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Australiana

Aborigines and kangaroos
boomerangs and didjeridoos.
Leafy gum tree branch and koala bear
black stump in the middle of nowhere.
Jolly swagman camped by a billabong
in 'Waltzing Matilda' a favorite song.
The wild brumbies roaming free in the outback
a scruffy hobo living alone in a country shack.
Aboriginal myths called their dreamtime
the native Australians regard as sublime.
Ring-tailed possum and wombat
Aussie bloke wearing accubra hat.
Alice Springs and Ayers Rock
outback stations and livestock.
Ned Kelly bushranger and his law brushes
the Eureka stockade during the gold rushes.
Laughing kookaburra and old man emu
platypus swimming in underwater view.
Banjo Patterson’s poem ‘The Man from Snowy River’
who went riding down mountain side without a quiver.
Surfers paradise and the Great Barrier reef
sixties rock ‘n roll legend: Johnny O’Keefe.
Anzac marches and the land of the Southern cross
old Cobb & Co. stagecoach used to travel across.
Glorious summer sunshine and winter rains
severe country drought and the desert plains.
Eucalyptus scent and Tea-tree oil
good health remedies from the soil.
Fresh water yabbies and the witchety grub
all make good tucker in the bush or scrub.
Crocodiles in the Kakadu national park
Burrumundi and the great white shark.
Sydney harbor bridge and the Opera House
Daintree rain forest and the kangaroo mouse.
Sheep wool farming and old shearing sheds
Melbourne Cup horse race for thoroughbreds.
Riverboat cruising up and down the Murray
passing border country towns not in a hurry.
Cradle mountain and the Tasmanian Devil
saying ‘fair dinkum’ means it’s on the level.
AFL rules football and big crowds at the MCG
playing one day cricket there is exciting to see.
The Fitzroy Gardens and Captain Cook’s cottage
are there for all to see as symbols of our heritage.
The Twelve Apostles standing along a rugged stretch of coast
a Ninety-Mile beach is something about which we can also boast.
The Glass House mountains are a sight to see and even to climb
by those who consider themselves fit enough and in their prime.
The great Australian Bight and the road on the Nullarbor plain
is a great feat to drive across and be able to come back again.

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poem by George Krokos
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The Sailor Boy to His Lass

I go away this blessed day,
To sail across the sea, MATILDA!
My vessel starts for various parts
At twenty after three, MATILDA.
I hardly know where we may go,
Or if it's near or far, MATILDA,
For CAPTAIN HYDE does not confide
In any 'fore-mast tar, MATILDA!

Beneath my ban that mystic man
Shall suffer, COUTE QUI COUTE, MATILDA!
What right has he to keep from me
The Admiralty route, MATILDA?
Because, forsooth! I am a youth
Of common sailors' lot, MATILDA!
Am I a man on human plan
Designed, or am I not, MATILDA?

But there, my lass, we'll let that pass!
With anxious love I burn, MATILDA.
I want to know if we shall go
To church when I return, MATILDA?
Your eyes are red, you bow your head;
It's pretty clear you thirst, MATILDA,
To name the day - What's that you say?
- "You'll see me further first," MATILDA?

I can't mistake the signs you make,
Although you barely speak, MATILDA;
Though pure and young, you thrust your tongue
Right in your pretty cheek, MATILDA!
My dear, I fear I hear you sneer -
I do - I'm sure I do, MATILDA!
With simple grace you make a face,
Ejaculating, "Ugh!" MATILDA.

Oh, pause to think before you drink
The dregs of Lethe's cup, MATILDA!
Remember, do, what I've gone through,
Before you give me up, MATILDA!
Recall again the mental pain
Of what I've had to do, MATILDA!
And be assured that I've endured
It, all along of you, MATILDA!

Do you forget, my blithesome pet,
How once with jealous rage, MATILDA,
I watched you walk and gaily talk
With some one thrice your age, MATILDA?
You squatted free upon his knee,

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poem by William Schwenck Gilbert
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Waltzing Matilda

