Actions Speak Louder Than Words
Owwww!
Why did you intentionally,
Step on my foot?
'I am a returner of deeds done.'
You could have at least said 'something'.
I had forgotten.
poem by Lawrence S. Pertillar
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Related quotes
The Gaberlunzie's Walk
The Laird is dead, the laird is dead,
An' dead is cousin John,
His henchmen ten, an' his sax merrie men,
Forbye the steward's son.
An' his ain guid gray that he strode sae gay
When hunt was up an' on,
An' the win' blew fair, an' the grews pu'd sair,
An' dawn was on Maol-don,
An' the skeigh steeds neigh'd, an' the slot-hounds bay'd,
An' up gaed the mornin' sun,
An' awa' gaed the deer wi' the merrie men's cheer,
Awa' owre the auld Maol-don,
An' awa' wi' a shout ran the rabble an' the rout,
An' awa' rode cousin John,
Wi' his horn, his horn, thro' the merry merry morn,
His hunter's horn sae shrill!
An' 't was 'Ho, heigho, hereawa',
Hereawa', hereawa'!
Ho, heigho, hereawa'!'
A' roun' the hill!
Walie! walie! they're a' gane dead,
A' owre the seas an' awa'
The laird an' his men, the sax an' the ten,
They gaed to fight and to fa'.
An' walie, an' wae, an' hech! the weary day!
The laird is dead an' a'!
A' in ae grave by the margent o' the wave
Thegither they lay doun,
Sax feet deep, where dead men sleep,
A' i' the faeman's grun'.
Foremost i' the van, wi' his bagpipes i' his han',
The steward's ae braw son,
An' next the young laird-gin the guid Lord had spared!-
A' as he led them on,
Wi' his bonnie brow bare an' his lang fair hair,
An' his bluidy braid-sword drawn;
An' hard by his chief, that in life was sae lief,
In death cam cousin John,
Wi' his horn, his horn, thro' the merry merry morn,
His hunter's horn sae shrill
When 't was 'Ho, heigho, hereawa',
Hereawa', hereawa'!'
[...] Read more
poem by Sydney Thompson Dobell
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Vida's Game Of Chess
TRANSLATED
ARMIES of box that sportively engage
And mimic real battles in their rage,
Pleased I recount; how, smit with glory's charms,
Two mighty Monarchs met in adverse arms,
Sable and white; assist me to explore,
Ye Serian Nymphs, what ne'er was sung before.
No path appears: yet resolute I stray
Where youth undaunted bids me force my way.
O'er rocks and cliffs while I the task pursue,
Guide me, ye Nymphs, with your unerring clue.
For you the rise of this diversion know,
You first were pleased in Italy to show
This studious sport; from Scacchis was its name,
The pleasing record of your Sister's fame.
When Jove through Ethiopia's parch'd extent
To grace the nuptials of old Ocean went,
Each god was there; and mirth and joy around
To shores remote diffused their happy sound.
Then when their hunger and their thirst no more
Claim'd their attention, and the feast was o'er;
Ocean with pastime to divert the thought,
Commands a painted table to be brought.
Sixty-four spaces fill the chequer'd square;
Eight in each rank eight equal limits share.
Alike their form, but different are their dyes,
They fade alternate, and alternate rise,
White after black; such various stains as those
The shelving backs of tortoises disclose.
Then to the gods that mute and wondering sate,
You see (says he) the field prepared for fate.
Here will the little armies please your sight,
With adverse colours hurrying to the fight:
On which so oft, with silent sweet surprise,
The Nymphs and Nereids used to feast their eyes,
And all the neighbours of the hoary deep,
When calm the sea, and winds were lull'd asleep
But see, the mimic heroes tread the board;
He said, and straightway from an urn he pour'd
The sculptured box, that neatly seem'd to ape
The graceful figure of a human shape:--
Equal the strength and number of each foe,
Sixteen appear'd like jet, sixteen like snow.
As their shape varies various is the name,
Different their posts, nor is their strength the same.
