Monkeys Must Know What's Good For Them
Monkeys do mind,
How a banana peels.
And how that's done,
To quicken the taste.
Why bananas do appeal,
And not coconuts?
I had not seen this spoken.
Or discussed in a fuss.
The monkeys must know what's good for them.
As they get their vitamins.
And swing from high vines.
The monkeys must know what's good for them.
Are not monkeys.
The monkeys must know what's good for them.
As they get their vitamins.
And swing from high vines.
The monkeys must know what's good for them.
Are not monkeys.
Monkeys do mind,
How a banana peels.
And how that's done,
To quicken the taste.
Why bananas do appeal,
And not coconuts?
I had not seen this spoken.
Or discussed in a fuss.
Are not monkeys.
The monkeys must know what's good for them.
As they get their vitamins.
And swing from high vines.
Stripping exotic trees,
Of fruit they leave.
The monkeys must know what's good for them.
Are not monkeys.
The monkeys must know what's good for them.
Are not monkeys.
The monkeys must know what's good for them.
Are not monkeys.
Monkeys must know what's good for them.
Are not monkeys.
Let the people feel my love at my home,
For there are no longer bananas on the trees!
Because the monkeys have eaten all of them;
And i have my mind set on you.
My little playful monkeys
My little monkeys in the forest are all funny
As usual they jump from vine to vine
And fall and rise, and fall from river to river,
My little monkeys with little tails with little
Mouths and tiny baby-like hands, they wink
And play and chase and run and almost like bats
Flying from top to top of treetops from branch
To branch to twigs to twigs, all these cute
Little monkeys so playfully playful in the forest,
In my mind, I play with all of them throughout
The day, till noon, till afternoon, till nights even,
But no, when darkness comes, these cute little
Monkeys all return to bigger higher trees where
Their big monkey-mothers and big-monkey-fathers
Wait and care for them and all hide them in their arms.
And I am all left alone, like little Tarzan boy in an empty cave
feeling so deserted and betrayed.
playing on trees...
jump with jump...
Side by side...
Watch about mind...
Also play with
Monkeys did not
watch about me...
Monkeys and Talent
Some people say that man comes from monkeys but the Good Book tells it different and brother if you believe what some people say. I'd rather be that monkey then you any old days. Speaking of talents which I wasn't. Your talent is God's gift to you. What you do with it is your gift back to God.
Names I've been called stupid. I been called dumb. I've been called lots of things and then some, but I'm smart enough to know I'm just as good as you and so, I say to you who call me names. I hold no of rudge or place no blame. Being stupid is some times smart and playing dumb is just a part of life, and one of the smartest people I know is ME.
I’m calling on you because I’m a wreck,
And I used to dream of becoming a professor when I
Jogged around the junked golf course
By the side of deep twilight, and the paltry swathed condominiums:
To tell you the truth, I haven’t loved too many women-
Mostly, I’ve been able to count them on two hands
And you rank right up there,
But now my legs are cold from drinking cheap rum:
Can you love a man without any fashion sense
Or social position?
A man terribly wounded in the dark of a fraternity’s
Pick-up truck, so he doesn’t even know where he’s
Hurt, but he just remembers you sometime in
North Central Florida before Halloween in that Asian
Restaurant joint now demolished on 13th street;
What the F-, now it flows- now it flows- I don’t
Yet have a bicycle or a home on an island, but give it time:
And the girl I neglected by dreaming of you has a new
House and better ways to make her living;
And this is not good, and now I don’t care to teach anything
To the living; but love me, if you will, in your time,
In the quieted spaces between the snows and your inevitable
Breast feedings- because I love you,
And it is the only thing that reoccurs to me every evening
As I chop down trees, oiling my joints and looking up from
Time to time to keep an eye out for flying monkeys….
Alma; or, The Progress of the Mind. In Three Cantos. - Canto I.
