Less Analytical
You can make up your mind,
That you will...
Find the time to be,
More exclusive...
In reducing your excuses.
You can make up your mind,
That you will...
Find the time to be,
More correct...
And,
Less analytical.
Remove yourself from being in the middle,
Of drain.
Remove yourself from being second fiddle,
For anything you dislike...
By,
Deciding what is right.
And you can free yourself from even being,
Very critical.
You can free yourself from seeking things,
More political.
And you will live a life,
With a meaning that is right...
For you.
If this is what you choose.
You can make up your mind,
That you will...
Find the time to be,
More exclusive...
In reducing your excuses.
You can make up your mind,
That you will...
Find the time to be,
More correct...
And less analytical.
You can free yourself from even being,
Very critical.
You can free yourself from seeking things,
More political.
You can live a life,
With a meaning that is right...
For you!
With a doing that you choose.
[...] Read more
poem by Lawrence S. Pertillar
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Related quotes
Excuses
Yo, whats up, this is Ginuwine
And I wanna tell you
It aint no time for excuses with your woman
You be right or you be out, ya heard
Do it right, check this is out
This is my story
Theres a time that comes in a mans life
When is real, want it all, when his mind is right
It could come at any time, morning, noon or night
You would know at the time, nothing more to fight
He might not, and I know cause Ive done the same
You know Im right there with you, dog, but she wont
play the game
She will be done packed your bags, sit em all there
right outside your door
Cause shes tired of the lyin s*** and she aint
takin no more, oh, no she aint
Excuses (Everybody has one)
Excuses (She dont wanna hear them no more, oh)
Excuses (She said take that s*** elsewhere)
Excuses (She dont wanna hear no), excuses {She dont}
Excuses (She aint got time for them)
Excuses (So dont fill her mind with them, no)
Excuses (She said take that s*** elsewhere)
Excuses (She dont wanna hear no), excuses {She dont}
Take her out, hold her hand, let her know youll die
for her
Cause thats your lady, yes, thats your baby
Shes a seed, feed her well, watch her blossom out
And only the real players out there can dig what Im
talkin bout
Be that man, be that one, do the things she loves
Pay attention, should I mention how it all was once
You broke your neck just to get her, dont you pull
back now
Cause sooner or later shell be gone, what youre
askin now
Excuses (Everybody has one)
Excuses (But she dont wanna hear them no more, oh, no
she dont)
Excuses (She said take that s*** elsewhere)
Excuses (Oh...), excuses {She dont}
Excuses (Yeah, she)
Excuses (Dont fill her mind)
Excuses (She said take that s*** else, oh, yes, she
did)
Excuses, excuses (Listen) {She dont}
Dont fake nor front, tell her now
Make your choice right now
Tell her where you stand
[...] Read more
song performed by Ginuwine
Added by Lucian Velea
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Fiddle About
Uncle ernie:
Uncle ernie:
Im your wicked uncle ernie
Im your wicked uncle ernie
Im glad you wont see or hear me
Im glad you wont see or hear me
As I fiddle about
As I fiddle about
Fiddle about
Fiddle about
Fiddle about !
Fiddle about !
Your mother left me here to mind you
Your mother left me here to mind you
Now Im doing what I want to
Now Im doing what I want to
Fiddling about
Fiddling about
Fiddling about
Fiddling about
Fiddle about!
Fiddle about!
Down with the bedclothes
Down with the bedclothes
Up with the nightshirt!
Up with the nightshirt!
Fiddle about
Fiddle about
Fiddle about
Fiddle about
Fiddle about !
Fiddle about !
You wont shout as I fiddle about
You wont shout as I fiddle about
Fiddle about
Fiddle about
Fiddle about
Fiddle about
Fiddle about !
Fiddle about !
Fiddle, fiddle, fiddle.
Fiddle, fiddle, fiddle.
song performed by Who
Added by Lucian Velea
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Exclusive Booty
Some have a crush on,
Just one they have a lust.
And that one that is the lusted one,
Just may run from their touch.
Not wanting it that much.
Some have a crush on,
Just one they have a lust.
And that one that is the lusted one,
Just may run from their touch.
Others have a chronic logic that exists.
And it's difficult for them to reason,
With hearts distanced from their minds...
Thinking them to be affixed.