There might you see two Kings with equal pride
Gird on their arms, their Consorts by their side;
Here the Foot-warriors glowing after fame,
[...] Read more
poem by Oliver Goldsmith
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Next Step
I wanna go up where something matters
I wanna blow up where matter scatters
I wanna live into the future
I want to give... more girl
Next step
No side stepping this time
Cross over life on the line
One thing to talk big
Go to follow thru
All set
Got to get past the present too
Dont want to reach out for yesterday
Dont want to block the shock of the new
I wanna see what new love will bring
Im gonna give all that love to you
Whats the next step
My mind is open wide
Next step
Whatll be the next step baby
Whats the next step
Im finished with the past
Next step
Wont be the last step baby
You wanna wake up with me beside you
You wanna shake off bad thoughts inside you
Were gonna walk on into tomorrow
Were gonna have more fun now
Dont look around for yesterday
No blocking out the shock of the new
Do you wanna see what new love can bring
Im gonna give all that love to you
Whats the next step
My mind is open wide
Next step
Whatll be the next step baby
Whats the next step
I havent got a clue
Next step
Wanna make the next step with you
Whats the next step
Gonna take it gonna take it
Next step
Gonna step right
Wont step back
Whats the next step
No bad songs
No bad songs
Next step
Say hey
Dont you want to take the next step
[...] Read more
song performed by Hall & Oates
Added by Lucian Velea
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No Step
I looked out of my window, saw a stencil black,
No step. no step.
There were nervous mothers with children crying in the back.
No step. no step.
Someone bought me my ticket, now Im on the wing.
Hope my angels are watching me, do I hear them sing?
No step. no step.
Those afterburners cut in and kicked us high.
No step. no step.
The thin air shimmered, the sun cut through and burned my eye.
No step. no step.
Someone bought me my ticket, now Im on the wing.
Hope my angels are watching me, do I hear them sing?
No step.
No step no step.
No step no step.
No step no step.
Give me a jet stream schooner or a crew-legged goose.
No step. no step.
Im a clear-air jockey when they turn me loose
No step. no step.
Someone bought me my ticket to the captains seat.
Will the shakes soon leave me, will I find my feet?
No step. no step.
No step. no step.
No step.
song performed by Jethro Tull
Added by Lucian Velea
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Baby Step Back
Now it looks to me like the same old place
In the sky it looks like rain
The same old town with the same old streets
The address has not change
You can find me there
With the door shut tight
And the one wish that remains
Baby step back baby step back
Either step up or step back
No you know I dont write no bad checks
I have no wish to repent
Ive seen a few
But whatever I do
I dont cause no accidents
Whiskey and wine help me pass the time
I dont leave no evidence
Baby step back baby step back
Either step up or step back
Baby step back baby step back
Either step up or step back
Still I dont kneel down
I was born to fight
So youd best leave me alone
Maybe Ill get much more than I need
Or much less than I should own
Last of all let me say it again
Either step up or step on
Baby step back baby step back
Either step up or step back
Baby step back baby step back
Either step up or step back
Baby walk back baby walk back
Either walk on or walk back
Baby step back ...
song performed by Gordon Lightfoot
Added by Lucian Velea
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Stone Cold Entrance Song
*glass shatters*
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
V Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, dont run away, bring it on straight to me!
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside dont run away, bring it on straight to me!.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Step up! cause youre the next one in line for the kill. you dont believe me but Im betting that you will.
Step up! Ill let you live a little bit with the pain that I bring. you know its only the beginning.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside you, something and someone to hide you.
Im breaking the living inside, dont run away, bring it on straight to me!
song performed by Disturbed
Added by Lucian Velea
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Work That Body
(diana ross/r. chew)
All right
Get ready
Were gonna work that body
Reach 2, 3, 4, 5, 6, 7, 8
Strech 2, 3, 4, 5, 6, 7, 8
Push 2, 3, 4, 5, 6, 7, 8
(up 2, 3, 4, 5, 6, 7, 8)
Every morning when we wake
To make up for that piece of cake
We ate last night
What do you do?
