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Mother is the root

.


Mother is the root.
Children are the shoots.
Roots take care of the shoots.
Shoots have no care for roots.
They have other things to care.
Roots don’t bother. Can mother?
17.07.2006

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Adrienne Vittadini

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Fitration Bags

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Trash Bag

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Let The Children Speak

Time - way out of line
A whole nation waits outside
The rhythm of tomorrow
They can dance away their sorrows tonight
Lost - broken and scarred
Prisoner waits outside with his lone heart beating
Let the children, let the children
Let the children, let the children speak
Let the children - let the children speak
Aims - dangerous games
Their mother says one false move and we all get hurt
I feel this sense of power I feel it every hour tonight
Lets not get lazy tonight
Things could get crazy cos
One more kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Let the children, let the children
Let the children, let the children
Power to the powerless strength unto the weak
Let the children, let the children
Let the children, let the children speak
Im begging you now let the children, let the children
Let the children, let the children
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
Lets not get lazy tonight
Things could get crazy cos
One last kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
Things could get crazy tonight
Lets not get lazy cos
One last kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Im begging you now
Let the children, let the children
Let the children, let the children
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
The language of this world
Lets not get lazy cos
One false move and we all get hurt
Let the children, let the children

[...] Read more

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Chug-a-lug

Here a mug, there a mug, everybody chug-a-lug
Here a mug, there a mug, everybody chug-a-lug
Gary likes a girls tight black pants
Larry knows he doesnt stand a chance
Carl says hurry up and order it quick
Dave gets out to chase that chick
Dennis wonders whats under the hood
A big chrome tach and it sounds real good
I go down to the root beer stand
And drink up all that I can
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Cold beer, root beer
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Brians still glued to the radio
Louies lookin out the rear window
Guys got around to orderin fries
But root beers my best buy
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Cold beer, root beer
Here a mug, there a mug, everybody chug-a-lug
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Give me some root beer (chug-a-lug chug-a-lug chug-a-lug)
Cold beer, root beer
Here a mug, there a mug, everybody chug-a-lug
Root beer, need another mug now
Root beer, chug-a-lug-a-lug now
Root beer, need another mug now
Root beer, chug-a-lug-a-lug now
Root beer, need another mug now
Root beer, chug-a-lug-a-lug now

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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The mother and the artist

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,

A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling

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Patrick White

Why Do Children Of The Poor

Why do children of the poor die so readily?
By the age of five
they're already disarmed for life.
Is money a gene they're missing?
Or is their suffering
just a diminished immunity to the rest of us?
The gluttons of knowledge
discuss James Joyce in a loud voice
in well-lit universities.
With great nuance and finesse
they enumerate the seven kinds of ambiguity
and the mean diameter of the vowel O
in the context of neo-Chicago Aristotelianism
in the latter plays of Shakespeare
where the commas fall like worms
out of every page of his art
as if he couldn't punctuate
the death-rage in his heart
with the subtler points
of the neo-critical literati.
I think Shakespeare would have seen
the sterling irony
of debating proto-Nostratic linguistics
while living children all around him
can't read their names in their own mother-tongue.
If the same word for oak
was the word we used for door
when we all learned to speak the same language
milennia ago
it's not hard to imagine
given modern advances in communication
that the word for child
that we used way back then
is the root of the word we use for atrocity today.
Why do the children of the poor die so readily?
Nature or nurture?
Is it because the children of the rich
are taught that wealth is longevity
and the children of the poor
who can't read the fine print
bleed to death like expired medical plans?
Why do the rich think that the poor
are the reason their children suffer
and the best thing to do is make orphans of them
by sending the poor of one nation
to war against another
to keep the economy growing
and cut back on the unemployed
like deer culled from a budget in hunting season?
If you're a child born from this womb

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Snag It From The Root

Snap and snag it from the root.
Use every resource you have got.
Clip and snip,
To replant.
If that's what you have to do!

Make up your mind,
You will do all the weeding that's done.
Make up your mind,
You will do all the weeding that's done.
Make up your mind,
You will do all the weeding that's done.
From Sunrise until Sunset comes.

