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The Changing Light

The changing light
                 at San Francisco
       is none of your East Coast light
                none of your
                            pearly light of Paris
The light of San Francisco
                        is a sea light
                                       an island light
And the light of fog
                   blanketing the hills
          drifting in at night
                      through the Golden Gate
                                       to lie on the city at dawn
And then the halcyon late mornings
       after the fog burns off
            and the sun paints white houses
                                    with the sea light of Greece
                 with sharp clean shadows
                       making the town look like
                                it had just been painted

But the wind comes up at four o'clock
                                     s weeping the hills

And then the veil of light of early evening

And then another scrim
                  when the new night fog
                                        floats in
And in that vale of light
                      the city drifts
                                    anchorless upon the ocean

poem by Lawrence Ferlinghetti
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Coast 2 Coast

I met a girl named hip hop in seventy eight
Hollis Queens New York gave us our first date
man she broke me off proper yo the girl was fast
and everybody kept telling me it would not last
cause ain't no women in the world supposed to be that sweet
and ya just can't trust a hot chick from the street
I could tell she had been through lots of struggle and strife
but yet in still she'd been with me over half of my life
born key Jeff Taylor took me into his home
and intrduced me to some tables and a microphone
hip hop talked to me told me take your time
at the age of eleven I bust my first rhyme
block partys in the day house partys at night
just about one year before Rapper's Delight
everybody in the crew called to make a request
cause rap's on the radio and hip-hop was blessed
didn't go to many clubs I wasn't old enough
And if it try to sneak it out my folks is scolding up
but I still do anything to get on stage
and once I got a club gig I lied about my age
just a couple blocks away was the Hollis crew
Run and them used to rock at one ninety two
up the street was a crew called Solo Sounds
where Davey D and Mex used to throw it down
man I wouldn't trade rap for anything in the world
hip hop meant more to me than diamonds and pearls
and I still reminicse to this very day
and I remember those words hip hop would say
(Do you have love for the east coast?)
yes I do
(the hip hop on the east coast?)
yeah that's true
from the 'yes yes y'all' to 'and you don't stop'
east coast played a role in making a hip hop
(Do you have love for the east coast?)
yeah that's right
(the hip hop on the east coast?)
yeah that's tight
from the 'yes yes y'all' to 'and you don't stop'
east coast played a role in making a hip hop
now I gotta get busy time to make that move
high school over with gotta sho' improve
got college on the coast and I'm makin' plans
so hip hip went and told me go west young man
it was a different kind of style but I liked the sound
everybody in the house gauranteed to get down
I did the casa skateland word on wheels
and the crazy crazy world of the record deal
K-day was the station that played my song
I got love from the people it's a shame they gone

[...] Read more

song performed by Young MC
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Une Nuit A Paris

Part one: one night in paris
Bonjour monsieur
Paris really welcomes you
Its the best room in the house
Its forty francs a night, alright.
Its crazy, it isnt worth a centime
Ill take it!
Merci monsieur
Rouged lips in the gaslight
A great view of the hall
Thats the way the croissant crumbles after all
Paris is only one step away
Les girls are out on bail
Tres bien theres love for sale
Oh my cheri, wish you were mine
And Ill show you a wonderful time
For the price of a cheap champagne
Ill show it you once again
One night in paris
Is like a year in any other place
One night in paris
Will wipe the smile off your pretty face
One girl in paris
Is like loving every woman
One night in paris
One night in paris
One night in paris
May be your last!!!
Part two: the same night in paris
Is he gonna buy?
You wanna little culture?
Is he gonna pay?
Maybe monsieur is into photographs, non?
Or is he gonna fall in love
The all american way?
I got a watch wiz a beautiful swiss movement
Is he gonna buy?
Forget the watch, Ill show you a good time!'
Is he gonna pay?
Le connoisseur, want something different?
Or is he gonna fall in love
The all american way?
Oh you know you aint no casanova
You cant even do the bossa nova
Or the tango or the samba!
Though you are so very charming
No you aint no casanova
Is he gonna buy?
Is he gonna pay?
Or is he gonna fall in love

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song performed by 10 Cc
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

poem by Robinson Jeffers
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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Gioconda And Si-Ya-U

to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai

A CLAIM

Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.

The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.

I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.

1928

Part One
Excerpts from Gioconda's Diary

15 March 1924: Paris, Louvre Museum

At last I am bored with the Louvre Museum.

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poem by Nazim Hikmet
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Beachy Head

ON thy stupendous summit, rock sublime !
That o'er the channel rear'd, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretch'd forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between

The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast !
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice

Of the gray choughs, and ever restless daws,
With clamour, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.
The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea.
Dimpling its tranquil surface.
Afar off,
And just emerging from the arch immense

Where seem to part the elements, a fleet
Of fishing vessels stretch their lesser sails;
While more remote, and like a dubious spot
Just hanging in the horizon, laden deep,
The ship of commerce richly freighted, makes
Her slower progress, on her distant voyage,
Bound to the orient climates, where the sun
Matures the spice within its odorous shell,
And, rivalling the gray worm's filmy toil,

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poem by Charlotte Smith
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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The Columbiad: Book I

The Argument

Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.