And hard it is to interfere with people who insist,
A jumping to conclusions is a way to happiness.
Some want exclusive booty that they can do.
Exclusive booty chosen just to do with one boo.
And...
Some want exclusive booty.
Some want exclusive booty.
Some want exclusive booty just with one boo.
And,
Some want exclusive booty that they can do.
Exclusive booty chosen just to do with one boo.
And...
Some want exclusive booty.
Some want exclusive booty.
Some want exclusive booty just with one boo.
And hard it is to interfere with people who insist,
A jumping to conclusions is a way to happiness.
But...
Some want exclusive booty.
Some want exclusive booty.
Some want exclusive booty just with one boo.
Some have a crush on,
Just one they have a lust.
And that one that is the lusted one,
Just may run from their touch.
Not wanting it that much.
Others have a chronic logic that exists.
And it's difficult for them to reason,
With hearts distanced from their minds...
Thinking them to be affixed.
[...] Read more
poem by Lawrence S. Pertillar
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The Mountain Whippoorwill
Up in the mountains, it's lonesome all the time,
(Sof' win' slewin' thu' the sweet-potato vine.)
Up in the mountains, it's lonesome for a child,
(Whippoorwills a-callin' when the sap runs wild.)
Up in the mountains, mountains in the fog,
Everythin's as lazy as an old houn' dog.
Born in the mountains, never raised a pet,
Don't want nuthin' an' never got it yet.
Born in the mountains, lonesome-born,
Raised runnin' ragged thu' the cockleburrs and corn.
Never knew my pappy, mebbe never should.
Think he was a fiddle made of mountain laurel-wood.
Never had a mammy to teach me pretty-please.
Think she was a whippoorwill, a-skittin' thu' the trees.
Never had a brother ner a whole pair of pants,
But when I start to fiddle, why, yuh got to start to dance!
Listen to my fiddle -- Kingdom Come -- Kingdom Come!
Hear the frogs a-chunkin' 'Jug o' rum, Jug o' rum!'
Hear that mountain whippoorwill be lonesome in the air,
An' I'll tell yuh how I travelled to the Essex County Fair.
Essex County has a mighty pretty fair,
All the smarty fiddlers from the South come there.
Elbows flyin' as they rosin up the bow
For the First Prize Contest in the Georgia Fiddlers' Show.
Old Dan Wheeling, with his whiskers in his ears,
King-pin fiddler for nearly twenty years.
Big Tom Sergeant, with his blue wall-eye,
An' Little Jimmy Weezer that can make a fiddle cry.
All sittin' roun', spittin' high an' struttin' proud,
(Listen, little whippoorwill, yuh better bug yore eyes!)
Tun-a-tun-a-tunin' while the jedges told the crowd
Them that got the mostest claps'd win the bestest prize.
Everybody waitin' for the first tweedle-dee,
When in comes a-stumblin' -- hill-billy me!
Bowed right pretty to the jedges an' the rest,
Took a silver dollar from a hole inside my vest,
Plunked it on the table an' said, 'There's my callin' card!
An' anyone that licks me -- well, he's got to fiddle hard!'
Old Dan Wheeling, he was laughin' fit to holler,
Little Jimmy Weezer said, 'There's one dead dollar!'
Big Tom Sergeant had a yaller-toothy grin,
But I tucked my little whippoorwill spang underneath my chin,
An' petted it an' tuned it till the jedges said, 'Begin!'
Big Tom Sargent was the first in line;
He could fiddle all the bugs off a sweet-potato vine.
He could fiddle down a possum from a mile-high tree,
He could fiddle up a whale from the bottom of the sea.
Yuh could hear hands spankin' till they spanked each other raw,
When he finished variations on 'Turkey in the Straw.'
