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Look taller, woman.

Bare your nape. With hair knotted up.
Wear sleeveless and bare loins.
Drape in muslin clothes.
Wear small studs and such sorts.
You would look taller than you are.
You look nicer than you are.
30.05.2004

poem by Rm. Shanmugam Chettiar
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Adrienne Vittadini

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poem by Caasder Fronds
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Lies About Tall Guys

Just seems like it’s that way to me

Taller guys seem to get executive jobs
Shorter guys work mostly as clerks
Taller guys never seem to be slobs
Shorter guys always seem to be jerks

Taller guys seem to get all of the action
Shorter guys seem to be quite invisible
Taller guys always seem to deserve satisfaction
Shorter guys are lonely and miserable

Just seems like it’s that way to me

Taller guys just seem born to play sports
Shorter guys kinda seem to like tennis
Taller guys certainly look better in shorts
Shorter guys look like Dennis the Menace

Taller guys are usually at the top of their class
Shorter guys seem to fail quite a lot
Taller guys always seem to kick ass
Shorter guys want to, but simply cannot

sure seems like it’s that way to me

Taller guys get better grades and such
Shorter guys seem to barely scrape by
Taller guys seem to do better, pretty much
Shorter guys always wonder why

Taller guys seem to have eyes like a hawk
Shorter guys seem to wear glasses a lot
Taller guys cover more ground when they walk
Shorter guys, to keep up, have to trot

Sure seems like it’s that way to me

Taller guys and their friends look like N.B.A players
Shorter guys look more like cheerleaders
Taller guys seem to look like dragon slayers
Shorter guys look a lot more like bleeders

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poem by David Whalen
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Hairy Woes

(This not a poem. One day I thought whether I could write about hair problems and this is what I could come up with. Have a good hair day.)

Oh all the balding men of the world! Neither split your hair nor let your hair down; instead, get up to fight against hair experts and hair industries because, you have nothing to loss except hairs, which you are already losing anyway.

The scientific study published in, 'International Journal of Fake Studies', has proven beyond doubt that, all kinds of hairs and particularly black hairs, absorb sun light and thus indirectly contribute to the global warming whereas, shining bald pates reflect sun light back into the atmosphere, thus help to make earth’s climate cool. So taking these facts in account, bald persons should be given the tax rebate in form of carbon credits whereas, high taxation should be levied on persons with hair for leaving carbon footprints behind.

It is true my friend, that you are paying the tax as well as losing your hair, but try to imagine a plight of less fortunate ones, who neither earn enough money to pay the tax nor have enough hair to loss.

'Son! Why do you worry about your hair problems; get me mustards seeds from the home, that doesn't have hair problems', thus spake enlightened sage, hearing which young man became calm.

The biggest cause of hair fall, dandruff and other hair related problems is existence of hair.

No person with hair on his head, can solve all your hair problems, neither can the person without hair.

As, not all the armies of the world, can stop the idea whose time has come so, not all the hair experts can stem the progress of baldness, whose time has come.

Only two things are universal, hair problems and human stupidity, but I have doubt about former, thus spake Einstein of hair science.

Not all the trichologists, dermatologists and hair experts together, armed with shampoos, hair oils, hair dyes and herbal ointments can cure all the hair ailments, as long as hairs are there.

As long as hairs are there, there are going to be hair problems, similarly as long as shrinks are there, there are going to be mental problems.

The hair industry expands their business by perpetuating the two myths, first is there are more hair at unwanted place and other is, there are less hair at desired place.

Hair here, hair there, hair everywhere similarly: problem here, problem there, problem everywhere.

He fell in love with her hair and married the whole girl, soon he was without hair.

In early part of his life man losses his hair to earn money then he uses same money to gain hair back.

Don't bask in a glory of the hair, you used to have in past, instead tell me, do you have gorgeous hair now?

There is some truth in a myth that the bald men are fortunate; to begin with, they don't have to spend their fortune on comb, hair products, hair cuts and last but not least girls.

There are more blondes on streets of India than women of the rest of the world put together; thanks to Garnier. Take Care.

White hair is nothing but a flag hoisted by a tired life, signaling armistice with hostile time, which eventually leads to surrender to the death.

Blessed are the monks who shave their hair themselves, a symbol of a vanity of the world, because nature is going to destroy that vanity eventually anyhow.

Oh Sinner! Vain is your attempt to hide your sins, for sins will shine in your life as bald pate shines through the sparse tufts of hair.

It is irony that the monks who do not care for their hair often have beautiful and luxuriant hair.

Trees are nothing but hair of Gaia, the earth; if you destroy, them then earth too would take her revenge by creating conditions, that won't allow the hair to stay on your crown.

More often than not, one owns heir are responsible for one owns hair fall.

If you cannot prevent hair fall, enjoy it.