I sing the Mariner who first unfurl'd
An eastern banner o'er the western world,
And taught mankind where future empires lay
In these fair confines of descending day;
Who sway'd a moment, with vicarious power,
Iberia's sceptre on the new found shore,
Then saw the paths his virtuous steps had trod
Pursued by avarice and defiled with blood,
The tribes he foster'd with paternal toil
Snatch'd from his hand, and slaughter'd for their spoil.

Slaves, kings, adventurers, envious of his name,
Enjoy'd his labours and purloin'd his fame,
And gave the Viceroy, from his high seat hurl'd.
Chains for a crown, a prison for a world
Long overwhelm'd in woes, and sickening there,
He met the slow still march of black despair,
Sought the last refuge from his hopeless doom,
And wish'd from thankless men a peaceful tomb:
Till vision'd ages, opening on his eyes,
Cheer'd his sad soul, and bade new nations rise;
He saw the Atlantic heaven with light o'ercast,
And Freedom crown his glorious work at last.

Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong;
Tis thine to shape my course, to light my way,
To nerve my country with the patriot lay,
To teach all men where all their interest lies,
How rulers may be just and nations wise:
Strong in thy strength I bend no suppliant knee,
Invoke no miracle, no Muse but thee.

Night held on old Castile her silent reign,
Her half orb'd moon declining to the main;
O'er Valladolid's regal turrets hazed
The drizzly fogs from dull Pisuerga raised;
Whose hovering sheets, along the welkin driven,
Thinn'd the pale stars, and shut the eye from heaven.
Cold-hearted Ferdinand his pillow prest,
Nor dream'd of those his mandates robb'd of rest,
Of him who gemm'd his crown, who stretch'd his reign
To realms that weigh'd the tenfold poise of Spain;
Who now beneath his tower indungeon'd lies,
Sweats the chill sod and breathes inclement skies.

[...] Read more

poem by Joel Barlow
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Drifting

Drifting, drifting, drifting away.
I got myself a mansion, then I gave it away.
It's not the world that's heavy, just the things that you save.
And I'm drifting, drifting away.
Drifting, drifting, drifting along.
I rid myself of worries, and the worries were gone.
I only run when I want to and I sleep like a dog.
I'm just drifting, drifting along.
The suitcoats say, "There is money to be made."
They get so damn excited, but I guess it's their way.
My road it may be lonely just because it's not paved.
It's good for drifting, drifting away.
The suitcoats say, "There is money to be made."
They get so damn excited, nothing gets in their way
My road it may be lonely just because it's not paved.
It's good for drifting, drifting away.
Drifting, drifting, drifting, uh huh.
I feel like going back there, but never for long.
I sometimes wonder if they know that I'm gone.
I'm just drifting, drifting along.
Drifting, drifting along. Drifting, drifting along.
Merry Christmas...

song performed by Pearl Jam
Added by Lucian Velea
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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….

☼ The Song of Wink Star
a happy story for children of all ages

☼ 1

Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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poem by Raj Arumugam
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Fire & Earth

Cave men! [You better hush!] Cave women! [Hush!] And the... [Hush!]
Troglodytes! [Gun shot.]
[Somebody's calling my name....]
[Brother J]
Ah, yeah! Ah, come on, come on, come on!
[Professor X] To the East, my brother, to the East!
[Brother J] Uh, to the East, my brother, to the East! Come on!
[X] To the East, my brother, to the East!
[J] To the East, my brother, to the East, yeah!
[X] To the East, my brother, to the East!
[J] To the East, my brother, to the East, my brother, to the East, my
brother, to the East, my brother, to the East, my brother, to the East!
[Professor X]
Yes! I'm that kind of nigga
The one you fear, be scared you can't figger
The one that has the finger on the trigger, boom!
In the cut of zoom
In the darkness, the halo, the moon!
Stepping ta' ya' real soon
Ah! Check the blackness!
Me before those enter the lightness!
Masturbating!
Masquerading!
And you call your self righteous?
Follow me!
A peripheral, missionary, and ark commit-ness
Having intercourse with the nation of darkness!
Books with worms!
Jherri suited with last names like perms!
niggas, get your hands of your cracks, come to terms with yourself
If you don't get any bigger
Pink Caddy driving, black boot stomping
Yes! I'm that kind of nigga
Brother J, whatcha' say?
Brother J, Brother J, whatcha' say?
Brother J, whatcha' say? Brother J, whatcha' say?
[Brother J]
Yeah!
I'm just a pro-Black nigga, and I'm doing this
And yet you watch me, clock me, to see if I continue this
In the ways of the Caddy I survive like a pimp
No jherri curls, waves, perms, or crimps
The ever-nappy crew setting the mood
I raise my fuel for my firm attitude
Walking through the streets with my war cry spear
Certain folks know it means doom when they hear
My firm, black boots with no spurs attached
Now let me take a second, cause I might detach
My black boots if you confuse
I lose my peoples in the words you choose

