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The Braes of Yarrow

‘BUSK ye, busk ye, my bonnie, bonnie bride!
Busk ye, busk ye, my winsome marrow!
Busk ye, busk ye, my bonnie, bonnie bride!
And think nae mair on the braes of Yarrow!’

‘Where got ye that bonnie, bonnie bride?
Where got ye that winsome marrow?’
‘I got her where I durst not well be seen—
Pu’ing the birks on the braes of Yarrow.’

‘Weep not, weep not, my bonnie, bonnie bride!
Weep not, weep not, my winsome marrow!
Nor let thy heart lament to leave
Pu’ing the birks on the braes of Yarrow.’

‘Why does she weep, thy bonnie, bonnie bride?
Why does she weep, thy winsome marrow?
And why dare ye nae mair weel be seen
Pu’ing the birks on the braes of Yarrow?’

‘Lang maun she weep, lang maun she, maun she weep,
Lang maun she weep with dule and sorrow;
And lang maun I nae weel be seen
Pu’ing the birks on the braes of Yarrow.

‘For she has tint her lover, lover dear—
Her lover dear, the cause of sorrow;
And I have slain the comeliest swain
That ever pu’ed birks on the braes of Yarrow.

‘Why runs thy stream O Yarrow, Yarrow, reid?
Why on thy braes is heard the voice of sorrow?
And why yon melancholious weeds
Hung on the bonnie birks of Yarrow.

‘What’s yonder floats on the rueful, rueful flood?
What’s yonder floats? O dule and sorrow!
’Tis he, the comely swain I slew
Upon the duleful braes of Yarrow.

‘Wash, O wash his wounds, his wounds in tears,
His wounds in tears of dule and sorrow;
And wrap his limbs in mourning weeds,
And lay him on the braes of Yarrow.

‘Then build, then build, ye sisters, sisters sad,
Ye sisters sad, his tomb with sorrow:
And weep around, in woeful wise,
His hapless fate on the braes of Yarrow.

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poem by William Hamilton
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The Braes o'Yarrow

Late at e'en, drinking the wine,
And ere they paid the lawing,
They set a combat them between,
To fight it in the dawing.

'What though ye be my sister's lord
We'll cross our swords to-morrow.'
'What though my wife your sister be,
I'll meet ye then on Yarrow.'

'O stay at hame, my ain gude lord!
O stay, my ain dear marrow!
My cruel brither will you betray
On the dowie banks of Yarrow.'

'O fare ye weel, my lady dear!
And put aside your sorrow;
For if I gae, I'll sune return
Frae the bonny banks o' Yarrow.'

She kiss'd his cheek, she kaimed his hair,
As oft she'd done before, O;
She belted him with his gude brand,
And he's awa' to Yarrow.

When he gaed up the Tennies bank,
As he gaed mony a morrow,
Nine armed men lay in a den
On the dowie braes o' Yarrow.

'O come ye here to hunt or hawk
The bonny Forest thorough?
Or come ye here to wield your brand
Upon the banks o' Yarrow?'

'I come not here to hunt or hawk
As oft I've dune before, O,
But I come here to wield my brand
Upon the banks o' Yarrow.

'If ye attack me nine to ane,
That God may send ye sorrow!--
Yet will I fight while stand I may,
On the bonny banks o' Yarrow.'

Two has he hurt, and three has slain,
On the bloody braes o' Yarrow;
But the stubborn knight crept in behind,
And pierced his body thorough.

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poem by Anonymous
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The Braes O' Yarrow

Late at e'en, drinking the wine,
And ere they paid the lawing,
They set a combat them between,
To fight it in the dawing.
'What though ye be my sister's lord
We'll cross our swords to-morrow.'
'What though my wife your sister be,
I'll meet ye then on Yarrow.'
'O stay at hame, my ain gude lord!
O stay, my ain dear marrow!
My cruel brither will you betray
On the dowie banks of Yarrow.'

'O fare ye weel, my lady dear!
And put aside your sorrow;
For if I gae, I'll sune return
Frae the bonny banks o' Yarrow.'

She kiss'd his cheek, she kaimed his hair,
As oft she'd done before, O;
She belted him with his gude brand,
And he's awa' to Yarrow.

