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Jack

Mental throughts,
I am Jack on the muse of love;
But an attractive and a beautiful woman is what you are,
And like the poor and the needy who need my help.

poem by Edward Kofi Louis
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Soul Surfing

Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
Jack it up, jack up
Jack up, jack up
Jack up, jack up
Jack up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
Jack it up, jack up
Jack it up, jack up
Jack it up, jack up
Jack up, jack up
With your help, turn you on
With your help, turn you on
With your help, turn you on
With your help, turn you on
With your help, turn you on
With your help, turn you on
With your help, turn you on
With your help, with your help, with your with your with your help
With your help, turn you on
With your help, turn you on
With your help, turn you on

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song performed by Fatboy Slim
Added by Lucian Velea
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She's Got The Jack

She gave me the Queen
She gave me the King
She was wheelin' and dealin'
Just doin' her thing
She was holdin' a pair
But I had to try
Her Deuce was wild
But my Ace was high
But how was I to know
That she'd been dealt with before
Said she'd never had a Full House
But I should have known
From the tattoo on her left leg
And the garter on her right
She'd have the card to bring me down
If she played it right
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, jack, jack, jack, jack, jack, jack
She's got the jack
Poker face was her name
Poker face was her nature
Poker straight was her game
If she knew she could get you
She played 'em fast
And she played 'em hard
She could close her eyes
And feel every card
But how was I to know
That she'd been shuffled before
Said she'd never had a Royal Flush
But I should have known
That all the cards were comin'
From the bottom of the pack
And if I'd known what she was dealin' out
I'd have dealt it back
She's got the jack, she's got the jack
She's got the jack, and who knows what else?
She's got the jack, yeah, yeah
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, jack, jack, jack, jack, jack, jack
She's got the jack
She's got the jack, she's got the jack,
Ooh, It was a bad deal, (Jack)
She gave me the (Jack), hey
She's got the (Jack), she's got the (Jack)
She's got the (Jack), ooh can't you tell

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song performed by AC-DC
Added by Lucian Velea
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Jack The Idiot Dunce

Whos the fool with the cross-eyed stare,
The turned up nose and moronic glare?
Whos that simpleton standing over there?
Jack, jack the idiot dunce.
Whos that dumb-looking freckle-faced runt?
Jack, jack the idiot dunce.
He walks like his feet are on back to front,
Jack, jack the idiot dunce.
When he waddles down the street he looks kind of queer,
Jack, jack the idiot dunce,
Because hes got two left feet and taxi-door ears,
Jack, jack the idiot dunce.
And when we laugh at the clothes he wears,
Jack just smiles cos he dont care.
Whos that fool? whos that ninny?
Whos that twit? whos that chump?
The idiot dunce, the idiot dunce.
Who is always the bottom of the class?
Jack, jack the idiot dunce.
Whos a fool? whos a boob?
Whos a kook and an ass?
Jack, jack the idiot dunce.
When we take examinations he never gets a pass,
Jack, jack the idiot dunce.
And we all put him down cos he cant think fast,
Jack, jack the idiot dunce.
We ridicule him and punch him around,
But jack just laughs and stands his ground,
The idiot dunce, the idiot dunce.
Yeah, hes so unco-ordinated.
Yeah, and so disorientated,
And when we have a high school hop
You ought to see that idiot bop
And his arms and his legs
Seem to have minds of their own,
And you dont need brains
To have educated muscles and bones.
Yeah, you ought to see him dance
He moves like hes in a trance,
And when we have a high school hop
You ought to see that idiot rock,
And hes finally proved
That you dont need a high i.q.
To make your body move.
Now hes created a dance that everybodys trying to do.
Jack, jack the idiot dunce.
Do the idiot dunce.
All right put your finger on your nose,
Now cross those eyes.
Put your hands on your hips,

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song performed by Kinks
Added by Lucian Velea
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Synergy of Love

'Were you honed from poetry? '
I asked your saddened smile.
For it seems to tell a longing tale -
One of words in oratory
That speaks in languid metaphors
From lips of mind in deep despair
And solitude from inner wars
That over time has rendered life so frail.