Matthew met Richard, when or where
From story is not mighty clear:
Of many knotty points they spoke,
And pro and con by turns they took:
Rats half the manuscript have ate;
Dire hunger! which we still regret;
O! may they ne'er again digest
The horrors of so sad a feast;
Yet less our grief, if what remains,
Dear Jacob, by thy care and pains
Shall be to future times convey'd:
It thus begins:
** Here Matthew said,
Alma in verse, in prose, the mind,
By Aristotle's pen defined,
Throughout the body squat or tall,
, all in all;
And yet, slapdash, is all again
In every sinew, nerve, and vein;
Runs here and there, like Hamlet's ghost,
While every where she rules the roast.
This system, Richard, we are told
The men of Oxford firmly hold:
The Cambridge wits, you know, deny
They say (for in good truth they speak
With small respect of that old Greek)
That, putting all his words together,
'Tis three blue beans in one blue bladder.
Alma, they strenuously maintain,
Sits cock-horse on her throne, the brain,
And from that seat of thought dispenses,
Her sovereign pleasure to the senses.
Two optic nerves, they say, she ties,
Like spectacle across the eyes,
By which the spirits bring her word
Whene'er the balls are fix'd or stirr'd;
How quick at Park and play they strike;
The duke they court; the toast they like;
And at St. James's turn their grace
From former friends, now out of place.
Without these aids, to be more serious,
Her power they hold had been precarious;
The eyes might have conspired her ruin,
And she not known what they were doing.
Foolish it had been and unkind
That they should see and she be blind.
Wise Nature, likewise, they suppose,
Has drawn two conduits down our nose:
Could Alma else with judgement tell
When cabbage stinks or roses smell?
Or who would ask for her opinion
Between an oyster and an onion?
For from most bodies, Dick, you know,
Some little bits ask leave to flow,
And as through these canals they roll,
Bring up a sample of the whole;
Like footmen running before coaches,
To tell the inn what lord approaches.
By nerves about our palate placed,
She likewise judges of the taste;
Else (dismal thought!) our warlike men
Might drink thick Port for fine Champaign,
And our ill-judging wives and daughters,
Mistake small-beer for citron-waters.
Hence, too, that she might better hear,
She sets a drum at either ear,
And loud or gentle, harsh or sweet,
Are but the alarums which they beat.
Last, to enjoy her sense of feeling,
(A thing she much delights to deal in)
A thousand little nerves she sends
Quite to our toes and fingers' ends,
And these, in gratitude, again
Return their spirits to the brain,
In which their figure being printed,
(As just before I think I hinted)
Alma inform'd can try the case,
As she had been upon the place.
Thus while the judge gives different journeys
To country counsel and attorneys,
He on the bench in quiet sits,
Deciding as they bring the writs.
The Pope thus prays and sleeps at Rome,
And very seldom stirs from home,
Yet sending forth his holy spies,
And having heard what they advise,
He rules the church's bless'd dominions,
And sets men's faith by his opinions.
The scholars of the Stagyrite,
Who for the old opinion fight,
Would make their modern friends confess
The difference but from more or less:
The Mind, say they, while you sustain
To hold her station in the brain,
You grant, at least, she is extended,
, the whole dispute is ended:
For till to-morrow should you plead,
From form and structure of the head,
The Mind as visibly is seen
Extended through the whole machine.
Why should all honour then be ta'en
From lower parts to load the brain,
When other limbs we plainly see
Each in his way as brisk as he?
For music, grant the head receives it,
It is the artist's hand that gives it:
And though the skull may wear the laurel,
The soldier's arm sustains the quarrel.
Besides, the nostrils, ears, and eyes,
Are not his parts, but his allies:
E'en what you here the tongue proclaim,
What could the head perform alone
If all their friendly aids were gone?
A foolish figure we must make,
Do nothing else but sleep and ake.
Nor matters it that you can show
How to the head the spirits go;
Those spirits started from some goal
Before they through the veins could roll;
Nor we should hold them much to blame
If they went back before they came.
