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Edward Lear

There was an Old Man of Vienna,
Who lived upon Tincture of Senna;
When that did not agree,
He took Camomile Tea,
That nasty Old Man of Vienna.

limerick by from A Book of Nonsense (1846)Report problemRelated quotes
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Nasty Girl

Thats right, pleased to meet u
I still [dont wanna/wont] tell u my name
Dont u believe in mystery?
Dont u wanna play my game?
Im lookin for a man to love me
Like I never been loved before
Im lookin for a man thatll do it anywhere
Even on [the/a] limousinse floor
Cuz
Tonight, Im living in a fantasy.
My own little nasty world
Tonight, dont u wanna come with me?
Do u think Im a nasty girl?
Tonight, living in a fantasy
My own little nasty world
Tonight, dont u wanna come with me?
Do u think Im a nasty girl?
I guess Im just used to sailors
I think they got water on the brain
I think they got more water upstairs
Than they got sugar on [the/a] candy cane
Thats right, its been a long time
Since I had a man [who/that] did it real good
If u aint scared, take it out
Ill do it like a real live nasty girl should
Tonight, Im living in a fantasy
My own little nasty world
Tonight, dont u wanna come with me?
Do u think Im a nasty girl?
Tonight, Im living in a fantasy
My own little nasty world
Tonight, dont u wanna come with me?
Do u think Im a nasty girl?
Tonight, Im living in a fantasy
My own little nasty world
Tonight, dont u wanna come with me?
Do u think Im a nasty girl?
Tonight, Im living in a fantasy
My own little nasty world
Tonight, dont u wanna come with me?
Do u think Im a nasty girl?
Please, please
Please, please
Nasty girl (nasty girl)
Do u think Im a nasty girl?
Nasty girl (nasty girl)
Do u think Im a nasty girl?
Nasty girl (nasty girl)
Do u think Im a nasty girl?
Nasty girl (nasty girl)

[...] Read more

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Nasty Habits

Heres something to think about
Where would we be without nasty habits, nasty habits
Makes me want to scream and shout
Life would be so dull without nasty habits, nasty habits
All those naughty little things that we dont discuss publicly
Nasty habits, nasty habits
Tell me your secrets, tell me your name, tell me your secrets
Does it please you to employ little girls or little boys
Nasty habits, nasty habits
Do you like to romp and play by yourself when theyre away
Nasty affair what do I care
Do you peek at magazines filled with doggies and leather queens
Nasty habits, nasty habits
Tell me your secrets that no one should hear
Whisper them softly into my ear I wont tell, I wont tell
People act so proper when theyre going bout their business
Cup of coffee, lfriendly conversation
til they get home,
til they get home
Turn the phone off, lock the door and shut the curtains
Make sure that the neighbors are without suspicion
No one will know
No one will know
Nasty habits I must condone
No one knows what I do when Im all alone
Nasty habits Im so ashamed
Nasty habits here to stay now theyll never go away
Try and stop youll have to pay
Nasty habits are here to stay
(repeat chorus)
Nasty habits I must condone
No one knows what I do when Im all alone
Nasty habits Im so ashamed
But we must not let that stop our little game
Nasty habits are so much fun
Nasty habits here to stay now theyll never go away
Try and stop youll have to pay
Nasty habits are here to stay

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Afternoon Tea

Tea time wont be the same without my donna
At night I lie awake and dream of donna
I think about that small cafe
Thats where we used to meet each day
And then we used to sit a while
And drink our afternoon tea
Ill take afternoon tea (afternoon tea)
If you take it with me (afternoon tea)
You take as long as you like
cause I like you, girl
I take sugar with tea (afternoon tea)
You take milk if you please (afternoon tea)
Like you talking to me
Because you ease my mind
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)
Tea time still aint the same without my donna
At night I lie awake and dream of donna
I went to our cafe one day
They said that donna walked away
Youd think at least she might have stayed
To drink her afternoon tea
Ill take afternoon tea (afternoon tea)
If you take it with me (afternoon tea)
You take as long as you like
cause I like you, girl
I take afternoon tea (afternoon tea)
Every day of the week (afternoon tea)
Please come along if you like
Because I like you, girl
Ba-ba-ba-ba-ba-ba (afternoon tea)
Ba-ba-ba-ba-ba-ba (afternoon tea)