Little Jimmy Weezer was the next to play;
[...] Read more
poem by Stephen Vincent Benet
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Condition Critical
Oh the tension's mounting
The pressure starts to show
All the men in haunting
Please don't let me go
(Don't go)
Try to free my body
(Don't go)
Try to strap me down
(Don't go)
These'll never break me
(Don't go)
Free wheel to look at me
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
The bells they are ringing
Or is it in my head
My nerves numb understanding
I'm falling out of bed
(Don't go)
So call it paranoia
(Don't go)
I don't see it that way
(Let's go)
You say I adore ya
(Hell no)
We're gonna rock they way
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
Ooh ooh
Whips and chains
Don't feel no pain
What's so wrong
I think I'm going out of my head
Over heels
I can't feel
No pain, only pleasure
Get me out
Take me home
Can't you see my condition
Woo-woo-woo
Condition
Condition
Condition critical, critical
Condition
Condition
Condition critical
[...] Read more
song performed by Quiet Riot
Added by Lucian Velea
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In The Middle
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Use your eyes to look up
Use your ears to hear
Walk up to the corner when the coast is clear
And wait
And wait
Until you see the light turn green
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Use your eyes to look up
Use your ears to hear
Walk up to the corner when the coast is clear
And wait
And wait
Until you see the light turn green
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
song performed by They Might Be Giants
Added by Lucian Velea
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When You Pick the Ticks Off Monkeys
Your love for monkeys,
Leaves a lump right here...
In my throat!
And I get so emotional,
When you swing from branch to tree branch...
On a vine,
Swinging...
Like one who has swung on a rope!
And when you pick ticks...
From another monkey's fur?
I get teary eyed...
Just watching what occurs!
When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
You remove the itch.
You remove that itch.
Ooo ooo ooo ooo ahhh ahhh ahhh ahhh,
You remove the itch.
Ooo ooo ooo ooo ahhh ahhh ahhh,
You remove the itch.
Ooo ooo ooo ooo ahhh ahhh ahhh ahhh,
You remove the itch.
You remove the itch.
You remove that itch.
When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
When you pick the ticks off monkeys,
You remove the itch.
You remove the itch.
You remove that itch.
Your love for monkeys,
Leaves a lump right here...
In my throat!
And I get so emotional,
When you swing from branch to tree branch...
On a vine,
Swinging...
[...] Read more
poem by Lawrence S. Pertillar
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Bishop Blougram's Apology
No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.
So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.
[...] Read more
poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Testify
Come a little closer it's a feeling that I can't deny
I was weak, but I never thought I'd speak about the darker side
Is that a ten? I could repent on the side of the road
But, I kept on going yeah I headed for another load
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
I was laid upon the grave by a preacher's hand I cannot lie
And, I forsake many vows I made to be with you tonight
Could you be the salvation cause I never felt like this before
And, could you lend me your hand because I'm falling back on the floor
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
On a road outside of nowhere, in the middle of the night
Well I guess I hit rock bottom and the dawn was not in sight
And a Tempest made of fire, onset the sky aglow
And a sweet young thing called out my name
And this is how it goes, she says...
Choir:
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf: And I got down on my knees
Choir :"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf (over the top of the choirs last two repititions):
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Meatloaf & Choir:
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
[...] Read more
song performed by Meat Loaf
Added by Lucian Velea
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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When There's A Meaning To A Pain
When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.
When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct and get it right.
When there's a meaning to a pain,
There is something to be learned.
Either cross that bridge and forgive,
Or let the 'thing' burn.
When there's a meaning to a pain,
You can not let it ride.
Or let it burn you deep inside.
Correct,
And get it right.
When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct,
And get it right.
When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.
When there's a meaning to a pain,
Someone is giving it a need.
And...
Allowing it to offer,
More attention to feed.
And,
More of attention than it needs!
When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...
Correct,
And get it right.
Don't let it burn inside.
When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Thank God Im A Country Boy
This song appears on thirteen albums, and was first released on the back home again album. it has also been released on the greatest hits vol 2, favourites, voice of america, the rocky mountain
Ction, the country roads collection and changes albums. it has been recorded for the love again album. live versions appear on the an evening with john denver, live in london, country classics,
Ery best of john denver (double cd) and live at the syney opera house albums.