If, therefore, as we must suppose,
They came from fingers and from toes,
Or toes or fingers, in this case,
Of numskull's self should take the place;
Disputing fair you grant this much,
That all sensation is but touch.
Dip but your toes into cold water,
Their correspondent teeth will chatter;
And strike the bottom of your feet,
You set your head into a heat.
The bully beat, and happy lover,
Confess that feeling lies all over.
Not here, Lucretius dares to teach
(As all our youth may learn from Creech)
That eyes were made, but could not view,
Nor bands embrace, not feet pursue,
But heedless Nature did produce
The members first, and then the use:
What each must act was yet unknown,
Till all is moved by Chance alone.
A man first builds a country-seat,
Then finds the walls not good to eat.
Another plants, and wondering, sees
Nor books nor medals on his trees.
Yet poet and philosopher
Was he who durst such whims aver.
Bless'd for his sake be human reason,
That came at all, though late, in season.
But no man sure e'er left his house,
And saddled Ball, with thoughts so wild
To bring a midwife to his spouse
Before he knew she was with child:
And no man ever reapt his corn,
Or from the oven drew his bread,
Ere hinds and bakers yet were born,
That taught them both to sow and knead.
Before they're ask'd can maids refuse?
Can - Pray, says Dick, hold in your Muse,
While you Pindaric truths rehearse,
She hobbles in alternate verse.
Verse! Matt. replied; is that my care?
Go on, quoth Richard, soft and fair.
This looks, friend Dick, as Nature had
But exercised the salesman's trade;
As if she haply had sat down
And cut out clothes for all the Town,
Then sent them out to Monmouth street
To try what persons they would fit;
But every free and licensed tailor
Would in this thesis find a failure.
Should whims like these his head perplex,
How could he work for either sex!
His clothes as atoms might prevail,
Might fit a pismire or a whale.
No, no: he views with studious pleasure
Your shape before he takes your measure
For real Kate he made the bodice,
And not for an ideal goddess.
No error near his shopboard lurk'd;
He knew the folks for whom he work'd:
Still to their size he aim'd his skill,
Else pray thee who would pay his bill?
Next, Dick, if Chance herself should vary,
Observe how matter would miscarry:
Across your eyes, Friend, place your shoes,
Your spectacles upon your toes,
Then you and Memmius shall agree
How nicely men would walk or see.
But wisdom, peevish, and cross-gain'd
Must be opposed to be sustain'd;
And still your knowledge will increase,
As your make other people's less.
In arms and science 'tis the same;
Our rival's hurts create our fame.
At Faubert's, if disputes arise
Among the champions for the prize,
To prove who gave the fairer butt,
John shows the chalk on Robert's coat.
So for the honour of your book,
It tells where other folks mistook,
And as their notions you confound,
Those you invent get farther ground.
The commentators on old Ari-
Stotle ('tis urged) in judgement vary:
They to their own conceits have brought
The image of his general thought,
Just as the melancholic eye
Sees fleets and armies in the sky,
And to the poor apprentice ear
The bells sound Whittington Lord Mayor.
The conjurer thus explains his scheme;
Thus spirits walk and prophets dream;
North Britons thus have second sight,
And Germans free from gunshot fight.
Theodoret and Origen,
And fifty other learned men,
Attest that if their comments find
The traces of their master's mind,
Alma can ne'er decay nor die:
This flatly th' other sect deny,
Simplicius, Theophrast, Durand,
Great names, but hard in verse to stand
They wonder men should have mistook
The tenets of their master's book,
And hold that Alma yields her breath,
O'ercome by age and seized by death.
Now which were wise, and which were fools?
Poor Alma sits between two stools;
The more she reads the more perplex'd,
The comment ruining the text:
Now fears, now hopes her doubtful fate.
But, Richard, let her look to that -
Whilst we our own affairs pursue.
These different systems old or new,
A man with half an eye may see
Were only form'd to disagree.
