the devil's breath.
There must be a reason man destroys man
But why it is so, I can't understand.
After suffering the wrath of a sneak attack
America now mourns to her very core.
Though soon her enemies shall all but flee
From the sound of America waging full war.
Let there be no doubt, no doubt at all
That the devil has decided to give us a call.
We shall defeat hell's soldiers and cast them out
And if we die; that's what freedom is about.
We shall seek them out wherever they may hide
Street by street, house-by-house, cave by cave.
They will be eradicated from the face of the earth
By the righteous, the loyal and the brave.
SATAN'S HORDE SHALL BE REMOVED
Overrun with war and uncontrolled leaders
Our world becomes more dangerous each day.
Dishonest politicians, criminals and the media
Survive by their falsehoods at play.
Bible believers preach, that the end is near
Our world as a whole is beyond reform.
God will eradicate all which is wicked
By His fire of eruption and storm.
To evil's victory, I will never concede
May its supporters anguish in hell.
By the grace of God and the power of faith
The goodness of man will prevail.
What we accomplish is heaven's measure
As patriots respond to the threats of man.
Protect and defend what we love till death
As the soldiers of Satan arise from the sand.
SO DEAR TO MY HEART
So dear to my heart are my loved ones at home
As I toss and I turn in my bunk all alone.
Everyday I see death, hate, and corruption
Combat is God's proof of man's malfunction
For family, comrades, and myself I pray
To my love with this poem I wish to convey.
I knew I loved you though never how much
Till by war, I'm forced beyond your touch.
Where violence thrives, there's the stench of death
With the taste of fear on every breath.
Who shall prevail, who shall die
As the sadistic kill beneath God's sky.
Baghdad has become man's highway to hell
Where the hearts of darkness are alive and well.
I count each day till it's time to come home
And be with my love and never alone.
In their new uniforms
The young march off
Not knowing who shall return.
With a proud devotion
They brandish their flag
Leaving loved ones to wonder and yearn.
May we all be buried
By all of our children
Is an ancient tribal prayer.
They're so easy to lose
But so hard to forget
Such a burden for a parent to bear.
Oh, the taste of victory
Shall soon be forgotten
But, never that which was lost.
For those rows of white headstones
In peaceful green fields
Make it easy to tally the cost.
America has survived all attempts to destroy
Knowing the cruelty of war
And, we who remain
Must help keep her free
For those who can march no more!
Our flag is fabric wove of thread
Carried by heroes live and dead.
She stands for justice and courage too
With her colors; red, white and blue.
For all who serve her, there'll be cheers
For any who die, there'll be tears
For all who love her, honor will prevail
Any who harm her, shall suffer and fail.
How many moms have cried before
As they sent their children to war.
How many dads have not returned
Because our freedom must be earned.
Wars were waged where brave men died
As patriots fought side by side.
Our flag is still the pearl of Earth
Because of those who prove her worth.
LOVE OF COUNTRY
I dedicate this poem from inside my tent
As the desert winds keep it's silhouette bent.
My love of country is at full boil now
I'd like to describe it but it's hard to know how.
Tomorrow I'll hunt those who enjoy our death
Cursed by their hatred and foulness of breath.
I don't care if it's another God they serve
For their crime's retribution is what they deserve.
Their horde survives by a different set of rules,
Though soon they'll learn the fate of murderous fools.
Proudly I serve my homeland and president
Who I've sworn to defend one hundred percent.
While haunted by visions of what I must do
I fight for justice, and the red, white, and blue.
The cost of freedom is sometimes high
Extremely more when our loved one's die.
Men and women pledged to fight and serve
And it's our support that they deserve.
Mankind itself is the one to blame
That all through history, the story's the same.
Peace, like love, can be hard to acquire
Subject always to enemy fire.
Some how the righteous tend to prevail
Over the miss-guided, prone to fail.
No wonder we fear the tongues that lie
As mankind squabbles beneath God's sky.
The danger our solders face is real
So lets let them know just how we feel.
Put forth your flag and show them your heart
As those we love from us depart.
THE BATTLE FOR BAGHDAD
Determined though scared, I walk my beat
On the deadly streets of Baghdad.
Searching for any who plot our harm
Or by our death are joyous and glad.
Standing in shadows caused by the moon
I'm reminded of my nights back home.
I wonder if the woman I love
Is growing tired of sleeping alone?
I feel remorse for all who live here
For this place is a madman's hell.
And those who wish to keep it that way
Must be killed or locked away in jail.
My greatest fear is not my death
But that I'll end up in a wheelchair.
Disabled for the rest of my life,
Depending on others for my care.
My wife, she prays for my safe return
As night and day more GI's are killed.
She knows quite well, whatever it takes
The oath I've given will be fulfilled.
The king of Baghdad has fallen
Never to dictate again.
Man shall sentence him for this crimes
And heaven shun him for his sin.
For his tyranny, he was famous
In every capital on earth.
Till apprehended in his spider hole
Completely stripped of his worth.
He is guilty of rape and genocide
While he ruled without remorse.
His power and prestige were toppled
Once George Bush set his course.
Though it may seem that the wicked triumph
And have conquered by their brutality of hand,
Through the power of faith they are defeated
By the seed of goodness in man.
America is the birthday cake of Earth
As the ants march from every direction.
Thank God for all who have sworn to defend her
Serving with love, honor, pride, and affection.
Since the first day George Washington marched off to war
There have been those who have wished our demise.
Their hatred, fueled by jealousy and greed
Was defeated by our brave and the wise.
Once again, we must face a formidable foe
Who have pledged by their God to destroy us all
Misusing their faith as an excuse to kill
As for a worldwide jihad, their leaders call.
Some say we should try to appease them
For if we resist, they'll hate us even more.
But the David's among us shall cast our stones
Defeating them, as it was done before.
SHOULD TOMORROW START WITHOUT ME
Should tomorrow start without me
Remember I love you.
Looking down from up above
Seeing everything you do.
If I become a casualty
I pray you will love again
Whom ever makes you happy
I'll consider my friend.
Should tomorrow start without me
Remind our boys, God loves all who care.
And when life seems too harsh and cruel
With 'Him' they must share their prayer.
I have proven I'm not a coward
Who breaks and runs to survive.
Always fearing death will kiss me
As the streets of Baghdad I drive.
Should tomorrow start without me
Be proud I choose to serve.
Our faith and our patriotism
Earn the freedom we deserve.
I miss home more than ever
It breaks my heart to stay away
I can't help but want to hold you
And whisper what I say.
It's not a priest that gives us our freedom of religion
And it's not a reporter that gives us our freedom of voice.
It's not any judge, lawyer, politician, or teacher
But the blood of a soldier that has sacrificed by choice.
Our soldiers line up to be remembered
As the best of the best at their job.
They wish to be needed and depended on
To save all we love from the mob.
They risk their life and limb for liberty
Standing firm against evil unwilling to break.
To be part of something greater than themselves
They are willing to sacrifice whatever it will take.
THANK HEAVEN FOR HEROES
Thank Heaven for the heroes of life
Who lead us to overcome those who are not.
The wise are grateful for all God's blessings
Where fools never realize what they've got.
America is the grain train of Earth
Whose people exercise rule by their vote.
All have a chance to partake and prosper
As they arrive by foot, plane or boat.
Our freedom relies on the law of the land
Our future depends on our grit.
Our past has known both good and bad
And our mistakes we are willing to admit.
The grim of heart hate America
And choose to put her wonders to shame
The devotion of most who love and live here
Rise up to defeat the soldiers of blame.
THE LONELINESS OF WAR
I know I'm still here so far, far away
As I fight for what I believe is right.
I wonder about you and your mom
Every moment of every day and night.
The loneliness of war can drive you insane
If you don't get letters of concern from home.
Left, right, behind and ahead,
Death awaits leaving love ones alone.
We pray to God that we will be saved
To return home or live the here after.
Bloody, dirt-covered men, we see everyday
As we yearn for those times of laughter.
The far off stare of a fallen comrade
As you stay by his side till his end.
No mother ever carried her infant child
More carefully, than we do a friend.
Many have their own personal diaries
To help keep their faculties together.
Watching hot steel crash into human flesh
Always makes home seem far away and better.
I've become an expert at dodging, weaving and diving
So try not to worry too much about me.
Just help your mom and stand up from the ground
And while I'm gone be all you can be.
SACRIFICE TRANSFORMATION AND UNRESTRICTED WARFARE
The Japanese hadn't lost a war since 1598
Each man carried 400 rounds of ammunition
(twice as many as an American infantryman)
With five days rations and fearless determination.
The men in the badly wrapped brown uniforms
Since their early childhood had been taught
That to die for the emperor and one's country
Was the greatest of all glories to be sought.
Moreover, the hardware backing them was awesome
As sharpshooters they were accurate up to a thousand yards and more.
Their ships were faster, their guns bigger, Their torpedoes better
And their planes matchless in quality, aerobatics and score.
Only by sacrifice, transformation, and unrestricted warfare
Was America able to overcome and prevail.
Again America must stand firm to survive
As we face a new monster from Hell.
SOLDIER IN THE RAIN
I'm just a soldier who stands in the rain
My memories of home are what keep me sane.
Back home is a land of milk and honey
Ruled by lust and love of money.
But, what can I say, when I serve her true
For I volunteered to see this war through.
Now, that I'm here, it's hard to believe
We're just the victims of those who deceive.
As darkness falls on the rice fields of Nam
Scared men with rifles walk the shadows of the calm.
It's thousands of miles to the steps of my church
With its stained glass, steeples and lost souls who search.
Off in the distance I see an arc light
Bombs being dropped on children at night.
I've seen that evil they call the yellow rain
And how life withers when it's sprayed by a plane.
All of my buddies have been taken away
No more touch football will they ever play.
Zipped in their body bags for the long trip home
Are some of the bravest, I've ever known.
War is a hell, devised by man
There's death in the sea, the sky and the land.
Lord, I can't help but wish I were home
Back with my love, whom I hope is alone?
DADS AT WAR
Where would I be without you dad
My hero of night and day
I'm so glad you love my mother
And think of us when you pray
The last time we went to church
You reached for me with your hand.
I looked at you, then made a wish
That I might be just half the man.
I love my father of this earth
And I love my father of heaven.
It's a lot for me to love, you know
For I'm only eleven.
Mom and I sure miss you
Since you left to defend our flag.
When others ask, where is your dad
I can't help but boast and brag.
BULLETS AND BARBWIRE
We awoke to the crack of rifle fire
With mortar rounds hitting the ground near by.
The flying shrapnel was absorbed by sand bags
Which saved lots of us who wished not to die.
The hot spent shell casings fell to the ground
As the VC charged our fortified hill.
We killed so many the stench made us sick
While we fought to live and not for a thrill.
Barbwire, bullets and clay-mores took their toll
As red and green tracers lit up the sky.
Before long I was the last GI left
When napalm caused my enemy to fry.
Fleeing the sound of our choppers gunfire
The enemy retreated to the caves and trees.
Then I cried, 'thank you ' to Heaven above
As I checked out my buddies on my knees.
Somehow I managed to survive the day
Though many I've served with names I have read
Carved in the shinny black stone of The Wall
Are my comrades of war, among the dead.
UN soldiers fought and were forced to retreat
Behind sandbags protected by barbwire hoops.
Many GI's died as they held off attacks
By 810,000 Communist troops.
Our guys used phosphorus, flame-throwers and napalm
For without these weapons they could not survive.
The Communist charges led by buglers
Till the UN could start it's offensive drive.
On the battlefield of death Chosin Reservoir
Many froze with their hands still stuck to their guns.
While others hobbled with their boots wrapped in rags
City boys, farmers, students, fathers and sons.
With a million and a half dead or wounded
Both sides singed a truce before generals involved.
And though thousands were orphaned, nothing was solved.
As war is fought it takes charge
And events spin out of control.
The madness of men can alter the soil
Which nourishes the roots of their soul.
Many things will forever change
Far more then wished to be.
As the wrath of war starts to destroy
Those things we fight to keep free.
War is the greatest plague of man
Religion, state, and sanity.
Any scourge is more preferred
Than the one which disables humanity.
When war breaks out, boundaries change
And all who die are a token
Of the rage that must run it's course
Before words of peace are spoken.
Our ship had sailed before the dawn
Surrounded by the thickest of fog
Still ignorant of our destination
Or what was written in the captain's log.
It didn't take long for me to see
Our cruise was not for fun
An experience of a lifetime
With nowhere for us to run.
Twenty knots per hour we cruised
As the white caps passed us by
Ten thousand young Americans
Off to Europe to die.
A sailor told us not to worry
Someday we'd get our mail.
Uncle Sam would make sure
No matter how far we sail.
Thirty feet deep I tried to sleep
Beneath our ship's waterline
Just the place for claustrophobia
To enter into my mind.
My favorite vest was my May West
Which I wore all the time
Just in case of German U-boats
Or an underwater mine.
Thirty-three days we were at sea
We crossed the equator twice.
Many years have passed since then
Those years of sacrifice.
Many brave souls lived before now
Unwept and unknown by their face.
Lost somewhere in the distant night
Till a poet chronicles their grace.
True bravery is shown by performing
Without witness, what one might be
Capable of before the world
Without any or all to see.
How great the brave who rest in peace
All blessings from heaven to earth.
They gave our country but their best
Those destined to be brave from birth.
Sunday, December the seventh
In the year of 1941,
While most of Hawaii still slept
Came the planes of the Rising Sun.
Waves of bombers and fighters flew
From the decks of the Japanese ships.
While our planes were still on the ground
'Banzai' was spoken from their lips.
The winds of war had been blowing
Across the oceans of our earth
Though not till Pearl had been bombed
Did we realize what freedom's worth.
Wars are fought and won on two fronts
At home and on the battle line.
Both are equally important
When war consumes our heart and mind.
The attack brought us World War II
With death, pain and separation.
All who had served were well aware
Of their sacrifice for nation.
The harder the conflict we sometimes face
The far more glorious is the victory.
Tyranny like hell is tough to defeat
When it raises its head throughout history.
War never leaves a country as it was
When neutrality is a word disregarded.
As the murderous hands of man himself
Are to blame for all who have departed.
D-DAY THE WALL
Over two hundred rangers scaled 'The Wall'
A stone cliff over one hundred feet tall.
Some of them made it all the way to the top
While others fell and perished from their drop.
Those who climbed over, had answered God's call
For men to stop evil once and for all.
They fought the Germans and destroyed their guns
To save the lives of our fathers and sons.
So many years have passed since then
When our world's future was saved by brave men.
We cannot forget the hell they went through
Before the skies, again turned blue.
D-Day raised the curtain on the conflict
That fore shadowed the end of Hitler's dream.
The largest joint combat landing ever
Though the blood from both sides flowed like a stream.
When their boats hit the sand, their ramps went down
And all within paid a visit to hell.
They jumped out to do good for their country
And to kill the enemy without fail.
They fought the Germans, tides, winds and the waves
In conditions not easily foreseen.
By night the battle was in our favor
With bravery, valor, death, and men who scream.
The corpses littered the beach for five miles
Though heroism had carried the day.
With literally thousands dead or wounded
Those who were left were determined to stay.
They faced great odds and chose not to protest
And won the war that put evil to shame.
Most came home, married and raised their babies
But those who could not we recall with pain.
It was June the 4th 1942
As I was floating in the ocean alone
The ship I had sailed on, sank to the bottom
And I thought I would never again, see home.
The Japanese fleet had steamed in from the east
With the intentions of capturing Midway.
Though they were stopped by American war ships
Whose guns, bombs and torpedoes planes saved the day.
All night long, I watched the fireworks of war
And on the second day we turned up the heat.
As big bombers from Hawaii dropped their loads
On Japanese ships who soon chose to retreat.
An imperial pilot came floating close by
Who had been chewed on by the beasts of the sea.
I couldn't help but feel passion for this is man
Who had answered his call just like me.
When it was over, I was plucked from the deep
By men in a lifeboat just after the dawn.
For two days I had watched the battle for, Midway
Now it's quiet and the enemy has gone.
I drifted all night and was loosing my hope
Before by the moon's light I saw dry land.
I floated over and through its reefs to the beach
Where I quickly smoothed out my tracks in the sand.
All I had was my dagger and a canteen
And it was May 4th of 43.
Just me alone on an enemy island
Wasn't a safe place for a sailor to be.
I felt I could kill in less than a heartbeat
If that's what it took for me to survive.
I'd already said thanks so many times
For' God' was the reason I was alive.
Off in the dark, I herd two men's voices
Laughing and talking in a language not mine.
Inch by inch I crept to their campsite
Where on what they were eating, I would soon dine.
I stabbed them both and took their fish, rice and wine
Then ran my way back to the raft by the beach.
Soon I was floating in the ocean again
And far enough out where bullets couldn't reach.
The next day I was picked up by a seaplane
Whose crew spotted my sail from the air.
Once inside and safe, I cried like a child
For the dead whom would forever be there.
It was hard to believe heaven let me live
A farm boy from Kansas, in high school last year.
My girlfriend is blond and she hates it I 'm gone
Though I'm a veteran of battle, death, and fear.
Okinawa was to be our last stop
Before we invaded Japan.
The largest landing of the Pacific war
As our soldiers ran across the sand.
At first our marines were scarcely opposed
But on the fifth day hell they found.
A solid wall of human resistance
Firing their weapons from caves in the ground.
Air power and big guns had little affect
On their cliff forts carved deep in the limestone.
It took man against man to root them out
As flying bullets pierced flesh and bone.
Kamikaze pilots crashed their planes
Knocking out transports and war ships.
As the Imperial air force struck our fleet
Cries of fear and hate spewed from lips.
One hundred, ten thousand Japanese
By the end of the battle were killed.
Over twelve thousand Americans died,
Before, just our flag flew over the field.
BATTLE OF THE ATLANTIC
After the fall of France in 1940
The Germans soon began their own blockade
With most their efforts in the Atlantic
Hoping to cut Britain's flow of war trade.
With fast surface raiders like the Bismarck
Merchant ships caught at sea, had little chance.
The German's small navy sank ship after ship
Till the British Navy destroyed war's romance.
Shipping losses from German U-boats increased
And the battle of the Atlantic seemed lost.
But soon America would enter the war
To defeat freedom's enemies at all cost.
Multitudes would die and their families cry
Before World War II would be fought to its end.
What a waste of mankind, which had lost its mind
Though now, our enemy is our friend.
The truest words, which portray my love
I speak to you from within my heart.
May we always recall how we feel
Though through conflict we're forced to part.
No one can say how long they will last
For life is not everlasting.
Yet most hope to be blessed by love
By he who does our casting.
As the fear of battle bites my flesh
My thoughts of home help keep me sane.
There's no guarantee that I'll survive
But either way, I'll serve without shame.
Should the cold hands of death reach for me
I pray my soul will awake from sleep.
To the voice of God assuring me
That my spirit, He has chosen to keep.
So try to remember while I'm gone
That the person I need most is you.
I'll fight like hell to stay alive
To return home to the love I knew.
When you become a P.O.W.
You find you've lost your liberty and more
The guy with the gun tells you what to do
As you yearn for freedoms you had before.
Your will to survive helps keep you alive
Though sometimes you wish you were dead.
Tortures far beyond any normal mind
And there's no safety, even in your bed.
Bullets, barbwire, searchlights and sharp teeth
Keep you in a place you don't wish to be.
The food is quite awful and sometimes it moves
And you've no choice of what you hear or see.
The lucky are released and return home
Though in their dreams their fate is unsure.
War may be hell, but confinement is worse
Cause afterward you're never as you were.
General quarters, general quarters
All hands man your battle station!
Sunday morning, December the 7th
As war confronted our nation.
We soon found out it wasn't a drill
But instead it was war for real.
As you watch the death of friends and shipmates
It's more anger than fear you feel.
Japanese warplanes came flying in low
As I took aim with my gun sight.
From the deck of a ship anchored at Pearl
Damaged, though crew still eager to fight.
I saw the face of a pilot, who crashed
Surrounded by black smoke and fire.
Some of my bullets must have found their mark.
For his death was but my desire!
Two thousand, three hundred and twenty-three killed
In a battle less than two hours.
With the heart of our Pacific fleet gone
Japan had flexed their naval powers.
The bombing and strafing of ships and troops
Caused our congress to declare full war.
Where many a man laid down his life
Fighting for flag, country and more.
KENNEDY = THE WAR YEARS
After the attack on Pearl Harbor
He applied for sea duty in the war.
Where Lieutenant John F. Kennedy
Became known for his bravery and more.
In the dark hours before dawn
On August 2, of 43.
Kennedy commanded a torpedo boat
Through the blackness of night at sea.
PT 109, was on Solomon's patrol
With a 12-man crew in a plywood craft.
A Japanese destroyer plowed through the night
Ramming and cutting Kennedy's boat in half.
Two of the crew just disappeared
A third was badly burned.
Kennedy himself was thrown to the deck
Where in pain his leadership he earned.
Some of his men had never learned to swim
As he gathered them on the bobbing bow.
The hours passed tell it seemed it would sink
So they made for an island and here's how.
He ordered those who could to swim
The others were to hang on to a beam.
Kennedy grabbed the injured sailor
And off they tread through the ocean stream.
With his teeth clenched on the burnt man's vest straps
Skipper Kennedy swam 3 miles.
5 hours later they all made it
Despite their hardships, sharks, and trials.
The next problem was how to summon up help
Without arousing the enemy all around.
After several attempts swimming to other islands
Eventually two natives in a canoe were found.
Kennedy scratch a note on a coconut
To be delivered to a base 38 miles away.
The message made it and they were saved
And their courage still lives today.
World War-I gave us the flyboys
Who flew by the seat of their pants.
Many would never return from war
While others survived by chance.
Their planes were mostly canvas and wood
Gasoline, bullets, bombs and poison gas.
Every pilot carried his own pistol
Wearing leathers, scarf and goggles of glass.
Aviators had no Parachutes
To escape their burning plane.
Many were forced to jump to their death
Or self inflect a bullet to the brain.
Blimps where known as battleships of the sky
The roar of their engines gave reason for fear.
They flew so high they were hard to shoot down
Hiding above clouds till their targets drew near.
Tracer bullets for the first time were used
In the guns of airplanes to set blimps afire.
The skies became man's highway of death
With duty and honor their driving desire.
How many flyboys have we lost since then
Those days of the Great War and more?
Where do we get such brave souls of chance
Who rise from the rest in the battles of war?
THE AMERICAN CIVIL WAR
In 1860 life was good
Till its simple-ness ceased one day.
The North wished to save the Union
While the South chose to break away.
America was torn apart
As six hundred thousand died.
Throughout four years of total war
Women without husbands cried.
The sad fact of the Civil War
Is what was left at its end.
Too many times, men's evil acts
Destroyed both foe and friend.
The problem was, once it began
There was no peace or compromise.
Total victory must be proclaimed
Before rage would leave men's eyes.
Destroy all that helps the enemy
Was the cry of either side.
Anything to obtain victory
As death on horseback did ride.
Black men dressed in old uniforms
Became the Union's reserve.
They fought and died for their freedom
And their rights they earned and deserve.
Lifestyles would forever change
For all who survived the war.
It had ended as it began
With sadness, misery and more.
Both sides prayed to the same God
And spoke words from the Bible.
The prayers of both were not answered
For all involved were liable.
BLACK POWDER BRIDGE
A courier rider hands his papers to me
They are instructions from Robert E. Lee.
I am advised now is the time
To stop the troop movement on the Rock Island line.
I muster my men and they load up the boats
We powder our pistols and darken our coats.
Traveling the currents, the sun slips from sight
As brave men with a purpose have gathered to fight.
We capture a bridge before the moonrise
The Yankees who are here shall soon feed the flies.
The evil of war feeds on my brain
As I light the fuse to destroy a train.
Above us a trestle of timber and tar
As we pull our oars for a willowed sandbar.
From the banks of the river; we watch it approach
There's shadows of soldiers, in the windows of a coach.
With a burst of bright yellow and a roar in my ear
I hear them scream as they 're falling in fear.
The river is boiling in steam, steel and stems
Back home their families shall soon sing funeral hymns.
The one lone survivor was a red stallion stud
I lassoed his neck, and freed him from the mud.
As I ride in his saddle beneath the stars that shine
I pray for forgiveness and some peace of mind.
War is a lesson we re eager to learn
When man has that fever to murder and burn.
Lord, please forgive me for what I have done
For all those I've silenced were some mother's son.
THE FEVER OF FEAR
Cannons are bursting hot metal from the ground.
Soldiers are looting and burning our town.
The fever of fear rushes through my veins
As too many Bluecoats jump from troop trains.
Smoke from hot barrels is swirling around
As four thousand muskets volley their sound.
All of my comrades have stopped a lead ball
Most cry out, then stumble and fall.
Even the young lad who carried our flag
Now he lies dead as he clings to that rag.
Wagons with the wounded trail blood on the ground
Death and destruction are easily found.
The Generals are crying 'cause they can't stand defeat
But it's always the soldier who dies on his feet.
Horse hooves are pounding on a bridge made of boards
As the sunlight reflects from the blades of their swords.
Quickly I hide out in the roots of a tree
Where the dirt has eroded and there's just room for me.
After dark I sneak out with the cover of fog
Then float down the river, as I cling to a log.
Songs of their victory, ring out through the night
While from the cold, muddy water, I see their firelight.
It makes me remember my old country church
Where the preacher spoke God's word from his holy perch.
That the seed of all conflict began in a cave
When man, like the wild wolf had to prove he was brave.
THUNDER IN THE GROUND
Cannons are bellowing from a ridge far away
The battle lines are forming and there's little time to pray.
Musket balls are pelting like hailstones from the sky
I'm so full of fear cause I don 't want to die.
From beyond yonder hill comes a terrifying sound
It's the music of the buglers and there's thunder in the ground.
The fast-riding troopers have all drawn out their swords.
They 're shouting and screaming as they charge up the gorge.
It's hard to believe how many make it through
As they're hacking and shooting at the boys dressed in blue.
Then come the soldier men who run upon their feet
Every time I dropp one, my heart skips a beat.
There's a storm on the ground made of death, dust and smoke
My throat is so dry, I can 't help but choke.
The fury of the battle is bound to settle down
When most of the fighters lie dead on the ground.
After dark, the stretcher-bearers are afraid to search around
The wild hogs eat the wounded and I can 't stand the sound.
Come dawn, we dig ditches for all the brave, lifeless men
Then quote words from our Bible praying heaven lets them in.
When you chain the neck of a slave
The other end fastens to you.
Your heart and soul become corrupt
And all which is evil you'll do.
No government shall exist for long
Who's people are not really free.
Though around the world there are those
Who stay blind to how life should be.
Any who must enslave others
Will dwell in their own living hell
After death, they'll join their master
In that place from heaven he fell.
But till then we'll fight and resist
Making them put their chains away.
And those of us who may die first
From heaven shall watch and pray
BROTHER AGAINST BROTHER
In the course of becoming officers
The young men of West Point bonded like brothers.
Till roomers of Civil War transformed friend to foe
As many cadets chose to serve others.
Fifty-five of sixty major battles fought
Were lead by graduates of the long gray line.
Yankees and Rebels ravaged one another
For to kill and plunder were virtues of the time.
Over six hundred thousand soldiers were consumed
Not counting multitudes of population.
Cities, farms and the countryside were laid to waste
Before our Union was restored to a nation.
THE LITTLEST SOLDIER
Nine year old Johnny Clem who stood just four feet tall
Ran away from Ohio to answer his country's call.
He joined up with the Union and became a drummer boy
Soon to prove the gun he wore was far more than a toy.
Armed with a sawed-off musket, cut down to just fit him
He shot a Rebel horseman who tried to do him in.
Awarded his sergeant's stripes and the silver medal
His comrades offered him hot coffee from their kettle.
The newspapers of the North, gladly published his story
Telling of the nine year old who earned his country's glory.
The moon is sky high
And perfectly round
As it highlights the beauty
Of disputed ground.
Life is a journey
Where the passage is free.
After, there's judgment
By the living and Thee.
We'll survive if we can.
Death and dismemberment
By the hand of man.
Some will stumble
With absence of breath.
While others charge
Into the face of death.
We'll race toward the battle
And pray for the best
We pass God's test.
Their red and blue, ragtag flag stood out
Against their dust covered uniforms of gray.
Savagely we fought to kill our enemy
As the battle raged on in the heat of the day
Volley after volley we put forth our blaze
With thousands of led balls snapping flesh and bone.
Blistering sweat rolled down every face
As the tunes of war by bugles were blown.
There was a clanking sound of ramrods in barrels
As each new lead ball was loaded and fired.
Some shot aimlessly into the smoke
While others took aim at the worn and tired.
Bullets were popping like the fourth of July
Yet our enemy kept surging ahead.
All at once they broke and ran off in groups
Scattering as for the forest they fled.
From behind the protection of a stacked-stone wall
The victorious cheered or just sat starring
At all the bodies of friend and foe
While for the wounded the surgeons were caring.
Soon the war was over and I survived
Despite it's brutality on trampled ground.
From boy to man I was transformed
Though, still in the night I hear its sound.
LEAF ON THE WATER
America's East Coast was settled by the Brits
As the Indians rule began to recede.
After many a battle, they lost their land
Giving into the white man's power and greed.
In years to come like a leaf on the water
The Indians were swept away by the white man.
As trappers and pioneers pushing westward
Brought death and disease to the land.
With the white settlements came the fur traders
Followed by soldiers, forts, whiskey and form tools.
None of which helped the Indians to survive
Who chose to wage war, and break the white man's rules.
Many treaties were made, just to be broken
By those eager for land, timber, furs and gold.
Prospectors arrived to plunder the land
And to be farmers, the Indians were told.
The combat raged on, to the western prairie
Over mountains and down through the desert sand.
Indians proved to be formidable foe
As both sides fought from afar and hand-to-hand.
Lieutenant Colonel Custer, led his cavalry
In search of fame and tribal disgrace.
But instead he and his men were butchered
By hostile Indians with paint on their face.
Around the campfires of Rosebud and Pine Ridge
Singing warriors danced till Sitting Bull's death.
Most were forced to surrender at Wounded Knee
Where many sad Indian would draw their last breath.
With their fighting spirit completely broken
And their ancient tribal ways forever gone.
Proud Indians were moved to reservations
Where their once great history in song lives on.
THE HINGE OF HISTORY
The hinge of history swings in all directions
As the happenings of the past are written down.
Out of all that has occurred since man's beginnings
Less has been recorded than waits to be found.
Babylonians kept chronicles of history
Hebrews wrote the past as a dramatic story.
Greeks had no faith in the future at all
Believing mans repeated errors doom his glory.
Christians added a new dimension to history
Looking forward to Christ's return to earth.
An on going drama involving man and God
Believing all are created of equal worth.
Some have asked why must we study history
It just encourages us to live in the past.
When we forget history we repeat its mistakes
As the outcome of humanity is cast.
The leaves of the cottonwoods hung motionless
As outside the walls Santa Anna's horde closed in.
A small band of Texans watched and waited
Preoccupied by combat and how life would end.
The battle raged from building to building
Till the old mission's chapel was the last to fall.
Over 180 Texans died fighting to the man
Never to yield, surrender or crawl.
Six weeks later Sam Houston rallied his forces
With 'Remember the Alamo' as their battle cry.
Attacking and defeating Santa Anna's army
To win independence for Texas or die.
The Spanish word for 'cottonwood' is 'Alamo'
The long time popular name for the mission.
Today the stout-walled old chapel still stands
Preserved as a shrine of sacrifice and tradition.
GENERAL WASHINGTON AT WAR
Once in command, he boxed in the British
At Boston where he captured Dorchester Heights
Overlooking the Brits at his mercy
As his men took aim with their cannon sites.
The British commander had but one choice
To sail to New York to renew the fight.
Where the English had much greater forces
Who soon chased Washington's men in full flight.
They continued on to Pennsylvania
After crossing the Hudson in retreat
With the British forces in hot pursuit
It looked as though George was doomed to defeat.
When winter seemed to have stopped the fighting
That's when Washington crossed the Delaware.
On that Christmas night he captured Trenton
Where Hessians were surprised and unaware.
He whipped the British at Princeton
Where in victory his men began to sing.
Washington then wintered at Morristown
Training his troops for the combat of spring.
Washington fought bravely at Brandywine
And again at a place called Germantown
But the British were the victorious ones
As the dead of both sides covered the ground
Americans were blessed early that spring
When the French entered the war on their side.
Though most suffered frostbite at Valley Forge
With the help of the French they marched in stride.
The battles raged on, in the North and South
As the King's soldiers laid waste to the land.
Washington himself was in great despair
Pleading for aid for his weakened command.
His prayers were answered by 5000 troops
And a French fleet who took Chesapeake Bay.
They bottled up Cornwallis at Yorktown
Who surrendered to victory drums at play.
Yorktown was really the end of the war
Though not many quite realized that fact yet.
But the British soon grew tired of the fight
And the terms for its end were signed and set.
Washington yearned to retire at home
But his country chose him first president.
Cheering crowds waved flags of love and support
For they believed that 'he, ' by God, was sent.
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
A fragrant volley, and while he staggered under it,
The hat fallen from his head, she found one thoroughly
Soft-rotten, brown in the long white grass, and threw
For the crown of his dark head but perfectly missed,
Crying 'Quits. We're even.' They stood and warily smiled at each
In the heavy-sweet apple air.
The garden was sunken lower than
the little fields; it had many fragrances
And its own shadow, while the cows lay in the stream-bed, large
sycamore leaves dropped on their flanks; the yellow
Heads of the hills quivered with sun and the straining sea-glare.
Fayne said, 'Where did it go, poor thing?'
Looking for the little serpent. Michael said gravely, 'That's to
remember me by. I wish I could do worse.
I'm going away.' 'What?' 'From here again.'
'Oh, no.' 'I am, though.' 'No, Michael.'
'Freckles,' he answered, 'didn't it ever occur to you
That it's fairly dull here? I'm going up to town again.
I've got to earn money and spend it and hear the motors.'
She said dismally, 'What about me? Who'll there be to talk to?'
'Lance, of course.' 'I love him dearly; he's not fun exactly.
He wouldn't stick a rattlesnake up my leg.'
'Gopher-snake,' he shouted. They stood and laughed at each
And Michael: 'I was over the ridge to Drunken Charlie's,
Fixing up a little party for Saturday.
There'll be a moon in the evening. I leave Monday.'
Fayne said unhappily, 'Help me pick up the apples
I poured on you.'
Michael was taking Mary Abbey;
The Dolmans came, and Will Howard with two girls,
And Leo Ramirez with his sister Nell, so that the youth
Of the coast was all there. They met at Erasers'
And crossed the ridge; and were picketing the horses
Where they could ride no farther, on the airy brink
Above the great slides of the thousand-foot cliff.
They were very gay, colorful mites on the edge of the world.
The men divided the pack to carry;
Lance Eraser, being strongest, took most.
Far down below, the
broad ocean burned like a vast cat's eye
Pupilled by the track of sun; but eastward, beyond the white-
grassed hump of the ridge, the day moon stood bleak
And badly shaped, face of stained clay, above the limestone fang
of one of the Ventana mountains
Just its own color. Lance, looking back, saw his wife talking to
Michael, her cinnabar-colored hair
Like a flag of life against the pale east. That moment he saw the
horses plunging against the sky
And heard a noise like a sharp head of water from a narrow pipe;
a girl cried out,
Lance dropped his pack and returned. Will Howard was looking
But found none, but Lance found a burnt fence-post, relic of an
ancient fire. The snake lay with raised head,
The rattle of its tail making that noise of sharp water running; a
big rattler, but very small
At bay in the circle of the laughing men. Lance struck for its head,
but the snake that moment struck at the rope's end
That Michael was flicking at it, so that Lance's blow failed, the
fence-post broke to bits in his hand,
The snake not harmed; then Michael laughing with pleasure
whipped the creature to death with the doubled rope
And set his heel on the head; Lance damned all rotten wood, his
blond face flushing
Dark through the sunburn. Michael cut off the victim's
Tail with the ten rattles to give to Mary;
The other young men quieted the horses, and caught
One that had dragged away the bush it was tied to.
Lance would not wait, he picked up his pack and went
Alone down the zigzag path; but after a moment
His temper cleared.
Far down, short of the cat's-eye ocean, they
saw like a brown pebble
Drunken Charlie's hut in a gorge of the cliff, a feather of smoke,
and his boat like a split berry
Of bladdery seaweed up the thin strand; and Lance stood waiting
down the wild cliff side, his light-brown hair
Golden with sun, his hat and the pack laid down. The warm wind
up the mountain was wild with fragrance,
Chiefly the scent of the chiya bushes, that wear rosettes of seed
Strung on the stem. The girls squealed as they scrambled down,
when the brittle trap-rock broke underfoot,
Small fragments ran over on the next below. When they came to
the foot of the cliff Michael said, 'Now,' and offered
A bottle hot from his pocket. 'It's time.' Mary Abbey refused
it but the others drank, from mouth to mouth,
Stinging fire from the slobbered bottle-neck.
The sun was low
But had played all day on this southwestward
Cliff over the burning-glass water and the air
Still swirled with heat; the headland of Eraser's Point
Stopped off the trade-wind here. Fayne Fraser a little dizzily
Looked seaward, left of the blazing sun-track, and saw the track
of the northwest gale and the running waves
Like an endless army of horse with banners going by offshore;
her eyes followed them, a ruled line southward
Of violent water, converging toward the bronze headland beyond
headland of the mountain coast; and someone was saying,
'It's hot, we'll swim.' 'Before we eat,' someone said.
The girls twittered together and clustered northward
To a little cove beyond a fair spit of rock;
The men remained on this side.
Fayne undressed beside Mary
And was careful of words, because she'd sucked from the bottle
more than she meant to, and had small experience of drinking.
She said carefully, 'Where did those girls of Will Howard's
come from?' 'Nina told me,' she answered; 'waitresses
Down from the city on their vacation.' 'Honestly are they? I
guessed it.' 'No,' Mary said, 'they're nice girls.'
'That yellow-haired one, she's bad.' 'No,' Mary said. Fayne
said, 'Did you see her face when she looked at Michael
Across that bottle?' 'Oh, no,' Mary answered. '. . . Well. Are
you ready, Mary? Let's go.'
They limped down to the waves, giggling and wincing.
Fayne had tied a broad handkerchief around her hair
To shed the spray; she swam out farther than others,
Mary remained along shore.
The other side of the rock-spit
The men had bathed, and had come up strand again
To dry by the driftwood fire; all except Michael,
Who loved to swim. Lance Fraser stood by the fire, his broad
smooth chest, grooved between the square plates
Of heavy muscle, steamed and was ruddy in the glowing heat. He
narrowed his eyes to look seaward
And saw Michael's left arm, over the speck of his head, lift, reach
Swimming side-stroke; two white arms flashing swanlike on either
side of a handkerchief-hooded head
Emerged from the scales of light on the edge of the sun-dazzle.
The swimmers approached each other,
And met this side the long brown stain of the breathing kelp-bed.
But only thinking that they were too far out
And making a show of themselves.
On the pleasant water
Michael had called to Fayne, 'I've something for you.
Come here a minute.' She hardly dared, and thought
In the flashing joy of the sea, 'Oh, the water covers us.
What have you got?' 'Gin for girls.
We've got a fire on this side.' They met laughing,
And reached the bottle from hand to hand and floated decorously
Separate again. Fayne looked toward shore, and saw the vast
cliff in the flare of sundown soaring above
Like beaten gold, the imperfect moon-disk gold on its brow; the
tiny distinct white shapes of men
Around their spot of fire in the flat blue sea-shadow. She breathed
hard and said,
'My God, how beautiful. Oh, Michael, stay here at home.'
He answered with a watery yell of pleasure, submerging his
To roar as the sea-lions do.
Fayne trailed the bottle
And swam ashore. There was nothing to dry herself with;
The chill of the water had touched her blood, she sucked breath
Through clicking teeth. She sipped from the salted bottle,
And dressed, but shivered still.
She sunned herself by the fire,
Watching with fascinated speculation of pain
The antennae of lobsters like spikes of jointed grass
Above the heating water in a five-gallon tin
Writhe at the sky, lives unable to scream.
Under the vast calm vaulting glory of the afterglow, low smoky
rose and delicately
Stratified amber, soaring purple; then rose again, luminous and
virginal, floating the moon,
High up a scoured hollow of the cliff
Cormorants were settling to roost on the jags and ledges.
They writhed long Negro snake-throats and shot
Sharp heads at each other, shaking out sooty wings
And angry complaining cries.
Below, on the thread of beach,
The lonely fisherman who was called Drunken Charlie,
Fire glowing on his drugged eyes, wide beard and lank hair,
Turned meat on the grid over the barbecue-pit
And talked to himself all the time. Michael Fraser knelt
By a turned chest that served for table and poured
From a jug into cups, fierce new distillate
From Charlie's cliff -hidden kettle.
Faync Eraser shook half-dried
The color of the coals at the heart of the fire
But darkening as light decreased, and went to Lance
Who stood alone at the waves' edge, turning his back on the
world, and the wet sand
Raised by his weight on either side of his foot-soles ran water and
glistened in the still light. Fayne said
'Are you cross, dear?' She pushed up his rolled sleeve and clasped
her fingers on the broad trunk of his arm
Above the elbow, 'Dear, are you sad?' 'I? No,' he said, 'What
about?' 'You haven't spoken to anyone
Since we were swimming.' 'Why should I? You were out too
far, though.' 'Oh, I can swim.
And Michael was there to help me if I'd got tired.' 'By God, no,'
Lance said, with a sharp vision in his mind
Of her bright nakedness, the shining whiteness and the red hair.
She understood and said softly, 'Well,
I didn't need help. But he's our brother.' 'Certainly; I didn't
mind him,' he answered. 'But I did hate
To think that rabble of girls could look at you; it isn't decent.'
She said, 'They didn't seem interested.
Come, drink and eat. Those waitress women are passing the paper
plates.' He saw that vision once more,
The form and whiteness, the little gay-colored flower of the
pubic hair, and groaned, as a thick bull
Alone in the field groans to himself, not knowing why the hot
brow and the hooves itch for destruction.
Fayne to cure his unhappiness hasted and returned
Fetching two cups of the fire Michael was pouring.
After they had
eaten, twilight and moonlight came;
The fire burned smaller and brighter; they were twelve around
it; and drinks were poured. The bearded fisherman seemed
Stiffly asleep, with open eyes like a drowned man's
Glazed by the yellow firelight. Tom Dolman and Leo Ramirez
Roughed at each other, and Nina Dolman
Sitting between them cried out; then Michael said,
'Get up and wrestle.' All but the fisherman turned
To watch them circle clumsily on the damp sand
And suddenly lock, into one quadruped body reeling
Against the dark band of ocean and the low sky.
Ramirez had the low hold but Dolman was the heavier man;
They tugged and sobbed; Ramirez was lifted high
And writhed on the other's shoulder by the evening star,
But the strained column staggered and crumbled, the Spaniard
Fell uppermost and was the first to rise up.
Michael asked very gravely, 'Who was the winner?
The winner may challenge Lance.' Ramirez gasping and laughing
Said, 'Drunk; not to that extent.' 'Then gather firewood.
The fire's got low.'
The yellow-haired one of the two girls Will
Howard had brought
Sat in the sand beside Lance Fraser; she leaned on his shoulder
and held a cup to his mouth and said
'Please drink it for me: things are beginning to go 'round in
circles.' He drank; then Fayne on his other side
Grew suddenly cool and quite clear; she leaned across him and
said, 'That hair in the cup! Well, you drank it.
Her bleaches have made it brittle so it keeps falling.' 'Oh,' the
other gasped, 'that's not true.' 'It's pretty,' Fayne said,
'Only the black half inch at the roots. Is your name Lois? What's
your name?' 'Lois.' 'Lean the other way,
Lois.' Then Lance said angrily, 'Be quiet, will you,' and got up
To fetch more firewood.
A timber from one of the four ships
That have broken in half a century off Fraser's Point
Lay near and dry; Ramirez and Howard had brought it,
But the axe was lost in the sand. Lance up-ended it,
An ivory-white pillar under the moon,
Garnished with great iron bolts. He wedged his fingers
Into a crack and suddenly straining tore it in two;
The splitting made a great noise under the cliff,
The sea being quiet. Lance felt himself curiously
Numbed, as if the sharp effort had strained the whiskey
Out of his blood through the sheathes of his nerves;
His body obeyed as ever but felt a distance
Blocked off and alien. He took the halves of the timber
Under each arm and a bolt in his hand,
For two or three had fallen out of the wood,
This one straight, long and heavy. After he had laid
His logs on the fire he saw the fisherman's
Firelight-discolored eyes, and called 'Hey! Charlie.'
Still the man slept. Lance, wavering a little, reached
Over Will Howard's shoulder and took the cup from his hand,
Drank half, poured the other half on Charlie's long hair;
It dribbled into his beard; he coughed and awoke.
Lance said 'D'you ever have rattlesnakes down here?
I snicked at one up the cliff with a rotten stick;
But this'd fix 'em.' He gave him the iron bar;
Charlie posted it carefully up in the sand
Between his feet and answered, 'Mm; but there's Injuns.'
'What?' 'All that was cleared out of the country.
Where did you think they got to? They ain't got ships.
Down here they are.' The dark-haired girl that Will Howard
Suddenly stood up from the fire, she went toward the sea and
was heard vomiting. Charlie nodded and said,
'There's one o' them now. Most nights I see their fires away
down the beach.' Mary Abbey whispered to Michael,
'Don't take any more. Time to go home.' 'Ah no,' he said,
'dear, we just got here.' Fayne came to Lance
And said, 'Don't drink any more. Time to go home.' He an-
swered briskly, 'Since when are you giving orders?'
'Since you're not fit to.' She knew while the words made in her
throat, 'Now he'll be angry,' a pale rush of anger
Ran to meet his; the memory of all his bad-tempered times, his
heavy earnestness and lack of laughter,
Pierced like a mountain-peak the cloud in her mind, 'Oh, I do
He stared, more astonished than angry, and saw her face
Lean, sharp, bled white, each freckle black as a mole
Against its moon-gleam pallor. 'That's how you feel, ah?'