Words and music: m. cowan
Roy sang this song whilst on an australian tour
It was taped by a fan and circulated.....
Once a jolly swagman, campd by a billabong,
Under the shade of a coolibah tree,
And he sang as he watchd and waited till his billy boiled,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And he sang as he sat and waited till his billy boiled,
Youll come a waltzing matilda with me.
Down came a jumbuck to drink at that billabong,
Up jumped the swagman and grabbed him with glee,
And he sang as he shaoved that jumbuck in his tucker bag,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And he sang as he shaoved that jumbuck in his tucker bag,
Youll come a waltzing matilda with me.
Up rode the squatter mounted on his thoroughbred,
Down come the troopers, one, two, three,
Whose that jolly jumbuck youve got in your tucker bag?
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
Whose that jolly jumbuck youve got in your tucker bag?
Youll come a waltzing matilda with me.
Up jumped the swagman, sprang into the billabong,
Drowning himself by the coolibah tree,
And his ghost may be heard as you pass by that billabong,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And his ghost may be heard as you pass by that billabong,
Youll come a waltzing matilda with me.

song performed by Roy Orbison
Added by Lucian Velea
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Rokeby: Canto V.

I.
The sultry summer day is done,
The western hills have hid the sun,
But mountain peak and village spire
Retain reflection of his fire.
Old Barnard's towers are purple still,
To those that gaze from Toller-hill;
Distant and high, the tower of Bowes
Like steel upon the anvil glows;
And Stanmore's ridge, behind that lay,
Rich with the spoils of parting day,
In crimson and in gold array'd,
Streaks yet awhile the closing shade,
Then slow resigns to darkening heaven
The tints which brighter hours had given.
Thus aged men, full loth and slow,
The vanities of life forego,
And count their youthful follies o'er,
Till Memory lends her light no more.

II.
The eve, that slow on upland fades,
Has darker closed on Rokeby's glades,
Where, sunk within their banks profound,
Her guardian streams to meeting wound.
The stately oaks, whose sombre frown
Of noontide made a twilight brown,
Impervious now to fainter light,
Of twilight make an early night.
Hoarse into middle air arose
The vespers of the roosting crows,
And with congenial, murmurs seem
To wake the Genii of the stream;
For louder clamour'd Greta's tide,
And Tees in deeper voice replied,
And fitful waked the evening wind,
Fitful in sighs its breath resign'd.
Wilfrid, whose fancy-nurtured soul
Felt in the scene a soft control,
With lighter footstep press'd the ground,
And often paused to look around;
And, though his path was to his love,
Could not but linger in the grove,
To drink the thrilling interest dear,
Of awful pleasure check'd by fear.
Such inconsistent moods have we,
Even when our passions strike the key.

III.
Now, through the wood's dark mazes past,

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poem by Sir Walter Scott
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Tom Traubert's Blues

(Tom Waits)
Wasted and wounded
And it ain't what the moon did
I got what I paid for now
See you tomorrow
Hey Frank can I borrow
A couple of bucks from you
To go waltzing Matilda waltzing Matilda
You'll go waltzing Matilda with me
I'm an innocent victim
of a blinded alley
And I'm tired of all these soldiers here
No-one speaks English
And everything's broken
And my strength is soaking away
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Malitda with me
Now the dogs they are barking
and the taxi cab's parking
A lot they can do for me
I begged you to stab me
You tore my shirt open
And I'm down on my knees tonight
Old bushmills I staggered
You buried the dagger
Your silhouette window light
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me
Now I've lost my St. Christopher
Now that I kissed her
And the one-arm bandit knows
And the maverick Chinaman
with the cold-blooded sigh
And the girls down by the striptease shows go
Waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me
No I don't want your sympathy
Fugitives say
that the streets aren't for dreaming now
Manslaughter dragnet
and the ghost that sells memories
Want a piece of the action anyhow
Go waltzing Matilda, waltzing Matilda
You'll go waltzing Matilda with me
And you can ask any sailor
And the keys from the jailor
And the old men in wheelchairs know
That Matilda's the defendant
She killed about a hundred
And she follows wherever you may go

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song performed by Rod Stewart
Added by Lucian Velea
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Waltzing Matilda

OH! there once was a swagman camped in the Billabong,
Under the shade of a Coolabah tree;
And he sang as he looked at his old billy boiling,
“Who’ll come a-waltzing Matilda with me.”

Who’ll come a-waltzing Matilda, my darling,
Who’ll come a-waltzing Matilda with me?
Waltzing Matilda and leading a water-bag—
Who’ll come a-waltzing Matilda with me?
Down came a jumbuck to drink at the water-hole,
Up jumped the swagman and grabbed him in glee;
And he sang as he put him away in his tucker-bag,
“You’ll come a-waltzing Matilda with me!”