Now to bring things to fair conclusion,
And save much Christian ink's effusion,
Let me propose a healing scheme,
And sail along the middle stream;
For, Dick, if we could reconcile
Old Aristotle with Gassendus,
How many would admire our toil,
And yet how few would comprehend us?
Here, Richard, let my scheme commence:
Oh! may my words be lost in sense,
While pleased Thalia deigns to write
The slips and bounds of Alma's flight.
My simple system shall suppose
That Alma enters at the toes;
That then she mounts, by just degrees,
Up to the ancles, legs, and knees:
Next as the sap of life does rise,
She lends her vigour to the thighs:
And, all these under regions past,
She nestles somewhere near the waist;
Gives pain or pleasure, grief or laughter,
As we shall show at large hereafter:
Mature, if not improved by time,
Up to the heart she loves to climb:
From thence, compell'd by craft and age,
She makes the head her latest stage.
From the feet upward to the head,
Pithy, and short, says Dick, proceed.
Dick, this is not an idle notion;
Observe the progress of the motion:
First, I demonstratively prove
That feet were only made to move,
And legs desire to come and go,
For they have nothing else to do.
Hence, long before the child can crawl,
He learns to kick, and wince, and sprawl,
To hinder which, your midwife knows
To bind those parts extremely close,
Lest Alma, newly enter'd in,
And stunn'd at her own christ'ning's din,
Fearful of future grief and pain,
Should silently sneak out again.
Full piteous seems young Alma's case,
As in a luckless gamester's place,
She would not play, yet must not pass.
Again, as she grows something stronger,
And master's feet are swath'd no longer,
If in the night too oft he kicks,
Or shows his
These first assaults fat Kate repays him,
When halt-asleep she overlays him.
Now mark, dear Richard, from the age
That children tread this worldly stage,
Broomstaff or poker they bestride,
And round the parlour love to ride,
Till thoughtful father's pious care
Provides his brood, next Smithfield fair,
With supplemental hobby-horses,
And happy be their infant courses!
Hence for some years they ne'er stand still;
Their legs you see direct their will;
From opening morn till setting sun
Around the fields and woods they run,
They frisk, and dance, and leap, and play,
Nor heed what Friend or Snape can say.
To her next stage as Alma flies,
And likes, as I have said, the thighs,
With sympathetic power she warms
Their good allies and friends the arms;
White Betty dances on the green,
And Susan is at stoolball seen:
While John for ninepins does declare,
And Roger loves to pitch the bar,
Both legs and arms spontaneous move,
Which was the thing I meant to prove.
Another motion now she makes:
O need I name the seat she takes?
His thought quite changes the stripling finds;
The sport and race no more he minds;
Neglected Tray and Pointer lie,
And covies unmolested fly:
Sudden the jocund plain he leaves,
And for the nymph in secret grieves:
In dying accents he complains
Of cruel fires and raging pains.
The nymph, too, longs to be alone,
Leaves all the swains and sighs for one:
The nymph is warm'd with young desire,
And feels, and dies to quench his fire.
They meet each evening in the grove;
Their parley but augments their love:
So to the priest their case they tell;
He toes the knot, and all goes well.
But, O my Muse, just distance keep,
Thou art a maid, and must not peep.
In nine months time the bodice loose,
And petticoats too short, disclose
That at this age the active mind
About the waist lies most confined,
And that young life, and quickening sense
Spring from his influence darted thence:
So from the middle of the world
The sun's prolific rays are hurl'd;
'Tis from that seat he darts those beams
Which quicken earth with genial flames.
Dick, who thus long had passive sat,
Here stroked his chin and cock'd his hat,
Then slapp'd his hand upon the board,
And thus the youth put in his word.
Love's advocates, sweet Sir, would find him
A higher place than you assign'd him.
Love's advocates, Dick, who are those? -
The poets, you may well suppose.
I'm sorry, Sir, you have discarded
The men with whom till now you herded.