He turned his back. She thought, 'He'll never forgive me:
Let him not,' and saw the Dolmans, Nina and Tom,
Seeking the way up the cliff, Mary Abbey with them,
Fayne went and said, 'Michael, I've lost my cup,
Aren't there any more cups?' 'I'll hold the jug:
You hold your mouth.' 'Oo, I need water with it.'
'No, you don't.' Half of the sip went strangling
Into her throat, half ran by her little chin
And trickled between her breasts. She looked at the fire,
Then at the moon, both blurred fantastically,
Red burrowed, white wavered high. Michael said, 'My girl's
Fayne said, 'Oh, and yours?' He said 'That's no sense. That's
She laughed and answered, 'They don't.'
The moon suspended
in her great antelope-leap from the head of the cliff
Hung pouring whiteness along the narrow runway of sand and
slide-rock under the continent's foot,
A watery glittering and secret place, walled from the world,
closed by the cliff, ditched by the ocean.
Drunken Charlie dreamed by the dying fire;
Will Howard and Nell Ramirez were one slight point
Far down the white beach. Yellow-haired Lois
Spilled her drink and said, 'Seeing is believing.
Come on, I'll show you.' She smiled at Lance, 'Come, dear.
Sadie's passed out; it's all right wi' Sadie,'
And to Leo Ramirez, 'Come if you like, dark boy.'
He swayed and stammered, 'Responsible; Sister Nell.
Keep an eye on young sister.' 'Ah, go and find her.'
'Not till I see the picture on Sadie's stomach.'
They wandered toward Drunken Charlie's little hollow skiff
And its black shadow, drawn up the moonlight strand.
Lance thought, 'Here's a boat, let's break it,' and thought with
an ache of shame,
'I wouldn't think that, only being drunk.' The center of his
mind made savage war on rebellious out-liers
In breathless darkness behind the sweating forehead; while Leo
Ramirez, seeing the bright fish-scales glued
With blood and slime to the boat-thwarts glitter like a night of
stars, began to sing a stale song: 'We'll always,
Be young and gay. We'll always, feel that way.' Lois said 'Shut
up,' and led them around the boat,
Her friend lay in the moonlight nestled against it. Lois knelt
down and gently drew her by the shoulder;
She groaned in her sleep, resisting. Lois laughed, 'The boys want
to see it, Sadie,' and tugged, and turned her
Onto her back, the stained pale face up to the moonlight; the
teeth in the opened mouth glittered,
And sour breath crossed them, while Lois turned up the blouse,
loosened the band and jerked up the linen shift
To show a three-masted sailing-ship tattooed with black and red
inks on the soft white belly
Below the breasts. 'My God,' Ramirez said, 'there it is.'
Lois answered, 'A fellow dared her,' and looked for Lance,
Who trembled and said, 'Cover her up, damn you.'
Lois blinking drew down the blouse. Ramirez giggled,
'My God, a U. S. flag at the peak,' and reached
Over Lois's shoulder to raise the cloth;
Lance struck and felled him, and stepping across him fallen
Leaned and strode toward the cliff and the red coals
That had been the fire.
Drunken Charlie lay on the sand,
The iron bolt erect by his feet; Lance caught it up
And smashed the jug, and saw the remnant of whiskey
Glitter among the shards to sink into sand.
He ground his teeth; he saw in his mind in the stream of images
A second jug, and began to search for it.
The tide had fallen, the
steep ribbon of beach was but little wider,
But the sea was become so flattened that no waves flashed. Enor-
mous peace of the sea, white quiet of the cliff,
And at their angle and focus a few faint specks of humanity
happy in liquor or released in sleep,
But Lance alone. Then noises like the cries of a woman scream-
ing, bird after bird of sharp-colored sound
Flew on the face of the cliff, tattered wild wings against jagged
rocks. On the cliff head the patient horses
Turned their ears, grooving small wrinkles about the roots of the
cartilage, but did not lift up their heads;
And the sea was not moved, nor the moonlight quivered. Will
Howard was lying beside Nell Ramirez; they'd fallen asleep
Before he had his desire; they sighed and stirred in the sand. He
murmured 'Oh, somebody's got hysterics,'
And wriggled his fingers, which had grown painfully numb
between her plump knees. But Lois, Leo Ramirez
And Drunken Charlie heard the sounds nearer; they went in a
wind of fear to find out their fountain,
And Sadie awoke in the sand and followed heavily,
Falling but once, catching her clothes that slipped,
Whining at the hollow pain in her skull.
Beyond a rock
Stood Lance, high white in the moon-glaze, distorted, taller than
Lois said, 'Dearie?' He babbled, 'Oh Jesus Christ Oh Jesus
Christ Oh Jesus Christ,'
Behind him in a great shadow of her hair darkened
By the rock-shadow Fayne turned her white wedge of face
With three holes in it. She was kneeling, bent S-shape,
And seemed to stare up from the very ground. She said, 'I think
It is finished. Water please. Water please.
He fell down from the cliff.' Then Michael's feet were seen,
And thence the prone extended ridge of his body
Ending indefinitely under Fayne's face.
Lois cried, 'He's hurt.' But they dared not approach
For Lance standing between, high and twisted
Like a dead tree. Lance said, 'I . . .' Fayne cried,
'He fell down from the cliff.' They all stood silent,
Lois's mouth opened and closed on silence
Three times, then asked, 'Is he hurt?' Lance said, 'Oh Christ.
I ...' Fayne cried so that his words were hidden,
And stood up and said, 'He has died. Michael.
He was climbing the cliff and fell, his foot caught on that bush;
He struck his head on that rock, on that edge of rock.
It is all broken in. Oh, we loved him.'
Ramirez said, 'What for did he climb up there?'
'Have we drunk waterY* Fayne said. But Lance began
To shake, like a tall dead mast of redwood that men are felling,
It is half cut through, each dip of the axe the sonorous timber
quivers from the root up to the cloud,
He said 'I caught them . . .' 'He caught him,' Fayne cried,
'when he fell but he could not save him.' 'I killed . . .'
'You are wild with sorrow
He fell head down whether you'd tried to catch him or not.
You are not to blame.' He said, 'It is horrible
To hear the lies from her mouth like bees from a hot hive: I am
the one,' but Fayne running to him
Made an animal moan in her throat in time to hide what he said.
She came to Lance, and her face
Like a held spear, and said, 'Drunkard.
Too drunk to be understood. Keep still until you can talk and be
understood.' He drew backward from her,
Shuddering like a horse from a snake, but when his back was
against the rock he stammered, 'I
Will find my time.' 'Yes,' she answered, 'be quiet now. To-
morrow when you are better they'll understand you.'
'Is he dead?' 'Keep still. Will you shame his end
With drunkard babbling? For he was the dearest,' she said, 'in
the world to all of us. Lovelier than morning light
On the mountain before the morning. There is not one of us
would not have died for him: / would, / would, / would,'
She cried writhing, 'but not lose Lance too. How can I plan to
save him, I've got what I can't bear?
You are all our friends.'
She set her hands in the masses of red-dark hair, dark in the
moonlight, and tearing it, with her white face
To the white moon: 'That eye's blind. Like Juan Arriba's old
mare he used to beat on the face,
Her eyes froze white like that. He was larking on the cliff and
fell.' She seemed to be treading a tragic dance,
She was scuffling sand to cover the bolt of shipwreck that lay in
the shadow of the rock; she wrung her hands
And knelt moaning by Michael's head; she rose with blood on her
hand and fibers of hair, and ran
To the rock under the cliff. 'This rock killed him. He fell on this
edge,' she drew her hand on the edge
And the rock was stained. Then Sadie was heard gasping from
her poor stained face. One or two looked at her. 'O-uh,'
She whispered hoarsely, 'we was having fun!'
Lance moved at
length, like a dead man walking, toward his dead brother,
And stooped as one stoops to gather a sleeping child. Fayne ran
and said, 'No, the man. No, the man.
He has to come.' Lance turned toward her his face like a para-
Slack with peace, and said softly, 'The man.'
'He'd think wrong has been done. I can't think . . . coroner.
Don't take him up.' 'Home?' he said,
Seeming gently surprised; he gathered the body
Into his arms and walked along the foot of the cliff.
Fayne stayed behind a moment, the others following.
She cast quick looks over the rocks and sand;
One end of the rusty bolt was visible still;
She leaned toward it and fell on her face. She labored up
And went ten steps to the ebb and flung the iron
To the water edge.
Lance walked along the foot of the cliff.
He turned, not where the path went up, and walked
Into the face of the cliff, and stood there walking
Like an ox in a tread-mill, until Ramirez
Showed him the path. Fayne went up behind him.
Half way up
He awoke a moment out of his automatism
To feel failure and pain, his breathing like knives, and the failure
Of his eyes; it was impossible to see the path;
He checked a step and fell forward.
Fayne came up to him
And stood; there was nothing that she could do. They lay
Very peacefully together, Lance's face
On his brother's breast. She looked across them;
Terribly far down the moonlight cliff crouched the dark sea.
Ramirez came up and stood. Fayne said they had not the strength
to carry up either of the fallen, and so
They had to wait. They heard a faint breeze through the dry
bushes; and the crying of sea-lions far down below,
Where eight or ten were lying in a circle by the softly heaving
kelp-bed, as their custom is, and gazed
With great mild eyes at the sky and the night of water. Then
they sing in their manner, lifting up sleek
Dark-shining muzzles to the white moon, making a watery noise
of roaring and a lonely crying
For joy of life and the night.
At length Lance
Began to paw with his feet like a dreaming hound,
And some stones fell. He knelt and stood up
And took his burden and went up.
When they entered the sleep-
Fayne led the horse; Lance held his brother and rode behind him,
It would be hard to tell which one was slain
If the moon shone on their faces. The horse stopped and sighed
By the garden-gate; Lance did not move to dismount,
But sat and held up his brother. Fayne came beside,
Reaching to help; Lance whispered 'Ah, ah, thank God.'
'What?' 'He may be saved, Fayne.
He is hot under the arms and I heard him breathe.'
'You heard the horse breathe,' she said. They lifted down
The unmanageable weight.
Oh, ignorant penitents,
For surely the cause is too small for so much anguish.
To be drunk is a folly, to kill may call judgment down,
But these are not enormous evils,
And as for your brother, he has not been hurt.
For all the delights he has lost, pain has been saved him;
And the balance is strangely perfect,
And why are you pale with misery?
Because you have saved him from foolish labors and all the vain
From desires denied, and desires staled with attaining,
And from fear of want, and from all diseases, and from fear of
Or because you have kept him from becoming old,
When the teeth dropp and the eyes dim and the ears grow dull,
And the man is ashamed?
Surely it is nothing worse to be slain in the overflowing
Than to fall in the emptiness;
And though this moon blisters the night,
Darkness has not died, good darkness will come again;
Sometimes a fog will come in from sea,
Sometimes a cloud will crop all the stars.
The moonlight from the west window was a square cloth
Laid on the floor, with one corner on the bed,
Lying over Michael's hand; they had taken him
To his own room. Fayne whispered: 'Now we must tell them.
Your mother may dieher sick heart.
Don't let her die too bitterly. For this one night, dear,
Say nothing worse than 'Michael's gone.' Spare her something
Until she has cried. Four hours' mercy. By morning
That heart of hers will be seasoned.' Fayne strained in the dark
To see his face. He answered in a short while,
'How many mornings I've come in here
And routed him out of bed. He always was a late sleeper.
Sound asleep, Mother.' Fayne caught his arm. 'Can't you hear
'You,' he said, 'keep your hands off! . . . Until morning
I'll say he fell.'
It was not morning, but the moon was down.
The old mother sat by the bed with her hand on Michael's, regu-
larly her great fat-swollen body
Jerked with a sob, and tears were spurted from her closed eyes.
Old Fraser sat with his fists evenly
Together on his knees, his bony face held erect, the brown eyes in
their hollows red with lamplight.
Fayne heard the noise of a motor starting and left the room.
He was backing out the big truck,
The shed was full of the headlight glare, the ruby tail-light
glowed by the axle. Before she could come
It had crept out; its light swung up the driveway by the stooping
And picked from darkness the heavy timbers of the high corrals
and the white beehives remote on the hill;
Fayne ran down the river of light to the gate and closed it, and
stood in the gate for fear he might smash through;
But Lance came wearily to open; stooping, tall,
Black on the light. She said, 'Oh, where?' 'You know.
Tell dad to come to Salinas and get the truck;
There wasn't enough gas in the little one.'
She answered, 'Can the sheriff make us happy again?
Or the judge make Michael alive again?' 'Open the gate.'
'Yes, dear. Listen to me. When Arriba and his boys
Stole cows of ours, did you run to the courthouse?
We take care of ourselves down here. What we have done
Has to be borne. It's in ourselves and there's no escaping,
The state of California can't help you bear it.
That's only a herd of people, the state.
Oh, give your heart to the hawks for a snack o' meat
But not to men.' When she touched him with her hands,
Pleading, he sighed and said, 'If I'd been nearer
My decent mind, it would have been you, not Michael.
Did y' love him? Or was it only because you're female
And were drunk, female and drunk?' 'Oh. Hush. I was begging
Not to leave us, as I'm begging you. He promised me, dear.
He said he'd not go away. I kissed him for that; he was our
And you came behind.' Lance's blackness of his leaning bulk
Vibrated in the light-beam. 'It'd be a pity for me then.
I can't see clear, in the dirty streaming memories . . .
Don't be afraid; your part will be secret.
I'll say I killed him for nothing, a flea-bite quarrel,
Being beastly drunk.' 'He was killed,' she answered, 'for
'It's a great pity for me then.
Open the gate.' She clung to the timber bolt
To hold it home in the slot, and felt his mind
Tearing itself. 'Lance. Lance? Sweetheart:
Believe . . . whatever you need to save you.
I won't give you up. You can't remember what happened;
I tell you he fell from the cliff. But if your dreadful
Dream were true, I know you are strong enough
To give your heart to the hawks without a cry
And bear it in lonely silence to the end of life.
What else do you want? Ah. Confession's a coward
Running to officers, begging help. Not you.'
The scrape of slow boots on gravel outside the light-stream,
Across the pulses of the idling motor, and suddenly cried,
'He fell from the cliff.' An old man said in the dark,
'They ain't got consideration. Where was you going
This time o' night, after what's happened? Your dad wants you.
Your ma's took bad.' Lance moaned and stood still.
Fayne said, 'He was going to Lobos to telephone
The doct . . . the coroner. Dearest, you ought to go in.
She suffered great pain before, she was near death.
Old Davie will drive up the coast for you
When daylight comes.' 'Oh,' he said stilly, and turned
His face to the fountains of light; it gleamed without meaning
In the stream of radiance like a stake in a stream,
Except that from exhaustion the pupils of the eyes
Failed to contract, so that their secret interiors
Of their chambers returned the light all sanguine.
At length he kneaded them with his fists and said,
'I can't see well. You'll have to help me find the way in.
It's not a trick of yours, uh?'
His mother lay on the floor,
For Michael's body lay on the bed. The sun of pain at her heart
had rays like skewers of anguish
Along the left arm and up by the jugular arteries. She dared
not move; her face stood wet-white and still,
With live blue eyes; but the clay-pale lips opened and closed.
Old Eraser had swathed her in hasty blankets.
Fayne entered; Lance behind her stood swaying and stooping
in the door and saw his father
Crouched beside the great cocoon of the blankets; and Michael in
the bed above, and trinkets of Michael's
That hung on the wall, gleam in the lamplight. The violence of
pain was brief; she whispered 'better/* and breathed
With greedy shallow passion; her eyes found Lance.
grayed slowly into the room;
The lamp ran dry unnoticed. Lance and his father
Labored and carried the heavy old woman to bed.
Fayne brought them food, but Lance refused it. In the afternoon
He walked outdoors for a time, but nothing farther
Than the cattle-pens. Fayne must have been watching for him,
Because she went and walked by his side, and said,
When they were turned from the house, 'Mary Abbey was here.
It seems she expected to marry Michael, though he never told us.
She cried a lot.' Lance made no sign of hearing her.
Fayne said, looking up sidelong at his cheek and jaw,
Where the flesh hung thin on the bone: 'Her griefs not
Like ours, forever; but sharp at present. If she ever
Imagined that you . . . how could we bear her looks? You are
too strong, dear,
To lay on weaker persons a burden
That you alone ought to bear.' He strode faster
And stopped, muttering, 'He lies up there, like that.
And my mother, like that; and I have done it;
And you talk about Mary Abbey.' Fayne said, 'I have no time
To choose names, for a man is coming to-day
To question us. He's sent for. I have to tell you that you must
choose whether to relieve
Your own weakness , . . conscience I mean ... by easy con-
Or bear the whole weight unhelped. The first way's easy; you'll
be acquitted; you'll be left humbled and soiled,
But free; for confession is not enough; and you were too lost to
remember anything clearly; and I
Am the one witness. I saw him climb on the cliff and fall. So your
conscience will be well comforted,
And fairly cheap. Only your mother perhaps will die of it; your
father and I will swallow our portion;
And the crowd at Salinas
Will have had a good time watching your face in court. It would
be harder, if youVe a snake in your heart,
To keep it shut there.'
He was silent, and drew sharp breath and
said, 'A red-haired one. Ah.
A white one with a red brush. Did you do it with him
Or not?' 'Leave that,' she said stilly; 'this choice is now?
He groaned and answered, 'My mind's not quick like yours.
. . . I'll not lie to them.' 'Let me show your mind to you;
Be patient a moment still; if I seem cruel,
That's to save, all that's left. Look at yourself:
A man who believes his own sweet brother's blood
Lies on his hands: yet
Too scrupulous to tell a lie, for his mother's life.
Our minds are wonderful.' He meditated, and answered
Heavily, 'The sunlight seems dull but red.
What makes it red?' 'Your eyes are sick of not sleeping;
Or there's a forest-fire in the south.' 'Our minds? Little bottles
That hold all hell. I seem too tired to feel it, though.
I'll think, I'll think.'
'You have no time for thinking. He will come probably
Within this hour.' 'Who? Let him come. I'll tell him
God made them male and female but men have made
So-and-so ... I fall asleep while I talk . . . whiskey eh?
Lighted the sticky fire. It's not possible
I'd ever done it except that I stumbled on you
In the heart of guilt. I know that.' 'Believe it then,'
She answered shrilly, and stood twitching her lips
In the white freckled face, in the reddish light of her hair,
'If that will help.' 'Oh,' he said.
'... I wish you had picked from another tree.'
She answered: 'You are to say that you found him dying.
You heard me cry, and he was down by the rock.
Isn't that the truth exactly, because you remember
No previous thing? You heard me cry out; you came;
Michael was dying or had died. That's all. You carried him home.
. . , I wish he'd come.'
But the man did not come
Until afternoon the next day. Dark weather, for a stagnant ocean
of cloud was hung on the sky,
And what light shone came colored like the taste of metal through
smoke of burning forests far to the south,
That veiled the coast, so that it seemed brown twilight
In the house, in Michael's room. A lamp was lighted,
The death-wound viewed. 'Who saw him fall?' 'I alone.
My husband and others came when I cried.' 'Where is your
'With his mother,' she answered faintly. 'She had an attack,
Her heart, angina, and has to lie still. Shall I
Call him, sir?' her voice hardening, her eyes
Growing hard and narrow. 'Pretty soon. Was this young man
In trouble about anything?' 'No.' 'A girl?' 'He was engaged
To Miss Abbey.' 'They had a quarrel, ah?' 'No.'
'Did he seem cheerful?' 'Very.' 'They always do.
Yesterday I had to drive by Elkhorn Slough
Because a very cheerful old man opened his throat
With his nephew T s pen-knife. I was two hours
Finding that place; the farmers around there they couldn't tell
Whether Jesus Christ died on the cross
Or at the battle of Bull Run.'
Old Eraser had stood
Nerveless and dreaming over the livid face
Since they uncovered it; abruptly he turned his head
Above his bowed shoulder, saying 'It's enough.
Dog, blaspheme not. Go to your own place.
My son found death in recklessness, I fear in folly;
Write that and leave us alone; go hence and leave us
To mourn and hope.' 'Well, Mr. Fraser. You understand . . .'
'I am very patient,' the old man said, thrusting
His hollowed face toward the other, the closely set
Inflamed brown eyes pushing like the burnt end of a stick
That has been used to stir fire; the man stepped backward.
'Did he say patient! . . . Well, is your husband here?'
Payne's mouth jerked and froze hard, her hands quieted.
'I will call him. Come to the room downstairs.'
She said at the foot of the stair, 'This way, sir. It's dark.
Will you have to go ... to see the cliff, to see
The cliff?' 'Hm, what's that?' 'Where he fell.'
'Can we drive there?' 'No, ride and walk.' 'Look here,'
He said, 'I've come sixty-five miles already.
You're sure it was accidental?' 'Yes.' 'Well.
I always try to save the family feelings
When the case is not clear.' He tried his pen,
Shook it, and wrote. Fayne watched, quiet and cold, thinking that
Would not have to be questioned; he was saved now;
And saw the man to his car. When he had gone
She thought that now she could laugh or cry if she wanted to,
Now Lance was saved, but her nerves and her mind stood quiet.
She looked at the dusty gate and the dark house-gable
In the stagnant air against the black cloud, and perceived that all
events are exact and were shaped beforehand,
And spaced in a steel frame; when they come up we know them;
there is nothing for excitement.
She went in,
And found Lance in the dark at the head of the stair, bent for-
ward like a great bird. 'Has he gone, Fayne?'
'Did you know he was here?' 'I will live on,' he answered,
'seems to be best. I loved him well; he died instantly,
No anger nor pain. Davis has dug a place by the children's
On account of the dull weather
And closing twilight the group on the hilltop was hardly visible
in their vast scene. It was quite evident
That not only Pico Blanco against the north, and the gray Ven-
tanas, but even every dry fold
And gully of the humbler hills was almost by an infinite measure
of more importance
Than the few faint figures on the bare height,
The truck, and three saddled horses,
And some persons.
The old man swayed and shook, standing praying
At the head of a dug slot
Beside the pile of pale earth.
The heavy great brown-furred sky that covered all things made
a red point in the west, lost it and darkened,
And the Point Sur lighthouse made a thin stabbing from the
Swaying on his heels and toes the old man prayed:
'Oh Lord our God, when thy churches fell off from thee
To go awhoring after organ music,
Singing-women and lecturers, then my people
Came out from among them; and when thy last church,
Thy little band, thy chosen, was turned at length
To lust for wealth and amusement and worldly vanities,
I cried against them and I came forth from among them.
I promised thee in that day that I and my house
Would remain faithful, thou must never despair;
I said, though all men forget thee thou hast a fort
Here in these hills, one candle burning in the infidel world,
And my house is thy people.
My children died,
And I laid them in this place and begot more children
To be thy servants, and I taught them thy ways, but they fell
away from thee.
They found their pleasure among the ungodly, and I believe
They made themselves drunk with wine, and my dear son is
He died on the shore. One half of the curse of Eli has fallen
He covered his face with his knotted hands and stood gasping,
And said, 'I loved him. Here he is, Lord.
Surely thou hast forgiven his sins as I have forgiven them,
And wilt lift him to thy glory on the last day.'
The old man stood silent, lifting his face, and fixed his deep
close-set eyes, like the eyes of an old ape,
Small, dark and melancholy under the bar of the brow, between
the wide cheek-bones, fixed them far off
Across the darkening ridges and ocean upon that single red spot
that waned in the western sky,
And said 'The world darkens and the end is coming.
I cannot beget more children; I am old and empty,
And my wife is old. All men have turned their faces away from
I alone am thy church. Lord God, I beseech thee not to despair,
But remember thine ancient power, and smite the ungodly on
And the faithless churches with utter destruction. For Jesus'
sake, amen.' While he prayed, Fayne watched Lance
With pity and fear; and Mary Abbey, who was there with her
Kept stealing glances at Lance through her wet eyelashes.
She whispered to Fayne: 'Oh, Lance looks dreadfully.
I never knew he loved him so dreadfully.'
Fayne answered, 'Yes, he did'; and looked up at Lance
With pity and fear. 'He looks as if he'd fall sick,'
Mary said. Fayne answered, 'No, he is strong.
He hasn't eaten since Michael died; maybe
He hasn't slept.' Mary said, wiping her eyes,
'His face is so sad and fine, like carved marble.
They say he carried him all the way home, up that cliff.'
The old man ended his prayer, the redwood box
Was lowered with ropes; Lance had the weight at one end,
Old Fraser and Davis at the other. The ropes cut grooves
In the earth edges. While they were shovelling earth,
Mary Abbey, with a sudden abandoned gesture
Of the hand that had the handkerchief in it, ran up to Lance
On the scraped ground. 'Don't grieve so.' She reached and
His hand on the spade-handle. 'It makes me afraid for you.
We all loved him; life has to go on.' He jerked his hand,
And looked down at her face with startled eyes
So pale gray-blue that all the light that remained in the world
Under the low black sky seemed to live in them,
Stammering, 'No. No. He fell from the cliff.' She said, 'I know,
We have to bear it. I loved him too.' He gathered his dreaming
Into the bundle again and said, 'Oh. All right. Please keep out of
the way for the time.
We have this to do.' 'Good-bye,' she answered patiently. 'Fa-
ther's calling me.'
The pit was filled full and mounded;
Fayne came and said, 'What was she saying to you?' 'Nothing.
Who?' 'Mary Abbey.' 'I didn't see her.'
'What, Lance? She came and spoke to you.' 'I'd rather be there
with Michael,' he answered. 'Dear, you must rouse yourself.
Life has to go on.' 'Somebody was saying so, I think.
There's not a hawk in the sky.' She answered from a hoarse
throat, 'After dark? What are you dreaming?
See, Davie's turned on the headlights.' 'I hate them,' he said,
'killers, dirty chicken-thieves.'
The farm-truck headlights
Shone on the mounded earth, and cast its enormously lengthened
shadow and the shadows of a few moving
Persons across the world, with the beam of light, over mound
beyond mound of bare autumn hills, and black
Ocean under the black-roofed evening.
That night he returned
To lie with Fayne in their bed, but like two strangers
Lying in one bed in a crowded inn, who avoid
Touching each other; but the fifth night
She laid her hand on the smooth strength of his breast,
He pretended to be asleep, she moved against him,
Plucking his throat with her lips. He answered, 'After all?
You're right. If we're to live in this life
We'll keep its customs.' He approached her confidently,
And had no power. The little irrational anger
At finding himself ridiculous brought to his mind
That worse rage, never before clearly remembered,
But now to the last moment; or imagined. He drew
His limbs from Payne's without thinking of her, and lay still,
with shut fists,
Sweating, staring up spirals of awful darkness, that spun away up
and wound over his eyes
Around a hollow gray core with flecks in it. 'I am damned un-
justly. I did it in a moment.'
But Fayne knew nothing
Of the shut agony beside her; only she was troubled at heart, and
Whether he had ceased to love her said tenderly, 'Sleep,
Darling. I didn't mean. I didn't want.
Only I love you.' He felt her instinctive hand
Move downward fondling along the flat of his belly.
He set it aside and spoke, so low that her ears
Lost every word between the hair and the pillow.
'What, dearest?' 'I know it,' he said, 'they're dogs: that was
Fit to tell dogs. I can be damned
At home as well.' 'Hush, dear.' 'I don't make a good murderer,'
He said, 'I sweat.' She was silent and heard him breathing,
And mourned, 'Oh, cover your mind with quietness to-night.
In the morning you'll face it down again. This will get well with
It was really only a dreadful accident.' 'Very damnable,' he said,
'Very true.' Fayne said, 'We'll live, sweetheart, to feel it
Only a dreadful accident, and the sad death
Of one we loved.' 'That's your smooth skin.
The fires fester on mine. Will you do something
For me?' 'Dearest, with all my heart.' 'An easy kindness:
Shut up your mouth.'
He got up after a time;
When he went out she followed, trembling. He turned on her
Outside the door. 'I'm not going to Salinas,'
He whispered, 'nor bump myself off either.
I'll not starve your hawks of their snatch o' meat.
Now let me alone for Christ's sake.' She stood and saw him
Against the starlit window at the end steal down
The hallway, go past the stairhead, and enter the empty
Room of his brother. He slept there from that night on,
And seemed to regain calm strength.
In the course of a month
Rain seemed at hand, the south wind whetting his knife on the
long mountain and wild clouds flying;
Lance and his father set out to burn the hill to make pasture. They
carried fire in forkfuls of straw
Along the base of the south wall of their valley; the horses they
rode snorted against it, and smoke
Boiled, but the seaward end of the hill would only be burnt in
patches. Inland, at the parched end,
A reach of high grass and sage might have led out the fire to the
forest, and Lance rode up
To watch a flame down the wind to black out the danger.
He carried two barley-sacks and went to the Abbeys' trough
At the hill spring to dip them, to beat down the fire's
Creepings up wind. From that spur of the mountain
He saw the planted pine trees at Abbey's place,
And riding back with the dipped sacks, the vale
Of his own place, the smoke-mist, and Sycamore Creek
Wound like a long serpent down the small fields.
He set his fires and watched them rage with the wind,
Easily stifling their returns, riding herd
On the black line; then from the base of the hill
Red surf, and the dark spray rolled back by the wind,
Of the other fire came up roaring. The lines met
On the fall of the hill like waves at a river's mouth
That spout up and kill each other, and hang white spray
On cold clear wind.
A rabbit with blazing fur broke through the back-fire,
Bounding and falling, it passed by Lance and ran
Straight into the stem of a wild lilac bush,
He saw it was blind from the fire, and watching it struggle away
Up its dark pain, saw Mary Abbey coming down the black hill
against the white sky,
Treading on embers. Lance turned and hardened in the saddle,
and saw the vale below him a long trough of smoke
Spilled northward, then Mary came near and said, 'I wanted to
talk to you. I saw you ride by the water-trough.'
He shuddered and said, 'What? I'll watch the fire.' 'Fayne
doesn't like me so well I think
Since Michael . . . indeed I'm ashamed to be always around your
'I noticed you there,' he said, carefully regarding
The dark braids of her hair, and the pale brown face
Seen from above. 'I don't know,' she said.
'My father says to go away for a time,
His sister lives on a place in Idaho.
But I wouldn't want to forget. But I told Fayne . . .
So I don't know. We could see that you grieved for him
More deeply than anyone else, and all these great hills are empty.'
He said, 'Is that all?' 'Ah . . . ? Yes,' she answered,
And turned away and looked back. Lance found that the bridle-
Had broken suddenly between his hands, and said 'You won't get
anything from Fayne; she's hard as iron.
Why do you follow us around? What do you think you'll find
out?' She said, 'Your grief is greater perhaps,
For you knew him longer. But you have Fayne and I have no-
body: speak kindly to me. As I remember,
At first it came from seeing you and Fayne so happy in each
I wanted to be like that. I can't talk well, like Fayne,
But I read a great deal.' He stared at her face and began to knot
the bridle, his hands relaxing,
And said, 'I must ride around by the oak-scrub and see that the
fire has checked. I've got to be watchful always.
Will you stay here?' He went and returned and said, 'Come
down to our place whenever you are lonely, Mary.
My mother's quite well again. His death was ... do people talk
much about it?' She looked in wonder at his face,
And he with numbed lips: 'What lies do they . . . can't you
speak out?' 'I never
Talked about it with anyone, since Nina Dolman
Told us that day. Truly there's nothing to be said by anyone
Except, he was bright with life and suddenly nothing, nothing,
Lance breathed and said sharply, 'I wouldn't bet on it
If I were you. Mary, you are tender and merciful:
Don't come to the house; Fayne is like iron. You'd better
Run home and forget about us. Unless you should hear something
I ought to know.' 'What do you mean?' 'Good-bye.'
She saw his bridle-hand lift, she said 'I've no pride,
I pray you not to leave me yet, Lance.
I loved him greatly, and now that bond hangs cut,
Bleeding on the empty world, it reaches after
You that were near him, Fayne and you. I was always
Without companions, and now I'd give anything
To be in your friendship a little.' 'Anything?' he said.
'You faithful women.
Fayne was five days. Mmhm, I have seen a vision.
My eyes are opened I believe.'
He rode across the burnt hill,
Watching the wind swirl up the ashes and flatten
The spits of smoke. Past the singed oak-scrub he began to wonder,
If there was honey in the little tree, had . . . the dead
Tasted it before he died? 'You'd better be off to Idaho.
... I shy from his name like a scared horse.
By God, I'd better get used to it; I've got to live with it.'
He looked sharply all about the burnt solitude
To be sure of no hearers, and recited aloud:
'I killed Michael. My name is Lance Fraser.
I murdered my brother Michael. I was plastered,
But I caught 'em at it. I killed my brother Michael.
I'm not afraid to sleep in his room or even
Take over his girl if I choose. I am a dog,
But so are all.'
The tall man riding the little bay horse
Along the burnt ridge, talking loudly to nothing but the ash-
drifting wind; a shadow passed his right shoulder;
He turned on it with slitted eyes, and saw through the strained
lashes against the gray wind a ghastly old woman
Pursuing him, bent double with age and fury, her brown cloak
wild on the wind, but when she turned up the wind
It was only a redtail hawk that hunted
On the burnt borders, making her profit in the trouble of field-
mice. Lance groaned in his throat 'Go up you devil.
Ask your high places whether they can save you next time.'
Leo Ramirez rode down on business
About redwood for fence-posts; he asked in vain
For Lance, and had to deal with old Eraser. When he went out
He saw red hair around the corner of the house
And found Fayne in the garden, and asked for Lance.
'I couldn't tell you. I saw him ride to the south.
He'll be home soon for supper.' Ramirez stood
In troubled silence, looking at the earth, and said
'I wonder ought I to tell him . . .' Payne's body quivered
Ever so slightly, her face grew carefully blank.
'What, Leo?' 'Will Howard, for instance. Mouths that can't
Shut up for the love of God.' 'He drives the coast-stage,'
Fayne answered carefully. Ramirez looked over the creek
At the branded flanks of the south hill, and no rain had come
To streak them with gray relentings. 'He didn't see it,'
He said; 'and those two janes on vacation
Went back to town the next day.' He giggled, remembering
The sailing-ship stippled on the white skin,
And fixed his mind smooth again. Fayne said, 'How dares he
Lie about us?' Ramirez's brown soft eyes
Regarded her with mournful wonder and slid away.
He said, 'You was very quick-thinking.' 'What?' she said, 'You
And when I cried to him to be careful you looked
And saw him larking on the rock, and you saw him fall,
You could see very plainly in the awful moonlight.
These are things, Leo, that you could swear to.' He nodded,
And slid his red tongue along his dry lips and answered,
'Yes'm.' 'So Howard's a liar,' she said. 'But don't tell Lance;
He'd break him in two. We'll all do very well,
All wicked stories will die, long long before
Our ache of loss.' 'Yes'm.' She walked beside him
To his tethered horse, and charmed him with an impulsive hand-
After he was in the saddle.
She stood with her face high, the
great sponge of red hair
Lying like a helmet-plume on her shoulders, and thought she was
sure of conquering security but she was tired;
She was not afraid of the enemy world, but Michael would never
be here laughing again. On the hill,
In the hill he lay; it was stranger than that, and sharper. And his
Ought to be hated a little in the much love. The smells in the
wind were of ocean, the reedy creek-mouth,
Cows, and wood-smoke, and chile-con-carne on the kitchen stove;
it was harder to analyze thoughts in the mind.
She looked at the dear house and its gables
Darkening so low against the hill and wide sky and the evening
color commencing; it was Lance's nest
Where he was born, and h
A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
Or as those puzzling specimens which, in old histories,
We read of his verses-the Oracles, namely,-
(I wonder the Greeks should have swallowed them tamely,
For one might bet safely whatever he has to risk,
They were laid at his door by some ancient Miss Asterisk,
And so dull that the men who retailed them out-doors
Got the ill name of augurs, because they were bores,-)
First, he mused what the animal substance or herb is
Would induce a mustache, for you know he's _imberbis;_
Then he shuddered to think how his youthful position
Was assailed by the age of his son the physician;
At some poems he glanced, had been sent to him lately,
And the metre and sentiment puzzled him greatly;
'Mehercle! I'd make such proceeding felonious,-
Have they all of them slept in the cave of Trophonius?
Look well to your seat, 'tis like taking an airing
On a corduroy road, and that out of repairing;
It leads one, 'tis true, through the primitive forest,
Grand natural features, but then one has no rest;
You just catch a glimpse of some ravishing distance,
When a jolt puts the whole of it out of existence,-
Why not use their ears, if they happen to have any?'
-Here the laurel leaves murmured the name of poor Daphne.
'Oh, weep with me, Daphne,' he sighed, 'for you know it's
A terrible thing to be pestered with poets!
But, alas, she is dumb, and the proverb holds good,
She never will cry till she's out of the wood!
What wouldn't I give if I never had known of her?
'Twere a kind of relief had I something to groan over:
If I had but some letters of hers, now, to toss over,
I might turn for the nonce a Byronic philosopher,
And bewitch all the flats by bemoaning the loss of her.
One needs something tangible, though, to begin on,-
A loom, as it were, for the fancy to spin on;
What boots all your grist? it can never be ground
Till a breeze makes the arms of the windmill go round;
(Or, if 'tis a water-mill, alter the metaphor,
And say it won't stir, save the wheel be well wet afore,
Or lug in some stuff about water 'so dreamily,'-
It is not a metaphor, though, 'tis a simile):
A lily, perhaps, would set _my_ mill a-going,
For just at this season, I think, they are blowing.
Here, somebody, fetch one; not very far hence
They're in bloom by the score, 'tis but climbing a fence;
There's a poet hard by, who does nothing but fill his
Whole garden, from one end to t'other, with lilies;
A very good plan, were it not for satiety,
One longs for a weed here and there, for variety;
Though a weed is no more than a flower in disguise,
Which is seen through at once, if love give a man eyes.'
Now there happened to be among Phoebus's followers,
A gentleman, one of the omnivorous swallowers,
Who bolt every book that comes out of the press,
Without the least question of larger or less,
Whose stomachs are strong at the expense of their head,-
For reading new books is like eating new bread,
One can bear it at first, but by gradual steps he
Is brought to death's door of a mental dyspepsy.
On a previous stage of existence, our Hero
Had ridden outside, with the glass below zero;
He had been, 'tis a fact you may safely rely on,
Of a very old stock a most eminent scion,-
A stock all fresh quacks their fierce boluses ply on,
Who stretch the new boots Earth's unwilling to try on,
Whom humbugs of all shapes and sorts keep their eye on,
Whose hair's in the mortar of every new Zion,
Who, when whistles are dear, go directly and buy one,
Who think slavery a crime that we must not say fie on,
Who hunt, if they e'er hunt at all, with the lion
(Though they hunt lions also, whenever they spy one),
Who contrive to make every good fortune a wry one,
And at last choose the hard bed of honor to die on,
Whose pedigree, traced to earth's earliest years,
Is longer than anything else but their ears,-
In short, he was sent into life with the wrong key,
He unlocked the door, and stept forth a poor donkey.
Though kicked and abused by his bipedal betters
Yet he filled no mean place in the kingdom of letters;
Far happier than many a literary hack,
He bore only paper-mill rags on his back
(For It makes a vast difference which side the mill
One expends on the paper his labor and skill):
So, when his soul waited a new transmigration,
And Destiny balanced 'twixt this and that station,
Not having much time to expend upon bothers,
Remembering he'd had some connection with authors,
And considering his four legs had grown paralytic,-
She set him on two, and he came forth a critic.
Through his babyhood no kind of pleasure he took
In any amusement but tearing a book;
For him there was no intermediate stage
From babyhood up to straight-laced middle age;
There were years when he didn't wear coat-tails behind,
But a boy he could never be rightly defined;
like the Irish Good Folk, though in length scarce a span,
From the womb he came gravely, a little old man;
While other boys' trousers demanded the toil
Of the motherly fingers on all kinds of soil,
Red, yellow, brown, black, clayey, gravelly, loamy,
He sat in the corner and read Viri Romae.
He never was known to unbend or to revel once
In base, marbles, hockey, or kick up the devil once;
He was just one of those who excite the benevolence
Of your old prigs who sound the soul's depths with a ledger,
And are on the lookout for some young men to 'edger-
cate,' as they call it, who won't be too costly,
And who'll afterward take to the ministry mostly;
Who always wear spectacles, always look bilious,
Always keep on good terms with each _mater-familias_
Throughout the whole parish, and manage to rear
Ten boys like themselves, on four hundred a year:
Who, fulfilling in turn the same fearful conditions,
Either preach through their noses, or go upon missions.
In this way our Hero got safely to college,
Where he bolted alike both his commons and knowledge;
A reading-machine, always wound up and going,
He mastered whatever was not worth the knowing,
Appeared in a gown, with black waistcoat of satin,
To spout such a Gothic oration in Latin
That Tully could never have made out a word in it
(Though himself was the model the author preferred in it),
And grasping the parchment which gave him in fee
All the mystic and-so-forths contained in A.B.,
He was launched (life is always compared to a sea)
With just enough learning, and skill for the using it,
To prove he'd a brain, by forever confusing it.
So worthy St. Benedict, piously burning
With the holiest zeal against secular learning,
_Nesciensque scienter_, as writers express it,
_Indoctusque sapienter a Roma recessit_.
'Twould be endless to tell you the things that he knew,
Each a separate fact, undeniably true,
But with him or each other they'd nothing to do;
No power of combining, arranging, discerning,
Digested the masses he learned into learning;
There was one thing in life he had practical knowledge for
(And this, you will think, he need scarce go to college for),-
Not a deed would he do, nor a word would he utter,
Till he'd weighed its relations to plain bread and butter.
When he left Alma Mater, he practised his wits
In compiling the journals' historical bits,-
Of shops broken open, men falling in fits,
Great fortunes in England bequeathed to poor printers,
And cold spells, the coldest for many past winters,-
Then, rising by industry, knack, and address,
Got notices up for an unbiased press,
With a mind so well poised, it seemed equally made for
Applause or abuse, just which chanced to be paid for:
From this point his progress was rapid and sure,
To the post of a regular heavy reviewer.
And here I must say he wrote excellent articles
On Hebraical points, or the force of Greek particles;
They filled up the space nothing else was prepared for,
And nobody read that which nobody cared for;
If any old book reached a fiftieth edition,
He could fill forty pages with safe erudition:
He could gauge the old books by the old set of rules,
And his very old nothings pleased very old fools;
But give him a new book, fresh out of the heart,
And you put him at sea without compass or chart,-
His blunders aspired to the rank of an art;
For his lore was engraft, something foreign that grew in him,
Exhausting the sap of the native and true in him,
So that when a man came with a soul that was new in him,
Carving new forms of truth out of Nature's old granite,
New and old at their birth, like Le Verrier's planet,
Which, to get a true judgment, themselves must create
In the soul of their critic the measure and weight,
Being rather themselves a fresh standard of grace,
To compute their own judge, and assign him his place,
Our reviewer would crawl all about it and round it,
And, reporting each circumstance just as he found it,
Without the least malice,-his record would be
Profoundly aesthetic as that of a flea,
Which, supping on Wordsworth, should print for our sakes,
Recollections of nights with the Bard of the Lakes,
Or, lodged by an Arab guide, ventured to render a
Comprehensive account of the ruins at Denderah.
As I said, he was never precisely unkind.
The defect in his brain was just absence of mind;
If he boasted, 'twas simply that he was self-made,
A position which I, for one, never gainsaid,
My respect for my Maker supposing a skill
In his works which our Hero would answer but ill;
And I trust that the mould which he used may be cracked, or he,
Made bold by success, may enlarge his phylactery,
And set up a kind of a man-manufactory,-
An event which I shudder to think about, seeing
That Man is a moral, accountable being.
He meant well enough, but was still in the way,
As dunces still are, let them be where they may;
Indeed, they appear to come into existence
To impede other folks with their awkward assistance;
If you set up a dunce on the very North pole
All alone with himself, I believe, on my soul,
He'd manage to get betwixt somebody's shins,
And pitch him down bodily, all in his sins,
To the grave polar bears sitting round on the ice,
All shortening their grace, to be in for a slice;
Or, if he found nobody else there to pother,
Why, one of his legs would just trip up the other,
For there's nothing we read of in torture's inventions,
Like a well-meaning dunce, with the best of intentions.
A terrible fellow to meet in society,
Not the toast that he buttered was ever so dry at tea;
There he'd sit at the table and stir in his sugar,
Crouching close for a spring, all the while, like a cougar;
Be sure of your facts, of your measures and weights,
Of your time,-he's as fond as an Arab of dates;
You'll be telling, perhaps, in your comical way,
Of something you've seen in the course of the day;
And, just as you're tapering out the conclusion,
You venture an ill-fated classic allusion,-
The girls have all got their laughs ready, when, whack!
The cougar comes down on your thunderstruck back!
You had left out a comma,-your Greek's put in joint,
And pointed at cost of your story's whole point.
In the course of the evening, you find chance for certain
Soft speeches to Anne, in the shade of the curtain:
You tell her your heart can be likened to _one_ flower,
'And that, O most charming of women, 's the sunflower,
Which turns'-here a clear nasal voice, to your terror,
From outside the curtain, says, 'That's all an error.'
As for him, he's-no matter, he never grew tender,
Sitting after a ball, with his feet on the fender,
Shaping somebody's sweet features out of cigar smoke
(Though he'd willingly grant you that such doings are smoke):
All women he damns with _mutabile semper_,
And if ever he felt something like love's distemper,
'Twas tow'rds a young lady who spoke ancient Mexican,
And assisted her father in making a lexicon;
Though I recollect hearing him get quite ferocious
About Mary Clausum, the mistress of Grotius,
Or something of that sort,-but, no more to bore ye
With character-painting, I'll turn to my story.