Down came the Squatter a-riding his thorough-bred;
Down came Policemen—one, two, and three.
”Whose is the jumbuck you’ve got in the tucker-bag?
You’ll come a-waltzing Matilda with me.”

But the swagman, he up and he jumped in the water-hole,
Drowning himself by the Coolabah tree;
And his ghost may be heard as it sings in the Billabong,
“Who’ll come a-waltzing Matilda with me?”

Andrew Barton ‘Banjo’ Paterson

poem by Andrew Barton Paterson
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Rokeby: Canto IV.

I.
When Denmark's raven soar'd on high,
Triumphant through Northumbrian sky,
Till, hovering near, her fatal croak
Bade Reged's Britons dread the yoke,
And the broad shadow of her wing
Blacken'd each cataract and spring,
Where Tees in tumult leaves his source,
Thundering o'er Caldron and High-Force;
Beneath the shade the Northmen came,
Fix'd on each vale a Runic name,
Rear'd high their altar's rugged stone,
And gave their Gods the land they won.
Then, Balder, one bleak garth was thine,
And one sweet brooklet's silver line,
And Woden's Croft did title gain
From the stern Father of the Slain;
But to the Monarch of the Mace,
That held in fight the foremost place,
To Odin's son, and Sifia's spouse,
Near Stratforth high they paid their vows,
Remember'd Thor's victorious fame,
And gave the dell the Thunderer's name.

II.
Yet Scald or Kemper err'd, I ween,
Who gave that soft and quiet scene,
With all its varied light and shade,
And every little sunny glade,
And the blithe brook that strolls along
Its pebbled bed with summer song,
To the grim God of blood and scar,
The grisly King of Northern War.
O, better were its banks assign'd
To spirits of a gentler kind!
For where the thicket-groups recede,
And the rath primrose decks the mead,
The velvet grass seems carpet meet
For the light fairies' lively feet.
Yon tufted knoll, with daisies strown,
Might make proud Oberon a throne,
While, hidden in the thicket nigh,
Puck should brood o'er his frolic sly;
And where profuse the wood-vetch clings
Round ash and elm, in verdant rings,
Its pale and azure-pencill'd flower
Should canopy Titania's bower.

III.
Here rise no cliffs the vale to shade;

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poem by Sir Walter Scott
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And The Band Played Waltzing Matilda

When I was a young man I carried my pack
And I lived the free life of a rover
From the murrays green basin to the dusty outback
I waltzed my matilda all over
Then in nineteen fifteen my country said son
Its time to stop rambling cause theres work to be
Done
So they gave me a tin hat and they gave me a gun
And they sent me away to the war
And the band played waltzing matilda
As we sailed away from the quay
And amidst all the tears and the shouts and the
Cheers
We sailed off to gallipoli
How well I remember that terrible day
the blood stained the sand and the water
And how in that hell that they called suvla bay
We were butchered like lambs at the slaughter
Johnny turk he was ready, he primed himself well
He us with bullets, he rained us with
Shells
And in five minutes flat hed blown us all to hell
Nearly blew us right back to australia
But the band played waltzing matilda
As we stopped to bury our slain
And we buried ours and the turks buried theirs
Then <it> started all over again
Now those <who were living did their best to survive>
In <that> mad world of blood, death and fire
And for long> weeks I kept myself alive
the corpses around me piled higher>
Then a big turkish shell knocked me arse over tit
And when I woke up in my hospital bed
And saw what it had done, I wished I was
Dead
Never knew there were worse things than dying
<and> no more Ill go waltzing matilda
<to> the green so> far and near
For to hump tent and pegs, a man needs two legs
No more waltzing matilda for me
So they collected the cripples, the wounded <and>
Maimed
And they shipped us back home to australia
<the legless, the armless>, the blind <and> insane
Those proud wounded heroes of suvla
And as our ship pulled into circular quay
I looked at the place where legs used to be
And thank christ there was nobody waiting for me
To grieve and to mourn and to pity
And the band played waltzing matilda

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song performed by Pogues
Added by Lucian Velea
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The Band Played Waltzing Matilda