Prosemen alone, for private ends,
I thought forsook their ancient friends,
In cor stillavit,
If he may be allow'd to teach us.
The selfsame thing soft Ovid says,
(A proper judge in such a case.)
Horace his phrase is
And happy was that curious speaker.
Here Virgil too has placed this passion;
What signifies too long quotation?
In ode and epic plain the case is,
That Love holds one of these two places.
Dick, without passion or reflection,
I'll straight demolish this objection.
First, poets, all the world agrees,
Write half to profit half to please;
Matter and figure they produce,
For garnish this, and that for use;
And, in the structure of their feasts,
They seek to feed and please their guests:
But one may baulk this good intent,
And take things otherwise than meant.
Thus, if you dine with my Lord Mayor,
Roast beef and venison is your fare,
Thence you proceed to swan and bustard,
And persevere in tart and custard:
But tulip-leaves and lemon-peel
Help only to adorn the meal,
And painted flags, superb and neat,
Proclaim you welcome to the treat.
The man of sense his meat devours,
But only smells the peel and flowers;
And he must be an idle dreamer
Who leaves the pie and gnaws the streamer.
That Cupid goes with bow and arrows,
And Venus keeps her coach and sparrows,
Is all but emblem, to acquaint one
The son is sharp, the mother wanton.
Such images have sometimes shown
A mystic sense, but oftener none;
For who conceives what bards devise,
That heaven is placed in Celia's eyes?
Or where's the sense, direct and moral,
That teeth are pearl, or lips are coral?
Your Horace owns he various writ,
As wild or sober maggots bit;
And where too much the poet ranted,
The sage philosopher recanted.
His grave Epistles may disprove
The wanton Odes he made to love.
Lucretius keeps a mighty pother
With Cupid and his fancied mother;
Calls her great Queen of earth and air,
Declares that winds and seas obey her.
And, while her honour he rehearses,
Implores her to inspire his verses.
Yet, free from this poetic madness,
Next page he says, in sober sadness,
That she and all her fellow-gods
Sit idling in their high abodes,
Regardless of this world below,
Our health or hanging, weal or wo,
Nor once disturb their heavenly spirits
With Scapin's cheats, or Caesar's merits.
Nor e'er can Latin poets prove
Where lies the real seat of Love.
they burn, and
As either best supplies their verse;
And if folks ask the reason for't,
Say one was long the other short.
Thus I presume the British Muse
In prose our property is greater,
Why should it then be less in metre?
If Cupid throws a single dart,
We make him wound the lover's heart
But if he takes his bow and quiver,
'Tis sure he must transfix the liver:
For rhyme with reason may dispense,
And sound has right to govern sense.
But let your friends in verse suppose,
What ne'er shall be allow'd in prose,
Anatomists can make it clear
The liver minds his own affair,
Kindly supplies our public uses,
And parts and strains the vital juices,
Still lays some useful bile aside
To tinge the chyle's insipid tide,
Else we should want both gibe and satire,
And all be burst with pure good-nature:
Now gall is bitter with a witness,
And love is all delight and sweetness:
My logic then has lost its aim
If sweet and bitter be the same:
And he methinks is no great scholar
Who can mistake is desire for choler.
The like may of the heart be said;
Courage and terror there are bred.
All those whose hearts are loose and low
Start if they hear but the tattoo;
And mighty physical their fear is,
Their heart, descending to their breeches,
Must give their stomach cruel twitches:
But heroes who o'ercome or die
Have their hearts hung extremely high,
The string of which, in battle's heat,
Against their very corslets beat,
Keep time with their own trumpet's measure,
And yield them most excessive pleasure.
Now, if 'tis chiefly in the heart
That courage does itself exert,
That this is eke the throne of Love.
Would nature make one place the seat
Of fond desire and fell debate?
Must people only take delight in
Those hours when they are tired with fighting?
And has no man but who has kill'd
A father, right to get a child?