When he gaed up the Tennies bank,
As he gaed mony a morrow,
Nine armed men lay in a den
On the dowie braes o' Yarrow.

'O come ye here to hunt or hawk
The bonny Forest thorough?
Or come ye here to wield your brand
Upon the banks o' Yarrow?'

'I come not here to hunt or hawk
As oft I've dune before, O,
But I come here to wield my brand
Upon the banks o' Yarrow.

'If ye attack me nine to ane,
That God may send ye sorrow!--
Yet will I fight while stand I may,
On the bonny banks o' Yarrow.'

Two has he hurt, and three has slain,
On the bloody braes o' Yarrow;
But the stubborn knight crept in behind,
And pierced his body thorough.

'Gae hame, gae hame, you brither John,
And tell your sister sorrow,--

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poem by Anonymous Americas
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The Braes O' Yarrow

Late at e'en, drinking the wine,
And ere they paid the lawing,
They set a combat them between,
To fight it in the dawing.
'What though ye be my sister's lord
We'll cross our swords to-morrow.'
'What though my wife your sister be,
I'll meet ye then on Yarrow.'
'O stay at hame, my ain gude lord!
O stay, my ain dear marrow!
My cruel brither will you betray
On the dowie banks of Yarrow.'

'O fare ye weel, my lady dear!
And put aside your sorrow;
For if I gae, I'll sune return
Frae the bonny banks o' Yarrow.'

She kiss'd his cheek, she kaimed his hair,
As oft she'd done before, O;
She belted him with his gude brand,
And he's awa' to Yarrow.

When he gaed up the Tennies bank,
As he gaed mony a morrow,
Nine armed men lay in a den
On the dowie braes o' Yarrow.

'O come ye here to hunt or hawk
The bonny Forest thorough?
Or come ye here to wield your brand
Upon the banks o' Yarrow?'

'I come not here to hunt or hawk
As oft I've dune before, O,
But I come here to wield my brand
Upon the banks o' Yarrow.

'If ye attack me nine to ane,
That God may send ye sorrow!-
Yet will I fight while stand I may,
On the bonny banks o' Yarrow.'

Two has he hurt, and three has slain,
On the bloody braes o' Yarrow;
But the stubborn knight crept in behind,
And pierced his body thorough.

'Gae hame, gae hame, you brither John,
And tell your sister sorrow,-

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poem by Anonymous Olde English
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Memorials Of A Tour In Scotland, 1803 XII. Yarrow Unvisited

FROM Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my 'winsome Marrow,'
'Whate'er betide, we'll turn aside,
And see the Braes of Yarrow.'

'Let Yarrow folk, 'frae' Selkirk town,
Who have been buying, selling,
Go back to Yarrow, 'tis their own;
Each maiden to her dwelling!
On Yarrow's banks let herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed,
Nor turn aside to Yarrow.

'There's Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There's pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?

'What's Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder.'
--Strange words they seemed of slight and scorn
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!

'Oh! green,' said I, 'are Yarrow's holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O'er hilly path, and open Strath,
We'll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.

'Let beeves and home-bred kine partake
The sweets of Burn-mill meadow;
The swan on still St. Mary's Lake
Float double, swan and shadow!
We will not see them; will not go,

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poem by William Wordsworth
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Yarrow Unvisited

. From Stirling castle we had seen
The mazy Forth unravelled;
Had trod the banks of Clyde, and Tay,
And with the Tweed had travelled;
And when we came to Clovenford,
Then said my "winsome Marrow ,"
"Whate'er betide, we'll turn aside,
And see the Braes of Yarrow."
"Let Yarrow folk, frae Selkirk town,
Who have been buying, selling,
Go back to Yarrow, 'tis their own;
Each maiden to her dwelling!
On Yarrow's banks let her herons feed,
Hares couch, and rabbits burrow!
But we will downward with the Tweed
Nor turn aside to Yarrow.

"There's Galla Water, Leader Haughs,
Both lying right before us;
And Dryborough, where with chiming Tweed
The lintwhites sing in chorus;
There's pleasant Tiviot-dale, a land
Made blithe with plough and harrow:
Why throw away a needful day
To go in search of Yarrow?

