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Thomas Hardy

The Re-Enactment

Between the folding sea-downs,
In the gloom
Of a wailful wintry nightfall,
When the boom
Of the ocean, like a hammering in a hollow tomb,

Throbbed up the copse-clothed valley
From the shore
To the chamber where I darkled,
Sunk and sore
With gray ponderings why my Loved one had not come before

To salute me in the dwelling
That of late
I had hired to waste a while in -
Vague of date,
Quaint, and remote - wherein I now expectant sate;

On the solitude, unsignalled,
Broke a man
Who, in air as if at home there,
Seemed to scan
Every fire-flecked nook of the apartment span by span.

A stranger's and no lover's
Eyes were these,
Eyes of a man who measures
What he sees
But vaguely, as if wrapt in filmy phantasies.

Yea, his bearing was so absent
As he stood, It bespoke a chord so plaintive
In his mood, That soon I judged he would not wrong my quietude.

'Ah - the supper is just ready,'
Then he said,
'And the years' - long binned Madeira
Flashes red!'
(There was no wine, no food, no supper-table spread.)

'You will forgive my coming,
Lady fair?
I see you as at that time
Rising there,
The self-same curious querying in your eyes and hair.


'Yet no. How so? You wear not
The same gown,
Your locks show woful difference,

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Statistically Speaking

Boom boom boom boom boom boom boom boom boom,
Statistically speaking.
Boom boom boom boom boom boom boom boom boom,
Statistically speaking.
Boom boom boom boom boom boom boom boom boom,
Statistically speaking.
Boom boom boom boom boom boom boom boom boom,
Statistically speaking.
Boom boom boom boom boom boom boom boom boom,
From the viewpoint of a human being...
I detect us humans,
Are the least important things,
On this Earth.
And the water, grass and trees...
Are the 'real' things,
Mother Nature wishes more to treat!

I perceive our existence here,
Is not so high on the list.
Since we are an experiment.
Even though we choose to think of ourselves,
As the center of the universe.
And here to live in a permanence!
Boom boom boom boom boom boom boom boom boom,
Statistically speaking.
Boom boom boom boom boom boom boom boom boom,
Statistically speaking.

We leech and feed,
Off what nature offers.
We know nothing but conflict!
And this chaos we foster.
There are laws created to discriminate.
Yet we discuss things loved...
And show how much we despise and hate.
We infiltrate and pillage,
Lands where others live.
We take without thought.
Causing blood to shed.
And worship heartache.
As we lay alone sleepless in our beds!

Boom boom boom boom boom boom boom boom boom,
With faith we fake brotherhood!
Boom boom boom boom boom boom boom boom boom,
Believing prayer delivers escape!
Boom boom boom boom boom boom boom boom boom,
And cry like spoiled children!
Boom boom boom boom boom boom boom boom boom,
With no guilt of remorse to eliminate...

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Blow Up

1-2-3-4
Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom...
From the grass
Bah bah bah boom
They grew
Bah bah bah boom
Who knew
Bah bah bah boom
We would see them looking up
Bah bah bah boom
Not down
Bah bah bah boom
With frowns
Bah bah bah boom
Something got them...
Off the ground.
Oh...
Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom...
One day
Bah bah bah boom
Dues paid
Bah bah bah boom
They said
Bah bah bah boom
They would blow up.
And be somebody!

Boom bahbah boom bahbah boom...
One day
Bahbah boom bahbah boom,
They said
Bahbah boom bahbah boom,
They would grow up,
And be somebody!

Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom bah.
Boom bahbah boom bahbah boom,
Blow up...
And be that 'body'!

Boombah boombah boom bah
Boombah boombah boom bah
Boombah boombah boom...