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song performed by X-Clan
Added by Lucian Velea
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Fire & Earth

Cave men! [You better hush!] Cave women! [Hush!] And the... [Hush!]
Troglodytes! [Gun shot.]
[Somebody's calling my name....]
[Brother J]
Ah, yeah! Ah, come on, come on, come on!
[Professor X] To the East, my brother, to the East!
[Brother J] Uh, to the East, my brother, to the East! Come on!
[X] To the East, my brother, to the East!
[J] To the East, my brother, to the East, yeah!
[X] To the East, my brother, to the East!
[J] To the East, my brother, to the East, my brother, to the East, my
brother, to the East, my brother, to the East, my brother, to the East!
[Professor X]
Yes! I'm that kind of nigga
The one you fear, be scared you can't figger
The one that has the finger on the trigger, boom!
In the cut of zoom
In the darkness, the halo, the moon!
Stepping ta' ya' real soon
Ah! Check the blackness!
Me before those enter the lightness!
Masturbating!
Masquerading!
And you call your self righteous?
Follow me!
A peripheral, missionary, and ark commit-ness
Having intercourse with the nation of darkness!
Books with worms!
Jherri suited with last names like perms!
niggas, get your hands of your cracks, come to terms with yourself
If you don't get any bigger
Pink Caddy driving, black boot stomping
Yes! I'm that kind of nigga
Brother J, whatcha' say?
Brother J, Brother J, whatcha' say?
Brother J, whatcha' say? Brother J, whatcha' say?
[Brother J]
Yeah!
I'm just a pro-Black nigga, and I'm doing this
And yet you watch me, clock me, to see if I continue this
In the ways of the Caddy I survive like a pimp
No jherri curls, waves, perms, or crimps
The ever-nappy crew setting the mood
I raise my fuel for my firm attitude
Walking through the streets with my war cry spear
Certain folks know it means doom when they hear
My firm, black boots with no spurs attached
Now let me take a second, cause I might detach
My black boots if you confuse
I lose my peoples in the words you choose

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song performed by X-Clan
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The Odyssey: Book 5

And now, as Dawn rose from her couch beside Tithonus- harbinger of
light alike to mortals and immortals- the gods met in council and with
them, Jove the lord of thunder, who is their king. Thereon Minerva
began to tell them of the many sufferings of Ulysses, for she pitied
him away there in the house of the nymph Calypso.
"Father Jove," said she, "and all you other gods that live in
everlasting bliss, I hope there may never be such a thing as a kind
and well-disposed ruler any more, nor one who will govern equitably. I
hope they will be all henceforth cruel and unjust, for there is not
one of his subjects but has forgotten Ulysses, who ruled them as
though he were their father. There he is, lying in great pain in an
island where dwells the nymph Calypso, who will not let him go; and he
cannot get back to his own country, for he can find neither ships
nor sailors to take him over the sea. Furthermore, wicked people are
now trying to murder his only son Telemachus, who is coming home
from Pylos and Lacedaemon, where he has been to see if he can get news
of his father."
"What, my dear, are you talking about?" replied her father, "did you
not send him there yourself, because you thought it would help Ulysses
to get home and punish the suitors? Besides, you are perfectly able to
protect Telemachus, and to see him safely home again, while the
suitors have to come hurry-skurrying back without having killed him."
When he had thus spoken, he said to his son Mercury, "Mercury, you
are our messenger, go therefore and tell Calypso we have decreed
that poor Ulysses is to return home. He is to be convoyed neither by
gods nor men, but after a perilous voyage of twenty days upon a raft
he is to reach fertile Scheria, the land of the Phaeacians, who are
near of kin to the gods, and will honour him as though he were one
of ourselves. They will send him in a ship to his own country, and
will give him more bronze and gold and raiment than he would have
brought back from Troy, if he had had had all his prize money and
had got home without disaster. This is how we have settled that he
shall return to his country and his friends."
Thus he spoke, and Mercury, guide and guardian, slayer of Argus, did
as he was told. Forthwith he bound on his glittering golden sandals
with which he could fly like the wind over land and sea. He took the
wand with which he seals men's eyes in sleep or wakes them just as
he pleases, and flew holding it in his hand over Pieria; then he
swooped down through the firmament till he reached the level of the
sea, whose waves he skimmed like a cormorant that flies fishing
every hole and corner of the ocean, and drenching its thick plumage in
the spray. He flew and flew over many a weary wave, but when at last
he got to the island which was his journey's end, he left the sea
and went on by land till he came to the cave where the nymph Calypso
lived.
He found her at home. There was a large fire burning on the
hearth, and one could smell from far the fragrant reek of burning
cedar and sandal wood. As for herself, she was busy at her loom,
shooting her golden shuttle through the warp and singing
beautifully. Round her cave there was a thick wood of alder, poplar,