"What's Yarrow but a river bare,
That glides the dark hills under?
There are a thousand such elsewhere
As worthy of your wonder."
--Strange words they seemed of slight and scorn;
My True-love sighed for sorrow;
And looked me in the face, to think
I thus could speak of Yarrow!

"Oh! green," said I, "are Yarrow's holms,
And sweet is Yarrow flowing!
Fair hangs the apple frae the rock,
But we will leave it growing.
O'er hilly path, and open Strath,
We'll wander Scotland thorough;
But, though so near, we will not turn
Into the dale of Yarrow.

"Let beeves and home-bred kine partake
The sweets of Burn-mill meadow,
The swan on still St. Mary's Lake
Float double, swan and shadow!
We will not see them; will not go,
To-day, nor yet to-morrow;

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poem by William Wordsworth
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The Dowie Dens Of Yarrow

Late at e'en, drinking the wine,
And ere they paid the lawing,
They set a combat them between,
To fight it in the dawing.

'Oh, stay at hame, my noble lord,
Oh, stay at hame, my marrow!
My cruel brother will you betray
On the dowie houms of Yarrow.'

'Oh, fare ye weel, my ladye gaye!
Oh, fare ye weel, my Sarah!
For I maun gae, though I ne'er return,
Frae the dowie banks of Yarrow.'

She kiss'd his cheek, she kaim'd his hair,
As oft she had done before, O;
She belted him with his noble brand,
And he's away to Yarrow.

As he gaed up the Tennies bank,
I wot he gaed wi' sorrow,
Till, down in a den, he spied nine arm'd men,
On the dowie houms of Yarrow.

'Oh, come ye here to part your land,
The bonnie Forest thorough?
Or come ye here to wield your brand,
On the dowie houms of Yarrow?'

'I come not here to part my land,
And neither to beg nor borrow;
I come to wield my noble brand,
On the bonnie banks of Yarrow.

'If I see all, ye're nine to ane;
An that's an unequal marrow:
Yet will I fight, while lasts my brand,
On the bonnie banks of Yarrow.'

Four has he hurt, and five has slain,
On the bloody braes of Yarrow;
Till that stubborn knight came him behind,
And ran his body thorough.

'Gae hame, gae hame, good-brother John,
And tell your sister Sarah,
To come and lift her leafu' lord;
He's sleepin' sound on Yarrow.'

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poem by Andrew Lang
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The Dowie Houms of Yarrow

LATE at een, drinkin' the wine,
   And ere they paid the lawin',
They set a combat them between,
   To fight it in the dawin'.

'O stay at hame, my noble lord!
   O stay at hame, my marrow!
My cruel brother will you betray,
   On the dowie houms o' Yarrow.'

'O fare ye weel, my lady gay!
   O fare ye weel, my Sarah!
For I maun gae, tho' I ne'er return
   Frae the dowie banks o' Yarrow.'

She kiss'd his cheek, she kamed his hair,
   As she had done before, O;
She belted on his noble brand,
   An' he 's awa to Yarrow.

O he 's gane up yon high, high hill--
   I wat he gaed wi' sorrow--
An' in a den spied nine arm'd men,
   I' the dowie houms o' Yarrow.

'O are ye come to drink the wine,
   As ye hae doon before, O?
Or are ye come to wield the brand,
   On the dowie banks o' Yarrow?'

'I am no come to drink the wine,
   As I hae don before, O,
But I am come to wield the brand,
   On the dowie houms o' Yarrow.'

Four he hurt, an' five he slew,
   On the dowie houms o' Yarrow,
Till that stubborn knight came him behind,
   An' ran his body thorrow.

'Gae hame, gae hame, good brother John,
   An' tell your sister Sarah
To come an' lift her noble lord,
   Who 's sleepin' sound on Yarrow.'

'Yestreen I dream'd a dolefu' dream;
   I ken'd there wad be sorrow;
I dream'd I pu'd the heather green,
   On the dowie banks o' Yarrow.'

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poem by Anonymous
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Call that ****ing poetry?