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Chick-a-boom

Hey girl,
When ya swish and sway
In your yellow dress
cross a crowded room,
Boom, chicka-boom, chicka-boom.
Hey girl,
Freckles on your arm,
Freckles on your face,
Cant we find a place
In a crowded room, we go
Boom, chicka-boom, chicka-boom,
[boom, chicka-boom, chicka-boom] (backup singers)
Boom,
[chicka-boom, chicka-boom-boom]
Boom, boom, boom, chicka-boom.
A-hey, girl,
Im goin away,
But Im comin back
With a ginger cat.
What ya think a that?
Hey girl,
I goin away,
But Im comin back
By the railroad track,
Where the trains go by,
And we sit and we cry in the gloom,
Boom, chicka-boom,
[chicka-boom, chicka-boom]
[chicka-boom, chicka-boom-boom]
Hey girl,
[chicka-chicka-chicka-boom]
When ya swish and sway
In your yellow dress
cross a crowded room,
Boom,
Boom, chicka-boom, chicka-boom,
[chicka-boom, chicka-boom]
Boom, chicka-boom, chicka-boom,
[chicka-boom, chicka-boom-boom]
Chicka, chicka-boom, chicka-boom, chicka-boom, chicka-boom,
[chicka-chicka-chicka-boom]
Chicka-chicka-boom-boom,
[chicka-boom, chicka-boom]
Chick, chicka-boom,
[chicka-boom, chicka-boom-boom]
Boom, chicka-boom,
[chicka-chicka-chicka-boom]
Chicka-chicka-chicka-boom, chicka-boom,
[chicka-boom, chicka-boom]
Chick, chick, chicka-boom,

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Who Lowered 'This' Boom?

Who lowered this boom?
Da boom boom...
Boomidy boomidy boom boom.
Boomidy boomidy boom boom.
Boomidy boomidy boom.

Who lowered this boom?
Da boom boom...
Boomidy boomidy boom boom.
Boomidy boomidy boom boom.
Boomidy boomidy boom.

There is a generation crying.
Who lowered this boom?
Da boom boom...
Boomidy boomidy boom.

There are so many people sighing.
Who lowered this boom?
Da boom boom...
Boomidy boomidy boom.

Didn't we pay when we prayed with preachers?
Who lowered this boom?
Da boom boom...
Boomidy boomidy boom.

Didn't we say we were through with leechers?
Who lowered this boom?
Da boom boom...
Boomidy boomidy boom.

Oooooow....
Boom da boom boom
Boomidy boomidy boom.
Oooooow....
Boom da boom boom
Boomidy boomidy boom.

And these are the days...
So ripe for change.
And those who are amazed,
Can't believe the craze.
And the masses who are dazed!

Who lowered this boom?
Da boom boom...
Boomidy boomidy boom boom.
Boomidy boomidy boom boom.
Boomidy boomidy boom.

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Boom

complicated
understanding what you can achieve
under-rated
the one to win
one who believes
if I go away
would you follow me
to that special place of tranquility
where the..
river flows
and the fields are golden
come on, come on
yeah
boom
here to rock ya
boom
never stop, no
boom
raise up high
boom
oh, I'm
boom boom boom boom
here to rock ya
boom
never stop, no
boom
raise up high
boom boom boom boom
heya heya yeah heya boom yeah yeah heya
etc.
take no
prisoners
fight to win
and you will survive
falling
reason
just be the flame and spirit come alive
if I go away
would you follow me
to that special place of tranquility
where the..
river flows
and the fields are golden
oooh
coooome on
boom
here to rock ya
boom
never stop, no
boom

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Boom - The Official Song Of 2002 Fifa World Cup

Complicated
Understanding what you can achieve
Under-rated
The one to win
One who believes
If I go away
Would you follow me
To that special place of tranquility
Where the..
River flows
And the fields are golden
Come on, come on
Yeah
Boom
Here to rock ya
Boom
Never stop, no
Boom
Raise up high
Boom
Oh, im
Boom boom boom boom
Here to rock ya
Boom
Never stop, no
Boom
Raise up high
Boom boom boom boom
Oo yeh yeh yi yeh ya oo yeh yeh yi yeh ya oo yeh yeh yi yeh ya oo yeh yeh yi
Yeh ya oo yeh yeh yi yeh ya oo yeh yeh yi yeh ya oo yeh yeh yi yeh ya oo yeh
Yeh yi yeh ya...
Take no
Prisoners
Fight to win
And you will survive
Falling
Reason
Just be the flame and spirit come alive
If I go away
Would you follow me
To that special place of tranquility
Where the..
River flows
And the fields are golden
Oooh
Coooome on
Boom
Here to rock ya
Boom
Never stop, no

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With A Wish To Get A Bigger Bang

Boom, boom, boom.
Children listening to their videos.
Boom. Boom. Boom.
With the sound plugged in their ears.
And boom, boom, boom.
Violence is for them addicting,
With a wish to get a bigger bang.
Boom. Boom. Boom.
With a wish to get a bigger bang.