When I was a young man I carried my pack
And I lived the free life of a rover
From the Murrays green basin to the dusty outback
I waltzed my Matilda all over
Then in nineteen fifteen my country said Son
It's time to stop rambling 'cause there's work to be
done
So they gave me a tin hat and they gave me a gun
And they sent me away to the war
And the band played Waltzing Matilda
As we sailed away from the quay
And amidst all the tears and the shouts and the
cheers
We sailed off to Gallipoli
How well I remember that terrible day
the blood stained the sand and the water
And how in that hell that they called Suvla Bay
We were butchered like lambs at the slaughter
Johnny Turk he was ready, he primed himself well
He us with bullets, he rained us with
shells
And in five minutes flat he'd blown us all to hell
Nearly blew us right back to Australia
But the band played Waltzing Matilda
As we stopped to bury our slain
And we buried ours and the Turks buried theirs
Then <it> started all over again
Now those <who were living did their best to survive>
In <that> mad world of blood, death and fire
And for long> weeks I kept myself alive
the corpses around me piled higher>
Then a big Turkish shell knocked me arse over tit
And when I woke up in my hospital bed
And saw what it had done, I wished I was
dead
Never knew there were worse things than dying
<And> no more I'll go waltzing Matilda
<To> the green so> far and near
For to hump tent and pegs, a man needs two legs
No more waltzing Matilda for me
So they collected the cripples, the wounded <and>
maimed
And they shipped us back home to Australia
<The legless, the armless>, the blind <and> insane
Those proud wounded heroes of Suvla
And as our ship pulled into Circular Quay
I looked at the place where legs used to be
And thank Christ there was nobody waiting for me
To grieve and to mourn and to pity
And the band played Waltzing Matilda

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song performed by Pogues
Added by Lucian Velea
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Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;

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poem by Andrew Barton Paterson
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What Matilda Said

Matilda closed the door. Matilda
Saw Millie by the window. Her maid’s
Uniform looked tight at the rear. She
Wanted to place her arms around her
Waist, kiss her neck. Millie turned and
Said, He’s out there with Mrs Dimmable.
Matilda walked to the window and stared.
She sensed Millie beside her; heard her
Breathing, the brush of her sleeve against
Her arm. Looks happy enough, Matilda said
Of Mrs. Dimmable. You didn’t sleep too well
Last night, Millie said, turning, going to the
Bed. She pulled back the covers, smoothed
Out the sheet. Matilda went around the other
Side of the bed and looked at Millie. You were
Tossing and turning, Millie said looking up.
Matilda helped make the bed and said, Sorry
About that. Millie stared at Matilda and said
You murmured words. Did I? Matilda replied.
Yes, Millie said, looking at her hands. What did
I say? Matilda asked. You muttered my name.
Millie stood back from the bed, gazed at Matilda.
You said things. What things? Said you loved me.
Millie blushed at the words. Matilda patted the
Pillow but said nothing. She brushed her hands
Over the covers, pushed away creases. She paused.
Looked at the window. Smelt the flowers in a vase.
Do you? Millie asked. Love me? Matilda stared
Out at Mrs Dimmable and the new gardener.
Her lips wanted to move but nothing came.
Her eyes watered. The world was awash. Millie
Walked to the window, put her arms around Matilda’s
Waist, her fingers formed a knot on Matilda’s stomach.
Matilda placed her hands over Millie’s.
They do look in love and contented don’t they?
Millie said over Matilda’s shoulder. Matilda’s sensed
The warm breath. Yes, she said, they do. Do you?
Millie’s breath uttered softly into her ear, yes.

poem by Terry Collett
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Rokeby: Canto VI.

I.
The summer sun, whose early power
Was wont to gild Matilda's bower,
And rouse her with his matin ray
Her duteous orisons to pay,
That morning sun has three times seen
The flowers unfold on Rokeby green,
But sees no more the slumbers fly
From fair Matilda's hazel eye;
That morning sun has three times broke
On Rokeby's glades of elm and oak,
But, rising from their sylvan screen,
Marks no grey turrets' glance between.
A shapeless mass lie keep and tower,
That, hissing to the morning shower,
Can but with smouldering vapour pay
The early smile of summer day.
The peasant, to his labour bound,
Pauses to view the blacken'd mound,
Striving, amid the ruin'd space,
Each well-remember'd spot to trace.
That length of frail and fire-scorch'd wall
Once screen'd the hospitable hall;
When yonder broken arch was whole,
‘Twas there was dealt the weekly dole;
And where yon tottering columns nod,
The chapel sent the hymn to God.
So flits the world's uncertain span
Nor zeal for God, nor love for man,
Gives mortal monuments a date
Beyond the power of Time and Fate.
The towers must share the builder's doom;
Ruin is theirs, and his a tomb:
But better boon benignant Heaven
To Faith and Charity has given,
And bids the Christian hope sublime
Transcend the bounds of Fate and Time.

