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Blissful awareness
Of harmony in nature,
Transforms consciousness.

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Mist Upon the Placid Morn

Bleed out your beauty, Autumn –
Give up a gentle wrist, and smear
Your bloody hues atop the green.

Cast a calming throw of heady peace
Upon the cooling land.
And as you grant the sun a final fling of warmth,
Charge the silent air
(Now lolling on a foliar deathbed)
With earthen whiff to intimate the fungal push.

Soon you’ll send a shiver down the watery spine of
Quivering ponds, punctual brooks, and
Listless lakes, to warn them of the freeze to come.

Behold! your mellow spirit
Hanging as a mist upon the placid morn –
A sight that draws a sneaking tear or two – forlorn
Observers are we all of colder climes to view!

Autumn Lady, must you be the summer waning –?
Our adieu to fairer-weather life?
Ah well, at least you hum a warming tone, ensuring
Nature’s rhythm still abounds.

But now you must prepare the mind for chilly times –
You know the drill –
Guiding us along a sloping path
To ease our psyche in to sleet and snow –
The blue-ice bite of winter.


Copyright © Mark R Slaughter 2010


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As I ventured to the Wood

As I ventured to the wood,
I stopped to draw on dewy air; let
Droplets shimmer in my hair, that
Rested on my tranquil head – as
In a sense of cosy bed.

As I ventured to the wood,
A gesturing cuckoo perched above,
And then in song with cooing dove,
‘You're welcome’, bade he, ’Enter please
To roam our land with gentle breeze.’

As I ventured to the wood,
A fallow deer of limpid eye
Gave care to glance at lucky I.
The heavenly aura 'bout her glow had
Charmed me, like a fine Bordeaux.

As I ventured to the wood,
A dazzling flower waved her face
In blazing show of dance and chase, and
Reddened bright in shade of dawn, she
Flirted like a prancing fawn.

As I ventured to the wood,
A butterfly had graced my arm,
And knowing I bid him no harm, he
Splayed for me hypnotic wing in
Colours for to urge me sing!

As I ventured to the wood,
The radiant sun shone down on me.
He flushed and beamed ‘I say to thee,
You bless your land; be filled with pride, and
Cherish e’er yon countryside! ’

Copyright © Mark R Slaughter 2009
All rights reserved

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A Country Path in Late Spring

The path of mossy ground nestled
In between maternal hedgerows,
That overgrew atop, dimming down
The brilliance of the day.
Embosomed, a calm-cool vision –
Abstract takes of nature, in
Leaf-spattered green shades;
Stem-speckled brown hues;
Shards of sunlight percolating
Through the random flaws to
Up glittering sprites upon the leaves.

And avian chatter bounced along the burrow,
Smattered by the crosstalk
Of busybody insects;
But outside the green comfort zone,
Other worlds of other sounds of other life
Otherwise gave a hint of
Other dozy goings on.

Hawthorn filled the air,
Filled the nose,
Filled the head –
Pungency had overpowered all –
Gave the late-spring-early-summer haze.

Here and there a break of colour:
Odd bluebells – escapees from nearby woods –
Blue-blushing bell faces glancing down,
Aware of their erectness in the stem;
The flaming wing of red admirals
Broke through a hedge hole to
Break up the calm backdrop,
While flitting blue tits gave
To greater-bodied animation.

Nature’s warm narration –
The undertones of life.

Copyright © Mark R Slaughter 2010

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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Harmony (From" Harmony")

Harmony
Unforgettable harmony
Harmony
First there was harmony
And there was rhyme
This was our time
Harmony
Did we have harmony
And that's just about all we had!
Suddenly
A little harmony
And the poverty's not so bad
Thin, we were
Poor as sin in berlin, we were!
Patches on our pants
Mercif'lly, when you're in harmony
You're in a trance
Others went marching
Not us, we'd dance
No one in grodnogubernia
Ever learned to dance like this!
Spoken:
(Believe it or not I was a rabbi before all this started!
In grodnogubernia yet!)
If you're in grodnogubernia
Tell em', this you shouldn't miss!
Harmony
All arm in arm were we
Well, except when the punches flew
Squabbles, sure
But squabbles don't endure
When there's harmony in the brew
Then did we
Oh, so splendidly blend, did we
Like a spell had come
It was clear
My pals and I could hear
A different drum
Outside they hollered!
But we hadharmony!
In this joint
All encounters with counterpoint
End in harmony
And it's clear
No man's a solo here
Not even me
No solo mio!
No we've got harmony!
When we've got harmony
Then just maybe we've got a chance

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0995..... Supreme Truth

We know who is Super Star and Supreme Star
More so, we are more interested in their personal life
Ever wanted to know what Supreme Truth is?
Ever interested to ponder on above line?