We do whats right, alright
Throw our hands up in the air
One foot here
And one foot there
Were so tight
Thats alright, alright
Take a look girls
At these numbers
Were still improving
Got these bodies moving
Everybodys gonna hate you
There will be no doubt
Eat your heart out
Dont think were out of line
When all the men around
Begin to stop and stare
At the hottest girls
Were the hottest girls in town
Reach 2, 3, 4, 5, 6, 7, 8
Strech 2, 3, 4, 5, 6, 7, 8
Push 2, 3, 4, 5, 6, 7, 8
(up 2, 3, 4, 5, 6, 7, 8)
Reach 2, 3, 4, 5, 6, 7, 8
Strech 2, 3, 4, 5, 6, 7, 8
Push 2, 3, 4, 5, 6, 7, 8
(up 2, 3, 4, 5, 6, 7, 8)
Ah, youre looking good
Youre looking good
Down, shake down
Right 2, 3, 4, 5, 6, 7, 8
Move to the right foot 1, 2, 3, 4, 5, 6
Shake down 1, 2, 3, 4, 5, 6
Shake down
Move to the left feet 1, 2, 3, 4
Work that body 5, 6
Right 1, 2, 3, 4, 5, 6, 7, 8
Left 2, 3, 4, 5, 6, 7, 8
Shake down
[...] Read more
song performed by Diana Ross
Added by Lucian Velea
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Straw Foot
I guess you didnt hear me
When I told you for the first time
Well dont you worry
It wont be the last
All I need a floorboard
An a wooden shoe
Step aside an let my lady through
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
Up an back around
See the high priest
He took my place
When the judge looks to me
He saw his sons face
Not gonna join you in
Your tower of babble, boy
Tired o that talkin
Im sick o that noise
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
Coverin ground
Im not alone
An looks can be deceivin
When we get down to it
Youre talkin when you
Should be leavin
Ive been to nebraska
It reminded me of spain
All the questions loaded
All my answers same
Hey foot, straw foot
Low we lay em down
Hay foot, straw foot
Coverin ground
Let us not mince our words
Lets say it true this time
I need your forgiveness
Just like you need mine
Tell me how it is that
You dont want what hes given
It aint no sin son
To be forgiven
Hey foot, straw foot
Low we lay em down
Hey foot, straw foot
All over town
song performed by 16 Horsepower
Added by Lucian Velea
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Digimortal
One step!
As I witness the death of innocence
A predator feeding on its creation
Through the fallout of this hallucination
I walked into darkness
Must not surrender my God to anyone
Or this body will become carrion
One step closer
One step closer to my fate
One step closer
One step closer to the grave
As I witness my own degeneration
The future condemns me
Must not surrender my God to anyone
Or this body will become carrion
One step closer
One step closer to my fate
One step closer
One step closer to the grave
One step closer...
One step!
As I witness the death of innocence
A predator feeding on its creation
Through the fallout of this hallucination
I walked into darkness
Must not surrender my God to anyone
Or this body will become carrion
One step closer
One step closer to my fate
One step closer
One step closer to the grave
As I witness my own degeneration
The future condemns me
Must not surrender my God to anyone
Or this body will become carrion
One step closer
[...] Read more
song performed by Fear Factory from Digimortal
Added by Lucian Velea
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Step Into These Shoes
Step into these shoes feel this heart
Step into these shoes they might fit you
See through these eyes might be the same view
If Id lived through the same things as you
Id share the laughs, and cry the tears that you do
Chorus
Step into these shoes and feel this heart
Step into these shoes no reason to fight
Look into m mind it might fit you
Act out this part is it so different to you
Even if we dont ever agree
The only difference is cosmetically
Step into these shoes no reason to fight
Step in step into these shoes and feel this heart
Just feel my heart it beats with you
We float downstream in the same canoe
You might find the ocean faster than me
But Ill see it eventually
Step into these shoes and feel this heart
Step into these shoes no reason to fight
Step into these shoes and feel this heart
Oh feel this heart please feel it
Step into these shoes and feel this heart oh feel
This heart please feel it
Step into these shoes and feel this heart
Step in step into these shoes no reason to fight
Step in step into these shoes and feel this heart
Step in step into these shoes no reason to fight anymore
Feel this heart oh feel it
Step in step into these shoes no reason to fight
song performed by Howard Jones
Added by Lucian Velea
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Practice Every Step
Practice every step.