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poem by Hitesh Sheth
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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Fitration Bags

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poem by Rwetewrt Erwtwer
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poem by Rwetewrt Erwtwer
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The Bear and the Hare

The bear is always bare. I have never seen a bear who was not bare. Or does he or she wear a coat of hair? Where does he or she go to buy a coat of hair so that he or she won't be a bare bear? Coats cost money. Bare bears have no money.

But bears eat honey. Even bare bears eat honey. And this bear had a honey who wanted a coat of hair. So when she said to her honey, 'Honey, I want a coat of hair, but I have no money.', her honey replied, 'Honey, I have no money to buy a coat of hair. But I do have honey. Maybe I can sell my honey for money.' So he sold his honey for money so that his honey could have some money to buy a coat of hair and not be a bare bear.

This bear had a friend who was a hare. This hare has hair. Is he bare? He is not a bare bear but a hare and hares have hair. But he is a funny bunny and likes a sunny spot even when it is hot because he like to have fun in the sun. But this funny bunny could not find a sunny spot to go to have fun in the sun until one day a fair came to town.

The bear and hare of course went to the fair. What a pair! The fair was quite far so the bare bear and the hare with the hair decided to ride the street car. To ride the street car, they had to pay a fare. I say that was quite an affair - to see the bare bear and the hair paying for their fare. The bare bear had no pockets in which to carry any fare. The funny bunny had no honey to sell to get some money to pay the fare so that he could go to the fair. The fare cost ten cents. But that makes no sense. It isn't fair to make a bear who is bare and has no pockets to hold a fare or a funny bunny who has no honey to get money to pay a fare to go to the fair.

Subsequently, the bare bear barely got on the street car after the funny bunny hopped on, the bare bear and the hair were there sitting in chairs riding in the street car to the fair without paying any fare. Along the way they saw a mare. They did not care about the mare. They wanted to get to the fair. Have you every seen a bare bear sitting in a chair? I once saw a bare bear sitting in a chair at a fair but he wasn't bare.

To get into the fair the bare bear and the hair had to pay another fare. And still the bare bear had no money to pay any fare to get into the fair. And the funny bunny had no money to pay any fare to get into the fair. So what did they do? How did they get into the fair? As I said, I saw the bare bear sitting in a chair at the fair but he wasn't bare.

Tell me if this is a poem. Thanks.

poem by Ben Gieske
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The Odyssey: Book 6

So here Ulysses slept, overcome by sleep and toil; but Minerva
went off to the country and city of the Phaecians- a people who used
to live in the fair town of Hypereia, near the lawless Cyclopes. Now
the Cyclopes were stronger than they and plundered them, so their king
Nausithous moved them thence and settled them in Scheria, far from all
other people. He surrounded the city with a wall, built houses and
temples, and divided the lands among his people; but he was dead and
gone to the house of Hades, and King Alcinous, whose counsels were
inspired of heaven, was now reigning. To his house, then, did
Minerva hie in furtherance of the return of Ulysses.
She went straight to the beautifully decorated bedroom in which
there slept a girl who was as lovely as a goddess, Nausicaa,
daughter to King Alcinous. Two maid servants were sleeping near her,
both very pretty, one on either side of the doorway, which was
closed with well-made folding doors. Minerva took the form of the
famous sea captain Dymas's daughter, who was a bosom friend of
Nausicaa and just her own age; then, coming up to the girl's bedside
like a breath of wind, she hovered over her head and said:
"Nausicaa, what can your mother have been about, to have such a lazy
daughter? Here are your clothes all lying in disorder, yet you are
going to be married almost immediately, and should not only be well
dressed yourself, but should find good clothes for those who attend
you. This is the way to get yourself a good name, and to make your
father and mother proud of you. Suppose, then, that we make tomorrow a
washing day, and start at daybreak. I will come and help you so that
you may have everything ready as soon as possible, for all the best
young men among your own people are courting you, and you are not
going to remain a maid much longer. Ask your father, therefore, to
have a waggon and mules ready for us at daybreak, to take the rugs,
robes, and girdles; and you can ride, too, which will be much
pleasanter for you than walking, for the washing-cisterns are some way
from the town."
When she had said this Minerva went away to Olympus, which they
say is the everlasting home of the gods. Here no wind beats roughly,
and neither rain nor snow can fall; but it abides in everlasting
sunshine and in a great peacefulness of light, wherein the blessed
gods are illumined for ever and ever. This was the place to which
the goddess went when she had given instructions to the girl.
By and by morning came and woke Nausicaa, who began wondering
about her dream; she therefore went to the other end of the house to
tell her father and mother all about it, and found them in their own
room. Her mother was sitting by the fireside spinning her purple
yarn with her maids around her, and she happened to catch her father
just as he was going out to attend a meeting of the town council,
which the Phaeacian aldermen had convened. She stopped him and said:
"Papa dear, could you manage to let me have a good big waggon? I
want to take all our dirty clothes to the river and wash them. You are
the chief man here, so it is only right that you should have a clean
shirt when you attend meetings of the council. Moreover, you have five
sons at home, two of them married, while the other three are

