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My Beloved Guitar

The long solid neck,
With flowing, refinded strings.
A base of cherry; finished wood.
Defined in figure, exquisite;
Among other things.
Shaped with a curve,
Set down in my lap.
I picked up my guitar,
And made my fingers tap.
A symphony from,
Those melodic strings.
Part of my hearts amour.
My fingers graze along,
This coppery and bronze decor.
A roughness they slide.
Along the ends;
Roughness on my fingertips.
A sliding; an arry of refreshing sounds.
One that echos into the bottem,
And emerges to astound.
My arm embraces the frame work,
A base of refined finished wood.
Tuned to a sound,
Like a guitar should.
My fingers cradle those melodic stings.
The light strum of my hand,
Makes music;
The guitar sings.
From the mouth of a speaker.
Out comes a tune.
With a cadence strum.
Fingers pressed down,
Out the music comes.
A symphony from,
This rhythmic harmony.
A tone in my soul.
A note that's always been apart of me.
A feeling I once knew.
I recall, a sound in the distance.
A beauty that plays so smooth.
Shaped with a curve,
Set down in my lap;
I picked up my guitar.
It slowly starts to come back.
That feeling, I'll never forget.
I recall, a sound not so far.
I recall, the feeling that day;
The day I picked up my beloved guitar.

poem by Jessie Jett
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The Hammers

I

Frindsbury, Kent, 1786

Bang!
Bang!
Tap!
Tap-a-tap! Rap!
All through the lead and silver Winter days,
All through the copper of Autumn hazes.
Tap to the red rising sun,
Tap to the purple setting sun.
Four years pass before the job is done.
Two thousand oak trees grown and felled,
Two thousand oaks from the hedgerows of the Weald,
Sussex had yielded two thousand oaks
With huge boles
Round which the tape rolls
Thirty mortal feet, say the village folks.
Two hundred loads of elm and Scottish fir;
Planking from Dantzig.
My! What timber goes into a ship!
Tap! Tap!
Two years they have seasoned her ribs on the ways,
Tapping, tapping.
You can hear, though there's nothing where you gaze.
Through the fog down the reaches of the river,
The tapping goes on like heart-beats in a fever.
The church-bells chime
Hours and hours,
Dropping days in showers.
Bang! Rap! Tap!
Go the hammers all the time.
They have planked up her timbers
And the nails are driven to the head;
They have decked her over,
And again, and again.
The shoring-up beams shudder at the strain.
Black and blue breeches,
Pigtails bound and shining:
Like ants crawling about,
The hull swarms with carpenters, running in and out.
Joiners, calkers,
And they are all terrible talkers.
Jem Wilson has been to sea and he tells some wonderful tales
Of whales, and spice islands,
And pirates off the Barbary coast.
He boasts magnificently, with his mouth full of nails.
Stephen Pibold has a tenor voice,
He shifts his quid of tobacco and sings:

[...] Read more

poem by Amy Lowell
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Cherry, Cherry Coupe

Go cherry, cherry coupe now
The wildest short around is my cherry, cherry coupe
Its the sharpest thing in town and the envy of my group
Its one of its kind and it really looks good
Chopped nose and deck with louvers on the hood
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Chrome reversed rims with whitewall slicks
And it turns a quarter mile in one oh six
Door handles are off but you know Ill never miss em
They open when I want with the cellunoid system
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
My coupes tuck and roll underneath the hood
And the rugs, seats, and panels now are looking good
When I go looking for something to do
Shes got enough room now to barely seat two
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)
Go cherry, cherry coupe now
Go cherry, cherry coupe now
Go cherry, cherry coupe now
(my cherry coupe beats em up coming off the line)
Go cherry, cherry coupe now
(and she really gets sparks when she starts to whine)

song performed by Beach Boys
Added by Lucian Velea
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The Voice