Do not second guess what it takes.
Practice every step.
Practice every step.
There's no sleeping for someone who has a place to go,
So...
Practice every step.
Practice every step.
Focus on that goal,
And tighten on your hold,
And...
Practice every step.
Practice every step.
Practice every step.
Do not second guess what it takes.
Practice every step.
Practice every step.
Every journey taken,
Must be thought of as a race...
And,
Practice every step.
Practice every step.
There's no other way to straighten out a crooked road,
So...
Practice every step.
Practice every step.
No matter what you're told,
There will be some doubts and woes...
But you,
Practice every step.
Yes you,
Practice every step.
Woes you hold will eventually go,
So...
Practice every step.
Practice every step.
Practice every step.
Practice every step.
poem by Lawrence S. Pertillar
Added by Poetry Lover
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I. The Ring and the Book
Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.
Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Step On You
You're in my way
You crossed my line
You're in my face
You're on my case, you really waste my time.
Don't like your style
Don't like your sound
You talk too much
You got no touch, you drive it in the ground
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
Don't like your smile
Don't like your clothes
Don't like your hair
And I don't care about your ruby pierced nose
You push too far
You talk too loud
You stay too long
You're in my song but you ain't in my crowd
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
I'm gonna step on you
You ruin my day and you're wrecking my night
I'm biting my lips because I'm ready to fight
I'm gonna sharpen my spikes
I'm gonna strap on my boots
I'm gonna squash you on sight
I'm gonna step on you
Step-step-step-step
You ruin my day and you're wrecking my night
I'm biting my lips because I'm ready to fight
I'm gonna sharpen my spikes
I'm gonna strap on my boots
I'm gonna squash you on sight
Don't leave no message on my telephone
Cut right through the bull, right to the bone
The snow in your nose and the crack in your brain
It used to be cool, now it's just insane
I'm gonna step on you
Step-I'm gonna step on you-step
Step
song performed by Alice Cooper
Added by Lucian Velea
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King Step
To all the entertainers in the world I man show nuff respect
Nuff respect, cause every entertainer is select
And right ya now me a go show you how to do the king step
(chorus)
Me a go show you how to do the king step left right,
Me a go show you how to do the king step left right,
As soon as me operator puts the music on the deck
Is pure exciting, educating, fascinating, pirate chanting
Culture preaching, perfect timing lyrics you a go get
The whistlers blow their whistle, big women say kiss me neck
Some bark forward, some barl rewind and some shout out eject
While the pirates press record pon fe dem pocket size cassettes
The mcs that chat slack fret till dem armpit wet with sweat
Because they know that slackness is a thing I man do not respect
That's why me have to show dem how fe do the king step left right.
