if you fail now
try next time
if you are excluded
soon the right season shall come
if you are down and out
there is always another chance
if you fall this time
or if you fall again and again
try and try again until you make it next time
there is no limit
rise, rise, always rise from it
from where you have fallen
there will always be a place for each everyone
under the sun
there is always a place to be happy
for you and for me
Nobody Knows You When You Are Down And Out
Well, once I lived the life of a millionaire, spending my money, no, I didn't care
Takin' my friend John out for a mighty good time
Buyin' high-priced liquor, champagne and wine
Then I began to fall so low, didn't have a friend, nor no place to go
If I get my hands on a dollar again
I'm goin' to hold on to it until the eagle grins
Soon as I get back up on my feet again, everybody wants to be my long-lost friend
It's might strange, without a doubt
Nobody wants you when you're down and out
Lord, soon as I get up on my feet again, everybody wants to be my long-lost friend
It's mighty strange, without a doubt
Nobody wants you when you're down and out
That's what I mean, when you're down and out
- quotes about Champagne
- quotes about friendship
- quotes about dollars
- quotes about life
- quotes about wine
- quotes about height
- quotes about money
- quotes about dance
Lay Down And Die
Only last night when your arms held me tight
you told me you thought our love could last forever, forever
I was the one that gave you all the love when I thought
that our love could last forever, forever
I lay down and die
The whole world joins in
And everyone cries as teardrops begin
I lay down and die
And when darkness falls
can't seem right there at all
I lay down and die
The whole world joins in
I lay down and die. The teardrops begin.
I lay down and die. And die. And die.
I lay down and die. The whole world joins in
I lay down and die and the teardrops begin
I lay down and die and I lay down and die
The Bring-down and the Fall
On this rough pole, your grip is tight
Your hands are chafed and torn
But if for just an eyeblink, you let go
You will be keeling back, a gravitational pull
How far you seem to fall....
The absent landing ground
The barren farm of what is left in store.
For no-one is secure, the ropes are frayed
The nets are stretched beyond capacity
The passers-by withholding their concern
The money-lenders' period of grace
The judge brings down his hard robotic fist
Directed by the law and lobbyists
It is time now to go down
To leave children and spouse behind
No use to beg - do not pretend to mind
You were selfish, after all, in your ascent
And later you will trace their eyes
In ridges of the wall
That is all you have to exercise your mind
And if they let you rise
If your limbs are ever sprung
You will not be walking out so tall -
The sky will be much higher
Than your senses can recall.
Should I counsel you with hope?
Would it moderate the pain? Or be clear
About the limits of parole:
Not to borrow, lease or vote
Or enjoy your work again
Once you let go of the pole
For the first and final fall.
Around your ears, the wind is cold
Drops of rain fall from your locks
Bruises on the fabric
Of your coat and uniform
Fingertips burned raw, by acid waste and ink
Remember, when they made you lose your grip?
Your family gone, the payments late
No inspiration for escape
More incisive in their strategy
Than you could anticipate -
They planned your ruin
And brought you down with it.
You Will Go To A Place
One day you will go to a place
And I will not be there
Maybe by spring you will sit
Next to motionlessness
Deeply thinking about me
But I will not be there...
©All Rights Reserved-2009
Nobody Knows You When You're Down And Out
Well once I lived the life of a millionaire
Spending my money, I didn't care
Takin' my friends out for a mighty good time
Buyin' boot leg liquor, champagne and wine
Then I began to fall so low
Couldn't find me no friends
Had no place to go
If I ever get my hands on a dollar again
I'm gonna hold on to it, till the eagle grins
I said nobody knows you
When you're down and out
In your pocket, you ain't got one penny
And your friends, you didn't have any
Just as soon as you get up on your feet again
Here they all come, they say that they're your long-lost friend
Oh lord without a doubt
Nobody wants you
Nobody needs you
Nobody wants you
When you're down and out
Nobody wants you
Nobody needs you
Nobody wants you when you're down and out
Nobody Knows When You're Down And Out
Once I lived the life of a millionaire,
Spent all my money, I just did not care.
Took all my friends out for a good time,
Bought bootleg whisky, champagne and wine.
Then I began to fall so low,
Lost all my good friends, I did not have nowhere to go.
I get my hands on a dollar again,
I'm gonna hang on to it till that eagle grins.
'Cause no, no, nobody knows you
When you're down and out.
In your pocket, not one penny,
And as for friends, you don't have any.
When you finally get back up on your feet again,
Everybody wants to be your old long-lost friend.
Said it's mighty strange, without a doubt,
Nobody knows you when you're down and out.
When you finally get back upon your feet again,
Everybody wants to be your good old long-lost friend.
Said it's mighty strange,
Nobody knows you,
Nobody knows you,
Nobody knows you when you're down and out
Down And Out In Paradise
Dear Mr. President
I live in the suburbs
It's a long way from Washington , D.C.
Had me a job
Workin' for wages
Till the company moved out
And they forgot about me
Can't draw unemployment
For some unknown reason
My kids are hungry
I've got four mouths to feed
I go out every day looking for suitable employment
Do you think there's something you could do for me
Down and out here in paradise
Down and out and I'm on my knees
I'm down and out here in paradise
Looks like the milk and honey
Done run out on me
Dear Mr. President
I used to be a dancer
Got a little bit too old
So I became a secretary
Married a man
In Las Vegas, Nevada
And ten years later
He ran out on the kids and me
Some said I was pretty
But those days are over
Now I've no place to live
And I'm out on the streets
Oh, Mr. President
Can I tell you a secret
I never ever thought that this could happen to me
Dear Mr. President
I'm just a young kid
I'm in the fourth grade
At Riley Elementary
My mom and dad's been actin' funny
I'm not sure what
If it's got something to do with me
My daddy's always drunk
My mom's a babysitter
And I don't like the Russians
Cause I hear they hate me
Dear Mr. President
Can I ask you one question
When the bombs fall down
Will they hurt everyone in my family
Golden Advice From A Friend
if you fail now
try next time
if you are excluded
soon the right season shall come
if you are down and out
there is always another chance
if you fall this time
or if you fall again and again
try and try again until you make it next time
there is no limit
rise, rise, always rise from it
from where you have fallen
there will always be a place for each everyone
under the sun
there is always a place to be happy
for you and for me
I Must Rise From Where I Fall
To rise from where I fall
Subdued, I lost, I have no choice
But to surrender my own voice
Now I have to go to places
Missing your embraces
I am but just a shadow
In a nook without tomorrow
I walk under the rain
Where I am wet & drained
And cold in the night
In darkness I lose my sight
This is the time of losing
In his arms you are smiling
And you will not be with me
With him you can only be
I understand perfectly what losing is
you are not with me, you are his
This is not the end however,
This is just another fever
I must get out from this wall.
I must rise from where I fall
You are not alone.....
When tears of sadness streaks your face,
You are not alone.
When you feel lost and out of place,
You are not alone.
When it seems you can't carry on,
And everything you do is wrong,
You are not alone.
When you open your presents on the holiday,
You are not alone.
When nothing can seem to spoil your day,
You are not alone.
When it seems like you made it through,
But there's no one to share this feeling with you,
You are not alone.
You'll never be alone when I'm around.
I'll cheer you up when you are down,
And whether you are happy or feeling blue,
I will always be there for you.
So when you feel alone and in dark.
Just keep me in your heart,
And you will never be alone.
I know you are there and I know you understand
What I am saying,
I say from my heart
Two faces, happy & sad, Hate & love in one body,
And you see them
In the mirror as you shake your hair
For some lies, combing some truths
For me to gaze upon like I am
This woman asking from your crystal ball
What happens tomorrow?
When I am alone and he is gone,
Do I have to speak in riddles for you to
Really find the answers? No, I don’t because
I am candid about feelings,
Ask me again if I am happy
And I will show you some scars.
I know you are there and I know you understand
When I tell you that I am crying and sobbing
On a laptop of stories,
He will neither hear me nor you, but we will all be here,
In this tragedy of the hearts
Of two faces, happy & sad, and hate & love, and hate & love,
Wanting to go but also wanting to stay
I know you are there and I know you understand, stay, and stay
I will be going away but only for a while.
(a poem for ric, from his wife)
If you are old and have the shakes
'If you are old and have the shakes,
If all your bones are full of aches,
If you can hardly walk at all,
If living drives you up the wall,
If you're a grump and full of spite,
If you're a human parasite,
THEN WHAT YOU NEED IS WONKA–VITE!
Your eyes will shine, your hair will grow,
Your face and skin will start to glow,
Your rotten teeth will all drop out
And in their place new teeth will sprout.
Those rolls of fat around your hips
Will vanish, and your wrinkled lips
Will get so soft and rosy–pink
That all the boys will smile and wink
And whisper secretly that this
Is just the girl they want to kiss!
But wait! For that is not the most
Important thing of which to boast.
Good looks you'll have, we've told you so,
But looks aren't everything, you know.
Each pill, as well, to you will give
AN EXTRA TWENTY YEARS TO LIVE!
So come, old friends, and do what's right!
Let's make your lives as bright as bright!
Let's take a dose of this delight!
This heavenly magic dynamite!
You can't go wrong, you must go right!
IT'S WILLY WONKA'S WONKA–VITE!'
More Than Life (The Street Leads You To Me)
On and off like echoes, Needs are
Down and Up like life, wishes can be
Worst and worthy like death, time is
Good but dull as distance, my life can be
What I want is more than laughter
The pain that comes at the moment
And goes tomorrow when you are near
The sun on your face lights up my heart’s darkness
The touch on your fingers comforts my soul and I know
What I want is more than laughter
Standing alone thinking of these words
Shame of this life felt by this body of mine
Shows me the bottom of needs I have
Sheared my fears off my face and I knew that
What I wanted was more than laughter
No meaning of this breath I breathe
No reason to live if I’m always afraid of the dark
No cause of the charisma if I’m lonely
Now and then I feel the air and breathe since
What I want is more than laughter
Tears fall but love fills in
Light leads but love lays in my soul
End dies in the eyes of today’s love
When you tell that you love me then I knew
What I want is more than laughter
What I want is you to notice me tonight
What I want is a smile on your face today and forever
What I want is you to hold me just tonight
What I want is the air I breathe holding on our fate
What I want is you to love me endlessly
The Princess (part 7)
So was their sanctuary violated,
So their fair college turned to hospital;
At first with all confusion: by and by
Sweet order lived again with other laws:
A kindlier influence reigned; and everywhere
Low voices with the ministering hand
Hung round the sick: the maidens came, they talked,
They sang, they read: till she not fair began
To gather light, and she that was, became
Her former beauty treble; and to and fro
With books, with flowers, with Angel offices,
Like creatures native unto gracious act,
And in their own clear element, they moved.
But sadness on the soul of Ida fell,
And hatred of her weakness, blent with shame.
Old studies failed; seldom she spoke: but oft
Clomb to the roofs, and gazed alone for hours
On that disastrous leaguer, swarms of men
Darkening her female field: void was her use,
And she as one that climbs a peak to gaze
O'er land and main, and sees a great black cloud
Drag inward from the deeps, a wall of night,
Blot out the slope of sea from verge to shore,
And suck the blinding splendour from the sand,
And quenching lake by lake and tarn by tarn
Expunge the world: so fared she gazing there;
So blackened all her world in secret, blank
And waste it seemed and vain; till down she came,
And found fair peace once more among the sick.
And twilight dawned; and morn by morn the lark
Shot up and shrilled in flickering gyres, but I
Lay silent in the muffled cage of life:
And twilight gloomed; and broader-grown the bowers
Drew the great night into themselves, and Heaven,
Star after Star, arose and fell; but I,
Deeper than those weird doubts could reach me, lay
Quite sundered from the moving Universe,
Nor knew what eye was on me, nor the hand
That nursed me, more than infants in their sleep.
But Psyche tended Florian: with her oft,
Melissa came; for Blanche had gone, but left
Her child among us, willing she should keep
Court-favour: here and there the small bright head,
A light of healing, glanced about the couch,
Or through the parted silks the tender face
Peeped, shining in upon the wounded man
With blush and smile, a medicine in themselves
To wile the length from languorous hours, and draw
The sting from pain; nor seemed it strange that soon
He rose up whole, and those fair charities
Joined at her side; nor stranger seemed that hears
So gentle, so employed, should close in love,
Than when two dewdrops on the petals shake
To the same sweet air, and tremble deeper down,
And slip at once all-fragrant into one.
Less prosperously the second suit obtained
At first with Psyche. Not though Blanche had sworn
That after that dark night among the fields
She needs must wed him for her own good name;
Not though he built upon the babe restored;
Nor though she liked him, yielded she, but feared
To incense the Head once more; till on a day
When Cyril pleaded, Ida came behind
Seen but of Psyche: on her foot she hung
A moment, and she heard, at which her face
A little flushed, and she past on; but each
Assumed from thence a half-consent involved
In stillness, plighted troth, and were at peace.
Nor only these: Love in the sacred halls
Held carnival at will, and flying struck
With showers of random sweet on maid and man.
Nor did her father cease to press my claim,
Nor did mine own, now reconciled; nor yet
Did those twin-brothers, risen again and whole;
Nor Arac, satiate with his victory.
But I lay still, and with me oft she sat:
Then came a change; for sometimes I would catch
Her hand in wild delirium, gripe it hard,
And fling it like a viper off, and shriek
'You are not Ida;' clasp it once again,
And call her Ida, though I knew her not,
And call her sweet, as if in irony,
And call her hard and cold which seemed a truth:
And still she feared that I should lose my mind,
And often she believed that I should die:
Till out of long frustration of her care,
And pensive tendance in the all-weary noons,
And watches in the dead, the dark, when clocks
Throbbed thunder through the palace floors, or called
On flying Time from all their silver tongues--
And out of memories of her kindlier days,
And sidelong glances at my father's grief,
And at the happy lovers heart in heart--
And out of hauntings of my spoken love,
And lonely listenings to my muttered dream,
And often feeling of the helpless hands,
And wordless broodings on the wasted cheek--
From all a closer interest flourished up,
Tenderness touch by touch, and last, to these,
Love, like an Alpine harebell hung with tears
By some cold morning glacier; frail at first
And feeble, all unconscious of itself,
But such as gathered colour day by day.
Last I woke sane, but well-nigh close to death
For weakness: it was evening: silent light
Slept on the painted walls, wherein were wrought
Two grand designs; for on one side arose
The women up in wild revolt, and stormed
At the Oppian Law. Titanic shapes, they crammed
The forum, and half-crushed among the rest
A dwarf-like Cato cowered. On the other side
Hortensia spoke against the tax; behind,
A train of dames: by axe and eagle sat,
With all their foreheads drawn in Roman scowls,
And half the wolf's-milk curdled in their veins,
The fierce triumvirs; and before them paused
Hortensia pleading: angry was her face.
I saw the forms: I knew not where I was:
They did but look like hollow shows; nor more
Sweet Ida: palm to palm she sat: the dew
Dwelt in her eyes, and softer all her shape
And rounder seemed: I moved: I sighed: a touch
Came round my wrist, and tears upon my hand:
Then all for languor and self-pity ran
Mine down my face, and with what life I had,
And like a flower that cannot all unfold,
So drenched it is with tempest, to the sun,
Yet, as it may, turns toward him, I on her
Fixt my faint eyes, and uttered whisperingly:
'If you be, what I think you, some sweet dream,
I would but ask you to fulfil yourself:
But if you be that Ida whom I knew,
I ask you nothing: only, if a dream,
Sweet dream, be perfect. I shall die tonight.
Stoop down and seem to kiss me ere I die.'
I could no more, but lay like one in trance,
That hears his burial talked of by his friends,
And cannot speak, nor move, nor make one sign,
But lies and dreads his doom. She turned; she paused;
She stooped; and out of languor leapt a cry;
Leapt fiery Passion from the brinks of death;
And I believed that in the living world
My spirit closed with Ida's at the lips;
Till back I fell, and from mine arms she rose
Glowing all over noble shame; and all
Her falser self slipt from her like a robe,
And left her woman, lovelier in her mood
Than in her mould that other, when she came
From barren deeps to conquer all with love;
And down the streaming crystal dropt; and she
Far-fleeted by the purple island-sides,
Naked, a double light in air and wave,
To meet her Graces, where they decked her out
For worship without end; nor end of mine,
Stateliest, for thee! but mute she glided forth,
Nor glanced behind her, and I sank and slept,
Filled through and through with Love, a happy sleep.
Deep in the night I woke: she, near me, held
A volume of the Poets of her land:
There to herself, all in low tones, she read.
'Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The fire-fly wakens: wake thou with me.
Now droops the milkwhite peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.
Now lies the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.
Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.'
I heard her turn the page; she found a small
Sweet Idyl, and once more, as low, she read:
'Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang)
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for love is of the valley, come,
For love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying through the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.'
So she low-toned; while with shut eyes I lay
Listening; then looked. Pale was the perfect face;
The bosom with long sighs laboured; and meek
Seemed the full lips, and mild the luminous eyes,
And the voice trembled and the hand. She said
Brokenly, that she knew it, she had failed
In sweet humility; had failed in all;
That all her labour was but as a block
Left in the quarry; but she still were loth,
She still were loth to yield herself to one
That wholly scorned to help their equal rights
Against the sons of men, and barbarous laws.
She prayed me not to judge their cause from her
That wronged it, sought far less for truth than power
In knowledge: something wild within her breast,
A greater than all knowledge, beat her down.
And she had nursed me there from week to week:
Much had she learnt in little time. In part
It was ill counsel had misled the girl
To vex true hearts: yet was she but a girl--
'Ah fool, and made myself a Queen of farce!
When comes another such? never, I think,
Till the Sun drop, dead, from the signs.'
choked, and her forehead sank upon her hands,
And her great heart through all the faultful Past
Went sorrowing in a pause I dared not break;
Till notice of a change in the dark world
Was lispt about the acacias, and a bird,
That early woke to feed her little ones,
Sent from a dewy breast a cry for light:
She moved, and at her feet the volume fell.