II.
Now the third night of summer came,
Since that which witness'd Rokeby's flame.
On Brignall cliffs and Scargill brake
The owlet's homilies awake,
The bittern scream'd from rush and flag,
The raven slumber'd on his crag,
Forth from his den the otter drew,
Grayling and trout their tyrant knew,
As between reed and sedge he peers,
With fierce round snout and sharpen'd ears
Or, prowling by the moonbeam cool,

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poem by Sir Walter Scott
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Wild n Free

(ian hunter)
Wild n free wild n free
Wild n free wild n free
Oh! Id never known what it was like to free
I always thought it was never true
I got a feeling I was lost in space
Did not like my face
Just wanted to be
Wild n free wild n free
Like a hurricane
Wild n free wild n free
Oh insanitys so insane
Wild n free wild n free
I aint got no got no got no name
Wild n free wild n free
Dont want no ball and chain
Damn people telling me that I was thinking bad
Had me believing they was right
All they wanted was another slob
In some stinking job
That just aint me I just want to be
W w w wild n free wild n free
Like a hurricane
Wild n free wild n free
Oh insanitys so in so insane
Wild n free wild n free
I aint got no name
Wild n free wild n free
I dont I dont want to know a ball and chain
Just then I found out I was too broke to get out
So I took to the road no one was having me
I said dont want no handouts
Cause Im making out
You aint like me I just want to be
Uh uh uh wild n free
I tried to tell you babe but you never understood
I always tried to make you see
But you believed just what your old man said
He had you chained to his head
And its on tv tv tv tv
Want to be want to be want to be
Wild n free wild n free
Like a hurricane
Wild n free wild n free
Oh insanitys so insane
Wild n free wild n free
I aint got no got no got no name
Wild n free wild n free
Dont want no ball and chain
Wild n free wild n free

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song performed by Ian Hunter
Added by Lucian Velea
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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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poem by James Thomson
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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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poem by Virgil
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Waltzing Matilda

(sung by tico torres)
Wasted and wounded, it aint what the mood did,
Ive got what I prayed for now
Ill see you tomorrow, hey frank, can I borrow a couple of bucks from you
To go waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Im an innocent victim of a blinded alley
And Im tired of all these soldiers here
No one speaks english, and everythings broken, and my stacys are
Soaking wet to go waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Now I lost my saint christopher now that Ive kissed her
And the one-armed bandit knows
That the maverick chinaman with his cold-blooded style
And the girls stand by the strip-tease shows, go
Waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Now I dont want your sympathy, the fugitive says
That the streets aint for dreaming now
Manslaughter dragnets and the ghosts that sell memories,
Want a piece of the action anyhow
Go waltzing mathilda, waltzing mathilda,
Youll go waltzing mathilda with me
Its a battered old suitcase in a hotel someplace,
And a wound that will never heal
No prima donnas, the perfume is on
Its an old shirt thats stained with blood and whiskey
And goodnight to the street sweepers, the night watchmen, the flame
Keepers
Goodnight mathilda, too
And goodnight mathilda, too

song performed by Bon Jovi
Added by Lucian Velea
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Whose Country Is This?

Whose country is this?
It is a land full of snakes;
Whose country is this?
It is a land full of many waters;
Whose country is this?
It is a land full of thieves! !
Whose country is this?
It is a land full of people;
Whose country is this?
It is a land full of oil;
Whose country is this?
It is a land full of earthquakes!
Whose country is this?
it is a land full of lovers;
Whose country is this?
It is a land full of volcanoes!
Whose country is this?
It is a land full of beautiful flowers;
Whose country is this?
It is a land full of hansome men;
Whose country is this?
It is a land full of beautiful women;
Whose country is this?
It is a land full of roses;
Whose country is this?
it is a land ruled only by men;
Whose country is this?
It is a land without rainfall;
Whose country is this?
It is a land ruled by a woman;
Whose country is this?
It is a land full of corruption!
Whose country is this?
It is a land full of pirates! !
Whose country is this?
It is a land ruled by law;
Whose country is this?
It is a land controlled by rebels!
Whose country is this?
It is a land full of ice;
Whose country is this?
It is a land full of pregnant women;
Whose country is this?
It is a land full of the sins of Sodom and Gomorrah!
Whose country is this?
It is a land full of singers;
Whose country is this?
It is a land full of troubles;
Whose country is this?
It is a land full of war! !

