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Women- Listen To The Heart Of Man

Women- listen to the heart of man
Not all of us are macho men
But most of us will defend you to the end.
Not all men are into martial arts, weight lifting and such
For some it is too much.

We are men of every day stance, all we ask
Is to love us, and give us a chance.
We feel pain the same as you
And our tears we’ll hide from you.

We can love you more than you’ll ever know
And it’s something that we will show.
We will love you like no other man can
We will walk with you hand in hand.

You are mans foundation, that is why
GOD made such a beautiful creation.
Different in every aspect and every way
And he knew in our hearts you would stay.

Strange as it may be: we came out of you
And are always trying to get back into you.
But we must start from your heart and mind
To be with you throughout all time.

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I Will Walk With You

Cover your heart, put on your mask
Dance with me slowly, is all that I ask
What is the hardest, falling or not
Knowing just where to begin or start
I will walk, I will walk, with you
I will walk with you
Lay down beside me, tell me your dreams
The view from inside is not what it seems
But no one will hurt you, not like before
Your last thread of forgiveness wont reach the door, noooo
I will walk, I will walk, with you
I will walk with you
I will walk, I will walk, with you
I will walk with you
I will walk, I walk with you
Pull up the curtains
Watch the night fall
Who has the answers when nobody calls
Now rely on fury, blame the sun rise last
Cause I was in love with you, but I cant change the past
I will walk, I will walk with you
I will walk with you (with you)
I will walk, I will walk with you
I will walk with you

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Weasel words with easy starts are not the first ones to our hearts

Weasel words
with easy starts
are not the first
ones to our hearts
when the cold cadaver light of day
takes one of those we love away

After the funeral
- when the funeral was over
- After we had buried him

We walked across the grass
We walked across the grass
leaving footprints in the dew

footprints in the dew
How was that possible
Gods name how was that possible

with him forever
And now, forever
footprints forever

looking back across the grass
The warmth of the day
losing us all, forever

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If you were mine, if you were mine,

`If you were mine, if you were mine,
The day would dawn, the stars would shine,
The sun would set, the moon arise,
In holier and yet heavenlier skies.
Then unto me the Year would bring
A younger April, fresher Spring.
I should not then seek sylvan ways
For primrose clusters, woodbine sprays,
To hear the mavis' matin tale,
Or nocturn of the nightingale.
For at your coming there would pass
A glow, a glory, o'er the grass,
The flowers would in your gaze rejoice,
The wildwood carol in your voice,
Returning gleam chase lingering gloom,
And life be never out of bloom,
If you were mine!

`If you were mine, I should not know
In what fair month the roses blow,
When the pure lily bares her brow,
Or ringdoves coo their nuptial vow.
For, with your hand soft-clasped in mine,
I still should smell the eglantine,
And, wheresoe'er our steps should stray,
The incense of the new-mown hay.
By restless wave or restful mere,
In wanderings far or wanderings near,
On cheerful down, in pensive glen,
It would be always Summer then,
If you were mine.

`If you were mine, I should not fear
The warnings of the waning year,
The garnering sickle, girdled sheaf,
The falling acorn, floating leaf,
Moisture of eve and haze of morn,
Pearls turned to rubies on the thorn,
The silvering tress on fading brow,
The dimples that are furrows now.
For, leaving summits once I clomb,
With you, would seem but wending home.
Leaning on love in life's decline,
More sweet the shadow than the shine,
The cushat's perch than swallow's wing,
And Autumn peace than pomp of Spring,
If you were mine.

`If you were mine, how then should I
Heed frozen fallow, churlish sky,
Bleak, songless branches, sapless rind,
The wailing of the homeless wind,
The dwindling days, the deepening snow,
The dull, dead weight of wintry woe?
For, harkening to the Christmas peal
Without, our hearts within would feel,
In glowing rafter, flickering blaze,
The sunshine of departed days,
And round the hearth dear memories swarm
To keep life young, to keep love warm,
If you were mine.'

`Yet you are mine, yes, you are mine.
No length of land, no breadth of brine,
Can keep whom spirit links, apart,
Or make an exile of the heart.
And when from soul, no more the thrall
Of sense, the fleshly fetters fall,
And, purified by combats past,
Long-martyred love is crowned at last,
You then before the Heavenly Throne
Will take my hand, nor blush to own,
That you were mine!'