'Blame not thyself too much,' I said, 'nor blame
Too much the sons of men and barbarous laws;
These were the rough ways of the world till now.
Henceforth thou hast a helper, me, that know
The woman's cause is man's: they rise or sink
Together, dwarfed or godlike, bond or free:
For she that out of Lethe scales with man
The shining steps of Nature, shares with man
His nights, his days, moves with him to one goal,
Stays all the fair young planet in her hands--
If she be small, slight-natured, miserable,
How shall men grow? but work no more alone!
Our place is much: as far as in us lies
We two will serve them both in aiding her--
Will clear away the parasitic forms
That seem to keep her up but drag her down--
Will leave her space to burgeon out of all
Within her--let her make herself her own
To give or keep, to live and learn and be
All that not harms distinctive womanhood.
For woman is not undevelopt man,
But diverse: could we make her as the man,
Sweet Love were slain: his dearest bond is this,
Not like to like, but like in difference.
Yet in the long years liker must they grow;
The man be more of woman, she of man;
He gain in sweetness and in moral height,
Nor lose the wrestling thews that throw the world;
She mental breadth, nor fail in childward care,
Nor lose the childlike in the larger mind;
Till at the last she set herself to man,
Like perfect music unto noble words;
And so these twain, upon the skirts of Time,
Sit side by side, full-summed in all their powers,
Dispensing harvest, sowing the To-be,
Self-reverent each and reverencing each,
Distinct in individualities,
But like each other even as those who love.
Then comes the statelier Eden back to men:
Then reign the world's great bridals, chaste and calm:
Then springs the crowning race of humankind.
May these things be!'
Sighing she spoke 'I fear
They will not.'
'Dear, but let us type them now
In our own lives, and this proud watchword rest
Of equal; seeing either sex alone
Is half itself, and in true marriage lies
Nor equal, nor unequal: each fulfils
Defect in each, and always thought in thought,
Purpose in purpose, will in will, they grow,
The single pure and perfect animal,
The two-celled heart beating, with one full stroke,
And again sighing she spoke: 'A dream
That once was mind! what woman taught you this?'
'Alone,' I said, 'from earlier than I know,
Immersed in rich foreshadowings of the world,
I loved the woman: he, that doth not, lives
A drowning life, besotted in sweet self,
Or pines in sad experience worse than death,
Or keeps his winged affections clipt with crime:
Yet was there one through whom I loved her, one
Not learnèd, save in gracious household ways,
Not perfect, nay, but full of tender wants,
No Angel, but a dearer being, all dipt
In Angel instincts, breathing Paradise,
Interpreter between the Gods and men,
Who looked all native to her place, and yet
On tiptoe seemed to touch upon a sphere
Too gross to tread, and all male minds perforce
Swayed to her from their orbits as they moved,
And girdled her with music. Happy he
With such a mother! faith in womankind
Beats with his blood, and trust in all things high
Comes easy to him, and though he trip and fall
He shall not blind his soul with clay.'
Said Ida, tremulously, 'so all unlike--
It seems you love to cheat yourself with words:
This mother is your model. I have heard
of your strange doubts: they well might be: I seem
A mockery to my own self. Never, Prince;
You cannot love me.'
'Nay but thee' I said
'From yearlong poring on thy pictured eyes,
Ere seen I loved, and loved thee seen, and saw
Thee woman through the crust of iron moods
That masked thee from men's reverence up, and forced
Sweet love on pranks of saucy boyhood: now,
Given back to life, to life indeed, through thee,
Indeed I love: the new day comes, the light
Dearer for night, as dearer thou for faults
Lived over: lift thine eyes; my doubts are dead,
My haunting sense of hollow shows: the change,
This truthful change in thee has killed it. Dear,
Look up, and let thy nature strike on mine,
Like yonder morning on the blind half-world;
Approach and fear not; breathe upon my brows;
In that fine air I tremble, all the past
Melts mist-like into this bright hour, and this
Is morn to more, and all the rich to-come
Reels, as the golden Autumn woodland reels
Athwart the smoke of burning weeds. Forgive me,
I waste my heart in signs: let be. My bride,
My wife, my life. O we will walk this world,
Yoked in all exercise of noble end,
And so through those dark gates across the wild
That no man knows. Indeed I love thee: come,
Yield thyself up: my hopes and thine are one:
Accomplish thou my manhood and thyself;
Lay thy sweet hands in mine and trust to me.'
Senlin: His Futile Preoccupations
I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .
I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.
I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen--
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.
Knock on the door,--and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,--
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.
It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.
Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.
It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!--
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .
It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.
Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.
It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.
There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .
It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .
. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .
Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.
I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?
These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.
Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?
Does he remember, suddenly, with amazement,
The yesterday he left in sleep,--his name,--
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?
I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.
The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.
That woman--did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.
But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.
. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .
But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,--she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.
Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her--
This dull and futile flesh attract such fire?
I,--with a trowel's dullness in hand and brain!--
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.
And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb
Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.
Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.
I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.
It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.
Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.
The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,--
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.
Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.
Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.
It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.
Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.
Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.
Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.
Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.
It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!
Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!
It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.
It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.
Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.
Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still--
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?
It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.
The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.
My work is uncompleted; and yet I hurry,--
Hearing the whispered pulsing of those drums,--
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!
I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,--
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.
My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!
Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;--
Come--then--come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.
Whispers upon the haunted air--
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,--it seems to say,--
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!
I leave my work once more and walk
Along a street that sways in the wind.
I leave these stones, and walk once more
Along infinity's shore.
I climb the golden-laddered stair;
Among the stars in the void I climb:
I ascend the golden-laddered hair
Of the harlot-queen of time:
She laughs from a window in the sky,
Her white arms downward reach to me!
We are the universe that spins
In a dim ethereal sea.
It is evening, Senlin says, and in the evening
The throbbing of drums has languidly died away.
Forest and sea are still. We breathe in silence
And strive to say the things flesh cannot say.
The soulless wind falls slowly about the earth
And finds no rest.
The lover stares at the setting star,--the wakeful lover
Who finds no peace on his lover's breast.
The snare of desire that bound us in is broken;
Softly, in sorrow, we draw apart, and see,
Far off, the beauty we thought our flesh had captured,--
The star we longed to be but could not be.
Come back! We will laugh once more at the words we said!
We say them slowly again, but the words are dead.
Come back beloved! . . . The blue void falls between,
We cry to each other: alone; unknown; unseen.
We are the grains of sand that run and rustle
In the dry wind,
We are the grains of sand who thought ourselves
You touch my hand, time bears you away,--
An alien star for whom I have no word.
What are the meaningless things you say?
I answer you, but am not heard.
It is evening, Senlin says;
And a dream in ruin falls.
Once more we turn in pain, bewildered,
Among our finite walls:
The walls we built ourselves with patient hands;
For the god who sealed a question in our flesh.
It is moonlight. Alone in the silence
I ascend my stairs once more,
While waves, remote in a pale blue starlight,
Crash on a white sand shore.
It is moonlight. The garden is silent.
I stand in my room alone.
Across my wall, from the far-off moon,
A rain of fire is thrown . . .
There are houses hanging above the stars,
And stars hung under a sea:
And a wind from the long blue vault of time
Waves my curtain for me . . .
I wait in the dark once more,
Swung between space and space:
Before my mirror I lift my hands
And face my remembered face.
Is it I who stand in a question here,
Asking to know my name? . . .
It is I, yet I know not whither I go,
Nor why, nor whence I came.
It is I, who awoke at dawn
And arose and descended the stair,
Conceiving a god in the eye of the sun,--
In a woman's hands and hair.
It is I whose flesh is gray with the stones
I builded into a wall:
With a mournful melody in my brain
Of a tune I cannot recall . . .
There are roses to kiss: and mouths to kiss;
And the sharp-pained shadow of death.
I remember a rain-drop on my cheek,--
A wind like a fragrant breath . . .
And the star I laugh on tilts through heaven;
And the heavens are dark and steep . . .
I will forget these things once more
In the silence of sleep.
The Undying One' - Canto I
MOONLIGHT is o'er the dim and heaving sea,--
Moonlight is on the mountain's frowning brow,
And by their silvery fountains merrily
The maids of Castaly are dancing now.
Young hearts, bright eyes, and rosy lips are there,
And fairy steps, and light and laughing voices,
Ringing like welcome music through the air--
A sound at which the untroubled heart rejoices.
But there are hearts o'er which that dancing measure
And there are ears to which the voice of pleasure
Still vainly calls !
There's not a scene on earth so full of lightness
That withering care
Sleeps not beneath the flowers, and turns their brightness
To dark despair!
Oh! Earth, dim Earth, thou canst not be our home;
Or wherefore look we still for joys to come?
The fairy steps are flown--the scene is still--
Nought mingles with the murmuring of the rill.
Nay, hush! it is a sound--a sigh--again!
It is a human voice--the voice of pain.
And beautiful is she, who sighs alone
Now that her young and playful mates are gone:
The dim moon, shining on her statue face,
Gives it a mournful and unearthly grace;
And she hath bent her gentle knee to earth;
And she hath raised her meek sad eyes to heaven--
As if in such a breast sin could have birth,
She clasps her hands, and sues to be forgiven.
Her prayer is over; but her anxious glance
Into the blue transparency of night
Seems as it fain would read the book of chance,
And fix the future hours, dark or bright.
A slow and heavy footstep strikes her ear--
What ails the gentle maiden?--Is it fear?
Lo! she hath lightly raised her from the ground,
And turn'd her small and stag-like head around;
Her pale cheek paler, and her lips apart,
Her bosom heaving o'er her beating heart:
And see, those thin white hands she raises now
To press the throbbing fever from her brow--
In vain--in vain! for never more shall rest
Find place in that young, fair, but erring breast!
He stands before her now--and who is he
Into whose outspread arms confidingly
She flings her fairy self?--Unlike the forms
That woo and win a woman's love--the storms
Of deep contending passions are not seen
Darkening the features where they once have been,
Nor the bright workings of a generous soul,
Of feelings half conceal'd, explain the whole.
But there is something words cannot express--
A gloomy, deep, and quiet fixedness;
A recklessness of all the blows of fate--
A brow untouch'd by love, undimm'd by hate--
As if, in all its stores of crime and care,
Earth held no suffering now for him to bear.
Yes--all is passionless--the hollow cheek
Those pale thin lips shall never wreathe with smiles;
Ev'n now, 'mid joy, unmoved and sad they speak
In spite of all his Linda's winning wiles.
Yet can we read, what all the rest denies,
That he hath feelings of a mortal birth,
In the wild sorrow of those dark bright eyes,
Bent on that form--his one dear link to earth.
He loves--and he is loved! then what avail
The scornful words which seek to brand with shame?
Or bitterer still, the wild and fearful tale
Which couples guilt and horror with that name?
What boots it that the few who know him shun
To speak or eat with that unworthy one?
Were all their words of scorn and malice proved,
It matters not--he loves and he is loved!
* * * * * *
* * * * * *
'Linda! my Linda!' thus the silence broke,
And slow and mournfully the stranger spoke,
'Seat we ourselves upon this mossy bed,
Where the glad airs of heaven wave o'er thy head,
And thou shalt hear the awful tale which ne'er
Hath yet been breathed, save once, to mortal ear.
And if, my Linda--nay, love, tremble not--
Thou shudder'st to partake so dark a lot--
Go--and be happy in forgetfulness,
And take--I'd bless thee if my tongue could bless,'
There was that sudden sinking of the tone
That lingers in our memory when alone,
And thrills the heart to think how deep the grief
Which sues no pity--looks for no relief.
Oh! deep, beyond the feeble power of tears,
Such scene will dwell within our souls for years;
And it will seem but yesterday we heard
The faltering pause--the calm but broken word;
Saw the averted head, where each blue vein
Swell'd in its agony of mental pain;
And heard the grief confess'd:--no, not confess'd,
But struggling burst convulsive from the breast!
'Isbal,' that gentle voice half-murmuring said,
As from his shoulder she upraised her head;
'Thou knowest I love thee. When I came to-night
I had resolved thy future, dark or bright,
Should still be mine--Beloved--so must it be,
For I have broke a fearful vow for thee.
This morning he who calls himself my brother
(Oh! can he be the child of my sweet mother?)
Pleaded once more for him--that hated friend
Whose bride I was to be; I could but bend
To the cold earth my faint and trembling knee,
And supplicate, with woman's agony,
That he would spare me--but an hour--a day--
I clasp'd my brother's knees--that brother said me nay!
He held a poinard to my shrinking heart,
And bade me breathe the vow--
Never in life or death from him to part
Who is--my husband now.
Isbal, we were betrothed; my lips in fear
Pronounced those words--but oh! my heart was here-
Here--in the calm cold moonlight by thy side,
Here--where the dark blue waters gently glide,
Here--in my childhood's haunts, now ev'n more dear.
Than in those happy days, for thou art near.
Yes--while the unheeded vow my faint lip spoke,
Recall'd the echo which thy tones awoke--
Thy image rose between me and the shrine;
Surely the vow before it breathed was thine.
To-morrow's sun proud Carlos claims his wife;
To-morrow's sun shall see my span of life
Devoted unto thee--thy tale can make
No lot I would not share for thy sweet sake;
No--Ere I hear it, let love's fond vow be--
To have no earth--no heaven--no hope but thee!
Now tell me all.'--Again that gentle head
With dewy eyes and flushing cheek is laid
Upon his arm; and with a thrill of pain
The broken thread is thus renew'd again:
'From the first hour I saw thee, on that night
When dancing in the moonbeam's chequer'd light
With those young laughing ones who now are gone,
By this same fountain which is murmuring on;
When my deep groan burst through the music's sound,
And that soft eye went glancing, startled, round--
From that sweet hour, when pity seem'd to move,
I loved thee--as the wretched only love.
Oft since, when in the darkness of my day
I sit, and dream my wretched life away;
In the deep silence of my night of tears,
When Memory wakes to mourn for vanish'd years;
Shunn'd--scorn'd--detested--friendless and alone,
I've thought of thee--and stifled back my groan!
I've come in daylight, and have flung me down
By the bright fountain's side,
Chased with dear thoughts of thee each gloomy frown,
And bless'd my promised bride.
I've come when stormy winds have howl'd around
Over the yielding flowers,
Bending their gentle heads unto the ground,
And thought of thee for hours.
I've come--my Linda knows that I have come
When the soft starlight told
That she had left her haughty brother's home,
And hearts, as dead and cold
As the chill waters of a moonless sea,
For the light dance and music's revelry.
With gay and loving maids; and I have watch'd
Till one by one those soft steps have departed,
And my young mournful Linda hath been snatch'd
To the sear bosom of the broken-hearted!
Linda, there is a land--a far dark land,
Where on this head the red avenging hand
Fell with its heaviest bolts--When watching by
The bitter cross of Him of Calvary
They stood who loved and did believe in Him,
I said, while all around grew dark and dim--'
'Isbal, dear Isbal!' shriek'd the affrighted maid,
'For that dear Saviour's sake--for him who said
He died for sinners--mock me not, I pray--
Oh! yet, beloved, those words of Death unsay!'
She hung upon his bosom, and look'd up
Into those dark wild eyes with grief and fear.
Alas! poor maiden, 'twas a bitter cup
To drink from hands which love had made so dear.
As a knell o'er the river
Flings its lingering tone,
Telling of joys for ever
Lost and gone:
As the murmuring sound
Of a slow deep stream,
Where the sullen shadows round
Reject each sunny beam:
So o'er the maiden's spirit, like a moan,
Falls the deep sameness of that strange calm tone.
* * * * * *
* * * * * *
'I tell thee centuries have pass'd away,
And that dark scene is still like yesterday;
The lurid clouds roll'd o'er each failing head,
The Godlike dying, and the guilty dead:
And awful signs were seen, and I was there--
Woman, I was--or wherefore my despair?
I'll whisper thee--* * * *
* * * * * *
Linda, my Linda! start not thus away--
My brain is 'wilder'd--what, love, did I say?
Forget the words--forget! Eternal God!
Is not this earth the same which then I trod?
Do not the stars gleam coldly from above,
Mocking the lips that dare to talk of love?
I know--I feel it cannot be forgot;
Yet, oh! forsake me not--forsake me not!
Didst thou not bid me tell thee all? oh! rest
Still on this worn and sad and guilty breast;
Whatever sins the eye of Heaven may see,
Its last faint throb alone will end its love for thee!
* * * * * *
* * * * * *
I stood awhile, stifling my gasping breath,
Fearfully gazing on that scene of death:
Then with a shuddering groan of pain I shrouded
My straining eyes, and turn'd, a cowering worm,
To either side where grimly death had clouded
The image of his maker in man's form.
On one low cross a dark and fearful brow,
On which the dews of death are standing now,
Shows black despair:
And on the other, though the eye be dim,
And quivering anguish in each stiffening limb,
Mercy and hope are there!
Then rose the wailing sound of woman's woe
Appealing unto Heaven,
And sinners bow'd their heads, and bent them low,
And howl'd to be forgiven--
And I glanced madly round--One after one
They stole away, and I was left alone--
I--the Undying One, in that dim night!
Oh! words can never tell my soul's affright;
The sickening, thrilling, dark, and fainting fear
That rose within my breast:--I seem'd to hear
A thousand voices round; I could not pray,
But fled in solitary shame away.
* * * * * *
* * * * * *
Linda! thou wilt not think that after this
Dark hour of agony,
A day, a moment ev'n, of fever'd bliss
Could yet remain for me:
But so it was, a wild and sudden hope
Sprung in my heart--if that my life could cope
With sickness and with time, I yet might be
Happy through half an immortality.
I sat at festal boards, and quaff'd red wine,
And sang wild songs of merriment and mirth;
And bade young sparkling eyes around me shine,
And made a guilty paradise of earth.
I built me palaces, and loved to dwell
'Mongst all which most the eager heart rejoices;
Bright halls, where silvery fountains rose and fell,
And where were ringing light and cheerful voices;
Gay gardens where the bowery trees around
Their leafy branches spread,
And rosy flowers upon the mossy ground
Their honey'd perfume shed.