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Have A Cuppa Tea

Grannys always ravin and rantin
And shes always puffin and pantin,
And shes always screaming and shouting,
And shes always brewing up tea.
Grandpappys never late for his dinner,
Cos he loves his leg of beef
And he washes it down with a brandy,
And a fresh made cup of tea.
Chorus:
Have a cuppa tea, have a cuppa tea,
Have a cuppa tea, have a cuppa tea,
Halleluja, halleluja, halleluja, rosie lea
Halleluja, halleluja, halleluja rosie lea.
If you feel a bit under the weather,
If you feel a little bit peeved,
Take grannys stand-by potion
For any old cough or wheeze.
Its a cure for hepatitis its a cure for chronic insomnia,
Its a cure for tonsilitis and for water on the knee.
Chorus
Tea in the morning, tea in the evening, tea at supper
Time,
You get tea when its raining, tea when its snowing.
Tea when the weathers fine,
You get tea as a mid-day stimulant
You get tea with your afternoon tea
For any old ailment or disease
For christ sake have a cuppa tea.
Chorus,
Whatever the situation whatever the race or creed,
Tea knows no segregation, no class nor pedigree
It knows no motivations, no sect or organisation,
It knows no one religion,
Nor political belief.
Chorus.

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Boys Feat. Pharrel Of N.E.R.D.

[Britney]
For whatever reason,
I feel like I've been wanting you all my life
You don't understand
I'm so glad we're at the same place at the same time
It's over now
I spotted you dancin'
You made all the girls stare
Those lips and your brown eyes (Oooh)
And the sexy hair
I should shake my thang (Ooh)
Make the world want you (Ha Ha Ha)
Tell your boys you'll be back
I wanna see what you can do (Uh)
What would it take for you to just leave with me?
Not trying to sound conceited but
You and me were meant to be (Yeah Yeah)
You're a sexy guy, I'm a nice girl (Uh)
Let's turn this dance floor into our own little nasty world
Boys! Sometimes a girl just needs one (You know I need you)
Boys! To love her and to hold (I just want you to touch me)
Boys! And when a girl is with one (Mmm)
Boys! Then she's in control!
[Pharrell]
Pull the girl off the dance floor
Whisper in ear
Must've said somethin' bout me (What you say)
Cos now she's lookin' over here
You lookin' at me (He He He)
With that sexy attitude
But the way your girls movin' it (Uh)
It puts me in the mood
(Ow!)
What would it take for you to just leave with me?
Not trying to sound conceited
But meeting you was destiny
I'm from N.E.R.D, Aren't you Britney? (Don't you know?)
Let's turn this dance floor into our own little nasty thing (Get Nasty!)
Girls! I can't speak for no one (I get nasty)
Girls! But I need her all the time (It's just me and you baby)
Girls! I don't know 'bout your girl
Girls! But I know she's on your mind (Get Nasty)
[Britney]
Boys! Sometimes a girl just needs one (I get nasty)
Boys! To love her and to hold (I get nasty)
Boys! And when a girl is with one (I get nasty)
Boys! Then she's in control!
You like that
Here we go
Have no Fear

[...] Read more

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Digital Get Down

Justin (Spoken)]:
Baby baby get nasty nasty
and we can get freaky deaky
[Spoken low]
Baby baby we can do all that we want
We're gettin' nasty nasty we're getting freaky freaky
Baby baby we can do more than just talk
'Cause I can hear ya hear ya and I can see ya see ya
Baby baby we can do all that we want
We're getting nasty nasty we're getting freaky freaky
[Chorus 1]
Digital, digital get down (get down) just you and me
(You may be) Twenty thousand miles away, but I can see ya
And baby, baby you can see me
Digital, digital get down (get down) just what we need
We can get together naturally
(We can) We can get together on the digital screen
[Justin]
Every time I'm sittin all alone girl
I can't wait to get you on the phone girl
So, pick it up, babe
I can see everything you do
Bouncin' me from satellite to satellite
I love the things you do for me so late tonight
So turn me on, yeah
It's like I'm right there next to you, yeah
[Chorus 2 - Justin]
Can we get connected?
I need some love and affection, baby
I'll call you on the phone
I hope that I get through
If you're in the mood and on the phone,
here's what you do: leave a message
You know the kind I like to get back to
[Repeat Chorus 1 with Justin's echoes]
Yeah
[JC]
I lose my mind just when you're speaking
I see you on the screen, I get to freaking
So, get down, babe
And I'll get down for you
I get so excited when I'm watching, girl
I can't wait to see you touch your body, girl
It's just me and you
So, we can do what we gotta do (yeah)
[Repeat Chorus 2 - JC]
[Repeat Chorus 1 with JC's echoes]
Digital, digital, digital, digital get down (get down)
Digital digital digital digital get down (get down)
[Spoken low]

[...] Read more

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The Sorcerer: Act I

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day


SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

CHORUS OF VILLAGERS

Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.