Boom, boom, boom.
Children listening to their videos.
Boom. Boom. Boom.
With a wish to get a bigger bang.

Spilling blood and guts are nothing,
To the kids who love it much.
Boom. Boom. Boom.
With a wish to get a bigger bang.
Boom. Boom. Boom.
With a wish to get a bigger bang.

It's a thrill for them to see somebody getting killed,
And...
Boom. Boom. Boom.
With a wish to get a bigger bang.
Boom. Boom. Boom.
And for them it's nothing but a game.

Boom, boom, boom.
Children listening to their videos.
Boom. Boom. Boom.
With the sound plugged in their ears.
And boom, boom, boom.
Violence is for them addicting,
With a wish to get a bigger bang.
Boom, boom, boom.
With a wish to get a bigger bang.
Violence is for them addicting,
And it's nothing but a game.
Boom, boom, boom.
With a wish to get a bigger bang.
Violence is for them addicting,
And it's nothing but a game.
Boom, boom, boom...
A game addicting and insane!

Violence is for them addicting,
And it's nothing but a game.
Boom, boom, boom...

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken itI never saw the like:

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Ka-Boom Ka-Boom

Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
We're a death marching band, peter pan off the wagon
Entertain but never trust anyone sober
What tastes less but tastes good, my stop hats top hating
Unsane cheerleaders porn poms in pipe bombs
I won't do it with you, I'll do it to you
I hope this hook gets caught in your mouth
I won't do it with you, I'll do it to you
Don't say no, just say now
I like a big car cause I'm a big star
I'll make a big rock and roll hit
I'd like to love you but my heart is a sore
I am, I am, I am so yours
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
I'd like to la-la-la-la love you
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
I'd like to la-la-la-la love you
I'm the leader of the club, and I've shrugged off my mouse ears
We fly no-class Dumbo jets, and drive hardcore-o-vettes
We fight war with drugs, and our sex always formal
We wear lawsuits when we get high, high, high
I won't do it with you, I'll do it to you
I hope this hook gets caught in your mouth
I won't do it with you, I'll do it to you
Don't say no, just say now
I like a big car cause I'm a big star
I'll make a big rock and roll hit
I'd like to love you but my heart is a sore
I am, I am, I am so yours
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
I'd like to la-la-la-la love you
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
Ka-Boom, Ka-Boom
I'd like to la-la-la-la love you
Inhale exhale, lets all hail
It's a depraved new world
Inhale exhale, lets all hail
It's a depraved new world
I like a big car cause I'm a big star
I'll make a big rock and roll hit

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I Got That

Shorty! We're gona go 2 the club n get crunk wi Britney
Shorty! She thinks she's fine. Fine enough to blow your mind.
Shorty! She thinks she's bad, get on the floor and shake that ass.
Shorty! She thinks she's fine. Fine enough to blow your mind.
Shorty! She thinks she's bad, get on the floor and shake that ass.
Yeah,
This is for all those southern boys out there
Hehehe
Check this out!
Check this out
I see you lookin' my way
And I know that
You have something to say
Watching every inch of my body
Like you wanted to play
Boom boom boom
Boy you look so sexy
Boom boom boom
Boy you look so sexy
I begin to dance just a little bit
To turn you on
(Yeah, I got that)
I've got that boom boom
That you want
Watching me all night long
Hurry up before its gone
I've got that boom boom
That you want
I don't think you should wait
One minute might be to late
You had caught my eye
And I wanted to get to know you
Don't be shy
I want you to come closer
So what you gonna do?
So here we go
Boom boom boom
Boy you look so sexy
Boom boom boom
Boy you look so sexy
I've got that boom boom
That you want
Watching me all night long
Hurry up before its gone
I've got that boom boom
That you want
I don't think you should wait
One minute might be to late
Shorty
She think she fine