Lord, have mercy
Bang! - A gunshot rings out
13-year-old baby falls 2 the ground
See the killer runnin' down the street
Tell me killer, can U hear the sound?
Tap, tap, tappin' on your window like a fallin' rain
Cryin' like a baby in a cradle sayin' pick me up again
Ching! - Mr. Politician goes on vacation
Brings along a friend or 2
In the disguise of taxes
Mr. Politician (sends) sends the bill 2 U know who
Tap, tap, tappin' on your window like a fallin' rain
(Tappin' on my window like a fallin' rain)
Cryin' like a baby in a cradle sayin' pick me up again
(Cryin' like a baby, pick me up)
Can't U hear the voice? (Oh yeah)
The nightsticks are still singin'
4-part harmony on brother's back
Justice is doomed when we don't start no S-H
And there's still some I-T in all of that
Tap, tap, tappin' on your window like a fallin' rain
(Can't U hear it tappin' like a fallin' rain fine-tune cryin' like a baby?)
Cryin' like a baby in a cradle sayin' pick me up again
(Pick me up, pick me up)
I'm talkin' about the voice, y'all
Ha, suky, suky now
Sho'mon (Tap)
Sho'mon (Tap)
Help me here (Tap)
Tappin' (Tap)
Tappin', tappin', ha ha (Tap)
Tap on it, tap on it (Tap) (Tap)
Can't U see it's just dirty money?
If your brother man is dyin' in the flow
Take off these chains (Tap) (Tap)
And listen 2 the voice callin' (Tap)
We gotta go, gotta go (Tap) (Tap)
Tap, tap, tappin' on your window like a fallin' rain
(Oh yeah, like a fallin' rain)
Cryin' like a baby in a cradle sayin' pick me up again
(Cryin' like a baby, pick me up, pick me up)
5-4-3-2-1, keep the war over (Tap)
But how many wanna keep the peace (Tap) (Tap)
We keep buildin' guns when we could build love (Tap)
(When we need 2 build love)
Cuz that's when the war will cease
U know it, U know it (Tap) (Tap)
Can't U hear the voices? (Tap) (Tap)
Can't U hear the sound? (Tap)
Take heed, get your house in order (Tap)

[...] Read more

song performed by Prince
Added by Lucian Velea
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Cherry, Cherry

Cherry, cherry
Rozanda was her real name
But cherry was her chosen one
Everybody said that shed soon be dead
But cherry replied at least I had some fun (oh yes)
Her eyes were like a pool of 24 karat diamonds
I was the last in a long line of foolish men who dived in
Chorus:
Cherry, cherry
I think about u every rising sun
Whoa cherry, cherry
Wherever u are, I hope ure havin fun (oh yes)
Tuesday was my big game
North vs. central in basketball
Underneath their long coats
Cherry and the girls wore camisoles
Every time north would run the hoop
Cherry would flash em and they would fall
But not as hard as I fell
When cherry gave me her number and told me 2 call (u should call me)
Using all the money her boyfriend wilbur gave her, shed buy
Anything I wanted, thats why my babys so fly
Chorus
(do do do do do)
Me and cherry got married
And tried our best 2 keep it on the down low, the down low
I was combing her hair
The day that wilbur called and cussed her on the phone
He beat her up real bad and figured I was gonna leave her
Instead I bought a 45 and set out 2 relieve her (take him out)
If he was taken out then he could never harm another
No sooner than I got there, I was met by cherrys mother cryin
Cherry, cherry
Every night I ask the lord why? oh why?
Cherry, cherry
Another victim of a suicide (why oh why? )
Why?
Cherry, cherry
I think about u every rising sun
Whoa cherry, cherry
Wherever u are, I hope ure havin fun
I hope ure having fun, baby
Cherry, cherry
Id give anything 2 kiss u
Cherry, cherry
I guess I just miss u
Cherry

song performed by Prince
Added by Lucian Velea
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

[...] Read more

poem by Jonathan Robin
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

[...] Read more

poem by Amy Lowell
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Show Me (Cherry Baby)

Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry
I found you wanting
Like everyone
Always trying
Happy lying
cos Im no stranger
To the ways of the world
I felt like crying
I felt like dying
We took a coffee
You took it so strong
Shaded from the neon
I could still see your eyes
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Found in the gutter
With a knife in her back
Letter said sorry
Please dont worry
She had a lover
With danger in his eyes
I tried to tell her
But she had the wildest heart
Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby

[...] Read more

song performed by INXS
Added by Lucian Velea
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Show Me

Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry
I found you wanting
Like everyone
Always trying
Happy lying
'Cos I'm no stranger
To the ways of the world
I felt like crying
I felt like dying
We took a coffee
You took it so strong
Shaded from the neon
I could still see your eyes
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Found in the gutter
With a knife in her back
Letter said sorry
Please don't worry
She had a lover
With danger in his eyes
I tried to tell her
But she had the wildest heart
Show me, show me
Show me how
Show me, show me
Show me how
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby
Oh cherry
Oh cherry baby

[...] Read more

song performed by INXS
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Guitar & Pen

Youre alone above the street somewhere
Youre alone above the street somewhere
Wondering how youll ever count out there
Wondering how youll ever count out there
You can walk, you can talk, you can fight
You can walk, you can talk, you can fight
But inside youve got something to write
But inside youve got something to write
In your hand you hold your only friend
In your hand you hold your only friend
Never spend your guitar or your pen
Never spend your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
When you take up a pencil and sharpen it up
When you take up a pencil and sharpen it up
When youre kicking the fence and still nothing will budge
When youre kicking the fence and still nothing will budge
When the words are immobile until you sit down
When the words are immobile until you sit down
Never feel theyre worth keeping, theyre not easily found
Never feel theyre worth keeping, theyre not easily found
Then you know in some strange, unexplainable way
Then you know in some strange, unexplainable way
You must really have something
You must really have something
Jumping, thumping, fighting, hiding away
Jumping, thumping, fighting, hiding away
Important to say
Important to say
When you sing through the verse and you end in a scream
When you sing through the verse and you end in a scream
And you swear and you curse cause the rhyming aint clean
And you swear and you curse cause the rhyming aint clean
But it suddenly comes after years of delay
But it suddenly comes after years of delay
You pick up your guitar, you can suddenly play
You pick up your guitar, you can suddenly play
When your fingers are bleeding and the knuckles are white
When your fingers are bleeding and the knuckles are white
Then you can be sure, you can open the door
Then you can be sure, you can open the door
Get off of the floor tonight
Get off of the floor tonight

[...] Read more

song performed by Who
Added by Lucian Velea
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There Is A New Door In My House

There is a new 'door' in the little boy's house,
Where there was not one before,
A new 'cat shaped' hole' in the kitchen,
a new 'cat sized' hole in the door.

'But what about locks and bolts? ' the little boy asked,
Tugging at his my mum's loose apron strings.
'To keep out ghosts and scary monsters',
'and all those horrible night time things.'

'We don't need locks' the boy's mum said,
'Its only cats that can get through'.
'But what about 'cat' sized monsters,
or ghosts of that size too? '
'Go to bed now', the boy's mum said,
'What are you worrying for? '
'It's ghosts and scary monsters mum
that would fit nicely through that door? '

He went up the stairs to his room,
And tried to get to sleep,
But was thinking of ghosts and scary monsters,
Not happy jumping sheep.

'Tap, Tap', he woke, that noise (he thought) ,
It came up from the ground floor! ,
A tap, tap, tap, at the cat flap,
A noise from the cat shaped door.

A shiver ran stright down the little boy's spine,
Is it monster or a ghost?
Shaking, he crept straight down the stairs thinking 'what would scare me most? '

He crawled right up to the cat flap,
To see what was at the door,
Was it the ghosts or scary monsters,
The boy was thinking of before?

He peered into the gloom of the flap,
He strained his eyes to see,
'What might it have been that made that Tap, ,
Waiting out there for me? '.

'Tap, Tap... Tap, Tap...
Again, the noise from the flap,
Tap, Tap from the cat sized door,
Two green and bulbous eyes were there,
That were not there before.