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poem by Homer, translated by Samuel Butler
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Vision Of Columbus - Book 1

Long had the Sage, the first who dared to brave
The unknown dangers of the western wave,
Who taught mankind where future empires lay
In these fair confines of descending day,
With cares o'erwhelm'd, in life's distressing gloom,
Wish'd from a thankless world a peaceful tomb;
While kings and nations, envious of his name,
Enjoy'd his toils and triumph'd o'er his fame,
And gave the chief, from promised empire hurl'd,
Chains for a crown, a prison for a world.
Now night and silence held their lonely reign,
The half-orb'd moon declining to the main;
Descending clouds, o'er varying ether driven,
Obscured the stars and shut the eye from heaven;
Cold mists through opening grates the cell invade,
And deathlike terrors haunt the midnight shade;
When from a visionary, short repose,
That raised new cares and temper'd keener woes,
Columbus woke, and to the walls address'd
The deep-felt sorrows of his manly breast.

Here lies the purchase, here the wretched spoil,
Of painful years and persevering toil:
For these dread walks, this hideous haunt of pain,
I traced new regions o'er the pathless main,
Dared all the dangers of the dreary wave,
Hung o'er its clefts and topp'd the surging grave,
Saw billowy seas, in swelling mountains roll,
And bursting thunders rock the reddening pole,
Death rear his front in every dreadful form,
Gape from beneath and blacken in the storm;
Till, tost far onward to the skirts of day,
Where milder suns dispens'd a smiling ray,
Through brighter skies my happier sails descry'd
The golden banks that bound the western tide,
And gave the admiring world that bounteous shore
Their wealth to nations and to kings their power

Oh land of transport! dear, delusive coast,
To these fond, aged eyes forever lost!
No more thy gladdening vales I travel o'er,
For me thy mountains rear the head no more,
For me thy rocks no sparkling gems unfold,
Or streams luxuriant wear their paths in gold;
From realms of promised peace forever borne,
I hail dread anguish, and in secret mourn

But dangers past, fair climes explored in vain,
And foes triumphant shew but half my pain
Dissembling friends, each earlier joy who gave,

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poem by Joel Barlow
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San Francisco

I, I know what you did
Like a boy of summer gives his first kiss
Love, is dancing on my finger
He got to the heart of the matter and lingered
Now I'm walking with the living
I always liked Steinbeck and those old men whistling
We're back, we're back in San Francisco
We're back and you tell me I'm home
Talking in the Mission
Over coffee this is my utopia
Then I'll be your lady
As the ocean rises, the sun is fading
We're back, we're back in San Francisco
We're back, we're back in San Francisco
We're back, we're back in san fran
And now I feel the ever after
Over red wine on the eve of summer
The buzz, the buzz of the city
As we settle in it's majesty
I, I know what you did
Like a boy of summer gives his first kiss
We're back, we're back in San Francisco
We're back and you tell me I'm home
You tell me I am home
You tell me I am home
You tell me I am home
Back in San Francisco
And I know what you did in San Francisco
I know what you did in San Francisco
San Francisco

song performed by Vanessa Carlton
Added by Lucian Velea
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Back To The Coast

West coast, try outs
You've got to make it before you die out
New York is the hard way
Time to pack it up and get to L.A.
If you want to be a star get back to the coast
Back to the coast
You're gonna make it real far so get back to the coast
Back to the coast
My way is the sky way
Ain't got no time for the highway
I've got to get to the coast, fast as I can
Get to L.A. we'll be the number one band
If you want to be a star get back to the coast
Back to the coast
You're gonna make it real far so get back to the coast
Back to the coast (come on)
You've got to get on back (get back)
If you want to be a star get back to the coast
Back to the coast
You're gonna make it real far so get back to the coast
Back to the coast
I say back back back back back, back to the coast
Oooo, yeah get back back back back back, back to the coast
Whoa yeah
If you want to be a star get back to the coast
Back to the coast
You're gonna make it real far so get back to the coast
Back to the coast (oh, get on back), back to the coast

song performed by Quiet Riot
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The Odyssey: Book 12

"After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
"Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe's house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
"While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, 'You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people's once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.'
"We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
"'So far so good,' said she, when I had ended my story, 'and now pay
attention to what I am about to tell you- heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men's bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men's ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope's ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
"'When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird

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poem by Homer, translated by Samuel Butler
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Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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poem by William Butler Yeats
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