Now, Apollo, who finds it convenient sometimes
To get his court clear of the makers of rhymes,
The _genus_, I think it is called, _irritabile_,
Every one of whom thinks himself treated most shabbily,
And nurses a-what is it?-_immedicabile_,
Which keeps him at boiling-point, hot for a quarrel,
As bitter as wormwood, and sourer than sorrel,
If any poor devil but look at a laurel;-
Apollo, I say, being sick of their rioting
(Though he sometimes acknowledged their verse had a quieting
Effect after dinner, and seemed to suggest a
Retreat to the shrine of a tranquil siesta),
Kept our Hero at hand, who, by means of a bray,
Which he gave to the life, drove the rabble away;
And if that wouldn't do, he was sure to succeed,
If he took his review out and offered to read;
Or, failing in plans of this milder description,
He would ask for their aid to get up a subscription,
Considering that authorship wasn't a rich craft,
To print the 'American drama of Witchcraft.'
'Stay, I'll read you a scene,'-but he hardly began,
Ere Apollo shrieked 'Help!' and the authors all ran:
And once, when these purgatives acted with less spirit,
And the desperate case asked a remedy desperate,
He drew from his pocket a foolscap epistle
As calmly as if 'twere a nine-barrelled pistol,
And threatened them all with the judgment to come,
Of 'A wandering Star's first impressions of Rome.'
'Stop! stop!' with their hands o'er their ears, screamed the Muses,
'He may go off and murder himself, if he chooses,
'Twas a means self-defence only sanctioned his trying,
'Tis mere massacre now that the enemy's flying;
If he's forced to 't again, and we happen to be there,
Give us each a large handkerchief soaked in strong ether.'
I called this a 'Fable for Critics;' you think it's
More like a display of my rhythmical trinkets;
My plot, like an icicle's slender and slippery,
Every moment more slender, and likely to slip awry,
And the reader unwilling _in loco desipere_
Is free to jump over as much of my frippery
As he fancies, and, if he's a provident skipper, he
May have like Odysseus control of the gales,
And get safe to port, ere his patience quite fails;
Moreover, although 'tis a slender return
For your toil and expense, yet my paper will burn,
And, if you have manfully struggled thus far with me,
You may e'en twist me up, and just light your cigar with me:
If too angry for that, you can tear me in pieces,
And my _membra disjecta_ consign to the breezes,
A fate like great Ratzau's, whom one of those bores,
Who beflead with bad verses poor Louis Quatorze,
Describes (the first verse somehow ends with _victoire_),
As _dispersant partout et ses membres et sa gloire;_
Or, if I were over-desirous of earning
A repute among noodles for classical learning,
I could pick you a score of allusions, i-wis,
As new as the jests of _Didaskalos tis;_
Better still, I could make out a good solid list
From authors recondite who do not exist,-
But that would be naughty: at least, I could twist
Something out of Absyrtus, or turn your inquiries
After Milton's prose metaphor, drawn from Osiris;
But, as Cicero says he won't say this or that
(A fetch, I must say, most transparent and flat),
After saying whate'er he could possibly think of,-
I simply will state that I pause on the brink of
A mire, ankle-deep, of deliberate confusion,
Made up of old jumbles of classic allusion:
So, when you were thinking yourselves to be pitied,
Just conceive how much harder your teeth you'd have gritted,
An 'twere not for the dulness I've kindly omitted.
I'd apologize here for my many digressions.
Were it not that I'm certain to trip into fresh ones
('Tis so hard to escape if you get in their mesh once):
Just reflect, if you please, how 'tis said by Horatius,
That Maeonides nods now and then, and, my gracious!
It certainly does look a little bit ominous
When he gets under way with _ton d'apameibomenos_.
(Here a something occurs which I'll just clap a rhyme to,
And say it myself, ere a Zoilus have time to,-
Any author a nap like Van Winkle's may take,
If he only contrive to keep readers awake,
But he'll very soon find himself laid on the shelf,
If _they_ fall a-nodding when he nods himself.)
Once for all, to return, and to stay, will I, nill I-
When Phoebus expressed his desire for a lily,
Our Hero, whose homoeopathic sagacity
With an ocean of zeal mixed his dropp of capacity,
Set off for the garden as fast as the wind
(Or, to take a comparison more to my mind,
As a sound politician leaves conscience behind).
And leaped the low fence, as a party hack jumps
O'er his principles, when something else turns up trumps.
He was gone a long time, and Apollo, meanwhile,
Went over some sonnets of his with a file,
For, of all compositions, he thought that the sonnet
Best repaid all the toil you expended upon it;
It should reach with one impulse the end of its course,
And for one final blow collect all of its force;
Not a verse should be salient, but each one should tend
With a wave-like up-gathering to break at the end;
So, condensing the strength here, there smoothing a wry kink,
He was killing the time, when up walked Mr. D--,
At a few steps behind him, a small man in glasses
Went dodging about, muttering, 'Murderers! asses!'
From out of his pocket a paper he'd take,
With a proud look of martyrdom tied to its stake,
And, reading a squib at himself, he'd say, 'Here I see
'Gainst American letters a bloody conspiracy,
They are all by my personal enemies written;
I must post an anonymous letter to Britain,
And show that this gall is the merest suggestion
Of spite at my zeal on the Copyright question,
For, on this side the water, 'tis prudent to pull
O'er the eyes of the public their national wool,
By accusing of slavish respect to John Bull
All American authors who have more or less
Of that anti-American humbug-success,
While in private we're always embracing the knees
Of some twopenny editor over the seas,
And licking his critical shoes, for you know 'tis
The whole aim of our lives to get one English notice;
My American puffs I would willingly burn all
(They're all from one source, monthly, weekly, diurnal)
To get but a kick from a transmarine journal!'
So, culling the gibes of each critical scorner
As if they were plums, and himself were Jack Horner,
He came cautiously on, peeping round every corner,
And into each hole where a weasel might pass in,
Expecting the knife of some critic assassin,
Who stabs to the heart with a caricature.
Not so bad as those daubs of the Sun, to be sure,
Yet done with a dagger-o'-type, whose vile portraits
Disperse all one's good and condense all one's poor traits.
Apollo looked up, hearing footsteps approaching,
And slipped out of sight the new rhymes he was broaching,-
'Good day, Mr. D--, I'm happy to meet
With a scholar so ripe, and a critic so neat,
Who through Grub Street the soul of a gentleman carries;
What news from that suburb of London and Paris
Which latterly makes such shrill claims to monopolize
The credit of being the New World's metropolis?'
'Why, nothing of consequence, save this attack
On my friend there, behind, by some pitiful hack,
Who thinks every national author a poor one,
That isn't a copy of something that's foreign,
And assaults the American Dick-'
Nay, 'tis clear
That your Damon there's fond of a flea in his ear,
And, if no one else furnished them gratis, on tick
He would buy some himself, just to hear the old click;
Why, I honestly think, if some fool in Japan
Should turn up his nose at the 'Poems on Man,'
(Which contain many verses as fine, by the bye,
As any that lately came under my eye,)
Your friend there by some inward instinct would know it,
Would get it translated, reprinted, and show it;
As a man might take off a high stock to exhibit
The autograph round his own neck of the gibbet;
Nor would let it rest so, but fire column after column,
Signed Cato, or Brutus, or something as solemn,
By way of displaying his critical crosses,
And tweaking that poor transatlantic proboscis,
His broadsides resulting (this last there's no doubt of)
In successively sinking the craft they're fired out of.
Now nobody knows when an author is hit,
If he have not a public hysterical fit;
Let him only keep close in his snug garret's dim ether,
And nobody'd think of his foes-or of him either;
If an author have any least fibre of worth in him,
Abuse would but tickle the organ of mirth in him;
All the critics on earth cannot crush with their ban
One word that's in tune with the nature of man.'
'Well, perhaps so; meanwhile I have brought you a book,
Into which if you'll just have the goodness to look,
You may feel so delighted (when once you are through it)
As to deem it not unworth your while to review it,
And I think I can promise your thoughts, if you do,
A place in the next Democratic Review.'
'The most thankless of gods you must surely have thought me,
For this is the forty-fourth copy you've brought me;
I have given them away, or at least I have tried,
But I've forty-two left, standing all side by side
(The man who accepted that one copy died),-
From one end of a shelf to the other they reach,
'With the author's respects' neatly written in each.
The publisher, sure, will proclaim a Te Deum,
When he hears of that order the British Museum
Has sent for one set of what books were first printed
In America, little or big,-for 'tis hinted
That this is the first truly tangible hope he
Has ever had raised for the sale of a copy.
I've thought very often 'twould be a good thing
In all public collections of books, if a wing
Were set off by itself, like the seas from the dry lands,
Marked _Literature suited to desolate islands_,
And filled with such books as could never be read
Save by readers of proofs, forced to do it for bread,-
Such books as one's wrecked on in small country taverns,
Such as hermits might mortify over in caverns,
Such as Satan, if printing had then been invented,
As the climax of woe, would to Job have presented.
Such as Crusoe might dip in, although there are few so
Outrageously cornered by fate as poor Crusoe;
And since the philanthropists just now are banging
And gibbeting all who're in favor of hanging
(Though Cheever has proved that the Bible and Altar
Were let down from Heaven at the end of a halter.
And that vital religion would dull and grow callous,
Unrefreshed, now and then, with a sniff of the gallows),-
And folks are beginning to think it looks odd,
To choke a poor scamp for the glory of God;
And that He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing his African children with slavery,-
Since all who take part in a waltz or cotillon
Are mounted for hell on the Devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes,-
That He, I was saying, whose judgments are stored
For such as take steps in despite of his word,
Should look with delight on the agonized prancing
Of a wretch who has not the least ground for his dancing,
While the State, standing by, sings a verse from the Psalter
About offering to God on his favorite halter,
And, when the legs droop from their twitching divergence,
Sells the clothes to a Jew, and the corpse to the surgeons;-
Now, instead of all this, I think I can direct you all
To a criminal code both humane and effectual;-
I propose to shut up every doer of wrong
With these desperate books, for such term, short or long,
As, by statute in such cases made and provided,
Shall be by your wise legislators decided:
Thus: Let murderers be shut, to grow wiser and cooler,
At hard labor for life on the works of Miss--;
Petty thieves, kept from flagranter crimes by their fears,
Shall peruse Yankee Doodle a blank term of years,-
That American Punch, like the English, no doubt,-
Just the sugar and lemons and spirit left out.
'But stay, here comes Tityrus Griswold, and leads on
The flocks whom he first plucks alive, and then feeds on,-
A loud-cackling swarm, in whose leathers warm drest,
He goes for as perfect a-swan as the rest.
'There comes Emerson first, whose rich words, every one,
Are like gold nails in temples to hang trophies on,
Whose prose is grand verse, while his verse, the Lord knows,
Is some of it pr-- No, 'tis not even prose;
I'm speaking of metres; some poems have welled
From those rare depths of soul that have ne'er been excelled;
They're not epics, but that doesn't matter a pin,
In creating, the only hard thing's to begin;
A grass-blade's no easier to make than an oak;
If you've once found the way, you've achieved the grand stroke;
In the worst of his poems are mines of rich matter,
But thrown in a heap with a crash and a clatter;
Now it is not one thing nor another alone
Makes a poem, but rather the general tone,
The something pervading, uniting the whole,
The before unconceived, unconceivable soul,
So that just in removing this trifle or that, you
Take away, as it were, a chief limb of the statue;
Roots, wood, bark, and leaves singly perfect may be,
But, clapt hodge-podge together, they don't make a tree.
'But, to come back to Emerson (whom, by the way,
I believe we left waiting),-his is, we may say,
A Greek head on right Yankee shoulders, whose range
Has Olympus for one pole, for t'other the Exchange;
He seems, to my thinking (although I'm afraid
The comparison must, long ere this, have been made),
A Plotinus-Montaigne, where the Egyptian's gold mist
And the Gascon's shrewd wit cheek-by-jowl coexist;
All admire, and yet scarcely six converts he's got
To I don't (nor they either) exactly know what;
For though he builds glorious temples, 'tis odd
He leaves never a doorway to get in a god.
'Tis refreshing to old-fashioned people like me
To meet such a primitive Pagan as he,
In whose mind all creation is duly respected
As parts of himself-just a little projected;
And who's willing to worship the stars and the sun,
A convert to-nothing but Emerson.
So perfect a balance there is in his head,
That he talks of things sometimes as if they were dead;
Life, nature, love, God, and affairs of that sort,
He looks at as merely ideas; in short,
As if they were fossils stuck round in a cabinet,
Of such vast extent that our earth's a mere dab in it;
Composed just as he is inclined to conjecture her,
Namely, one part pure earth, ninety-nine parts pure lecturer;
You are filled with delight at his clear demonstration,
Each figure, word, gesture, just fits the occasion,
With the quiet precision of science he'll sort 'em,
But you can't help suspecting the whole a _post mortem_.
'There are persons, mole-blind to the soul's make and style,
Who insist on a likeness 'twixt him and Carlyle;
To compare him with Plato would be vastly fairer,
Carlyle's the more burly, but E. is the rarer;
He sees fewer objects, but clearlier, truelier,
If C.'s as original, E.'s more peculiar;
That he's more of a man you might say of the one,
Of the other he's more of an Emerson;
C.'s the Titan, as shaggy of mind as of limb,-
E. the clear-eyed Olympian, rapid and slim;
The one's two thirds Norseman, the other half Greek,
Where the one's most abounding, the other's to seek;
C.'s generals require to be seen in the mass,-
E.'s specialties gain if enlarged by the glass;
C. gives nature and God his own fits of the blues,
And rims common-sense things with mystical hues,-
E. sits in a mystery calm and intense,
And looks coolly around him with sharp common-sense;
C. shows you how every-day matters unite
With the dim transdiurnal recesses of night,-
While E., in a plain, preternatural way,
Makes mysteries matters of mere every day;
C. draws all his characters quite _a la_ Fuseli,-
Not sketching their bundles of muscles and thews illy,
He paints with a brush so untamed and profuse,
They seem nothing but bundles of muscles and thews;
E. is rather like Flaxman, lines strait and severe,
And a colorless outline, but full, round, and clear;-
To the men he thinks worthy he frankly accords
The design of a white marble statue in words.
C. labors to get at the centre, and then
Take a reckoning from there of his actions and men;
E. calmly assumes the said centre as granted,
And, given himself, has whatever is wanted.
'He has imitators in scores, who omit
No part of the man but his wisdom and wit,-
Who go carefully o'er the sky-blue of his brain,
And when he has skimmed it once, skim it again;
If at all they resemble him, you may be sure it is
Because their shoals mirror his mists and obscurities,
As a mud-puddle seems deep as heaven for a minute,
While a cloud that floats o'er is reflected within it.
'There comes--, for instance; to see him's rare sport,
Tread in Emerson's tracks with legs painfully short;
How he jumps, how he strains, and gets red in the face.
To keep step with the mystagogue's natural pace!
He follows as close as a stick to a rocket,
His fingers exploring the prophet's each pocket.
Fie, for shame, brother bard; with good fruit of your own,
Can't you let Neighbor Emerson's orchards alone?
Besides, 'tis no use, you'll not find e'en a core,-
-- has picked up all the windfalls before.
They might strip every tree, and E. never would catch 'em,
His Hesperides have no rude dragon to watch 'em;
When they send him a dishful, and ask him to try 'em,
He never suspects how the sly rogues came by 'em;
He wonders why 'tis there are none such his trees on,
And thinks 'em the best he has tasted this season.
'Yonder, calm as a cloud, Alcott stalks in a dream,
And fancies himself in thy groves, Academe,
With the Parthenon nigh, and the olive-trees o'er him,
And never a fact to perplex him or bore him,
With a snug room at Plato's when night comes, to walk to,
And people from morning till midnight to talk to,
And from midnight till morning, nor snore in their listening;-
So he muses, his face with the joy of it glistening,
For his highest conceit of a happiest state is
Where they'd live upon acorns, and hear him talk gratis;
And indeed, I believe, no man ever talked better,-
Each sentence hangs perfectly poised to a letter;
He seems piling words, but there's royal dust hid
In the heart of each sky-piercing pyramid.
While he talks he is great, but goes out like a taper,
If you shut him up closely with pen, ink, and paper;
Yet his fingers itch for 'em from morning till night,
And he thinks he does wrong if he don't always write;
In this, as in all things, a lamb among men,
He goes to sure death when he goes to his pen.
'Close behind him is Brownson, his mouth very full
With attempting to gulp a Gregorian bull;
Who contrives, spite of that, to pour out as he goes
A stream of transparent and forcible prose;
He shifts quite about, then proceeds to expound
That 'tis merely the earth, not himself, that turns round,
And wishes it clearly impressed on your mind
That the weathercock rules and not follows the wind;
Proving first, then as deftly confuting each side,
With no doctrine pleased that's not somewhere denied,
He lays the denier away on the shelf,
And then-down beside him lies gravely himself.
He's the Salt River boatman, who always stands willing
To convey friend or foe without charging a shilling,
And so fond of the trip that, when leisure's to spare,
He'll row himself up, if he can't get a fare.
The worst of it is, that his logic's so strong,
That of two sides he commonly chooses the wrong;
If there is only one, why, he'll split it in two,
And first pummel this half, then that, black and blue.
That white's white needs no proof, but it takes a deep fellow
To prove it jet-black, and that jet-black is yellow.
He offers the true faith to drink in a sieve,-
When it reaches your lips there's naught left to believe
But a few silly-(syllo-, I mean,)-gisms that squat 'em
Like tadpoles, o'erjoyed with the mud at the bottom.
'There is Willis, all _natty_ and jaunty and gay,
Who says his best things in so foppish a way,
With conceits and pet phrases so thickly o'erlaying 'em,
That one hardly knows whether to thank him for saying 'em;
Over-ornament ruins both poem and prose,
Just conceive of a Muse with a ring in her nose!
His prose had a natural grace of its own,
And enough of it, too, if he'd let it alone;
But he twitches and jerks so, one fairly gets tired,
And is forced to forgive where one might have admired;
Yet whenever it slips away free and unlaced,
It runs like a stream with a musical waste,
And gurgles along with the liquidest sweep;-
'Tis not deep as a river, but who'd have it deep?
In a country where scarcely a village is found
That has not its author sublime and profound,
For some one to be slightly shallow's a duty,
And Willis's shallowness makes half his beauty.
His prose winds along with a blithe, gurgling error,
And reflects all of Heaven it can see in its mirror:
'Tis a narrowish strip, but it is not an artifice;
'Tis the true out-of-doors with its genuine hearty phiz;
It is Nature herself, and there's something in that,
Since most brains reflect but the crown of a hat.
Few volumes I know to read under a tree,
More truly delightful than his A l'Abri,
With the shadows of leaves flowing over your book,
Like ripple-shades netting the bed of a brook;
With June coming softly your shoulder to look over,
Breezes waiting to turn every leaf of your book over,
And Nature to criticise still as you read,-
The page that bears that is a rare one indeed.
'He's so innate a cockney, that had he been born
Where plain bare-skin's the only full-dress that is worn,
He'd have given his own such an air that you'd say
'T had been made by a tailor to lounge in Broadway.
His nature's a glass of champagne with the foam on 't,
As tender as Fletcher, as witty as Beaumont;
So his best things are done in the flush of the moment;
If he wait, all is spoiled; he may stir it and shake it,
But, the fixed air once gone, he can never re-make it.
He might be a marvel of easy delightfulness,
If he would not sometimes leave the _r_ out of sprightfulness;
And he ought to let Scripture alone-'tis self-slaughter,
For nobody likes inspiration-and-water.
He'd have been just the fellow to sup at the Mermaid,
Cracking jokes at rare Ben, with an eye to the barmaid,
His wit running up as Canary ran down,-
The topmost bright bubble on the wave of The Town.
'Here comes Parker, the Orson of parsons, a man
Whom the Church undertook to put under her ban
(The Church of Socinus, I mean),-his opinions
Being So-(ultra)-cinian, they shocked the Socinians:
They believed-faith, I'm puzzled-I think I may call
Their belief a believing in nothing at all,
Or something of that sort; I know they all went
For a general union of total dissent:
He went a step farther; without cough or hem,
He frankly avowed he believed not in them;
And, before he could be jumbled up or prevented,
From their orthodox kind of dissent he dissented.
There was heresy here, you perceive, for the right
Of privately judging means simply that light
Has been granted to _me_, for deciding on _you;_
And in happier times, before Atheism grew,
The deed contained clauses for cooking you too:
Now at Xerxes and Knut we all laugh, yet our foot
With the same wave is wet that mocked Xerxes and Knut,
And we all entertain a secure private notion,
That our _Thus far!_ will have a great weight with the ocean,
'Twas so with our liberal Christians: they bore
With sincerest conviction their chairs to the shore;
They brandished their worn theological birches,
Bade natural progress keep out of the Churches,
And expected the lines they had drawn to prevail
With the fast-rising tide to keep out of their pale;
They had formerly dammed the Pontifical See,
And the same thing, they thought, would do nicely for P.;
But he turned up his nose at their mumming and shamming,
And cared (shall I say?) not a d-- for their damming;
So they first read him out of their church, and next minute
Turned round and declared he had never been in it.
But the ban was too small or the man was too big,
For he recks not their bells, books, and candles a fig
(He scarce looks like a man who would _stay_ treated shabbily,
Sophroniscus' son's head o'er the features of Rabelais):-
He bangs and bethwacks them,-their backs he salutes
With the whole tree of knowledge torn up by the roots;
His sermons with satire are plenteously verjuiced,
And he talks in one breath of Confutzee, Cass, Zerduscht,
Jack Robinson, Peter the Hermit, Strap, Dathan,
Cush, Pitt (not the bottomless, _that_ he's no faith in),
Pan, Pillicock, Shakespeare, Paul, Toots, Monsieur Tonson,
Aldebaran, Alcander, Ben Khorat, Ben Jonson,
Thoth, Richter, Joe Smith, Father Paul, Judah Monis,
Musaeus, Muretus, _hem_,-[Greek: m] Scorpionis,
Maccabee, Maccaboy, Mac-Mac-ah! Machiavelli,
Condorcet, Count d'Orsay, Conder, Say, Ganganelli,
Orion, O'Connell, the Chevalier D'O,
(See the Memoirs of Sully,) [Greek: to pan], the great toe
Of the statue of Jupiter, now made to pass
For that of Jew Peter by good Romish brass,
(You may add for yourselves, for I find it a bore,
All the names you have ever, or not, heard before,
And when you've done that-why, invent a few more).
His hearers can't tell you on Sunday beforehand,
If in that day's discourse they'll be Bibled or Koraned,
For he's seized the idea (by his martyrdom fired)
That all men (not orthodox) _may be_ inspired;
Yet though wisdom profane with his creed he may weave in,
He makes it quite clear what he _doesn't_ believe in,
While some, who decry him, think all Kingdom Come
Is a sort of a, kind of a, species of Hum,
Of which, as it were, so to speak, not a crumb
Would be left, if we didn't keep carefully mum,
And, to make a clean breast, that 'tis perfectly plain
That _all_ kinds of wisdom are somewhat profane;
Now P.'s creed than this may be lighter or darker,
But in one thing, 'tis clear, he has faith, namely-Parker;
And this is what makes him the crowd-drawing preacher,
There's a background of god to each hard-working feature,
Every word that he speaks has been fierily furnaced
In the blast of a life that has struggled in earnest:
There he stands, looking more like a ploughman than priest,
If not dreadfully awkward, not graceful at least,
His gestures all downright and same, if you will,
As of brown-fisted Hobnail in hoeing a drill;
But his periods fall on you, stroke after stroke,
Like the blows of a lumberer felling an oak,
You forget the man wholly, you're thankful to meet
With a preacher who smacks of the field and the street,
And to hear, you're not over-particular whence,
Almost Taylor's profusion, quite Latimer's sense.
'There is Bryant, as quiet, as cool, and as dignified,
As a smooth, silent iceberg, that never is ignified,
Save when by reflection 'tis kindled o' nights
With a semblance of flame by the chill Northern Lights.
He may rank (Griswold says so) first bard of your nation
(There's no doubt that he stands in supreme iceolation),
Your topmost Parnassus he may set his heel on,
But no warm applauses come, peal following peal on,-
He's too smooth and too polished to hang any zeal on:
Unqualified merits, I'll grant, if you choose, he has 'em,
But he lacks the one merit of kindling enthusiasm;
If he stir you at all, it is just, on my soul,
Like being stirred up with the very North Pole.
'He is very nice reading in summer, but _inter
Nos_, we don't want _extra_ freezing in winter;
Take him up in the depth of July, my advice is,
When you feel an Egyptian devotion to ices.
But, deduct all you can, there's enough that's right good in him,
He has a true soul for field, river, and wood in him;
And his heart, in the midst of brick walls, or where'er it is,
Glows, softens, and thrills with the tenderest charities-
To you mortals that delve in this trade-ridden planet?
No, to old Berkshire's hills, with their limestone and granite.
If you're one who _in loco_ (add _foco_ here) _desipis_,
You will get out of his outermost heart (as I guess) a piece;
But you'd get deeper down if you came as a precipice,
And would break the last seal of its inwardest fountain,
If you only could palm yourself off for a mountain.
Mr. Quivis, or somebody quite as discerning,
Some scholar who's hourly expecting his learning,
Calls B. the American Wordsworth; but Wordsworth
May be rated at more than your whole tuneful herd's worth.
No, don't be absurd, he's an excellent Bryant;
But, my friends, you'll endanger the life of your client,
By attempting to stretch him up into a giant;
If you choose to compare him, I think there are two per-
-sons fit for a parallel-Thomson and Cowper;
I don't mean exactly,-there's something of each,
There's T.'s love of nature, C.'s penchant to preach;
Just mix up their minds so that C.'s spice of craziness
Shall balance and neutralize T.'s turn for laziness,
And it gives you a brain cool, quite frictionless, quiet,
Whose internal police nips the buds of all riot,-
A brain like a permanent strait-jacket put on
The heart that strives vainly to burst off a button,-
A brain which, without being slow or mechanic,
Does more than a larger less drilled, more volcanic;
He's a Cowper condensed, with no craziness bitten,
And the advantage that Wordsworth before him had written.
'But, my dear little bardlings, don't prick up your ears
Nor suppose I would rank you and Bryant as peers;
If I call him an iceberg, I don't mean to say
There is nothing in that which is grand in its way;
He is almost the one of your poets that knows
How much grace, strength, and dignity lie in Repose;
If he sometimes fall short, he is too wise to mar
His thought's modest fulness by going too far;
'T would be well if your authors should all make a trial
Of what virtue there is in severe self-denial,
And measure their writings by Hesiod's staff,
Which teaches that all has less value than half.
'There is Whittier, whose swelling and vehement heart
Strains the strait-breasted drab of the Quaker apart,
And reveals the live Man, still supreme and erect,
Underneath the bemummying wrappers of sect;
There was ne'er a man born who had more of the swing
Of the true lyric bard and all that kind of thing;
And his failures arise (though he seem not to know it)
From the very same cause that has made him a poet,-
A fervor of mind which knows no separation
'Twixt simple excitement and pure inspiration,
As my Pythoness erst sometimes erred from not knowing
If 'twere I or mere wind through her tripod was blowing;
Let his mind once get head in its favorite direction
And the torrent of verse bursts the dams of reflection,
While, borne with the rush of the metre along,
The poet may chance to go right or go wrong,
Content with the whirl and delirium of song;
Then his grammar's not always correct, nor his rhymes,
And he's prone to repeat his own lyrics sometimes,
Not his best, though, for those are struck off at white-heats
When the heart in his breast like a trip-hammer beats,
And can ne'er be repeated again any more
Than they could have been carefully plotted before:
Like old what's-his-name there at the battle of Hastings
(Who, however, gave more than mere rhythmical bastings),
Our Quaker leads off metaphorical fights
For reform and whatever they call human rights,
Both singing and striking in front of the war,
And hitting his foes with the mallet of Thor;
_Anne haec_, one exclaims, on beholding his knocks,
_Vestis filii tui_, O leather-clad Fox?
Can that be thy son, in the battle's mid din,
Preaching brotherly love and then driving it in
To the brain of the tough old Goliath of sin,
With the smoothest of pebbles from Castaly's spring
Impressed on his hard moral sense with a sling?
'All honor and praise to the right-hearted bard
Who was true to The Voice when such service was hard,
Who himself was so free he dared sing for the slave
When to look but a protest in silence was brave;
All honor and praise to the women and men
Who spoke out for the dumb and the down-trodden then!
It needs not to name them, already for each
I see History preparing the statue and niche;
They were harsh, but shall _you_ be so shocked at hard words
Who have beaten your pruning-hooks up into swords,
Whose rewards and hurrahs men are surer to gain
By the reaping of men and of women than grain?
Why should _you_ stand aghast at their fierce wordy war, if
You scalp one another for Bank or for Tariff?
Your calling them cut-throats and knaves all day long
Doesn't prove that the use of hard language is wrong;
While the World's heart beats quicker to think of such men
As signed Tyranny's doom with a bloody steel-pen,
While on Fourth-of-Julys beardless orators fright one
With hints at Harmodius and Aristogeiton,
You need not look shy at your sisters and brothers
Who stab with sharp words for the freedom of others;-
No, a wreath, twine a wreath for the loyal and true
Who, for sake of the many, dared stand with the few,
Not of blood-spattered laurel for enemies braved,
But of broad, peaceful oak-leaves for citizens saved!
'Here comes Dana, abstractedly loitering along,
Involved in a paulo-post-future of song,
Who'll be going to write what'll never be written
Till the Muse, ere he think of it, gives him the mitten,-
Who is so well aware of how things should be done,
That his own works displease him before they're begun,-
Who so well all that makes up good poetry knows,
That the best of his poems is written in prose;
All saddled and bridled stood Pegasus waiting,
He was booted and spurred, but he loitered debating;
In a very grave question his soul was immersed,-
Which foot in the stirrup he ought to put first:
And, while this point and that he judicially dwelt on,
He, somehow or other, had written Paul Felton,
Whose beauties or faults, whichsoever you see there,
You'll allow only genius could hit upon either.
That he once was the Idle Man none will deplore,
But I fear he will never be anything more;
The ocean of song heaves and glitters before him,
The depth and the vastness and longing sweep o'er him.
He knows every breaker and shoal on the chart,
He has the Coast Pilot and so on by heart,
Yet he spends his whole life, like the man in the fable,
In learning to swim on his library table.
'There swaggers John Neal, who has wasted in Maine
The sinews and cords of his pugilist brain,
Who might have been poet, but that, in its stead, he
Preferred to believe that he was so already;
Too hasty to wait till Art's ripe fruit should drop,
He must pelt down an unripe and colicky crop;
Who took to the law, and had this sterling plea for it,
It required him to quarrel, and paid him a fee for it;
A man who's made less than he might have, because
He always has thought himself more than he was,-
Who, with very good natural gifts as a bard,
Broke the strings of his lyre out by striking too hard,
And cracked half the notes of a truly fine voice,
Because song drew less instant attention than noise.
Ah, men do not know how much strength is in poise,
That he goes the farthest who goes far enough,
And that all beyond that is just bother and stuff.
No vain man matures, he makes too much new wood;
His blooms are too thick for the fruit to be good;
'Tis the modest man ripens, 'tis he that achieves,
Just what's needed of sunshine and shade he receives;
Grapes, to mellow, require the cool dark of their leaves;
Neal wants balance; he throws his mind always too far,
Whisking out flocks of comets, but never a star;
He has so much muscle, and loves so to show it,
That he strips himself naked to prove he's a poet,
And, to show he could leap Art's wide ditch, if he tried,
Jumps clean o'er it, and into the hedge t'other side.
He has strength, but there's nothing about him in keeping;
One gets surelier onward by walking than leaping;
He has used his own sinews himself to distress,
And had done vastly more had he done vastly less;
In letters, too soon is as bad as too late;
Could he only have waited he might have been great;
But he plumped into Helicon up to the waist,
And muddied the stream ere he took his first taste.
'There is Hawthorne, with genius so shrinking and rare
That you hardly at first see the strength that is there;
A frame so robust, with a nature so sweet,
So earnest, so graceful, so lithe and so fleet,
Is worth a descent from Olympus to meet;
'Tis as if a rough oak that for ages had stood,
With his gnarled bony branches like ribs of the wood,
Should bloom, after cycles of struggle and scathe,
With a single anemone trembly and rathe;
His strength is so tender, his wildness so meek,
That a suitable parallel sets one to seek,-
He's a John Bunyan Fouque, a Puritan Tieck;
When Nature was shaping him, clay was not granted
For making so full-sized a man as she wanted,
So, to fill out her model, a little she spared
From some finer-grained stuff for a woman prepared,
And she could not have hit a more excellent plan
For making him fully and perfectly man.
The success of her scheme gave her so much delight,
That she tried it again, shortly after, in Dwight;
Only, while she was kneading and shaping the clay,
She sang to her work in her sweet childish way,
And found, when she'd put the last touch to his soul,
That the music had somehow got mixed with the whole.
'Here's Cooper, who's written six volumes to show
He's as good as a lord: well, let's grant that he's so;
If a person prefer that description of praise,
Why, a coronet's certainly cheaper than bays;
But he need take no pains to convince us he's not
(As his enemies say) the American Scott.
Choose any twelve men, and let C. read aloud
That one of his novels of which he's most proud,
And I'd lay any bet that, without ever quitting
Their box, they'd be all, to a man, for acquitting.
He has drawn you one character, though, that is new,
One wildflower he's plucked that is wet with the dew
Of this fresh Western world, and, the thing not to mince,
He has done naught but copy it ill ever since;
His Indians, with proper respect be it said,
Are just Natty Bumppo, daubed over with red,
And his very Long Toms are the same useful Nat,
Rigged up in duck pants and a sou'wester hat
(Though once in a Coffin, a good chance was found
To have slipped the old fellow away underground).
All his other men-figures are clothes upon sticks,
The _derniere chemise_ of a man in a fix
(As a captain besieged, when his garrison's small,
Sets up caps upon poles to be seen o'er the wall):
And the women he draws from one model don't vary.
All sappy as maples and flat as a prairie.
When a character's wanted, he goes to the task
As a cooper would do in composing a cask;
He picks out the staves, of their qualities heedful,
Just hoops them together as tight as is needful,
And, if the best fortune should crown the attempt, he
Has made at the most something wooden and empty.
'Don't suppose I would underrate Cooper's abilities;
If I thought you'd do that, I should feel very ill at ease;
The men who have given to _one_ character life
And objective existence are not very rife;
You may number them all, both prose-writers and singers,
Without overrunning the bounds of your fingers,
And Natty won't go to oblivion quicker
Than Adams the parson or Primrose the vicar.
'There is one thing in Cooper I like, too, and that is
That on manners he lectures his countrymen gratis;
Not precisely so either, because, for a rarity,
He is paid for his tickets in unpopularity.
Now he may overcharge his American pictures,
But you'll grant there's a good deal of truth in his strictures;
And I honor the man who is willing to sink
Half his present repute for the freedom to think,
And, when he has thought, be his cause strong or weak,
Will risk t'other half for the freedom to speak,
Caring naught for what vengeance the mob has in store,
Let that mob be the upper ten thousand or lower.
'There are truths you Americans need to be told,
And it never'll refute them to swagger and scold;
John Bull, looking o'er the Atlantic, in choler
At your aptness for trade, says you worship the dollar;
But to scorn such eye-dollar-try's what very few do,
And John goes to that church as often as you do,
No matter what John says, don't try to outcrow him,
'Tis enough to go quietly on and outgrow him;
Like most fathers, Bull hates to see Number One
Displacing himself in the mind of his son,
And detests the same faults in himself he'd neglected
When he sees them again in his child's glass reflected;
To love one another you're too like by half;
If he is a bull, you're a pretty stout calf,
And tear your own pasture for naught but to show
What a nice pair of horns you're beginning to grow.
'There are one or two things I should just like to hint,
For you don't often get the truth told you in print;
The most of you (this is what strikes all beholders)
Have a mental and physical stoop in the shoulders;
Though you ought to be free as the winds and the waves,
You've the gait and the manners of runaway slaves;
Though you brag of your New World, you don't half believe in it;
And as much of the Old as is possible weave in it;
Your goddess of freedom, a tight, buxom girl,
With lips like a cherry and teeth like a pearl,
With eyes bold as Here's, and hair floating free,
And full of the sun as the spray of the sea,
Who can sing at a husking or romp at a shearing,
Who can trip through the forests alone without fearing,
Who can drive home the cows with a song through the grass,
Keeps glancing aside into Europe's cracked glass.
Hides her red hands in gloves, pinches up her lithe waist,
And makes herself wretched with transmarine taste;
She loses her fresh country charm when she takes
Any mirror except her own rivers and lakes.
'You steal Englishmen's books and think Englishmen's thought,
With their salt on her tail your wild eagle is caught;
Your literature suits its each whisper and motion
To what will be thought of it over the ocean;
The cast clothes of Europe your statesmanship tries
And mumbles again the old blarneys and lies;-
Forget Europe wholly, your veins throb with blood,
To which the dull current in hers is but mud:
Let her sneer, let her say your experiment fails,
In her voice there's a tremble e'en now while she rails,
And your shore will soon be in the nature of things
Covered thick with gilt drift-wood of castaway kings,
Where alone, as it were in a Longfellow's Waif,
Her fugitive pieces will find themselves safe.
O my friends, thank your god, if you have one, that he
'Twixt the Old World and you set the gulf of a sea;
Be strong-backed, brown-handed, upright as your pines,
By the scale of a hemisphere shape your designs,
Be true to yourselves and this new nineteenth age,
As a statue by Powers, or a picture by Page,
Plough, sail, forge, build, carve, paint, make all over new,
To your own New-World instincts contrive to be true,
Keep your ears open wide to the Future's first call,
Be whatever you will, but yourselves first of all,
Stand fronting the dawn on Toil's heaven-scaling peaks,
And become my new race of more practical Greeks.-
Hem! your likeness at present, I shudder to tell o't,
Is that you have your slaves, and the Greek had his helot.'
Here a gentleman present, who had in his attic
More pepper than brains, shrieked, 'The man's a fanatic,
I'm a capital tailor with warm tar and feathers,
And will make him a suit that'll serve in all weathers;
But we'll argue the point first, I'm willing to reason 't,
Palaver before condemnation's but decent:
So, through my humble person, Humanity begs
Of the friends of true freedom a loan of bad eggs.'
But Apollo let one such a look of his show forth
As when [Greek: aeie nukti eoikios], and so forth,
And the gentleman somehow slunk out of the way,
But, as he was going, gained courage to say,-
'At slavery in the abstract my whole soul rebels,
I am as strongly opposed to 't as any one else.'
'Ay, no doubt, but whenever I've happened to meet
With a wrong or a crime, it is always concrete,'
Answered Phoebus severely; then turning to us,
'The mistake of such fellows as just made the fuss
Is only in taking a great busy nation
For a part of their pitiful cotton-plantation.-
But there comes Miranda, Zeus! where shall I flee to?
She has such a penchant for bothering me too!
She always keeps asking if I don't observe a
Particular likeness 'twixt her and Minerva;
She tells me my efforts in verse are quite clever;-
She's been travelling now, and will be worse than ever;
One would think, though, a sharp-sighted noter she'd be
Of all that's worth mentioning over the sea,
For a woman must surely see well, if she try,
The whole of whose
The Four Seasons : Summer
From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,
White break the clouds away. With quicken'd step,
Brown Night retires: young Day pours in apace,
And opens all the lawny prospect wide.
The dripping rock, the mountain's misty top
Swell on the sight, and brighten with the dawn.
Blue, through the dusk, the smoking currents shine;
And from the bladed field the fearful hare
Limps, awkward: while along the forest-glade
The wild deer trip, and often turning gaze
At early passenger. Music awakes
The native voice of undissembled joy;
And thick around the woodland hymns arise.
Roused by the cock, the soon-clad shepherd leaves
His mossy cottage, where with Peace he dwells;
And from the crowded fold, in order, drives
His flock, to taste the verdure of the morn.
Falsely luxurious! will not Man awake;
And, springing from the bed of sloth, enjoy
The cool, the fragrant, and the silent hour,
To meditation due and sacred song?
For is there ought in sleep can charm the wise?
To lie in dead oblivion, losing half
The fleeting moments of too short a life;
Total extinction of the enlightened soul!
Or else to feverish vanity alive,
Wilder'd, and tossing through distemper'd dreams?
Who would in such a gloomy state remain
Longer than Nature craves; when every Muse
And every blooming pleasure wait without,
To bless the wildly-devious morning-walk?
But yonder comes the powerful King of Day,
Rejoicing in the east. The lessening cloud,
The kindling azure, and the mountain's brow
Illumed with fluid gold, his near approach
Betoken glad. Lo! now, apparent all,
Aslant the dew-bright earth, and colour'd air,
He looks in boundless majesty abroad;
And sheds the shining day, that burnish'd plays
On rocks, and hills, and towers, and wandering streams,
High gleaming from afar. Prime cheerer, Light!
Of all material beings first, and best!
Efflux divine! Nature's resplendent robe!
Without whose vesting beauty all were wrapt
In unessential gloom; and thou, O Sun!
Soul of surrounding worlds! in whom best seen
Shines out thy Maker! may I sing of thee?
'Tis by thy secret, strong, attractive force,
As with a chain indissoluble bound,
Thy system rolls entire: from the far bourne
Of utmost Saturn, wheeling wide his round
Of thirty years, to Mercury, whose disk
Can scarce be caught by philosophic eye,
Lost in the near effulgence of thy blaze.
Informer of the planetary train!
Without whose quickening glance their cumbrous orbs
Were brute unlovely mass, inert and dead,
And not, as now, the green abodes of life!
How many forms of being wait on thee!
Inhaling spirit; from the unfetter'd mind,
By thee sublimed, down to the daily race,
The mixing myriads of thy setting beam.
The vegetable world is also thine,
Parent of Seasons! who the pomp precede
That waits thy throne, as through thy vast domain,
Annual, along the bright ecliptic road,
In world-rejoicing state, it moves sublime.
Meantime the expecting nations, circled gay
With all the various tribes of foodful earth,
Implore thy bounty, or send grateful up
A common hymn: while, round thy beaming car,
High-seen, the Seasons lead, in sprightly dance
Harmonious knit, the rosy-finger'd Hours,
The Zephyrs floating loose, the timely Rains,
Of bloom ethereal the light-footed Dews,
And softened into joy the surly Storms.
These, in successive turn, with lavish hand,
Shower every beauty, every fragrance shower,
Herbs, flowers, and fruits; and, kindling at thy touch,
From land to land is flush'd the vernal year.
Nor to the surface of enliven'd earth,
Graceful with hills and dales, and leafy woods,
Her liberal tresses, is thy force confined:
But, to the bowel'd cavern darting deep,
The mineral kinds confess thy mighty power.
Effulgent, hence the veiny marble shines;
Hence Labour draws his tools; hence burnish'd War
Gleams on the day; the nobler works of Peace
Hence bless mankind, and generous Commerce binds
The round of nations in a golden chain.
The unfruitful rock itself, impregn'd by thee,
In dark retirement forms the lucid stone.
The lively diamond drinks thy purest rays,
Collected light, compact; that, polish'd bright,
And all its native lustre let abroad,
Dares, as it sparkles on the fair-one's breast,
With vain ambition emulate her eyes.
At thee the ruby lights its deepening glow,
And with a waving radiance inward flames.
From thee the sapphire, solid ether, takes
Its hue cerulean; and, of evening tinct,
The purple-streaming amethyst is thine.
With thy own smile the yellow topaz burns.
Nor deeper verdure dyes the robe of Spring,
When first she gives it to the southern gale,
Than the green emerald shows. But, all combined,
Thick through the whitening opal play thy beams;
Or, flying several from its surface, form
A trembling variance of revolving hues,
As the site varies in the gazer's hand.
The very dead creation, from thy touch,
Assumes a mimic life. By thee refined,
In brighter mazes the relucent stream
Plays o'er the mead. The precipice abrupt,
Projecting horror on the blacken'd flood,
Softens at thy return. The desert joys,
Wildly, through all his melancholy bounds.
Rude ruins glitter; and the briny deep,
Seen from some pointed promontory's top,
Far to the blue horizon's utmost verge,
Restless, reflects a floating gleam. But this,
And all the much-transported Muse can sing,
Are to thy beauty, dignity, and use,
Unequal far; great delegated source
Of light, and life, and grace, and joy below!
How shall I then attempt to sing of Him!
Who, Light Himself, in uncreated light
Invested deep, dwells awfully retired
From mortal eye, or angel's purer ken;
Whose single smile has, from the first of time,
Fill'd, overflowing, all those lamps of Heaven,
That beam for ever through the boundless sky:
But, should he hide his face, the astonish'd sun,
And all the extinguish'd stars, would loosening reel
Wide from their spheres, and Chaos come again.
And yet was every faltering tongue of Man,
Almighty Father! silent in thy praise;
Thy Works themselves would raise a general voice,
E'en in the depth of solitary woods
By human foot untrod; proclaim thy power,
And to the quire celestial Thee resound,
The eternal cause, support, and end of all!
To me be Nature's volume broad display'd;
And to peruse its all instructing page,
Or, haply catching inspiration thence,
Some easy passage, raptured, to translate,
My sole delight; as through the falling glooms
Pensive I stray, or with the rising dawn
On Fancy's eagle-wing excursive soar.
Now, flaming up the heavens, the potent sun
Melts into limpid air the high-raised clouds,
And morning fogs, that hover'd round the hills
In party-colour'd bands; till wide unveil'd
The face of Nature shines, from where earth seems,
Far-stretch'd around, to meet the bending sphere.
Half in a blush of clustering roses lost,
Dew-dropping Coolness to the shade retires;
There, on the verdant turf, or flowery bed,
By gelid founts and careless rills to muse;
While tyrant Heat, dispreading through the sky,
With rapid sway, his burning influence darts
On man, and beast, and herb, and tepid stream.
Who can unpitying see the flowery race,
Shed by the morn, their new-flush'd bloom resign,
Before the parching beam? so fade the fair,
When fevers revel through their azure veins.