Love is Truth, Affection is Truth, Compassion is Truth,
Friendship is Truth, Peace is Truth, Universe is Truth, Atom is Truth
Mountain is Truth, Earth is Truth, Sun is Truth, Truth is Truth
There are Millions of Truths; but one could be the ‘Supreme Truth’

What is the Supreme Truth? Truth of All Truths?
Truth that sustains all Truths is the Supreme Truth
That which is Beyond ‘Time’ and ‘Space’ and Eternal
That which is the one and only is Supreme Truth

We are Born, Live and Die; Earths, Suns, Stars and Galaxies do die;
Lights, Sounds, Nations, Religions, Castes, Money, all will vanish oneday;
Nothing in Space-Time region will last forever and Die one day;
Anything out of Space-Time Horizon can only exist for ever

Everything is Consciousness; Consciousness sustains everything
The seen and unseen are two realms of Consciousness
An Electron is conscious of velocity and angle to rotate
Chairs, Sticks, Stones Books, He, She, It and all have Consciousness

Consciousness is Dormant in Few, Explicit in Few, That’s Truth.
Every object is conscious of what it is; They can’t exist otherwise
What way will Knowing Consciousness help me?
Listen carefully, for this may change all your perspective
Consciousness Infinite is, The God in Absolute Form

Consciousness is on a Big Agenda;
To express itself in many forms and Evolve
We are latest creations in 13.73 Billion Years in River of Consciousness;
We were Sticks and Stones one day; You and I Today

Know it or not we are Evolving; Evolution is an upward march
All of us are from same fountain of Consciousness
Is Buddha a fool to renounce his Princedom in search of Truth?
Consciousness little unplugged is Happiness;
Consciousness fully Unplugged is Bliss (Cosmic Consciousness)

Be more conscious; Be full of Awareness of your doings;
You can evolve faster and faster; Being Conscious can
Speed up your Karmic path, avoiding many cycles of Births and Deaths
We cannot not exist; We are Gods in the making; Time only counts;
Be more Conscious; Consciousness is the only –‘The Supreme Truth’

(28-03-2010, Chennai)

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Harmony (feat. Kenny Loggins)

Clint Black & Kenny Loggins
With the rivers running to the sky
To rain across the land
Our children's children's sands of time
Are slipping through our hands.
Take heed in what's become of Eden
You and me, from seed to seed
Just how does your garden grow?
It's likely only Heaven knows.
Harmony -- From the very start
Weren't we changing it?
Don't we all agree, that in every part
We're more than rearranging harmony.
Do we move the mountains that we climb
Just because we're here?
Can we show the forests to the blind
To see the trees we clear?
And if Mother Nature holds her ground
And our seeds are still around
Will we watch our garden grow
To something only Heaven knows?
Harmony -- We're the only one's
Who can't live in it
Everything and everyone
Can get along in every way in harmony.
Harmony -- From the very start
Weren't we changing it?
Dont we all agree that in every part
We're more than rearranging harmony.
Chorus:
I believe it's gonna be
When everybody here can sing along
Singin' in harmony
Stand on up, say the word
Together, all of our voices can be heard
Everybody knows the key
To livin' in harmony.
Take heed in what's become of Eden
You and me, from seed to seed
Just how does your garden grow?
It's likely only Heaven knows.
Harmony -- We all just have to believe
Don't we all agree, that in every part
We're more than rearranging harmony.
Chorus:
I believe it's gonna be
When everybody here can sing along
Singin' in harmony
(Stand on up, I believe)
I believe in harmony

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The Four Seasons : Spring

Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!

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Gaia’s Plan

Please, don’t sweep the leaves away –
Their essence gives to life’s decay.

Never hack the flowers down –
Their colours bless the laughing clown.

Now why the mowing of the lawn?
The severed grass will lie forlorn.

Let our flora live undressed,
Or under Man, will toil repressed!

I, the tree of standing still –
Erect and proud, and stout of will,
Aglow with motley bark of earth –
Advance my roots for all they’re worth,
Internalising Nature’s bowels
To snag the devil, tweak his jowls
And pull his hairs from whence they grow!
I’ll destroy his pagan show
Of Homo sapiens’ disrespect!