Well life on the farm is kinda laid back
Aint much an old country boy like me cant hack
Its early to rise, early in the sack
Thank God Im a country boy
Well a simple kinda life never did me no harm
A raisin me a family and workin on a farm
My days are all filled with an easy country charm
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle
Thank God Im a country boy
When the works all done and the suns settlin low
I pull out my fiddle and I rosin up the bow
The kids are asleep so I keep it kinda low
Thank God Im a country boy
Id play sally goodin all day if I could
But the lord and my wife wouldnt take it very good
So I fiddle when I could, work when I should
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle
Thank God Im a country boy
Well I wouldnt trade my life for diamonds and jewels
I never was one of them money hungry fools
Iid rather have my fiddle and my farmin tools
Thank God Im a country boy
Yeah, city folk drivin in a black limousine
A lotta sad people thinkin thats mighty keen
Son, let me tell ya now exactly what I mean
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle
Thank God Im a country boy
Well, my fiddle was my daddys till the day he died
And he took me by the hand and held me close to his side
Said, live a good life and play my fiddle with pride
And thank God youre a country boy
My daddy taught me young how to hunt and how to whittle
Taught me how to work and play a tune on the fiddle
Taught me how to love and how to give just a little
Thank God Im a country boy
Well I got me a fine wife I got me a fiddle
When the suns comin up I got cakes on the griddle
Life aint nothin but a funy funny riddle
[...] Read more
song performed by John Denver
Added by Lucian Velea
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Politically Correct
If you sing out Baa Baa Blacksheep,
It will have a terrible effect,
Who tells us that this song is bad,
The Politically Correct.
Enter our country illegally,
Then show us no respect,
Will we send you straight back, no,
It's not,
Politically Correct.
We're told not to smack our children,
As their minds it will affect,
That is why they run amok,
Thanks,
The Politically Correct.
If you have a criminal mind,
Then join a violent sect,
We won't hold this against you,
We're,
Politically Correct.
If you break in to a house or bank,
Your booty to collect,
We'll put you up if you get caught,
That's,
Politically Correct.
If you're addicted to illegal drugs,
We'll rush in to protect,
We'll say you are a poor wee soul, why?
It's,
Politically Correct.
You can take cocaine and smoke your hash,
Illegal drugs you can inject,
We're not allowed to stop you because,
It's not,
Politically Correct.
If you say Shhhh! Black or White,
Then I'm afraid you can expect,
To be told you're out of order by,
The Politically Correct.
How dare you celebrate Christmas,
That's a time we must all reject,
All Christians are now redundant,
Who says?
[...] Read more
poem by Bri Mar
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
[...] Read more
poem by Mahendra Bhatnagar
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Picking It Up
Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.
Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.
It is a strategy that one should seek.
With satisfaction first examined.
To make sure that one increases harmony!
With a proactive way,
Of life to live.
Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
It is the heat that one releases.
When nothing satisfies to analyzing eyes...
Only seeing with a vision that's fixed.
As if in a tunnel,
To rip through quick.
It's not a riddle when one plays it second fiddle,
Oh...
Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up,
With proactive actions to prevent blurs.
And...
Don't be vague!
[...] Read more
poem by Lawrence S. Pertillar
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Paradise Lost: Book X
Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know
[...] Read more
poem by John Milton
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The Fiddle And The Crowd
WHEN the day was at its middle,
Tired of limb and slow of pace,
Came a fiddler with his fiddle
To a crowded market place;
Lying, cheating, boasting, bragging,
Men and women walked together;
Heads were nodding, tongues were wagging,
Talk there was of trade and weather,
Talk there was of man's enslavement
To the tyrants, Toil and Worry;
Yet the fiddle on the pavement
Minding not the noise and hurry,
Singing low and singing loud —
Spoke its message to the crowd.
Said the fiddle —
'Pause and listen;
Can't you hear the waters running
Down the mossy mountain valleys?
Don't you see the lyre-bird sunning
Glossy plumes in fronded alleys?
Life is glory, life is glamour!'
Said the fiddle
In the middle
Of the tumult and the clamour.
Though unheeded seemed the fiddle,
Bidding each and all rejoice,
When the day was at its middle —
Yet beneath its magic voice,
Laughing, sobbing, teasing, fretting,
Men and women met together,
Smiled to find themselves forgetting
Troublous thoughts of trade and weather;
One bethought him of a cavern
Cool and sweet with running water,
And another of a tavern
And a tavern-keeper's daughter —
Ale to drink and lips to kiss —
'Twas the fiddle did all this!
Said the fiddle —
'Hush and hearken
To the song that I am singing,
For it is a song entrancing.
Telling now of gladness ringing,
Telling now of children dancing;
Life is music, life is glamour.'
Said the fiddle
In the middle
Of the tumult and the clamour.
poem by Roderic Quinn
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