But one the lofty follower of the sun,
Sad when he sets, shuts up her yellow leaves,
Drooping all night; and, when he warm returns,
Points her enamour'd bosom to his ray.
Home, from his morning task, the swain retreats;
His flock before him stepping to the fold:
While the full-udder'd mother lows around
The cheerful cottage, then expecting food,
The food of innocence and health! the daw,
The rook, and magpie, to the grey-grown oaks
That the calm village in their verdant arms,
Sheltering, embrace, direct their lazy flight;
Where on the mingling boughs they sit embower'd,
All the hot noon, till cooler hours arise.
Faint, underneath, the household fowls convene;
And, in a corner of the buzzing shade,
The house-dog, with the vacant greyhound, lies,
Out-stretch'd, and sleepy. In his slumbers one
Attacks the nightly thief, and one exults
O'er hill and dale; till, waken'd by the wasp,
They starting snap. Nor shall the Muse disdain
To let the little noisy summer race
Live in her lay, and flutter through her song:
Not mean though simple; to the sun ally'd,
From him they draw their animating fire.
Waked by his warmer ray, the reptile young
Come wing'd abroad; by the light air upborne,
Lighter, and full of soul. From every chink
And secret corner, where they slept away
The wintry storms; or rising from their tombs,
To higher life; by myriads, forth at once,
Swarming they pour; of all the varied hues
Their beauty-beaming parent can disclose.
Ten thousand forms, ten thousand different tribes,
People the blaze. To sunny waters some
By fatal instinct fly; where on the pool
They, sportive, wheel: or, sailing down the stream,
Are snatch'd immediate by the quick-eyed trout,
Or darting salmon. Through the green-wood glade
Some love to stray; there lodged, amused, and fed,
In the fresh leaf. Luxurious, others make
The meads their choice, and visit every flower,
And every latent herb: for the sweet task,
To propagate their kinds, and where to wrap,
In what soft beds, their young yet undisclosed,
Employs their tender care. Some to the house,
The fold, and dairy, hungry bend their flight;
Sip round the pail, or taste the curdling cheese;
Oft, inadvertent, from the milky stream
They meet their fate; or, weltering in the bowl,
With powerless wings around them wrapt, expire.
But chief to heedless flies the window proves
A constant death; where, gloomily retired,
The villain spider lives, cunning, and fierce,
Mixture abhorr'd! amid a mangled heap
Of carcasses, in eager watch he sits,
O'erlooking all his waving snares around.
Near the dire cell the dreadless wanderer oft
Passes, as oft the russian shows his front;
The prey at last ensnared, he dreadful darts,
With rapid glide, along the leaning line;
And, fixing in the wretch his cruel fangs,
Strikes backward grimly pleased; the fluttering wing
And shriller sound declare extreme distress,
And ask the helping hospitable hand.
Resounds the living surface of the ground:
Nor undelightful is the ceaseless hum,
To him who muses through the woods at noon;
Or drowsy shepherd, as he lies reclined,
With half-shut eyes, beneath the floating shade
Of willows grey, close crowding o'er the brook.
Gradual, from these what numerous kinds descend,
Evading e'en the microscopic eye?
Full Nature swarms with life; one wondrous mass
Of animals, or atoms organized,
Waiting the vital breath, when parent Heaven
Shall bid his spirit blow. The hoary fen,
In putrid steams, emits the living cloud
Of pestilence. Through subterranean cells,
Where searching sunbeams scarce can find a way,
Earth animated heaves. The flowery leaf
Wants not its soft inhabitants. Secure,
Within its winding citadel, the stone
Holds multitudes. But chief the forest boughs,
That dance unnumber'd to the playful breeze,
The downy orchard, and the melting pulp
Of mellow fruit, the nameless nations feed
Of evanescent insects. Where the pool
Stands mantled o'er with green, invisible,
Amid the floating verdure millions stray.
Each liquid too, whether it pierces, soothes,
Inflames, refreshes, or exalts the taste,
With various forms abounds. Nor is the stream
Of purest crystal, nor the lucid air,
Though one transparent vacancy it seems,
Void of their unseen people. These, conceal'd
By the kind art of forming Heaven, escape
The grosser eye of man: for, if the worlds
In worlds inclosed should on his senses burst,
From cates ambrosial, and the nectar'd bowl,
He would abhorrent turn; and in dead night,
When silence sleeps o'er all, be stunn'd with noise.
Let no presuming impious railer tax
Creative Wisdom, as if ought was form'd
In vain, or not for admirable ends.
Shall little haughty Ignorance pronounce
His works unwise, of which the smallest part
Exceeds the narrow vision of her mind?
As if upon a full proportion'd dome,
On swelling columns heaved, the pride of art!
A critic fly, whose feeble ray scarce spreads
An inch around, with blind presumption bold,
Should dare to tax the structure of the whole.
And lives the man, whose universal eye
Has swept at once the unbounded scheme of things;
Mark'd their dependance so, and firm accord,
As with unfaltering accent to conclude
That this availeth nought? Has any seen
The mighty chain of beings, lessening down
From Infinite Perfection to the brink
Of dreary nothing, desolate abyss!
From which astonish'd thought, recoiling, turns?
Till then alone let zealous praise ascend,
And hymns of holy wonder, to that Power,
Whose wisdom shines as lovely on our minds,
As on our smiling eyes his servant-sun.
Thick in yon stream of light, a thousand ways,
Upward, and downward, thwarting, and convolved,
The quivering nations sport; till, tempest-wing'd,
Fierce Winter sweeps them from the face of day.
E'en so luxurious men, unheeding, pass
An idle summer life in fortune's shine,
A season's glitter! thus they flutter on
From toy to toy, from vanity to vice;
Till, blown away by death, oblivion comes
Behind, and strikes them from the book of life.
Now swarms the village o'er the jovial mead:
The rustic youth, brown with meridian toil,
Healthful and strong; full as the summer-rose
Blown by prevailing suns, the ruddy maid,
Half naked, swelling on the sight, and all
Her kindled graces burning o'er her cheek.
E'en stooping age is here; and infant hands
Trail the long rake, or, with the fragrant load
O'ercharged, amid the kind oppression roll.
Wide flies the tedded grain; all in a row
Advancing broad, or wheeling round the field,
They spread the breathing harvest to the sun,
That throws refreshful round a rural smell:
Or, as they rake the green-appearing ground,
And drive the dusky wave along the mead,
The russet hay-cock rises thick behind,
In order gay. While heard from dale to dale,
Waking the breeze, resounds the blended voice
Of happy labour, love, and social glee.
Or rushing thence, in one diffusive band,
They drive the troubled flocks, by many a dog
Compell'd, to where the mazy-running brook
Forms a deep pool; this bank abrupt and high,
And that fair-spreading in a pebbled shore.
Urged to the giddy brink, much is the toil,
The clamour much, of men, and boys, and dogs,
Ere the soft fearful people to the flood
Commit their woolly sides. And oft the swain,
On some impatient seizing, hurls them in:
Embolden'd then, nor hesitating more,
Fast, fast, they plunge amid the flashing wave,
And panting labour to the farthest shore.
Repeated this, till deep the well-wash'd fleece
Has drunk the flood, and from his lively haunt,
The trout is banish'd by the sordid stream;
Heavy, and dripping, to the breezy brow
Slow more the harmless race: where, as they spread
Their swelling treasures to the sunny ray,
Inly disturb'd, and wondering what this wild
Outrageous tumult means, their loud complaints
The country fill; and, toss'd from rock to rock,
Incessant bleatings run around the hills.
At last, of snowy white, the gather'd flocks
Are in the wattled pen innumerous press'd,
Head above head: and ranged in lusty rows
The shepherds sit, and whet the sounding shears.
The housewife waits to roll her fleecy stores,
With all her gay-drest maids attending round.
One, chief, in gracious dignity enthroned,
Shines o'er the rest, the pastoral queen, and rays
Her smiles, sweet-beaming, on her shepherd-king;
While the glad circle round them yield their souls
To festive mirth, and wit that knows no gall.
Meantime, their joyous task goes on apace:
Some mingling stir the melted tar, and some,
Deep on the new-shorn vagrant's heaving side,
To stamp the master's cypher ready stand;
Others the unwilling wether drag along;
And, glorying in his might, the sturdy boy
Holds by the twisted horns the indignant ram.
Behold where bound, and of its robe bereft,
By needy man, that all-depending lord,
How meek, how patient, the mild creature lies!
What softness in its melancholy face,
What dumb complaining innocence appears!
Fear not, ye gentle tribes, 'tis not the knife
Of horrid slaughter that is o'er you waved;
No, 'tis the tender swain's well-guided shears,
Who having now, to pay his annual care,
Borrow'd your fleece, to you a cumbrous load,
Will send you bounding to your hills again.
A simple scene! yet hence Britannia sees
Her solid grandeur rise: hence she commands
The exalted stores of every brighter clime,
The treasures of the Sun without his rage:
Hence, fervent all, with culture, toil, and arts,
Wide glows her land: her dreadful thunder hence
Rides o'er the waves sublime, and now, e'en now,
Impending hangs o'er Gallia's humbled coast;
Hence rules the circling deep, and awes the world.
'Tis raging noon; and, vertical, the sun
Darts on the head direct his forceful rays.
O'er heaven and earth, far as the ranging eye
Can sweep, a dazzling deluge reigns; and all
From pole to pole is undistinguish'd blaze.
In vain the sight, dejected, to the ground
Stoops for relief; thence hot-ascending steams
And keen reflection pain. Deep to the root
Of vegetation parch'd, the cleaving fields
And slippery lawn an arid hue disclose,
Blast Fancy's bloom, and wither e'en the soul.
Echo no more returns the cheerful sound
Of sharpening scythe: the mower sinking heaps
O'er him the humid hay, with flowers perfumed;
And scarce a chirping grasshopper is heard
Through the dumb mead. Distressful Nature pants.
The very streams look languid from afar;
Or, through the unshelter'd glade, impatient, seem
To hurl into the covert of the grove.
All-conquering Heat, oh intermit thy wrath!
And on my throbbing temples potent thus
Beam not so fierce! incessant still you flow,
And still another fervent flood succeeds,
Pour'd on the head profuse. In vain I sigh,
And restless turn, and look around for night;
Night is far off; and hotter hours approach.
Thrice happy he! who on the sunless side
Of a romantic mountain, forest-crown'd,
Beneath the whole collected shade reclines:
Or in the gelid caverns, woodbine-wrought,
And fresh bedew'd with ever-spouting streams,
Sits coolly calm; while all the world without,
Unsatisfied, and sick, tosses in noon.
Emblem instructive of the virtuous man,
Who keeps his temper'd mind serene and pure,
And every passion aptly harmonized,
Amid a jarring world with vice inflamed.
Welcome, ye shades! ye bowery thickets, hail!
Ye lofty pines! ye venerable oaks!
Ye ashes wild, resounding o'er the steep!
Delicious is your shelter to the soul,
As to the hunted hart the sallying spring,
Or stream full-flowing, that his swelling sides
Laves, as he floats along the herbaged brink.
Cool, through the nerves, your pleasing comfort glides;
The heart beats glad; the fresh-expanded eye
And ear resume their watch; the sinews knit;
And life shoots swift through all the lighten'd limbs.
Around the adjoining brook, that purls along
The vocal grove, now fretting o'er a rock,
Now scarcely moving through a reedy pool,
Now starting to a sudden stream, and now
Gently diffused into a limpid plain;
A various group the herds and flocks compose,
Rural confusion! on the grassy bank
Some ruminating lie; while others stand
Half in the flood, and often bending sip
The circling surface. In the middle droops
The strong laborious ox, of honest front,
Which incomposed he shakes; and from his sides
The troublous insects lashes with his tail,
Returning still. Amid his subjects safe,
Slumbers the monarch-swain; his careless arm
Thrown round his head, on downy moss sustain'd;
Here laid his scrip, with wholesome viands fill'd;
There, listening every noise, his watchful dog.
Light fly his slumbers, if perchance a flight
Of angry gad-flies fasten on the herd;
That startling scatters from the shallow brook,
In search of lavish stream. Tossing the foam,
They scorn the keeper's voice, and scour the plain,
Through all the bright severity of noon;
While, from their labouring breasts, a hollow moan
Proceeding, runs low-bellowing round the hills.
Oft in this season too the horse, provoked,
While his big sinews full of spirits swell,
Trembling with vigour, in the heat of blood,
Springs the high fence; and, o'er the field effused,
Darts on the gloomy flood, with steadfast eye,
And heart estranged to fear: his nervous chest,
Luxuriant, and erect, the seat of strength!
Bears down the opposing stream: quenchless his thirst;
He takes the river at redoubled draughts;
And with wide nostrils, snorting, skims the wave.
Still let me pierce into the midnight depth
Of yonder grove, of wildest largest growth:
That, forming high in air a woodland quire,
Nods o'er the mount beneath. At every step,
Solemn and slow, the shadows blacker fall,
And all is awful listening gloom around.
These are the haunts of Meditation, these
The scenes where ancient bards the inspiring breath,
Ecstatic, felt; and, from this world retired,
Conversed with angels, and immortal forms,
On gracious errands bent: to save the fall
Of virtue struggling on the brink of vice;
In waking whispers, and repeated dreams,
To hint pure thought, and warn the favour'd soul
For future trials fated to prepare;
To prompt the poet, who devoted gives
His muse to better themes; to soothe the pangs
Of dying worth, and from the patriot's breast
(Backward to mingle in detested war,
But foremost when engaged) to turn the death;
And numberless such offices of love,
Daily, and nightly, zealous to perform.
Shook sudden from the bosom of the sky,
A thousand shapes or glide athwart the dusk,
Or stalk majestic on. Deep-roused, I feel
A sacred terror, a severe delight,
Creep through my mortal frame; and thus, me-thinks,
A voice than human more, the abstracted ear
Of fancy strikes:—“Be not of us afraid,
Poor kindred man! thy fellow-creatures, we
From the same Parent-Power our beings drew,
The same our Lord, and laws, and great pursuit.
Once some of us, like thee, through stormy life,
Toil'd, tempest-beaten, ere we could attain
This holy calm, this harmony of mind,
Where purity and peace immingle charms.
Then fear not us; but with responsive song,
Amid these dim recesses, undisturb'd
By noisy folly and discordant vice,
Of Nature sing with us, and Nature's God.
Here frequent, at the visionary hour,
When musing midnight reigns or silent noon,
Angelic harps are in full concert heard,
And voices chanting from the wood-crown'd hill,
The deepening dale, or inmost sylvan glade:
A privilege bestow'd by us, alone,
On Contemplation, or the hallow'd ear
Of poet, swelling to seraphic strain.”
And art thou, Stanley, of that sacred band?
Alas, for us too soon! though raised above
The reach of human pain, above the flight
Of human joy; yet, with a mingled ray
Of sadly pleased remembrance, must thou feel
A mother's love, a mother's tender woe:
Who seeks thee still, in many a former scene;
Seeks thy fair form, thy lovely beaming eyes,
Thy pleasing converse, by gay lively sense
Inspired: where moral wisdom mildly shone,
Without the toil of art; and virtue glow'd,
In all her smiles, without forbidding pride.
But, O thou best of parents! wipe thy tears;
Or rather to Parental Nature pay
The tears of grateful joy, who for a while
Lent thee this younger self, this opening bloom
Of thy enlighten'd mind and gentle worth.
Believe the Muse: the wintry blast of death
Kills not the buds of virtue; no, they spread,
Beneath the heavenly beam of brighter suns,
Through endless ages, into higher powers.
Thus up the mount, in airy vision wrapt,
I stray, regardless whither; till the sound
Of a near fall of water every sense
Wakes from the charm of thought: swift-shrinking back,
I check my steps, and view the broken scene.
Smooth to the shelving brink a copious flood
Rolls fair, and placid; where collected all,
In one impetuous torrent, down the steep
It thundering shoots, and shakes the country round.
At first, an azure sheet, it rushes broad;
Then whitening by degrees, as prone it falls,
And from the loud-resounding rocks below
Dash'd in a cloud of foam, it sends aloft
A hoary mist, and forms a ceaseless shower.
Nor can the tortured wave here find repose:
But, raging still amid the shaggy rocks,
Now flashes o'er the scatter'd fragments, now
Aslant the hollow channel rapid darts;
And falling fast from gradual slope to slope,
With wild infracted course, and lessen'd roar,
It gains a safer bed, and steals, at last,
Along the mazes of the quiet vale.
Invited from the cliff, to whose dark brow
He clings, the steep-ascending eagle soars,
With upward pinions through the flood of day;
And, giving full his bosom to the blaze,
Gains on the sun; while all the tuneful race,
Smit by afflictive noon, disorder'd droop,
Deep in the thicket; or, from bower to bower
Responsive, force an interrupted strain.
The stock-dove only through the forest cooes,
Mournfully hoarse; oft ceasing from his plaint,
Short interval of weary woe! again
The sad idea of his murder'd mate,
Struck from his side by savage fowler's guile,
Across his fancy comes; and then resounds
A louder song of sorrow through the grove.
Beside the dewy border let me sit,
All in the freshness of the humid air:
There in that hollow'd rock, grotesque and wild,
An ample chair moss-lined, and over head
By flowering umbrage shaded; where the bee
Strays diligent, and with the extracted balm
Of fragrant woodbine loads his little thigh.
Now, while I taste the sweetness of the shade,
While Nature lies around deep-lull'd in noon,
Now come, bold Fancy, spread a daring flight,
And view the wonders of the torrid zone:
Climes unrelenting! with whose rage compared,
Yon blaze is feeble, and yon skies are cool.
See, how at once the bright effulgent sun,
Rising direct, swift chases from the sky
The short-lived twilight; and with ardent blaze
Looks gaily fierce through all the dazzling air:
He mounts his throne; but kind before him sends,
Issuing from out the portals of the morn,
The general breeze, to mitigate his fire,
And breathe refreshment on a fainting world.
Great are the scenes, with dreadful beauty crown'd
And barbarous wealth, that see, each circling year,
Returning suns and double seasons pass:
Rocks rich in gems, and mountains big with mines,
That on the high equator ridgy rise,
Whence many a bursting stream auriferous plays:
Majestic woods, of every vigorous green,
Stage above stage, high waving o'er the hills;
Or to the far horizon wide diffused,
A boundless deep immensity of shade.
Here lofty trees, to ancient song unknown,
The noble sons of potent heat and floods
Prone-rushing from the clouds, rear high to Heaven
Their thorny stems, and broad around them throw
Meridian gloom. Here, in eternal prime,
Unnumber'd fruits of keen delicious taste
And vital spirit, drink amid the cliffs,
And burning sands that bank the shrubby vales,
Redoubled day, yet in their rugged coats
A friendly juice to cool its rage contain.
Bear me, Pomona! to thy citron groves;
To where the lemon and the piercing lime,
With the deep orange, glowing through the green,
Their lighter glories blend. Lay me reclined
Beneath the spreading tamarind that shakes,
Fann'd by the breeze, its fever-cooling fruit.
Deep in the night the massy locust sheds,
Quench my hot limbs; or lead me through the maze,
Embowering endless, of the Indian fig;
Or thrown at gayer ease, on some fair brow,
Let me behold, by breezy murmurs cool'd,
Broad o'er my head the verdant cedar wave,
And high palmetos lift their graceful shade.
Or stretch'd amid these orchards of the sun,
Give me to drain the cocoa's milky bowl,
And from the palm to draw its freshening wine!
More bounteous far than all the frantic juice
Which Bacchus pours. Nor, on its slender twigs
Low-bending, be the full pomegranate scorn'd;
Nor, creeping through the woods, the gelid race
Of berries. Oft in humble station dwells
Unboastful worth, above fastidious pomp.
Witness, thou best Anana, thou the pride
Of vegetable life, beyond whate'er
The poets imaged in the golden age:
Quick let me strip thee of thy tufty coat,
Spread thy ambrosial stores, and feast with Jove!
From these the prospect varies. Plains immense
Lie stretch'd below, interminable meads,
And vast savannahs, where the wandering eye,
Unfix'd, is in a verdant ocean lost.
Another Flora there, of bolder hues,
And richer sweets, beyond our garden's pride,
Plays o'er the fields, and showers with sudden hand
Exuberant spring: for oft these valleys shift
Their green embroider'd robe to fiery brown,
And swift to green again, as scorching suns,
Or streaming dews and torrent rains, prevail.
Along these lonely regions, where, retired
From little scenes of art, great Nature dwells
In awful solitude, and nought is seen
But the wild herds that own no master's stall,
Prodigious rivers roll their fattening seas:
On whose luxuriant herbage, half-conceal'd,
Like a fallen cedar, far diffused his train,
Cased in green scales, the crocodile extends.
The flood disparts: behold! in plaited mail
Behemoth rears his head. Glanced from his side,
The darted steel in idle shivers flies:
He fearless walks the plain, or seeks the hills;
Where, as he crops his varied fare, the herds,
In widening circle round, forget their food,
And at the harmless stranger wondering gaze.
Peaceful, beneath primeval trees, that cast
Their ample shade o'er Niger's yellow stream,
And where the Ganges rolls his sacred wave;
Or mid the central depth of blackening woods,
High raised in solemn theatre around,
Leans the huge elephant: wisest of brutes!
O truly wise, with gentle might endow'd,
Though powerful, not destructive! here he sees
Revolving ages sweep the changeful earth,
And empires rise and fall; regardless he
Of what the never-resting race of men
Project: thrice happy! could he 'scape their guile,
Who mine, from cruel avarice, his steps;
Or with his towery grandeur swell their state,
The pride of kings! or else his strength pervert,
And bid him rage amid the mortal fray,
Astonish'd at the madness of mankind.
Wide o'er the winding umbrage of the floods,
Like vivid blossoms glowing from afar,
Thick swarm the brighter birds. For Nature's hand,
That with a sportive vanity has deck'd
The plumy nations, there her gayest hues
Profusely pours. But, if she bids them shine,
Array'd in all the beauteous beams of day,
Yet frugal still, she humbles them in song.
Nor envy we the gaudy robes they lent
Proud Montezuma's realm, whose legions cast
A boundless radiance waving on the sun,
While Philomel is ours; while in our shades,
Through the soft silence of the listening night,
The sober-suited songstress trills her lay.
But come, my Muse, the desert-barrier burst,
A wild expanse of lifeless sand and sky:
And, swifter than the toiling caravan,
Shoot o'er the vale of Sennar; ardent climb
The Nubian mountains, and the secret bounds
Of jealous Abyssinia boldly pierce.
Thou art no ruffian, who beneath the mask
Of social commerce comest to rob their wealth;
No holy fury thou, blaspheming Heaven,
With consecrated steel to stab their peace,
And through the land, yet red from civil wounds,
To spread the purple tyranny of Rome.
Thou, like the harmless bee, mayst freely range,
From mead to mead bright with exalted flowers,
From jasmine grove to grove mayst wander gay,
Through palmy shades and aromatic woods,
That grace the plains, invest the peopled hills,
And up the more than Alpine mountains wave.
There on the breezy summit, spreading fair,
For many a league; or on stupendous rocks,
That from the sun-redoubling valley lift,
Cool to the middle air, their lawny tops;
Where palaces, and fanes, and villas rise;
And gardens smile around, and cultured fields;
And fountains gush; and careless herds and flocks
Securely stray; a world within itself,
Disdaining all assault: there let me draw
Ethereal soul, there drink reviving gales,
Profusely breathing from the spicy groves,
And vales of fragrance; there at distance hear
The roaring floods, and cataracts, that sweep
From disembowel'd earth the virgin gold;
And o'er the varied landscape, restless, rove,
Fervent with life of every fairer kind:
A land of wonders! which the sun still eyes
With ray direct, as of the lovely realm
Enamour'd, and delighting there to dwell.
How changed the scene! in blazing height of noon,
The sun, oppress'd, is plunged in thickest gloom.
Still horror reigns, a dreary twilight round,
Of struggling night and day malignant mix'd.
For to the hot equator crowding fast,
Where, highly rarefied, the yielding air
Admits their stream, incessant vapours roll,
Amazing clouds on clouds continual heap'd;
Or whirl'd tempestuous by the gusty wind,
Or silent borne along, heavy, and slow,
With the big stores of steaming oceans charged.
Meantime, amid these upper seas, condensed
Around the cold aërial mountain's brow,
And by conflicting winds together dash'd,
The thunder holds his black tremendous throne;
From cloud to cloud the rending lightnings rage;
Till, in the furious elemental war
Dissolved, the whole precipitated mass
Unbroken floods and solid torrents pours.
The treasures these, hid from the bounded search
Of ancient knowledge; whence, with annual pomp,
Rich king of floods! o'erflows the swelling Nile.
From his two springs, in Gojam's sunny realm,
Pure-welling out, he through the lucid lake
Of fair Dambea rolls his infant stream.
There, by the naiads nursed, he sports away
His playful youth, amid the fragant isles,
That with unfading verdure smile around.
Ambitious, thence the manly river breaks;
And gathering many a flood, and copious fed
With all the mellow'd treasures of the sky,
Winds in progressive majesty along:
Through splendid kingdoms now devolves his maze,
Now wanders wild o'er solitary tracts
Of life-deserted sand; till, glad to quit
The joyless desert, down the Nubian rocks
From thundering steep to steep, he pours his urn,
And Egypt joys beneath the spreading wave.
His brother Niger too, and all the floods
In which the full-form'd maids of Afric lave
Their jetty limbs; and all that from the tract
Of woody mountains stretch'd through gorgeous
Fall on Cor'mandel's coast, or Malabar;
From Menam's orient stream, that nightly shines
With insect-lamps, to where Aurora sheds
On Indus' smiling banks the rosy shower:
All, at this bounteous season, ope their urns,
And pour untoiling harvest o'er the land.
Nor less thy world, Columbus, drinks, refresh'd,
The lavish moisture of the melting year.
Wide o'er his isles, the branching Oronoque
Rolls a brown deluge; and the native drives
To dwell aloft on life-sufficing trees,
At once his dome, his robe, his food, and arms.
Swell'd by a thousand streams, impetuous hurl'd
From all the roaring Andes, huge decends
The mighty Orellana. Scarce the Muse
Dares stretch her wing o'er this enormous mass
Of rushing water; scarce she dares attempt
The sea-like Plata; to whose dread expanse,
Continuous depth, and wondrous length of course,
Our floods are rills. With unabated force,
In silent dignity they sweep along,
And traverse realms unknown, and blooming wilds,
And fruitful deserts, worlds of solitude,
Where the sun smiles and seasons teem in vain,
Unseen and unenjoy'd. Forsaking these,
O'er peopled plains they fair-diffusive flow,
And many a nation feed, and circle safe,
In their soft bosom, many a happy isle;
The seat of blameless Pan, yet undisturb'd
By christian crimes and Europe's cruel sons.
Thus pouring on they proudly seek the deep,
Whose vanquish'd tide recoiling from the shock,
Yields to the liquid weight of half the globe;
And Ocean trembles for his green domain.
But what avails this wondrous waste of wealth?
This gay profusion of luxurious bliss?
This pomp of Nature? what their balmy meads,
Their powerful herbs, and Ceres void of pain?
By vagrant birds dispersed and wafting winds,
What their unplanted fruits? what the cool draughts,
The ambrosial food, rich gums, and spicy health,
Their forests yield? their toiling insects what?
Their silky pride, and vegetable robes?
Ah! what avail their fatal treasures, hid
Deep in the bowels of the pitying earth,
Golconda's gems, and sad Potosi's mines;
Where dwelt the gentlest children of the sun?
What all that Afric's golden rivers roll,
Her odorous woods, and shining ivory stores?
Ill-fated race! the softening arts of Peace,
Whate'er the humanizing Muses teach;
The godlike wisdom of the temper'd breast;
Progressive truth, the patient force of thought;
Investigation calm, whose silent powers
Command the world; the light that leads to Heaven;
Kind equal rule, the goverment of laws,
And all-protecting Freedom, which alone
Sustains the name and dignity of man:
These are not theirs. The parent sun himself
Seems o'er this world of slaves to tyrannize;
And, with oppressive ray, the roseate bloom
Of beauty blasting, gives the gloomy hue,
And feature gross: or worse, to ruthless deeds,
Mad jealousy, blind rage, and fell revenge,
Their fervid spirit fires. Love dwells not there,
The soft regards, the tenderness of life,
The heart-shed tear, the ineffable delight
Of sweet humanity: these court the beam
Of milder climes; in selfish fierce desire,
And the wild fury of voluptuous sense,
There lost. The very brute-creation there
This rage partakes, and burns with horrid fire.
Lo! the green serpent, from his dark abode,
Which even Imagination fears to tread,
At noon forth-issuing, gathers up his train
In orbs immense, then, darting out anew,
Seeks the refreshing fount; by which diffused,
He throws his folds: and while, with threatening tongue
And deathful jaws erect, the monster curls
His flaming crest, all other thirst appall'd,
Or shivering flies or check'd at distance stands,
Nor dares approach. But still more direful he,
The small close-lurking minister of fate,
Whose high-concocted venom through the veins
A rapid lightning darts, arresting swift
The vital current. Form'd to humble man,
This child of vengeful Nature! there, sublimed
To fearless lust of blood, the savage race
Roam, licensed by the shading hour of guilt,
And foul misdeed, when the pure day has shut
His sacred eye. The tiger darting fierce
Impetuous on the prey his glance has doom'd:
The lively shining leopard, speckled o'er
With many a spot, the beauty of the waste;
And, scorning all the taming arts of man,
The keen hyena, fellest of the fell.
These, rushing from the inhospitable woods
Of Mauritania, or the tufted isles,
That verdant rise amid the Libyan wild,
Innumerous glare around their shaggy king,
Majestic, stalking o'er the printed sand;
And, with imperious and repeated roars,
Demand their fated food. The fearful flocks
Crowd near the guardian swain; the nobler herds,
Where round their lordly bull, in rural ease
They ruminating lie, with horror hear
The coming rage. The awaken'd village starts;
And to her fluttering breast the mother strains
Her thoughtless infant. From the pyrate's den,
Or stern Morocco's tyrant fang escaped,
The wretch half wishes for his bonds again:
While, uproar all, the wilderness resounds,
From Atlas eastward to the frighted Nile.
Unhappy he! who from the first of joys,
Society, cut off, is left alone
Amid this world of death. Day after day,
Sad on the jutting eminence he sits,
And views the main that ever toils below;
Still fondly forming in the farthest verge,
Where the round ether mixes with the wave,
Ships, dim-discover'd dropping from the clouds;
At evening, to the setting sun he turns
A mournful eye, and down his dying heart
Sinks helpless; while the wonted roar is up,
And hiss continual through the tedious night.
Yet here, e'en here, into these black abodes
Of monsters, unappall'd, from stooping Rome,
And guilty Cæsar, Liberty retired,
Her Cato following through Numidian wilds:
Disdainful of Campania's gentle plains,
And all the green delights Ausonia pours;
When for them she must bend the servile knee,
And fawning take the splendid robber's boon.
Nor stop the terrors of these regions here.
Commission'd demons oft, angels of wrath,
Let loose the raging elements. Breathed hot
From all the boundless furnace of the sky,
And the wide glittering waste of burning sand,
A suffocating wind the pilgrim smites
With instant death. Patient of thirst and toil,
Son of the desert! e'en the camel feels,
Shot through his wither'd heart, the fiery blast.
Or from the black-red ether, bursting broad,
Sallies the sudden whirlwind. Straight the sands,
Commoved around, in gathering eddies play:
Nearer and nearer still they darkening come;
Till, with the general all-involving storm
Swept up, the whole continuous wilds arise;
And by their noonday fount dejected thrown,
Or sunk at night in sad disastrous sleep,
Beneath descending hills, the caravan
Is buried deep. In Cairo's crowded streets
The impatient merchant, wondering, waits in vain,
And Mecca saddens at the long delay.
But chief at sea, whose every flexile wave
Obeys the blast, the aërial tumult swells.
In the dread ocean, undulating wide,
Beneath the radiant line that girts the globe,
The circling Typhon, whirl'd from point to point,
Exhausting all the rage of all the sky,
And dire Ecnephia reign. Amid the heavens,
Falsely serene, deep in a cloudy speck
Compress'd, the mighty tempest brooding dwells:
Of no regard, save to the skilful eye,
Fiery and foul, the small prognostic hangs
Aloft, or on the promontory's brow
Musters its force. A faint deceitful calm,
A fluttering gale, the demon sends before,
To tempt the spreading sail. Then down at once,
Precipitant, descends a mingled mass
Of roaring winds, and flame, and rushing floods.
In wild amazement fix'd the sailor stands.
Art is too slow: by rapid fate oppress'd,
His broad-winged vessel drinks the whelming tide,
Hid in the bosom of the black abyss.
With such mad seas the daring Gama fought,
For many a day, and many a dreadful night,
Incessant, labouring round the stormy Cape;
By bold ambition led, and bolder thirst
Of gold. For then from ancient gloom emerged
The rising world of trade: the Genius, then,
Of navigation, that, in hopeless sloth,
Had slumber'd on the vast Atlantic deep,
For idle ages, starting, heard at last
The Lusitanian Prince; who, Heaven-inspired,
To love of useful glory roused mankind,
And in unbounded commerce mix'd the world.
Increasing still the terrors of these storms,
His jaws horrific arm'd with threefold fate,
Here dwells the direful shark. Lured by the scent
Of steaming crowds, of rank disease, and death,
Behold! he rushing cuts the briny flood,
Swift as the gale can bear the ship along;
And, from the partners of that cruel trade,
Which spoils unhappy Guinea of her sons,
Demands his share of prey; demands themselves.
The stormy fates descend: one death involves
Tyrants and slaves; when straight, their mangled limbs
Crashing at once, he dyes the purple seas
With gore, and riots in the vengeful meal.
When o'er this world, by equinoctial rains
Flooded immense, looks out the joyless sun,
And draws the copious stream: from swampy fens,
Where putrefaction into life ferments,
And breathes destructive myriads; or from woods,
Impenetrable shades, recesses foul,
In vapours rank and blue corruption wrapt,
Whose gloomy horrors yet no desperate foot
Has ever dared to pierce; then, wasteful, forth
Walks the dire Power of pestilent disease.
A thousand hideous fiends her course attend,
Sick Nature blasting, and to heartless woe,
And feeble desolation, casting down
The towering hopes and all the pride of Man.
Such as, of late, at Carthagena quench'd
The British fire. You, gallant Vernon, saw
The miserable scene; you, pitying, saw
To infant-weakness sunk the warrior's arm;
Saw the deep-racking pang, the ghastly form,
The lip pale quivering, and the beamless eye
No more with ardour bright: you heard the groans
Of agonizing ships, from shore to shore;
Heard, nightly plunged amid the sullen waves,
The frequent corse; while on each other fix'd,
In sad presage, the blank assistants seem'd,
Silent, to ask, whom Fate would next demand.
What need I mention those inclement skies,
Where, frequent o'er the sickening city, Plague,
The fiercest child of Nemesis divine,
Descends? From Ethiopia's poison'd woods,
From stifled Cairo's filth, and fetid fields
With locust-armies putrefying heap'd,
This great destroyer sprung. Her awful rage
The brutes escape: Man is her destined prey,
Intemperate Man! and, o'er his guilty domes,
She draws a close incumbent cloud of death;
Uninterrupted by the living winds,
Forbid to blow a wholesome breeze; and stain'd
With many a mixture by the sun, suffused,
Of angry aspect. Princely wisdom, then,
Dejects his watchful eye; and from the hand
Of feeble justice, ineffectual, drop
The sword and balance: mute the voice of joy,
And hush'd the clamour of the busy world.
Empty the streets, with uncouth verdure clad;
Into the worst of deserts sudden turn'd
The cheerful haunt of men: unless escaped
From the doom'd house, where matchless horror reigns,
Shut up by barbarous fear, the smitten wretch,
With frenzy wild, breaks loose; and, loud to Heaven
Screaming, the dreadful policy arraigns,
Inhuman, and unwise. The sullen door,
Yet uninfected, on its cautious hinge
Fearing to turn, abhors society:
Dependants, friends, relations, Love himself,
Savaged by woe, forget the tender tie,
The sweet engagement of the feeling heart.
But vain their selfish care: the circling sky,
The wide enlivening air is full of fate;
And, struck by turns, in solitary pangs
They fall, unblest, untended, and unmourn'd.
Thus o'er the prostrate city black Despair
Extends her raven wing: while, to complete
The scene of desolation, stretch'd around,
The grim guards stand, denying all retreat,
And give the flying wretch a better death.
Much yet remains unsung: the rage intense
Of brazen-vaulted skies, of iron fields,
Where drought and famine starve the blasted year:
Fired by the torch of noon to tenfold rage,
The infuriate hill that shoots the pillar'd flame;
And, roused within the subterranean world,
The expanding earthquake, that resistless shakes
Aspiring cities from their solid base,
And buries mountains in the flaming gulf.
But 'tis enough; return, my vagrant Muse:
A nearer scene of horror calls thee home.
Behold, slow-settling o'er the lurid grove
Unusual darkness broods; and growing gains
The full possession of the sky, surcharged
With wrathful vapour, from the secret beds,
Where sleep the mineral generations, drawn.
Thence nitre, sulphur, and the fiery spume
Of fat bitumen, steaming on the day,
With various-tinctured trains of latent flame,
Pollute the sky, and in yon baleful cloud,
A reddening gloom, a magazine of fate,
Ferment; till, by the touch ethereal roused,
The dash of clouds, or irritating war
Of fighting winds, while all is calm below,
They furious spring. A boding silence reigns,
Dread through the dun expanse; save the dull sound
That from the mountain, previous to the storm,
Rolls o'er the muttering earth, disturbs the flood,
And shakes the forest-leaf without a breath.
Prone, to the lowest vale, the aërial tribes
Descend: the tempest-loving raven scarce
Dares wing the dubious dusk. In rueful gaze
The cattle stand, and on the scowling heavens
Cast a deploring eye; by man forsook,
Who to the crowded cottage hies him fast,
Or seeks the shelter of the downward cave.
'Tis listening fear, and dumb amazement all:
When to the startled eye the sudden glance
Appears far south, eruptive through the cloud;
And following slower, in explosion vast,
The Thunder raises his tremendous voice.
At first, heard solemn o'er the verge of Heaven,
The tempest growls; but as it nearer comes,
And rolls its awful burden on the wind,
The lightnings flash a larger curve, and more
The noise astounds: till over head a sheet
Of livid flame discloses wide; then shuts,
And opens wider; shuts and opens still
Expansive, wrapping ether in a blaze.
Follows the loosen'd aggravated roar,
Enlarging, deepening, mingling; peal on peal
Crush'd horrible, convulsing heaven and earth.
Down comes a deluge of sonorous hail,
Or prone-descending rain. Wide-rent, the clouds
Pour a whole flood; and yet, its flame unquench'd,
The unconquerable lightning struggles through,
Ragged and fierce, or in red whirling balls,
And fires the mountains with redoubled rage.
Black from the stroke, above, the smouldring pine
Stands a sad shatter'd trunk; and, stretch'd below,
A lifeless group the blasted cattle lie:
Here the soft flocks, with that same harmless look
They wore alive, and ruminating still
In fancy's eye; and there the frowning bull,
And ox half-raised. Struck on the castled cliff,
The venerable tower and spiry fane
Resign their aged pride. The gloomy woods
Start at the flash, and from their deep recess,
Wide-flaming out, their trembling inmates shake.
Amid Carnarvon's mountains rages loud
The repercussive roar: with mighty crush,
Into the flashing deep, from the rude rocks
Of Penmanmaur heap'd hideous to the sky,
Tumble the smitten cliffs; and Snowden's peak,
Dissolving, instant yields his wintry load.
Far seen, the heights of heathy Cheviot blaze,
And Thulè bellows through her utmost isles.
Guilt hears appall'd, with deeply troubled thought.
And yet not always on the guilty head
Descends the fated flash. Young Celadon
And his Amelia were a matchless pair;
With equal virtue form'd, and equal grace,
The same, distinguish'd by their sex alone:
Hers the mild lustre of the blooming morn,
And his the radiance of the risen day.
They lov'd: but such the guileless passion was,
As in the dawn of time inform'd the heart
Of innocence and undissembling truth.
'Twas friendship, heighten'd by the mutual wish;
The enchanting hope, and sympathetic glow,
Beam'd from the mutual eye. Devoting all
To love, each was to each a dearer self;
Supremely happy in the awaken'd power
Of giving joy. Alone, amid the shades,
Still in harmonious intercourse they lived
The rural day, and talk'd the flowing heart,
Or sigh'd and look'd unutterable things.
So pass'd their life, a clear united stream,
By care unruffled; till, in evil hour,
The tempest caught them on the tender walk,
Heedless how far and where its mazes stray'd,
While, with each other blest, creative love
Still bade eternal Eden smile around.
Presaging instant fate, her bosom heaved
Unwonted sighs, and stealing oft a look
Of the big gloom, on Celadon her eye
Fell tearful, wetting her disorder'd cheek.
In vain assuring love, and confidence
In Heaven, repress'd her fear; it grew, and shook
Her frame near dissolution. He perceived
The unequal conflict, and as angels look
On dying saints, his eyes compassion shed,
With love illumined high. “Fear not,” he said,
“Sweet innocence! thou stranger to offence,
And inward storm! He, who yon skies involves
In frowns of darkness, ever smiles on thee
With kind regard. O'er thee the secret shaft
That wastes at midnight, or the undreaded hour
Of noon, flies harmless: and that very voice,
Which thunders terror through the guilty heart,
With tongues of seraphs whispers peace to thine.
'Tis safety to be near thee sure, and thus
To clasp perfection!” From his void embrace,
(Mysterious Heaven!) that moment, to the ground,
A blacken'd corse, was struck the beauteous maid.
But who can paint the lover, as he stood,
Pierced by severe amazement, hating life,
Speechless, and fix'd in all the death of woe!
So, faint resemblance! on the marble tomb,
The well-dissembled mourner stooping stands,
For ever silent and for ever sad.
As from the face of Heaven the shatter'd clouds
Tumultuous rove, the interminable sky
Sublimer swells, and o'er the world expands
A purer azure. Through the lighten'd air
A higher lustre and a clearer calm,
Diffusive, tremble; while, as if in sign
Of danger past, a glittering robe of joy,
Set off abundant by the yellow ray,
Invests the fields; and nature smiles revived.
'Tis beauty all, and grateful song around,
Join'd to the low of kine, and numerous bleat
Of flocks thick-nibbling through the clover'd vale.
And shall the hymn be marr'd by thankless Man,
Most-favour'd! who with voice articulate
Should lead the chorus of this lower world;
Shall he, so soon forgetful of the Hand
That hush'd the thunder, and serenes the sky,
Extinguish'd feel that spark the tempest waked,
That sense of powers exceeding far his own,
Ere yet his feeble heart has lost its fears?
Cheer'd by the milder beam, the sprightly youth
Speeds to the well-known pool, whose crystal depth
A sandy bottom shows. Awhile he stands
Gazing the inverted landscape, half afraid
To meditate the blue profound below;
Then plunges headlong down the circling flood.
His ebon tresses, and his rosy cheek
Instant emerge; and through the obedient wave,
At each short breathing by his lip repell'd,
With arms and legs according well, he makes,
As humour leads, an easy-winding path;
While, from his polish'd sides, a dewy light
Effuses on the pleased spectators round.
This is the purest exercise of health,
The kind refresher of the summer-heats;
Nor when cold Winter keens the brightening flood,
Would I weak-shivering linger on the brink.
Thus life redoubles, and is oft preserved,
By the bold swimmer, in the swift elapse
Of accident disastrous. Hence the limbs
Knit into force; and the same Roman arm,
That rose victorious o'er the conquer'd earth,
First learn'd, while tender, to subdue the wave.
Even from the body's purity the mind
Receives a secret sympathetic aid.
Close in the covert of a hazel copse,
Where, winded into pleasing solitudes,
Runs out the rambling dale, young Damon sat,
Pensive, and pierced with love's delightful pangs.
There to the stream that down the distant rocks
Hoarse-murmuring fell, and plaintive breeze that play'd
Among the bending willows, falsely he
Of Musidora's cruelty complain'd.
She felt his flame; but deep within her breast
In bashful coyness, or in maiden pride,
The soft return conceal'd; save when it stole
In sidelong glances from her downcast eye,
Or from her swelling soul in stifled sighs.
Touch'd by the scene, no stranger to his vows,
He framed a melting lay, to try her heart;
And, if an infant passion struggled there,
To call that passion forth. Thrice happy swain!
A lucky chance, that oft decides the fate
Of mighty monarchs, then decided thine.
For lo! conducted by the laughing Loves,
This cool retreat his Musidora sought:
Warm in her cheek the sultry season glow'd;
And, robed in loose array, she came to bathe
Her fervent limbs in the refreshing stream.
What shall he do? In sweet confusion lost,
And dubious flutterings, he a while remain'd:
A pure ingenuous elegance of soul,
A delicate refinement, known to few,
Perplex'd his breast, and urged him to retire:
But love forbade. Ye prudes in virtue, say,
Say, ye severest, what would you have done?
Meantime, this fairer nymph than ever blest
Arcadian stream, with timid eye around
The banks surveying, stripp'd her beauteous limbs,
To taste the lucid coolness of the flood.
Ah then! not Paris on the piny top
Of Ida panted stronger, when aside
The rival-goddesses the veil divine
Cast unconfined, and gave him all their charms,
Than, Damon, thou; as from the snowy leg,
And slender foot, the inverted silk she drew;
As the soft touch dissolved the virgin zone:
And, through the parting robe, the alternate breast,
With youth wild-throbbing, on thy lawless gaze
In full luxuriance rose. But, desperate youth,
How durst thou risk the soul-distracting view,
As from her naked limbs of glowing white,
Harmonious swell'd by Nature's finest hand,
In folds loose floating fell the fainter lawn;
And fair exposed she stood, shrunk from herself,
With fancy blushing, at the doubtful breeze
Alarm'd, and starting like the fearful fawn?