The boy sat still, afraid to move,

[...] Read more

poem by Alexander Johnson
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The Golden Age

Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.

Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.

Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,-
Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.

[...] Read more

poem by Alfred Austin
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Pickthorn Manor

I

How fresh the Dartle's little waves that day!
A steely silver, underlined with blue,
And flashing where the round clouds, blown away,
Let drop the yellow sunshine to gleam through
And tip the edges of the waves with shifts
And spots of whitest fire, hard like gems
Cut from the midnight moon they were, and sharp
As wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.

II

Her little feet tapped softly down the path.
Her soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath
Of fallen petals on the grass, could please
Her not at all. She brushed a hair aside
With a swift move, and a half-angry frown.
She stopped to pull a daffodil or two,
And held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.

III

A lady in a Manor-house, alone,
Whose husband is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown
Too apathetic even to rebuke
Her idleness. What is she on this Earth?
No woman surely, since she neither can
Be wed nor single, must not let her mind
Build thoughts upon a man
Except for hers. Indeed that were no dearth
Were her Lord here, for well she knew his worth,
And when she thought of him her eyes were kind.

IV

Too lately wed to have forgot the wooing.
Too unaccustomed as a bride to feel
Other than strange delight at her wife's doing.
Even at the thought a gentle blush would steal
Over her face, and then her lips would frame
Some little word of loving, and her eyes

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poem by Amy Lowell
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The King of the Vasse

A LEGEND OF THE BUSH.

MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.

But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.

In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,

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poem by John Boyle O'Reilly
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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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poem by Alfred Lord Tennyson
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Amour Jamais

Amour
Jamais
Si cel nest pas pour de vrai
Toujour
Oui mais
Cest trop facile lheure quil est
Jte connais peine
Et dj tu me fais de la peine
Cest un peu trop tôt
Mieux revenir zro
Amour
Qui sait
Combien cet amour va durer
Un jour
Ou des
Eternits cest cque jvoudrais
Quand moi je taime
Peut tre un peu plus que moi-mme
Tu te crois le plus beau
Cest l o tu as tout faux
Amour amour amour jamais
Une seule condition que ce soit jamais
Amour amour amour toujours
Que ça dure jusquau dernier jour
Amour
O.k.
Sans le corps et sans âme cest
Lamour
One way
Ce ne sont que des sens insenss
Quand moi je taime
Peut tre un peu plus que moi-mme
Tu te crois le plus beau
Cest l o tu as tout faux
Amour amour amour jamais
Une seule condition que ce soit jamais
Amour amour amour toujours
Que ça dure jusquau dernier jour

song performed by Vanessa Paradis
Added by Lucian Velea
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Goldilocks And Goldilocks

It was Goldilocks woke up in the morn
At the first of the shearing of the corn.

There stood his mother on the hearth
And of new-leased wheat was little dearth.

There stood his sisters by the quern,
For the high-noon cakes they needs must earn.

“O tell me Goldilocks my son,
Why hast thou coloured raiment on?”

“Why should I wear the hodden grey
When I am light of heart to-day?”

“O tell us, brother, why ye wear
In reaping-tide the scarlet gear?

Why hangeth the sharp sword at thy side
When through the land ’tis the hook goes wide?”

“Gay-clad am I that men may know
The freeman’s son where’er I go.

The grinded sword at side I bear
Lest I the dastard’s word should hear.”

“O tell me Goldilocks my son,
Of whither away thou wilt be gone?”

“The morn is fair and the world is wide
And here no more will I abide.”

“O Brother, when wilt thou come again?”
“The autumn drought, and the winter rain,

The frost and the snow, and St. David’s wind,
All these that were time out of mind,

All these a many times shall be
Ere the Upland Town again I see.”

“O Goldilocks my son, farewell,
As thou wendest the world ’twixt home and hell!”

“O brother Goldilocks, farewell,
Come back with a tale for men to tell!”

So ’tis wellaway for Goldilocks,
As he left the land of the wheaten shocks.

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poem by William Morris
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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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poem by James Russell Lowell
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