Snag it back and get it from the root.
You can snap it back from the root.
Crack it back until you get the main thing done.
You can snag it from the root!

Snap,
And snag it from the root.
You can snap it back from the root.
Crack it back until you get the main thing done.
You can snag it from the root!

Make up your mind,
You will do all the weeding that's done.
Make up your mind,
You will do all the weeding that's done.
Make up your mind,
You will do all the weeding that's done.
From Sunrise until Sunset comes.

Snap,
And snag it from the root.
You can snap it back from the root.
Crack it back until you get the main thing done.
You can snag it from the root!

You can snag it from the root!
Snap,
And snag it from the root.
Crack it back until you get the main thing done.
You can snag it from the root!

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Georgic 2

Thus far the tilth of fields and stars of heaven;
Now will I sing thee, Bacchus, and, with thee,
The forest's young plantations and the fruit
Of slow-maturing olive. Hither haste,
O Father of the wine-press; all things here
Teem with the bounties of thy hand; for thee
With viny autumn laden blooms the field,
And foams the vintage high with brimming vats;
Hither, O Father of the wine-press, come,
And stripped of buskin stain thy bared limbs
In the new must with me.
First, nature's law
For generating trees is manifold;
For some of their own force spontaneous spring,
No hand of man compelling, and possess
The plains and river-windings far and wide,
As pliant osier and the bending broom,
Poplar, and willows in wan companies
With green leaf glimmering gray; and some there be
From chance-dropped seed that rear them, as the tall
Chestnuts, and, mightiest of the branching wood,
Jove's Aesculus, and oaks, oracular
Deemed by the Greeks of old. With some sprouts forth
A forest of dense suckers from the root,
As elms and cherries; so, too, a pigmy plant,
Beneath its mother's mighty shade upshoots
The bay-tree of Parnassus. Such the modes
Nature imparted first; hence all the race
Of forest-trees and shrubs and sacred groves
Springs into verdure.
Other means there are,
Which use by method for itself acquired.
One, sliving suckers from the tender frame
Of the tree-mother, plants them in the trench;
One buries the bare stumps within his field,
Truncheons cleft four-wise, or sharp-pointed stakes;
Some forest-trees the layer's bent arch await,
And slips yet quick within the parent-soil;
No root need others, nor doth the pruner's hand
Shrink to restore the topmost shoot to earth
That gave it being. Nay, marvellous to tell,
Lopped of its limbs, the olive, a mere stock,
Still thrusts its root out from the sapless wood,
And oft the branches of one kind we see
Change to another's with no loss to rue,
Pear-tree transformed the ingrafted apple yield,
And stony cornels on the plum-tree blush.
Come then, and learn what tilth to each belongs
According to their kinds, ye husbandmen,
And tame with culture the wild fruits, lest earth

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Children Of Persia

Children of persia
Some are the brothers of human kind
And own them, whatsoever their estate;
And some for, for sorrow and self- scorn
Man's enmity with unguarded fate
Feel the love tonight
I will cherished you children of persia
Children of persia I put a smile on the faces of you all
So show your smile for me in return
I give you praises
For being the children of persia
I light up your life children of persia
I share this music that fills my heart with you children of persia
This is your song children of persia
So let's sing it along
The magic comes along
God will lift up your spirit children of persia
If you need to cry children of persia
I will understand
Go ahead and cry
If you want to laugh
Laugh your heart out children of persia
I won't let you fall
Children of persia
I will never abandon you children of persia
This is your song
Let all your fears die children of persia
I am your friend children of persia
What are you going to do at the end?
Children of persia I believe you all could fly
Won't you light the way God for the children of persia?
Children of persia believe in your dreams
Don't give up your hopes children of persia
When tears are in your eyes children of persia I will dry them
I am on your side children of persia when times are rough
Children of persia
I believe that somewhere in the darkest night a candle glows
Children of persia
I believe that the prayers you are saying will be answered
Children of persia
Children of persia you all live from day to day
And you children of persia don't borrow from the sunshine
Children of persia your future is written in the stars
Children of persia I don't want to watch you all drown
Children of persia don't worry about tomorrow
Because tomorrow will worry for it's self
I don't want to hurt you children of persia
This is true
I am being honest with you all children of persia

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The Great Hunger

I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,

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The King of the Vasse

A LEGEND OF THE BUSH.


MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.

But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.

In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,

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Dont Bother Me

Dont come round here looking for my sympathy
Dont come round here looking for my prayers
You spent the eighties in a trance
Yeah you led us all on a merry dance
Now its sad to say that I dont care
You were always advocating power games
You were always gonna be a star
You made your money, had your fun
Made a video bout how its done
Aint put it in my vcr
So far
Dreams fall into disrepair
Theres a change in the air
Your lies
Will lead you to despair
Dont bother me
(castles in the sand slip through your hand)
Dont bother me - I dont give a damn
Dont bother me
(try to understand its in your hand)
Dont bother me
Well no amount of liquor, babe, can drown the blues today
No amount of pills can ease the pain
When the body electric and the vision thing
Is all it takes to make the people sing
Lets hope we dont get fooled again
My friend
Dreams fall into disrepair
Theres a change in the air
Theres a girl who says she cares
And her love
Will leave you standing there
Dont bother me
(I cant change your mind when youre so blind)
Dont bother me - I cant spare the time
Dont bother me
(takes an ocean wide to turn tide)
Dont bother me - love cant be denied
Dont bother me
(castles in the sand slip through your hand)
Dont bother me - I dont give a damn
Dont bother me

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Roots

Roots natty roots
Dread binghi dread
I and I are the roots
Some are the dry wood
Fe catch up the fire
Whoa, lo ok at that
They need some dry wood
To cook up the raw food
Whoa, look at that
I got to survive
Inna dis man maniac downpression
Got to survive
In iration, yeah
Roots natty roots
Dread binghi dread
Remember that I and I are the roots
Some are wolf
Inna sheeps clothing
Whoa, look at that
Many are called
But only a few are chosen
Whoa, look at that
Nothing that dividers can do
Cant seperate us from our father
Whoa, look at that
You see, blood is thicker than water
Whoa, look at that
Got to survive
Inna disyah ghetto, yeah
Roots natty roots
Dread binghi dread
Remember that I and I are the roots
Roots natty roots
Dread binghi dread
Whoa, I and I are the roots
Some are leaves
While some are branches
But remember I and I are the roots
Some are dry wood
Fe catch up the fire
Whoa, look at that
Got to survive
Inna dis man maniac downpression
Got to survive
In iration
Roots natty roots
Dread binghi dread
Hey, I and I are the roots
Ooh we, roots natty roots
Dread binghi dread

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So Don'tchu Bother Me Tonight

If you AINT seen the light...
Don'tcha bother me,
Tonight.

Don't bother me...
Tonight.
I'm doing all I can to live my life right!

Don'tcha bother me,
Tonight.
I have no appetite to share in a fight!

Don't you bother me...
Tonight.
I wont allow myself to move in that groove.
And if I did you' be the one that would lose.
I've worked too hard to be abused by you.
I could demand from you 'backpay'.

Don'tcha bother me,
Tonight.
I have no appetite to share in a fight!

Don't you bother me...
Tonight.
I've worked too hard to be abused by you.
I could demand from you 'backpay' too...
For all that stuff I had to suffer while you made it with another.

Don't you bother me...
Tonight.
I wont allow myself to move in that groove.
And if I did you' be the one that would lose.
I've worked too hard to be abused by you.
I could demand from you 'backpay' too!

So don'tchu bother me,
Tonight.
Unless you want to cough up 'BACKPAY' too!

So don'tchu bother me,
Tonight.
Unless you want to cough up 'BACKPAY' too!

So don'tchu bother me,
Tonight.
Unless you want to cough up 'BACKPAY' too!

So don't dare bother me!

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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend

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