When June is wreathed with wilding rose
When June is wreathed with wilding rose,
And all the buds are blown,
And O, 'tis joy to dream and doze
In meadows newly mown,
Go take her where the graylings leap,
And where the dabchick dives,
Or where the bees from clover reap
The harvest for their hives;
For Summer is the season when,
If you but know the way,
A maid that's kissed will kiss again,
And pelt you with the hay,
The hay,
And pelt you with the hay.

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Dance, Dance, Dance, 'til You Can Dance No More

As I drove 'cross town today
To get my Holiday shopping under way
With my car radio tuned in
Classic Rock - - let the dance begin

On comes a Don Henley from 1985
- -'All She Wants to Do Is Dance'- -
Up comes the volume
Down comes all four car windows

Take that you hip-hoppers
Wish I had my old speakers
From my '66 Malibu
Then the lyrics struck me

Maybe I've been watchin'
Too many presidental debates
Maybe just too much CNN
Twenty-four hours a day

I have no idea if this is what
Henley was trying to say
But given the state of America's
Foreign and energy policies

Our refusal to sign
The Kyoto Protocol
Ratified by 170 other countries
To reduce greehouse gases

And our nonplused reaction to that
And the six-year Iraq War

THE IRAQ WAR - -? ? ?
It's our war
Bought and
Paid for

Its cost to date in U.S. dollars
If relevant to you $469,509,480,910
U.S. troups dead
A very relevant 3,865

I said I'm no sure who Henley
Had on his mind
When he wrote and sang
'All she wants to do is dance'

All I could see in my minds eye
As I drove on
Was my Uncle Sam in a dress
Dancing and wantin' to party

Thats' what Don's song was saying to me
War's in a Surge mode
Demos first 100 days
Are long gone

'And all she wants to do is dance
Rebels being rebels
Since I don't know when
And all she wants to do is dance

Molotov cocktails the local drink
They make 'em up right
In the kitchen sink
Carzy people walkin' 'round with blood in their eyes

And all she wants to do
is dance, dance, dance'

We're busy getting ready
To dance through the Holidays
Macy's and Wall Mart
Already playing Siren's song

And all we want to do is dance
'Never mind the heat
Comin' off the street'
All we want to do is dance

And make romance
We want to party
How did Don know
He'd make me pull over

Park my car and listen
To his refrian
And suddenly
Not feel like dancing

**November 17,2007**

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Walk With Your Head Held High

With your palms open.
And I will keep you fed.
It was I who had said from the very beginning...
Without Me in your life,
You would feel the winds...
Constantly spinning.

Until you admit...
It is I who can make that quit.

With your eyes opened wide.
And realize what I have done...
Under the Sun,
Is not disguised.

With your head held high.
Stop denying lies you tell...
To see time slip right by!

And it does not have to be that way.
It is you who attract,
Involved entrapments.
Without sending them away.
What from that,
Do you wished kept obeyed?

With your head held high.
Stop denying lies you tell...
To see time slip right by!

With your head held high.
Without trying in your 'fits'...
To make sense of it and sit,
In tears...
To stay.

With your head held high.
Stop denying and the lieing,
Excused by alibis.


Just walk,
With your palms open.
And I will keep you fed.
It was I who said,
From the very beginning...
Without Me in your life,
You would feel the winds spinning.
With strife you do not like!
But you invite it to incite.

And it does not have to be that way.
It is you who like entrapments.
Without sending them away.

With your head held high.
And remember this...
You can dismiss all your conflicts,
If you insist to let them go...
And show your faith in Me believing,
What is known can be quickly tossed away...
From your grieving.

It was I who had said from the very beginning...
Without Me in your life,
You would feel the winds...
Constantly spinning.
Until you admit...
It is I who can make that quit.
Or you can sit,
To let your life pass as you slowly fade.

Without ever knowing what it's like...
To grab hold of your life and fight it,

Just Walk!
With your head held high.
Stop denying lies you tell...
To see time slip right by!