These notions, then, I think but idle,
And love shall still possess the middle.
This truth more plainly to discover,
Suppose your hero were a lover;
Though he before had gall and rage,
Which death or conquest must assuage,
He grows dispirited and low,
He hates the fight and shuns the foe.
In scornful sloth Achilles slept,
And for his wench, like Tallboy, wept,
Nor would return to war and slaughter,
Till they brought back the parson's daughter.
Antonius fled from Actium's coast,
Augustus pressing Asia lost.
His sails by Cupid's hand unfurl'd,
To keep the fair he gave the world.
Edward our Fourth, revered and crown'd,
Vigorous in youth, in arms renown'd,
While England's voice and Warwick's care
Design'd him Gallia's beauteous heir,
Changed peace and power for rage and wars,
Only to dry one widow's tears.
France's Fourth Henry we may see
A servant to the fair d'Estree;
When quitting Coutras' prosperous field,
And Fortune taught at length to yield,
He, from his guards and midnight tent,
Disguis'd, o'er hills and valleys went,
To wanton with the sprightly dame,
And in his pleasure lost his fame.
Bold is the critic who dares prove
These heroes were no friends to love;
And bolder he who dares aver
That they were enemies to war;
Yet when their thought should, now or never,
Have raise their heart or fired their liver,
Fond Alma to those parts was gone
Which Love more justly calls his own.
Examples I could cite you more,
But he contented with these four;
For when one's proofs are aptly chosen,
Four are as valid as four dozen.
One came from Greece, and one from Rome
The other two grew nearer home,
For some in ancient books delight,
Others prefer what moderns write;
Now I should be extremely loath
Not to be thought expert in both.
- quotes about midwives
- quotes about writers
- quotes about students
- quotes about friendship
- quotes about philosophy
- quotes about Greece
- quotes about honor
- quotes about nature
- quotes about melancholy
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:--
At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,--
Let Favour speak for others, Worth for me.--
For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows--
At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view--
What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,--
Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know--
It was the fashion twenty years ago.
Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last--
He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came--
Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
Can none remember? Yes--I know all must--
When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
Talk not to me of diffidence and fear--
I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,--
Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly--
Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:--
From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low--
Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause--
'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught--
Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,--
Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:--
If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.
- quotes about language
- quotes about diversity
- quotes about United Kingdom
- quotes about victory
- quotes about tragedy
- quotes about mime
- quotes about lefthanders
- quotes about Rome
Kids are giving nuts
To the monkeys of the zoo
They are exited
My son's a cheeky monkey
And my daughter, she'll tell you,
That monkeys come in pairs, you see,
So lucky me's got two!
My daughter can be sweet, sometimes,
And occasionally my son,
And so my daughter's right, you see,
For luck gave two, not one!
and after he cut the grasses
plowed the farm and planted
it all with corn
the monkeys simply watch
and keep on playing
on the branches of the trees,
the corn grew and showed
their big ears and
there and then the monkeys
came and made their claim.
Give it to the monkeys and let me respect your muse;
For your true love is now hidden in the woods!
But i know what i am doing over here.
Show me your home and let me visit you;
For your true love is now hidden in the woods,
But the sea of your love will never dry on me.
On The Other Hand He Calls It The Thousand Monkeys
on the thousandth
o my god
i made it!
hangs and shifts
vine to vine
jumps on the river
finds a fish
and eats it
rises from the river
and dances on
under the morning
the other monkeys
did the same
except for one
he sits by the window
watches the running of
dust after dust
dusk after dusk
the big break of
his own life.
Look At All Those Monkeys!
Look at all those monkeys
Jumping in their cage.
Why don't they all go out to work
And earn a decent wage?
How can you say such silly things,
And you a son of mine?
Imagine monkeys travelling on
The Morden-Edgware line!
But what about the Pekinese!
They have an allocation.
'Don't travel during Peke hour',
It says on every station.