(chorus)
Well before me start to go down in a dais yak subject
Me have to praise you jab cause you never fail I yet
Even when satan captured me and bring me close to death
You offered me the truth and right and I had to accept
But now me find you jab me na go keep it secret
That's why the conscious lyrics are my favourite subject
Me chat dem in the blues party, pub, club and discotheque
Me chat dem in the bookie shop while man a put on bet
And also in the gambling house when man ready fe set
And even to bad man who a walk wid dem ratchet
Me chat dem a ub40 studio in digbeth
And when dem want more culture dem a barl out dep, dep, dep
But me tell them, hold on lads you ain't heard nothing yet
Cause now i'm gonna show ya how to do the king step left right
(chorus)
Left right its time to walk in the light of jab not darkness
Left right who jab bless no man curse, who jab curse no man bless
Left right eternal life for the man that tries his very best
Left right do bad and you'll go down in the pit that's bottomless
Left right pato banton has now come to preach the right
Left right left right me no partial if your black or if your white
Left right well now me know how fe do the king step
Me just can not keep it a secret
So right ya now you a get
The king step the king step the king step
Step 1, we all should know that there's one God and only one
Step 2, is give him praises for this whole creation
Step 3, is love your brother man cause you and him is one
Step 4, is not to make the same mistake as soloman
Step 5, is to repent and beg forgiveness for your wrongs
Cause the wroth of jab is clear to see in revelation
So make up mind if you want to go to heaven or hell
Step 6, oh yes there's more the king step carries on
It carries on and on, and on, and on, and on, and on
[...] Read more
song performed by Ub40
Added by Lucian Velea
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The King Step (Pato Banton)
To all the entertainers in the world I man show nuff respect
Nuff respect, cause every entertainer is select
And right ya now me a go show you how to do the king step
(Chorus)
Me a go show you how to do the king step left right,
Me a go show you how to do the king step left right,
As soon as me operator puts the music on the deck
Is pure exciting, educating, fascinating, pirate chanting
Culture preaching, perfect timing lyrics you a go get
The whistlers blow their whistle, big women say "Kiss me neck"
Some bark "Forward", some barl "Rewind" and some shout out "eject"
While the pirates press record pon fe dem pocket size cassettes
The MCs that chat slack fret till dem armpit wet with sweat
Because they know that slackness is a thing I man do not respect
That's why me have to show dem how fe do the King Step Left Right.
(Chorus)
Well before me start to go down in a dais yak subject
Me have to praise you Jab cause you never fail I yet
Even when satan captured me and bring me close to death
You offered me the truth and right and I had to accept
But now me find you Jab me na go keep it secret
That's why the conscious lyrics are my favourite subject
Me chat dem in the blues party, pub, club and discotheque
Me chat dem in the bookie shop while man a put on bet
And also in the gambling house when man ready fe set
And even to bad man who a walk wid dem ratchet
Me chat dem a UB40 Studio in digbeth
And when dem want more culture dem a barl out "Dep, Dep, Dep"
But me tell them, hold on lads you ain't heard nothing yet
"Cause now I'm gonna show ya how to do the King Step" Left Right
(Chorus)
Left right its time to walk in the light of Jab not darkness
Left right who Jab bless no man curse, who jab curse no man bless
Left right eternal life for the man that tries his very best
Left right do bad and you'll go down in the pit that's bottomless
Left right Pato Banton has now come to preach the right
Left right left right me no partial if your black or if your white
Left right well now me know how fe do the king step
Me just can not keep it a secret
So right ya now you a get
THE KING STEP THE KING STEP THE KING STEP
Step 1, we all should know that there's one god and only one
Step 2, Is give him praises for this whole creation
Step 3, Is love your brother man cause you and him is one
Step 4, Is not to make the same mistake as Soloman
Step 5, Is to repent and beg forgiveness for your wrongs
Cause the wroth of Jab is clear to see in Revelation
So make up mind if you want to go to Heaven or Hell
Step 6, Oh yes there's more the King Step carries on
It carries on and on, and on, and on, and on, and on
[...] Read more
song performed by Ub40
Added by Lucian Velea
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The Cenci : A Tragedy In Five Acts
DRAMATIS PERSONÆ
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
[...] Read more
poem by Percy Bysshe Shelley
Added by Poetry Lover
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Somehow My Agenda Remains Prioritized
When someone says to me,
I do not have to express...
Or show my concern.
I deliver quick!
Exactly to them what is wished.
And if I should witness approaching trouble,
Heading towards them on the double...
I am dutiful to what I am told,
With eyes I immediately close.
To dismiss any trouble coming to confront,
Is a blessing I have kept unknown.
Confirming in mind,
What is happening does not exist.
Is not a problem at all for me.
I've been trained to know how to distance.
And somehow,
My agenda...
Remains prioritized.
'Owwww...
Help me. Help! Please.'
With little effort or stress!
'Owwww...
Help me. Help! Please.'
And somehow,
My agenda...
Remains prioritized.
With little effort or stress!
'Help me. Help me.
Owwww, please! '
And somehow,
My agenda...
Remains prioritized.
With little effort or stress!
poem by Lawrence S. Pertillar
Added by Poetry Lover
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