With your head held high.
Without trying in your 'fits'...
To make sense of it and sit,
In tears...
That stay.

Take your happiness...
Affirm this everyday,
And walk away.

Choose to live your life,
In peaceful ways.

And you can do that praying everyday.

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Walk With Me

Brightening days and Twinkling nights
Moves around a day by day
Falling snow and Melting hot
Makes me feel you
Been there with me
For good and Bad all
Along a walk with me
Throughout my Life.

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Marianne Moore


This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind."
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy."
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol."
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire."
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand."
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation."
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad."
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus tête à tête banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness."
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent."
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command."
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science."
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,

"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
protegés of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:

`Liberty and union
now and forever;'

the book on the writing-table;
the hand in the breast-pocket."

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Patrick White

Imagine Me

Imagine me being here now this very moment just as I am slipping through my own disembodied awareness like a silver dolphin alone in a sea of shadows on the moon on the eyeless side of the mirror. And you. Just as you are. Doing the very same thing because it's in everybody's nature to swim through themselves as if they were shoreless, looking for islands in the mindstream among the stars. To be free. To delight in the mystery of exploring themselves like a new medium they discover they have an unknown talent for beathing life into. Beyond reality, beyond delusion, beyond enlightenment and ignorance the knowable human divinity of pure sentience omnipresently at home with itself like the homeless everywhere. Everywhere within yourself even at midnight can't you see the aura of the gold in the ore that dreams of being dug up? Or how the fireflies are always trying to get your attention like tiny lighthouses off the coast of continents that have already run aground like mountains? Or gone down with Mu and Atlantis? How many lost civilizations are waiting in the overgrown jungles of yourself for you to let the dead use your voice to decipher their ghosts at a seance of whispering hieroglyphs? If the one word the wise never use is complete then you're a fool to think there's an end of you in sight. But that shouldn't discourage you from looking.
And isn't that what we were born for? To see and be happy. To attain a transformative insight into the tragic innocence of seeing itself that let's the witness go free to delight in its eyes without accounting for anything? Even if you're trying to wash your reflection off your face like a deathmask in a mirage in a desert of stars. Even if you're scooping up the moon to drink from your hands like a lifeboat in the rain. Even if you've crawled into one of the wormholes of space like a prophet in the belly of a snake whispering in Eve's ear things that weren't meant to be heard by anyone other than yourself. Even if you're the most fucked-up, twisted, mutated, incontravertible perversion of yourself, a black dwarf that ate its own children after it had starved them to death by keeping its light to itself. Even if you're dropping breadcrumbs like asteroids everywhere you go or threading the eye in the needle like a spider in a labyrinth to figure a way out of yourself like genetically inherited dice. You're still not a victim of gravity. Whatever excruciating transformations you must undergo like the sea enduring its own weather. Nothing can get you down. Nothing can bring you up. Because the whole universe in all ten directions is wired to surround-sound listening to itself like an old recording of what it had to say at the beginning of things before it discovered its voice. But it's not a Big Bang when nothing's come into existence yet to compare it to. It's not the sound of one hand clapping or the crash of a tree in a forest when there's no one there to hear it. And even if you're holding on to your religion like a superstitious grudge against the world. And it may be hard at first to discover the universe God the Zeitgeist the Cosmic Id whatever you want to call it never had a motive from the very first that wasn't invasively human. But that's just you being godlessly unconvinced of your own existence. That's just you trying to believe in your own inconceivability like an established fact. That's just you trying to spread your angel wings over the earthly turbulence of learning to fly on your own.