Then to the flood she rush'd; the parted flood
Its lovely guest with closing waves received;
And every beauty
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
So many and still so many and now for you the last. But when it
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
His mother, who was dead. He thought 'If I had a month or two
of life yet
I would remember to be decent, only it's now too late, I'm finished,
I'm sorry.' After that he thought only of pain and raging thirst
until the sundown
Reddened the sea, and hands were reaching for him and drawing
him up the cliff.
His sister Tamar
Nursed him in the big westward bedroom
Of the old house on Point Lobos. After fever
A wonderful day of peace and pleasant weakness
Brought home to his heart the beauty of things. 'O Tamar
I've thrown away years like rubbish. Listen, Tamar,
It would be better for me to be a cripple,
Sit on the steps and watch the forest grow up the hill
Or a new speck of moss on some old rock
That takes ten years agrowing, than waste
Shame and my spirit on Monterey rye whiskey,
And worse, and worse. I shan't be a cripple, Tamar.
We'll walk along the blessed old gray sea,
And up in the hills and watch the spring come home.'
Youth is a troublesome but a magical thing,
There is little more to say for it when you've said
Young bones knit easily; he that fell in December
Walked in the February fields. His sister Tamar
Was with him, and his mind ran on her name,
But she was saying, 'We laugh at poor Aunt Stella
With her spirit
visitors: Lee, something told her truth.
Last August, you were hunting deer, you had been gone
Ten days or twelve, we heard her scream at night,
I went to the room, she told me
She'd seen you lying all bloody on the sea-beach
By a dead deer, its blood dabbling the black weeds of the ebb.'
'I was up Tassajara way,' he answered,
'Far from the sea.' 'We were glad when you rode home
Safe, with the two bucks on the packhorse. But listen,
She said she watched the stars flying over you
In her vision, Orion she said, and made me look
Out of her window southward, where I saw
The stars they call the Scorpion, the red bead
With the curling tail. Then it will be in winter,'
She whispered to me, 'Orion is winter.'
Winter is over, visions are over and vanished,
The fields are winking full of poppies,
In a week or two I'll fill your arms with shining irises.'
The winter sun went under and all that night there came a roaring
from the south; Lee Cauldwell
Lay awake and heard the tough old house creak all her timbers;
he was miserably lonely and vacant,
He'd put away the boyish jets of wickedness, loves with dark
eyes in Monterey back-streets, liquor
And all its fellowship, what was left to live for but the farmwork,
rain would come and hinder?
He heard the cypress trees that seemed to scream in the wind,
and felt the ocean pounding granite.
His father and Tamar's, the old man David Cauldwell, lay in the
eastern chamber; when the storm
Wakened him from the heartless fugitive slumber of age he rose
and made a light, and lighted
The lamp not cold yet; night and day were nearly equal to him,
he had seen too many; he dressed
Slowly and opened his Bible. In the neighboring rooms he heard
on one side Stella Moreland,
His dead wife's sister, quieting his own sister, the idiot Jinny
Cauldwell, who laughed and chuckled
Often for half the night long, an old woman with a child's mind
and mostly sleepless; in the other
Chamber Tamar was moaning, for it seemed that nightmare
Within the house answered to storm without.
To Tamar it seemed that she was walking by the seaside
With her dear brother, who said 'Here's where I fell,
A bad girl that I knew in Monterey pushed me over the cliff,
You can see blood still on the boulders.' Where he vanished to
She could not tell, nor why she was crying 'Lee. No.
No dearest brother, dearest brother no.' But she cried vainly,
Lee was not there to help her, a wild white horse
Came out of the wave and trampled her with his hooves,
The horror that she had dreaded through her dreaming
With mystical foreknowledge. When it wakened her,
She like her father heard old Jinny chuckling
And Stella sighing and soothing her, and the southwind
Raging around the gables of the house and through the forest of
'When it rains it will be quieter,' Tamar thought. She slept
again, all night not a drop fell.
Old Cauldwell from his window saw the cloudy light seep up
the sky from the overhanging
Hilltops, the dawn was dammed behind the hills but overflowed
at last and ran down on the sea.
Lee Cauldwell rode across the roaring southwind to the winter
pasture up in the hills.
A hundred times he wanted Tamar, to show her some new beauty
of canyon wildflowers, water
Dashing its ferns, or oaktrees thrusting elbows at the wind, blackoaks
smoldering with foliage
And the streaked beauty of white-oak trunks, and redwood
glens; he rode up higher across the rainwind
And found his father's cattle in a quiet hollow among the hills,
their horns to the wind,
Quietly grazing. He returned another way, from the headland
over Wildcat Canyon,
Saw the immense water possessing all the west and saw Point Lobos
Gemmed in it, and the barn-roofs and the house-roof
Like ships' keels in the cypress tops, and thought of Tamar.
Toward sundown he approached the house; Will Andrews
Was leaving it and young Cauldwell said, 'Listen, Bill Andrews,
We've had gay times together and ridden at night.
I've quit it, I don't want my old friends to visit my sister.
Better keep off the place.' 'I will,' said the other,
'When Tamar tells me to.' 'You think my bones
Aren't mended yet, better keep off.' Lee Cauldwell
Rode by to the stable wondering why his lips
Twitched with such bitter anger; Tamar wondered
Why he went upstairs without a word or smile
Of pleasure in her. The old man David Cauldwell,
When Lee had told him news of the herd and that Ramon
Seemed faithful, and the calves flourished, the old man answered:
'I hear that there's a dance at Motley's Landing Saturday. You'll
Down the coast, Lee. Don't kill the horse, have a good time.'
'No, I've had all I want, I'm staying
At home now, evenings.' 'Don't do it; better dance your pony
down the cliffs again than close
Young life into a little box; you've been too wild; now I'm worn
out, but I remember
Hell's in the box.' Lee answered nothing, his father's lamp of
thought was hidden awhile in words,
An old man's words, like the dry evening moths that choke a
candle. A space, and he was saying,
'Come summer we'll be mixed into the bloody squabble out there,
and you'll be going headforemost
Unless you make your life so pleasant you'd rather live it. I
mayn't be living
To see you home or hear you're killed.' Lee, smiling at him,
'A soldier's what I won't be, father.' That night
He dreamed himself a soldier, an aviator
Duelling with a German above a battle
That looked like waves, he fired his gun and mounted
In steady rhythm; he must have been winged, he suddenly
Plunged and went through the soft and deadly surface
Of the deep sea, wakening in terror.
He heard his old Aunt Jinny chuckling,
Aunt Stella sighing and soothing her, and the southwind
Raging around the gables of the house and through the forest of
They two had unbridled the horses
And tied them with long halters near the thicket
Under Mai Paso bridge and wandered east
Into the narrow cleft, they had climbed the summit
On the right and looked across the sea.
The steep path down, 'What are we for?' said Tamar wearily,
'to want and want and not dare know it.'
'Because I dropped the faded irises,' Lee answered, 'you're unhappy.
They were all withered, Tamar.
We have grown up in the same house.' 'The withered house
Of an old man and a withered woman and an idiot woman. No
wonder if we go mad, no wonder.'
They came to the hid stream and Tamar said, 'Sweet, green and cool,
After the mad white April sun: you wouldn't mind, Lee?
Here where it makes a pool: you mustn't look; but you're my
brother. And then
I will stand guard for you.' The murmur and splash of water
made his fever fierier; something
Unfelt before kept his eyes seaward: why should he dread to see
the round arm and clear throat
Flash from the hollow stream? He trembled, thinking
'O we are beasts, a beast, what am I for?
Was the old man right, I must be drunk and a dancer and feed on
the cheap pleasures, or it's dangerous?
Lovely and thoughtless, if she knew me how she'd loathe and
avoid me. Her brother, brother. My sister.
Better the life with the bones, and all at once have broken.'
Uneasily dipped her wrists, and crouching in the leaf-grown bank
Saw her breasts in the dark mirror, she trembled backward
From a long ripple and timidly wading entered
The quiet translucence to the thighs. White-shining
Slender and virgin pillar, desire in water
Unhidden and half reflected among the interbranching ripples,
Arched with alder, over-woven with willow.
Ah Tamar, stricken with strange fever and feeling
Her own desirableness, half-innocent Tamar
Thought, 'If I saw a snake in the water he would come now
And kill the snake, he is keen and fearless but he fears
Me I believe.' Was it the wild rock coast
Of her breeding, and the reckless wind
In the beaten trees and the gaunt booming crashes
Of breakers under the rocks, or rather the amplitude
And wing-subduing immense earth-ending water
That moves all the west taught her this freedom? Ah Tamar,
It was not good, not wise, not safe, not provident,
Not even, for custom creates nature, natural,
Though all other license were; and surely her face
Grew lean and whitened like a mask, the lips
Thinned their rose to a split thread, the little breasts
Erected sharp bright buds but the white belly
Shuddered, sucked in. The lips writhed and no voice
Formed, and again, and a faint cry. 'Tamar?'
He answered, and she answered, 'Nothing. A snake in the water
Frightened me.' And again she called his name.
'What is it, Tamar?' 'Nothing. It is cold in the water.
Come, Lee, I have hidden myself all but the head.
Bathe, if you mean to bathe, and keep me company.
I won't look till you're in.' He came, trembling.
He unclothed himself in a green depth and dared not
Enter the pool, but stared at the drawn scars
Of the old wound on his leg. 'Come, Lee, I'm freezing.
Come, I won't look.' He saw the clear-skinned shoulders
And the hollow of her back, he drowned his body
In the watery floor under the cave of foliage,
And heard her sobbing. When she turned, the great blue eyes
Under the auburn hair, streamed. 'Lee.
We have stopped being children; I would have drowned myself;
If you hadn't taught me swimming long ago long ago, Lee
When we were children.' 'Tamar, what is it, what is it?'
'Only that I want . . . death. You lie if you think
Another thing.' She slipped face down and lay
In the harmless water, the auburn hair trailed forward
Darkened like weeds, the double arc of the shoulders
Floated, and when he had dragged her to the bank both arms
Clung to him, the white body in a sobbing spasm
Clutched him, he could not disentangle the white desire,
So they were joined (like drowning folk brought back
By force to bitter life) painfully, without joy.
The spasm fulfilled, poor Tamar, like one drowned indeed, lay
pale and quiet
And careless of her nakedness. He, gulfs opening
Between the shapes of his thought, desired to rise and leave her
and was ashamed to.
He lay by her side, the cheek he kissed was cold like a smooth
stone, the blue eyes were half open,
The bright smooth body seemed to have suffered pain, not love.
One of her arms crushed both her breasts,
The other lay in the grass, the fingers clutching toward the
roots of die soft grass. 'Tamar,'
He whispered, then she breathed shudderingly and answered,
'We have it, we have it. Now I know.
It was my fault. I never shall be ashamed again.' He said,
'What shall I do? Go away?
Kill myself, Tamar?' She contracted all her body and crouched
in the long grass, shivering.
'It hurts, there is blood here, I am too cold to bathe myself
again. O brother, brother,
Mine and twice mine. You knew already, a girl has got to learn.
I love you, I chose my teacher.
Mine, it was my doing.' She flung herself upon him, cold white
and smooth, with sobbing kisses.
'I am so cold, dearest, dearest.' The horses at the canyon mouth
tugged at their halters,
Dug pits under the restless forehooves, shivered in the hill-wind
At sundown, were not ridden till dark, it was near midnight
They came to the old house.
When Jinny Cauldwell slept, the old woman with a child's mind,
then Stella Moreland
Invoked her childish-minded dead, or lying blank-eyed in the
dark egged on her dreams to vision,
Suffering for lack of audience, tasting the ecstasy of vision. This
was the vaporous portion
She endured her life in the strength of, in the sea-shaken loneliness,
little loved, nursing an idiot,
Growing bitterly old among the wind-torn Lobos cypress trunks.
(O torture of needled branches
Doubled and gnarled, never a moment of quiet, the northwind
or the southwind or the northwest.
For up and down the coast they are tall and terrible horsemen on
patrol, alternate giants
Guarding the granite and sand frontiers of the last ocean; but
here at Lobos the winds are torturers,
The old trees endure them. They blew always thwart the old
woman's dreams and sometimes by her bedside
Stood, the south in russety black, the north in white, but the
northwest wave-green, sea-brilliant,
Scaled like a fish. She had also the sun and moon and mightier
presences in her visions.) Tamar
Entered the room toward morning and stood ghost-like among
the old woman's ghosts. The rolled-up eyes,
Dull white, with little spindles of iris touching the upper lids,
played back the girl's blown candle
Sightlessly, but the spirit of sight that the eyes are tools of and
it made them, saw her. 'Ah, Helen,'
Cried out the entranced lips, 'We thought you were tired of the
wind, we thought you never came now.
My sister's husband lies in the next room, go waken him, show
him your beauty, call him with kisses.
He is old and the spittle when he dreams runs into his beard, but
he is your lover and your brother.'
'I am not Helen,' she said, 'what Helen, what Helen?' 'Who
was not the wife but the sister of her man,
Mine was his wife.' 'My mother?' 'And now he is an old hulk
battered ashore. Show him your beauty,
Strip for him, Helen, as when he made you a seaweed bed in the
cave. What if the beard is slimy
And the eyes run, men are not always young and fresh like you
dead women.' But Tamar clutching
The plump hand on the coverlet scratched it with her nails, the
old woman groaned but would not waken,
And Tamar held the candle flame against the hand, the soot
striped it, then with a scream
The old woman awoke, sat up, and fell back rigid on the bed.
Tamar found place for the candle
On a little table at the bedside, her freed hands could not awaken
a second answer
In the flesh that now for all its fatness felt like a warmed stone.
But the idiot waked and chuckled,
Waved both hands at the candle saying, 'My little star, my little
star, come little star.'
And to these three old Cauldwell sighing with sleeplessness
Entered, not noticed, and he stood in the open door. Tamar was
Over the bed, loose hair like burnished metal
Concealed her face and sharply cut across one rounded shoulder
The thin night-dress had slipped from. The old man her father
Feared, for a ghost of law-contemptuous youth
Slid through the chilly vaults of the stiff arteries,
And he said, 'What is it, Tamar?' 'She was screaming in a
I came to quiet her, now she has gone stiff like iron.
Who is this woman Helen she was dreaming about?'
'Helen? Helen?' he answered slowly and Tamar
Believed she saw the beard and the hands tremble.
'It's too cold for you, Tamar, go back to bed
And I'll take care of her. A common name for women.'
Old Jinny clapped her hands, 'Little star, little star,
Twinkle all night!' and the stiff form on the bed began to speak,
In a changed voice and from another mode of being
And spirit of thought: 'I cannot think that you have forgotten.
I was walking on the far side of the moon,
Whence everything is seen but the earth, and never forgot.
This girl's desire drew me home, we also had wanted
Too near our blood,
And to tangle the interbranching net of generations
With a knot sideways. Desire's the arrow-sprayer
And shoots into the stars. Poor little Tamar
He gave you a luckless name in memory of me
And now he is old forgets mine.' 'You are that Helen,'
Said Tamar leaning over the fat shape
The quiet and fleshless voice seemed issuing from,
A sound of youth from the old puffed lips, 'What Helen? This
man's . . .
Sister, this body was saying?' 'By as much more
As you are of your brother.' 'Why,' laughed Tamar trembling,
'Hundreds of nasty children do it, and we
Nothing but children.' Then the old man: 'Lies, lies, lies.
No ghost, a lying old woman. Your Aunt Helen
Died white as snow. She died before your mother died.
Your mother and this old woman always hated her,
This liar, as they hated me. I was too hard a nature
To die of it, Lily and Stella.' 'It makes me nothing,
My darling sin a shadow and me a doll on wires,'
Thought Tamar with one half her spirit; and the other half said,
'Poor lies, words without meaning. Poor Aunt Stella,
The voices in her have no minds.' 'Poor little Tamar,'
Murmured the young voice from the swollen cavern,
'Though you are that woman's daughter, if we dead
Could be sorrowful for anyone but ourselves
I would be sorrowful for you, a trap so baited
Was laid to catch you when the world began,
Before the granite foundation. I too have tasted the sweet bait.
But you are the luckier, no one came home to me
To say there are no whips beyond death but only memory,
And that can be endured.' The room was quiet a moment,
And Tamar heard the wind moving outdoors. Then the idiot
Whose mind had been from birth a crippled bird but when she
was twelve years old her mind's cage
Was covered utterly, like a bird-cage covered with its evening
cloth when lamps are lighted,
And her memory skipped the more than forty years between but
caught stray gleams of the sun of childhood,
She in her crumpled voice: 'I'd rather play with Helen, go away
Stella. Stella pinches me,
Lily laughs at me, Lily and Stella are not my sisters.' 'Jinny,
Said the old man shaking like a thin brick house-wall in an earthquake,
'do you remember, Jinny?'
'Jinny don't like the old man,' she answered, 'give me the star,
give me my star,'
She whined, stretching from bed to reach the candle, 'why have
they taken my little star?
Helen would give it to Jinny.' Then Stella waking from the
trance sighed and arose to quiet her
According to her night's habit. Tamar said, 'You were screaming
in your sleep.' 'I had great visions.
And I have forgotten them. There Jinny, there, there. It'll have
the candle, will it? Pretty Jinny.
Will have candle to-morrow. Little Jinny let Aunt Stella sleep
now.' Old Cauldwell tottering
Went to his room; then Tamar said, 'You were talking about
his sister Helen, my aunt Helen,
You never told me about her.' 'She has been dead for forty
years, what should we tell you about her?
Now little Jinny, pretty sister,' And laying her hands upon the
mattress of the bed
The old woman cradled it up and down, humming a weary song.
Tamar stood vainly waiting
The sleep of the monstrous babe; at length because it would not
sleep went to her room and heard it
Gurgle and whimper an hour; and the tired litanies of the lullabies;
not quiet till daylight.
O swiftness of the swallow and strength
Of the stone shore, brave beauty of falcons,
Beauty of the blue heron that flies
Opposite the color of evening
From the Carmel River's reed-grown mouth
To her nest in the deep wood of the deer
Cliffs of peninsular granite engirdle,
beauty of the fountains of the sun
1 pray you enter a little chamber,
I have given you bodies, I have made you puppets,
I have made idols for God to enter
And tiny cells to hold your honey.
I have given you a dotard and an idiot,
An old woman puffed with vanity, youth but botched with incest,
O blower of music through the crooked bugles,
You that make signs of sins and choose the lame for angels,
Enter and possess. Being light you have chosen the dark lamps,
A hawk the sluggish bodies: therefore God you chose
Me; and therefore I have made you idols like these idols
To enter and possess.
Tamar, finding no hope,
Slid back on passion, she had sought counsel of the dead
And found half-scornful pity and found her sin
Fore-dated; there was honey at least in shame
And secrecy in silence, and her lover
Could meet her afield or slip to her room at night
In serviceable safety. They learned, these two,
Not to look back nor forward; and but for the hint
Of vague and possible wreck every transgression
Paints on the storm-edge of the sky, their blue
Though it dulled a shade with custom shone serene
To the fifth moon, when the moon's mark on women
Died out of Tamar. She kept secret the warning,
How could she color such love with perplexed fear?
Her soul walked back and forth like a new prisoner
Feeling the plant of unescapable fate
Root in her body. There was death; who had entered water
To compass love might enter again to escape
Love's fruit; 'But O, but O,' she thought, 'not to die now.
It is less than half a year
Since life turned sweet. If I knew one of the girls
My lover has known
She'd tell me what to do, how to be fruitless,
How to be ... happy? They do it, they do it, all sin
Grew nothing to us that day in Mai Paso water.
A love sterile and sacred as the stars.
I will tell my lover, he will make me safe,
He will find means . . .
Sterile and sacred, and more than any woman
. . . Unhappy. Miserable,' she sobbed, 'miserable,
The rough and bitter water about the cliff's foot
Better to breathe.'
When Lee was not by her side
She walke4 the cliffs to tempt them. The calm and large
Pacific surge heavy with summer rolling southeast from a far origin
Battered to foam among the stumps of granite below.
Tamar watched it swing up the little fjords and fountain
Not angrily in the blowholes; a gray vapor
Breathed up among the buttressed writhings of the cypress trunks
And branches swollen with blood-red lichen. She went home
And her night was full of foolish dreams, two layers of dream,
unrelative in emotion
Or substance to the pain of her thoughts. One, the undercurrent
layer that seemed all night continuous,
Concerned the dead (and rather a vision than a dream, for visions
gathered on that house
Like corposant fire on the hoar mastheads of a ship wandering
strange waters), brown-skinned families
Came down the river and straggled through the wood to the sea,
they kindled fires by knobs of granite
And ate the sea-food that the plow still turns up rotting shells of,
not only around Point Lobos
But north and south wherever the earth breaks off to sea-rock;
Tamar saw the huddled bodies
Squat by the fires and sleep; but when the dawn came there was
throbbing music meant for daylight
And that weak people went where it led them and were nothing;
then Spaniards, priests and horseback soldiers,
Came down the river and wandered through the wood to the sea,
and hearing the universal music
Went where it led them and were nothing; and the English-speakers
Came down the river and wandered through the wood to the sea,
among them Tamar saw her mother
Walking beside a nameless woman with no face nor breasts; and
the universal music
Led them away and they were nothing; but Tamar led her father
from that flood and saved him,
For someone named a church built on a rock, it was beautiful
and white, not fallen to ruin
Like the ruin by Carmel River; she led him to it and made him
enter the door, when he had entered
A new race came from the door and wandered down the river
to the sea and to Point Lobos.
This was the undertow of the dream, obscured by a brighter
surface layer but seeming senseless.
The tides of the sea were quiet and someone said 'because the
moon is lost.' Tamar looked up
And the moon dwindled, rocketing off through lonely space, and
the people in the moon would perish
Of cold or of a star's fire: then Will Andrews curiously wounded
in the face came saying
'Tamar, don't cry. What do you care? I will take care of you.'
Wakening, Tamar thought about him
And how he had stopped coming to see her. Perhaps it was
another man came through her dream,
The wound in the face disguised him, but that morning Lee
having ridden to Mill Creek
To bargain about some fields of winter pasture
Now that the advancing year withered the hill-grass,
Tamar went down and saddled her own pony,
A four-year-old, as white as foam, and cantered
Past San Jose creek-mouth and the Carrows' farm
(Where David Carrow and his fanatical blue eyes,
That afterward saw Christ on the hill, smiled at her passing)
And three miles up the Carmel Valley came
To the Andrews place where the orchards ran to the river
And all the air was rich with ripening apples.
She would not go to the house; she did not find
Whom she was seeking; at length sadly she turned
Homeward, for Lee might be home within two hours,
And on the Carmel bridge above the water
(Shrunken with summer and shot with water lichen,
The surface scaled with minute scarlet leaves,
The borders green with slimy threads) met whom she sought.
'Tamar,' he said, 'I've been to see you.' 'You hadn't
For a long time.' 'I had some trouble with Lee,
I thought you didn't want me.' While they talked
Her eyes tasted his face: was it endurable?
Though it lacked the curious gash her dream had given him. . . .
'I didn't want you, you thought?' 'Lee said so.' 'You might
Till Tamar said so.' 'Well,' he answered, 'I've been,
And neither of you was home but now I've met you.'
Well-looking enough; freckles, light hair, light eyes;
Not tall, but with a chest and hard wide shoulders,
And sitting the horse well 'O I can do it, I can do it,
Help me, God,' murmured Tamar in her mind,
'How else what else can I do?' and said, 'Luck, isn't it?
What did you want to see me about?' 'I wanted . . .
Because I ... like you, Tamar.' 'Why should I be careful,'
She thought, 'if I frighten him off what does it matter,
I have got a little beyond caring.' 'Let's go down
Into the willow,' she said, 'we needn't be seen
Talking and someone tell him and make trouble
Here on the bridge.' They went to the hidden bank
Under the deep green willows, colored water
Stagnated on its moss up to the stems,
Coarse herbage hid the stirrups, Tamar slid from the saddle
As quietly as the long unwhitening wave
Moulds a sunk rock, and while he tethered the horses,
'I have been lonely,' she said. 'Not for me, Tamar.'
'You think not? Will, now that all's over
And likely we'll not see each other again
Often, nor by ourselves, why shouldn't I tell you . . .'
'What, Tamar?' 'There've been moments . . . hours then . .
When anything you might have asked me for
Would have been given, I'd have done anything
You asked me to, you never asked anything, Will.
I'm telling you this so that you may remember me
As one who had courage to speak truth, you'll meet
So many others.' 'But now' he meant to ask,
'Now it's too late, Tamar?' and hadn't courage,
And Tamar thought 'Must I go farther and say more?
Let him despise me as I despise myself.
I have got a little beyond caring.' 'Now?' she said.
'Do you think I am changed? You have changed, Will,
you have grown
Older, and stronger I think, your face is firmer;
And carefuller: I have not changed, I am still reckless
To my own injury, and as trustful as a child.
Would I be with you here in the green thicket
If I weren't trustful? If you should harm me, Will,
I'd think it was no harm.' She had laid her hand
On the round sunburnt throat and felt it throbbing,
And while she spoke the thought ran through her mind,
'He is only a little boy but if he turns pale
I have won perhaps, for white's the wanting color.
If he reddens I’ve lost and it's no matter.' He did not move
And seemed not to change color and Tamar said,
'Now I must go. Lee will be home soon.
How soft the ground is in the willow shadow.
I have ended with you honestly, Will; remember me
Not afraid to speak truth and not ashamed
To have stripped my soul naked. You have seen all of me.
Good-bye.' But when she turned he caught her by the arm,
She sickened inward, thinking, 'Now it has come.
I have called and called it and I can't endure it.
Ah. A dumb beast.' But he had found words now and said,
'How would you feel, Tamar, if all of a sudden
The bird or star you'd broken your heart to have
Flew into your hands, then flew away. O Tamar, Tamar,
You can't go now, you can't.' She unresisting
Took the hot kisses on her neck and hair
And hung loose in his arms the while he carried her
To a clean bank of grass in the deep shadow.
He laid her there and kneeling by her: 'You said you trusted me.
You are wise, Tamar; I love you so much too well
I would cut my hands off not to harm you.' But she,
Driven by the inward spark of life and dreading
Its premature maturity, could not rest
On harmless love, there were no hands to help
In the innocence of love, and like a vision
Came to her the memory of that other lover
And how he had fallen a farther depth
From firmer innocence at Mai Paso, but the stagnant
Autumn water of Carmel stood too far
From the April freshet in the hills. Tamar pushed off
His kisses and stood up weeping and cried
'It's no use, why will you love me till I cry?
Lee hates you and my father is old and old, we can't
Sour the three years he has before he dies.'
'I'll wait for you,' said the boy, 'wait years, Tamar.' Then Tamar
Hiding her face against his throat
So that he felt the tears whispered, 'But I ...'
She sobbed, 'Have no patience ... I can't wait. Will . . .
When I made my soul naked for you
There was one spot ... a fault ... a shame
I was ashamed to uncover.' She pressed her mouth
Between the muscles of his breast: 'I want you and want you.
You didn't know that a clean girl could want a man.
Now you will take me and use me and throw me away
And I've . . . earned it.' 'Tamar, I swear by God
Never to let you be sorry, but protect you
With all my life.' 'This is our marriage,' Tamar answered.
'But God would have been good to me to have killed me
Before I told you.' The boy feeling her body
Vibrant and soft and sweet in its weeping surrender
Went blind and could not feel how she hated him
That moment; when he awakened she was lying
With the auburn hair muddied and the white face
Turned up to the willow leaves, her teeth were bared
And sunk in the under lip, a smear of blood
Reddening the corner of the lips. One of her arms
Crushed both her breasts, the other lay in the grass,
The fingers clutching toward the roots of the soft grass. 'O Tamar,'
Murmured the boy, 'I love you, I love you. What shall I do?
Kill myself, Tamar?' She contracted all her body and crouched
in the long grass, thinking
'That Helen of my old father's never fooled him at least,' and
said, 'There is nothing to do, nothing.
It is horribly finished. Keep it secret, keep it secret, Will. I too
was to blame a little.
But I didn't mean . . . this.' 'I know,' he said, 'it was my
fault, I would kill myself, Tamar,
To undo it but I loved you so, Tamar.' 'Loved? You have hurt
me and broken me, the house is broken
And any thief can enter it.' 'O Tamar!' 'You have broken
our crystal innocence, we can never
Look at each other freely again.' 'What can I do, Tamar?'
'Nothing. I don't know. Nothing.
Never come to the farm to see me.' 'Where can I see you,
Tamar?' 'Lee is always watching me,
And I believe he'd kill us. Listen, Will. To-morrow night I'll
put a lamp in my window,
When all the house is quiet, and if you see it you can climb up
by the cypress. I must go home,
Lee will be home. Will, though you've done to me worse than
I ever dreamed, I love you, you have my soul,
I am your tame bird now.'
This was the high plateau of summer and August waning; white
Breathed up no more from the brown fields nor hung in the hills;
daily the insufferable sun
Rose, naked light, and flaming naked through the pale transparent
ways of the air drained gray
The strengths of nature; all night the eastwind streamed out of
the valley seaward, and the stars blazed.
The year went up to its annual mountain of death, gilded with
hateful sunlight, waiting rain.
Stagnant waters decayed, the trickling springs that all the misty-hooded
summer had fed
Pendulous green under the granite ocean-cliffs dried and turned
foul, the rock-flowers faded,
And Tamar felt in her blood the filth and fever of the season.
Walking beside the house-wall
Under her window, she resented sickeningly the wounds in the
cypress bark, where Andrews
Climbed to his tryst, disgust at herself choked her, and as a fire
Under the fog-bank of the night lines all the sea and sky with
fire, so her self-hatred
Reflecting itself abroad burned back against her, all the world
growing hateful, both her lovers
Hateful, but the intolerably masculine sun hatefullest of all.
The heat of the season
Multiplied centipedes, the black worms that breed under loose
rock, they call them thousand-leggers,
They invaded the house, their phalloid bodies cracking underfoot
with a bad odor, and dropped
Ceiling to pillow at night, a vile plague though not poisonous.
Also the sweet and female sea
Was weak with calm, one heard too clearly a mounting cormorant's
wing-claps half a mile off shore;
The hard and dry and masculine tyrannized for a season. Rain
in October or November
Yearly avenges the balance; Tamar's spirit rebelled too soon, the
female fury abiding
In so beautiful a house of flesh. She came to her aunt the ghost-seer.
'Listen to me, Aunt Stella.
I think I am going mad, I must talk to the dead; Aunt Stella,
will you help me?' That old woman
Was happy and proud, no one for years had sought her for
her talent. 'Dear Tamar, I will help you.
We must go down into the darkness, Tamar, it is hard and painful
for me.' 'I am in the darkness
Already, a fiery darkness.' 'The good spirits will guide you,
it is easy for you; for me, death.
Death, Tamar, I have to die to reach them.' 'Death's no bad
thing,' she answered, 'each hour of the day
Has more teeth.' 'Are you so unhappy, Tamar, the good spirits
will help you and teach you.' 'Aunt Stella,
To-night, to-night?' 'I groan when I go down to death, your
father and brother will come and spoil it.'
'In the evening we will go under the rocks by the sea.' 'Well,
in the evening.' 'If they talk to us
I'll buy you black silk and white lace.'
In and out of the little fjord swam the weak waves
Moving their foam in the twilight. Tamar at one flank, old
Stella at the other, upheld poor Jinny
Among the jags of shattered granite, so they came to the shingle.
Rich, damp and dark the sea's breath
Folding them made amend for days of sun-sickness, but Jinny
among the rubble granite
(They had no choice but take her along with them, who else
would care for the idiot?) slipped, and falling
Gashed knees and forehead, and she whimpered quietly in the
darkness. 'Here,' said Tamar, 'I made you
A bed of seaweed under the nose of this old rock, let Jinny lie
beside you, Aunt Stella,
I’ll lay the rug over you both.' They lay on the odorous kelp,
Tamar squatted beside them,
The weak sea wavered in her rocks and Venus hung over the
west between the cliff-butts
Like the last angel of the world, the crystal night deepening.
The sea and the three women
Kept silence, only Tamar moved herself continually on the fret
of her taut nerves,
And the sea moved, on the obscure bed of her eternity, but
both were voiceless. Tamar
Felt her pulse bolt like a scared horse and stumble and stop,
for it seemed to her a wandering power
Essayed her body, something hard and rounded and invisible
pressed itself for entrance
Between the breasts, over the diaphragm. When she was forced
backward and lay panting, the assault
Failed, the presence withdrew, and in that clearance she heard
her old Aunt Stella monotonously muttering
Words with no meaning in them; but the tidal night under
the cliff seemed full of persons
With eyes, although there was no light but the evening planet's
and her trail in the long water.
Then came a man's voice from the woman, saying, 'Que quieres
pobrecita?' and Tamar, 'Morir,'
Trembling, and marveling that she lied for no reason, and said,
'Es porque no entiendo,
Anything but ingles.' To which he answered, 'Ah pobrecita,'
and was silent. And Tamar
Cried, 'I will talk to that Helen.' But instead another male throat
spoke out of the woman's
Unintelligible gutturals, and it ceased, and the woman changing
voice, yet not to her own:
'An Indian. He says his people feasted here and sang to their
Gods and the tall Gods came walking
Between the tide-marks on the rocks; he says to strip and dance
and he will sing, and his Gods
Come walking.' Tamar answered, crying, 'I will not, I will
not, tell him to go away and let me
Talk to that Helen.' But old Stella after a silence: 'He says No,
no, the pregnant women
Would always dance here and the shore belongs to his people's
ghosts nor will they endure another
Unless they are pleased.' And Tamar said, 'I cannot dance,
drive him away,' but while she said it
Her hands accepting alien life and a strange will undid the
fastenings of her garments.
She panted to control them, tears ran down her cheeks, the
male voice chanted
Hoarse discords from the old woman's body, Tamar drew her
Out of its husks; dwellers on eastern shores
Watch moonrises as white as hers
When the half-moon about midnight
Steps out of her husk of water to dance in heaven:
So Tamar weeping
Slipped every sheath down to her feet, the spirit of the place
Ruling her, she and the evening star sharing the darkness,
And danced on the naked shore
Where a pale couch of sand covered the rocks,
Danced with slow steps and streaming hair,
Dark and slender
Against the pallid sea-gleam, slender and maidenly
Dancing and weeping . . .
It seemed to her that all her body
Was touched and troubled with polluting presences
Invisible, and whatever had happened to her from her two lovers
She had been until that hour inviolately a virgin,
Whom now the desires of dead men and dead Gods and a dead
Used for their common prey . . . dancing and weeping,
Slender and maidenly . . . The chant was changed,
And Tamar's body responded to the change, her spirit
Wailing within her. She heard the brutal voice
And hated it, she heard old Jinny mimic it
In the cracked childish quaver, but all her body
Obeyed it, wakening into wantonness,
Kindling with lust and wilder
Coarseness of insolent gestures,
The senses cold and averse, but the frantic too-governable flesh
Inviting the assaults of whatever desired it, of dead men
Or Gods walking the tide-marks,
The beautiful girlish body as gracile as a maiden's
Gone beastlike, crouching and widening,
Agape to be entered, as the earth
Gapes with harsh heat-cracks, the inland adobe of sun-worn
At the end of summer
Opening sick mouths for its hope of the rain,
So her body gone mad
Invited the spirits of the night, her belly and her breasts
Twisting, her feet dashed with blood where the granite had
And she fell, and lay gasping on the sand, on the tide-line.
Possessed the shore when the evening star was down; old Stella
Was quiet in her trance; old Jinny the idiot clucked and parroted
to herself, there was none but the idiot
Saw whether a God or a troop of Gods came swaggering along
the tide-marks unto Tamar, to use her
Shamefully and return from her, gross and replete shadows,
swaggering along the tide-marks
Against the sea-gleam. After a little the life came back to that
fallen flower; for fear or feebleness
She crept on hands and knees, returning so to the old medium
of this infamy. Only
The new tide moved in the night now; Tamar with her back
bent like a bow and the hair fallen forward
Crouched naked at old Stella's feet, and shortly heard the voice
she had cried for. 'I am your Helen.
I would have wished you choose another place to meet me and
milder ceremonies to summon me.
We dead have traded power for wisdom, yet it is hard for us
to wait on the maniac living
Patiently, the desires of you wild beasts. You have the power.'
And Tamar murmured, 'I had nothing,
Desire nor power.' And Helen, 'Humbler than you were. She
has been humbled, my little Tamar.
And not so clean as the first lover left you, Tamar. Another and
half a dozen savages,
Dead, and dressed up for Gods.' 'I have endured it,' she answered.
Then the sweet disdainful voice
In the throat of the old woman: 'As for me, I chose rather to
die.' 'How can I kill
A dead woman,' said Tamar in her heart, not moving the lips,
but the other listened to thought
And answered, 'O, we are safe, we shan't fear murder. But,
Tamar, the child will die, and all for nothing
You were submissive by the river, and lived, and endured fouling.
I have heard the wiser flights
Of better spirits, that beat up to the breasts and shoulders of our
Father above the star-fire,
Say, 'Sin never buys anything.'
Tamar, kneeling, drew the
thickness of her draggled hair
Over her face and wept till it seemed heavy with blood; and
like a snake lifting its head
Out of a fire, she lifted up her face after a little and said, 'It
will live, and my father's
Bitch be proved a liar.' And the voice answered, and the tone
of the voice smiled, 'Her words
Rhyme with her dancing. Tamar, did you know there were
many of us to watch the dance you danced there,
And the end of the dance? We on the cliff; your mother, who
used to hate me, was among us, Tamar.
But she and I loved each only one man, though it were the
same. We two shared one? You, Tamar,
Are shared by many.' And Tamar: 'This is your help, I dug
down to you secret dead people
To help me and so I am helped now. What shall I ask more?
How it feels when the last liquid morsel
Slides from the bone? Or whether you see the worm that burrows
up through the eye-socket, or thrill
To the maggot's music in the tube of a dead ear? You stinking
dead. That you have no shame
Is nothing: I have no shame: see I am naked, and if my thighs
were wet with dead beasts' drippings
I have suffered no pollution like the worms in yours; and if I
cannot touch you I tell you
There are those I can touch. I have smelled fire and tasted fire,
And all these days of horrible sunlight, fire
Hummed in my ears, I have worn fire about me like a cloak and
burning for clothing. It is God
Who is tired of the house that thousand-leggers crawl about in,
where an idiot sleeps beside a ghost-seer,
A doting old man sleeps with dead women and does not know it,
And pointed bones are at the doors
Or climb up trees to the window. I say He has gathered
Fire all about the walls and no one sees it
But I, the old roof is ripe and the rafters
Rotten for burning, and all the woods are nests of horrible things,
nothing would ever clean them
But fire, but I will go to a clean home by the good river.' 'You
danced, Tamar,' replied
The sweet disdainful voice in the mouth of the old woman, 'and
now your song is like your dance,
Modest and sweet. Only you have not said it was you,
Before you came down by the sea to dance,
That lit a candle in your closet and laid
Paper at the foot of the candle. We were watching.
And now the wick is nearly down to the heap,
It's God will have fired the house? But Tamar,
It will not burn. You will have fired it, your brother
Will quench it, I think that God would hardly touch
Anything in that house.' 'If you know everything,'
Cried Tamar, 'tell me where to go.
Now life won't do me and death is shut against me
Because I hate you. O believe me I hate you dead people
More than you dead hate me. Listen to me, Helen.
There is no voice as horrible to me as yours,
And the breasts the worms have worked in. A vicious berry
Grown up out of the graveyard for my poison.
But there is no one in the world as lonely as I,
Betrayed by life and death.' Like rain breaking a storm
Sobs broke her voice. Holding by a jag of the cliff
She drew herself full height. God who makes beauty
Disdains no creature, nor despised that wounded
Tired and betrayed body. She in the starlight
And little noises of the rising tide
Naked and not ashamed bore a third part
With the ocean and keen stars in the consistence
And dignity of the world. She was white stone,
Passion and despair and grief had stripped away
Whatever is rounded and approachable
In the body of woman, hers looked hard, long lines
Narrowing down from the shoulder-bones, no appeal,
A weapon and no sheath, fire without fuel,
Saying, 'Have you anything more inside you
Old fat and sleepy sepulcher, any more voices?
You can do better than my father's by-play
And the dirty tricks of savages, decenter people
Have died surely. T have so passed nature
That God himself, who's dead or all these devils
Would never have broken hell, might speak out of you
Last season thunder and not scare me.' Old Stella
Groaned but not spoke, old Jinny lying beside her
Wakened at the word thunder and suddenly chuckling
Began to mimic a storm, 'whoo-whoo' for wind
And 'boom-boom-boom' for thunder. Other voices
Wakened far off above the cliff, and suddenly
The farm-bell ringing fire; and on the rock-islets
Sleepy cormorants cried at it. 'Why, now He speaks
Another way than out of the fat throat,'
Cried Tamar, and prayed, 'O strong and clean and terrible
Spirit and not father punish the hateful house.
Fire eat the walls and roofs, drive the red beast
Through every wormhole of the rotting timbers
And into the woods and into the stable, show them,
These liars, that you are alive.' Across her voice
The bell sounded and old Jinny mimicking it,
And shouts above the cliff. 'Look, Jinny, look,'
Cried Tamar, 'the sky'd be red soon, come and we'll dress
And watch the bonfire.' Yet she glanced no thought
At her own mermaid nakedness but gathering
The long black serpents of beached seaweed wove
Wreaths for old Jinny and crowned and wound her. Meanwhile
The bell ceased ringing and Stella ceased her moan,
And in the sudden quietness, 'Tamar,' she said
In the known voice of Helen so many years
Dead, 'though you hate me utterly, Tamar, I
Have nothing to give back, I was quite emptied
Of hate and love and the other fires of the flesh
Before your mother gave the clay to my lover
To mould you a vessel to hold them.' Tamar, winding
Her mindless puppet in the sea-slough mesh
Said over her shoulder, hardly turning, 'Why then
Do you trouble whom you don't hate?' 'Because we hunger
And hunger for life,' she answered. 'Did I come uncalled?
You called me, you have more hot and blind, wild-blooded
And passionate life than any other creature.
How could I ever leave you while the life lasts?
God pity us both, a cataract life
Dashing itself to pieces in an instant.
You are my happiness, you are my happiness and death eats you.
I'll leave you when you are empty and cold and join us.
Then pity me, then Tamar, me flitting
The chilly and brittle pumice-tips of the moon,
While the second death
Corrodes this shell of me, till it makes my end.'
But Tamar would not listen to her, too busily
Decking old Jinny for the festival fire,
And sighing that thin and envious ghost forsook
Her instrument, and about that time harsh pain
Wrung Tamar's loins and belly, and pain and terror
Expelled her passionate fancies, she cried anxiously,
'Stella, Aunt Stella, help me, will you?' and thinking,
'She hears when Jinny whimpers,' twistingly pinched
Her puppet's arm until it screamed. Old Stella
Sat up on the seaweed bed and turned white eyes
No pupils broke the diffused star-gleam in
Upon her sixty-year-old babe, that now
Crouched whimpering, huddled under the slippery leaves
And black whips of the beach; and by it stood gleaming
Tamar, anguished, all white as the blank balls
That swept her with no sight but vision: old Stella
Did not awake yet but a voice blew through her,
Not personal like the other, and shook her body
And shook her hands: 'It was no good to do too soon, your
fire's out, you'd been patient for me
It might have saved two fires.' But Tamar: 'Stella.
I'm dying: or it is dying: wake up Aunt Stella.
O pain, pain, help me.' And the voice: 'She is mine while I
use her. Scream, no one will hear but this one
Who has no mind, who has not more help than July rain.' And
Tamar, 'What are you, what are you, mocking me?
More dirt and another dead man? O,' she moaned, pressing her
flanks with both her hands, and bending
So that her hair across her knees lay on the rock. It answered,
'Not a voice from carrion.
Breaker of trees and father of grass, shepherd of clouds and
waters, if you had waited for me
You'd be the luckier.' 'What shall I give you?' Tamar cried,
'I have given away'
Pain stopped her, and then
Blood ran, and she fell down on the round stones, and felt nor
saw nothing. A little later
Old Stella Moreland woke out of her vision, sick and shaking.
Tamar's mind and suffering
Returned to her neither on the sea-rocks of the midnight nor
in her own room; but she was lying
Where Lee her brother had lain, nine months before, after his
fall, in the big westward bedroom.
She lay on the bed, and in one corner was a cot for Stella who
nursed her, and in the other
A cot for the idiot, whom none else would care for but old
Stella. After the ache of awakening
And blank dismay of the spirit come home to a spoiled house,
she lay thinking with vacant wonder
That life is always an old story, repeating itself always like the
leaves of a tree
Or the lips of an idiot; that herself like Lee her brother
Was picked up bleeding from the sea-boulders under the sea-cliff
and carried up to be laid
In the big westward bedroom . . . was he also fouled with
ghosts before they found him, a gang
Of dead men beating him with rotten bones, mouthing his body,
piercing him? 'Stella,' she whispered,
'Have I been sick long?' 'There, sweetheart, lie still; three or
four days.' 'Has Lee been in to see me?'
'Indeed he has, hours every day.' 'He'll come, then,' and she
closed her eyes and seemed to sleep.
Someone tapped at the door after an hour and Tamar said,
'Come, Lee.' But her old father
Came in, and he said nothing, but sat down by the bed; Tamar
had closed her eyes. In a little
Lee entered, and he brought a chair across the room and sat by
the bed. 'Why don't you speak,
Lee?' And he said, 'What can I say except I love you, sister?'
'Why do you call me sister,
Not Tamar?' And he answered, 'I love you, Tamar.' Then old
Aunt Stella said, 'See, she's much better.
But you must let her rest. She'll be well in a few days; now kiss
her, Lee, and let her rest.'
Lee bent above the white pure cameo-face on the white pillow,
meaning to kiss the forehead.