For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!

Ring forth, ye bells etc.
(Exeunt the men into house.)

(Enter Mrs. Partlet with Constance, her daughter)

RECITATIVE

MRS. P. Constance, my daughter, why this strange depression?

[...] Read more

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Healthy Back Bag

animated bag of chips
amor dive bag
american eagle outfitters bags
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amy butlet runaway bag pattern
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animae bop bag
allowed to carry on garment bag
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alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags

[...] Read more

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Nasty Ghetto

I was looking for love
In all the right places
He was flirting with me
And Lord I had to flirt back
And I fell in love
Right there on the dance floor, yeah
But baby don't you know that I know that you like it like that
He got caught in a nasty ghetto
He got caught in a nasty ghetto
He turned my frown right upside down yeah
He was looking so fine I had to say 'baby get in line' yeah
The beat was jumping and his hands were moving along me yeah
But baby don't you know that I know you ain't got it like that
He got caught in a nasty ghetto
He got caught in a nasty ghetto
He got caught in a nasty ghetto
He got caught in a nasty ghetto
Come on pretty baby can't you hear what I say
You gotta like it like that, liking my way
Come on pretty baby can't you hear what I say
You gotta like it like that, liking my way
I was searching for love, ooh
In all the right places
He was staring at me
I found myself staring right back yeah
And I fell in love
Right there on the dance floor, yeah
But baby don't you know that I know that you like it like that
But baby don't you know that I know that you like it like that
(That you like it like that, that, that, that...)
He got caught in a nasty ghetto
He got caught in a nasty ghetto
He got caught in a nasty ghetto
But baby don't you know that I know that you like it like that
But baby don't you know that I know that you like it like that
But baby don't you know that I know that you like it like that

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Cheap An Nasty

(coverdale/vandenberg)
Come on baby...
I get so confused,
But, my heart knows youre one of a kind
Leather an lace, an angels face,
Riding on a one track mind
Youre fully loaded with cruise control,
My four wheels rock with your back seat roll
Youre cheap an nasty,
All you wanna do is give it up, give it up
Cheap an nasty,
Come on an do the dirty with me
I get so excited, babe, when Im invited
To ride in your limousine,
You drive it every day, burn it every night,
I wonder how you keep it so clean
Smooth accelerator, you get me so loose,
You keep your motor running till I run out of juice
Youre cheap an nasty,
All you wanna do is give it up, give it up
Cheap an nasty,
Come on an do the dirty with me
Cheap an nasty
I never knew it could be this way
An I never thought Id ever complain,
But, gimme a second just to catch my breath
Babe, before you do it again
All the boys call your name
Down the wishing well,
Baby, when you go
Youre like a cat out of hell
Youre cheap an nasty,
All you wanna do is give it up, give it up
Cheap an nasty,
All you wanna do is give it up, give it up
Cheap an nasty,
All you wanna do is give it up, give it up
Cheap an nasty,
Come on an do the dirty with me
Come on an do the dirty,
Come on an do the dirty,
Come on an do the dirty with me
Come on an do the dirty with me...

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Give The Po Man A Break

Give po man a break
Give po man a break
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
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Give po man a
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Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
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Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Federico García Lorca

Piccolo Valzer Viennese

A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.

Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.

Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,
nella danza che sogna la tartaruga.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer dalla spezzata cintura.
A Vienna ci sono quattro specchi,
vi giocano la tua bocca e gli echi.
C'è una morte per pianoforte
che tinge d'azzurro i giovanotti.
Ci sono mendichi sui terrazzi. E
fresche ghirlande di pianto.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer che spira fra le mie braccia.
Perchè io ti amo, ti amo, amore mio,
nella soffitta dove giocano i bambini,
sognando vecchie luci d'Ungheria
nel mormorio di una sera mite,
vedendo agnelli e gigli di neve
nell'oscuro silenzio delle tue tempie.

Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer del "Ti amo per sempre".
A Vienna ballerò con te
con un costume che abbia la testa di fiume.
Guarda queste mie rive di giacinti!
Lascerò la mia bocca tra le tue gambe,
la mia anima in foto e fiordalisi,
e nelle onde oscure del tuo passo io voglio,
amore mio, amore mio, lasciare,
violino e sepolcro, i nastri del valzer.

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Du Bist So Schmutzig

Music : matthias jabs, rudolf schenker
Lyrics: klaus meine, matthias jabs, james kottak
Der atem kalt wie eis the breath cold as ice
Obwohl die erde brennt even though the earth burns
Wo du auch bist, da werd ich sein where you are also there I will be
Ich lebe jetzt, ich lebe hier in dieser welt i live now, I live here in this world
Ich atme durch voller gier i breath through complete lust
Damn you slam you, eat me like a menu
Take it brake it, kick it to the ground
Empty hollow, its so hard to swallow
Gotta know whats your size
Du bist so schmutzig, und doch so schn you are so nasty, and yet so fine
Ich will mich in dir verliern i want to lose myself in you
Du bist so schmutzig, wie weit willst du gehn you are so nasty, how far will you go
Nur um mich zu amsiern only around me to have fun
Du bringst mich noch einmal um den verstand you tell me yet again about the fact that
Niemand hat dich je gesehen no one has ever saw you
Doch ich folge nur deiner spur still I stay just yours, go
Durch fleisch und blut through flesh and blood
Denn du, du lebst in mir for you, you live in me
Ammo slammo, its gotta go blammo
Lust you bust you, can I ever trust you
Scare you dare you, anyway I want you
Catch you grab you now
Du bist so schmutzig, und doch so schn you are so nasty, and yet so fine
Ich will mich in dir verliern i want to lose myself in you
Du bist so schmutzig, wie weit willst du gehn you are so nasty, how far will you go
Nur um mich zu amsiern only around me to have fun
Hard ass lard ass, keep your hands off my stash
Holy stoli gotta have a stogie
Master blaster, buy a jabocaster
Gotta eat your heart out now
Du bist so schmutzig, und doch so schn you are so nasty, and yet so fine
Oh du meine phantasie oh, youre my fantasy
Du bist so schmutzig, wie weit willst du gehn you are so nasty, how far will you go
Bleib mir treu, verlass mich nie to keep me true, trust me not
Du bist so schmutzig, und doch so schn you are so nasty, and yet so fine
Ich will mich in dir verliern i want to lose myself in you
Du bist so schmutzig, wie weit willst du gehn you are so nasty, how far will you go
Nur um mich zu amsiern only around me to have fun

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Quickie

Ready for this one
Nivea
Rasheeda
Yeah
[Rasheeda:]
He like the way my pinkie sitting pretty
Underneath my mini Im ready for a quickie
Give him a quick striptease drop it low
Let him squeeze what my Bs like some double Ds
Only got a few minutes
I can play with
Show him how us ghetto girlz like to get it get it
I aint pimpin I see your body out of tension
So come and get it cuz Im working with a time limit
[Verse 1:]
Give it up give it up quick to me
I gotta run can we make this kinda quick you see
Give me your love like you always do it to me
(I need your love but we gotta rush)
Keep it low shine low not to loud
Do it all make it fast know I like it round
Make me scream like a witness on a murder scene
(Wont you come and break me of right here)
[Pre-Chorus:]
It can be outside on the hood of your truck
It can be how you want it just hurry up
Hit it up put it down till you get enough
Ooh ooh
[Chorus:]
I feenin for your touch (touch)
I just cant get enough
Come get all of my love
Not tryin to be nasty
I just want a quickie
I feenin for your touch (oh oh)
I just cant get enough
Come get all of my love
Not tryin to be nasty
I just want a quickie
[Verse 2:]
Makin love all night sounds good to me
But I just need a little taste of my babys free
And only you can bring it to me like you need to bring it to me
(I need your love will you take over me)
Make a girl wander what the hell you put on me
When you pull up know its up Im so ready
And I dont mind if you say that Ima get it right
(Let me tell you what I need)
[Pre-Chorus:]
It can be outside on the hood of your truck

[...] Read more

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.


When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.


Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.


It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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