But yet the curse was on me; and it came
Tainting my life with pains like hell's dark flame.
The flowers withered:
One after one
Death's cold hand gathered,
Till all were gone:
And the eyes that were sparkling
With pleasure's ray,
Lay cold and darkling
Lonely and weeping
A few were left,
Of those who were sleeping
Too soon bereft ;
But they soon were lying
Beneath the sod--
And I, the Undying,
And the silvery fountains went murmuring on,
But the voices of music and pleasure were gone.
And I could not bear the banquet-room,
Reminding me ever of my doom;
When the purple goblet I tried to quaff,
In my ear there rang some forgotten laugh;
And when the lay I sought to pour,
Voices came round me which sang no more.
Yea! when I saw some lovely form,
I thought how soon it must feed the worm--
And shrank from the touch it left behind,
As if I were not of human kind;
Or that the thing I could not save
Were withering, then, in the cold dark grave.
I wandered through my halls
Is it my voice which calls
On the departed,
With that stern, sad tone?
Where are, beloved in vain,
Your countless numbers?
May you not wake again
From your dark slumbers?
Am I to be alone?
Oh! let but one return--
One fond one only;
Raise up the heavy urn,
Life is so lonely--
I ask no more of Heaven.
The mocking echoes round,
My words repeating
With their dim dreary sound,
Forbid our meeting--
I may not be forgiven!
Linda! my Linda! those, and those alone
Who have lived on, when more than life was gone;
And being yet young, look to the heavy years
Which are to come--a future all of tears--
Those only who have stood in some bright spot
With those beloved ones who shared their lot,
And stand again in that sweet fairy scene,
When those young forms are as they had not been;
When gazing wildly round, some fancied word
Strikes on the listening spirit, and it seems
As if again those gentle tones were heard
Which never more can sound except in dreams--
Those only who have started and awoke
In anguish'd pain,
And yearn'd (the gladsome vision being broke)
To dream again--
Can feel for me. It seem'd a little day
In which that generation pass'd away;
And others rose up round me, and they trod
In those same streets--upon the selfsame sod
They loved and were beloved: they ate--they laugh'd--
And the rich grape from ancient goblets quaff'd:
But I remain'd alone--a blighted thing,
Like one sere leaf amid the flowers of spring!
My sick worn heart refused to cling again
To dreams that pass away, and yearnings vain.
Thou canst not think how strange:--how horribly strange
It was to see all round me fade and change,
And I remain the same!--I sat within
My halls of light, a thing of care and sin;
The echoes gave me back the wild sad tone
Of every deep and solitary moan;
Fearful I gazed on the bright walls around,
And dash'd the mocking mirrors to the ground.
And when I wander'd through the desert crowd
Of all my fellow-men, I could have bow'd
And grovell'd in the dust to him who would
Have struck my breast, to slay me where I stood.
They shrank from me as from some venomous snake
Watchfully coil'd to spring from the dark brake
On the unwary. Fearful--fearful tales
Pass'd on from sire to son, link'd with my name,
With all the awful mystery which veils
A tale of guilt, and deepens its dark shame
They shrank from me, I say, as, gaunt and wild
I wander'd on through the long summer's day
And every mother snatch'd her cowering child
With horror from my solitary way!
I fled from land to land, a hunted wretch;
From land to land those tales pursued me still:
Across the wide bright sea there seem'd to stretch
A long dark cloud my fairest hopes to kill.
I grew a wanderer: from Afric's coast,
Where gaily dwelt the yet unfetter'd black,
To Iran, of her eager sons the boast,
I went along my dim and cheerless track.
O'er the blue Mediterranean, with its isles
And dancing waves, and wildly pleasing song,
By Lusitania's land of sun and smiles,
My joyless bark in darkness sail'd along!
On many a soil my wandering feet have trod,
And heard the voice of nations worship God.
Where the dim-minded Heathen raised his prayer
To some bright spirit dwelling in mid-air,
I have stood by, and cursed the stiffen'd knee
Which would not bow like him to Deity.
Where the proud Ghebir, still at morning hour,
Confess'd a God of glory and of power
In the red sun that roll'd above his head,
There have I been, and burning tear-drops shed.
Where the Mahometan, through ages gone,
In his dark faith hath blindly wander'd on;
Where the incredulous Jew, yet unforgiven,
Still vainly waits the crucified of Heaven;
Where the meek Christian raises to the skies
His clasping hands, and his adoring eyes,
And prays that God--the All-seeing God--will bless
His heart with purity of holiness;
Where rosy infancy in smiles was kneeling,
With murmuring, half-imperfect word, appealing
Unto the giver of all good--where joy
Its tearful thanks return'd, and bless'd the day
When should be tasted bliss which cannot cloy,
And tears in heaven's own light be dried away;
And where the frantic voice of love's despair
Sends forth its thrilling sound, half wail, half prayer;
In every temple, and at every shrine
I've stood and wish'd the darkest worship mine--
So I might see, howe'er the beam mistaking,
Some smile from Heaven upon a heart that's breaking!
''Twas on God's glad and holy sabbath day,
When the wide world kneels down at once to pray,--
When every valley, every mountain sod,
Sends its faint tribute to the mighty God,
And the low murmurings of the voiceless airs
Waft on the echo of a thousand prayers--
I stood on England's fresh and fairy ground.
All lay in dewy stillness far around,
Save the soft chiming of the village bell,
Which seem'd a tale of love and peace to tell.
I stood among the tombs--and saw the crowd
Of Christians enter in;
Each meek and humble head they gently bow'd,
And chased the thoughts of sin.
I watch'd them-one by one they onward pass'd
And from my sight were gone,
The welcome opening door received the last
And left me there alone.
The blood rush'd thickly to my panting heart,
And as I turn'd me sorrowing to depart,
An inward voice seem'd whispering--'Sinner, go!
And with those meek adorers bend thee low.'
I trembled--hesitated--reach'd the door
Through which the pious crowd had ceased to pour:
A sudden faintness came upon me there,
And the relaxing limb refused to bear.
I sank upon a stone, and laid my head
Above the happy and unconscious dead;
And when I rose again, the doors were closed!
In vain I then my fearful thoughts opposed;
Some busy devil whisper'd at my heart
And tempted me to evil.--'Shall the dart
Of pain and anguish (thus I wildly said,)
Fall only on my persecuted head?
Shall they kneel peaceful down, and I stand here
Oppress'd with horror's sick and fainting fear?
Forbid it, Powers of Hell!'--A lowly cot
Stood near that calm and consecrated spot:
I enter'd it:--the morning sunshine threw
Its warm bright beams upon the flowers that grew
Around it and within it--'twas a place
So peaceful and so bright, that you might trace
The tranquil feelings of the dwellers there;
There was no taint of shame, or crime, or care.
On a low humble couch was softly laid
A little slumberer, whose rosy head
Was guarded by a watch-dog; while I stood
In hesitating, half-repentant mood,
My glance still met his large, bright, watchful eye,
Wandering from me to that sweet sleeper nigh.
Yes, even to that dumb animal I seem'd
A thing of crime: the murderous death-light gleam'd
Beneath my brow; the noiseless step was mine;
I moved with conscious guilt, and his low whine
Responded to my sigh, whose echo fell
Heavily--as 'twere loth within that cot to dwell.
My inmost heart grew sick--I turn'd me where
The smouldering embers of a fire still were;.
With shuddering hand I snatch'd a brand whose light
Appear'd to burn unnaturally bright;
And then with desperate step I bore that torch
Unto the chapel's consecrated porch!
A moment more that edifice had fired
And all within in agony expired;
But, dimly swelling through my feverish soul,
A chorus as from heaven's bright chancel came,
Dash'd from my madden'd lips Guilt's venom'd bowl,
And quench'd in bitter tears my heart's wild flame.
The pealing organ, with the solemn sound
Of countless voices, fill'd the air around;
And, as I leant my almost bursting brow
On the cold walls, the words came sad and slow
To me, the exiled one, who might not share
The joyfulness of their prayer.
Sadly I watch'd till through the open door
The crowd of worshippers began to pour;
The hour was over--they had pray'd to Heaven,
And now return'd to peaceful homes forgiven;
While I--one 'wildering glance I gave around
Upon that sunny, consecrated ground;
The warbling birds, whose little songs of joy
The future and the past can ne'er alloy;
The rosy flowers, the warm and welcome breeze
Murmuring gently through the summer trees,
All--all to me was cursed--I could not die!
I stretch'd my yearning arms unto the sky,
I press'd my straining fingers on my brow,
(Nothing could cool its maddening pulses now,)
And flung me groaning by a tombstone there
To weep in my despair!
* * * * * *
* * * * * *
Long had I wept: a gentle sound of woe
Struck on my ear--I turn'd the cause to know.
I saw a young fair creature silently
Kneeling beside a stone,
A form as bright as man would wish to see,
Or woman wish to own;
And eyes, whose true expression should be gladness,
Beam'd forth in momentary tears of sadness,
Showing like sun-shine through a summer rain
How soon 'twill all be bright and clear again.
I loved her!--
* * * * * *
In truth she was a light and lovely thing,
Fair as the opening flower of early spring.
The deep rose crimson'd in her laughing cheek,
And her eyes seem'd without the tongue to speak;
Those dark blue glorious orbs!--oh! summer skies
Were nothing to the heaven of her eyes.
And then she had a witching art
To wile all sadness from the heart;
Wild as the half-tamed gazelle,
She bounded over hill and dell,
Breaking on you when alone
With her sweet and silvery tone,
Dancing to her gentle lute
With her light and fairy foot;
To our lone meeting-place
Stealing slow with gentle pace,
To hide among the feathery fern;
And, while waiting her return,
I wander'd up and down for hours--
She started from amid the flowers,
Wild, and fresh, and bright as they,
To wing again her sportive way.
'And she was good as she was fair;
Every morn and every even
Kneeling down in meekness there
To the Holy One of Heaven;
While those bright and soul-fraught eyes
With an angel's love seem'd burning,
All the radiance of blue skies
With an equal light returning.
The dream of guilt and misery
In that young soul had never enter'd;
Her hopes of Heaven--her love of me,
Were all in which her heart had centred:
Her longest grief, her deepest woe,
When by her mother's tomb she knelt,
Whom she had lost too young to know
How deep such loss is sometimes felt.
'It was not grief, but soft regret,
Such as, when one bright sun hath set
After a happy day, will come
Stealing within our heart's gay home,
Yet leaves a hope (that heart's best prize)
That even brighter ones may rise.
A tear, for hours of childhood wept;
A garland, wove for her who slept;
A prayer, that the pure soul would bless
Her child, and save from all distress;
A sigh, as clasp'd within her own
She held my hand beside that stone,
And told of many a virtue rare
That shone in her who slumber'd there--
Were all that clouded for a while
The brightness of her sunny smile.
* * * * * *
* * * * * *
It was a mild sweet evening, such
As thou and I have sometimes felt
When the soul feels the scene so much
That even wither'd hearts must melt;
We sat beside that sacred place--
Her mother's tomb; her glorious head
Seem'd brightening with immortal grace,
As the impartial sun-light shed
Its beams alike on the cold grave,
Wandering o'er the unconscious clay,
And on the living eyes which gave
Back to those skies their borrow'd ray.
'Isbal, beloved!' 'twas thus my Edith spoke,
(And my worn heart almost to joy awoke
Beneath the thrill of that young silver tone
'Isbal, before thou call'st me all thine own,
I would that I might know the whole
Of what is gloomy in thy soul.
Nay, turn not on me those dark eyes
With such wild anguish and surprise.
In spite of every playful wile,
Thou know'st I never see thee smile;
And oft, when, laughing by thy side
Thou think'st that I am always gay,
Tears which are hanging scarcely dried
By thy fond kiss are wiped away.
And deem me not a child; for though
A gay and careless thing I be,
Since I have loved, I feel that, oh!
I could bear aught--do aught for thee!'
'What boots it to record each gentle tone
Of that young voice, when ev'n the tomb is gone
By which we sat and talk'd? that innocent voice,
So full of joy and hope, that to rejoice
Seem'd natural to those who caught the sound!
The rosy lips are moulder'd under ground:
And she is dead--the beautiful is dead!
The loving and the loved hath pass'd away,
And deep within her dark and narrow bed
All mutely lies what was but breathing clay.
* * * * * *
* * * * * *
Why did I tell the wildly horrible tale?--
Why did I trust the voice that told me she
Could bear to see beyond the lifted veil
A future life of hopeless misery?--
I told her all-- * * * *
There was a long deep pause.
I dared not raise my eyes to ask the cause,
But waited breathlessly to hear once more
The gentle tones which I had loved of yore.
Was that her voice?--oh God!--was that her cry?
Were hers those smother'd tones of agony?
Thus she spoke; while on my brow
The cold drops stood as they do now :--
'It is not that I could not bear
The worst of ills with thee to share:
It is not that thy future fate
Were all too dark and desolate:
Earth holds no pang--Hell shows no fear
I would not try at least to bear;
And if my heart too weak might be,
Oh! it would then have broke for thee!
No, not a pang one tear had cost
But this--to see thee, know thee, lost!'
'My parch'd lips strove for utterance--but no,
I could but listen still, with speechless woe:
I stretch'd my quivering arms--'Away! away!'
She cried, 'and let me humbly kneel, and pray
For pardon; if, indeed, such pardon be
For having dared to love--a thing like thee!'
'I wrung the drops from off my brow;
I sank before her, kneeling low
Where the departed slept.
I spoke to her of heaven's wrath
That clouded o'er my desert path,
I raised my voice and wept!
I told again my heart's dark dream,
The lighting of joy's fever'd beam,
The pain of living on;
When all of fair, and good, and bright;
Sank from my path like heaven's light
When the warm sun is gone.
But though 'twas pity shone within her eye,
'Twas mingled with such bitter agony,
My blood felt chill.
Her round arms cross'd upon her shrinking breast,
Her pale and quivering lip in fear compress'd
Of more than mortal ill,
She stood.--'My Edith!--mine!' I frantic cried;
'My Edith!--mine!' the sorrowing hills replied;
And the familiar sound so dear erewhile,
Brought to her lip a wild and ghastly smile.
Then gazing with one long, long look of love,
She lifted up her eyes to heaven above,
And turned them on me with a gush of tears:
Those drops renew'd my mingled hopes and fears.
'Edith!--oh! hear me!' With averted face
And outspread arms she shrank from my embrace.
'Away!--away!'--She bent her shuddering knee,
Bow'd her bright head--and Edith ceased to be!
She was so young, so full of life,
I linger'd o'er the mortal strife
That shook her frame, with hope--how vain!
Her spirit might return again.
Could she indeed be gone?--the love
Of my heart's inmost core!--I strove
Against the truth.--That thing of smiles,
With all her glad and artless wiles--
She, who one hour ago had been
The fairy of that magic scene!--
She, whose fond playful eye such brilliance shed,
That laughter-loving thing--could she be cold and dead?--
I buried her, and left her there;
And turn'd away in my despair.
'And Evening threw her shadows round
That beautiful and blessed ground,
And all the distant realms of light
Twinkled from out the dark blue night.
So calmly pure--so far away
From all Earth's sorrows and her crimes,
The gentle scene before me lay;
So like the world of olden times,
That those who gazed on it might swear
Nothing but peace could enter there.
And yet there lay ungrown, untrod,
The fresh and newly turned-up sod,
Which cover'd o'er as fair a form
As ever fed the noxious worm.
There, but an hour ago--yea, less,
The agony and bitterness
Of human feelings, wrought so high
We can but writhe awhile and die,
Troubled the peace around; and sent
Wild shrieks into the firmament.
How strange the earth, our earth, should share
So little in our crime or care!
The billows of the treacherous main
Gape for the wreck, and close again
With dancing smiles, as if the deep
Had whelm'd not with eternal sleep
Many and many a warm young heart
Which swell'd to meet, and bled to part.
The battle plain its verdant breast
Will show in bright and sunny rest,
Although its name is now a word
Through sobs, and moans, and wailing heard;
And many, mourn'd for from afar,
There died the writhing death of war.
Yea, ev'n the stream, by whose cool side
Lay those who thirsted for its tide,
Yearning for some young hand of yore,
Wont in bright hours with smiles to pour
The mantling wine for him whose blood
Is mixing with the glassy flood--
Ev'n that pure fountain gushes by
With all its former brilliancy;
Nor bears with it one tint to show
How crimson it began to flow.
And thus an echo takes the tone
Of agony: and when 'tis gone,
Air, earth, and sea forget the sound,
And all is still and silent round.
And thus upon each cherish'd grave
The sunbeams smile, the branches wave;
And all our tears for those who now are not,
Sink in the flowery turf--and are forgot!
* * * * * *
* * * * * *
And I return'd again, and yet again,
To that remember'd scene of joy and pain:
And ev'n while sitting by the early tomb
Of her who had deserved a better doom,
Her laughing voice rang in my ear,
Her fairy step seem'd coming near,
Until I raised my heavy eyes:
Then on the lone and desert spot I bow'd,
And hid my groaning head, and wept aloud.'
The stranger paused--and Linda gently wept
For him who lived in pain--for her who slept;
And clung to him, as if she fear'd that fate
Would strike him there and leave her desolate.
He spoke--and deaf her ear to all below,
Save the deep magic of that voice of woe!
Canto the Fourth
Nothing so difficult as a beginning
In poesy, unless perhaps the end;
For oftentimes when Pegasus seems winning
The race, he sprains a wing, and down we tend,
Like Lucifer when hurl'd from heaven for sinning;
Our sin the same, and hard as his to mend,
Being pride, which leads the mind to soar too far,
Till our own weakness shows us what we are.
But Time, which brings all beings to their level,
And sharp Adversity, will teach at last
Man, -- and, as we would hope, -- perhaps the devil,
That neither of their intellects are vast:
While youth's hot wishes in our red veins revel,
We know not this -- the blood flows on too fast;
But as the torrent widens towards the ocean,
We ponder deeply on each past emotion.