But Tamar's hands caught him, her lips reached up for his: while
Jinny the idiot clapped and chuckled
And made a clucking noise of kisses; then, while Lee sought to
untwine the arms that yoked his neck,
The old man, rising: 'I opened the Book last night thinking
about the sorrows of this house,
And it said, 'If a man find her in the field and force her and lie
with her, nevertheless the damsel
Has not earned death, for she cried out and there was none to
save her.' Be glad, Tamar, my sins
Are only visited on my son, for you there is mercy.' 'David,
Will you be gone and let her rest now,' cried old Stella, 'do
you mean to kill her with a bible?'
'Woman,' he answered, 'has God anything to do with you?
She will not die, the Book
Opened and said it.' Tamar, panting, leaned against the pillow
and said, 'Go, go. To-morrow
Say all you please; what does it matter?' And the old man said,
'Come, Lee, in the morning she will hear us.'
Tamar stretched out her trembling hand, Lee did not touch it,
but went out ahead of his father.
So they were heard in the hall, and then their footsteps on the
stair. Tamar lay quiet and rigid,
With open eyes and tightening fists, with anger like a coiled steel
spring in her throat but weakness
And pain for the lead weights. After an hour she said, 'What
does he mean to do? Go away?
Kill himself, Stella?' Stella answered, 'Nothing, nothing, they
talk, it's to keep David quiet.
Your father is off his head a little, you know. Now rest you,
little Tamar, smile and be sleepy,
Scold them to-morrow.' 'Shut the sun out of my eyes then,'
Tamar said, but the idiot Jinny
Made such a moaning when the windows were all curtained they
needed to let in one beam
For dust to dance in; then the idiot and the sick girl slept. About
the hour of sundown
Tamar was dreaming trivially an axman chopping down a tree
and field-mice scampering
Out of the roots when suddenly like a shift of wind the dream
Changed and grew awful, she watched dark horsemen coming
out of the south, squadrons of hurrying horsemen
Between the hills and the dark sea, helmeted like the soldiers of
the war in France,
Carrying torches. When they passed Mal Paso Creek the columns
Veered, one of the riders said, 'Here it began,' but another
answered, 'No. Before the granite
Was bedded to build the world on.' So they formed and galloped
north again, hurrying squadrons,
And Tamar thought, 'When they come to the Carmel River
then it will happen. They have passed Mal Paso.'
Who has ever guessed to what odd ports, what sea buoying the
keels, a passion blows its bulkless
Navies of vision? High up in the hills
Ramon Ramirez, who was herdsman of the Cauldwell herds,
stood in his cabin doorway
Rolling a cigarette a half-hour after sundown, and he felt puffs
from the south
Come down the slope of stunted redwoods, so he thought the
year was turning at last, and shortly
There would come showers; he walked therefore a hundred
yards to westward, where a point of the hill
Stood over Wildcat Canyon and the sea was visible; he saw
Point Lobos gemmed in the darkening
Pale yellow sea; and on the point the barn-roofs and the house roof
breaking up through the blackness
Of twilight cypress tops, and over the sea a cloud forming. The
evening darkened. Southwestward
A half-mile loop of the coast-road could be seen, this side Mal
Paso. Suddenly a nebular company
Of lights rounded the hill, Ramirez thought the headlights of
a car sweeping the road,
But in a moment saw that it was horsemen, each carrying a light,
Moving in squads he judged of twenty or twenty-five, he counted
twelve or thirteen companies
When the brush broke behind him and a horseman rode the
headlong ridge like level ground,
Helmeted, carrying a torch. Followed a squad of twelve, helmeted,
cantering the headlong ridge
Like level ground. He thought in the nervous innocence of the
early war, they must be Germans.
Tamar awoke out of her dream and heard old Jinny saying,
'Dear sister Helen, kiss me
As you kiss David. I was watching under a rock, he took your
clothes off and you kissed him
So hard and hard, I love you too, Helen; you hardly ever kiss
me.' Tamar lay rigid,
Breathless to listen to her; it was well known in the house that
under the shell of imbecility
Speech and a spirit, however subdued, existed still; there were
waking flashes, and more often
She talked in sleep and proved her dreams were made out of
clear memories, childhood sights and girlhood
Fancies, before the shadow had fallen; so Tamar craving food
for passion listened to her,
And heard: 'Why are you cross, Helen? I won't peek if you'd
rather I didn't. Darling Helen,
I love him, too; I'd let him play with me the way he does with
you if he wanted to.
And Lily and Stella hate me as much as they hate you.' All
she said after was so mumbled
That Tamar could not hear it, could only hear the mumble, and
old Aunt Stella's nasal sleep
And the sea murmuring. When the mumbled voice was quiet it
seemed to Tamar
A strange thing was preparing, an inward pressure
Grew in her throat and seemed to swell her arms and hands
And join itself with a fluid power
Streaming from somewhere in the room from Jinny?
From Stella? and in a moment the heavy chair
That Lee had sat in, tipped up, rose from the floor,
And floated to the place he had brought it from
Five hours ago. The power was then relaxed,
And Tamar could breathe and speak. She awaked old Stella
And trembling told her what she had seen; who laughed
And answered vaguely so that Tamar wondered
Whether she was still asleep, and let her burrow
In her bed again and sleep. Later that night
Tamar too slept, but shudderingly, in snatches,
For fear of dreaming. A night like years. In the gray of morning
A horse screamed from the stableyard and Tamar
Heard the thud of hooves lashing out and timbers
Splintering, and two or three horses broken loose
Galloped about the grounds of the house. She heard men calling,
And downstairs Lee in a loud angry tone
Saying 'Someone's pitched the saw-buck and the woodpile
Into the horse-corral.' Then Tamar thought
'The same power moved his chair in the room, my hatred, my
Disturbing the house because I failed to burn it.
I must be quiet and quiet and quiet and keep
The serving spirits of my hid hatred quiet
Until my rime serves too. Helen you shadow
Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
Mingled their sound with the whir of the wheels and the songs of the maidens,
Solemnly down the street came the parish priest, and the children
Paused in their play to kiss the hand he extended to bless them.
Reverend walked he among them; and up rose matrons and maidens,
Hailing his slow approach with words of affectionate welcome.
Then came the laborers home from the field, and serenely the sun sank
Down to his rest, and twilight prevailed. Anon from the belfry
Softly the Angelus sounded, and over the roofs of the village
Columns of pale blue smoke, like clouds of incense ascending,
Rose from a hundred hearths, the homes of peace and contentment.
Thus dwelt together in love these simple Acadian farmers,--
Dwelt in the love of God and of man. Alike were they free from
Fear, that reigns with the tyrant, and envy, the vice of republics.
Neither locks had they to their doors, nor bars to their windows;
But their dwellings were open as day and the hearts of their owners;
There the richest was poor, and the poorest lived in abundance.
Somewhat apart from the village, and nearer the Basin of Minas,
Benedict Bellefontaine, the wealthiest farmer of Grand-Pre,
Dwelt on his goodly acres: and with him, directing his household,
Gentle Evangeline lived, his child, and the pride of the village.
Stalworth and stately in form was the man of seventy winters;
Hearty and hale was he, an oak that is covered with snow-flakes;
White as the snow were his locks, and his cheeks as brown as the oak-leaves.
Fair was she to behold, that maiden of seventeen summers.
Black were her eyes as the berry that grows on the thorn by the wayside,
Black, yet how softly they gleamed beneath the brown shade of her tresses!
Sweet was her breath as the breath of kine that feed in the meadows.
When in the harvest heat she bore to the reapers at noontide
Flagons of home-brewed ale, ah! fair in sooth was the maiden,
Fairer was she when, on Sunday morn, while the bell from its turret
Sprinkled with holy sounds the air, as the priest with his hyssop
Sprinkles the congregation, and scatters blessings upon them,
Down the long street she passed, with her chaplet of beads and her missal,
Wearing her Norman cap and her kirtle of blue, and the ear-rings,
Brought in the olden time from France, and since, as an heirloom,
Handed down from mother to child, through long generations.
But a celestial brightness--a more ethereal beauty--
Shone on her face and encircled her form, when, after confession,
Homeward serenely she walked with God's benediction upon her.
When she had passed, it seemed like the ceasing of exquisite music.
Firmly builded with rafters of oak, the house of the farmer
Stood on the side of a hill commanding the sea; and a shady
Sycamore grew by the door, with a woodbine wreathing around it.
Rudely carved was the porch, with seats beneath; and a footpath
Led through an orchard wide, and disappeared in the meadow.
Under the sycamore-tree were hives overhung by a penthouse,
Such as the traveller sees in regions remote by the roadside,
Built o'er a box for the poor, or the blessed image of Mary.
Farther down, on the slope of the hill, was the well with its moss-grown
Bucket, fastened with iron, and near it a trough for the horses.
Shielding the house from storms, on the north, were the barns and the farm-yard,
There stood the broad-wheeled wains and the antique ploughs and the harrows;
There were the folds for the sheep; and there, in his feathered seraglio,
Strutted the lordly turkey, and crowed the cock, with the selfsame
Voice that in ages of old had startled the penitent Peter.
Bursting with hay were the barns, themselves a village. In each one
Far o'er the gable projected a roof of thatch; and a staircase,
Under the sheltering eaves, led up to the odorous corn-loft.
There too the dove-cot stood, with its meek and innocent inmates
Murmuring ever of love; while above in the variant breezes
Numberless noisy weathercocks rattled and sang of mutation.
Thus, at peace with God and the world, the farmer of Grand-Pre
Lived on his sunny farm, and Evangeline governed his household.
Many a youth, as he knelt in the church and opened his missal,
Fixed his eyes upon her as the saint of his deepest devotion;
Happy was he who might touch her hand or the hem of her garment!
Many a suitor came to her door, by the darkness befriended,
And, as he knocked and waited to hear the sound of her footsteps,
Knew not which beat the louder, his heart or the knocker of iron;
Or at the joyous feast of the Patron Saint of the village,
Bolder grew, and pressed her hand in the dance as he whispered
Hurried words of love, that seemed a part of the music.
But, among all who came, young Gabriel only was welcome;
Gabriel Lajeunesse, the son of Basil the blacksmith,
Who was a mighty man in the village, and honored of all men;
For, since the birth of time, throughout all ages and nations,
Has the craft of the smith been held in repute by the people.
Basil was Benedict's friend. Their children from earliest childhood
Grew up together as brother and sister; and Father Felician,
Priest and pedagogue both in the village, had taught them their letters
Out of the selfsame book, with the hymns of the church and the plain-song.
But when the hymn was sung, and the daily lesson completed,
Swiftly they hurried away to the forge of Basil the blacksmith.
There at the door they stood, with wondering eyes to behold him
Take in his leathern lap the hoof of the horse as a plaything,
Nailing the shoe in its place; while near him the tire of the cart-wheel
Lay like a fiery snake, coiled round in a circle of cinders.
Oft on autumnal eves, when without in the gathering darkness
Bursting with light seemed the smithy, through every cranny and crevice,
Warm by the forge within they watched the laboring bellows,
And as its panting ceased, and the sparks expired in the ashes,
Merrily laughed, and said they were nuns going into the chapel.
Oft on sledges in winter, as swift as the swoop of the eagle,
Down the hillside hounding, they glided away o'er the meadow.
Oft in the barns they climbed to the populous nests on the rafters,
Seeking with eager eyes that wondrous stone, which the swallow
Brings from the shore of the sea to restore the sight of its fledglings;
Lucky was he who found that stone in the nest of the swallow!
Thus passed a few swift years, and they no longer were children.
He was a valiant youth, and his face, like the face of the morning,
Gladdened the earth with its light, and ripened thought into action.
She was a woman now, with the heart and hopes of a woman.
"Sunshine of Saint Eulalie" was she called; for that was the sunshine
Which, as the farmers believed, would load their orchards with apples
She, too, would bring to her husband's house delight and abundance,
Filling it full of love and the ruddy faces of children.
Now had the season returned, when the nights grow colder and longer,
And the retreating sun the sign of the Scorpion enters.
Birds of passage sailed through the leaden air, from the ice-bound,
Desolate northern bays to the shores of tropical islands,
Harvests were gathered in; and wild with the winds of September
Wrestled the trees of the forest, as Jacob of old with the angel.
All the signs foretold a winter long and inclement.
Bees, with prophetic instinct of want, had hoarded their honey
Till the hives overflowed; and the Indian bunters asserted
Cold would the winter be, for thick was the fur of the foxes.
Such was the advent of autumn. Then followed that beautiful season,
Called by the pious Acadian peasants the Summer of All-Saints!
Filled was the air with a dreamy and magical light; and the landscape
Lay as if new-created in all the freshness of childhood.
Peace seemed to reign upon earth, and the restless heart of the ocean
Was for a moment consoled. All sounds were in harmony blended.
Voices of children at play, the crowing of cocks in the farm-yards,
Whir of wings in the drowsy air, and the cooing of pigeons,
All were subdued and low as the murmurs of love, and the great sun
Looked with the eye of love through the golden vapors around him;
While arrayed in its robes of russet and scarlet and yellow,
Bright with the sheen of the dew, each glittering tree of the forest
Flashed like the plane-tree the Persian adorned with mantles and jewels.
Now recommenced the reign of rest and affection and stillness.
Day with its burden and heat had departed, and twilight descending
Brought back the evening star to the sky, and the herds to the homestead.
Pawing the ground they came, and resting their necks on each other,
And with their nostrils distended inhaling the freshness of evening.
Foremost, bearing the bell, Evangeline's beautiful heifer,
Proud of her snow-white hide, and the ribbon that waved from her collar,
Quietly paced and slow, as if conscious of human affection.
Then came the shepherd back with his bleating flocks from the seaside,
Where was their favorite pasture. Behind them followed the watch-dog,
Patient, full of importance, and grand in the pride of his instinct,
Walking from side to side with a lordly air, and superbly
Waving his bushy tail, and urging forward the stragglers;
Regent of flocks was he when the shepherd slept; their protector,
When from the forest at night, through the starry silence, the wolves howled.
Late, with the rising moon, returned the wains from the marshes,
Laden with briny hay, that filled the air with its odor.
Cheerily neighed the steeds, with dew on their manes and their fetlocks,
While aloft on their shoulders the wooden and ponderous saddles,
Painted with brilliant dyes, and adorned with tassels of crimson,
Nodded in bright array, like hollyhocks heavy with blossoms.
Patiently stood the cows meanwhile, and yielded their udders
Unto the milkmaid's hand; whilst loud and in regular cadence
Into the sounding pails the foaming streamlets descended.
Lowing of cattle and peals of laughter were heard in the farm-yard,
Echoed back by the barns. Anon they sank into stillness;
Heavily closed, with a jarring sound, the valves of the barn-doors,
Rattled the wooden bars, and all for a season was silent.
In-doors, warm by the wide-mouthed fireplace, idly the farmer
Sat in his elbow-chair, and watched how the flames and the smoke-wreaths
Struggled together like foes in a burning city. Behind him,
Nodding and mocking along the wall, with gestures fantastic,
Darted his own huge shadow, and vanished away into darkness.
Faces, clumsily carved in oak, on the back of his arm-chair
Laughed in the flickering light, and the pewter plates on the dresser
Caught and reflected the flame, as shields of armies the sunshine.
Fragments of song the old man sang, and carols of Christmas,
Such as at home, in the olden time, his fathers before him
Sang in their Norman orchards and bright Burgundian vineyards.
Close at her father's side was the gentle Evangeline seated,
Spinning flax for the loom, that stood in the corner behind her.
Silent awhile were its treadles, at rest was its diligent shuttle,
While the monotonous drone of the wheel, like the drone of a bagpipe,
Followed the old man's songs and united the fragments together.
As in a church, when the chant of the choir at intervals ceases,
Footfalls are heard in the aisles, or words of the priest at the altar,
So, in each pause of the song, with measured motion the clock clicked.
Thus as they sat, there were footsteps heard, and, suddenly lifted,
Sounded the wooden latch, and the door swung back on its hinges.
Benedict knew by the hob-nailed shoes it was Basil the blacksmith,
And by her beating heart Evangeline knew who was with him.
"Welcome!" the farmer exclaimed, as their footsteps paused of the threshold.
"Welcome, Basil, my friend! Come, take thy place on the settle
Close by the chimney-side, which is always empty without thee;
Take from the shelf overhead thy pipe and the box of tobacco;
Never so much thyself art thou as when through the curling
Smoke of the pipe or the forge thy friendly and jovial face gleams
Round and red as the harvest moon through the mist of the marshes."
Then, with a smile of content, thus answered Basil the blacksmith,
Taking with easy air the accustomed seat by the fireside:--
"Benedict Bellefontaine, thou hast ever thy jest and thy ballad!
Ever in cheerfullest mood art thou, when others are filled with
Gloomy forebodings of ill, and see only ruin before them.
Happy art thou, as if every day thou hadst picked up a horseshoe."
Pausing a moment, to take the pipe that Evangeline brought him,
And with a coal from the embers had lighted, he slowly continued:--
"Four days now are passed since the English ships at their anchors
Ride in the Gaspereau's mouth, with their cannon pointed against us.
What their design may be is unknown; but all are commanded
On the morrow to meet in the church, where his Majesty's mandate
Will be proclaimed as law in the land. Alas! in the mean time
Many surmises of evil alarm the hearts of the people."
Then made answer the farmer:--"Perhaps some friendlier purpose
Brings these ships to our shores. Perhaps the harvests in England
By untimely rains or untimelier heat have been blighted,
And from our bursting barns they would feed their cattle and children."
"Not so thinketh the folk in the village," said, warmly, the blacksmith,
Shaking his head, as in doubt; then, heaving a sigh, he continued:--
"Louisburg is not forgotten, nor Beau Sejour, nor Port Royal.
Many already have fled to the forest, and lurk on its outskirts,
Waiting with anxious hearts the dubious fate of to-morrow.
Arms have been taken from us, and warlike weapons of all kinds;
Nothing is left but the blacksmith's sledge and the scythe of the mower."
Then with a pleasant smile made answer the jovial farmer:--
"Safer are we unarmed, in the midst of our flocks and our cornfields,
Safer within these peaceful dikes, besieged by the ocean,
Than our fathers in forts, besieged by the enemy's cannon.
Fear no evil, my friend, and to-night may no shadow of sorrow
Fall on this house and hearth; for this is the night of the contract.
Built are the house and the barn. The merry lads of the village
Strongly have built them and well; and, breaking the glebe round about them,
Filled the barn with hay, and the house with food for a twelvemonth.
Rene Leblanc will be here anon, with his papers and inkhorn.
Shall we not then be glad, and rejoice in the joy of our children?"
As apart by the window she stood, with her hand in her lover's,
Blushing Evangeline heard the words that her father had spoken,
And, as they died on his lips, the worthy notary entered.
Bent like a laboring oar, that toils in the surf of the ocean,
Bent, but not broken, by age was the form of the notary public;
Shocks of yellow hair, like the silken floss of the maize, hung
Over his shoulders; his forehead was high; and glasses with horn bows
Sat astride on his nose, with a look of wisdom supernal.
Father of twenty children was he, and more than a hundred
Children's children rode on his knee, and heard his great watch tick.
Four long years in the times of the war had he languished a captive,
Suffering much in an old French fort as the friend of the English.
Now, though warier grown, without all guile or suspicion,
Ripe in wisdom was he, but patient, and simple, and childlike.
He was beloved by all, and most of all by the children;
For he told them tales of the Loup-garou in the forest,
And of the goblin that came in the night to water the horses,
And of the white Letiche, the ghost of a child who unchristened
Died, and was doomed to haunt unseen the chambers of children;
And how on Christmas eve the oxen talked in the stable,
And how the fever was cured by a spider shut up in a nutshell,
And of the marvellous powers of four-leaved clover and horseshoes,
With whatsoever else was writ in the lore of the village.
Then up rose from his seat by the fireside Basil the blacksmith,
Knocked from his pipe the ashes, and slowly extending his right hand,
"Father Leblanc," he exclaimed, "thou hast heard the talk in the village,
And, perchance, canst tell us some news of these ships and their errand."
Then with modest demeanor made answer the notary public,--
"Gossip enough have I heard, in sooth, yet am never the wiser;
And what their errand may be I know not better than others.
Yet am I not of those who imagine some evil intention
Brings them here, for we are at peace; and why then molest us?"
"God's name!" shouted the hasty and somewhat irascible blacksmith;
"Must we in all things look for the how, and the why, and the wherefore?
Daily injustice is done, and might is the right of the strongest!"
But, without heeding his warmth, continued the notary public,--
"Man is unjust, but God is just; and finally justice
Triumphs; and well I remember a story, that often consoled me,
When as a captive I lay in the old French fort at Port Royal."
This was the old man's favorite tale, and he loved to repeat it
When his neighbors complained that any injustice was done them.
"Once in an ancient city, whose name I no longer remember,
Raised aloft on a column, a brazen statue of Justice
Stood in the public square, upholding the scales in its left hand,
And in its right a sword, as an emblem that justice presided
Over the laws of the land, and the hearts and homes of the people.
Even the birds had built their nests in the scales of the balance,
Having no fear of the sword that flashed in the sunshine above them.
But in the course of time the laws of the land were corrupted;
Might took the place of right, and the weak were oppressed, and the mighty
Ruled with an iron rod. Then it chanced in a nobleman's palace
That a necklace of pearls was lost, and erelong a suspicion
Fell on an orphan girl who lived as maid in the household.
She, after form of trial condemned to die on the scaffold,
Patiently met her doom at the foot of the statue of Justice.
As to her Father in heaven her innocent spirit ascended,
Lo! o'er the city a tempest rose; and the bolts of the thunder
Smote the statue of bronze, and hurled in wrath from its left hand
Down on the pavement below the clattering scales of the balance,
And in the hollow thereof was found the nest of a magpie,
Into whose clay-built walls the necklace of pearls was inwoven."
Silenced, but not convinced, when the story was ended, the blacksmith
Stood like a man who fain would speak, but findeth no language;
All his thoughts were congealed into lines on his face, as the vapors
Freeze in fantastic shapes on the window-panes in the winter.
Then Evangeline lighted the brazen lamp on the table,
Filled, till it overflowed, the pewter tankard with home-brewed
Nut-brown ale, that was famed for its strength in the village of Grand-Pre;
While from his pocket the notary drew his papers and inkhorn,
Wrote with a steady hand the date and the age of the parties,
Naming the dower of the bride in flocks of sheep and in cattle.
Orderly all things proceeded, and duly and well were completed,
And the great seal of the law was set like a sun on the margin.
Then from his leathern pouch the farmer threw on the table
Three times the old man's fee in solid pieces of silver;
And the notary rising, and blessing the bride and the bridegroom,
Lifted aloft the tankard of ale and drank to their welfare.
Wiping the foam from his lip, he solemnly bowed and departed,
While in silence the others sat and mused by the fireside,
Till Evangeline brought the draught-board out of its corner.
Soon was the game begun. In friendly contention the old men
Laughed at each lucky hit, or unsuccessful manoeuver,
Laughed when a man was crowned, or a breach was made in the king-row
Meanwhile apart, in the twilight gloom of a window's embrasure,
Sat the lovers, and whispered together, beholding the moon rise
Over the pallid sea and the silvery mist of the meadows.
Silently one by one, in the infinite meadows of heaven,
Blossomed the lovely stars, the forget-me-nots of the angels.
Thus was the evening passed. Anon the bell from the belfry
Rang out the hour of nine, the village curfew, and straightway
Rose the guests and departed; and silence reigned in the household.
Many a farewell word and sweet good-night on the door-step
Lingered long in Evangeline's heart, and filled it with gladness.
Carefully then were covered the embers that glowed on the hearth-stone,
And on the oaken stairs resounded the tread of the farmer.
Soon with a soundless step the foot of Evangeline followed.
Up the staircase moved a luminous space in the darkness,
Lighted less by the lamp than the shining face of the maiden.
Silent she passed the hall, and entered the door of her chamber.
Simple that chamber was, with its curtains of white, and its clothes-press
Ample and high, on whose spacious shelves were carefully folded
Linen and woollen stuffs, by the hand of Evangeline woven.
This was the precious dower she would bring to her husband in marriage,
Better than flocks and herds, being proofs of her skill as a housewife.
Soon she extinguished her lamp, for the mellow and radiant moonlight
Streamed through the windows, and lighted the room, till the heart of the maiden
Swelled and obeyed its power, like the tremulous tides of the ocean.
Ah! she was fair, exceeding fair to behold, as she stood with
Naked snow-white feet on the gleaming floor of her chamber!
Little she dreamed that below, among the trees of the orchard,
Waited her lover and watched for the gleam of her lamp and her shadow.
Yet were her thoughts of him, and at times a feeling of sadness
Passed o'er her soul, as the sailing shade of clouds in the moonlight
Flitted across the floor and darkened the room for a moment.
And, as she gazed from the window, she saw serenely the moon pass
Forth from the folds of a cloud, and one star follow her footsteps,
As out of Abraham's tent young Ishmael wandered with Hagar!
Pleasantly rose next morn the sun on the village of Grand-Pre.
Pleasantly gleamed in the soft, sweet air the Basin of Minas,
Where the ships, with their wavering shadows, were riding at anchor.
Life had long been astir in the village, and clamorous labor
Knocked with its hundred hands at the golden gates of the morning.
Now from the country around, from the farms and neighboring hamlets,
Came in their holiday dresses the blithe Acadian peasants.
Many a glad good-morrow and jocund laugh from the young folk
Made the bright air brighter, as up from the numerous meadows,
Where no path could be seen but the track of wheels in the greensward,
Group after group appeared, and joined, or passed on the highway.
Long ere noon, in the village all sounds of labor were silenced.
Thronged were the streets with people; and noisy groups at the house-doors
Sat in the cheerful sun, and rejoiced and gossiped together.
Every house was an inn, where all were welcomed and feasted;
For with this simple people, who lived like brothers together,
All things were held in common, and what one had was another's.
Yet under Benedict's roof hospitality seemed more abundant:
For Evangeline stood among the guests of her father;
Bright was her face with smiles, and words of welcome and gladness
Fell from her beautiful lips, and blessed the cup as she gave it.
Under the open sky, in the odorous air of the orchard,
Stript of its golden fruit, was spread the feast of betrothal.
There in the shade of the porch were the priest and the notary seated;
There good Benedict sat, and sturdy Basil the blacksmith.
Not far withdrawn from these, by the cider-press and the beehives,
Michael the fiddler was placed, with the gayest of hearts and of waistcoats.
Shadow and light from the leaves alternately played on his snow-white
Hair, as it waved in the wind; and the jolly face of the fiddler
Glowed like a living coal when the ashes are blown from the embers.
Gayly the old man sang to the vibrant sound of his fiddle,
Tous les Bourgeois de Chartres, and Le Carillon de Dunkerque,
And anon with his wooden shoes beat time to the music.
Merrily, merrily whirled the wheels of the dizzying dances
Under the orchard-trees and down the path to the meadows;
Old folk and young together, and children mingled among them.
Fairest of all the maids was Evangeline, Benedict's daughter!
Noblest of all the youths was Gabriel, son of the blacksmith!
So passed the morning away. And lo! with a summons sonorous
Sounded the bell from its tower, and over the meadows a drum beat.
Thronged erelong was the church with men. Without, in the churchyard,
Waited the women. They stood by the graves, and hung on the headstones
Garlands of autumn-leaves and evergreens fresh from the forest.
Then came the guard from the ships, and marching proudly among them
Entered the sacred portal. With loud and dissonant clangor
Echoed the sound of their brazen drums from ceiling and casement,--
Echoed a moment only, and slowly the ponderous portal
Closed, and in silence the crowd awaited the will of the soldiers.
Then uprose their commander, and spoke from the steps of the altar,
Holding aloft in his hands, with its seals, the royal commission.
"You are convened this day," he said, "by his Majesty's orders.
Clement and kind has he been; but how you have answered his kindness,
Let your own hearts reply! To my natural make and my temper
Painful the task is I do, which to you I know must be grievous.
Yet must I bow and obey, and deliver the will of our monarch;
Namely, that all your lands, and dwellings, and cattle of all kinds
Forfeited be to the crown; and that you yourselves from this province
Be transported to other lands. God grant you may dwell there
Ever as faithful subjects, a happy and peaceable people!
Prisoners now I declare you; for such is his Majesty's pleasure!"
As, when the air is serene in the sultry solstice of summer,
Suddenly gathers a storm, and the deadly sling of the hailstones
Beats down the farmer's corn in the field and shatters his windows,
Hiding the sun, and strewing the ground with thatch from the house-roofs,
Bellowing fly the herds, and seek to break their enclosures;
So on the hearts of the people descended the words of the speaker.
Silent a moment they stood in speechless wonder, and then rose
Louder and ever louder a wail of sorrow and anger,
And, by one impulse moved, they madly rushed to the door-way.
Vain was the hope of escape; and cries and fierce imprecations
Rang through the house of prayer; and high o'er the heads of the others
Rose, with his arms uplifted, the figure of Basil the blacksmith,
As, on a stormy sea, a spar is tossed by the billows.
Flushed was his face and distorted with passion; and wildly he shouted,--
"Down with the tyrants of England! we never have sworn them allegiance!
Death to these foreign soldiers, who seize on our homes and our harvests!"
More he fain would have said, but the merciless hand of a soldier
Smote him upon the mouth, and dragged him down to the pavement.
In the midst of the strife and tumult of angry contention,
Lo! the door of the chancel opened, and Father Felician
Entered, with serious mien, and ascended the steps of the altar.
Raising his reverend hand, with a gesture he awed into silence
All that clamorous throng; and thus he spake to his people;
Deep were his tones and solemn; in accents measured and mournful
Spake he, as, after the tocsin's alarum, distinctly the clock strikes.
"What is this that ye do, my children? what madness has seized you?
Forty years of my life have I labored among you, and taught you,
Not in word alone, but in deed, to love one another!
Is this the fruit of my toils, of my vigils and prayers and privations?
Have you so soon forgotten all lessons of love and forgiveness?
This is the house of the Prince of Peace, and would you profane
Thus with violent deeds and hearts overflowing with hatred?
Lo! where the crucified Christ from his cross is gazing upon you!
See! in those sorrowful eyes what meekness and holy compassion!
Hark! how those lips still repeat the prayer, 'O Father, forgive them!'
Let us repeat that prayer in the hour when the wicked assail us,
Let us repeat it now, and say, 'O Father, forgive them!'"
Few were his words of rebuke, but deep in the hearts of his people
Sank they, and sobs of contrition succeeded the passionate outbreak,
While they repeated his prayer, and said, "O Father, forgive them!"
Then came the evening service. The tapers gleamed from the altar.
Fervent and deep was the voice of the priest and the people responded,
Not with their lips alone, but their hearts; and the Ave Maria
Sang they, and fell on their knees, and their souls, with devotion translated,
Rose on the ardor of prayer, like Elijah ascending to heaven.
Meanwhile had spread in the village the tidings of ill, and on all sides
Wandered, wailing, from house to house the women and children.
Long at her father's door Evangeline stood, with her right hand
Shielding her eyes from the level rays of the sun, that, descending,
Lighted the village street with mysterious splendor, and roofed each
Peasant's cottage with golden thatch, and emblazoned its windows.
Long within had been spread the snow-white cloth on the table;
There stood the wheaten loaf, and the honey fragrant with wild-flowers;
There stood the tankard of ale, and the cheese fresh brought from the dairy;
And, at the head of the board, the great arm-chair of the farmer.
Thus did Evangeline wait at her father's door, as the sunset
Threw the long shadows of trees o'er the broad ambrosial meadows.
Ah! on her spirit within a deeper shadow had fallen,
And from the fields of her soul a fragrance celestial ascended,--
Charity, meekness, love, and hope, and forgiveness, and patience!
Then, all-forgetful of self, she wandered into the village,
Cheering with looks and words the mournful hearts of the women,
As o'er the darkening fields with lingering steps they departed,
Urged by their household cares, and the weary feet of their children.
Down sank the great red sun, and in golden, glimmering vapors
Veiled the light of his face, like the Prophet descending from Sinai.
Sweetly over the village the bell of the Angelus sounded.
Meanwhile, amid the gloom, by the church Evangeline lingered.
All was silent within; and in vain at the door and the windows
Stood she, and listened and looked, till, overcome by emotion,
"Gabriel!" cried she aloud with tremulous voice; but no answer
Came from the graves of the dead, nor the gloomier grave of the living.
Slowly at length she returned to the tenantless house of her father.
Smouldered the fire on the hearth, on the board was the supper untasted,
Empty and drear was each room, and haunted with phantoms of terror.
Sadly echoed her step on the stair and the floor of her chamber.
In the dead of the night she heard the disconsolate rain fall
Loud on the withered leaves of the sycamore-tree by the window.
Keenly the lightning flashed; and the voice of the echoing thunder
Told her that God was in heaven, and governed the world he created!
Then she remembered the tale she had heard of the justice of Heaven;
Soothed was her troubled soul, and she peacefully slumbered till
Four times the sun had risen and set; and now on the fifth day
Cheerily called the cock to the sleeping maids of the farm-house.
Soon o'er the yellow fields, in silent and mournful procession,
Came from the neighboring hamlets and farms the Acadian women,
Driving in ponderous wains their household goods to the sea-shore,
Pausing and looking back to gaze once more on their dwellings,
Ere they were shut from sight by the winding road and the woodland.
Close at their sides their children ran, and urged on the oxen,
While in their little hands they clasped some fragments of playthings.
Thus to the Gaspereau's mouth they hurried; and there on the sea-beach
Piled in confusion lay the household goods of the peasants.
All day long between the shore and the ships did the boats ply;
All day long the wains came laboring down from the village.
Late in the afternoon, when the sun was near to his setting,
Echoed far o'er the fields came the roll of drums from the churchyard.
Thither the women and children thronged. On a sudden the church-doors
Opened, and forth came the guard, and marching in gloomy procession
Followed the long-imprisoned, but patient, Acadian farmers.
Even as pilgrims, who journey afar from their homes and their country,
Sing as they go, and in singing forget they are weary and wayworn,
So with songs on their lips the Acadian peasants descended
Down from the church to the shore, amid their wives and their daughters.
Foremost the young men came; and, raising together their voices,
Sang with tremulous lips a chant of the Catholic Missions:--
"Sacred heart of the Saviour! O inexhaustible fountain!
Fill our hearts this day with strength and submission and patience!"
Then the old men, as they marched, and the women that stood by the wayside
Joined in the sacred psalm, and the birds in the sunshine above them
Mingled their notes therewith, like voices of spirits departed.
Half-way down to the shore Evangeline waited in silence,
Not overcome with grief, but strong in the hour of affliction,--
Calmly and sadly she waited, until the procession approached her,
And she beheld the face of Gabriel pale with emotion.
Team then filled her eyes, and, eagerly running to meet him,
Clasped she his hands, and laid her head on his shoulder, and whispered,--
"Gabriel! be of good cheer! for if we love one another
Nothing, in truth, can harm us, whatever mischances may happen!"
Smiling she spake these words; then suddenly paused, for her father
Saw she slowly advancing. Alas! how changed was his aspect!
Gone was the glow from his cheek, and the fire from his eye, and his footstep
Heavier seemed with the weight of the heavy heart in his bosom.
But with a smile and a sigh, she clasped his neck and embraced him,
Speaking words of endearment where words of comfort availed not.
Thus to the Gaspereau's mouth moved on that mournful procession.
There disorder prevailed, and the tumult and stir of embarking.
Busily plied the freighted boats; and in the confusion
Wives were torn from their husbands, and mothers, too late, saw their children
Left on the land, extending their arms, with wildest entreaties.
So unto separate ships were Basil and Gabriel carried,
While in despair on the shore Evangeline stood with her father.
Half the task was not done when the sun went down, and the twilight
Deepened and darkened around; and in haste the refluent ocean
Fled away from the shore, and left the line of the sand-beach
Covered with waifs of the tide, with kelp and the slippery sea-weed.
Farther back in the midst of the household goods and the wagons,
Like to a gypsy camp, or a leaguer after a battle,
All escape cut off by the sea, and the sentinels near them,
Lay encamped for the night the houseless Acadian farmers.
Back to its nethermost caves retreated the bellowing ocean,
Dragging adown the beach the rattling pebbles, and leaving
Inland and far up the shore the stranded boats of the sailors.
Then, as the night descended, the herds returned from their pastures;
Sweet was the moist still air with the odor of milk from their udders;
Lowing they waited, and long, at the well-known bars of the farm-yard,--
Waited and looked in vain for the voice and the hand of the milkmaid.
Silence reigned in the streets; from the church no Angelus sounded,
Rose no smoke from the roofs, and gleamed no lights from the windows.
But on the shores meanwhile the evening fires had been kindled,
Built of the drift-wood thrown on the sands from wrecks in the tempest.
Round them shapes of gloom and sorrowful faces were gathered,
Voices of women were heard, and of men, and the crying of children.
Onward from fire to fire, as from hearth to hearth in his parish,
Wandered the faithful priest, consoling and blessing and cheering,
Like unto shipwrecked Paul on Melita's desolate sea-shore.
Thus he approached the place where Evangeline sat with her father,
And in the flickering light beheld the face of the old man,
Haggard and hollow and wan, and without either thought or emotion,
E'en as the face of a clock from which the hands have been taken.
Vainly Evangeline strove with words and caresses to cheer him,
Vainly offered him food; yet he moved not, he looked not, he spake not
But, with a vacant stare, ever gazed at the flickering fire-light.
"Benedicite!" murmured the priest, in tones of compassion.
More he fain would have said, but his heart was full, and his accents
Faltered and paused on his lips, as the feet of a child on a threshold,
Hushed by the scene he beholds, and the awful presence of sorrow.
Silently, therefore, he laid his hand on the head of the maiden,
Raising his tearful eyes to the silent stars that above them
Moved on their way, unperturbed by the wrongs and sorrows of mortals.
Then sat he down at her side, and they wept together in silence.
Suddenly rose from the south a light, as in autumn the blood-red
Moon climbs the crystal walls of heaven, and o'er the horizon
Titan-like stretches its hundred hands upon mountain and meadow,
Seizing the rocks and the rivers, and piling huge shadows together.
Broader and ever broader it gleamed on the roofs of the village,
Gleamed on the sky and the sea, and the ships that lay in the roadstead.
Columns of shining smoke uprose, and flashes of flame were
Thrust through their folds and withdrawn, like the quivering hands of a martyr.
Then as the wind seized the gleeds and the burning thatch, and, uplifting,
Whirled them aloft through the air, at once from a hundred house-tops
Started the sheeted smoke with flashes of flame intermingled.
These things beheld in dismay the crowd on the shore and on shipboard.
Speechless at first they stood, then cried aloud in their anguish,
"We shall behold no more our homes in the village of Grand-Pre!"
Loud on a sudden the cocks began to crow in the farm-yards,
Thinking the day had dawned; and anon the lowing of cattle
Came on the evening breeze, by the barking of dogs interrupted.
Then rose a sound of dread, such as startles the sleeping encampments
Far in the western prairies or forests that skirt the Nebraska,
When the wild horses affrighted sweep by with the speed of the whirlwind,
Or the loud bellowing herds of buffaloes rush to the river.
Such was the sound that arose on the night, as the herds and the horses
Broke through their folds and fences, and madly rushed o'er the meadows.
Overwhelmed with the sight, yet speechless, the priest and the maiden
Gazed on the scene of terror that reddened and widened before them;
And as they turned at length to speak to their silent companion,
Lo! from his seat he had fallen, and stretched abroad on the sea-shore
Motionless lay his form, from which the soul had departed.
Slowly the priest uplifted the lifeless head, and the maiden
Knelt at her father's side, and wailed aloud in her terror.
Then in a swoon she sank, and lay with her head on his bosom.
Through the long night she lay in deep, oblivious slumber;
And when she woke from the trance, she beheld a multitude near her.
Faces of friends she beheld, that were mournfully gazing upon her,
Pallid, with tearful eyes, and looks of saddest compassion.
Still the blaze of the burning village illumined the landscape,
Reddened the sky overhead, and gleamed on the faces around her,
And like the day of doom it seemed to her wavering senses.
Then a familiar voice she heard, as it said to the people,--
"Let us bury him here by the sea. When a happier season
Brings us again to our homes from the unknown land of our exile,
Then shall his sacred dust be piously laid in the churchyard."
Such were the words of the priest. And there in haste by the sea-side,
Having the glare of the burning village for funeral torches,
But without bell or book, they buried the farmer of Grand-Pre.
And as the voice of the priest repeated the service of sorrow,
Lo! with a mournful sound, like the voice of a vast congregation,
Solemnly answered the sea, and mingled its roar with the dirges.
'T was the returning tide, that afar from the waste of the ocean,
With the first dawn of the day, came heaving and hurrying landward.
Then recommenced once more the stir and noise of embarking;
And with the ebb of the tide the ships sailed out of the harbor,
Leaving behind them the dead on the shore, and the village in
PART THE SECOND
Many a weary year had passed since the burning of Grand-Pre,
When on the falling tide the freighted vessels departed,
Bearing a nation, with all its household gods, into exile.
Exile without an end, and without an example in story.
Far asunder, on separate coasts, the Acadians landed;
Scattered were they, like flakes of snow, when the wind from the northeast
Strikes aslant through the fogs that darken the Banks of Newfoundland.
Friendless, homeless, hopeless, they wandered from city to city,
From the cold lakes of the North to sultry Southern savannas,--
From the bleak shores of the sea to the lands where the Father of Waters
Seizes the hills in his hands, and drags them down to the ocean,
Deep in their sands to bury the scattered bones of the mammoth.
Friends they sought and homes; and many, despairing, heart-broken,
Asked of the earth but a grave, and no longer a friend nor a fireside.
Written their history stands on tablets of stone in the churchyards.
Long among them was seen a maiden who waited and wandered,
Lowly and meek in spirit, and patiently suffering all things.
Fair was she and young; but, alas! before her extended,
Dreary and vast and silent, the desert of life, with its pathway
Marked by the graves of those who had sorrowed and suffered before her,
Passions long extinguished, and hopes long dead and abandoned,
As the emigrant's way o'er the Western desert is marked by
Camp-fires long consumed, and bones that bleach in the sunshine.
Something there was in her life incomplete, imperfect, unfinished;
As if a morning of June, with all its music and sunshine,
Suddenly paused in the sky, and, fading, slowly descended
Into the east again, from whence it late had arisen.
Sometimes she lingered in towns, till, urged by the fever within her,
Urged by a restless longing, the hunger and thirst of the spirit,
She would commence again her endless search and endeavor;
Sometimes in churchyards strayed, and gazed on the crosses and tombstones,
Sat by some nameless grave, and thought that perhaps in its bosom
He was already at rest, and she longed to slumber beside him.
Sometimes a rumor, a hearsay, an inarticulate whisper,
Came with its airy hand to point and beckon her forward.
Sometimes she spake with those who had seen her beloved and known him,
But it was long ago, in some far-off place or forgotten.
"Gabriel Lajeunesse!" they said; yes! we have seen him.
He was with Basil the blacksmith, and both have gone to the prairies;
Coureurs-des-Bois are they, and famous hunters and trappers."
"Gabriel Lajeunesse!" said others; "O yes! we have seen him.
He is a Voyageur in the lowlands of Louisiana."
Then would they say, "Dear child! why dream and wait for him longer?
Are there not other youths as fair as Gabriel? others
Who have hearts as tender and true, and spirits as loyal?
Here is Baptiste Leblanc, the notary's son, who has loved thee
Many a tedious year; come, give him thy hand and be happy!
Thou art too fair to be left to braid St. Catherine's tresses."
Then would Evangeline answer, serenely but sadly, "I cannot!
Whither my heart has gone, there follows my hand, and not elsewhere.
For when the heart goes before, like a lamp, and illumines the pathway,
Many things are made clear, that else lie hidden in darkness."
Thereupon the priest, her friend and father-confessor,
Said, with a smile, "O daughter! thy God thus speaketh within thee!
Talk not of wasted affection, affection never was wasted;
If it enrich not the heart of another, its waters, returning
Back to their springs, like the rain, shall fill them full of refreshment;
That which the fountain sends forth returns again to the fountain.
Patience; accomplish thy labor; accomplish thy work of affection!
Sorrow and silence are strong, and patient endurance is godlike.
Therefore accomplish thy labor of love, till the heart is made godlike,
Purified, strengthened, perfected, and rendered more worthy of heaven!"
Cheered by the good man's words, Evangeline labored and waited.
Still in her heart she heard the funeral dirge of the ocean,
But with its sound there was mingled a voice that whispered, "Despair not?"
Thus did that poor soul wander in want and cheerless discomfort
Bleeding, barefooted, over the shards and thorns of existence.
Let me essay, O Muse! to follow the wanderer's footsteps;--
Not through each devious path, each changeful year of existence;
But as a traveller follows a streamlet's course through the valley:
Far from its margin at times, and seeing the gleam of its water
Here and there, in some open space, and at intervals only;
Then drawing nearer its banks, through sylvan glooms that conceal it,
Though he behold it not, he can hear its continuous murmur;
Happy, at length, if he find the spot where it reaches an outlet.
It was the month of May. Far down the Beautiful River,
Past the Ohio shore and past the mouth of the Wabash,
Into the golden stream of the broad and swift Mississippi,
Floated a cumbrous boat, that was rowed by Acadian boatmen.
It was a band of exiles: a raft, as it were, from the shipwrecked
Nation, scattered along the coast, now floating together,
Bound by the bonds of a common belief and a common misfortune;
Men and women and children, who, guided by hope or by hearsay,
Sought for their kith and their kin among the few-acred farmers
On the Acadian coast, and the prairies of fair Opelousas.
With them Evangeline went, and her guide, the Father Felician.
Onward o'er sunken sands, through a wilderness sombre with forests,
Day after day they glided adown the turbulent river;
Night after night, by their blazing fires, encamped on its borders.
Now through rushing chutes, among green islands, where plumelike
Cotton-trees nodded their shadowy crests, they swept with the current,
Then emerged into broad lagoons, where silvery sand-bars
Lay in the stream, and along the wimpling waves of their margin,
Shining with snow-white plumes, large flocks of pelicans waded.