So what if you're a dead civilization before you're seventeen? That doesn't make you any less intriguing than the living ones. It's the tragic heroes we remember the most not the ghosts of the bookends who lived to the end of their long and boring biographies wholesome as twelve grain bread. So what if you're gnawing on yourself like a bitter black crust of starwheat? You're still shining. You're still breaking yourself into loaves and fishes. Some people are bright and light with stars in their eyes and smiles that can only be measured in lightyears. And some are dark and deep as Solomon's mines hiding their wealth from the graverobbers in gnostic caves of black matter no one's thief enough to enter. Here's a Zen koan I just made up specifically for you. If a thief stole the moon from your window would your window miss it? If you ever find an answer that doesn't let you in on the know as immediately as your mind. Let it go. It wasn't meant for you.
You get up every morning and you open your eyes like storefronts and informers and for all that appeared and disappeared in plain view before and through them have you ever heard them complain that anything was ever missing from the seeing? Whatever you're looking at. Awake or dreaming. Whose light is cast over everything and then withdrawn like day and night? When it's gone. Stars. When it's here. Flowers. When you fail at finding happiness you discover peace as a way of consoling yourself. When you fall a god or two shy of perfection you master an earthly excellence that's out of reach of the angels. Cornerstones and quicksand. Everything here stands solidly on the unsubstantiated reality of everything else. The defeated don't stand like shadows in the victor's light. An eclipse isn't midnight on the sun when the clock strikes Cinderella with a pendulum like an executioner's ax. You can call it praying if you like but from here it looks like swanning on the block for betraying yourself.
Or is it Chicken Little when the sky's falling in all around her like Leonid meteor showers? Did you raise a false alarm? Did you let the world down? Have your zeniths caught up to their nadirs like snakes with their tails in their mouths? Zero. Forever. Did it become inconceivably unholy to tempt yourself with the earth's believable fruits because they fall back on their dark roots like pregnant rain to climb up the waterslide again like clear fountains everyone can drink from like clouds and birds that pass without a trace? Is that blood or lipstick on the mirror? Was your last loveletter a suicide note full of agitated compassion for what you'd done to everyone else by killing them into life with your absence or were you just kidding when you said life was too hard for the living and what's the point of swimming when the lifeboats are full of the dead?
It's too late for the Mayan calendar to do the Mayans any good. And Nostradamus' worst guess on a bad seeing day is just another unenlightened truism at the wrong end of a telescope looking for signs of intelligent life. And maybe we'll destroy ourselves out of hate and ignorance long before we get any answers that might have prevented the onslaught of doom like a prophetic skull that had spoken. Everything is broken. Fractious. Raptors in rapture they've made a comeback at last like Nazis in the Black Forest. Like Dante in a dark wood. Like children all over the planet tonight turning into young men and women who remember war like the scar of a childhood Caesarian that marked them for life like that which has been rent asunder. Like an olive tree by lightning without thunder. Or the Israeli airforce. A flash of insight without wondering what they've seen that makes them want to kill themselves in a holy war of mirrors vying for perfection of the reflection of a God that escapes detection like a cosmic Houdini whatever chains straightjackets or suicide vests or religions you want to dress him up in.
So why are you crying like a broken teacup you couldn't pour the ocean into? Is your mind too big for your skull? Look at how the trees bag all the stars in the sky into the tiniest dropp of water and throw a hobo branch over their shoulders like a jolly swagman down under and walk away with the spoils of the victors like a windfall at their feet. You say you've lost your purpose for living. But here's one that's as purposeful as evolution. Begin. Anywhere. Now. Like a crowning achievement that returns to transcendence by getting over itself.
When misdirection comes to its senses where are you that isn't always here and now? Because there is no other place to be. If you make goodness the standard of life then you'll end up practising an occult alchemy looking for a philosopher's stone to turn maggots into butterflies with the wormy afterlives of people obscenely out of touch with themselves. Knowledge feeds on ignorance and true wisdom doesn't acknowledge the difference. Great enlightenment doesn't maintain a teacher. You want to be a star. You want to rise and shine. As well you should. But remember this. The darkness is a star's best feature. And beauty and meaning and art don't mean anything to anyone with a heart if they haven't lived through their own passionate annihilation. You won't find a phoenix in an urn on a mantle. You want to burn? You've got to learn to eat your own ashes sometimes.