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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The Four Seasons : Winter

See, Winter comes, to rule the varied year,
Sullen and sad, with all his rising train;
Vapours, and clouds, and storms. Be these my theme,
These! that exalt the soul to solemn thought,
And heavenly musing. Welcome, kindred glooms,
Congenial horrors, hail! with frequent foot,
Pleased have I, in my cheerful morn of life,
When nursed by careless Solitude I lived,
And sung of Nature with unceasing joy,
Pleased have I wander'd through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew'd,
In the grim evening sky. Thus pass'd the time,
Till through the lucid chambers of the south
Look'd out the joyous Spring, look'd out, and smiled.
To thee, the patron of her first essay,
The Muse, O Wilmington! renews her song.
Since has she rounded the revolving year:
Skimm'd the gay Spring; on eagle-pinions borne,
Attempted through the Summer-blaze to rise;
Then swept o'er Autumn with the shadowy gale;
And now among the wintry clouds again,
Roll'd in the doubling storm, she tries to soar;
To swell her note with all the rushing winds;
To suit her sounding cadence to the floods;
As is her theme, her numbers wildly great:
Thrice happy could she fill thy judging ear
With bold description, and with manly thought.
Nor art thou skill'd in awful schemes alone,
And how to make a mighty people thrive;
But equal goodness, sound integrity,
A firm, unshaken, uncorrupted soul,
Amid a sliding age, and burning strong,
Not vainly blazing for thy country's weal,
A steady spirit regularly free;
These, each exalting each, the statesman light
Into the patriot; these, the public hope
And eye to thee converting, bid the Muse
Record what envy dares not flattery call.
Now when the cheerless empire of the sky
To Capricorn the Centaur Archer yields,
And fierce Aquarius stains the inverted year;
Hung o'er the farthest verge of Heaven, the sun
Scarce spreads through ether the dejected day.
Faint are his gleams, and ineffectual shoot
His struggling rays, in horizontal lines,
Through the thick air; as clothed in cloudy storm,
Weak, wan, and broad, he skirts the southern sky;
And, soon-descending, to the long dark night,

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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Bom, Boom, Boom, Boom

If you're alone and you need a friend
Someone to make you forget your problems
Just come along baby
Take my hand
I'll be your lover tonight
This is what I wanna do
Let's have some fun
What I want is me and you
Boom boom boom boom
I want you in my room
Let's spend the night together
From now until forever
Boom boom boom boom
I wanna do the boom
Let's spend the night together
Together in my room
Everybody get on down
The Vengaboys are back in town
This is what I wanna do
Let's have some fun
What I want is me and you
Boom boom boom boom
I want you in my room
Let's spend the night together
From now until forever
Boom boom boom boom
I wanna do the boom
Let's spend the night together
Together in my room
Boom boom boom boom
I want you in my room
Let's spend the night together
From now until forever
Boom boom boom boom
I wanna do the boom
Let's spend the night together
Together in my room
Boom boom boom boom
I want you in my room
Let's spend the night together
From now until forever

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Amy Lowell

The Bombardment

Slowly, without force, the rain drops into the city. It stops a moment
on the carved head of Saint John, then slides on again, slipping and trickling
over his stone cloak. It splashes from the lead conduit of a gargoyle,
and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about in the sky?
Boom! The sound swings against the rain. Boom, again! After it, only water
rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence. Ripples and mutters. Boom!


The room is damp, but warm. Little flashes swarm about from the firelight.
The lustres of the chandelier are bright, and clusters of rubies
leap in the bohemian glasses on the `etagere'. Her hands are restless,
but the white masses of her hair are quite still. Boom! Will it never cease
to torture, this iteration! Boom! The vibration shatters a glass
on the `etagere'. It lies there, formless and glowing,
with all its crimson gleams shot out of pattern, spilled, flowing red,
blood-red. A thin bell-note pricks through the silence. A door creaks.
The old lady speaks: 'Victor, clear away that broken glass.' 'Alas!
Madame, the bohemian glass!' 'Yes, Victor, one hundred years ago
my father brought it -' Boom! The room shakes, the servitor quakes.
Another goblet shivers and breaks. Boom!