The humble ape must reconnect
With Gaia’s plan!

Copyright © Mark R Slaughter 2010

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Stream Line Consciousness

Big brother voyeur blimps unidentified spies
uncle sam peeping toms patrolling skies
bird brain police intelligence
remote viewing homeland pest control
pentagon private eye monitoring the public's every move
mass produced micro chips intercepting prayers patrolling citizens from heaven
Bentham's Panopticon NSA
super computer surveillance cameras
world police spying Manhattan streets

'Athens plummets Euro death spiral
suicide rates soar deepening into despair'

haaretz..the post.. the times
blogs tribunes dailies all in a mad gab
headlong headline attention grabbing scramble

'Yugoslavia - Iraq - Egypt - Yemen - Iran - Syria - United States'
bilderberg building blocks New American Century post apocalyptic prophecy

'foreign mercenaries …national guard...DOD
homeland security to amass covert munitions stockpile
Americans on guard anxieties mounting surrounding
the stripping of amendments 1st if you swing to your left
2nd if you stand on the right
whispers of martial law circulate Anarchical reverberations
emanate from internet Alt culture epicenters
bottle necking global tensions'

'common feeling of deepening disappointment...
heightened expectations...
people expecting an explosive situation over the
next few weeks'

...riot police respond 'to preserve public order'
public roads barricaded to 'protect security of citizens'

'blatant act of censorship
western mainstream media staying away
from Myanmar massacres of Mohammedan Angels
further showing strong anti Muslim bias'

'Media blackout Burmese army
seeking coverage under propaganda blankets'

from the middle east throughout the western world
planet consciousness blurring lines between conspiracy/reality
conflicting global network narratives multiply violent scenarios daily
Victims in a world wide scramble
Government Banking Military

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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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Harmony With Darkness

It is extremely clear,
You travel with discomfort.
And sip on agonies that leave you drained.
The dripping of them from your lips...
Disappoint with those expectations,
You neither receive nor get!
From the exposure of it!

It is clearly known you want this shown.
While secluding your delusions.
Although standards you maintain...
Have strained relationships,
You once had gained.

There is an unhappiness kept self inflicted.
Your treasure chest of gifts,
You have allowed restricted!
They've become diminished like heirlooms replaced.
With a pawning done...
And etched upon your saddened face!

You are in harmony with darkness!
A tune sung and kept reminisced.
You are in harmony with darkness!
And plugged you are...
Right into it!

It is extremely clear,
You travel with discomfort.
That you alone have invited into your home.
And it is kept pampered like a loyal devoted pet.
One you expect to shower you with misery.
From Sunrise to Sunset!

You are in harmony with darkness.
And you've name it 'Eminent'.
Isn't it...
Eminent?

You are in harmony with darkness.
And it is permanently,
Un-resisted.

There is an unhappiness kept self inflicted.
Your treasure chest of gifts,
You have allowed restricted!
They've become diminished like heirlooms replaced.
With a pawning done...
And etched upon your saddened face!

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The Artists

How gracefully, O man, with thy palm-bough,
Upon the waning century standest thou,
In proud and noble manhood's prime,
With unlocked senses, with a spirit freed,
Of firmness mild,--though silent, rich in deed,
The ripest son of Time,
Through meekness great, through precepts strong,
Through treasures rich, that time had long
Hid in thy bosom, and through reason free,--
Master of Nature, who thy fetters loves,
And who thy strength in thousand conflicts proves,
And from the desert soared in pride with thee!

Flushed with the glow of victory,
Never forget to prize the hand
That found the weeping orphan child
Deserted on life's barren strand,
And left a prey to hazard wild,--
That, ere thy spirit-honor saw the day,
Thy youthful heart watched over silently,
And from thy tender bosom turned away
Each thought that might have stained its purity;
That kind one ne'er forget who, as in sport,
Thy youth to noble aspirations trained,
And who to thee in easy riddles taught
The secret how each virtue might be gained;
Who, to receive him back more perfect still,
E'en into strangers' arms her favorite gave--
Oh, may'st thou never with degenerate will,
Humble thyself to be her abject slave!
In industry, the bee the palm may bear;
In skill, the worm a lesson may impart;
With spirits blest thy knowledge thou dost share,
But thou, O man, alone hast art!