As one of the wrinkly-crumblies
-W.A.S.P. without the sting -
it puzzles me: in poetry,
does one good **** really deserve another?
fifty years ago - fifty, for ****'s sake -
when I was an army cadet
some squaddies used it every other word
-and since we were in Signals,
it ****ing delayed ****ing battle-orders ****ing long enough
to ****ing mow down a ****ing platoon...

and longer in ****ing Morse... - - -...
and as for ****ing semaphore...makes your ****ing arms flag...

my liberal friends
who never admit to shock
say 'it shows a.... lack of imagination';
now that's ****ing serious in ****ing poets.

outside the ****ing English-spitting world
it must seem ****ing strange
that the most-loved ****ing bodily action
is used as a ****ing swear-word -
what have you ****ers got against ****ing?
or is it a term of ****ing praise maybe?

and why still a shock-word
amongst you young lot
who get a lot more ****ing ****ing than we ever did? Dammit.

Philologically,
is it still heard
as ****ing onomatopoeic?
which makes it pretty near to ****ing S&M I'd say?

could you****ers (whom I love for your interest in poetry
I have to say)
give me, as a reasonable ****er,
a ****ing explanation?
it would be ****ing useful
poetically

And who the **** is this
'American realist' poet Charles F***offski
whom you admire so much, anyway?

poem by Michael Shepherd
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Kilmeny

Bonnie Kilmeny gaed up the glen;
But it wasna to meet Duneira's men,
Nor the rosy monk of the isle to see,
For Kilmeny was pure as pure could be.
It was only to hear the yorlin sing,
And pu' the cress-flower round the spring;
The scarlet hypp and the hindberrye,
And the nut that hung frae the hazel tree;
For Kilmeny was pure as pure could be.
But lang may her minny look o'er the wa',
But lang may she seek i' the green-wood shaw;
Lang the laird o' Duneira blame,
And lang, lang greet or Kilmeny come hame!

When many a day had come and fled,
When grief grew calm, and hope was dead,
When mess for Kilmeny's soul had been sung,
When the bedesman had pray'd and the dead bell rung,
Late, late in gloamin' when all was still,
When the fringe was red on the westlin hill,
The wood was sere, the moon i' the wane,
The reek o' the cot hung over the plain,
Like a little wee cloud in the world its lane;
When the ingle low'd wi' an eiry leme,
Late, late in the gloamin' Kilmeny came hame!

'Kilmeny, Kilmeny, where have you been?
Lang hae we sought baith holt and den;
By linn, by ford, and green-wood tree,
Yet you are halesome and fair to see.
Where gat you that joup o' the lily scheen?
That bonnie snood of the birk sae green?
And these roses, the fairest that ever were seen?
Kilmeny, Kilmeny, where have you been?'

Kilmeny look'd up with a lovely grace,
But nae smile was seen on Kilmeny's face;
As still was her look, and as still was her e'e,
As the stillness that lay on the emerant lea,
Or the mist that sleeps on a waveless sea.
For Kilmeny had been, she knew not where,
And Kilmeny had seen what she could not declare;
Kilmeny had been where the cock never crew,
Where the rain never fell, and the wind never blew.
But it seem'd as the harp of the sky had rung,
And the airs of heaven play'd round her tongue,
When she spake of the lovely forms she had seen,
And a land where sin had never been;
A land of love and a land of light,
Withouten sun, or moon, or night;

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poem by James Hogg
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There's Nae Luck about the House

And are ye sure the news is true?
And are ye sure he's weel?
Is this a time to think o' wark?
Mak haste, lay by your wheel;
Is this the time to spin a thread
When Colin's at the door?
Reach me my cloak, I'll to the quay
And see him come ashore.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

And gie to me my bigonet,
My bishop's satin gown;
For I maun tell the bailie's wife
That Colin's come to town.
My Turkey slippers maun gae on,
My stockings pearly blue;
It's a' to pleasure my gudeman,
For he's baith leel and true.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

Rise, lass, and mak a clean fire side,
Put on the muckle pot,
Gie little Kate her button gown,
And Jock his Sunday coat;
And mak their shoon as black as slaes,
Their hose as white as snaw,
It's a' to please my ain gudeman,
For he's been lang awa.
For there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house
When our gudeman's awa.