As boy, I thought myself a clever fellow,
And wish'd that others held the same opinion;
They took it up when my days grew more mellow,
And other minds acknowledged my dominion:
Now my sere fancy "falls into the yellow
Leaf," and Imagination droops her pinion,
And the sad truth which hovers o'er my desk
Turns what was once romantic to burlesque.
And if I laugh at any mortal thing,
'T is that I may not weep; and if I weep,
'T is that our nature cannot always bring
Itself to apathy, for we must steep
Our hearts first in the depths of Lethe's spring,
Ere what we least wish to behold will sleep:
Thetis baptized her mortal son in Styx;
A mortal mother would on Lethe fix.
Some have accused me of a strange design
Against the creed and morals of the land,
And trace it in this poem every line:
I don't pretend that I quite understand
My own meaning when I would be very fine;
But the fact is that I have nothing plann'd,
Unless it were to be a moment merry,
A novel word in my vocabulary.
To the kind reader of our sober clime
This way of writing will appear exotic;
Pulci was sire of the half-serious rhyme,
Who sang when chivalry was more Quixotic,
And revell'd in the fancies of the time,
True knights, chaste dames, huge giants, kings despotic:
But all these, save the last, being obsolete,
I chose a modern subject as more meet.
How I have treated it, I do not know;
Perhaps no better than they have treated me
Who have imputed such designs as show
Not what they saw, but what they wish'd to see:
But if it gives them pleasure, be it so;
This is a liberal age, and thoughts are free:
Meantime Apollo plucks me by the ear,
And tells me to resume my story here.
Young Juan and his lady-love were left
To their own hearts' most sweet society;
Even Time the pitiless in sorrow cleft
With his rude scythe such gentle bosoms; he
Sigh'd to behold them of their hours bereft,
Though foe to love; and yet they could not be
Meant to grow old, but die in happy spring,
Before one charm or hope had taken wing.
Their faces were not made for wrinkles, their
Pure blood to stagnate, their great hearts to fail;
The blank grey was not made to blast their hair,
But like the climes that know nor snow nor hail
They were all summer: lightning might assail
And shiver them to ashes, but to trail
A long and snake-like life of dull decay
Was not for them -- they had too little day.
They were alone once more; for them to be
Thus was another Eden; they were never
Weary, unless when separate: the tree
Cut from its forest root of years -- the river
Damm'd from its fountain -- the child from the knee
And breast maternal wean'd at once for ever, --
Would wither less than these two torn apart;
Alas! there is no instinct like the heart --
The heart -- which may be broken: happy they!
Thrice fortunate! who of that fragile mould,
The precious porcelain of human clay,
Break with the first fall: they can ne'er behold
The long year link'd with heavy day on day,
And all which must be borne, and never told;
While life's strange principle will often lie
Deepest in those who long the most to die.
'Whom the gods love die young,' was said of yore,
And many deaths do they escape by this:
The death of friends, and that which slays even more --
The death of friendship, love, youth, all that is,
Except mere breath; and since the silent shore
Awaits at last even those who longest miss
The old archer's shafts, perhaps the early grave
Which men weep over may be meant to save.
Haidée and Juan thought not of the dead --
The heavens, and earth, and air, seem'd made for them:
They found no fault with Time, save that he fled;
They saw not in themselves aught to condemn:
Each was the other's mirror, and but read
Joy sparkling in their dark eyes like a gem,
And knew such brightness was but the reflection
Of their exchanging glances of affection.
The gentle pressure, and the thrilling touch,
The least glance better understood than words,
Which still said all, and ne'er could say too much;
A language, too, but like to that of birds,
Known but to them, at least appearing such
As but to lovers a true sense affords;
Sweet playful phrases, which would seem absurd
To those who have ceased to hear such, or ne'er heard:
All these were theirs, for they were children still,
And children still they should have ever been;
They were not made in the real world to fill
A busy character in the dull scene,
But like two beings born from out a rill,
A nymph and her beloved, all unseen
To pass their lives in fountains and on flowers,
And never know the weight of human hours.
Moons changing had roll'd on, and changeless found
Those their bright rise had lighted to such joys
As rarely they beheld throughout their round;
And these were not of the vain kind which cloys,
For theirs were buoyant spirits, never bound
By the mere senses; and that which destroys
Most love, possession, unto them appear'd
A thing which each endearment more endear'd.
Oh beautiful! and rare as beautiful
But theirs was love in which the mind delights
To lose itself when the old world grows dull,
And we are sick of its hack sounds and sights,
Intrigues, adventures of the common school,
Its petty passions, marriages, and flights,
Where Hymen's torch but brands one strumpet more,
Whose husband only knows her not a wh-re.
Hard words; harsh truth; a truth which many know.
Enough. -- The faithful and the fairy pair,
Who never found a single hour too slow,
What was it made them thus exempt from care?
Young innate feelings all have felt below,
Which perish in the rest, but in them were
Inherent -- what we mortals call romantic,
And always envy, though we deem it frantic.
This is in others a factitious state,
An opium dream of too much youth and reading,
But was in them their nature or their fate:
No novels e'er had set their young hearts bleeding,
For Haidée's knowledge was by no means great,
And Juan was a boy of saintly breeding;
So that there was no reason for their loves
More than for those of nightingales or doves.
They gazed upon the sunset; 't is an hour
Dear unto all, but dearest to their eyes,
For it had made them what they were: the power
Of love had first o'erwhelm'd them from such skies,
When happiness had been their only dower,
And twilight saw them link'd in passion's ties;
Charm'd with each other, all things charm'd that brought
The past still welcome as the present thought.
I know not why, but in that hour to-night,
Even as they gazed, a sudden tremor came,
And swept, as 't were, across their hearts' delight,
Like the wind o'er a harp-string, or a flame,
When one is shook in sound, and one in sight;
And thus some boding flash'd through either frame,
And call'd from Juan's breast a faint low sigh,
While one new tear arose in Haidée's eye.
That large black prophet eye seem'd to dilate
And follow far the disappearing sun,
As if their last day of a happy date
With his broad, bright, and dropping orb were gone;
Juan gazed on her as to ask his fate --
He felt a grief, but knowing cause for none,
His glance inquired of hers for some excuse
For feelings causeless, or at least abstruse.
She turn'd to him, and smiled, but in that sort
Which makes not others smile; then turn'd aside:
Whatever feeling shook her, it seem'd short,
And master'd by her wisdom or her pride;
When Juan spoke, too -- it might be in sport --
Of this their mutual feeling, she replied --
"If it should be so, -- but -- it cannot be --
Or I at least shall not survive to see."
Juan would question further, but she press'd
His lip to hers, and silenced him with this,
And then dismiss'd the omen from her breast,
Defying augury with that fond kiss;
And no doubt of all methods 't is the best:
Some people prefer wine -- 't is not amiss;
I have tried both; so those who would a part take
May choose between the headache and the heartache.
One of the two, according to your choice,
Woman or wine, you'll have to undergo;
Both maladies are taxes on our joys:
But which to choose, I really hardly know;
And if I had to give a casting voice,
For both sides I could many reasons show,
And then decide, without great wrong to either,
It were much better to have both than neither.
Juan and Haidée gazed upon each other
With swimming looks of speechless tenderness,
Which mix'd all feelings, friend, child, lover, brother,
All that the best can mingle and express
When two pure hearts are pour'd in one another,
And love too much, and yet can not love less;
But almost sanctify the sweet excess
By the immortal wish and power to bless.
Mix'd in each other's arms, and heart in heart,
Why did they not then die? -- they had lived too long
Should an hour come to bid them breathe apart;
Years could but bring them cruel things or wrong;
The world was not for them, nor the world's art
For beings passionate as Sappho's song;
Love was born with them, in them, so intense,
It was their very spirit -- not a sense.
They should have lived together deep in woods,
Unseen as sings the nightingale; they were
Unfit to mix in these thick solitudes
Call'd social, haunts of Hate, and Vice, and Care:
How lonely every freeborn creature broods!
The sweetest song-birds nestle in a pair;
The eagle soars alone; the gull and crow
Flock o'er their carrion, just like men below.
Now pillow'd cheek to cheek, in loving sleep,
Haidée and Juan their siesta took,
A gentle slumber, but it was not deep,
For ever and anon a something shook
Juan, and shuddering o'er his frame would creep;
And Haidée's sweet lips murmur'd like a brook
A wordless music, and her face so fair
Stirr'd with her dream, as rose-leaves with the air.
Or as the stirring of a deep dear stream
Within an Alpine hollow, when the wind
Walks o'er it, was she shaken by the dream,
The mystical usurper of the mind --
O'erpowering us to be whate'er may seem
Good to the soul which we no more can bind;
Strange state of being! (for 't is still to be)
Senseless to feel, and with seal'd eyes to see.
She dream'd of being alone on the sea-shore,
Chain'd to a rock; she knew not how, but stir
She could not from the spot, and the loud roar
Grew, and each wave rose roughly, threatening her;
And o'er her upper lip they seem'd to pour,
Until she sobb'd for breath, and soon they were
Foaming o'er her lone head, so fierce and high
Each broke to drown her, yet she could not die.
Anon -- she was released, and then she stray'd
O'er the sharp shingles with her bleeding feet,
And stumbled almost every step she made;
And something roll'd before her in a sheet,
Which she must still pursue howe'er afraid:
'T was white and indistinct, nor stopp'd to meet
Her glance nor grasp, for still she gazed, and grasp'd,
And ran, but it escaped her as she clasp'd.
The dream changed; in a cave she stood, its walls
Were hung with marble icicles, the work
Of ages on its water-fretted halls,
Where waves might wash, and seals might breed and lurk;
Her hair was dripping, and the very balls
Of her black eyes seem'd turn'd to tears, and mirk
The sharp rocks look'd below each drop they caught,
Which froze to marble as it fell, she thought.
And wet, and cold, and lifeless at her feet,
Pale as the foam that froth'd on his dead brow,
Which she essay'd in vain to clear (how sweet
Were once her cares, how idle seem'd they now!),
Lay Juan, nor could aught renew the beat
Of his quench'd heart; and the sea dirges low
Rang in her sad ears like a mermaid's song,
And that brief dream appear'd a life too long.
And gazing on the dead, she thought his face
Faded, or alter'd into something new --
Like to her father's features, till each trace --
More like and like to Lambro's aspect grew --
With all his keen worn look and Grecian grace;
And starting, she awoke, and what to view?
Oh! Powers of Heaven! what dark eye meets she there?
'T is -- 't is her father's -- fix'd upon the pair!
Then shrieking, she arose, and shrieking fell,
With joy and sorrow, hope and fear, to see
Him whom she deem'd a habitant where dwell
The ocean-buried, risen from death, to be
Perchance the death of one she loved too well:
Dear as her father had been to Haidée,
It was a moment of that awful kind --
I have seen such -- but must not call to mind.
Up Juan sprung to Haidée's bitter shriek,
And caught her falling, and from off the wall
Snatch'd down his sabre, in hot haste to wreak
Vengeance on him who was the cause of all:
Then Lambro, who till now forbore to speak,
Smiled scornfully, and said, "Within my call,
A thousand scimitars await the word;
Put up, young man, put up your silly sword."
And Haidée clung around him; "Juan, 't is --
'T is Lambro -- 't is my father! Kneel with me --
He will forgive us -- yes -- it must be -- yes.
Oh! dearest father, in this agony
Of pleasure and of pain -- even while I kiss
Thy garment's hem with transport, can it be
That doubt should mingle with my filial joy?
Deal with me as thou wilt, but spare this boy."
High and inscrutable the old man stood,
Calm in his voice, and calm within his eye --
Not always signs with him of calmest mood:
He look'd upon her, but gave no reply;
Then turn'd to Juan, in whose cheek the blood
Oft came and went, as there resolved to die;
In arms, at least, he stood, in act to spring
On the first foe whom Lambro's call might bring.
"Young man, your sword;" so Lambro once more said:
Juan replied, "Not while this arm is free."
The old man's cheek grew pale, but not with dread,
And drawing from his belt a pistol, he
Replied, "Your blood be then on your own head."
Then look'd close at the flint, as if to see
'T was fresh -- for he had lately used the lock --
And next proceeded quietly to cock.
It has a strange quick jar upon the ear,
That cocking of a pistol, when you know
A moment more will bring the sight to bear
Upon your person, twelve yards off, or so;
A gentlemanly distance, not too near,
If you have got a former friend for foe;
But after being fired at once or twice,
The ear becomes more Irish, and less nice.
Lambro presented, and one instant more
Had stopp'd this Canto, and Don Juan's breath,
When Haidée threw herself her boy before;
Stern as her sire: "On me," she cried, "let death
Descend -- the fault is mine; this fatal shore
He found -- but sought not. I have pledged my faith;
I love him -- I will die with him: I knew
Your nature's firmness -- know your daughter's too."
A minute past, and she had been all tears,
And tenderness, and infancy; but now
She stood as one who champion'd human fears --
Pale, statue-like, and stern, she woo'd the blow;
And tall beyond her sex, and their compeers,
She drew up to her height, as if to show
A fairer mark; and with a fix'd eye scann'd
Her father's face -- but never stopp'd his hand.
He gazed on her, and she on him; 't was strange
How like they look'd! the expression was the same;
Serenely savage, with a little change
In the large dark eye's mutual-darted flame;
For she, too, was as one who could avenge,
If cause should be -- a lioness, though tame.
Her father's blood before her father's face
Boil'd up, and proved her truly of his race.
I said they were alike, their features and
Their stature, differing but in sex and years;
Even to the delicacy of their hand
There was resemblance, such as true blood wears;
And now to see them, thus divided, stand
In fix'd ferocity, when joyous tears
And sweet sensations should have welcomed both,
Show what the passions are in their full growth.
The father paused a moment, then withdrew
His weapon, and replaced it; but stood still,
And looking on her, as to look her through,
"Not I," he said, "have sought this stranger's ill;
Not I have made this desolation: few
Would bear such outrage, and forbear to kill;
But I must do my duty -- how thou hast
Done thine, the present vouches for the past.
"Let him disarm; or, by my father's head,
His own shall roll before you like a ball!"
He raised his whistle, as the word he said,
And blew; another answer'd to the call,
And rushing in disorderly, though led,
And arm'd from boot to turban, one and all,
Some twenty of his train came, rank on rank;
He gave the word, -- "Arrest or slay the Frank."
Then, with a sudden movement, he withdrew
His daughter; while compress'd within his clasp,
'Twixt her and Juan interposed the crew;
In vain she struggled in her father's grasp --
His arms were like a serpent's coil: then flew
Upon their prey, as darts an angry asp,
The file of pirates; save the foremost, who
Had fallen, with his right shoulder half cut through.
The second had his cheek laid open; but
The third, a wary, cool old sworder, took
The blows upon his cutlass, and then put
His own well in; so well, ere you could look,
His man was floor'd, and helpless at his foot,
With the blood running like a little brook
From two smart sabre gashes, deep and red --
One on the arm, the other on the head.
And then they bound him where he fell, and bore
Juan from the apartment: with a sign
Old Lambro bade them take him to the shore,
Where lay some ships which were to sail at nine.
They laid him in a boat, and plied the oar
Until they reach'd some galliots, placed in line;
On board of one of these, and under hatches,
They stow'd him, with strict orders to the watches.
The world is full of strange vicissitudes,
And here was one exceedingly unpleasant:
A gentleman so rich in the world's goods,
Handsome and young, enjoying all the present,
Just at the very time when he least broods
On such a thing is suddenly to sea sent,
Wounded and chain'd, so that he cannot move,
And all because a lady fell in love.
Here I must leave him, for I grow pathetic,
Moved by the Chinese nymph of tears, green tea!
Than whom Cassandra was not more prophetic;
For if my pure libations exceed three,
I feel my heart become so sympathetic,
That I must have recourse to black Bohea:
'T is pity wine should be so deleterious,
For tea and coffee leave us much more serious,
Unless when qualified with thee, Cogniac!
Sweet Naiad of the Phlegethontic rill!
Ah! why the liver wilt thou thus attack,
And make, like other nymphs, thy lovers ill?
I would take refuge in weak punch, but rack
(In each sense of the word), whene'er I fill
My mild and midnight beakers to the brim,
Wakes me next morning with its synonym.
I leave Don Juan for the present, safe --
Not sound, poor fellow, but severely wounded;
Yet could his corporal pangs amount to half
Of those with which his Haidée's bosom bounded?
She was not one to weep, and rave, and chafe,
And then give way, subdued because surrounded;
Her mother was a Moorish maid, from Fez,
Where all is Eden, or a wilderness.
There the large olive rains its amber store
In marble fonts; there grain, and flower, and fruit,
Gush from the earth until the land runs o'er;
But there, too, many a poison-tree has root,
And midnight listens to the lion's roar,
And long, long deserts scorch the camel's foot,
Or heaving whelm the helpless caravan;
And as the soil is, so the heart of man.
Afric is all the sun's, and as her earth
Her human day is kindled; full of power
For good or evil, burning from its birth,
The Moorish blood partakes the planet's hour,
And like the soil beneath it will bring forth:
Beauty and love were Haidée's mother's dower;
But her large dark eye show'd deep Passion's force,
Though sleeping like a lion near a source.
Her daughter, temper'd with a milder ray,
Like summer clouds all silvery, smooth, and fair,
Till slowly charged with thunder they display
Terror to earth, and tempest to the air,
Had held till now her soft and milky way;
But overwrought with passion and despair,
The fire burst forth from her Numidian veins,
Even as the Simoom sweeps the blasted plains.
The last sight which she saw was Juan's gore,
And he himself o'ermaster'd and cut down;
His blood was running on the very floor
Where late he trod, her beautiful, her own;
Thus much she view'd an instant and no more, --
Her struggles ceased with one convulsive groan;
On her sire's arm, which until now scarce held
Her writhing, fell she like a cedar fell'd.
A vein had burst, and her sweet lips' pure dyes
Were dabbled with the deep blood which ran o'er;
And her head droop'd as when the lily lies
O'ercharged with rain: her summon'd handmaids bore
Their lady to her couch with gushing eyes;
Of herbs and cordials they produced their store,
But she defied all means they could employ,
Like one life could not hold, nor death destroy.