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Army Of Northern Virginia

Army of Northern Virginia, army of legend,
Who were your captains that you could trust them so surely?
Who were your battle-flags?
Call the shapes from the mist,
Call the dead men out of the mist and watch them ride.
Tall the first rider, tall with a laughing mouth,
His long black beard is combed like a beauty's hair,
His slouch hat plumed with a curled black ostrich-feather,
He wears gold spurs and sits his horse with the seat
Of a horseman born.
It is Stuart of Laurel Hill,
'Beauty' Stuart, the genius of cavalry,
Reckless, merry, religious, theatrical,
Lover of gesture, lover of panache,
With all the actor's grace and the quick, light charm
That makes the women adore him-a wild cavalier
Who worships as sober a God as Stonewall Jackson,
A Rupert who seldom drinks, very often prays,
Loves his children, singing, fighting spurs, and his wife.
Sweeney his banjo-player follows him.
And after them troop the young Virginia counties,
Horses and men, Botetort, Halifax,
Dinwiddie, Prince Edward, Cumberland, Nottoway,
Mecklenburg, Berkeley, Augusta, the Marylanders,
The horsemen never matched till Sheridan came.
Now the phantom guns creak by. They are Pelham's guns.
That quiet boy with the veteran mouth is Pelham.
He is twenty-two. He is to fight sixty battles
And never lose a gun.
The cannon roll past,
The endless lines of the infantry begin.
A. P. Hill leads the van. He is small and spare,
His short, clipped beard is red as his battleshirt,
Jackson and Lee are to call him in their death-hours.
Dutch Longstreet follows, slow, pugnacious and stubborn,
Hard to beat and just as hard to convince,
Fine corps commander, good bulldog for holding on,
But dangerous when he tries to think for himself,
He thinks for himself too much at Gettysburg,
But before and after he grips with tenacious jaws.
There is D. H. Hill-there is Early and Fitzhugh Lee-
Yellow-haired Hood with his wounds and his empty sleeve,
Leading his Texans, a Viking shape of a man,
With the thrust and lack of craft of a berserk sword,
All lion, none of the fox.
When he supersedes
Joe Johnston, he is lost, and his army with him,
But he could lead forlorn hopes with the ghost of Ney.
His bigboned Texans follow him into the mist.
Who follows them?
These are the Virginia faces,
The Virginia speech. It is Jackson's footcavalry,
The Army of the Valley,
It is the Stonewall Brigade, it is the streams
Of the Shenandoah, marching.
Ewell goes by,
The little woodpecker, bald and quaint of speech
With his wooden leg stuck stiffly out from his saddle,
He is muttering, 'Sir, I'm a nervous Major-General,
And whenever an aide rides up from General Jackson
I fully expect an order to storm the North Pole.'
He chuckles and passes, full of crotchets and courage,
Living on frumenty for imagined dyspepsia,
And ready to storm the North Pole at a Jackson phrase.
Then the staff-then little Sorrel-and the plain
Presbyterian figure in the flat cap,
Throwing his left hand out in the awkward gesture
That caught the bullet out of the air at Bull Run,
Awkward, rugged and dour, the belated Ironside
With the curious, brilliant streak of the cavalier
That made him quote Mercutio in staff instructions,
Love lancet windows, the color of passion-flowers,
Mexican sun and all fierce, tautlooking fine creatures;
Stonewall Jackson, wrapped in his beard and his silence,
Cromwell-eyed and ready with Cromwell's short
Bleak remedy for doubters and fools and enemies,
Hard on his followers, harder on his foes,
An iron sabre vowed to an iron Lord,
And yet the only man of those men who pass
With a strange, secretive grain of harsh poetry
Hidden so deep in the stony sides of his heart
That it shines by flashes only and then is gone.
It glitters in his last words.
He is deeply ambitious,
The skilled man, utterly sure of his own skill
And taking no nonsense about it from the unskilled,
But God is the giver of victory and defeat,
And Lee, on earth, vicegerent under the Lord.
Sometimes he differs about the mortal plans
But once the order is given, it is obeyed.
We know what he thought about God. One would like to know
What he thought of the two together, if he so mingled them.
He said two things about Lee it is well to recall.
When he first beheld the man that he served so well,
'I have never seen such a fine-looking human creature.'
Then, afterwards, at the height of his own fame,
The skilled man talking of skill, and something more.
'General Lee is a phenomenon,
He is the only man I would follow blindfold.'
Think of those two remarks and the man who made them
When you picture Lee as the rigid image in marble.
No man ever knew his own skill better than Jackson
Or was more ready to shatter an empty fame.
He passes now in his dusty uniform.
The Bible jostles a book of Napoleon's Maxims
And a magic lemon deep in his saddlebags.