It rustles at the window-pane, the smooth, streaming rain, and he is shut
within its clash and murmur. Inside is his candle, his table, his ink,
his pen, and his dreams. He is thinking, and the walls are pierced with
beams of sunshine, slipping through young green. A fountain tosses itself
up at the blue sky, and through the spattered water in the basin he can see
copper carp, lazily floating among cold leaves. A wind-harp in a cedar-tree
grieves and whispers, and words blow into his brain, bubbled, iridescent,
shooting up like flowers of fire, higher and higher. Boom!
The flame-flowers snap on their slender stems. The fountain rears up
in long broken spears of dishevelled water and flattens into the earth. Boom!
And there is only the room, the table, the candle, and the sliding rain.
Again, Boom! - Boom! - Boom! He stuffs his fingers into his ears.
He sees corpses, and cries out in fright. Boom! It is night,
and they are shelling the city! Boom! Boom!


A child wakes and is afraid, and weeps in the darkness. What has made
the bed shake? 'Mother, where are you? I am awake.' 'Hush, my Darling,
I am here.' 'But, Mother, something so queer happened, the room shook.'
Boom! 'Oh! What is it? What is the matter?' Boom! 'Where is Father?
I am so afraid.' Boom! The child sobs and shrieks. The house
trembles and creaks. Boom!


Retorts, globes, tubes, and phials lie shattered. All his trials
oozing across the floor. The life that was his choosing, lonely, urgent,

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Alastor: or, the Spirit of Solitude

Earth, Ocean, Air, belovèd brotherhood!
If our great Mother has imbued my soul
With aught of natural piety to feel
Your love, and recompense the boon with mine;
If dewy morn, and odorous noon, and even,
With sunset and its gorgeous ministers,
And solemn midnight's tingling silentness;
If Autumn's hollow sighs in the sere wood,
And Winter robing with pure snow and crowns
Of starry ice the gray grass and bare boughs;
If Spring's voluptuous pantings when she breathes
Her first sweet kisses,--have been dear to me;
If no bright bird, insect, or gentle beast
I consciously have injured, but still loved
And cherished these my kindred; then forgive
This boast, belovèd brethren, and withdraw
No portion of your wonted favor now!

Mother of this unfathomable world!
Favor my solemn song, for I have loved
Thee ever, and thee only; I have watched
Thy shadow, and the darkness of thy steps,
And my heart ever gazes on the depth
Of thy deep mysteries. I have made my bed
In charnels and on coffins, where black death
Keeps record of the trophies won from thee,
Hoping to still these obstinate questionings
Of thee and thine, by forcing some lone ghost,
Thy messenger, to render up the tale
Of what we are. In lone and silent hours,
When night makes a weird sound of its own stillness,
Like an inspired and desperate alchemist
Staking his very life on some dark hope,
Have I mixed awful talk and asking looks
With my most innocent love, until strange tears,
Uniting with those breathless kisses, made
Such magic as compels the charmèd night
To render up thy charge; and, though ne'er yet
Thou hast unveiled thy inmost sanctuary,
Enough from incommunicable dream,
And twilight phantasms, and deep noonday thought,
Has shone within me, that serenely now
And moveless, as a long-forgotten lyre
Suspended in the solitary dome
Of some mysterious and deserted fane,
I wait thy breath, Great Parent, that my strain
May modulate with murmurs of the air,
And motions of the forests and the sea,
And voice of living beings, and woven hymns
Of night and day, and the deep heart of man.

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Henry Wadsworth Longfellow

Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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Byron

The Giaour

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?

Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;

Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande—that where Nature loved to trace,
As if for Gods, a dwelling place,

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Byron

The Giaour: A Fragment Of A Turkish Tale

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?

Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande-that where Nature loved to trace,
As if for Gods, a dwelling place,
And every charm and grace hath mixed

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