Days lay she in that state unchanged, though chill --
With nothing livid, still her lips were red;
She had no pulse, but death seem'd absent still;
No hideous sign proclaim'd her surely dead;
Corruption came not in each mind to kill
All hope; to look upon her sweet face bred
New thoughts of life, for it seem'd full of soul --
She had so much, earth could not claim the whole.
The ruling passion, such as marble shows
When exquisitely chisell'd, still lay there,
But fix'd as marble's unchanged aspect throws
O'er the fair Venus, but for ever fair;
O'er the Laocoon's all eternal throes,
And ever-dying Gladiator's air,
Their energy like life forms all their fame,
Yet looks not life, for they are still the same.
She woke at length, but not as sleepers wake,
Rather the dead, for life seem'd something new,
A strange sensation which she must partake
Perforce, since whatsoever met her view
Struck not on memory, though a heavy ache
Lay at her heart, whose earliest beat still true
Brought back the sense of pain without the cause,
For, for a while, the furies made a pause.
She look'd on many a face with vacant eye,
On many a token without knowing what;
She saw them watch her without asking why,
And reck'd not who around her pillow sat;
Not speechless, though she spoke not; not a sigh
Relieved her thoughts; dull silence and quick chat
Were tried in vain by those who served; she gave
No sign, save breath, of having left the grave.
Her handmaids tended, but she heeded not;
Her father watch'd, she turn'd her eyes away;
She recognized no being, and no spot,
However dear or cherish'd in their day;
They changed from room to room -- but all forgot --
Gentle, but without memory she lay;
At length those eyes, which they would fain be weaning
Back to old thoughts, wax'd full of fearful meaning.
And then a slave bethought her of a harp;
The harper came, and tuned his instrument;
At the first notes, irregular and sharp,
On him her flashing eyes a moment bent,
Then to the wall she turn'd as if to warp
Her thoughts from sorrow through her heart re-sent;
And he begun a long low island song
Of ancient days, ere tyranny grew strong.
Anon her thin wan fingers beat the wall
In time to his old tune; he changed the theme,
And sung of love; the fierce name struck through all
Her recollection; on her flash'd the dream
Of what she was, and is, if ye could call
To be so being; in a gushing stream
The tears rush'd forth from her o'erclouded brain,
Like mountain mists at length dissolved in rain.
Short solace, vain relief! -- thought came too quick,
And whirl'd her brain to madness; she arose
As one who ne'er had dwelt among the sick,
And flew at all she met, as on her foes;
But no one ever heard her speak or shriek,
Although her paroxysm drew towards its dose; --
Hers was a phrensy which disdain'd to rave,
Even when they smote her, in the hope to save.
Yet she betray'd at times a gleam of sense;
Nothing could make her meet her father's face,
Though on all other things with looks intense
She gazed, but none she ever could retrace;
Food she refused, and raiment; no pretence
Avail'd for either; neither change of place,
Nor time, nor skill, nor remedy, could give her
Senses to sleep -- the power seem'd gone for ever.
Twelve days and nights she wither'd thus; at last,
Without a groan, or sigh, or glance, to show
A parting pang, the spirit from her past:
And they who watch'd her nearest could not know
The very instant, till the change that cast
Her sweet face into shadow, dull and slow,
Glazed o'er her eyes -- the beautiful, the black --
Oh! to possess such lustre -- and then lack!
She died, but not alone; she held within
A second principle of life, which might
Have dawn'd a fair and sinless child of sin;
But closed its little being without light,
And went down to the grave unborn, wherein
Blossom and bough lie wither'd with one blight;
In vain the dews of Heaven descend above
The bleeding flower and blasted fruit of love.
Thus lived -- thus died she; never more on her
Shall sorrow light, or shame. She was not made
Through years or moons the inner weight to bear,
Which colder hearts endure till they are laid
By age in earth: her days and pleasures were
Brief, but delightful -- such as had not staid
Long with her destiny; but she sleeps well
By the sea-shore, whereon she loved to dwell.
That isle is now all desolate and bare,
Its dwellings down, its tenants pass'd away;
None but her own and father's grave is there,
And nothing outward tells of human clay;
Ye could not know where lies a thing so fair,
No stone is there to show, no tongue to say
What was; no dirge, except the hollow sea's,
Mourns o'er the beauty of the Cyclades.
But many a Greek maid in a loving song
Sighs o'er her name; and many an islander
With her sire's story makes the night less long;
Valour was his, and beauty dwelt with her:
If she loved rashly, her life paid for wrong --
A heavy price must all pay who thus err,
In some shape; let none think to fly the danger,
For soon or late Love is his own avenger.
But let me change this theme which grows too sad,
And lay this sheet of sorrows on the shelf;
I don't much like describing people mad,
For fear of seeming rather touch'd myself --
Besides, I've no more on this head to add;
And as my Muse is a capricious elf,
We'll put about, and try another tack
With Juan, left half-kill'd some stanzas back.
Wounded and fetter'd, "cabin'd, cribb'd, confined,"
Some days and nights elapsed before that he
Could altogether call the past to mind;
And when he did, he found himself at sea,
Sailing six knots an hour before the wind;
The shores of Ilion lay beneath their lee --
Another time he might have liked to see 'em,
But now was not much pleased with Cape Sigaeum.
There, on the green and village-cotted hill, is
(Flank'd by the Hellespont and by the sea)
Entomb'd the bravest of the brave, Achilles;
They say so (Bryant says the contrary):
And further downward, tall and towering still, is
The tumulus -- of whom? Heaven knows! 't may be
Patroclus, Ajax, or Protesilaus --
All heroes, who if living still would slay us.
High barrows, without marble or a name,
A vast, untill'd, and mountain-skirted plain,
And Ida in the distance, still the same,
And old Scamander (if 't is he) remain;
The situation seems still form'd for fame --
A hundred thousand men might fight again
With case; but where I sought for Ilion's walls,
The quiet sheep feeds, and the tortoise crawls;
Troops of untended horses; here and there
Some little hamlets, with new names uncouth;
Some shepherds (unlike Paris) led to stare
A moment at the European youth
Whom to the spot their school-boy feelings bear.
A Turk, with beads in hand and pipe in mouth,
Extremely taken with his own religion,
Are what I found there -- but the devil a Phrygian.
Don Juan, here permitted to emerge
From his dull cabin, found himself a slave;
Forlorn, and gazing on the deep blue surge,
O'ershadow'd there by many a hero's grave;
Weak still with loss of blood, he scarce could urge
A few brief questions; and the answers gave
No very satisfactory information
About his past or present situation.
He saw some fellow captives, who appear'd
To be Italians, as they were in fact;
From them, at least, their destiny he heard,
Which was an odd one; a troop going to act
In Sicily (all singers, duly rear'd
In their vocation) had not been attack'd
In sailing from Livorno by the pirate,
But sold by the impresario at no high rate.
By one of these, the buffo of the party,
Juan was told about their curious case;
For although destined to the Turkish mart, he
Still kept his spirits up -- at least his face;
The little fellow really look'd quite hearty,
And bore him with some gaiety and grace,
Showing a much more reconciled demeanour,
Than did the prima donna and the tenor.
In a few words he told their hapless story,
Saying, "Our Machiavellian impresario,
Making a signal off some promontory,
Hail'd a strange brig -- Corpo di Caio Mario!
We were transferr'd on board her in a hurry,
Without a single scudo of salario;
But if the Sultan has a taste for song,
We will revive our fortunes before long.
"The prima donna, though a little old,
And haggard with a dissipated life,
And subject, when the house is thin, to cold,
Has some good notes; and then the tenor's wife,
With no great voice, is pleasing to behold;
Last carnival she made a deal of strife
By carrying off Count Cesare Cicogna
From an old Roman princess at Bologna.
"And then there are the dancers; there's the Nini,
With more than one profession, gains by all;
Then there's that laughing slut the Pelegrini,
She, too, was fortunate last carnival,
And made at least five hundred good zecchini,
But spends so fast, she has not now a paul;
And then there's the Grotesca -- such a dancer!
Where men have souls or bodies she must answer.
"As for the figuranti, they are like
The rest of all that tribe; with here and there
A pretty person, which perhaps may strike,
The rest are hardly fitted for a fair;
There's one, though tall and stiffer than a pike,
Yet has a sentimental kind of air
Which might go far, but she don't dance with vigour;
The more's the pity, with her face and figure.
"As for the men, they are a middling set;
The Musico is but a crack'd old basin,
But being qualified in one way yet,
May the seraglio do to set his face in,
And as a servant some preferment get;
His singing I no further trust can place in:
From all the Pope makes yearly 't would perplex
To find three perfect pipes of the third sex.
"The tenor's voice is spoilt by affectation,
And for the bass, the beast can only bellow;
In fact, he had no singing education,
An ignorant, noteless, timeless, tuneless fellow;
But being the prima donna's near relation,
Who swore his voice was very rich and mellow,
They hired him, though to hear him you'd believe
An ass was practising recitative.
"'T would not become myself to dwell upon
My own merits, and though young -- I see, Sir -- you
Have got a travell'd air, which speaks you one
To whom the opera is by no means new:
You've heard of Raucocanti? -- I'm the man;
The time may come when you may hear me too;
You was not last year at the fair of Lugo,
But next, when I'm engaged to sing there -- do go.
"Our baritone I almost had forgot,
A pretty lad, but bursting with conceit;
With graceful action, science not a jot,
A voice of no great compass, and not sweet,
He always is complaining of his lot,
Forsooth, scarce fit for ballads in the street;
In lovers' parts his passion more to breathe,
Having no heart to show, he shows his teeth."
Here Raucocanti's eloquent recital
Was interrupted by the pirate crew,
Who came at stated moments to invite all
The captives back to their sad berths; each threw
A rueful glance upon the waves (which bright all
From the blue skies derived a double blue,
Dancing all free and happy in the sun),
And then went down the hatchway one by one.
They heard next day -- that in the Dardanelles,
Waiting for his Sublimity's firmän,
The most imperative of sovereign spells,
Which every body does without who can,
More to secure them in their naval cells,
Lady to lady, well as man to man,
Were to be chain'd and lotted out per couple,
For the slave market of Constantinople.
It seems when this allotment was made out,
There chanced to be an odd male, and odd female,
Who (after some discussion and some doubt,
If the soprano might be deem'd to be male,
They placed him o'er the women as a scout)
Were link'd together, and it happen'd the male
Was Juan, -- who, an awkward thing at his age,
Pair'd off with a Bacchante blooming visage.
With Raucocanti lucklessly was chain'd
The tenor; these two hated with a hate
Found only on the stage, and each more pain'd
With this his tuneful neighbour than his fate;
Sad strife arose, for they were so cross-grain'd,
Instead of bearing up without debate,
That each pull'd different ways with many an oath,
"Arcades ambo," id est -- blackguards both.
Juan's companion was a Romagnole,
But bred within the March of old Ancona,
With eyes that look'd into the very soul
(And other chief points of a "bella donna"),
Bright -- and as black and burning as a coal;
And through her dear brunette complexion shone
Great wish to please -- a most attractive dower,
Especially when added to the power.
But all that power was wasted upon him,
For sorrow o'er each sense held stern command;
Her eye might flash on his, but found it dim;
And though thus chain'd, as natural her hand
Touch'd his, nor that -- nor any handsome limb
(And she had some not easy to withstand)
Could stir his pulse, or make his faith feel brittle;
Perhaps his recent wounds might help a little.
No matter; we should ne'er too much enquire,
But facts are facts: no knight could be more true,
And firmer faith no Ladye-love desire;
We will omit the proofs, save one or two:
'T is said no one in hand "can hold a fire
By thought of frosty Caucasus" -- but few,
I really think -- yet Juan's then ordeal
Was more triumphant, and not much less real.
Here I might enter on a chaste description,
Having withstood temptation in my youth,
But hear that several people take exception
At the first two books having too much truth;
Therefore I'll make Don Juan leave the ship soon,
Because the publisher declares, in sooth,
Through needles' eyes it easier for the camel is
To pass, than those two cantos into families.
'T is all the same to me; I'm fond of yielding,
And therefore leave them to the purer page
Of Smollett, Prior, Ariosto, Fielding,
Who say strange things for so correct an age;
I once had great alacrity in wielding
My pen, and liked poetic war to wage,
And recollect the time when all this cant
Would have provoked remarks which now it shan't.
As boys love rows, my boyhood liked a squabble;
But at this hour I wish to part in peace,
Leaving such to the literary rabble:
Whether my verse's fame be doom'd to cease
While the right hand which wrote it still is able,
Or of some centuries to take a lease,
The grass upon my grave will grow as long,
And sigh to midnight winds, but not to song.
Of poets who come down to us through distance
Of time and tongues, the foster-babes of Fame,
Life seems the smallest portion of existence;
Where twenty ages gather o'er a name,
'T is as a snowball which derives assistance
From every flake, and yet rolls on the same,
Even till an iceberg it may chance to grow;
But, after all, 't is nothing but cold snow.
And so great names are nothing more than nominal,
And love of glory's but an airy lust,
Too often in its fury overcoming all
Who would as 't were identify their dust
From out the wide destruction, which, entombing all,
Leaves nothing till "the coming of the just" --
Save change: I've stood upon Achilles' tomb,
And heard Troy doubted; time will doubt of Rome.
The very generations of the dead
Are swept away, and tomb inherits tomb,
Until the memory of an age is fled,
And, buried, sinks beneath its offspring's doom:
Where are the epitaphs our fathers read?
Save a few glean'd from the sepulchral gloom
Which once-named myriads nameless lie beneath,
And lose their own in universal death.
I canter by the spot each afternoon
Where perish'd in his fame the hero-boy,
Who lived too long for men, but died too soon
For human vanity, the young De Foix!
A broken pillar, not uncouthly hewn,
But which neglect is hastening to destroy,
Records Ravenna's carnage on its face,
While weeds and ordure rankle round the base.
I pass each day where Dante's bones are laid:
A little cupola, more neat than solemn,
Protects his dust, but reverence here is paid
To the bard's tomb, and not the warrior's column.
The time must come, when both alike decay'd,
The chieftain's trophy, and the poet's volume,
Will sink where lie the songs and wars of earth,
Before Pelides' death, or Homer's birth.
With human blood that column was cemented,
With human filth that column is defiled,
As if the peasant's coarse contempt were vented
To show his loathing of the spot he soil'd:
Thus is the trophy used, and thus lamented
Should ever be those blood-hounds, from whose wild
Instinct of gore and glory earth has known
Those sufferings Dante saw in hell alone.
Yet there will still be bards: though fame is smoke,
Its fumes are frankincense to human thought;
And the unquiet feelings, which first woke
Song in the world, will seek what then they sought;
As on the beach the waves at last are broke,
Thus to their extreme verge the passions brought
Dash into poetry, which is but passion,
Or at least was so ere it grew a fashion.
If in the course of such a life as was
At once adventurous and contemplative,
Men, who partake all passions as they pass,
Acquire the deep and bitter power to give
Their images again as in a glass,
And in such colours that they seem to live;
You may do right forbidding them to show 'em,
But spoil (I think) a very pretty poem.
Oh! ye, who make the fortunes of all books!
Benign Ceruleans of the second sex!
Who advertise new poems by your looks,
Your "imprimatur" will ye not annex?
What! must I go to the oblivious cooks,
Those Cornish plunderers of Parnassian wrecks?
Ah! must I then the only minstrel be,
Proscribed from tasting your Castalian tea!
What! can I prove "a lion" then no more?
A ball-room bard, a foolscap, hot-press darling?
To bear the compliments of many a bore,
And sigh, "I can't get out," like Yorick's starling;
Why then I'll swear, as poet Wordy swore
(Because the world won't read him, always snarling),
That taste is gone, that fame is but a lottery,
Drawn by the blue-coat misses of a coterie.
Oh! "darkly, deeply, beautifully blue,"
As some one somewhere sings about the sky,
And I, ye learned ladies, say of you;
They say your stockings are so (Heaven knows why,
I have examined few pair of that hue);
Blue as the garters which serenely lie
Round the Patrician left-legs, which adorn
The festal midnight, and the levee morn.
Yet some of you are most seraphic creatures --
But times are alter'd since, a rhyming lover,
You read my stanzas, and I read your features:
And -- but no matter, all those things are over;
Still I have no dislike to learnéd natures,
For sometimes such a world of virtues cover;
I knew one woman of that purple school,
The loveliest, chastest, best, but -- quite a fool.
Humboldt, "the first of travellers," but not
The last, if late accounts be accurate,
Invented, by some name I have forgot,
As well as the sublime discovery's date,
An airy instrument, with which he sought
To ascertain the atmospheric state,
By measuring "the intensity of blue:"
Oh, Lady Daphne! let me measure you!
But to the narrative: -- The vessel bound
With slaves to sell off in the capital,
After the usual process, might be found
At anchor under the seraglio wall;
Her cargo, from the plague being safe and sound,
Were landed in the market, one and all,
And there with Georgians, Russians, and Circassians,
Bought up for different purposes and passions.
Some went off dearly; fifteen hundred dollars
For one Circassian, a sweet girl, were given,
Warranted virgin; beauty's brightest colours
Had deck'd her out in all the hues of heaven:
Her sale sent home some disappointed bawlers,
Who bade on till the hundreds reach'd eleven;
But when the offer went beyond, they knew
'T was for the Sultan, and at once withdrew.
Twelve negresses from Nubia brought a price
Which the West Indian market scarce would bring;
Though Wilberforce, at last, has made it twice
What 't was ere Abolition; and the thing
Need not seem very wonderful, for vice
Is always much more splendid than a king:
The virtues, even the most exalted, Charity,
Are saving -- Vice spares nothing for a rarity.