Level the landscape grew, and along the shores of the river,
Shaded by china-trees, in the midst of luxuriant gardens,
Stood the houses of planters, with negro-cabins and dove-cots.
They were approaching the region where reigns perpetual summer,
Where through the Golden Coast, and groves of orange and citron,
Sweeps with majestic curve the river away to the eastward.
They, too, swerved from their course; and, entering the Bayou of Plaquemine,
Soon were lost in a maze of sluggish and devious waters,
Which, like a network of steel, extended in every direction.
Over their heads the towering and tenebrous boughs of the cypress
Met in a dusky arch, and trailing mosses in mid-air
Waved like banners that hang on the walls of ancient cathedrals.
Deathlike the silence seemed, and unbroken, save by the herons
Home to their roasts in the cedar-trees returning at sunset,
Or by the owl, as he greeted the moon with demoniac laughter.
Lovely the moonlight was as it glanced and gleamed on the water,
Gleamed on the columns of cypress and cedar sustaining the arches,
Down through whose broken vaults it fell as through chinks in a ruin.
Dreamlike, and indistinct, and strange were all things around them;
And o'er their spirits there came a feeling of wonder and sadness,--
Strange forebodings of ill, unseen and that cannot be compassed.
As, at the tramp of a horse's hoof on the turf of the prairies,
Far in advance are closed the leaves of the shrinking mimosa,
So, at the hoof-beats of fate, with sad forebodings of evil,
Shrinks and closes the heart, ere the stroke of doom has attained it.
But Evangeline's heart was sustained by a vision, that faintly
Floated before her eyes, and beckoned her on through the moonlight.
It was the thought of her brain that assumed the shape of a phantom.
Through those shadowy aisles had Gabriel wandered before her,
And every stroke of the oar now brought him nearer and nearer.
Then in his place, at the prow of the boat, rose one of the oarsmen,
And, as a signal sound, if others like them peradventure
Sailed on those gloomy and midnight streams, blew a blast on his bugle.
Wild through the dark colonnades and corridors leafy the blast rang,
Breaking the seal of silence, and giving tongues to the forest.
Soundless above them the banners of moss just stirred to the music.
Multitudinous echoes awoke and died in the distance,
Over the watery floor, and beneath the reverberant branches;
But not a voice replied; no answer came from the darkness;
And, when the echoes had ceased, like a sense of pain was the silence.
Then Evangeline slept; but the boatmen rowed through the midnight,
Silent at times, then singing familiar Canadian boat-songs,
Such as they sang of old on their own Acadian rivers,
While through the night were heard the mysterious sounds of the desert,
Far off,--indistinct,--as of wave or wind in the forest,
Mixed with the whoop of the crane and the roar of the grim alligator.
Thus ere another noon they emerged from the shades; and before them
Lay, in the golden sun, the lakes of the Atchafalaya.
Water-lilies in myriads rocked on the slight undulations
Made by the passing oars, and, resplendent in beauty, the lotus
Lifted her golden crown above the heads of the boatmen.
Faint was the air with the odorous breath of magnolia blossoms,
And with the heat of noon; and numberless sylvan islands,
Fragrant and thickly embowered with blossoming hedges of roses,
Near to whose shores they glided along, invited to slumber.
Soon by the fairest of these their weary oars were suspended.
Under the boughs of Wachita willows, that grew by the margin,
Safely their boat was moored; and scattered about on the greensward,
Tired with their midnight toil, the weary travellers slumbered.
Over them vast and high extended the cope of a cedar.
Swinging from its great arms, the trumpet-flower and the grapevine
Hung their ladder of ropes aloft like the ladder of Jacob,
On whose pendulous stairs the angels ascending, descending,
Were the swift humming-birds, that flitted from blossom to blossom.
Such was the vision Evangeline saw as she slumbered beneath it.
Filled was her heart with love, and the dawn of an opening heaven
Lighted her soul in sleep with the glory of regions celestial.
Nearer, ever nearer, among the numberless islands,
Darted a light, swift boat, that sped away o'er the water,
Urged on its course by the sinewy arms of hunters and trappers.
Northward its prow was turned, to the land of the bison and beaver.
At the helm sat a youth, with countenance thoughtful and careworn.
Dark and neglected locks overshadowed his brow, and a sadness
Somewhat beyond his years on his face was legibly written.
Gabriel was it, who, weary with waiting, unhappy and restless,
Sought in the Western wilds oblivion of self and of sorrow.
Swiftly they glided along, close under the lee of the island,
But by the opposite bank, and behind a screen of palmettos,
So that they saw not the boat, where it lay concealed in the willows,
All undisturbed by the dash of their oars, and unseen, were the sleepers,
Angel of God was there none to awaken the slumbering maiden.
Swiftly they glided away, like the shade of a cloud on the prairie.
After the sound of their oars on the tholes had died in the distance,
As from a magic trance the sleepers awoke, and the maiden
Said with a sigh to the friendly priest, "O Father Felician!
Something says in my heart that near me Gabriel wanders.
Is it a foolish dream, an idle and vague superstition?
Or has an angel passed, and revealed the truth to my spirit?"
Then, with a blush, she added, "Alas for my credulous fancy!
Unto ears like thine such words as these have no meaning."
But made answer the reverend man, and he smiled as he answered,--
"Daughter, thy words are not idle; nor are they to me without meaning.
Feeling is deep and still; and the word that floats on the surface
Is as the tossing buoy, that betrays where the anchor is hidden.
Therefore trust to thy heart, and to what the world calls illusions.
Gabriel truly is near thee; for not far away to the southward,
On the banks of the Teche, are the towns of St. Maur and St. Martin.
There the long-wandering bride shall be given again to her bridegroom,
There the long-absent pastor regain his flock and his sheepfold.
Beautiful is the land, with its prairies and forests of fruit-trees;
Under the feet a garden of flowers, and the bluest of heavens
Bending above, and resting its dome on the walls of the forest.
They who dwell there have named it the Eden of Louisiana."
With these words of cheer they arose and continued their journey.
Softly the evening came. The sun from the western horizon
Like a magician extended his golden wand o'er the landscape;
Twinkling vapors arose; and sky and water and forest
Seemed all on fire at the touch, and melted and mingled together.
Hanging between two skies, a cloud with edges of silver,
Floated the boat, with its dripping oars, on the motionless water.
Filled was Evangeline's heart with inexpressible sweetness.
Touched by the magic spell, the sacred fountains of feeling
Glowed with the light of love, as the skies and waters around her.
Then from a neighboring thicket the mocking-bird, wildest of singers,
Swinging aloft on a willow spray that hung o'er the water,
Shook from his little throat such floods of delirious music,
That the whole air and the woods and the waves seemed silent to listen.
Plaintive at first were the tones and sad; then soaring to madness
Seemed they to follow or guide the revel of frenzied Bacchantes.
Single notes were then heard, in sorrowful, low lamentation;
Till, having gathered them all, he flung them abroad in derision,
As when, after a storm, a gust of wind through the tree-tops
Shakes down the rattling rain in a crystal shower on the branches.
With such a prelude as this, and hearts that throbbed with emotion,
Slowly they entered the Teche, where it flows through the green Opelousas,
And, through the amber air, above the crest of the woodland,
Saw the column of smoke that arose from a neighboring dwelling;--
Sounds of a horn they heard, and the distant lowing of cattle.
Near to the bank of the river, o'ershadowed by oaks, from whose branches
Garlands of Spanish moss and of mystic mistletoe flaunted,
Such as the Druids cut down with golden hatchets at Yule-tide,
Stood, secluded and still, the house of the herdsman. A garden
Girded it round about with a belt of luxuriant blossoms,
Filling the air with fragrance. The house itself was of timbers
Hewn from the cypress-tree, and carefully fitted together.
Large and low was the roof; and on slender columns supported,
Rose-wreathed, vine-encircled, a broad and spacious veranda,
Haunt of the humming-bird and the bee, extended around it.
At each end of the house, amid the flowers of the garden,
Stationed the dove-cots were, as love's perpetual symbol,
Scenes of endless wooing, and endless contentions of rivals.
Silence reigned o'er the place. The line of shadow and sunshine
Ran near the tops of the trees; but the house itself was in shadow,
And from its chimney-top, ascending and slowly expanding
Into the evening air, a thin blue column of smoke rose.
In the rear of the house, from the garden gate, ran a pathway
Through the great groves of oak to the skirts of the limitless prairie,
Into whose sea of flowers the sun was slowly descending.
Full in his track of light, like ships with shadowy canvas
Hanging loose from their spars in a motionless calm in the tropics,
Stood a cluster of trees, with tangled cordage of grapevines.
Just where the woodlands met the flowery surf of the prairie,
Mounted upon his horse, with Spanish saddle and stirrups,
Sat a herdsman, arrayed in gaiters and doublet of deerskin.
Broad and brown was the face that from under the Spanish sombrero
Gazed on the peaceful scene, with the lordly look of its master.
Round about him were numberless herds of kine, that were grazing
Quietly in the meadows, and breathing the vapory freshness
That uprose from the river, and spread itself over the landscape.
Slowly lifting the horn that hung at his side, and expanding
Fully his broad, deep chest, he blew a blast, that resounded
Wildly and sweet and far, through the still damp air of the evening.
Suddenly out of the grass the long white horns of the cattle
Rose like flakes of foam on the adverse currents of ocean.
Silent a moment they gazed, then bellowing rushed o'er the prairie,
And the whole mass became a cloud, a shade in the distance.
Then, as the herdsman turned to the house, through the gate of the garden
Saw he the forms of the priest and the maiden advancing to meet him.
Suddenly down from his horse he sprang in amazement, and forward
Rushed with extended arms and exclamations of wonder;
When they beheld his face, they recognized Basil the blacksmith.
Hearty his welcome was, as he led his guests to the garden.
There in an arbor of roses with endless question and answer
Every Girl Became My Sister
Angels dreamt of my existence
On a sunny spring day
As grasshoppers frolicked
In the soft grass
And robins played
In nearby fountains
Beside shady trees.
In a thousand mystic parks
Became my sister
And their honeyed songs
Were brought to me
Through a melodic breeze.
When I fall into
The loving arms of mother slumber,
I know my heart will be protected
And my body kept warm;
I now perceive my paths are charmed
With seraphs waiting to offer me
Amulets along every avenue I tread.
WHERE are the swallows fled?
Frozen and dead,
Perchance, upon some bleak and stormy shore.
O doubting heart!
Far over purple seas
They wait, in sunny ease,
The balmy southern breeze,
To bring them to their northern homes once more.
Why must the flowers die?
Prison’d they lie
In the cold tomb, heedless of tears or rain.
O doubting heart!
They only sleep below
The soft white ermine snow,
While winter winds shall blow,
To breathe and smile upon you soon again.
The sun has hid its rays
These many days;
Will dreary hours never leave the earth?
O doubting heart!
The stormy clouds on high
Veil the same sunny sky,
That soon (for spring is nigh)
Shall wake the summer into golden mirth.
Fair hope is dead, and light
Is quench’d in night.
What sound can break the silence of despair?
O doubting heart!
Thy sky is overcast,
Yet stars shall rise at last,
Brighter for darkness past,
And angels’ silver voices stir the air.
A Silent Sonnet on a Mid Day Afternoon by Silent fingers
With the sun dancing in her heart-colored hair, a dream flowing in her honey-tinted eyes and a turquoise-hued gem prostrating her ears – she sits in her garden with sleeping white angels and smiling wise gnomes, a calm and numinous place where every bird has a song to sing, where every flower has a life to live, and every wall a story to tell.
Oh, I have never felt a feeling more blessed than her mystical presence.
For a while my breath stood still, and with me, the breeze too. Yes, we stood face to face, while time played a silent sonnet on a mid day afternoon.
With a sugary spell she had cast over her light-filled shadow, she lets her henna-dyed feet float among perfumed pink ‘kaneerumaa’ praising the round yellow one, among marred pieces of colored glass resurrected as bright jovial mirrors, among dangling little dream catchers humming sweet soft lullabies and painted vivid hand-prints gently pressing onto white rugged walls.
Oh, I have never heard a poem more eloquent than her whimsical world.
For a while I stood still, and with me, the world too. Yes, there I stood, face to face with her, while fate played a silent sonnet on a mid day afternoon.
With the marriage of a fiyaathoshi wall to a nookula door, she paints her castle yellow, sometimes violet, and sometimes white. With a flucid stroke of her magic-bound hand she creates cyan-colored beings and olive-colored poetry. Words fly out of her mouth like freed birds, while she swings her soul to-and-fro, and commands the sunny-rays-gone-astray to obey and kneel at her feet, to kiss her hands, caress her cheeks and rest in her eyes.
Oh, I have never seen a queen more refined in her placid manners.
For a while my heart stood still, and with it, my life too. Yes, There I stood face to face with her, while life played a silent sonnet on a mid day afternoon.
… and then she asks, “Have we met before? ”
… and I thought, “Yes, perhaps eight hundred years ago! ”
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fourth
'Tis night: in silence looking down,
The Moon, from cloudless ether, sees
A Camp, and a beleaguered Town,
And Castle, like a stately crown
On the steep rocks of winding Tees;--
And southward far, with moor between,
Hill-top, and flood, and forest green,
The bright Moon sees that valley small
Where Rylstone's old sequestered Hall
A venerable image yields
Of quiet to the neighbouring fields;
While from one pillared chimney breathes
The smoke, and mounts in silver wreaths.
--The courts are hushed;--for timely sleep
The greyhounds to their kennel creep;
The peacock in the broad ash tree
Aloft is roosted for the night,
He who in proud prosperity
Of colours manifold and bright
Walked round, affronting the daylight;
And higher still, above the bower
Where he is perched, from yon lone Tower
The hall-clock in the clear moonshine
With glittering finger points at nine.
Ah! who could think that sadness here
Hath any sway? or pain, or fear?
A soft and lulling sound is heard
Of streams inaudible by day;
The garden pool's dark surface, stirred
By the night insects in their play,
Breaks into dimples small and bright;
A thousand, thousand rings of light
That shape themselves and disappear
Almost as soon as seen:--and lo!
Not distant far, the milk-white Doe--
The same who quietly was feeding
On the green herb, and nothing heeding,
When Francis, uttering to the Maid
His last words in the yew-tree shade,
Involved whate'er by love was brought
Out of his heart, or crossed his thought,
Or chance presented to his eye,
In one sad sweep of destiny--
The same fair Creature, who hath found
Her way into forbidden ground;
Where now--within this spacious plot
For pleasure made, a goodly spot,
With lawns and beds of flowers, and shades
Of trellis-work in long arcades,
And cirque and crescent framed by wall
Of close-clipt foliage green and tall,
Converging walks, and fountains gay,
And terraces in trim array--
Beneath yon cypress spiring high,
With pine and cedar spreading wide
Their darksome boughs on either side,
In open moonlight doth she lie;
Happy as others of her kind,
That, far from human neighbourhood,
Range unrestricted as the wind,
Through park, or chase, or savage wood.
But see the consecrated Maid
Emerging from a cedar shade
To open moonshine, where the Doe
Beneath the cypress-spire is laid;
Like a patch of April snow--
Upon a bed of herbage green,
Lingering in a woody glade
Or behind a rocky screen--
Lonely relic! which, if seen
By the shepherd, is passed by
With an inattentive eye.
Nor more regard doth She bestow
Upon the uncomplaining Doe
Now couched at ease, though oft this day
Not unperplexed nor free from pain,
When she had tried, and tried in vain,
Approaching in her gentle way,
To win some look of love, or gain
Encouragement to sport or play
Attempts which still the heart-sick Maid
Rejected, or with slight repaid.
Yet Emily is soothed;--the breeze
Came fraught with kindly sympathies.
As she approached yon rustic Shed
Hung with late-flowering woodbine, spread
Along the walls and overhead,
The fragrance of the breathing flowers
Revived a memory of those hours
When here, in this remote alcove,
(While from the pendent woodbine came
Like odours, sweet as if the same)
A fondly-anxious Mother strove
To teach her salutary fears
And mysteries above her years.
Yes, she is soothed: an Image faint,
And yet not faint--a presence bright
Returns to her--that blessed Saint
Who with mild looks and language mild
Instructed here her darling Child,
While yet a prattler on the knee,
To worship in simplicity
The invisible God, and take for guide
The faith reformed and purified.
'Tis flown--the Vision, and the sense
Of that beguiling influence,
'But oh! thou Angel from above,
Mute Spirit of maternal love,
That stood'st before my eyes, more clear
Than ghosts are fabled to appear
Sent upon embassies of fear;
As thou thy presence hast to me
Vouchsafed, in radiant ministry
Descend on Francis; nor forbear
To greet him with a voice, and say;--
'If hope be a rejected stay,
'Do thou, my christian Son, beware
'Of that most lamentable snare,
'The self-reliance of despair!''
Then from within the embowered retreat
Where she had found a grateful seat
Perturbed she issues. She will go!
Herself will follow to the war,
And clasp her Father's knees;--ah, no!
She meets the insuperable bar,
The injunction by her Brother laid;
His parting charge--but ill obeyed--
That interdicted all debate,
All prayer for this cause or for that;
All efforts that would turn aside
The headstrong current of their fate:
'Her duty is to stand and wait;'
In resignation to abide
The shock, AND FINALLY SECURE
O'ER PAIN AND GRIEF A TRIUMPH PURE.
--She feels it, and her pangs are checked.
But now, as silently she paced
The turf, and thought by thought was chased,
Came One who, with sedate respect,
Approached, and, greeting her, thus spake;
'An old man's privilege I take:
Dark is the time--a woeful day!
Dear daughter of affliction, say
How can I serve you? point the way.'
'Rights have you, and may well be bold;
You with my Father have grown old
In friendship--strive--for his sake go--
Turn from us all the coming woe:
This would I beg; but on my mind
A passive stillness is enjoined.
On you, if room for mortal aid
Be left, is no restriction laid;
You not forbidden to recline
With hope upon the Will divine.'
'Hope,' said the old Man, 'must abide
With all of us, whate'er betide.
In Craven's Wilds is many a den,
To shelter persecuted men:
Far under ground is many a cave,
Where they might lie as in the grave,
Until this storm hath ceased to rave:
Or let them cross the River Tweed,
And be at once from peril freed!'
'Ah tempt me not!' she faintly sighed;
'I will not counsel nor exhort,
With my condition satisfied;
But you, at least, may make report
Of what befalls;--be this your task--
This may be done;--'tis all I ask!'
She spake--and from the Lady's sight
The Sire, unconscious of his age,
Departed promptly as a Page
Bound on some errand of delight.
--The noble Francis--wise as brave,
Thought he, may want not skill to save.
With hopes in tenderness concealed,
Unarmed he followed to the field;
Him will I seek: the insurgent Powers
Are now besieging Barnard's Towers,--
'Grant that the Moon which shines this night
May guide them in a prudent flight!'
But quick the turns of chance and change,
And knowledge has a narrow range;
Whence idle fears, and needless pain,
And wishes blind, and efforts vain.--
The Moon may shine, but cannot be
Their guide in flight--already she
Hath witnessed their captivity.
She saw the desperate assault
Upon that hostile castle made;--
But dark and dismal is the vault
Where Norton and his sons are laid!
Disastrous issue!--he had said
'This night yon faithless Towers must yield,
Or we for ever quit the field.
--Neville is utterly dismayed,
For promise fails of Howard's aid;
And Dacre to our call replies
That 'he' is unprepared to rise.
My heart is sick;--this weary pause
Must needs be fatal to our cause.
The breach is open--on the wall,
This night, the Banner shall be planted!'
--'Twas done: his Sons were with him--all;
They belt him round with hearts undaunted
And others follow;--Sire and Son
Leap down into the court;--''Tis won'--
They shout aloud--but Heaven decreed
That with their joyful shout should close
The triumph of a desperate deed
Which struck with terror friends and foes!
The friend shrinks back--the foe recoils
From Norton and his filial band;
But they, now caught within the toils,
Against a thousand cannot stand;--
The foe from numbers courage drew,
And overpowered that gallant few.
'A rescue for the Standard!' cried
The Father from within the walls;
But, see, the sacred Standard falls!--
Confusion through the Camp spread wide:
Some fled; and some their fears detained:
But ere the Moon had sunk to rest
In her pale chambers of the west,
Of that rash levy nought remained.
The Visionary Boy
Oh! lend that lute, sweet Archimage, to me!
Enough of care and heaviness
The weary lids of life depress,
And doubly blest that gentle heart shall be,
That wooes of poesy the visions bland,
And strays forgetful o'er enchanted land!
Oh! lend that lute, sweet Archimage, to me!
So spoke, with ardent look, yet eyebrow sad,
When he had passed o'er many a mountain rude,
And many a wild and weary solitude,
'Mid a green vale, a wandering minstrel-lad.
With eyes that shone in softened flame,
With wings and wand, young Fancy came;
And as she touched a trembling lute,
The lone enthusiast stood entranced and mute.
It was a sound that made his soul forego
All thoughts of sadness in a world of woe.
Oh, lend that lute! he cried: Hope, Pity, Love,
Shall listen; and each valley, rock, and grove,
Shall witness, as with deep delight,
From orient morn to dewy-stealing night.
My spirit, rapt in trance of sweetness high,
Shall drink the heartfelt sound with tears of ecstasy!
As thus he spoke, soft voices seemed to say,
Come away, come away;
Where shall the heart-sick minstrel stray,
But (viewing all things like a dream)
By haunted wood, or wizard stream?
That, like a hermit weeping,
Amid the gray stones creeping;
With voice distinct, yet faint,
Calls on Repose herself to hear its soothing plaint.
For him, romantic Solitude
Shall pile sublime her mountains rude;
For him, with shades more soft impressed,
The lucid lake's transparent breast
Shall show the banks, the woods, the hill,
More clear, more beautiful, more still.
For him more musical shall wave
The pines o'er Echo's moonlit cave;
While sounds as of a fairy lyre
Amid the shadowy cliffs expire!
This valley where the raptured minstrel stood
Was shaded with a circling slope of wood,
And rich in beauty, with that valley vied,
Thessalian Tempe, crowned with verdant bay,
Where smooth and clear Peneus winds his way;
And Ossa and Olympus, on each side,
Rise dark with woods; or that Sicilian plain
Which Arethusa's clearest waters lave,
By many a haunt of Pan, and wood-nymph's cave,
Lingering and listening to the Doric strain
Of him, the bard whose music might succeed
To the wild melodies of Pan's own reed!
This scene the mistress of the valley held,
Fancy, a magic maid; and at her will,
Aerial castles crowned the gleaming hill,
Or forests rose, or lapse of water welled.
Sometimes she sat with lifted eye,
And marked the dark storm in the western sky;
Sometimes she looked, and scarce her breath would draw,
As fearful things, not to be told, she saw;
And sometimes, like a vision of the air,
On wings of shifting light she floated here and there.
In the breeze her garments flew,
Of the brightest skiey blue,
Lucid as the tints of morn,
When Summer trills his pipe of corn:
Her tresses to each wing descending fall,
Or, lifted by the wind,
Stream loose and unconfined,
Like golden threads, beneath her myrtle coronal.
The listening passions stood aloof and mute,
As oft the west wind touched her trembling lute.
But when its sounds the youthful minstrel heard,
Strange mingled feelings, not to be expressed,
Rose undefined, yet blissful, on his breast,
And all the softened scene in sweeter light appeared.
Then Fancy waved her wand, and lo!
An airy troop went beckoning by:
Come, from toil and worldly woe;
Come, live with us in vales remote! they cry.
These are the flitting phantasies; the dreams
That lead the heart through all that elfin land,
Where half-seen shapes entice with whispers bland.
Meantime the clouds, impressed with livelier beams,
Roll, in the lucid track of air,
Arrayed in coloured brede, with semblances more fair.
The airy troop, as on they sail,
Thus the pensive stranger hail:
In the pure and argent sky,
There our distant chambers lie;
The bed is strewed with blushing roses,
When Quietude at eve reposes,
Oft trembling lest her bowers should fade,
In the cold earth's humid shade.
Come, rest with us! evanishing, they cried--
Come, rest with us! the lonely vale replied.
Then Fancy beckoned, and with smiling mien,
A radiant form arose, like the fair Queen
Of Beauty: from her eye divinely bright,
A richer lustre shot, a more attractive light.
She said: With fairer tints I can adorn
The living landscape, fairer than the morn.
The summer clouds in shapes romantic rolled,
And those they edge the fading west, like gold;
The lake that sleeps in sunlight, yet impressed
With shades more sweet than real on its breast;
'Mid baffling stones, beneath a partial ray,
The small brook huddling its uneven way;
The blue far distant hills, the silvery sea,
And every scene of summer speaks of me:
But most I wake the sweetest wishes warm,
Where the fond gaze is turned on woman's breathing form.
So passing silent through a myrtle grove,
Beauty first led him to the bower of Love.
A mellow light through the dim covert strayed,
And opening roses canopied the shade.
Why does the hurrying pulse unbidden leap!
Behold, in yonder glade that nymph asleep!
The heart-struck minstrel hangs, with lingering gaze,
O'er every charm his eye impassioned strays!
An edge of white is seen, and scarcely seen,
As soft she breathes, her coral lips between;
A lambent ray steals from her half-closed eye,
As her breast heaves a short imperfect sigh.
Sleep, winds of summer, o'er the leafy bower,
Nor move the light bells of the nodding flower;
Lest but a sound of stirring leaves might seem
To break the charm of her delicious dream!
And ye, fond, rising, throbbing thoughts, away,
Lest syren Pleasure all the soul betray!
Oh! turn, and listen to the ditty
From the lowly cave of Pity.
On slaughter's plain, while Valour grieves,
There he sunk to rest,
And the ring-dove scattered leaves
Upon his bleeding breast!
Her face was hid, while her pale arms enfold
What seemed an urn of alabaster cold;
To this she pressed her heaving bosom bare:
The drops that gathered in the dank abode
Fell dripping, on her long dishevelled hair;
And still her tears, renewed, and silent, flowed:
And when the winds of autumn ceased to swell,
At times was heard a slow and melancholy knell!
'Twas in the twilight of the deepest wood,
Beneath whose boughs like sad Cocytus, famed
Through fabling Greece, from lamentation named
A river dark and silent flowed, there stood
A pale and melancholy man, intent
His look upon that drowsy stream he bent,
As ever counting, when the fitful breeze
With strange and hollow sound sung through the trees,
Counting the sallow leaves, that down the current went.
He saw them not:
Earth seemed to him one universal blot.
Sometimes, as most distempered, to and fro
He paced; and sometimes fixed his chilling look
Upon a dreadful book,
Inscribed with secret characters of woe;
While gibbering imps, as mocking him, appeared,
And airy laughter 'mid the dusk was heard.
Then Fancy waved her wand again,
And all that valley that so lovely smiled
Was changed to a bare champaign, waste and wild.
'What pale and phantom-horseman rides amain?'
'Tis Terror;--all the plain, far on, is spread
With skulls and bones, and relics of the dead!
From his black trump he blew a louder blast,
And earthquakes muttered as the giant passed.
Then said that magic maid, with aspect bland,
'Tis thine to seize his phantom spear,
'Tis thine his sable trumpet to command,
And thrill the inmost heart with shuddering fear.
But hark! to Music's softer sound,
New scenes and fairer views accordant rise:
The mingled measure swells in air, and dies.
Music, in thy charmed shell,
What sounds of holy magic dwell!
Oft when that shell was to the ear applied,
Confusion of rich harmonies,
All swelling rose,
That came, as with a gently-swelling tide:
Then at the close,
Angelic voices seemed, aloft,
To answer as it died the cadence soft.
Now, like the hum of distant ocean's stream,
The murmurs of the wond'rous concave seem;
And now exultingly their tones prolong
The chorded paeans of the choral song,
Then Music, with a voice more wildly sweet
Than winds that pipe on the forsaken shore,
When the last rain-drops of the west are o'er,
Warbled: Oh, welcome to my blest retreat,
And give my sounds to the responsive lyre:
With me to these melodious groves retire,
And such pure feelings share,
As, far from noise and folly, soothe thee there.
Here Fancy, as the prize were won,
And now she hailed her favourite son,
With energy impatient cried:
The weary world is dark and wide,
Lo! I am with thee still to comfort and to guide.
Nor fear, if, grim before thine eyes,
Pale worldly Want, a spectre, lowers;
What is a world of vanities
To a world as sweet as ours!
When thy heart is sad and lone,
And loves to dwell on pleasures flown,
When that heart no more shall bound
At some kind voice's well-known sound,
My spells thy drooping languor shall relieve,
And airy spirits touch thy lonely harp at eve.
Look!--Delight and Hope advancing,
Music joins her thrilling notes,
O'er the level lea come dancing;
Seize the vision as it floats,
Bright-eyed Rapture hovers o'er them,
Waving light his seraph wings,
Youth exulting flies before them,
Scattering cowslips as he sings!
Come now, my car pursue,
The wayward Fairy cried;
And high amid the fields of air,
Above the clouds, together we will ride,
And posting on the viewless winds,
So leave the cares of earth and all its thoughts behind.
I can sail, and I can fly,
To all regions of the sky,
On the shooting meteor's course,
On a winged griffin-horse!
She spoke: when Wisdom's self drew nigh,
A noble sternness in her searching eye;
Like Pallas helmed, and in her hand a spear,
As not in idle warfare bent, but still,
As resolute, to cope with every earthly ill.
In youthful dignity severe,
She stood: And shall the aspiring mind,
To Fancy be alone resigned!
Alas! she cried, her witching lay
Too often leads the heart astray!
Still, weak minstrel, wouldst thou rove,
Drooping in the distant grove,
Forgetful of all ties that bind
Thee, a brother, to mankind?
Has Fancy's feeble voice defied
The ills to poor humanity allied?
Can she, like Wisdom, bid thy soul sustain
Its post of duty in a life of pain!
Can she, like meek Religion, bid thee bear
Contempt and hardship in a world of care!
Yet let not my rebuke decry,
In all, her blameless witchery,
Or from the languid bosom tear
Each sweet illusion nourished there.
With dignity and truth, combined,
Still may she rule the manly mind;
Her sweetest magic still impart
To soften, not subdue, the heart:
Still may she warm the chosen breast,
Not as the sovereign, but the guest.
Then shall she lead the blameless Muse
Through all her fairest, wildest views;
To mark amid the flowers of morn,
The bee go forth with early horn;
Or when the moon, a softer light
Sheds on the rocks and seas of night,
To hear the circling fairy bands
Sing, Come unto these yellow sands!
Sweeter is our light than day,
Fond enthusiast, come away!
Then Chivalry again shall call
The champions to her bannered hall!
The pipe, and song, with many a mingled shout,
Ring through the forest, as the satyr-rout,
Dance round the dragon-chariot of Romance;
Forth pricks the errant knight with rested lance;
Imps, demons, fays, in antic train succeed,
The wandering maiden, and the winged steed!
The muttering wizard turns, with haggard look,
The bloody leaves of the accursed book,
Whilst giants, from the gloomy castle tower,
With lifted bats of steel, more dreadful lower!
At times, the magic shall prevail
Of the wild and wonderous tale;
At times, high rapture shall prolong
The deep, enthusiastic song.
Hence, at midnight, thou shalt stray,
Where dark ocean flings its spray,
To hear o'er heaven's resounding arch
The Thunder-Lord begin his march!
Or mark the flashes, that present
Some far-off shattered monument;
Whilst along the rocky vale,
Red fires, mingled with the hail,
Run along upon the ground,
And the thunders deeper sound!
The loftier Muse, with awful mien,
Upon a lonely rock is seen:
Full is the eye that speaks the dauntless soul;
She seems to hear the gathering tempest roll
Beneath her feet; she bids an eagle fly,
Breasting the whirlwind, through the dark-red sky;
Or, with elated look, lifts high the spear,
As sounds of distant battles roll more near.
Now deep-hushed in holy trance,
She sees the powers of Heaven advance,
And wheels, instinct with spirit, bear
God's living chariot through the air;
Now on the wings of morn she seems to rise,
And join the strain of more than mortal harmonies.
Thy heart shall beat exulting as she sings,
And thou shalt cry: Give me an angel's wings!
With sadder sound, o'er Pity's cave,
The willow in the wind shall wave;
And all the listening passions stand,
Obedient to thy great command.
With Poesy's sweet charm impressed,
Fancy thus shall warm thy breast;
Still her smiling train be thine,
Still her lovely visions shine,
To cheer, beyond my boasted power,
A sad or solitary hour.
Thus let them soothe a while thy heart,
'Come like shadows, so depart;'
But never may the witching lay
Lead each sense from life astray;
For vain the poet's muse of fire,
Vain the magic of his lyre,
Unless the touch subdued impart
Truth and wisdom to the heart!
Mogg Megone - Part II.
'Tis morning over Norridgewock, -
On tree and wigwam, wave and rock.
Bathed in the autumnal sunshine, stirred
At intervals by breeze and bird,
And wearing all the hues which glow
In heaven's own pure and perfect bow,
That glorious picture of the air,
Which summer's light-robed angel forms
On the dark ground of fading storms,
With pencil dipped in sunbeams there, -
And, stretching out, on either hand,
O'er all that wide and unshorn land,
Till, weary of its gorgeousness,
The aching and the dazzled eye
Rests, gladdened, on the calm blue sky, -
Slumbers the mighty wilderness!
The oak, upon the windy hill,
Its dark green burthen upward heaves -
The hemlock broods above its rill,
Its cone-like foliage darker still,
Against the birch's graceful stem,
And the rough walnut-bough receives
The sun upon its crowded leaves,
Each colored like a topaz gem;
And the tall maple wears with them
The coronal, which autumn gives,
The brief, bright sign of ruin near,
The hectic of a dying year!
The hermit priest, who lingers now
On the Bald Mountain's shrubless brow,
The gray and thunder-smitten pile
Which marks afar the Desert Isle,
While gazing on the scene below,
May half forget the dreams of home,
That nightly with his slumbers come, -
The tranquil skies of sunny France,
The peasant's harvest song and dance,
The vines around the hillsides wreathing
The soft airs midst their clusters breathing,
The wings which dipped, the stars which shone
Within thy bosom, blue Garonne!
And round the Abbey's shadowed wall,
At morning spring and even-fall,
Sweet voices in the still air singing, -
The chant of many a holy hymn, -
The solemn bell of vespers ringing, -
And hallowed torchlight falling dim
On pictured saint and seraphim!
For here beneath him lies unrolled,
Bathed deep in morning's flood of gold,
A vision gorgeous as the dream
Of the beautified may seem,
When, as his Church's legends say,
Borne upward in ecstatic bliss,
The rapt enthusiast soars away
Unto a brighter world than this:
A mortal's glimpse beyond the pale, -
A moment's lifting of the veil!
Far eastward o'er the lovely bay,
Penobscot's clustered wigwams lay;
And gently from that Indian town
The verdant hillside slopes adown,
To where the sparkling waters play
Upon the yellow sands below;
And shooting round the winding shores
Of narrow capes, and isles which lie
Slumbering to ocean's lullaby, -
With birchen boat and glancing oars,
The red men to their fishing go;
While from their planting ground is borne
The treasure of the golden corn,
By laughing girls, whose dark eyes glow
Wild through the locks which o'er them flow.
The wrinkled squaw, whose toil is done,
Sits on her bear-skin in the sun,
Watching the huskers, with a smile
For each full ear which swells the pile;
And the old chief, who nevermore
May bend the bow or pull the oar,
Smokes gravely in his wigwam door,
Or slowly shapes, with axe of stone,
The arrow-head from flint and bone.
Beneath the westward turning eye
A thousand wooded islands lie, -
Gems of the waters! - with each hue
Of brightness set in ocean's blue.
Each bears aloft its tuft of trees
Touched by the pencil of the frost,
And, with the motion of each breeze,
A moment seen, - a moment lost, -
Changing and blent, confused and tossed,
The brighter with the darker crossed,
Their thousand tints of beauty glow
Down in the restless waves below,
And tremble in the sunny skies,
As if, from waving bough to bough,
Flitted the birds of paradise.
There sleep Placentia's group, - and there
Pere Breteaux marks the hour of prayer;
And there, beneath the sea-worn cliff,
On which the Father's hut is seen,
The Indian stays his rocking skiff,
And peers the hemlock-boughs between,
Half trembling, as he seeks to look
Upon the Jesuit's Cross and Book.
There, gloomily against the sky
The Dark Isles rear their summits high;
And Desert Rock, abrupt and bare,
Lifts its gray turrets in the air, -
Seen from afar, like some stronghold
Built by the ocean kings of old;
And, faint as smoke-wreath white and thin,
Swells in the north vast Katahdin:
And, wandering from its marshy feet,
The broad Penobscot comes to meet
And mingle with his own bright bay.
Slow sweep his dark and gathering floods,
Arched over by the ancient woods,
Which Time, in those dim solitudes,
Wielding the dull axe of Decay,
Alone hath ever shorn away.
Not thus, within the woods which hide
The beauty of thy azure tide,
And with their falling timbers block
Thy broken currents, Kennebec!
Gazes the white man on the wreck
Of the down-trodden Norridgewock, -
In one lone village hemmed at length,
In battle shorn of half their strength,
Turned, like the panther in his lair,
With his fast-flowing life-blood wet,
For one last struggle of despair,
Wounded and faint, but tameless yet,
Unreaped, upon the planting lands,
The scant, neglected harvest stands:
No shout is there, - no dance, - no song:
The aspect of the very child
Scowls with a meaning sad and wild
Of bitterness and wrong.
The almost infant Norridgewock
Essays to lift the tomahawk;
And plucks his father's knife away,
To mimic, in his frightful play,
The scalping of an English foe:
Wreathes on his lip a horrid smile,
Burns, like a snake's, his small eye, while
Some bough or sapling meets his blow.
The fisher, as he drops his line,
Starts, when he sees the hazels quiver
Along the margin of the river,
Looks up and down the rippling tide,
And grasps the firelock at his side.
For Bomazeen from Tacconock
Has sent his runners to Norridgewock,
With tidings that Moulton and Harmon of York
Far up the river have come:
They have left their boats, - they have entered the wood,
And filled the depths of the solitude
With the sound of the ranger's drum.
On the brow of a hill, which slopes to meet
The flowing river, and bathe its feet, -
The bare-washed rock, and the drooping grass,
And the creeping vine, as the waters pass, -
A rude and unshapely chapel stands,
Built up in that wild by unskilled hands,
Yet the traveller knows it a place of prayer,
For the holy sign of the cross is there:
And should he chance at that place to be,
Of a Sabbath morn, or some hallowed day,
When prayers are made and masses are said,
Some for the living and some for the dead,
Well might that traveller start to see
The tall dark forms, that take their way
From the birch canoe, on the river-shore,
And the forest paths, to that chapel door;
And marvel to mark the naked knees
And the dusky foreheads bending there,
While, in coarse white vesture, over these
In blessing or in prayer,
Stretching abroad his thin pale hands,
Like a shrouded ghost, the Jesuit stands.
Two forms are now in that chapel dim,
The Jesuit, silent and sad and pale,
Anxiously heeding some fearful tale,
Which a stranger is telling him.
That stranger's garb is soiled and torn,
And wet with dew and loosely worn;
Her fair neglected hair falls down
O'er cheeks with wind and sunshine brown;
Yet still, in that disordered face,
The Jesuit's cautious eye can trace
Those elements of former grace
Which, half effaced, seem scarcely less,
Even now, than perfect loveliness.
With drooping head, and voice so low
That scarce it meets the Jesuit's ears, -
While through her clasped fingers flow,
From the heart's fountain, hot and slow,
Her penitential tears, -
She tells the story of the woe
And evil of her years.
'O father, bear with me; my heart
Is sick and death-like, and my brain
Seems girdled with a fiery chain,
Whose scorching links will never part,
And never cool again.
Bear with me while I speak, - but turn
Away that gentle eye, the while, -
The fires of guilt more fiercely burn
Beneath its holy smile;
For half I fancy I can see
My mother's sainted look in thee.
'My dear lost mother! sad and pale,
Mournfully sinking day by day,
And with a hold on life as frail
As frosted leaves, that, thin and gray,
Hang feebly on their parent spray,
And tremble in the gale;
Yet watching o'er my childishness
With patient fondness, - not the less
For all the agony which kept
Her blue eye wakeful, while I slept;
And checking every tear and groan
That haply might have waked my own,
And bearing still, without offence,
My idle words, and petulance;
Reproving with a tear, - and, while
The tooth of pain was keenly preying
Upon her very heart, repaying
My brief repentance with a smile.
'O, in her meek, forgiving eye
There was a brightness not of mirth,
A light whose clear intensity
Was borrowed not of earth.
Along her cheek a deepening red
Told where the feverish hectic fed;
And yet, each fatal token gave
To the mild beauty of her face
A newer and a dearer grace,
Unwarning of the grave.
'Twas like the hue which Autumn gives
To yonder changed and dying leaves,
Breathed over by his frosty breath;
Scarce can the gazer feel that this
Is but the spoiler's treacherous kiss,
The mocking-smile of Death!
'Sweet were the tales she used to tell
When summer's eve was dear to us,
And, fading from the darkening dell,
The glory of the sunset fell
On wooded Agamenticus, -
When, sitting by our cottage wall,
The murmur of the Saco's fall,
And the south-wind's expiring sighs,
Came, softly blending, on my ear,
With the low tones I loved to hear:
Tales of the pure, - the good, - the wise, -
The holy men and maids of old,
In the all-sacred pages told; -
Of Rachel, stooped at Haran's fountains,
Amid her father's thirsty flock,
Beautiful to her kinsman seeming
As the bright angels of his dreaming,
On Padan-aran's holy rock;
Of gentle Ruth, - and her who kept
Her awful vigil on the mountains,
By Israel's virgin daughters wept;
Of Miriam, with her maidens, singing
The song for grateful Israel meet,
While every crimson wave was bringing
The spoils of Egypt at her feet;
Of her, - Samaria's humble daughter,
Who paused to hear, beside her well,
Lessons of love and truth, which fell
Softly as Shiloh's flowing water;
And saw, beneath his pilgrim guise,
The Promised One, so long foretold
By holy seer and bard of old,
Revealed before her wondering eyes!
'Slowly she faded. Day by day
Her step grew weaker in our hall,
And fainter, at each even-fall,
He sad voice died away.
Yet on her thin, pale, lip, the while,
Sat Resignation's holy smile:
And even my father checked his tread,
And hushed his voice, beside her bed:
Beneath the calm and sad rebuke
Of her meek eye's imploring look,
The scowl of hate his brow forsook,
And in his stern and gloomy eye,
At times, a few unwonted tears
Wet the dark lashes, which for years
Hatred and pride had kept so dry.
'Calm as a child to slumber soothed,
As if an angel's hand had smoothed
The still, white features into rest,
Silent and cold, without a breath
To stir the drapery on her breast,
Pain, with its keen and poisoned fang,
The horror of the mortal pang,
The suffering look her brow had worn,
The fear, the strife, the anguish gone, -
She slept at last in death!
'O, tell me, father,
Walk on the earth, and look on us,
And lay upon the living's head
Their blessing or their curse?
For, O, last night she stood by me,
As I lay beneath the woodland tree!'
The Jesuit crosses himself in awe, -
'Jesu! what was it my daughter saw?'
came to me last night.
The dried leaves did not feel her tread;
She stood by me in the wan moonlight,
In the white robes of the dead!
Pale, and very mournfully
She bent her light form over me.
I heard no sound, I felt no breath
Breathe o'er me from that face of death:
Its blue eyes rested on my own,
Rayless and cold as eyes of stone;
Yet, in their fixed, unchanging gaze,
Something, which spoke of early days, -
A sadness in their quiet glare,
As if love's smile were frozen there, -
Came o'er me with an icy thrill;
O God! I feel its presence still!'
The Jesuit makes the holy sign, -
'How passed the vision, daughter mine?'
'All dimly in the wan moonshine,
As a wreath of mist will twist and twine
And scatter, and melt into the light, -
So scattering, - melting on my sight,
The pale, cold vision passed;
But those sad eyes were fixed on mine
Mournfully to the last.'
'God help thee, daughter, tell me why
That spirit passed before thine eye!'
'Father, I know not, save it be
That deeds of mine have summoned her
From the unbreathing sepulchre,
To leave her last rebuke with me.
Ah, woe for me! my mother died
Just at the moment when I stood
Close on the verge of womanhood,
A child in everything beside;
And when my wild heart needed most
Her gentle counsels, they were lost.
'My father lived a stormy life,
Of frequent change and daily strife;
And - God forgive him! - left his child
To feel, like him, a freedom wild;
To love the red man's dwelling-place.
The birch boat on his shaded floods,
The wild excitement of the chase
Sweeping the ancient woods,
The camp-fire, blazing on the shore
Of the still lakes, the clear stream where
The idle fisher sets his wear,
Or angles in the shade, far more
Than that restraining awe I felt
Beneath my gentle mother's care,
When nightly at her knee I knelt,
With childhood's simple prayer.
'There came a change. The wild, glad mood
Of unchecked freedom passed.
Amid the ancient solitude
Of unshorn grass and waving wood,
And waters glancing bright and fast,
A softened voice was in my ear,
Sweet as those lulling sounds and fine
The hunter lifts his head to hear,
Now far and faint, now full and near -
The mumur of the wind-swept pine.
A manly form was ever nigh,
A bold, free hunter, with an eye
Whose dark, keen glance had power to wake
Both fear and love, - to awe and charm
'Twas as the wizard rattlesnake,
Whose evil glances lure to harm -
Whose cold and small and glittering eye,
And brilliant coil, and changing dye,
Draw, step by step, the gazer near,
With drooping wing and cry of fear,
Yet powerless all to turn away,
A conscious, but a willing prey!
'Fear, doubt, thought, life itself, erelong
Merged in one feeling deep and strong.
Faded the world which I had known,
A poor vain shadow, cold and waste;
In the warm present bliss alone
Seemed I of actual life to taste.