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poem by Homer, translated by Samuel Butler
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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poem by Robinson Jeffers
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Shape In A Drape

There's a guy going round the town
You got to check what he is puttin' down
Just one look you know the story is great
He's the guy the chicks love
And the cats can't hate
He's a shape in a drape
A shape in a drape
He's a shape in a drape
And you can dig that he is stookin'
Now some say he's a clipster and a tailor's toad
And he could hype a miserman for all his gold
Some say he's a hipster and some say nix
But everyone's solid when he gets his kicks
He's a shape in a drape
A shape in a drape
He's a shape in a drape
And he is sure alive and kickin'

song performed by Joe Jackson
Added by Lucian Velea
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(He's A) Shape In A Drape

(words and music by Joe Jackson)
There's a guy going round the town
You got to check what he is puttin' down
Just one look you know the story is great
He's the guy the chicks love
And the cats can't hate
He's a shape in a drape
A shape in a drape
He's a shape in a drape
And you can dig that he is stookin'
Now some say he's a clipster and a tailor's toad
And he could hype a miserman for all his gold
Some say he's a hipster and some say nix
But everyone's solid when he gets his kicks
He's a shape in a drape
A shape in a drape
He's a shape in a drape
And he is sure alive and kickin'
(C) 1988 by Pokazuka Ltd./Tusken Music (ASCAP)

song performed by Joe Jackson
Added by Lucian Velea
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You Wear It So Well

All of those things
Yeah, that you got to give
Yeah, you wear it so well
Hey, you wear it so well
All of those stories
Honey, that i know you could tell
Yeah, you wear it so well
And your face hides it so we can't tell
That you knew we would wear it so well
You wear it so well
Yeah darling, you wear it so well
(you wear it so well)
Yeah baby, you wear it so well
(you wear it so well)
Yeah now baby, you wear it so well
(you wear it so well)
Hey now darling now, yeah, you wear it so well
(you wear it so well)
All of those things
That make poets sing
You wear it so well
Yeah, you hide it so well
And all of those pain
That you used to tell
You hide it so well
Can't tell from your face that you knew it so well
Hey, now that you have such a story to tell
Yeah, you got style and grace and you wear it so well
You wear it so well
And you got, you got such a story to tell
Yeah, yeah, yeah, you wear it so well
Grace and style equals you so well
Yeah, yeah, yeah, you wear it so well, well, yeah, so well
Yeah, you wear it, wear it, wear it now, wear it now, baby
Yeah, now you wear it so well
And you got such a story to tell
(ooohhh, ooohhh, ooohhh)
(ooohhh, you wear it so well)
(you wear it so well)
(you wear it so well)

song performed by Lou Reed
Added by Lucian Velea
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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La Chevelure (Her Hair)

Ô toison, moutonnant jusque sur l'encolure!
Ô boucles! Ô parfum chargé de nonchaloir!
Extase! Pour peupler ce soir l'alcôve obscure
Des souvenirs dormant dans cette chevelure,
Je la veux agiter dans l'air comme un mouchoir!

La langoureuse Asie et la brûlante Afrique,
Tout un monde lointain, absent, presque défunt,
Vit dans tes profondeurs, forêt aromatique!
Comme d'autres esprits voguent sur la musique,
Le mien, ô mon amour! nage sur ton parfum.

J'irai là-bas où l'arbre et l'homme, pleins de sève,
Se pâment longuement sous l'ardeur des climats;
Fortes tresses, soyez la houle qui m'enlève!
Tu contiens, mer d'ébène, un éblouissant rêve
De voiles, de rameurs, de flammes et de mâts:

Un port retentissant où mon âme peut boire
À grands flots le parfum, le son et la couleur
Où les vaisseaux, glissant dans l'or et dans la moire
Ouvrent leurs vastes bras pour embrasser la gloire
D'un ciel pur où frémit l'éternelle chaleur.

Je plongerai ma tête amoureuse d'ivresse
Dans ce noir océan où l'autre est enfermé;
Et mon esprit subtil que le roulis caresse
Saura vous retrouver, ô féconde paresse,
Infinis bercements du loisir embaumé!

Cheveux bleus, pavillon de ténèbres tendues
Vous me rendez l'azur du ciel immense et rond;
Sur les bords duvetés de vos mèches tordues
Je m'enivre ardemment des senteurs confondues
De l'huile de coco, du musc et du goudron.

Longtemps! toujours! ma main dans ta crinière lourde
Sèmera le rubis, la perle et le saphir,
Afin qu'à mon désir tu ne sois jamais sourde!
N'es-tu pas l'oasis où je rêve, et la gourde
Où je hume à longs traits le vin du souvenir?

Head of Hair

O fleecy hair, falling in curls to the shoulders!
O black locks! O perfume laden with nonchalance!
Ecstasy! To people the dark alcove tonight
With memories sleeping in that thick head of hair.
I would like to shake it in the air like a scarf!

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poem by Charles Baudelaire
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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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poem by Emma Lazarus
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Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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poem by Samuel Butler
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