My Gosh, you're right, my clever boy,
I never thought of that!
And so they left the monkey house,
While an elephant raised his hat.
Monkeys falling from the sky
Monkeys falling from the sky
Happens when they try to die
Jumping from an airplane
So that nothing would remain
Fishes swimming in the sand
Is a start of a crazy trend
Chasing after a sea otter
Who escaped from oil in water
Running from a hungry bear
Is a girl with braided hair
Never trained in any sport
Sheâ€™s the only one he got
Do not act as crazy monkeys
Stupid fish or little girls
When you face the lifeâ€™s tough choices
One is has to have the balls.
Sock Monkeys Day Out(children's poem)
The Sock Monkeys
Arose and got a key
They have a nice car
That shines like star.
It was just a fine day
Sock Monkeys were happy
Activity filled their house
Scurrying around was Mouse
Happy Lumpy and Huggy
Stubby Flappy Lips and Grumpy
All got in quickly in red car
And laughed happily munching bar
Then they went mall for some shopping
After that they went for some dining
Then they went for some movie theater peeking
And finished fun day with 'Curious George' watching!
Absent Is The Mind That Dines On Ego
You are treading on the wrong mill.
And the more I tell you that,
The more you are determine to prove...
You will do what you like,
No matter what you do makes you the fool.
Absent is the mind that dines on ego.
I fed myself until I got fed up.
Finding myself on my back...
Flat and quarantined.
And I've learned to do what I've got to do,
To keep myself alert, healthy and wise.
If I know I should be feeding on encouragement...
Why would I keep craving the taste of doubt?
I have figured that all out!
Absent is the mind that dines on ego
Pay People Bananas
It has been said
in a very famous;
‘If you pay people peanuts
you get monkeys.”
the implications being
you get what you pay for!
low salaries attract less
educated qualified or
less competent people!
to get good staff you need
to pay an attractive wage!
the monkeys working for
low salaries are not capable
of understanding or doing
their jobs in a competent manner!
Like all sweeping statements
these generalizations are not
cannot always be accurate or true.
One critical cynical employer stated
‘If you pay people bananas
you get apes.’
Interesting! No Comment!
To A Long Suffering Self....
suffering is an unseen
it haunts me in my
the worms sometimes sing
and it is
more often than not
specks of light sometimes
like a drizzle of rain
it does not wet me
but makes me smooth and
a halo of bubbles
often comes out from the locks
of my hair
but i do not really mind
that indeed in every aspect
of everyday suffering
these bits and bits of miracles
do constantly happen
like some sort of givens
we sit upon trees like monkeys
deprived of our tails
eating the ripe bananas in the middle
of our lamentations
provided from nowhere
and we often ask ourselves
how come we have survived for years?
The Men And Women, And The Monkeys
When beasts by words their meanings could declare,
Some well-dressed men and women did repair
To gaze upon two monkeys at a fair:
And one who was the spokesman in the place
Said, in their countenance you might plainly trace
The likeness of a withered old man's face.
His observation none impeached or blamed,
But every man and woman when 'twas named
Drew in the head, or slunk away ashamed.
One monkey, who had more pride than the other,
His infinite chagrin could scarcely smother;
But Pug the wiser said unto his brother:
'The slights and coolness of this human nation
Should give a sensible ape no mortification;
'Tis thus they always serve a poor relation.'
Does anyone eat green bananas?
then why have them in the stores?
By the time you think of eating one ripe!
they're full of fruit flies, in the hundreds or maybe more!
My husband loves green bananas
he says, cause they're solid and much more flavorful.
I think they taste kind of green and bitter
with every green and bitter mouthful!
I wonder if monkeys eat them green?
Or do they also wait until they're ripe?
Just peeling them when they're green
leaves those long stringy things of white!
I've taken to freezing mine now
in plastic bags, for my daily protien shakes!
Now I don't have to worry about the ones that turn black!
From the green ones that I wouldn't take!