There's twa fat hens upo' the bauk,
Been fed this month and mair,
Mak haste and thraw their necks about,
That Colin weel may fare;
And mak the table neat and clean,
Gar ilka thing look braw,
For wha can tell how Colin fared
When he was far awa?
Ah, there's nae luck about the house,
There's nae luck at a',
There's little pleasure in the house

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poem by William Mickle
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The Feud: A Border Ballad

PLATE I
Rixa super mero

They sat by their wine in the tavern that night,
But not in good fellowship true :
The Rhenish was strong and the Burgundy bright,
And hotter the argument grew.

'I asked your consent when I first sought her hand,
Nor did you refuse to agree,
Tho' her father declared that the half of his land
Her dower at our wedding should be.'

'No dower shall be given (the brother replied)
With a maiden of beauty so rare,
Nor yet shall my father my birthright divide,
Our lands with a foeman to share.'

The knight stood erect in the midst of the hall,
And sterner his visage became,
'Now, shame and dishonour my 'scutcheon befall
If thus I relinquish my claim.'

The brother then drained a tall goblet of wine,
And fiercely this answer he made—
'Before like a coward my rights I resign
I'll claim an appeal to the blade.

'The passes at Yarrow are rugged and wide,
There meet me to-morrow alone ;
This quarrel we two with our swords will decide,
And one shall this folly atone.'

They've settled the time and they've settled the place,
They've paid for the wine and the ale,
They've bitten their gloves, and their steps they retrace
To their castles in Ettrick's Vale.


PLATE II
Morituri (te) salutant

Now, buckle my broadsword at my side
And saddle my trusty steed ;
And bid me adieu, my bonnie bride,
To Yarrow I go with speed.
'I've passed through many a bloody fray,
Unharmed in health or limb ;
Then why's your brow so sad this day
And your dark eye so dim ?'

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poem by Adam Lindsay Gordon
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The Brigs of Ayr (Shorter version)

Inscribed to John Ballantine, Esq., Ayr.

The simple Bard, rough at the rustic plough,
Learning his tuneful trade from ev'ry bough;
The chanting linnet, or the mellow thrush,
Hailing the setting sun, sweet, in the green thorn bush;
The soaring lark, the perching red-breast shrill,
Or deep-ton'd plovers grey, wild-whistling o'er the hill;
Shall he-nurst in the peasant's lowly shed,
To hardy independence bravely bred,
By early poverty to hardship steel'd.
And train'd to arms in stern Misfortune's field —
Shall he be guilty of their hireling crimes,
The servile, mercenary Swiss of rhymes?
Or labour hard the panegyric close,
With all the venal soul of dedicating prose?
No! though his artless strains he rudely sings,
And throws his hand uncouthly o'er the strings,
He glows with all the spirit of the Bard,
Fame, honest fame, his great, his dear reward.
Still, if some patron's gen'rous care he trace,
Skill'd in the secret, to bestow with grace;
When Ballantine befriends his humble name,
And hands the rustic stranger up to fame,
With heartfelt throes his grateful bosom swells,
The godlike bliss, to give, alone excels.

'Twas when the stacks get on their winter hap,
And thack and rape secure the toil-won crap;
Potatoe-bings are snugged up frae skaith
O' coming Winter's biting, frosty breath;
The bees, rejoicing o'er their summer toils,
Unnumber'd buds an' flow'rs' delicious spoils,
Seal'd up with frugal care in massive waxen piles,
Are doom'd by Man, that tyrant o'er the weak,
The death o' devils, smoor'd wi' brimstone reek:
The thundering guns are heard on ev'ry side,
The wounded coveys, reeling, scatter wide;
The feather'd field-mates, bound by Nature's tie,
Sires, mothers, children, in one carnage lie:
(What warm, poetic heart but inly bleeds,
And execrates man's savage, ruthless deeds!)
Nae mair the flow'r in field or meadow springs,
Nae mair the grove with airy concert rings,
Except perhaps the Robin's whistling glee,
Proud o' the height o' some bit half-lang tree:
The hoary morns precede the sunny days,
Mild, calm, serene, wide spreads the noontide blaze,
While thick the gosamour waves wanton in the rays.