But for the destiny of this young troop,
How some were bought by pachas, some by Jews,
How some to burdens were obliged to stoop,
And others rose to the command of crews
As renegadoes; while in hapless group,
Hoping no very old vizier might choose,
The females stood, as one by one they pick'd 'em,
To make a mistress, or fourth wife, or victim:
All this must be reserved for further song;
Also our hero's lot, howe'er unpleasant
(Because this Canto has become too long),
Must be postponed discreetly for the present;
I'm sensible redundancy is wrong,
But could not for the muse of me put less in 't:
And now delay the progress of Don Juan,
Till what is call'd in Ossian the fifth Duan.
The Castle Of Indolence
The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.
O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.
A pleasing land of drowsy head it was,
Of dreams that wave before the half-shut eye;
And of gay castles in the clouds that pass,
For ever flushing round a summer-sky:
There eke the soft delights, that witchingly
Instil a wanton sweetness through the breast,
And the calm pleasures always hover'd nigh;
But whate'er smack'd of noyance, or unrest,
Was far, far off expell'd from this delicious nest.
The landscape such, inspiring perfect ease,
Where Indolence (for so the wizard hight)
Close-hid his castle mid embowering trees,
That half shut out the beams of Phœbus bright,
And made a kind of checker'd day and night;
Meanwhile, unceasing at the massy gate,
Beneath a spacious palm, the wicked wight
Was placed; and to his lute, of cruel fate
And labour harsh, complain'd, lamenting man's estate.
Thither continual pilgrims crowded still,
From all the roads of earth that pass there by:
For, as they chaunced to breathe on neighbouring hill,
The freshness of this valley smote their eye,
And drew them ever and anon more nigh;
Till clustering round the enchanter false they hung,
Ymolten with his syren melody;
While o'er the enfeebling lute his hand he flung,
And to the trembling chords these tempting verses sung;
‘Behold! ye pilgrims of this earth, behold!
See all, but man, with unearn'd pleasure gay:
See her bright robes the butterfly unfold,
Broke from her wintry tomb in prime of May!
What youthful bride can equal her array?
Who can with her for easy pleasure vie?
From mead to mead with gentle wing to stray,
From flower to flower on balmy gales to fly,
Is all she has to do beneath the radiant sky.
‘Behold the merry minstrels of the morn,
The swarming songsters of the careless grove,
Ten thousand throats! that, from the flowering thorn,
Hymn their good God, and carol sweet of love,
Such grateful kindly raptures them emove:
They neither plough, nor sow; ne, fit for flail,
E'er to the barn the nodden sheaves they drove;
Yet theirs each harvest dancing in the gale,
Whatever crowns the hill, or smiles along the vale.
‘Outcast of nature, man! the wretched thrall
Of bitter dropping sweat, of sweltry pain,
Of cares that eat away the heart with gall,
And of the vices, an inhuman train,
That all proceed from savage thirst of gain:
For when hard-hearted interest first began
To poison earth, Astræa left the plain;
Guile, violence, and murder seized on man,
And, for soft milky streams, with blood the rivers ran.
‘Come, ye, who still the cumbrous load of life
Push hard up hill; but as the furthest steep
You trust to gain, and put an end to strife,
Down thunders back the stone with mighty sweep,
And hurls your labours to the valley deep,
For ever vain: come, and withouten fee,
I in oblivion will your sorrows steep,
Your cares, your toils; will steep you in a sea
Of full delight: O come, ye weary wights, to me!
‘With me, you need not rise at early dawn,
To pass the joyless day in various stounds;
Or, louting low, on upstart fortune fawn,
And sell fair honour for some paltry pounds;
Or through the city take your dirty rounds,
To cheat, and dun, and lie, and visit pay,
Now flattering base, now giving secret wounds;
Or prowl in courts of law for human prey,
In venal senate thieve, or rob on broad highway.
‘No cocks, with me, to rustic labour call,
From village on to village sounding clear;
To tardy swain no shrill-voiced matrons squall;
No dogs, no babes, no wives, to stun your ear;
No hammers thump; no horrid blacksmith sear,
Ne noisy tradesman your sweet slumbers start,
With sounds that are a misery to hear:
But all is calm, as would delight the heart
Of Sybarite of old, all nature, and all art.
‘Here nought but candour reigns, indulgent ease,
Good-natured lounging, sauntering up and down.
They who are pleased themselves must always please;
On others' ways they never squint a frown,
Nor heed what haps in hamlet or in town:
Thus, from the source of tender Indolence,
With milky blood the heart is overflown,
Is sooth'd and sweeten'd by the social sense;
For interest, envy, pride, and strife are banish'd hence.
‘What, what is virtue, but repose of mind,
A pure ethereal calm, that knows no storm;
Above the reach of wild ambition's wind,
Above those passions that this world deform,
And torture man, a proud malignant worm?
But here, instead, soft gales of passion play,
And gently stir the heart, thereby to form
A quicker sense of joy; as breezes stray
Across the enliven'd skies, and make them still more gay.
‘The best of men have ever loved repose:
They hate to mingle in the filthy fray;
Where the soul sours, and gradual rancour grows,
Imbitter'd more from peevish day to day.
E'en those whom fame has lent her fairest ray,
The most renown'd of worthy wights of yore,
From a base world at last have stolen away:
So Scipio, to the soft Cumæan shore
Retiring, tasted joy he never knew before.
‘But if a little exercise you choose,
Some zest for ease, 'tis not forbidden here:
Amid the groves you may indulge the Muse,
Or tend the blooms, and deck the vernal year;
Or softly stealing, with your watery gear,
Along the brooks, the crimson-spotted fry
You may delude: the whilst, amused, you hear
Now the hoarse stream, and now the zephyr's sigh,
Attuned to the birds, and woodland melody.
‘O grievous folly! to heap up estate,
Losing the days you see beneath the sun;
When, sudden, comes blind unrelenting fate,
And gives the untasted portion you have won
With ruthless toil, and many a wretch undone,
To those who mock you, gone to Pluto's reign,
There with sad ghosts to pine, and shadows dun:
But sure it is of vanities most vain,
To toil for what you here untoiling may obtain.’
He ceased. But still their trembling ears retain'd
The deep vibrations of his witching song;
That, by a kind of magic power, constrain'd
To enter in, pell-mell, the listening throng.
Heaps pour'd on heaps, and yet they slipt along,
In silent ease; as when beneath the beam
Of summer-moons, the distant woods among,
Or by some flood all silver'd with the gleam,
The soft-embodied fays through airy portal stream:
By the smooth demon so it order'd was,
And here his baneful bounty first began:
Though some there were who would not further pass,
And his alluring baits suspected han.
The wise distrust the too fair-spoken man.
Yet through the gate they cast a wishful eye:
Not to move on, perdie, is all they can:
For do their very best they cannot fly,
But often each way look, and often sorely sigh.
When this the watchful wicked wizard saw,
With sudden spring he leap'd upon them straight;
And soon as touch'd by his unhallow'd paw,
They found themselves within the cursed gate;
Full hard to be repass'd, like that of fate.
Not stronger were of old the giant crew,
Who sought to pull high Jove from regal state;
Though feeble wretch he seem'd, of sallow hue:
Certes, who bides his grasp, will that encounter rue.
For whomsoe'er the villain takes in hand,
Their joints unknit, their sinews melt apace;
As lithe they grow as any willow-wand,
And of their vanish'd force remains no trace:
So when a maiden fair, of modest grace,
In all her buxom blooming May of charms,
Is seized in some losel's hot embrace,
She waxeth very weakly as she warms,
Then sighing yields her up to love's delicious harms.
Waked by the crowd, slow from his bench arose
A comely, full-spread porter, swoln with sleep:
His calm, broad, thoughtless aspect breathed repose;
And in sweet torpor he was plunged deep,
Ne could himself from ceaseless yawning keep;
While o'er his eyes the drowsy liquor ran,
Through which his half-waked soul would faintly peep:
Then taking his black staff, he call'd his man,
And roused himself as much as rouse himself he can.
The lad leap'd lightly at his master's call:
He was, to weet, a little roguish page,
Save sleep and play who minded nought at all,
Like most the untaught striplings of his age.
This boy he kept each band to disengage,
Garters and buckles, task for him unfit,
But ill becoming his grave personage,
And which his portly paunch would not permit;
So this same limber page to all performed it.
Meantime, the master-porter wide display'd
Great store of caps, of slippers, and of gowns;
Wherewith he those who enter'd in array'd
Loose, as the breeze that plays along the downs,
And waves the summer-woods when evening frowns:
O fair undress, best dress! it checks no vein,
But every flowing limb in pleasure drowns,
And heightens ease with grace. This done, right fain,
Sir porter sat him down, and turn'd to sleep again.
Thus easy robed, they to the fountain sped
That in the middle of the court up-threw
A stream, high spouting from its liquid bed,
And falling back again in drizzly dew;
There each deep draughts, as deep he thirsted, drew;
It was a fountain of nepenthe rare;
Whence, as Dan Homer sings, huge pleasance grew,
And sweet oblivion of vile earthly care;
Fair gladsome waking thoughts, and joyous dreams more fair.
This right perform'd, all inly pleased and still,
Withouten tromp, was proclamation made:
‘Ye sons of Indolence, do what you will;
And wander where you list, through hall or glade;
Be no man's pleasure for another staid;
Let each as likes him best his hours employ,
And cursed be he who minds his neighbour's trade!
Here dwells kind ease and unreproving joy:
He little merits bliss who others can annoy.’
Straight of these endless numbers, swarming round,
As thick as idle motes in sunny ray,
Not one eftsoons in view was to be found,
But every man stroll'd off his own glad way,
Wide o'er this ample court's blank area,
With all the lodges that thereto pertain'd,
No living creature could be seen to stray;
While solitude, and perfect silence reign'd;
So that to think you dreamt you almost was constrain'd.
As when a shepherd of the Hebrid-Isles,
Placed far amid the melancholy main,
(Whether it be lone fancy him beguiles;
Or that aërial beings sometimes deign
To stand, embodied, to our senses plain)
Sees on the naked hill, or valley low,
The whilst in ocean Phœbus dips his wain,
A vast assembly moving to and fro:
Then all at once in air dissolves the wondrous show.
Ye gods of quiet, and of sleep profound!
Whose soft dominion o'er this castle sways,
And all the widely silent places round,
Forgive me, if my trembling pen displays
What never yet was sung in mortal lays.
But how shall I attempt such arduous string?
I who have spent my nights, and nightly days,
In this soul-deadening place loose-loitering:
Ah! how shall I for this uprear my moulted wing?
Come on, my muse, nor stoop to low despair,
Thou imp of Jove, touch'd by celestial fire!
Thou yet shalt sing of war, and actions fair,
Which the bold sons of Britain will inspire;
Of ancient bards thou yet shalt sweep the lyre;
Thou yet shalt tread in tragic pall the stage,
Paint love's enchanting woes, the hero's ire,
The sage's calm, the patriot's noble rage,
Dashing corruption down through every worthless age.
The doors, that knew no shrill alarming bell,
Ne cursed knocker plied by villain's hand,
Self-open'd into halls, where, who can tell
What elegance and grandeur wide expand;
The pride of Turkey and of Persia land?
Soft quilts on quilts, on carpets carpets spread,
And couches stretch'd around in seemly band;
And endless pillows rise to prop the head;
So that each spacious room was one full-swelling bed;
And every where huge cover'd tables stood,
With wines high-flavour'd and rich viands crown'd;
Whatever sprightly juice or tasteful food
On the green bosom of this earth are found,
And all old ocean 'genders in his round:
Some hand unseen these silently display'd,
Even undemanded by a sign or sound;
You need but wish, and, instantly obey'd,
Fair ranged the dishes rose, and thick the glasses play'd.
Here freedom reign'd, without the least alloy;
Nor gossip's tale, nor ancient maiden's gall,
Nor saintly spleen durst murmur at our joy,
And with envenom'd tongue our pleasures pall.
For why? there was but one great rule for all;
To wit, that each should work his own desire,
And eat, drink, study, sleep, as it may fall,
Or melt the time in love, or wake the lyre,
And carol what, unbid, the muses might inspire.
The rooms with costly tapestry were hung,
Where was inwoven many a gentle tale;
Such as of old the rural poets sung,
Or of Arcadian or Sicilian vale:
Reclining lovers, in the lonely dale,
Pour'd forth at large the sweetly tortured heart;
Or, sighing tender passion, swell'd the gale,
And taught charm'd echo to resound their smart;
While flocks, woods, streams around, repose and peace impart.
Those pleased the most, where, by a cunning hand,
Depainted was the patriarchal age;
What time Dan Abraham left the Chaldee land,
And pastured on from verdant stage to stage,
Where fields and fountains fresh could best engage.
Toil was not then: of nothing took they heed,
But with wild beasts the silvan war to wage,
And o'er vast plains their herds and flocks to feed:
Bless'd sons of nature they! true golden age indeed!
Sometimes the pencil, in cool airy halls,
Bade the gay bloom of vernal landscapes rise,
Or Autumn's varied shades imbrown the walls:
Now the black tempest strikes the astonish'd eyes;
Now down the steep the flashing torrent flies;
The trembling sun now plays o'er ocean blue,
And now rude mountains frown amid the skies;
Whate'er Lorraine light-touch'd with softening hue,
Or savage Rosa dash'd, or learned Poussin drew.
Each sound too here to languishment inclined,
Lull'd the weak bosom, and induced ease:
Aërial music in the warbling wind,
At distance rising oft, by small degrees,
Nearer and nearer came, till o'er the trees
It hung, and breathed such soul-dissolving airs,
As did, alas! with soft perdition please:
Entangled deep in its enchanting snares,
The listening heart forgot all duties and all cares.
A certain music, never known before,
Here lull'd the pensive, melancholy mind;
Full easily obtain'd. Behoves no more,
But sidelong, to the gently waving wind,
To lay the well tuned instrument reclined;
From which, with airy flying fingers light,
Beyond each mortal touch the most refined,
The god of winds drew sounds of deep delight:
Whence, with just cause, the harp of Æolus it hight.
Ah me! what hand can touch the string so fine?
Who up the lofty diapasan roll
Such sweet, such sad, such solemn airs divine,
Then let them down again into the soul:
Now rising love they fann'd; now pleasing dole
They breathed, in tender musings, thro' the heart;
And now a graver sacred strain they stole,
As when seraphic hands a hymn impart:
Wild warbling nature all, above the reach of art!
Such the gay splendour, the luxurious state,
Of Caliphs old, who on the Tygris' shore,
In mighty Bagdat, populous and great,
Held their bright court, where was of ladies store;
And verse, love, music, still the garland wore:
When sleep was coy, the bard, in waiting there,
Cheer'd the lone midnight with the muse's lore;
Composing music bade his dreams be fair,
And music lent new gladness to the morning air.
Near the pavilions where we slept, still ran
Soft tinkling streams, and dashing waters fell,
And sobbing breezes sigh'd, and oft began
(So work'd the wizard) wintry storms to swell,
As heaven and earth they would together mell:
At doors and windows, threatening, seem'd to call
The demons of the tempest, growling fell,
Yet the least entrance found they none at all;
Whence sweeter grew our sleep, secure in massy hall.
And hither Morpheus sent his kindest dreams,
Raising a world of gayer tinct and grace;
O'er which were shadowy cast elysian gleams,
That play'd, in waving lights, from place to place,
And shed a roseate smile on nature's face.
Not Titian's pencil e'er could so array,
So fleece with clouds the pure ethereal space;
Ne could it e'er such melting forms display,
As loose on flowery beds all languishingly lay.
No, fair illusions! artful phantoms, no!
My Muse will not attempt your fairy land:
She has no colours that like you can glow:
To catch your vivid scenes too gross her hand.
But sure it is, was ne'er a subtler band
Than these same guileful angel-seeming sprights,
Who thus in dreams voluptuous, soft, and bland,
Pour'd all the Arabian heaven upon our nights,
And bless'd them oft besides with more refined delights.
They were, in sooth, a most enchanting train,
Even feigning virtue; skilful to unite
With evil good, and strew with pleasure pain.
But for those fiends, whom blood and broils delight;
Who hurl the wretch, as if to hell outright,
Down down black gulfs, where sullen waters sleep,
Or hold him clambering all the fearful night
On beetling cliffs, or pent in ruins deep;
They, till due time should serve, were bid far hence to keep.
Ye guardian spirits, to whom man is dear,
From these foul demons shield the midnight gloom:
Angels of fancy and of love, be near,
And o'er the blank of sleep diffuse a bloom:
Evoke the sacred shades of Greece and Rome,
And let them virtue with a look impart:
But chief, a while, O! lend us from the tomb
Those long lost friends for whom in love we smart,
And fill with pious awe and joy-mix'd woe the heart.
Or are you sportive—Bid the morn of youth
Rise to new light, and beam afresh the days
Of innocence, simplicity, and truth;
To cares estranged, and manhood's thorny ways.
What transport, to retrace our boyish plays,
Our easy bliss, when each thing joy supplied;
The woods, the mountains, and the warbling maze
Of the wild brooks!—but, fondly wandering wide,
My Muse, resume the task that yet doth thee abide.
One great amusement of our household was,
In a huge crystal magic globe to spy,
Still as you turn'd it, all things that do pass
Upon this ant-hill earth; where constantly
Of idly busy men the restless fry
Run bustling to and fro with foolish haste,
In search of pleasures vain that from them fly,
Or which, obtain'd, the caitiffs dare not taste:—
When nothing is enjoy'd, can there be greater waste?
‘Of vanity the mirror,’ this was call'd:
Here, you a muckworm of the town might see,
At his dull desk, amid his ledgers stall'd,
Eat up with carking care and penury;
Most like to carcase parch'd on gallow-tree.
‘A penny saved is a penny got:’
Firm to this scoundrel maxim keepeth he,
Ne of its rigour will he bate a jot,
Till it has quench'd his fire, and banished his pot.
Straight from the filth of this low grub, behold!
Comes fluttering forth a gaudy spendthrift heir,
All glossy gay, enamel'd all with gold,
The silly tenant of the summer air,
In folly lost, of nothing takes he care;
Pimps, lawyers, stewards, harlots, flatterers vile,
And thieving tradesmen him among them share:
His father's ghost from limbo lake, the while,
Sees this, which more damnation doth upon him pile.