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poem by Edward Kofi Louis
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In The Middle

Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Use your eyes to look up
Use your ears to hear
Walk up to the corner when the coast is clear
And wait
And wait
Until you see the light turn green
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Use your eyes to look up
Use your ears to hear
Walk up to the corner when the coast is clear
And wait
And wait
Until you see the light turn green
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block
Don't cross the street in the middle in the middle
In the middle in the middle in the middle of the block

song performed by They Might Be Giants
Added by Lucian Velea
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Pharsalia - Book IX: Cato

Yet in those ashes on the Pharian shore,
In that small heap of dust, was not confined
So great a shade; but from the limbs half burnt
And narrow cell sprang forth and sought the sky
Where dwells the Thunderer. Black the space of air
Upreaching to the poles that bear on high
The constellations in their nightly round;
There 'twixt the orbit of the moon and earth
Abide those lofty spirits, half divine,
Who by their blameless lives and fire of soul
Are fit to tolerate the pure expanse
That bounds the lower ether: there shall dwell,
Where nor the monument encased in gold,
Nor richest incense, shall suffice to bring
The buried dead, in union with the spheres,
Pompeius' spirit. When with heavenly light
His soul was filled, first on the wandering stars
And fixed orbs he bent his wondering gaze;
Then saw what darkness veils our earthly day
And scorned the insults heaped upon his corse.
Next o'er Emathian plains he winged his flight,
And ruthless Caesar's standards, and the fleet
Tossed on the deep: in Brutus' blameless breast
Tarried awhile, and roused his angered soul
To reap the vengeance; last possessed the mind
Of haughty Cato.

He while yet the scales
Were poised and balanced, nor the war had given
The world its master, hating both the chiefs,
Had followed Magnus for the Senate's cause
And for his country: since Pharsalia's field
Ran red with carnage, now was all his heart
Bound to Pompeius. Rome in him received
Her guardian; a people's trembling limbs
He cherished with new hope and weapons gave
Back to the craven hands that cast them forth.
Nor yet for empire did he wage the war
Nor fearing slavery: nor in arms achieved
Aught for himself: freedom, since Magnus fell,
The aim of all his host. And lest the foe
In rapid course triumphant should collect
His scattered bands, he sought Corcyra's gulfs
Concealed, and thence in ships unnumbered bore
The fragments of the ruin wrought in Thrace.
Who in such mighty armament had thought
A routed army sailed upon the main
Thronging the sea with keels? Round Malea's cape
And Taenarus open to the shades below
And fair Cythera's isle, th' advancing fleet

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poem by Marcus Annaeus Lucanus
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County Fair

This time each year in our hometown
The county fair comes our way
Where the folks gather round to be happy and spend their day
A-heres what happened now,
I soon decide that Id take with me
The most specialest girl I knew
I had her pack us a lunch and on down the dirt road we flew
(hurry hurry, step right up and win your girl a stuffed koala bear)
[aw, come on nicky. win me a koala bear]
(break the balloon with a dart)
(yes you son, come up here. win your girl a stuffed koala bear)
[oh please win me a koala bear]
(break the balloon with a dart. come on son, step right up)
(get up there, thats a boy)
Right then I knew what I had to do
(hurry, hurry)
Before that day was through
(step right up)
I had to win a stuffed doggie or Id break her poor heart in two
(hurry, hurry)
(win a prize)
A let me tell you now,
I passed up a chance when I walked by a booth
(hurry, hurry)
Where you throw a dart and break a balloon
(step right up)
I snuck by a couple more, but I had to get caught real soon
(hurry, hurry)
(win a prize)
(step right up, test your strength.)
(come on son, ring the bell with the hammer)
[aww, come on muscles]
(win your girl a stuffed koala bear)
[ooohhh]
(come on son, are you a man or a weakling? )
(yes you, step up here and test your strength)
(win your girl a stuffed koala bear)
[come on baby]
(come on son)
I hit the rubber stump just as hard as I could
(hurry, hurry)
But I didnt make it ring the bell
(step right up)
I tried again and again, but I just didnt do so well
(hurry, hurry)
(win a prize)
Can you believe it now,
Up walked a fella and he tapped me on the shoulder, said
(hurry, hurry)
I can win your girl a prize

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song performed by Beach Boys
Added by Lucian Velea
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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poem by Mahendra Bhatnagar
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