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poem by Robert Burns (1786)
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The Brigs of Ayr (Full version)

Inscribed to John Ballantine, Esq., Ayr.

Sir, think not with a mercenary view
Some servile Sycophant approaches you.
To you my Muse would sing these simple lays,
To you my heart its grateful homage pays,
I feel the weight of all your kindness past,
But thank you not as wishing it to last;
Scorn'd be the wretch whose earth-born grov'lling soul
Would in his ledger-hopes his Friends enroll.
Tho' I, a lowly, nameless, rustic Bard,
Who ne'er must hope your goodness to reward,
Yet man to man, Sir, let us fairly meet,
And like masonic Level, equal greet.
How poor the balance! ev'n what Monarch's plan,
Between two noble creatures such as Man.
That to your Friendship I am strongly tied
I still shall own it, Sir, with grateful pride,
When haply roaring seas between us tumble wide.

Or if among so many cent'ries waste,
Thro' the long vista of dark ages past,
Some much-lov'd honor'd name a radiance cast,
Perhaps some Patriot of distinguish'd worth,
I'll match him if My Lord will please step forth.
Or Gentleman and Citizen combine,
And I shall shew his peer in Ballantine:
Tho' honest men were parcell'd out for sale,
He might be shown a sample for the hale.

* * *

The simple Bard, rough at the rustic plough,
Learning his tuneful trade from ev'ry bough;
The chanting linnet, or the mellow thrush,
Hailing the setting sun, sweet, in the green thorn bush;
The soaring lark, the perching red-breast shrill,
Or deep-ton'd plovers grey, wild-whistling o'er the hill;
Shall he-nurst in the peasant's lowly shed,
To hardy independence bravely bred,
By early poverty to hardship steel'd.
And train'd to arms in stern Misfortune's field —
Shall he be guilty of their hireling crimes,
The servile, mercenary Swiss of rhymes?
Or labour hard the panegyric close,
With all the venal soul of dedicating prose?
No! though his artless strains he rudely sings,
And throws his hand uncouthly o'er the strings,
He glows with all the spirit of the Bard,
Fame, honest fame, his great, his dear reward.

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poem by Robert Burns (1786)
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Fareweel, ye bughts

*

1. Fareweel, ye bughts, an' all your ewes,
An' fields whare bIoomin' heather grows;
Nae mair the sportin' lambs I'll see
Since my true love's forsaken me.

CHORUS.
Nae mair I'll hear wi' pleasure sing
The cheerfu' lav'rock in the Spring,
But sad in grief now I maun mourn,
Far, far frae her, o'er Logan-burn.

2. Alas! nae mair we'll meetings keep
At bughts, whan herds ca' in their sheep;
Nae mair amang the threshes green
We'll row, where we hae aften been.
CHORUS

3. Nae mair for me , ye vi'lets blaw,
Or lilies whiter than the snaw;
Nae mair your pleasures I can bear,
While I am absent frae my dear.
CHORUS

4. I ken the cause of my hard fate;
In courtin' her I was too blate;
I never kiss'd my lass at a'
But when we met an' gaed awa'.
CHORUS

5. Oh could my tears again bring back
The days now past, I'd no' be slack
For ev'ry kiss she got before
I wad gie to her now a score.
CHORUS

6. O fortune I wad you favour me
In some snug corner her to see.
My heart I wad to her reveal,
An' in her arms my pardon seal.
CHORUS

*

poem by James Thomson
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Gil Morrice. A Scottish Ballad

Gil Morrice was an erles son,
His name it waxed wide:
It was nae for his great riches,
Nor zet was mickle pride;
Bot it was for a lady gay,
That livd on Carron side.

'Quhair sall I get a bonny boy,
That will win hose and shoen;
That will gae to Lord Barnard's ha',
And bid his lady cum?
And ze maun rin my errand, Willie,
And ze may rin wi' pride;
Quhen other boys gae on their foot,
On horse-back ze sall ride.'

'O no! O no! my master dear!
I dare nae for my life;
I'll no gae to the bauld barons,
For to triest furth his wife.'
'My bird Willie, my boy Willie,
My dear Willie,' he sayd:
'How can ze strive against the stream?
For I shall be obeyd.'