This globe pourtray'd the race of learned men,
Still at their books, and turning o'er the page,
Backwards and forwards: oft they snatch the pen,
As if inspired, and in a Thespian rage;
Then write, and blot, as would your ruth engage:
Why, authors, all this scrawl and scribbling sore?
To lose the present, gain the future age,
Praised to be when you can hear no more,
And much enrich'd with fame, when useless worldly store.
Then would a splendid city rise to view,
With carts, and cars, and coaches roaring all:
Wide-pour'd abroad behold the giddy crew:
See how they dash along from wall to wall!
At every door, hark how they thundering call!
Good lord! what can this giddy rout excite?
Why, on each other with fell tooth to fall;
A neighbour's fortune, fame, or peace, to blight,
And make new tiresome parties for the coming night.
The puzzling sons of party next appear'd,
In dark cabals and nightly juntos met;
And now they whisper'd close, now shrugging rear'd
The important shoulder; then, as if to get
New light, their twinkling eyes were inward set.
No sooner Lucifer recalls affairs,
Than forth they various rush in mighty fret;
When lo! push'd up to power, and crown'd their cares,
In comes another set, and kicketh them down stairs.
But what most show'd the vanity of life
Was to behold the nations all on fire,
In cruel broils engaged, and deadly strife:
Most christian kings, inflamed by black desire,
With honourable ruffians in their hire,
Cause war to rage, and blood around to pour;
Of this sad work when each begins to tire,
Then sit them down just where they were before,
Till for new scenes of woe peace shall their force restore.
To number up the thousands dwelling here,
A useless were, and eke an endless task;
From kings, and those who at the helm appear,
To gipsies brown in summer-glades who bask.
Yea many a man, perdie, I could unmask,
Whose desk and table make a solemn show,
With tape-tied trash, and suits of fools that ask
For place or pension laid in decent row;
But these I passen by, with nameless numbers moe.
Of all the gentle tenants of the place,
There was a man of special grave remark;
A certain tender gloom o'erspread his face,
Pensive, not sad; in thought involved, not dark;
As soot this man could sing as morning lark,
And teach the noblest morals of the heart:
But these his talents were yburied stark;
Of the fine stores he nothing would impart,
Which or boon nature gave, or nature-painting art.
To noontide shades incontinent he ran,
Where purls the brook with sleep-inviting sound;
Or when Dan Sol to slope his wheels began,
Amid the broom he bask'd him on the ground,
Where the wild thyme and camomile are found:
There would he linger, till the latest ray
Of light sat trembling on the welkin's bound;
Then homeward through the twilight shadows stray,
Sauntering and slow. So had he passed many a day.
Yet not in thoughtless slumber were they past:
For oft the heavenly fire, that lay conceal'd
Beneath the sleeping embers, mounted fast,
And all its native light anew reveal'd:
Oft as he traversed the cerulean field,
And mark'd the clouds that drove before the wind,
Ten thousand glorious systems would he build,
Ten thousand great ideas fill'd his mind;
But with the clouds they fled, and left no trace behind.
With him was sometimes join'd, in silent walk,
(Profoundly silent, for they never spoke)
One shyer still, who quite detested talk:
Oft, stung by spleen, at once away he broke,
To groves of pine, and broad o'ershadowing oak;
There, inly thrill'd, he wander'd all alone,
And on himself his pensive fury wroke,
Ne ever utter'd word, save when first shone
The glittering star of eve—‘Thank heaven! the day is done.’
Here lurk'd a wretch, who had not crept abroad
For forty years, ne face of mortal seen;
In chamber brooding like a loathly toad:
And sure his linen was not very clean.
Through secret loop holes, that had practised been
Near to his bed, his dinner vile he took;
Unkempt, and rough, of squalid face and mien,
Our Castle's shame! whence, from his filthy nook,
We drove the villain out for fitter lair to look.
One day there chanced into these halls to rove
A joyous youth, who took you at first sight;
Him the wild wave of pleasure hither drove,
Before the sprightly tempest tossing light:
Certes, he was a most engaging wight,
Of social glee, and wit humane though keen,
Turning the night to day and day to night:
For him the merry bells had rung, I ween,
If in this nook of quiet bells had ever been.
But not e'en pleasure to excess is good:
What most elates, then sinks the soul as low:
When springtide joy pours in with copious flood,
The higher still the exulting billows flow,
The further back again they flagging go,
And leave us groveling on the dreary shore:
Taught by this son of joy, we found it so;
Who, whilst he staid, he kept in gay uproar
Our madden'd castle all, the abode of sleep no more.
As when in prime of June a burnish'd fly,
Sprung from the meads, o'er which he sweeps along,
Cheer'd by the breathing bloom and vital sky,
Tunes up amid these airy halls his song,
Soothing at first the gay reposing throng:
And oft he sips their bowl; or nearly drown'd,
He, thence recovering, drives their beds among,
And scares their tender sleep, with trump profound;
Then out again he flies, to wing his mazy round.
Another guest there was, of sense refined,
Who felt each worth, for every worth he had;
Serene yet warm, humane yet firm his mind,
As little touch'd as any man's with bad:
Him through their inmost walks the Muses lad,
To him the sacred love of nature lent,
And sometimes would he make our valley glad;
Whenas we found he would not here be pent,
To him the better sort this friendly message sent:
‘Come, dwell with us! true son of virtue, come!
But if, alas! we cannot thee persuade
To lie content beneath our peaceful dome,
Ne ever more to quit our quiet glade;
Yet when at last thy toils but ill apaid
Shall dead thy fire, and damp its heavenly spark,
Thou wilt be glad to seek the rural shade,
There to indulge the muse, and nature mark:
We then a lodge for thee will rear in Hagley Park.’
Here whilom ligg'd the Esopus of the age;
But call'd by fame, in soul ypricked deep,
A noble pride restored him to the stage,
And roused him like a giant from his sleep.
Even from his slumbers we advantage reap:
With double force the enliven'd scene he wakes,
Yet quits not nature's bounds. He knows to keep
Each due decorum: now the heart he shakes,
And now with well urged sense the enlighten'd judgment takes.
A bard here dwelt, more fat than bard beseems;
Who, void of envy, guile, and lust of gain,
On virtue still, and nature's pleasing themes,
Pour'd forth his unpremeditated strain:
The world forsaking with a calm disdain,
Here laugh'd he careless in his easy seat;
Here quaff'd, encircled with the joyous train,
Oft moralizing sage: his ditty sweet
He loathed much to write, ne cared to repeat.
Full oft by holy feet our ground was trod,
Of clerks good plenty here you mote espy.
A little, round, fat, oily man of God,
Was one I chiefly mark'd among the fry:
He had a roguish twinkle in his eye,
And shone all glittering with ungodly dew,
If a tight damsel chanced to trippen by;
Which when observed, he shrunk into his mew,
And straight would recollect his piety anew.
Nor be forgot a tribe, who minded nought
(Old inmates of the place) but state-affairs:
They look'd, perdie, as if they deeply thought;
And on their brow sat every nation's cares;
The world by them is parcel'd out in shares,
When in the Hall of Smoke they congress hold,
And the sage berry, sun-burnt Mocha bears,
Has clear'd their inward eye: then, smoke-enroll'd,
Their oracles break forth mysterious as of old.
Here languid Beauty kept her pale-faced court:
Bevies of dainty dames, of high degree,
From every quarter hither made resort;
Where, from gross mortal care and business free,
They lay, pour'd out in ease and luxury.
Or should they a vain shew of work assume,
Alas! and well-a-day! what can it be?
To knot, to twist, to range the vernal bloom;
But far is cast the distaff, spinning-wheel, and loom.
Their only labour was to kill the time;
(And labour dire it is, and weary woe)
They sit, they loll, turn o'er some idle rhyme;
Then, rising sudden, to the glass they go,
Or saunter forth, with tottering step and slow:
This soon too rude an exercise they find;
Straight on the couch their limbs again they throw,
Where hours on hours they sighing lie reclined,
And court the vapoury god, soft breathing in the wind.
Now must I mark the villany we found,
But ah! too late, as shall eftsoons be shown.
A place here was, deep, dreary, under ground;
Where still our inmates, when unpleasing grown,
Diseased, and loathsome, privily were thrown:
Far from the light of heaven, they languish'd there,
Unpitied uttering many a bitter groan;
For of these wretches taken was no care:
Fierce fiends, and hags of hell, their only nurses were.
Alas! the change! from scenes of joy and rest,
To this dark den, where sickness toss'd alway.
Here Lethargy, with deadly sleep oppress'd,
Stretch'd on his back, a mighty lubbard, lay,
Heaving his sides, and snored night and day;
To stir him from his traunce it was not eath,
And his half-open'd eyne he shut straightway;
He led, I wot, the softest way to death,
And taught withouten pain and strife to yield the breath.
Of limbs enormous, but withal unsound,
Soft-swoln and pale, here lay the Hydropsy:
Unwieldy man; with belly monstrous round,
For ever fed with watery supply;
For still he drank, and yet he still was dry.
And moping here did Hypochondria sit,
Mother of spleen, in robes of various dye,
Who vexed was full oft with ugly fit;
And some her frantic deem'd, and some her deem'd a wit.
A lady proud she was, of ancient blood,
Yet oft her fear her pride made crouchen low:
She felt, or fancied in her fluttering mood,
All the diseases which the spittles know,
And sought all physic which the shops bestow,
And still new leaches and new drugs would try,
Her humour ever wavering to and fro:
For sometimes she would laugh, and sometimes cry,
Then sudden waxed wroth, and all she knew not why.
Fast by her side a listless maiden pined,
With aching head, and squeamish heart-burnings;
Pale, bloated, cold, she seem'd to hate mankind,
Yet loved in secret all forbidden things.
And here the Tertian shakes his chilling wings;
The sleepless Gout here counts the crowing cocks,
A wolf now gnaws him, now a serpent stings;
Whilst Apoplexy cramm'd Intemperance knocks
Down to the ground at once, as butcher felleth ox.
The knight of arts and industry,
And his achievements fair;
That, by this Castle's overthrow,
Secured, and crowned were.
Escaped the castle of the sire of sin,
Ah! where shall I so sweet a dwelling find?
For all around, without, and all within,
Nothing save what delightful was and kind,
Of goodness savouring and a tender mind,
E'er rose to view. But now another strain,
Of doleful note, alas! remains behind:
I now must sing of pleasure turn'd to pain,
And of the false enchanter Indolence complain.
Is there no patron to protect the Muse,
And fence for her Parnassus' barren soil?
To every labour its reward accrues,
And they are sure of bread who swink and moil;
But a fell tribe the Aonian hive despoil,
As ruthless wasps oft rob the painful bee:
Thus while the laws not guard that noblest toil,
Ne for the Muses other meed decree,
They praised are alone, and starve right merrily.
I care not, Fortune, what you me deny:
You cannot rob me of free Nature's grace;
You cannot shut the windows of the sky,
Through which Aurora shows her brightening face;
You cannot bar my constant feet to trace
The woods and lawns, by living stream, at eve:
Let health my nerves and finer fibres brace,
And I their toys to the great children leave:
Of fancy, reason, virtue, nought can me bereave.
Come then, my Muse, and raise a bolder song;
Come, lig no more upon the bed of sloth,
Dragging the lazy languid line along,
Fond to begin, but still to finish loath,
Thy half-writ scrolls all eaten by the moth:
Arise, and sing that generous imp of fame,
Who with the sons of softness nobly wroth,
To sweep away this human lumber came,
Or in a chosen few to rouse the slumbering flame.
In Fairy Land there lived a knight of old,
Of feature stern, Selvaggio well yclep'd,
A rough unpolish'd man, robust and bold,
But wondrous poor: he neither sow'd nor reap'd,
Ne stores in summer for cold winter heap'd;
In hunting all his days away he wore;
Now scorch'd by June, now in November steep'd,
Now pinch'd by biting January sore,
He still in woods pursued the libbard and the boar.
As he one morning, long before the dawn,
Prick'd through the forest to dislodge his prey,
Deep in the winding bosom of a lawn,
With wood wild fringed, he mark'd a taper's ray,
That from the beating rain, and wintry fray,
Did to a lonely cot his steps decoy;
There, up to earn the needments of the day,
He found dame Poverty, nor fair nor coy:
Her he compress'd, and fill'd her with a lusty boy.
Amid the greenwood shade this boy was bred,
And grew at last a knight of muchel fame,
Of active mind and vigorous lustyhed,
The Knight of Arts and Industry by name:
Earth was his bed, the boughs his roof did frame;
He knew no beverage but the flowing stream;
His tasteful well earn'd food the sylvan game,
Or the brown fruit with which the woodlands teem:
The same to him glad summer, or the winter breme.
So pass'd his youthly morning, void of care,
Wild as the colts that through the commons run:
For him no tender parents troubled were,
He of the forest seem'd to be the son,
And, certes, had been utterly undone;
But that Minerva pity of him took,
With all the gods that love the rural wonne,
That teach to tame the soil and rule the crook;
Ne did the sacred Nine disdain a gentle look.
Of fertile genius him they nurtured well,
In every science, and in every art,
By which mankind the thoughtless brutes excel,
That can or use, or joy, or grace impart,
Disclosing all the powers of head and heart:
Ne were the goodly exercises spared,
That brace the nerves, or make the limbs alert,
And mix elastic force with firmness hard:
Was never knight on ground mote be with him compared.
Sometimes, with early morn, he mounted gay
The hunter steed, exulting o'er the dale,
And drew the roseate breath of orient day;
Sometimes, retiring to the secret vale,
Yclad in steel, and bright with burnish'd mail,
He strain'd the bow, or toss'd the sounding spear,
Or darting on the goal, outstripp'd the gale,
Or wheel'd the chariot in its mid career,
Or strenuous wrestled hard with many a tough compeer.
At other times he pried through nature's store,
Whate'er she in the ethereal round contains,
Whate'er she hides beneath her verdant floor,
The vegetable and the mineral reigns;
Or else he scann'd the globe, those small domains,
Where restless mortals such a turmoil keep,
Its seas, its floods, its mountains, and its plains;
But more he search'd the mind, and roused from sleep
Those moral seeds whence we heroic actions reap.
Nor would he scorn to stoop from high pursuits
Of heavenly truth, and practise what she taught:
Vain is the tree of knowledge without fruits!
Sometimes in hand the spade or plough he caught,
Forth calling all with which boon earth is fraught;
Sometimes he plied the strong mechanic tool,
Or rear'd the fabric from the finest draught;
And oft he put himself to Neptune's school,
Fighting with winds and waves on the vex'd ocean pool.
To solace then these rougher toils, he tried
To touch the kindling canvass into life;
With nature his creating pencil vied,
With nature joyous at the mimic strife:
Or, to such shapes as graced Pygmalion's wife
He hew'd the marble; or, with varied fire,
He roused the trumpet, and the martial fife,
Or bad the lute sweet tenderness inspire,
Or verses framed that well might wake Apollo's lyre.
Accomplish'd thus, he from the woods issued,
Full of great aims, and bent on bold emprise;
The work, which long he in his breast had brew'd,
Now to perform he ardent did devise;
To wit, a barbarous world to civilize.
Earth was till then a boundless forest wild;
Nought to be seen but savage wood, and skies;
No cities nourish'd arts, no culture smiled,
No government, no laws, no gentle manners mild.
A rugged wight, the worst of brutes, was man;
On his own wretched kind he, ruthless, prey'd:
The strongest still the weakest overran;
In every country mighty robbers sway'd,
And guile and ruffian force were all their trade.
Life was a scene of rapine, want, and woe;
Which this brave knight, in noble anger, made
To swear he would the rascal rout o'erthrow,
For, by the powers divine, it should no more be so!
It would exceed the purport of my song
To say how this best sun, from orient climes,
Came beaming life and beauty all along,
Before him chasing indolence and crimes.
Still as he pass'd, the nations he sublimes,
And calls forth arts and virtues with his ray:
Then Egypt, Greece, and Rome their golden times,
Successive, had; but now in ruins grey
They lie, to slavish sloth and tyranny a prey.
To crown his toils, Sir Industry then spread
The swelling sail, and made for Britain's coast.
A silvan life till then the natives led,
In the brown shades and green-wood forest lost,
All careless rambling where it liked them most:
Their wealth the wild deer bouncing through the glade;
They lodged at large, and lived at nature's cost;
Save spear and bow, withouten other aid;
Yet not the Roman steel their naked breast dismay'd.
He liked the soil, he liked the clement skies,
He liked the verdant hills and flowery plains:
‘Be this my great, my chosen isle, (he cries)
This, whilst my labours Liberty sustains,
This queen of ocean all assault disdains.’
Nor liked he less the genius of the land,
To freedom apt and persevering pains,
Mild to obey, and generous to command,
Temper'd by forming Heaven with kindest firmest hand.
Here, by degrees, his master-work arose,
Whatever arts and industry can frame:
Whatever finish'd agriculture knows,
Fair queen of arts! from heaven itself who came,
When Eden flourish'd in unspotted fame;
And still with her sweet innocence we find,
And tender peace, and joys without a name,
That, while they ravish, tranquillize the mind:
Nature and art at once, delight and use combined.
Then towns he quicken'd by mechanic arts,
And bade the fervent city glow with toil;
Bade social commerce raise renowned marts,
Join land to land, and marry soil to soil;
Unite the poles, and without bloody spoil
Bring home of either Ind the gorgeous stores;
Or, should despotic rage the world embroil,
Bade tyrants tremble on remotest shores,
While o'er the encircling deep Britannia's thunder roars.
The drooping muses then he westward call'd,
From the famed city by Propontic sea,
What time the Turk the enfeebled Grecian thrall'd;
Thence from their cloister'd walks he set them free,
And brought them to another Castalie,
Where Isis many a famous nursling breeds;
Or where old Cam soft-paces o'er the lea
In pensive mood, and tunes his doric reeds,
The whilst his flocks at large the lonely shepherd feeds.
Yet the fine arts were what he finished least.