Fond longings dimly understood,
The glow of passion's quickening blood,
And cherished fantasies which press
The young lip with a dream's caress, -
The heart's forecast and prophecy
Took form and life before my eye,
Seen in the glance which met my own,
Heard in the soft and pleading tone,
Felt in the arms around me cast,
And warm heart-pulses beating fast.
Ah! scarcely yet to God above
With deeper trust, with stronger love,
Has prayerful saint his meek heart lent,
Or cloistered nun at twilight bent,
Than I, before a human shrine,
With heart, and soul, and mind, and form,
Knelt madly to a fellow-worm.
'Full soon, upon that dream of sin,
An awful light came bursting in.
The shrine was cold at which I knelt,
The idol of that shrine was gone;
A humbled thing of shame and guilt,
Outcast, and spurned and lone,
Wrapt in the shadows of my crime,
With withering heart and burning brain,
And tears that fell like fiery rain,
I passed a fearful time.
'There came a voice - it checked the tear -
In heart and soul it wrought a change; -
My father's voice was in my ear;
It whispered of revenge!
A new and fiercer feeling swept
All lingering tenderness away;
And tiger passions, which had slept
In childhood's better day,
Unknown, unfelt, arose at length
In all their own demoniac strength.
'A youthful warrior of the wild,
By words deceived, by smiles beguiled,
Of crime the cheated instrument,
Upon our fatal errands went.
Through camp and town and wilderness
He tracked his victim; and, at last,
Just when the tide of hate had passed,
And milder thoughts came warm and fast,
Exulting, at my feet he cast
The bloody token of success.
'O God! with what an awful power
I saw the buried past uprise,
And gather, in a single hour,
Its ghost-like memories!
And then I felt - alas! too late -
That underneath the mask of hate,
That shame and guilt and wrong had thrown
O'er feelings which they might not own,
The heart's wild love had known no change;
And still that deep and hidden love,
With its first fondness, wept above
The victim of its own revenge!
There lay the fearful scalp, and there
The blood was on its pale brown hair!
I thought not of the victim's scorn,
I thought not of his baleful guile,
My deadly wrong, my outcast name,
The characters of sin and shame
On heart and forehead drawn;
I only saw that victim's smile, -
The still, green places where we met, -
The moonlit branches, dewy wet;
I only felt, I only heard
The greeting and the parting word, -
The smile, - the embrace, - the tone which made
An Eden of the forest shade.
'And oh, with what a loathing eye,
With what a deadly hate, and deep,
I saw that Indian murderer lie
Before me, in his drunken sleep!
What though for me the deed was done
And words of mine had sped him on!
Yet when he murmured, as he slept,
The horrors of that deed of blood,
The tide of utter madness swept
O'er brain and bosom, like a flood.
And, father, with this hand of mine -'
'Ha! what didst thou?' the Jesuit cries,
Shuddering, as smitten with sudden pain,
And shading, with one thin hand, his eyes,
With the other he makes the holy sign.
'- I smote him as I would a worm; -
With heart as steeled, with nerves as firm:
He never woke again!'
'Woman of sin and blood and shame,
Speak, - I would know that victim's name.'
'Father,' she gasped, 'a chieftain, known
As Saco's Sachem, - Mogg Megone!'
Pale priest! What proud and lofty dreams,
What keen desires, what cherished schemes,
What hopes, that time may not recall,
Are darkened by that chieftain's fall!
Was he not pledged, by cross and vow,
To lift the hatchet of his sire,
And, round his own, the Church's foe,
To light the avenging fire?
Who now the Tarrantine shall wake.
For thine and for the Church's sake?
Who summon to the scene
Of conquest and unsparing strife,
And vengeance dearer than his life,
The fiery-souled Castine?
Three backward steps the Jesuit takes, -
His long, thin frame as ague shakes;
And loathing hate is in his eye,
As from his lips these words of fear
Fall hoarsely on the maiden's ear, -
'The soul that sinneth shall surely die!'
She stands, as stands the stricken deer,
Checked midway in the fearful chase,
When bursts, upon his eye and ear,
The gaunt, gray robber, baying near,
Between him and his hiding-place;
While still behind, with yell and blow,
Sweeps, like a storm, the coming foe.
'Save me, O holy man!' - her cry
Fills all the void, as if a tongue,
Unseen, from rib and rafter hung,
Thrilling with mortal agony;
Her hands are clasping the Jesuit's knee,
And her eye looks fearfully into his own; -
'Off, woman of sin! - nay, touch not me
With those fingers of blood; - begone!'
With a gesture of horror, he spurns the form
That writhes at his feet like a trodden worm.
Ever thus the spirit must,
Guilty in the sight of Heaven,
With a keener woe be riven,
For its weak and sinful trust
In the strength of human dust
And its anguish thrill afresh
For each vain reliance given
To the failing arm of flesh.
The Golden Legend: V. A Covered Bridge At Lucerne
_Prince Henry_. God's blessing on the architects who build
The bridges o'er swift rivers and abysses
Before impassable to human feet,
No less than on the builders of cathedrals,
Whose massive walls are bridges thrown across
The dark and terrible abyss of Death.
Well has the name of Pontifex been given
Unto the Church's head, as the chief builder
And architect of the invisible bridge
That leads from earth to heaven.
_Elsie_ How dark it grows!
What are these paintings on the walls around us?
_Prince Henry_ The Dance Macaber!
_Prince Henry_ The Dance of Death!
All that go to and fro must look upon it,
Mindful of what they shall be, while beneath,
Among the wooden piles, the turbulent river
Rushes, impetuous as the river of life,
With dimpling eddies, ever green and bright,
Save where the shadow of this bridge falls on it.
_Elsie._ O, yes! I see it now!
_Prince Henry_ The grim musician
Leads all men through the mazes of that dance,
To different sounds in different measures moving;
Sometimes he plays a lute, sometimes a drum,
To tempt or terrify.
_Elsie_ What is this picture?
_Prince Henry_ It is a young man singing to a nun,
Who kneels at her devotions, but in kneeling
Turns round to look at him, and Death, meanwhile,
Is putting out the candles on the altar!
_Elsie_ Ah, what a pity 't is that she should listen
to such songs, when in her orisons
She might have heard in heaven the angels singing!
_Prince Henry_ Here he has stolen a jester's cap and bells,
And dances with the Queen.
_Elsie_ A foolish jest!
_Prince Henry_ And here the heart of the new-wedded wife,
Coming from church with her beloved lord,
He startles with the rattle of his drum.
_Elsie_ Ah, that is sad! And yet perhaps 't is best
That she should die, with all the sunshine on her,
And all the benedictions of the morning,
Before this affluence of golden light
Shall fade into a cold and clouded gray,
Then into darkness!
_Prince Henry_ Under it is written,
'Nothing but death shall separate thee and me!'
_Elsie._ And what is this, that follows close upon it?
_Prince Henry_ Death, playing on a ducimer. Behind him,
A poor old woman, with a rosary,
Follows the sound, and seems to wish her feet
Were swifter to o'ertake him. Underneath,
The inscription reads, 'Better is Death than Life.'
_Elsie._ Better is Death than Life! Ah yes! to thousands
Death plays upon a dulcimer, and sings
That song of consolation, till the air
Rings with it, and they cannot choose but follow
Whither he leads. And not the old alone,
But the young also hear it, and are still.
_Prince Henry_ Yes, in their sadder moments. 'T is the sound
Of their own hearts they hear, half full of tears,
Which are like crystal cups, half filled with water.
Responding to the pressure of a finger
With music sweet and low and melancholy.
Let us go forward, and no longer stay
In this great picture-gallery of Death!
I hate it! ay, the very thought of it!
_Elsie._ Why is it hateful to you?
_Prince Henry._ For the reason
That life, and all that speaks of life, is lovely,
And death, and all that speaks of death, is hateful.
_Elsie._ The grave is but a covered bridge,
leading from light to light, through a brief darkness!
_Prince Henry (emerging from the bridge)._ I breathe again more
freely! Ah, how pleasant
To come once more into the light of day,
Out of that shadow of death! To hear again
The hoof-beats of our horses on firm ground,
And not upon those hollow planks, resounding
With a sepulchral echo, like the clods
On coffins in a churchyard! Yonder lies
The Lake of the Four Forest-Towns, apparelled
In light, and lingering, like a village maiden,
Hid in the bosom of her native mountains,
Then pouring all her life into another's,
Changing her name and being! Overhead,
Shaking his cloudy tresses loose in air,
Rises Pilatus, with his windy pines.
(_They pass on_.)
* * * * *
THE DEVIL'S BRIDGE.
* * * * *
PRINCE HENRY _and_ ELSIE _crossing, with attendants._
_Guide._ This bridge is called the Devil's Bridge.
With a single arch, from ridge to ridge,
It leaps across the terrible chasm
Yawning beneath us, black and deep,
As if, in some convulsive spasm,
the summits of the hills had cracked,
and made a road for the cataract,
That raves and rages down the steep!
_Lucifer (under the bridge)._ Ha! ha!
_Guide._ Never any bridge but this
Could stand across the wild abyss;
All the rest, of wood or stone,
By the Devil's hand were overthrown.
He toppled crags from the precipice,
And whatsoe'er was built by day
In the night was swept away;
None could stand but this alone.
_Lucifer (under the bridge)._ Ha! ha!
_Guide._ I showed you in the valley a boulder
Marked with the imprint of his shoulder;
As he was bearing it up this way,
A peasant, passing, cried, 'Herr Je!'
And the Devil dropped it in his fright,
And vanished suddenly out of sight!
_Lucifer (under the bridge)._ Ha! ha!
_Guide._ Abbot Giraldus of Einsiedel,
For pilgrims on their way to Rome,
Built this at last, with a single arch,
Under which, on its endless march,
Runs the river, white with foam,
Like a thread through the eye of a needle.
And the Devil promised to let it stand,
Under compact and condition
That the first living thing which crossed
Should be surrendered into his hand,
And be beyond redemption lost.
_Lucifer (under the bridge)._ Ha! ha! perdition!
_Guide._ At length, the bridge being all completed,
The Abbot, standing at its head,
Threw across it a loaf of bread,
Which a hungry dog sprang after,
And the rocks reechoed with peals of laughter
To see the Devil thus defeated!
(_They pass on_)
_Lucifer_ (_under the bridge_) Ha! ha! defeated!
For journeys and for crimes like this
To let the bridge stand o'er the abyss!
* * * * *
THE ST. GOTHARD PASS.
* * * * *
_Prince Henry._ This is the highest point. Two ways the rivers
Leap down to different seas, and as they roll
Grow deep and still, and their majestic presence
Becomes a benefaction to the towns
They visit, wandering silently among them,
Like patriarchs old among their shining tents.
_Elsie._ How bleak and bare it is! Nothing but mosses
Grow on these rocks.
_Prince Henry._ Yet are they not forgotten;
Beneficent Nature sends the mists to feed them.
_Elsie._ See yonder little cloud, that, borne aloft
So tenderly by the wind, floats fast away
Over the snowy peaks! It seems to me
The body of St. Catherine, borne by angels!
_Prince Henry._ Thou art St. Catherine, and invisible angels
Bear thee across these chasms and precipices,
Lest thou shouldst dash thy feet against a stone!
_Elsie._ Would I were borne unto my grave, as she was,
Upon angelic shoulders! Even now
I Seem uplifted by them, light as air!
What sound is that?
_Prince Henry_. The tumbling avalanches!
_Elsie_ How awful, yet how beautiful!
_Prince Henry_. These are
The voices of the mountains! Thus they ope
Their snowy lips, and speak unto each other,
In the primeval language, lost to man.
_Elsie_. What land is this that spreads itself beneath us?
_Prince Henry_ Italy! Italy!
_Elsie_ Land of the Madonna!
How beautiful it is! It seems a garden
_Prince Henry_. Nay, of Gethsemane
To thee and me, of passion and of prayer!
Yet once of Paradise. Long years ago
I wandered as a youth among its bowers,
And never from my heart has faded quite
Its memory, that, like a summer sunset,
Encircles with a ring of purple light
All the horizon of my youth.
_Guide_. O friends!
The days are short, the way before us long;
We must not linger, if we think to reach
The inn at Belinzona before vespers!
(_They pass on_.)
* * * * *
AT THE FOOT OF THE ALPS.
* * * * *
_A halt under the trees at noon_.
_Prince Henry_ Here let us pause a moment in the trembling
Shadow and sunshine of the roadside trees,
And, our tired horses in a group assembling,
Inhale long draughts of this delicious breeze
Our fleeter steeds have distanced our attendants;
They lag behind us with a slower pace;
We will await them under the green pendants
Of the great willows in this shady place.
Ho, Barbarossa! how thy mottled haunches
Sweat with this canter over hill and glade!
Stand still, and let these overhanging branches
Fan thy hot sides and comfort thee with shade!
_Elsie._ What a delightful landscape spreads before us,
Marked with a whitewashed cottage here and there!
And, in luxuriant garlands drooping o'er us,
Blossoms of grapevines scent the sunny air.
_Prince Henry._ Hark! what sweet sounds are those, whose accents holy
Fill the warm noon with music sad and sweet!
_Elsie._ It is a band of pilgrims, moving slowly
On their long journey, with uncovered feet.
_Pilgrims (chaunting the Hymn of St. Hildebert)_
Me receptet Sion illa,
Sion David, urbs tranquilla,
Cujus faber auctor lucis,
Cujus portae lignum crucis,
Cujus claves lingua Petri,
Cujus cives semper laeti,
Cujus muri lapis vivus,
Cujus custos Rex festivus!
_Lucifer (as a Friar in the procession)._ Here am I, too, in the
In the garb of a barefooted Carmelite dressed!
The soles of my feet are as hard and tanned
As the conscience of old Pope Hildebrand,
The Holy Satan, who made the wives
Of the bishops lead such shameful lives.
All day long I beat my breast,
And chaunt with a most particular zest
The Latin hymns, which I understand
Quite as well, I think, as the rest.
And at night such lodging in barns and sheds,
Such a hurly-burly in country inns,
Such a clatter of tongues in empty heads,
Such a helter-skelter of prayers and sins!
Of all the contrivances of the time
For sowing broadcast the seeds of crime,
There is none so pleasing to me and mine
As a pilgrimage to some far-off shrine!
_Prince Henry._ If from the outward man we judge the inner,
And cleanliness is godliness, I fear
A hopeless reprobate, a hardened sinner,
Must be that Carmelite now passing near.
_Lucifer._ There is my German Prince again,
Thus far on his journey to Salern,
And the lovesick girl, whose heated brain
Is sowing the cloud to reap the rain;
But it's a long road that has no turn!
Let them quietly hold their way,
I have also a part in the play.
But first I must act to my heart's content
This mummery and this merriment,
And drive this motley flock of sheep
Into the fold, where drink and sleep
The jolly old friars of Benevent.
Of a truth, it often provokes me to laugh
To see these beggars hobble along,
Lamed and maimed, and fed upon chaff,
Chanting their wonderful piff and paff,
And, to make up for not understanding the song,
Singing it fiercely, and wild, and strong!
Were it not for my magic garters and staff,
And the goblets of goodly wine I quaff,
And the mischief I make in the idle throng,
I should not continue the business long.
_Pilgrims (chaunting)._ In hac uibe, lux solennis,
Ver aeternum, pax perennis,
In hac odor implens caelos,
In hac semper festum melos!
_Prince Henry._ Do you observe that monk among the train,
Who pours from his great throat the roaring bass,
As a cathedral spout pours out the rain,
And this way turns his rubicund, round face?
_Elsie._ It is the same who, on the Strasburg square,
Preached to the people in the open air.
_Prince Henry._ And he has crossed o'er mountain, field, and fell,
On that good steed, that seems to bear him well,
The hackney of the Friars of Orders Gray,
His own stout legs! He, too, was in the play,
Both as King Herod and Ben Israel.
Good morrow, Friar!
_Friar Cuthbert._ Good morrow, noble Sir!
_Prince Henry._ I speak in German, for, unless I err,
You are a German.
_Friar Cuthbert._ I cannot gainsay you.
But by what instinct, or what secret sign,
Meeting me here, do you straightway divine
That northward of the Alps my country lies?
_Prince Henry._ Your accent, like St, Peter's, would betray you,
Did not your yellow beard and your blue eyes,
Moreover, we have seen your face before,
And heard you preach at the Cathedral door
On Easter Sunday, in the Strasburg square
We were among the crowd that gathered there,
And saw you play the Rabbi with great skill,
As if, by leaning o'er so many years
To walk with little children, your own will
Had caught a childish attitude from theirs,
A kind of stooping in its form and gait,
And could no longer stand erect and straight.
Whence come you now?
_Friar Cuthbert._ From the old monastery
Of Hirschau, in the forest; being sent
Upon a pilgrimage to Benevent,
To see the image of the Virgin Mary,
That moves its holy eyes, and sometimes speaks,
And lets the piteous tears run down its cheeks,
To touch the hearts of the impenitent.
_Prince Henry._ O, had I faith, as in the days gone by,
That knew no doubt, and feared no mystery!
_Lucifer (at a distance)._ Ho, Cuthbert! Friar Cuthbert!
_Friar Cuthbert._ Farewell, Prince!
I cannot stay to argue and convince.
_Prince Henry._ This is indeed the blessed Mary's land,
Virgin and Mother of our dear Redeemer!
All hearts are touched and softened at her name;
Alike the bandit, with the bloody hand,
The priest, the prince, the scholar, and the peasant,
The man of deeds, the visionary dreamer,
Pay homage to her as one ever present!
And even as children, who have much offended
A too indulgent father, in great shame,
Penitent, and yet not daring unattended
To go into his presence, at the gate
Speak with their sister, and confiding wait
Till she goes in before and intercedes;
So men, repenting of their evil deeds,
And yet not venturing rashly to draw near
With their requests an angry father's ear,
Offer to her their prayers and their confession,
And she for them in heaven makes intercession.
And if our Faith had given us nothing more
Than this example of all womanhood,
So mild, so merciful, so strong, so good,
So patient, peaceful, loyal, loving, pure,
This were enough to prove it higher and truer
Than all the creeds the world had known before.
_Pilgrims (chaunting afar off)_. Urbs ccelestis, urbs beata,
Supra petram collocata,
Urbs in portu satis tuto
De longinquo te saluto,
Te saluto, te suspiro,
Te affecto, te requiro!
* * * * *
THE INN AT GENOA.
* * * * *
_A terrace overlooking the sea. Night._
_Prince Henry._ It is the sea, it is the sea,
In all its vague immensity,
Fading and darkening in the distance!
Silent, majestical, and slow,
The white ships haunt it to and fro,
With all their ghostly sails unfurled,
As phantoms from another world
Haunt the dim confines of existence!
But ah! how few can comprehend
Their signals, or to what good end
From land to land they come and go!
Upon a sea more vast and dark
The spirits of the dead embark,
All voyaging to unknown coasts.
We wave our farewells from the shore,
And they depart, and come no more,
Or come as phantoms and as ghosts.
Above the darksome sea of death
Looms the great life that is to be,
A land of cloud and mystery,
A dim mirage, with shapes of men
Long dead, and passed beyond our ken.
Awe-struck we gaze, and hold our breath
Till the fair pageant vanisheth,
Leaving us in perplexity,
And doubtful whether it has been
A vision of the world unseen,
Or a bright image of our own
Against the sky in vapors thrown.
_Lucifer (singing from the sea)_. Thou didst not make it, thou
canst not mend it,
But thou hast the power to end it!
The sea is silent, the sea is discreet,
Deep it lies at thy very feet;
There is no confessor like unto Death!
Thou canst not see him, but he is near;
Thou needest not whisper above thy breath,
And he will hear;
He will answer the questions,
The vague surmises and suggestions,
That fill thy soul with doubt and fear!
_Prince Henry_. The fisherman, who lies afloat,
With shadowy sail, in yonder boat,
Is singing softly to the Night!
But do I comprehend aright
The meaning of the words he sung
So sweetly in his native tongue?
Ah, yes! the sea is still and deep.
All things within its bosom sleep!
A single step, and all is o'er;
A plunge, a bubble, and no more;
And thou, dear Elsie, wilt be free
From martyrdom and agony.
_Elsie (coming from her chamber upon the terrace)._
The night is calm and cloudless,
And still as still can be,
And the stars come forth to listen
To the music of the sea.
They gather, and gather, and gather,
Until they crowd the sky,
And listen, in breathless silence,
To the solemn litany.
It begins in rocky caverns,
As a voice that chaunts alone
To the pedals of the organ
In monotonous undertone;
And anon from shelving beaches,
And shallow sands beyond,
In snow-white robes uprising
The ghostly choirs respond.
And sadly and unceasing
The mournful voice sings on,
And the snow-white choirs still answer
_Prince Henry._ Angel of God! thy finer sense perceives
Celestial and perpetual harmonies!
Thy purer soul, that trembles and believes,
Hears the archangel's trumpet in the breeze,
And where the forest rolls, or ocean heaves,
Cecilia's organ sounding in the seas,
And tongues of prophets speaking in the leaves.
But I hear discord only and despair,
And whispers as of demons in the air!
* * * * *
* * * * *
_Il Padrone._ The wind upon our quarter lies,
And on before the freshening gale,
That fills the snow-white lateen sail,
Swiftly our light felucca flies.
Around, the billows burst and foam;
They lift her o'er the sunken rock,
They beat her sides with many a shock,
And then upon their flowing dome
They poise her, like a weathercock!
Between us and the western skies
The hills of Corsica arise;
Eastward, in yonder long, blue line,
The summits of the Apennine,
And southward, and still far away,
Salerno, on its sunny bay.
You cannot see it, where it lies.
_Prince Henry._ Ah, would that never more mine eyes
Might see its towers by night or day!
_Elsie._ Behind us, dark and awfully,
There comes a cloud out of the sea,
That bears the form of a hunted deer,
With hide of brown, and hoofs of black,
And antlers laid upon its back,
And fleeing fast and wild with fear,
As if the hounds were on its track!
_Prince Henry._ Lo! while we gaze, it breaks and falls
In shapeless masses, like the walls
Of a burnt city. Broad and red
The fires of the descending sun
Glare through the windows, and o'erhead,
Athwart the vapors, dense and dun,
Long shafts of silvery light arise,
Like rafters that support the skies!
_Elsie._ See! from its summit the lurid levin
Flashes downward without warning,
As Lucifer, son of the morning,
Fell from the battlements of heaven!
_Il Padrone._ I must entreat you, friends, below!
The angry storm begins to blow,
For the weather changes with the moon.
All this morning, until noon,
We had baffling winds, and sudden flaws
Struck the sea with their cat's-paws.
Only a little hour ago
I was whistling to Saint Antonio
For a capful of wind to fill our sail,
And instead of a breeze he has sent a gale.
Last night I saw St. Elmo's stars,
With their glimmering lanterns, all at play
On the tops of the masts and the tips of the spars,
And I knew we should have foul weather to-day.
Cheerily, my hearties! yo heave ho!
Brail up the mainsail, and let her go
As the winds will and Saint Antonio!
Do you see that Livornese felucca,
That vessel to the windward yonder,
Running with her gunwale under?
I was looking when the wind o'ertook her,
She had all sail set, and the only wonder
Is that at once the strength of the blast
Did not carry away her mast.
She is a galley of the Gran Duca,
That, through the fear of the Algerines,
Convoys those lazy brigantines,
Laden with wine and oil from Lucca.
Now all is ready, high and low;
Blow, blow, good Saint Antonio!
Ha! that is the first dash of the rain,
With a sprinkle of spray above the rails,
Just enough to moisten our sails,
And make them ready for the strain.
See how she leaps, as the blasts o'ertake her,
And speeds away with a bone in her mouth!
Now keep her head toward the south,
And there is no danger of bank or breaker.
With the breeze behind us, on we go;
Not too much, good Saint Antonio!
The Child Of The Islands - Spring
WHAT shalt THOU know of Spring? A verdant crown
Of young boughs waving o'er thy blooming head:
White tufted Guelder-roses, showering down
A fairy snow-path where thy footsteps tread:
Fragrance and balm,--which purple violets shed:
Wild-birds,--sweet warbling in commingled song:
Brooklets,--thin murmuring down their pebbly bed;
Or more abundant rivers,--swept along
With shoals of tiny fish, in many a silver throng!
To THEE shall be unknown that weary pain,
The feverish thirsting for a breath of air,--
Which chokes the heart of those who sigh in vain
For respite, in their round of toil and care:
Who never gaze on Nature fresh and fair,
Nor in sweet leisure wile an hour away;
But, like caged creatures, sullenly despair,
As day monotonously follows day,
Till youth wears on to age, and strength to faint decay.
A feeble girl sits working all alone!
A ruined Farmer's orphan; pale and weak;
Her early home to wealthier strangers gone,
No rural beauty lingers on her cheek;
Her woe-worn looks a woeful heart bespeak;
Though in her dull, and rarely lifted eye,
(Whose glances nothing hope, and nothing seek,)
Those who have time for pity, might descry
A thousand shattered gleams of merriment gone by!
Her window-sill some sickly plants adorn,
(Poor links to memories sweet of Nature's green!)
There to the City's smoke-polluted morn
The primrose lifts its leaves, with buds between,
'Minished and faint, as though their life had been
Nipped by long pining and obscure regret;
Torn from the sunny bank where erst were seen
Lovely and meek companions, thickly set,--
The cowslip, rich in scent, and humble violet!
Too fanciful! the plant but pines, like her,
For purer air; for sunbeams warm and kind;
Th' enlivening joy of nature's busy stir,
The rural freedom, long since left behind!
For the fresh woodlands,--for the summer wind,--
The open fields with perfumed clover spread;--
The hazel copse,--whose branches intertwined
Made natural bow'rs and arches overhead,
With many a narrow path, where only two could tread.
Never, oh! never more, shall these afford
Her stifled heart their innocent delight!
Never, oh! never more, the rich accord
Of feathered songsters make her morning bright!
Earning scant bread, that finds no appetite,
The sapless life she toils for, lingers on;
And when at length it sinks in dreary night,
A shallow, careless grave is dug,--where none
Come round to bless her rest, whose ceaseless tasks are done!
And now, the devious threads her simple skill
Wove in a quaint device and flowery line,
Adorn some happier maid, whose wayward will
Was struck with wishing for the fair design:
Some 'curléd darling' of a lordly line,
Whose blooming cheek, through veils of texture rare,
Mantling with youth's warm blood is seen to shine;
While her light garments, draped with modest care,
Soft as a dove's white wings, float on the breezy air.
Oh, there is need for permanent belief
In the All-Equal World of Joy to come!
Need for such solace to the restless grief
And heavy troubles of our earthly home!
Else might our wandering reason blindly roam,
And ask, with all a heathen's discontent,
Why Joy's bright cup for some should sparkling foam,
While others, not less worthy, still lament,
And find the cup of tears the only portion sent!
But for the Christian's hope, how hard, how cold,
How bitterly unjust, our lot would seem!
How purposeless and sad, to young and old!
How like the struggles of a torturing dream,
When ghastly midnight bids us strive and scream!
All fades--all fleets--of which our hearts grow fond;
Pain presses on us to the last extreme,--
When lo! the dawn upriseth, clear beyond,
And, radiant from the East, forbids us to despond.
And many a crippled child, and aged man,
And withered crone, who once saw 'better days,'
With just enough of intellect to scan
This gracious truth; uncheered by human praise,
Patient plods through the thorn-encumbered ways:
Oh, trust God counts the hours through which they sigh,
While His green Spring eludes their suffering gaze,
And flowers along Earth's spangled bosom lie,
Whose barren bloom, for them, must unenjoyed pass by!
So lives the little Trapper underground;
No glittering sunshine streaks the oozy wall;
Not e'en a lamp's cold glimmer shineth round
Where he must sit (through summer days and all,
While in warm upper air the cuckoos call,)
For ever listening at the weary gate
Where echoes of the unseen footsteps fall.
Early he comes, and lingers long and late,
With savage men, whose blows his misery aggravate.
Yet sometimes, (for the heart of childhood is
A thing so pregnant with joy's blessed sun,
That all the dismal gloom that round him lies
Can scarce suffice to bid its rays begone)
In lieu of vain complaint, or peevish moan,
A feeble SONG the passing hour will mark!
Poor little nightingale! that sing'st alone,
Thy cage is very low, and bitter dark;
But God hears thee, who hears the glad upsoaring lark.
God seeth thee, who sees the prosperous proud
Into the sunshine of their joy go forth:
God marks thee, weak one, in the human crowd,
And judgeth all thy grief, (as all their mirth,)
Bird with the broken wing that trails on earth!
His angels watch thee, if none watch beside,
As faithfully--despite thy lowly birth--
As the child-royal of the queenly bride,
Or our belief is vain in Christ the Crucified!
In Christ! who made young children's guileless lives
The cherished objects of His love and care;
Who bade each sinner that for pardon strives,
Low, at Heaven's feet, a child-like heart lay bare;
Opening the world's great universal prayer
With these meek words: 'Our Father!' Strange, that we
The common blessings of His earth and air
Deny to those who, circling round His knee,
Embraced, in mortal life, His immortality!
Those 'common blessings!' In this chequered scene
How scant the gratitude we shew to God!
Is it, in truth, a privilege so mean
To wander with free footsteps o'er the sod,
See various blossoms paint the valley clod,
And all things into teeming beauty burst?
A miracle as great as Aaron's rod,
But that our senses, into dulness nurst,
Recurring Custom still with Apathy hath curst.
They who have rarest joy, know Joy's true measure;
They who most suffer, value Suffering's pause;
They who but seldom taste the simplest pleasure,
Kneel oftenest to the Giver and the Cause.
Heavy the curtains feasting Luxury draws,
To hide the sunset and the silver night;
While humbler hearts, when Care no longer gnaws,
And some rare holiday permits delight,
Lingering, with love would watch that earth-enchanting sight.
So sits the pallid weaver at his loom,
Copying the wreaths the artist-pencil drew;
In the dull confines of his cheerless room
Glisten those tints of rich and living hue.
The air is sweet, the grass is fresh with dew,
And feverish aches are throbbing in his veins,
But his are work-day Springs, and Summers too;
And if he quit his loom, he leaves his gains--
That gorgeous, glistering silk, designed with so much pains!
It shall be purchased as a robe of state
By some great lady, when his toil is done;
While on her will obsequious shopmen wait,
To shift its radiance in the flattering sun:
And as she, listless, eyes its beauty, none
Her brow shall darken, or her smile shall shade,
By a strange story--yet a common one--
Of tears that fell (but not on her brocade,)
And misery weakly borne while it was slowly made.
For while that silk the weaver's time beguiled,
His wife lay groaning on her narrow bed,
The suffering mother of a new-born child,
Without a cradle for its weakly head,
Or future certainty of coarsest bread;
Not, in that hour of Nature's sore affright,
A fire, or meal that either might be fed;
So, through the pauses of the dreadful night,
Patient they lay, and longed for morning's blessed light.
Not patient--no; I over-rate his strength
Who listened to the infant's wailing cry,
And mother's weary moan, until at length
He gave them echo with a broken sigh!
Daylight was dawning, and the loom stood nigh:
He looked on it, as though he would discern
If there was light enough to labour by.
What made his heart's-blood leap, and sink, in turn?
What, in that cold gloom caused his pallid cheek to burn?
What made him rise, with wild and sudden start?
Alas! the poor are weak, when they are tried!
(Can the rich say, that they, with steadfast heart,
Have all temptations constantly defied?)
He counts the value of that robe of pride;
And while the dawn clears up, that ushers in
His child's first morn on life's uncertain tide,
He keeps its birthday with a deed of sin,
And pawns his master's silk, bread for his wife to win.
Let none excuse the deed, for it was wrong:--
And since 'twas ruin to the wretch employed,
No doubt the hour's despair was wild and strong
Which left that loom of silken splendours void:
Let Virtue trust their meal was unenjoyed,
Eaten in trembling, drenched with bitterness,--
And that the faint uncertain hope which buoyed
His heart awhile, to hide his guilt's excess,
And get that silk redeemed, was vain, from his distress:
So that true Justice might pursue her course;
And the silk, finished by 'a different hand,'
Might in good time (delayed awhile perforce)
Be brought to clothe that lady of the land
Whom I behold as in a vision stand.
Lo! in my vision, on its folds are laid
The turquoise-circled fingers of her hand;
While by herself, and her attendant maid,
Its texture, soft and rich, is smiled on and surveyed.
Indifferent to her, the heavy cost
Of that rich robe, first pawned for one poor meal;
She that now wears it, and her lord, may boast
No payment made,--yet none dare say THEY steal!
No, not if future reckoning-hours reveal
Debts the encumbered heir can never pay;
But whose dishonest weight his heart shall feel
Through many a restless night and bitter day,
Hearing what cheated men of the bad dead will say.
Onward she moves, in Fashion's magic glass,
Half-strut, half-swim, she slowly saunters by:
A self-delighting, delicate, pampered mass
Of flesh indulged in every luxury
Folly can crave, or riches can supply:
Spangled with diamonds--head, and breast, and zone,
Scorn lighting up her else most vacant eye,
Careless of all conditions but her own,
She sweeps that stuff along, to curtsey to the throne.
That dumb woof tells no story! Silent droops
The gorgeous train, voluminously wide;
And while the lady's knee a moment stoops
(Mocking her secret heart, which swells with pride,)
No ragged shadow follows at her side
Into that royal presence, where her claim
To be admitted, is to be allied
To wealth, and station, and a titled name,--
No warning voice is heard to supplicate or blame.
Nor,--since by giving working hands employ,
Her very vanity must help their need
Whom, in her life of cold ungenerous joy,
She never learned to pity or to heed,--
Would sentence harsh from thoughtful minds proceed;
But that the poor man, dazzled, sees encroach
False lights upon his pathway, which mislead
Those who the subject of his wrongs would broach,
Till Rank a bye-word seems,--and Riches a reproach.
How oft some friendly voice shall vainly speak
The sound true lessons of Life's holier school;--
How much of wholesome influence prove weak,
Because one tinselled, gaudy, selfish fool,
Hath made the exception seem the practiced rule!
In Luxury, so prodigal of show,--
In Charity, so wary and so cool,--
That wealth appeared the poor man's open foe,
And all, of high estate, this language to avow:--
'A life of self-indulgence is for Us,
'A life of self-denial is for them;
'For Us the streets, broad-built and populous,
'For them, unhealthy corners, garrets dim,
'And cellars where the water-rat may swim!
'For Us, green paths refreshed by frequent rain,
'For them, dark alleys where the dust lies grim!
'Not doomed by Us to this appointed pain,--
'God made us, Rich and Poor--of what do these complain?'
Of what? Oh! not of Heaven's great law of old,
That brightest light must fall by deepest shade;
Not that they wander hungry, gaunt, and cold,
While others in smooth splendours are arrayed;
Not that from gardens where they would have strayed
You shut them out, as though a miser's gem
Lay in the crystal stream or emerald glade,
Which they would filch from Nature's diadem;
But that you keep no thought, no memory of THEM.
That, being gleaners in the world's large field
(And knowing well they never can be more,)
Those unto whom the fertile earth must yield
Her increase, will not stand like him of yore,
Large-hearted Boaz, on his threshing-floor,
Watching that weak ones starve not on their ground.
How many sills might frame a beggar's door,
For any love, or help, or pity found,
In rich men's hearts and homes, to help the needy round!
Meanwhile, enjoy your Walks, your Parks, your Drives,
Heirs of Creation's fruits, this world's select!
Bask in the sunshine of your idle lives,
And teach your poorer brother to expect
Nor share, nor help! Rouse up the fierce-toned sect
To grudge him e'en the breeze that once a-week
Might make him feel less weary and deject;
And stand, untouched, to see how thankful-meek
He walks that day, his child close nestling at his cheek.
Compel him to your creed; force him to think;
Cut down his Sabbath to a day of rest
Such as the beasts enjoy,--to eat, and drink,
And drone away his time, by sleep opprest:--
But let 'My lady' send, at her behest,
A dozen different servants to prepare,
Grooms, coachmen, footmen, in her livery drest,
And shining horses, fed with punctual care,
To whirl her to Hyde Park, that she may 'take the air.'
Yet, even with her, we well might moralise;
(No place too gay, if so the heart incline!)
For dark the Seal of Death and Judgment lies
Upon thy rippling waters, Serpentine!
Day after day, drawn up in linkèd line,
Your lounging beauties smile on idle men,
Where Suicides have braved the Will Divine,
Watched the calm flood that lay beneath their ken,
Dashed into seeming peace, and never rose again!
There, on the pathway where the well-groomed steed
Restlessly paws the earth, alarmed and shy;
While his enamoured rider nought can heed
Save the soft glance of some love-lighted eye;
There, they dragged out the wretch who came to die
There was he laid--stiff, stark, and motionless,
And searched for written signs to notify
What pang had driv'n him to such sore excess,
And who should weep his loss, and pity his distress!
Cross from that death-pond to the farther side,
Where fewer loiterers wander to and fro,
There,--buried under London's modern pride,
And ranges of white buildings,--long ago
Stood Tyburn Gate and gallows! Scenes of woe,
Bitter, heart-rending, have been acted here;
While, as he swung in stifling horrid throe,
Hoarse echoes smote the dying felon's ear,
Of yells from fellow-men, triumphant in his fear!
Not always thus. At times a Mother knelt,
And blest the wretch who perished for his crime;
Or a young wife bowed down her head, and felt
Her little son an orphan from that time;
Or some poor frantic girl, whose love sublime
In the coarse highway robber could but see
Her heart's ideal, heard Death's sullen chime
Shivering and weeping on her fainting knee,
And mourned for him who hung high on the gallows-tree.
Nowhere more deeply stamped the trace of gloom
Than in this light haunt of the herding town;
Marks of the world's Forgotten Ones, on whom
The eye of God for ever looketh down,
Still pitiful, above the human frown,
As Glory o'er the Dark! Earth's mercy tires!
But Heaven hath stored a mercy of its own,
Watching the feet that tread among the briars,
And guiding fearful eyes, when fainter light expires.
Yet no such serious thoughts their minds employ,
Who lounge and wander 'neath the sunshine bright,
But how to turn their idleness to joy,
Their weariness to pleasure and delight;
How best with the ennui of life to fight
With operas, plays, assemblies, routs, and balls--
The morning passed in planning for the night
Feastings and dancings in their lighted halls;
And still, as old ones fade, some newer pleasure calls.
Betwixt the deathly stream and Tyburn Gate
Stand withered trees, whose sapless boughs have seen
Beauties whose memory now is out of date,
And lovers, on whose graves the moss is green!
While Spring, for ever fresh, with smile serene,
Woke up grey Time, and drest his scythe with flowers,
And flashed sweet light the tender leaves between,
And bid the wild-bird carol in the bowers,
Year after year the same, with glad returning hours.
Oh, those old trees! what see they when the beam
Falls on blue waters from the bluer sky?
When young Hope whispers low, with smiles that seem
Too joyous to be answered with a sigh?
The scene is then of prosperous gaiety,
Thick-swarming crowds on summer pleasure bent,
And equipages formed for luxury;
While rosy children, young and innocent,
Dance in the onward path, and frolic with content.
But when the scattered leaves on those wan boughs
Quiver beneath the night wind's rustling breath;
When jocund merriment, and whispered vows,
And children's shouts, are hushed; and still as Death
Lies all in heaven above and earth beneath;
When clear and distant shine the steadfast stars
O'er lake and river, mountain, brake, and heath,--
And smile, unconscious of the woe that mars
The beauty of earth's face, deformed by Misery's scars;
What see the old trees THEN? Gaunt, pallid forms
Come, creeping sadly to their hollow hearts,
Seeking frail shelter from the winds and storms,
In broken rest, disturbed by fitful starts;
There, when the chill rain falls, or lightning darts,
Or balmy summer nights are stealing on,
Houseless they slumber, close to wealthy marts
And gilded homes:--there, where the morning sun
That tide of wasteful joy and splendour looked upon!
There the man hides, whose 'better days' are dropped
Round his starvation, like a veil of shame;
Who, till the fluttering pulse of life hath stopped,
Suffers in silence, and conceals his name:--
There the lost victim, on whose tarnished fame
A double taint of Death and Sin must rest,
Dreams of her village home and Parents' blame,
And in her sleep by pain and cold opprest,
Draws close her tattered shawl across her shivering breast.
Her history is written in her face;
The bloom hath left her cheek, but not from age;
Youth, without innocence, or love, or grace,
Blotted with tears, still lingers on that page!
Smooth brow, soft hair, dark eyelash, seem to wage
With furrowed lines a contradiction strong;
Till the wild witchcraft stories, which engage
Our childish thoughts, of magic change and wrong,
Seem realised in her--so old, and yet so young!
And many a wretch forlorn, and huddled group
Of strangers met in brotherhood of woe,
Heads that beneath their burden weakly stoop,--
Youth's tangled curls, and Age's locks of snow,--
Rest on those wooden pillows, till the glow
Of morning o'er the brightening earth shall pass,
And these depart, none asking where they go;
Lost in the World's confused and gathering mass,--
While a new slide fills up Life's magic-lantern glass.
CHILD OF THE ISLANDS! in thy royal bowers,
Calm THOU shalt slumber, set apart from pain;
Thy spring-day spent in weaving pendent flowers,
Or watching sun-bows glitter through the rain,
Spanning with glorious arch the distant plain;
Or listening to the wood-bird's merry call;
Or gathering sea-shells by the surging main;
And, wheresoe'er thy joyous glances fall,
The wise shall train thy mind, to glean delight from all.
But most thou'lt love all young and tender things,
And open wide and bright, in pleased surprise,
When the soft nestling spreads its half-fledged wings,
Thy innocent and wonder-loving eyes,
To see him thus attempt the sunny skies!
Thou shalt enjoy the kitten's frolic mood,
Pursue in vain gay-painted butterflies,
Watch the sleek puppy lap its milky food,
And fright the clucking hen, with all her restless brood.
Eager thou'lt gaze, where, down the river's tide,
The proud swan glides, and guards its lonely nest;
Or where the white lambs spot the mountain's side,
Where late the lingering sunshine loves to rest;
Midst whom, in frock of blue and coloured vest,
Lies the young shepherd boy, who little heeds
(The livelong day by drowsy dreams opprest)
The nibbling, bleating flock that round him feeds,
But to his faithful dog leaves all the care it needs.
In time, less simple sights and sounds of Earth
Shall yield thy mind a pleasure not less pure:
Mighty beginnings--schemes of glorious birth--
In which th' Enthusiast deems he may secure,
By rapid labour, Fame that shall endure;
Complex machines to lessen human toil,
Fair artist-dreams, which Beauty's forms allure,
New methods planned to till the fertile soil,
And marble graven works, which time forbears to spoil.
For, like the Spring, Man's heart hath buds and leaves,
Which, sunned upon, put forth immortal bloom;
Gifts, that from Heaven his nascent soul receives,
Which, being heavenly, shall survive the tomb.
In its blank silence, in its narrow gloom,
The clay may rest which wrapped his human birth;
But, all unconquered by that bounded doom,
The Spirit of his Thought shall walk the earth,
In glory and in light, midst life, and joy, and mirth.
Thou'rt dead, oh, Sculptor--dead! but not the less
(Wrapped in pale glory from th' illumined shrine)
Thy sweet St. Mary stands in her recess,
Worshipped and wept to, as a thing divine:
Thou'rt dead, oh, Poet!--dead, oh, brother mine!
But not the less the curbèd hearts stoop low
Beneath the passion of thy fervent line:
And thou art dead, oh, Painter! but not so
Thy Inspiration's work, still fresh in living glow.
These are the rulers of the earth! to them
The better spirits due allegiance own;
Vain is the might of rank's proud diadem,
The golden sceptre, or the jewelled crown;
Beyond the shadow of a mortal frown
Lofty they soar! O'er these, pre-eminent,
God only, Sovran regnant, looketh down,
God! who to their intense perception lent
All that is chiefest good and fairest excellent.
Wilt thou take measure of such minds as these,
Or sound, with plummet-line, the Artist-Heart?
Look where he meditates among the trees--
His eyelids full of love, his lips apart
With restless smiles; while keen his glances dart,
Above--around--below--as though to seek
Some dear companion, whom, with eager start,
He will advance to welcome, and then speak
The burning thoughts for which all eloquence is weak.
How glad he looks! Whom goeth he to meet?
Whom? God:--there is no solitude for him.
Lies the earth lonely round his wandering feet?
The birds are singing in the branches dim,
The water ripples to the fountains' brim,
The young lambs in the distant meadows bleat;
And he himself beguiles fatigue of limb
With broken lines, and snatches various sweet,
Of ballads old, quaint hymns for Nature's beauty meet!
Love is too earthly-sensual for his dream;
He looks beyond it, with his spirit-eyes!
His passionate gaze is for the sunset-beam,
And to that fainting glory, as it dies,
Belongs the echo of his swelling sighs.
Pale wingèd Thoughts, the children of his Mind,
Hover around him as he onward hies;
They murmur to him 'Hope!' with every wind,
Though to their lovely Shapes our grosser sight is blind.
But who shall tell, when want and pain have crost
The clouded light of some forsaken day,
What germs of Beauty have been crushed and lost,
What flashing thoughts have gleamed to fade away?
Oh! since rare flowers must yet take root in clay,
And perish if due culture be denied;
Let it be held a Royal boast to say,
For lack of aid, no heaven-born genius died;
Nor dwindled withering down, in desert-sands of Pride!
The lily-wand is theirs! the Angel-gift!
And, if the Earthly one with failing hand
Hold the high glory, do Thou gently lift,
And give him room in better light to stand.
For round THEE, like a garden, lies the land
His pilgrim feet must tread through choking dust;
And Thou wert born to this world's high command,
And he was born to keep a Heavenly Trust;
And both account to ONE, the Merciful and Just.
Youth is the spring-time of untarnished life!
Spring, the green youth of the unfaded year!
We watch their promise, midst the changeful strife
Of storms that threaten and of skies that clear,
And wait, until the harvest-time appear.
CHILD OF THE ISLANDS, may those springs which shed
Their blossoms round thee, give no cause for fear;
And may'st thou gently bend, and meekly tread,
Thy garlanded glad path, till summer light be fled!