'Bot, O my master dear!' he cry'd,
'In grene wod ze're zour lain;
Gi owre sic thochts, I walde ze rede,
For fear ze should be tain.'
'Haste, haste, I say, gae to the ha',
Bid hir cum here wi speid:
If ze refuse my heigh command,
Ill gar zour body bleid.

'Gae bid hir take this gay mantel,
'Tis a gowd bot the hem;
Bid hir cum to the gude grene wode,
And bring nane bot hir lain:
And there it is, a silken sarke,
Hir ain hand sewd the sleive;
And bid hir cum to Gill Morice,
Speir nae bauld barons leave.'

'Yes, I will gae zour blacke errand,
Though it be to zour cost;
Sen ze by me well nae be warn'd,
In it ze sall find frost.
The baron he is a man of might,
He neir could bide to taunt;
As ze will see before it's nicht,

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poem by Anonymous Olde English
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Bonnie Cat

Bonnie cat o!
Bonnie cat... don't go away
Bonnie cat look! you make funny bunny crying,
Bonnie cat see it is cold and will not you
come and have me sleep in your warmth
Bonnie cat will not we play the strings of a piano together
one which made the days of summer like a swallow bird
humming into the chilly wintry nights in the command of a nightingale
Bonnie cat o!

Bonnie cat o!
Bonnie cat look i have carrot soup for you
Shall not we chase and try to fly like those duffy ducks
they now bully me bonnie cat
Bunny is so scored without you
Shall not we play in the sunshine meadows
and steal milk from the chocolate hut
Shall not you tell me again to run and get you the rainbow past you
Shall not we see the fountains emerge again and quench our thirst
Bonnie cat o!

Bonnie cat o!
Bonnie cat see our life lacks subtlety
without our sinewy power of bonding
Bonnie cat o bonnie cat!
Don't leave me for a panjandrum center
in your heart...cavort back dear!
See the bunny too have fish and chips for you
Flesh for your heart and not syringes made of bones
And heart for your flesh never ever in the mesh of bandages
Bonnie cat will not you come as Latin song
in satin clothes for my prayer's christmas gift
Bonnie cat o!

Bonnie cat o!
Bonnie cat look you made funny bunny no more irascible
In your zany droplets of fear which in i grew up
Bonnie cat without you i am lost in the turbine
where noxious gases take my breath away
It now stings like an urchin and groans like a swine
Is not it you testing my patience bonnie cat
Tell me bonnie cat don't walk away
Word does make an image of fascination
but pain does not when i convey am really in
Bonnie cat...
my sweet bonnie cat
Bonnie cat o!

poem by Amit Ray
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Sweet Bonnie Brown

Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, like a real nice lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Oh, roll me over, like Im coming home
Well, she looked really like another ...
Coming down all over me
She looked real good, like a real low lady
Coming down all over me, yeah
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Ive been loving mary-ann so long
Do-do-do-do, do-do-do-do
And every time I see her, you know, I go too long
Do-do-do-do, do-do-do-do
Well, I aint lying, baby, I aint crying
Ive been this way for a long, long time, wow, wow ...
Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, just like a real low lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Oh, wow, Im up on a pony, spending all my money
Dont you come on after me
Oh, she looked real good, just like a real low lady
Coming down all over me, oh
Sweet bonnie brown
Oh, sweet bonnie brown
Oh, sweet bonnie brown
She looked real good, like I know she would, oh, oh
Oh, Ive been loving mary-lou, but so long
Do-do-do-do, do-do-do-do
Everytime I know her I ....
Do-do-do-do, do-do-do-do
Well I like baby, I aint crying
Ive been this way for a long, long, long this time, oh
Wow, wow, oh, baby ...

song performed by Velvet Underground
Added by Lucian Velea
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Sweet Bonnie Brown

Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, like a real nice lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Oh, roll me over, like Im coming home
Well, she looked really like another ...
Coming down all over me
She looked real good, like a real low lady
Coming down all over me, yeah
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Ive been loving mary-ann so long
Do-do-do-do, do-do-do-do
And every time I see her, you know, I go too long
Do-do-do-do, do-do-do-do
Well, I aint lying, baby, I aint crying
Ive been this way for a long, long time, wow, wow ...
Sweet bonnie brown, looking like a baby
Coming down all over me
She looked real good, just like a real low lady
Coming down all over me
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
Sweet bonnie brown (sweet bonnie brown)
She looked real good, like I know she would
Oh, wow, Im up on a pony, spending all my money
Dont you come on after me
Oh, she looked real good, just like a real low lady
Coming down all over me, oh
Sweet bonnie brown
Oh, sweet bonnie brown
Oh, sweet bonnie brown
She looked real good, like I know she would, oh, oh
Oh, Ive been loving mary-lou, but so long
Do-do-do-do, do-do-do-do
Everytime I know her I ....
Do-do-do-do, do-do-do-do
Well I like baby, I aint crying
Ive been this way for a long, long, long this time, oh
Wow, wow, oh, baby ...

song performed by Velvet Underground
Added by Lucian Velea
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When Albani Sang

Was workin' away on de farm dere, wan
morning not long ago,
Feexin' de fence for winter--'cos dat's
w'ere we got de snow!
W'en Jeremie Plouffe, ma neighbor, come
over an' spik wit' me,
'Antoine, you will come on de city,
for hear Ma-dam All-ba-nee?'

'W'at you mean?' I was sayin' right off, me,
'Some woman was mak' de speech,
Or girl on de Hooraw Circus, doin' high
kick an' screech?'
'Non--non,' he is spikin'--'Excuse me,
dat's be Ma-dam All-ba-nee
Was leevin' down here on de contree, two
mile 'noder side Chambly.

'She's jus' comin' over from Englan', on
steamboat arrive Kebeck,
Singin' on Lunnon an' Paree, an' havin'
beeg tam, I expec',
But no matter de moche she enjoy it, for
travel all roun' de worl',
Somet'ing on de heart bring her back here,
for she was de Chambly girl.

'She never do not'ing but singin' an' makin'
de beeg grande tour
An' travel on summer an' winter, so mus' be
de firs' class for sure!
Ev'ryboddy I'm t'inkin' was know her, an' I
also hear 'noder t'ing,
She's frien' on La Reine Victoria an' show
her de way to sing!'

'Wall,' I say, 'you're sure she is Chambly,
w'at you call Ma-dam All-ba-nee?
Don't know me dat nam' on de Canton--I hope
you're not fool wit' me?'
An' he say, 'Lajeunesse, dey was call her,
before she is come mariée,
But she's takin' de nam' of her husban'--I
s'pose dat's de only way.'

'C'est bon, mon ami,' I was say me, 'If I get
t'roo de fence nex' day
An' she don't want too moche on de monee den
mebbe I see her play.'
So I finish dat job on to-morrow, Jeremie he

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poem by William Henry Drummond
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Edom O' Gordon

It fell about the Martinmas,
When the wind blew shrill and cauld,
Said Edom o' Gordon to his men,--
'We maun draw to a hald.

'And whatna hald shall we draw to,
My merry men and me?
We will gae straight to Towie house,
To see that fair ladye.'

[The ladye stood on her castle wall,
Beheld baith dale and down;
There she was 'ware of a host of men
Came riding towards the town.

'Oh, see ye not, my merry men all,
Oh, see ye not what I see?
Methinks I see a host of men;
I marvel who they be.'

She thought it had been her own wed lord.
As he came riding hame;
It was the traitor, Edom o' Gordon,
Wha reck'd nae sin nor shame.]

She had nae sooner buskit hersel',
And putten on her gown,
Till Edom o' Gordon and his men
Were round about the town.

They had nae sooner supper set,
Nae sooner said the grace,
Till Edom o' Gordon and his men
Were round about the place.

The ladye ran to her tower head,
As fast as she cou'd hie,
To see if, by her fair speeches,
She cou'd with him agree.

As soon as he saw this ladye fair.
And her yetts all lockit fast,
He fell into a rage of wrath,
And his heart was all aghast.

'Come down to me, ye ladye gay,
Come down, come down to me;
This night ye shall lye within my arms,
The morn my bride shall be.'

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poem by Andrew Lang
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