For why? They are the quintessence of all,
The growth of labouring time, and slow increased;
Unless, as seldom chances, it should fall
That mighty patrons the coy sisters call
Up to the sunshine of uncumber'd ease,
Where no rude care the mounting thought may thrall,
And where they nothing have to do but please:
Ah! gracious God! thou know'st they ask no other fees.
But now, alas! we live too late in time:
Our patrons now e'en grudge that little claim,
Except to such as sleek the soothing rhyme;
And yet, forsooth, they wear Mæcenas' name,
Poor sons of puft-up vanity, not fame.
Unbroken spirits, cheer! still, still remains
The eternal patron, Liberty; whose flame,
While she protects, inspires the noblest strains:
The best and sweetest far, are toil-created gains.
When as the knight had framed, in Britain-land,
A matchless form of glorious government,
In which the sovereign laws alone command,
Laws stablish'd by the public free consent,
Whose majesty is to the sceptre lent;
When this great plan, with each dependent art,
Was settled firm, and to his heart's content,
Then sought he from the toilsome scene to part,
And let life's vacant eve breathe quiet through the heart.
For this he chose a farm in Deva's vale,
Where his long alleys peep'd upon the main:
In this calm seat he drew the healthful gale,
Here mix'd the chief, the patriot, and the swain.
The happy monarch of his silvan train,
Here, sided by the guardians of the fold,
He walk'd his rounds, and cheer'd his blest domain:
His days, the days of unstain'd nature, roll'd
Replete with peace and joy, like patriarchs of old.
Witness, ye lowing herds, who gave him milk;
Witness, ye flocks, whose woolly vestments far
Exceed soft India's cotton, or her silk;
Witness, with Autumn charged the nodding car,
That homeward came beneath sweet evening's star,
Or of September-moons the radiance mild.
O hide thy head, abominable war!
Of crimes and ruffian idleness the child!
From Heaven this life ysprung, from hell thy glories viled!
Nor from his deep retirement banish'd was
The amusing care of rural industry.
Still, as with grateful change the seasons pass,
New scenes arise, new landscapes strike the eye,
And all the enlivened country beautify:
Gay plains extend where marshes slept before;
O'er recent meads the exulting streamlets fly;
Dark frowning heaths grow bright with Ceres' store,
And woods imbrown the steep, or wave along the shore.
As nearer to his farm you made approach,
He polish'd Nature with a finer hand:
Yet on her beauties durst not art encroach;
'Tis Art's alone these beauties to expand.
In graceful dance immingled, o'er the land,
Pan, Pales, Flora, and Pomona play'd:
Here, too, brisk gales the rude wild common fann'd,
A happy place; where free, and unafraid,
Amid the flowering brakes each coyer creature stray'd.
But in prime vigour what can last for aye?
That soul-enfeebling wizard Indolence,
I whilom sung, wrought in his works decay:
Spread far and wide was his cursed influence;
Of public virtue much he dull'd the sense,
E'en much of private; eat our spirit out,
And fed our rank luxurious vices: whence
The land was overlaid with many a lout;
Not, as old fame reports, wise, generous, bold, and stout.
A rage of pleasure madden'd every breast,
Down to the lowest lees the ferment ran:
To his licentious wish each must be bless'd,
With joy be fever'd; snatch it as he can.
Thus Vice the standard rear'd; her arrier-ban
Corruption call'd, and loud she gave the word,
‘Mind, mind yourselves! why should the vulgar man,
The lacquey be more virtuous than his lord?
Enjoy this span of life! 'tis all the gods afford.’
The tidings reach'd to where, in quiet hall,
The good old knight enjoy'd well earn'd repose:
‘Come, come, Sir Knight! thy children on thee call;
Come, save us yet, ere ruin round us close!
The demon Indolence thy toils o'erthrows.’
On this the noble colour stain'd his cheeks,
Indignant, glowing through the whitening snows
Of venerable eld; his eye full speaks
His ardent soul, and from his couch at once he breaks.
‘I will, (he cried) so help me, God! destroy
That villain Archimage.’—His page then straight
He to him call'd; a fiery-footed boy,
Benempt Dispatch:—‘My steed be at the gate;
My bard attend; quick, bring the net of fate.’
This net was twisted by the sisters three;
Which, when once cast o'er harden'd wretch, too late
Repentance comes: replevy cannot be
From the strong iron grasp of vengeful destiny.
He came, the bard, a little druid wight,
Of wither'd aspect; but his eye was keen,
With sweetness mix'd. In russet brown bedight,
As is his sister of the copses green,
He crept along, unpromising of mien.
Gross he who judges so. His soul was fair,
Bright as the children of yon azure sheen!
True comeliness, which nothing can impair,
Dwells in the mind: all else is vanity and glare.
‘Come (quoth the knight), a voice has reach'd mine ear:
The demon Indolence threats overflow
To all that to mankind is good and dear:
Come, Philomelus; let us instant go,
O'erturn his bowers, and lay his castle low.
Those men, those wretched men! who will be slaves,
Must drink a bitter wrathful cup of woe:
But some there be, thy song, as from their graves,
Shall raise.’ Thrice happy he! who without rigour saves.
Issuing forth, the knight bestrode his steed,
Of ardent bay, and on whose front a star
Shone blazing bright: sprung from the generous breed,
That whirl of active day the rapid car,
He pranced along, disdaining gate or bar.
Meantime, the bard on milk-white palfrey rode;
An honest sober beast, that did not mar
His meditations, but full softly trode:
And much they moralized as thus yfere they yode.
They talk'd of virtue, and of human bliss.
What else so fit for man to settle well?
And still their long researches met in this,
This Truth of Truths, which nothing can refel:
‘From virtue's fount the purest joys outwell,
Sweet rills of thought that cheer the conscious soul;
While vice pours forth the troubled streams of hell,
The which, howe'er disguised, at last with dole
Will through the tortured breast their fiery torrent roll.’
At length it dawn'd, that fatal valley gay,
O'er which high wood-crown'd hills their summits rear:
On the cool height awhile our palmers stay,
And spite even of themselves their senses cheer;
Then to the vizard's wonne their steps they steer.
Like a green isle, it broad beneath them spread,
With gardens round, and wandering currents clear,
And tufted groves to shade the meadow-bed,
Sweet airs and song; and without hurry all seem'd glad.
‘As God shall judge me, knight! we must forgive
(The half-enraptured Philomelus cried)
The frail good man deluded here to live,
And in these groves his musing fancy hide.
Ah! nought is pure. It cannot be denied,
That virtue still some tincture has of vice,
And vice of virtue. What should then betide,
But that our charity be not too nice?
Come, let us those we can, to real bliss entice.’
‘Ay, sicker, (quoth the knight) all flesh is frail,
To pleasant sin and joyous dalliance bent;
But let not brutish vice of this avail,
And think to 'scape deserved punishment.
Justice were cruel weakly to relent;
From Mercy's self she got her sacred glaive:
Grace be to those who can, and will, repent;
But penance long, and dreary, to the slave,
Who must in floods of fire his gross foul spirit lave.’
Thus, holding high discourse, they came to where
The cursed carle was at his wonted trade;
Still tempting heedless men into his snare,
In witching wise, as I before have said.
But when he saw, in goodly geer array'd,
The grave majestic knight approaching nigh,
And by his side the bard so sage and staid,
His countenance fell; yet oft his anxious eye
Mark'd them, like wily fox who roosted cock doth spy.
Nathless, with feign'd respect, he bade give back
The rabble rout, and welcomed them full kind;
Struck with the noble twain, they were not slack
His orders to obey, and fall behind.
Then he resumed his song; and unconfined,
Pour'd all his music, ran through all his strings:
With magic dust their eyne he tries to blind,
And virtue's tender airs o'er weakness flings.
What pity base his song who so divinely sings!
Elate in thought, he counted them his own,
They listen'd so intent with fix'd delight:
But they instead, as if transmew'd to stone,
Marvel'd he could with such sweet art unite
The lights and shades of manners, wrong and right.
Meantime, the silly crowd the charm devour,
Wide pressing to the gate. Swift, on the knight
He darted fierce, to drag him to his bower,
Who backening shunn'd his touch, for well he knew its power.
As in throng'd amphitheatre, of old,
The wary Retiarius trapp'd his foe;
E'en so the knight, returning on him bold,
At once involved him in the Net of Woe,
Whereof I mention made not long ago.
Inraged at first, he scorn'd so weak a jail,
And leap'd, and flew, and flounced to and fro;
But when he found that nothing could avail,
He sat him felly down, and gnaw'd his bitter nail.
Alarm'd, the inferior demons of the place
Raised rueful shrieks and hideous yells around;
Black stormy clouds deform'd the welkin's face,
And from beneath was heard a wailing sound,
As of infernal sprights in cavern bound;
A solemn sadness every creature strook,
And lightnings flash'd, and horror rock'd the ground:
Huge crowds on crowds outpour'd, with blemish'd look,
As if on Time's last verge this frame of things had shook.
Soon as the short-lived tempest was yspent,
Steam'd from the jaws of vex'd Avernus' hole,
And hush'd the hubbub of the rabblement,
Sir Industry the first calm moment stole:
‘There must, (he cried) amid so vast a shoal,
Be some who are not tainted at the heart,
Not poison'd quite by this same villain's bowl:
Come then, my bard, thy heavenly fire impart;
Touch soul with soul, till forth the latent spirit start.’
The bard obey'd; and taking from his side,
Where it in seemly sort depending hung,
His British harp, its speaking strings he tried,
The which with skilful touch he deftly strung,
Till tinkling in clear symphony they rung.
Then, as he felt the Muses come along,
Light o'er the chords his raptured hand he flung,
And play'd a prelude to his rising song:
The whilst, like midnight mute, ten thousands round him throng.
Thus, ardent, burst his strain.—‘Ye hapless race,
Dire labouring here to smother reason's ray,
That lights our Maker's image in our face,
And gives us wide o'er earth unquestion'd sway;
What is the adored Supreme Perfection, say?—
What, but eternal never resting soul,
Almighty Power, and all-directing day;
By whom each atom stirs, the planets roll;
Who fills, surrounds, informs, and agitates the whole.
‘Come, to the beaming God your hearts unfold!
Draw from its fountain life! 'Tis thence, alone,
We can excel. Up from unfeeling mould,
To seraphs burning round the Almighty's throne,
Life rising still on life, in higher tone,
Perfection forms, and with perfection bliss.
In universal nature this clear shown,
Not needeth proof: to prove it were, I wis,
To prove the beauteous world excels the brute abyss.
‘Is not the field, with lively culture green,
A sight more joyous than the dead morass?
Do not the skies, with active ether clean,
And fann'd by sprightly zephyrs, far surpass
The foul November fogs, and slumbrous mass
With which sad Nature veils her drooping face?
Does not the mountain stream, as clear as glass,
Gay-dancing on, the putrid pool disgrace?
The same in all holds true, but chief in human race.
‘It was not by vile loitering in ease,
That Greece obtain'd the brighter palm of art;
That soft yet ardent Athens learn'd to please,
To keen the wit, and to sublime the heart,
In all supreme! complete in every part!
It was not thence majestic Rome arose,
And o'er the nations shook her conquering dart:
For sluggard's brow the laurel never grows;
Renown is not the child of indolent Repose.
‘Had unambitious mortals minded nought,
But in loose joy their time to wear away;
Had they alone the lap of dalliance sought,
Pleased on her pillow their dull heads to lay,
Rude nature's state had been our state to-day;
No cities e'er their towery fronts had raised,
No arts had made us opulent and gay;
With brother-brutes the human race had grazed;
None e'er had soar'd to fame, none honour'd been, none praised.
‘Great Homer's song had never fired the breast
To thirst of glory, and heroic deeds;
Sweet Maro's muse, sunk in inglorious rest,
Had silent slept amid the Mincian reeds:
The wits of modern time had told their beads,
And monkish legends been their only strains;
Our Milton's Eden had lain wrapt in weeds,
Our Shakespeare stroll'd and laugh'd with Warwick swains,
Ne had my master Spenser charm'd his Mulla's plains.
‘Dumb too had been the sage historic muse,
And perish'd all the sons of ancient fame;
Those starry lights of virtue, that diffuse
Through the dark depth of time their vivid flame,
Had all been lost with such as have no name.
Who then had scorn'd his ease for others' good?
Who then had toil'd rapacious men to tame?
Who in the public breach devoted stood,
And for his country's cause been prodigal of blood?
‘But should to fame your hearts unfeeling be,
If right I read, you pleasure all require:
Then hear how best may be obtain'd this fee,
How best enjoy'd this nature's wide desire.
Toil and be glad! let industry inspire
Into your quicken'd limbs her buoyant breath!
Who does not act is dead; absorpt entire
In miry sloth, no pride, no joy he hath:
O leaden-hearted men, to be in love with death!
‘Ah! what avail the largest gifts of Heaven,
When drooping health and spirits go amiss?
How tasteless then whatever can be given?
Health is the vital principle of bliss,
And exercise of health. In proof of this,
Behold the wretch, who slugs his life away,
Soon swallow'd in disease's sad abyss;
While he whom toil has braced, or manly play,
Has light as air each limb, each thought as clear as day.
‘O who can speak the vigorous joys of health!
Unclogg'd the body, unobscured the mind:
The morning rises gay, with pleasing stealth,
The temperate evening falls serene and kind.
In health the wiser brutes true gladness find:
See! how the younglings frisk along the meads,
As May comes on, and wakes the balmy wind;
Rampant with life, their joy all joy exceeds:
Yet what but high-strung health this dancing pleasaunce breeds?
‘But here, instead, is foster'd every ill,
Which or distemper'd minds or bodies know.
Come then, my kindred spirits! do not spill
Your talents here: this place is but a show,
Whose charms delude you to the den of woe.
Come, follow me, I will direct you right,
Where pleasure's roses, void of serpents, grow,
Sincere as sweet; come, follow this good knight,
And you will bless the day that brought him to your sight.
‘Some he will lead to courts, and some to camps;
To senates some, and public sage debates,
Where, by the solemn gleam of midnight lamps,
The world is poised, and managed mighty states;
To high discovery some, that new creates
The face of earth; some to the thriving mart;
Some to the rural reign, and softer fates;
To the sweet muses some, who raise the heart:
All glory shall be yours, all nature, and all art!
‘There are, I see, who listen to my lay,
Who wretched sigh for virtue, but despair:
“All may be done, (methinks I hear them say)
E'en death despised by generous actions fair;
All, but for those who to these bowers repair,
Their every power dissolved in luxury,
To quit of torpid sluggishness the lair,
And from the powerful arms of sloth get free:
'Tis rising from the dead—Alas!—it cannot be!”
‘Would you then learn to dissipate the band
Of the huge threatening difficulties dire,
That in the weak man's way like lions stand,
His soul appal, and damp his rising fire?
Resolve, resolve, and to be men aspire.
Exert that noblest privilege, alone,
Here to mankind indulged; control desire:
Let godlike reason, from her sovereign throne,
Speak the commanding word “I will!” and it is done.
‘Heavens! can you then thus waste, in shameful wise,
Your few important days of trial here?
Heirs of eternity! yborn to rise
Through endless states of being, still more near
To bliss approaching, and perfection clear;
Can you renounce a fortune so sublime,
Such glorious hopes, your backward steps to steer,
And roll, with vilest brutes, through mud and slime?
No! no!—Your heaven-touch'd hearts disdain the sordid crime!’
‘Enough! enough!’ they cried—straight, from the crowd,
The better sort on wings of transport fly:
As when amid the lifeless summits proud
Of Alpine cliffs where to the gelid sky
Snows piled on snows in wintry torpor lie,
The rays divine of vernal Phœbus play;
The awaken'd heaps, in streamlets from on high,
Roused into action, lively leap away,
Glad warbling through the vales, in their new being gay,
Not less the life, the vivid joy serene,
That lighted up these new created men,
Than that which wings the exulting spirit clean,
When, just deliver'd from this fleshly den,
It soaring seeks its native skies agen:
How light its essence! how unclogg'd its powers,
Beyond the blazon of my mortal pen!
E'en so we glad forsook these sinful bowers,
E'en such enraptured life, such energy was ours.
But far the greater part, with rage inflamed,
Dire-mutter'd curses, and blasphemed high Jove:
‘Ye sons of hate! (they bitterly exclaim'd)
What brought you to this seat of peace and love?
While with kind nature, here amid the grove,
We pass'd the harmless sabbath of our time,
What to disturb it could, fell men, emove
Your barbarous hearts? Is happiness a crime?
Then do the fiends of hell rule in yon Heaven sublime.’
‘Ye impious wretches, (quoth the knight in wrath)
Your happiness behold!’—Then straight a wand
He waved, an anti-magic power that hath,
Truth from illusive falsehood to command.
Sudden the landscape sinks on every hand;
The pure quick streams are marshy puddles found;
On baleful heaths the groves all blacken
The Leaf And The Tree And The Roots
if i had to write it again
then i had to, as i must
let you fully understand
the true nature of a vine
the way the leaf swerves
with the wind to give itself
to a fateful fall, the one that
completes its existence as
a leaf to a tree, a part of
a whole, the way it must
settle on the ground and
be with the worms and rot
and fulfills the cycle of its
short existence, and by then
it tells the roots, i am a leaf
i am back and you must now
eat everything in me so i can
be with the bark again so i
can be a leaf again to a tree
that holds me back
and then for another time
lets me fall again.
Cinderella Will Return To Her Place…
I was not prepared to admit to depression
and failure to control my reaction to food,
did my duties as noisily as I could, until
sinking down in a swoon all exhausted –
yesterday I thought I could deal with the
consequences of living and eating in style,
undertaking to do my best the very next
day, insisting that life was made for living –
but now I must admit to defeat, even lost
my escape through the mind as my brain
is caving in - therefore Cinderella will return
to her place, her diet that will bring her mind
back – forget about living, your valid criticism
about her poor performance, even missing
the absurdity of Gray’s Anatomy that had
you in stitches; a clear indication that it is
time to do it right, to cut out the hedonism
that enlarges the feet, so that she cannot
wear the glass slippers to go to the ball…