And now at last,
Comes Traveller and his master. Look at them well.
The horse is an iron-grey, sixteen hands high,
Short back, deep chest, strong haunch, flat legs, small head,
Delicate ear, quick eye, black mane and tail,
Wise brain, obedient mouth.
Such horses are
The jewels of the horseman's hands and thighs,
They go by the word and hardly need the rein.
They bred such horses in Virginia then,
Horses that were remembered after death
And buried not so far from Christian ground
That if their sleeping riders should arise
They could not witch them from the earth again
And ride a printless course along the grass
With the old manage and light ease of hand.
The rider, now.
He too, is iron-grey,
Though the thick hair and thick, blunt-pointed beard
Have frost in them.
Broad-foreheaded, deep-eyed,
Straight-nosed, sweet-mouthed, firmlipped, head cleanly set,
He and his horse are matches for the strong
Grace of proportion that inhabits both.
They carry nothing that is in excess
And nothing that is less than symmetry,
The strength of Jackson is a hammered strength,
Bearing the tool marks still. This strength was shaped
By as hard arts but does not show the toil
Except as justness, though the toil was there.
-And so we get the marble man again,
The head on the Greek coin, the idol image,
The shape who stands at Washington's left hand,
Worshipped, uncomprehended and aloof,
A figure lost to flesh and blood and bones,
Frozen into a legend out of life,
A blank-verse statue-
How to humanize
That solitary gentleness and strength
Hidden behind the deadly oratory
Of twenty thousand Lee Memorial days,
How show, in spite of all the rhetoric,
All the sick honey of the speechifiers,
Proportion, not as something calm congealed
From lack of fire, but ruling such a fire
As only such proportion could contain?

The man was loved, the man was idolized,
The man had every just and noble gift.
He took great burdens and he bore them well,
Believed in God but did not preach too much,
Believed and followed duty first and last
With marvellous consistency and force,
Was a great victor, in defeat as great,
No more, no less, always himself in both,
Could make men die for him but saved his men
Whenever he could save them-was most kind
But-was not disobeyed-was a good father,
A loving husband, a considerate friend:
Had litle humor, but enough to play
Mild jokes that never wounded but had charm,
Did not seek intimates, yet drew men to him,
Did not seek fame, did not protest against it,
Knew his own value without pomp or jealousy
And died as he preferred to live-sans praise,
With commonsense, tenacity and courage,
A Greek proportion-and a riddle unread.
And everything that we have said is true
And nothing helps us yet to read the man,
Nor will he help us while he has the strength
To keep his heart his own.
For he will smile
And give you, with unflinching courtesy,
Prayers, trappings, letters, uniforms and orders,
Photographs, kindness, valor and advice,
And do it with such grace and gentleness
That you will know you have the whole of him
Pinned down, mapped out, easy to understand-
And so you have.
All things except the heart
The heart he kept himself, that answers all.
For here was someone who lived all his life
In the most fierce and open light of the sun,
Wrote letters freely, did not guard his speech,
Listened and talked with every sort of man,
And kept his heart a secret to the end
From all the picklocks of biographers.

He was a man, and as a man he knew
Love, separation, sorrow, joy and death.
He was a master of the tricks of war,
He gave great strokes and warded strokes as great.
He was the prop and pillar of a State,
The incarnation of a national dream,
And when the State fell and the dream dissolved
He must have lived with bitterness itself-
But what his sorrow was and what his joy,
And how he felt in the expense of strength,
And how his heart contained its bitterness,
He will not tell us.
We can lie about him,
Dress up a dummy in his uniform
And put our words into the dummy's mouth,
Say 'Here Lee must have thought,' and 'There, no doubt,
By what we know of him, we may suppose
He felt-this pang or that-' but he remains
Beyond our stagecraft, reticent as ice,
Reticent as the fire within the stone.