Only through beauty's morning gate
Didst thou the land of knowledge find.
To merit a more glorious fate,
In graces trains itself the mind.
What thrilled thee through with trembling blessed,
When erst the Muses swept the chord,
That power created in thy breast,
Which to the mighty spirit soared.

When first was seen by doting reason's ken,
When many a thousand years had passed away,
A symbol of the fair and great e'en then,
Before the childlike mind uncovered lay.
Its blessed form bade us honor virtue's cause,--
The honest sense 'gainst vice put forth its powers,

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Awareness, Now!

awareness...
walking in awareness,
breathing in awareness,

giving in awareness,
touching in awareness,
listening in awareness,

doing in awareness,
speaking in awareness,
living in awareness....

awareness,
......now!

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The Pleasures of Imagination: Book The First

With what attractive charms this goodly frame
Of nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle powers
Of musical delight! and while i sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull
Fresh flowers and dews to sprinkle on the turf
Where Shakespeare lies, be present: and with thee
Let Fiction come, upon her vagrant wings
Wafting ten thousand colours through the air,
Which, by the glances of her magic eye,
She blends and shifts at will, through countless forms,
Her wild creation. Goddess of the lyre,
Which rules the accents of the moving sphere,
Wilt thou, eternal Harmony! descend
And join this festive train? for with thee comes
The guide, the guardian of their lovely sports,
Majestic Truth; and where Truth deigns to come,
Her sister Liberty will not be far.
Be present all ye Genii, who conduct
The wandering footsteps of the youthful bard,
New to your springs and shades: who touch his ear
With finer sounds: who heighten to his eye
The bloom of nature, and before him turn
The gayest, happiest attitude of things.

Oft have the laws of each poetic strain
The critic-verse imploy'd; yet still unsung
Lay this prime subject, though importing most
A poet's name: for fruitless is the attempt,
By dull obedience and by creeping toil
Obscure to conquer the severe ascent
Of high Parnassus. Nature's kindling breath
Must fire the chosen genius; nature's hand
Must string his nerves, and imp his eagle-wings
Impatient of the painful steep, to soar
High as the summit; there to breathe at large
Æthereal air: with bards and sages old,
Immortal sons of praise. These flattering scenes
To this neglected labour court my song;
Yet not unconscious what a doubtful task
To paint the finest features of the mind,
And to most subtile and mysterious things
Give colour, strength, and motion. But the love
Of nature and the muses bids explore,

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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Book III - Part 02 - Nature And Composition Of The Mind

First, then, I say, the mind which oft we call
The intellect, wherein is seated life's
Counsel and regimen, is part no less
Of man than hand and foot and eyes are parts
Of one whole breathing creature. But some hold
That sense of mind is in no fixed part seated,
But is of body some one vital state,-
Named "harmony" by Greeks, because thereby
We live with sense, though intellect be not
In any part: as oft the body is said
To have good health (when health, however, 's not
One part of him who has it), so they place
The sense of mind in no fixed part of man.
Mightily, diversly, meseems they err.
Often the body palpable and seen
Sickens, while yet in some invisible part
We feel a pleasure; oft the other way,
A miserable in mind feels pleasure still
Throughout his body- quite the same as when
A foot may pain without a pain in head.
Besides, when these our limbs are given o'er
To gentle sleep and lies the burdened frame
At random void of sense, a something else
Is yet within us, which upon that time
Bestirs itself in many a wise, receiving
All motions of joy and phantom cares of heart.
Now, for to see that in man's members dwells
Also the soul, and body ne'er is wont
To feel sensation by a "harmony"
Take this in chief: the fact that life remains
Oft in our limbs, when much of body's gone;
Yet that same life, when particles of heat,
Though few, have scattered been, and through the mouth
Air has been given forth abroad, forthwith
Forever deserts the veins, and leaves the bones.
Thus mayst thou know that not all particles
Perform like parts, nor in like manner all
Are props of weal and safety: rather those-
The seeds of wind and exhalations warm-
Take care that in our members life remains.
Therefore a vital heat and wind there is
Within the very body, which at death
Deserts our frames. And so, since nature of mind
And even of soul is found to be, as 'twere,
A part of man, give over "harmony"-
Name to musicians brought from Helicon,-
Unless themselves they filched it otherwise,
To serve for what was lacking name till then.
Whate'er it be, they're welcome to it- thou,
Hearken my other maxims.

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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