Yet-look at the face again-look at it well-
This man was not repose, this man was act.
This man who murmured 'It is well that war
Should be so terrible, if it were not
We might become too fond of it-' and showed
Himself, for once, completely as he lived
In the laconic balance of that phrase;
This man could reason, but he was a fighter,
Skilful in every weapon of defence
But never defending when he could assault,
Taking enormous risks again and again,
Never retreating while he still could strike,
Dividing a weak force on dangerous ground
And joining it again to beat a strong,
Mocking at chance and all the odds of war
With acts that looked like hairbread'th recklessness -
We do not call them reckless, since they won.
We do not see him reckless for the calm
Proportion that controlled the recklessness-
But that attacking quality was there.
He was not mild with life or drugged with justice,
He gripped life like a wrestler with a bull,
Impetuously. It did not come to him
While he stood waiting in a famous cloud,
He went to it and took it by both horns
And threw it down.
Oh, he could bear the shifts
Of time and play the bitter loser's game,
The slow, unflinching chess of fortitude,
But while he had an opening for attack
He would attack with every ounce of strength.
His heart was not a stone but trumpet-shaped
And a long challenge blew an anger through it
That was more dread for being musical
First, last, and to the end.
Again he said
A curious thing to life.
'I'm always wanting something.'
The brief phrase
Slides past us, hardly grasped in the smooth flow
Of the well-balanced, mildly-humorous prose
That goes along to talk of cats and duties,
Maxims of conduct, farming and poor bachelors,
But for a second there, the marble cracked
And a strange man we never saw before
Showed us the face he never showed the world
And wanted something-not the general
Who wanted shoes and food for ragged men,
Not the good father wanting for his children,
The patriot wanting victory-all the Lees
Whom all the world could see and recognize
And hang with gilded laurels-but the man
Who had, you'd say, all things that life can give
Except the last success-and had, for that,
Such glamor as can wear sheer triumph out,
Proportion's son and Duty's eldest sword
And the calm mask who-wanted something still,
Somewhere, somehow and always.
Picklock biographers,
What could he want that he had never had?

He only said it once-the marble closed-
There was a man enclosed within that image.
There was a force that tried Proportion's rule
And died without a legend or a cue
To bring it back. The shadow-Lees still live.
But the first-person and the singular Lee?

The ant finds kingdoms in a foot of ground
But earth's too small for something in our earth,
We'll make a new earth from the summer's cloud,
From the pure summer's cloud.
It was not that,
It was not God or love or mortal fame.
It was not anything he left undone.
-What does Proportion want that it can lack?
-What does the ultimate hunger of the flesh
Want from the sky more than a sky of air?

He wanted something. That must be enough.
Now he rides Traveller back into the mist.

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Beneath The Same Sky

Living in the same city
Will we ever see each other?
We have the same needs
We breath the same air
We want the same things
We feel the same soil beneath our feet
Talk to the same moon late at night
Looking up at the same sky
With glittering eyes
Culture our dark cloud
Not a moment alone
Without you dwelling in my heart
We share the same ache
Yearning to touch
As we meet late at night
No one but the frowning moon to see
In love nothing can keep us apart

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Youre In Cleveland Today

When walking underneath the shadows
Where dark and sweet secrets lay
When night tonight falls gently down
Hearts helplessly fall to the ground
Underneath a velvet sky
Only words can lie
I wanna tell*(play) you everything
I wanna make your toes curl
You be my only boy
And Ill be your only girl
This much Id like to say
But youre in cleveland today
Stewardesses like cosmo magazine
Vogue makes me nervous, I feel so plain
But I could face the world fearlessly
If you would face it here with me
With just our four hands and four eyes
Traffic cops would compromise
Daffodils and roulette wheels and rusty automobiles
Somewhere our things share the same windowsill
Somewhere our hearts exist independent of time
Somewhere we are whole
One body, one body and one mind
>from the air things look so ridiculous
Our fears so small our fight*/hearts*/mall* so vain*
*(our malls so small our fears so frail)
I want to pilot a plane with you
So all our problems look small too
Its just an inch from me to you
Depending on what map you use

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More Than You'll Ever Know

Travis Tritt
I know living with me ain't always easy
But girl when you're not by my side
I feel a part of me has died
'Cause I love you more than you'll ever know
More than life more than I've ever loved before
It's absurd and beyond words
I couldn't want you more
And when I try to hold my heart out to you
I'm not sure it shows
That I love you more than you'll ever know
I'm sure you've heard it say hearts have windows
But mine has doors a painful past has closed
Unless someday they open wide revealing feelings locked inside
I'll love you more than you'll ever know
More than life more than I've ever loved before
It's absurd and beyond words
I couldn't want you more
And when I try to hold my heart out to you
I'm not sure it shows
That I love you more than you'll ever know
Even when I hold my heart out to you
I'm not sure it shows
That I love you more than you'll ever know
Yes I love you more than you'll ever know

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The Broken Chain

We little knew the day that
God was going to call your name,
In life we loved you dearly,
in death we do the same.

It broke our hearts to lose you,
but in God we put our trust,
In times as difficult as this,
faith is such a must.

You left us peaceful memories,
your love is still our guide,
And though we cannot see you,
you are always at our side.

Our family chain is broken,
and nothing seems the same,
But as God calls us one by one,
the chain will link again.

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Mother Moon

With the heart of a holocaust
It's no wonder my pale skin
Is black and swollen with truth.
Open wounded scars revel
In their shine, reminding me
Of the narcissistic infant inside.

He's the liquid cocaine burning
Through her veins & he's beautiful.
You can see the darkness in his eyes,
Endless oceans of suffocating starlight
[Still in motion]
His brother, bright Orion,
the climax of ignorance.

Every fiber of my being clings to the
Reflecting moonlight. But she's cold,
Detached, & evading my frozen fingertips.
Even the sun is just a page
In her Book of Illiteracy. I can be
Nothing more than the shadow of her mistakes.

Thus I lie in the dust of a never-ending fairytale
Next to me, the fading image of daybreak.

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Simple Observation #230 - God is really so much more than......

God is really so much more than we have ever imagined
yet its within His imagination we’ve all been fashioned.

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Our Hearts Are Foreign Pictures

Our Hearts are foreign pictures
Streamlined in acute nostalgia
We speak with aid of mirrors
Through perditions of bad subtitles

The roads we drew dissected
Between the span of two Berlins
Inside an abstract exhibited
Monogamous symmetry of our selves

Our hearts are foreign pictures
Once transitioned into colleagues
Now collapsing into integers
Of separate distinctive ashes

The laws of sexual attraction
Have diminished with every return
The sad physics of lust
Is that its momentum decreases with trust

Our hearts are foreign Pictures
Forever impaired with babble
Wind talking is now the surface
Communicating the ascent of Freefall

Our hearts are foreing...

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Dana Delany

I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.

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Sleeping On the Same Bed

I went to a country and,
I found two men sleeping on the same bed;
Then i said to myself: 'This is how the world wants it'.
I travelled on further and went to another country,
There i saw two women sleeping on the same bed;
Then i said to myself: 'This is how the world wants it'.
Then i looked ahead of me and i saw a beatiful Island,
There i went and i met a man and a woman sleeping on the same bed;
Then i said to myself: 'I am at home, i am at home! '
Because this is how it was back home,
So i settled and married over there.

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Right Turn

Inside always trying to get back inside
But its so hard to penetrate big thick skin
Im bout as low as I can get
Id leave but I cant forget
Still I wonder why I cant be right, be right, oooh
Be right, be right
bout as low as I can get
Shell leave but she wont forget
And she wonders why, she aint right, she aint right
She aint right, aint right, she aint right
Now were as low as we can get
Cant leave and cant forget
We aint right, we aint right
Not right, we aint right
Its hard to believe that somebody tricked you
When you can see as far as I have
Its hard to believe that someone you cared for
Put your face into the fire

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Why I Do Not Have To Ride In The Same Boat With All Of You

i do not wish to arrive on the same boat
with all of you

when you are all there
there will be hugs, and kisses from children and
well-wishing of the family

the grandchild will shout for joy
as grandma descends from the planks

there is this kind of drama that i cannot withstand
my envy is stormy
and i think i can't stand it without its accompanying

what a poor boat, sinking to the bottom of the ocean
as you all depart towards some happy homes all waiting

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