'Were you carved from doleful prose? '
I sought to ask your gaze,
For a pain lies deep within your eyes -
One of barren territory
Where no fair heart could ever drift
And hope to venture back content
With grateful memories in a gift -
A land of your affectional demise.

'Do I hear a mournful hum? '
I wondered of your cry,
For it sings a song of deep lament -
One of quiet soliloquy
Recited on deserted strands
To waves that have no sense of song
And only wish to fight the sands -
A chant that cites emotional descent.

Do you know your face portrays
The colours of your soul?
It tells me at a single glance
Of how you burned your furnace whole
To stay the fire in our romance.

And see the prismic hues they bore!
I cherished all I ever saw:
Mauve of mystic; browns of rustic;
Reddened tones to match your blush;
Marine of passion, spending out your being,
Leaving you for ashen embers, fleeing
The dying light in hush of night.
And how you lay there empty.

So let me help re-grow the flowers
Once erect in fiery showers!
For now I've seen what love can do
When torn asunder - oh my catastrophic blunder!

But we must realise -
Our flaming want is meant to be!
We are the ocean and the sea;

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poem by Mark R Slaughter
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Forsaking My Love

I hate you
I wish to tear you away from me
This tumor that clings to my chest
The thing that makes me ache
That haunts my dreams
And tears at my desires
You have brought me only pain
My untamed heart
That beast that gnaws at my soul
That pitifully whines
Bringing my mind into unwanted pain
Yet how can I blame you
How can I chastise you when I listen intently to your pleas
Why should I punish you for what my eyes feed upon
How can I blame my eyes for falling upon her
She who brings light to the eternal darkness of my soul
She whose eyes bring me to subjection
Whose smile leaves me in awe
How can I blame you when my ears are met with her laughter
How they submerge into her song
How they quiver at her voice
Why should I punish you for inclining my soul
Tempting it with the one sense that has been forsaken by her
How could I look over the thought of the brushing of lips
The touching of hands
The binding of the soul, mind, and body
O you wretched heart
What am I to do with this constant companion
How could I tear you away
When she is the cause of my agony
Or rather
It is the lack of her which brings me sorrow
It is the need for her that leaves my heart in pain
Yet she is not mine
She was never mine
She will never be mine
O my poor heart
How can I make you see reason
When all you do is show me the truth

love love love love love love love
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love love love love love love love
love love love love love love love

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poem by Michael Silver
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Help Me Ronda

Well since she put me down I 've been out doin' in my head
Come in late at night and in the mornin' I just lay in bed
Well, Ronda you look so fine (look so fine)
And I know it wouldn't take much time
For you to help me Ronda
Help me get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda yeah
Get her out of my heart
She was gonna be my wife
And I was gonna be her man
But she let another guy come between us
And it ruined our plan
Well, Ronda you caught my eye (caught my eye)
And I can give you lotsa reasons why
You gotta help me Ronda
Help me get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda yeah
Get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda

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song performed by Beach Boys
Added by Lucian Velea
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Help Me, Rhonda

Well since she put me down Ive been out doin in my head
Come in late at night and in the mornin I just lay in bed
Well, rhonda you look so fine (look so fine)
And I know it wouldnt take much time
For you to help me rhonda
Help me get her out of my heart
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda yeah
Get her out of my heart
She was gonna be my wife
And I was gonna be her man
But she let another guy come between us
And it ruined our plan
Well, rhonda you caught my eye (caught my eye)
And I can give you lotsa reasons why
You gotta help me rhonda
Help me get her out of my heart
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda yeah
Get her out of my heart
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda
Help me rhonda
Help, help me rhonda

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song performed by Beach Boys
Added by Lucian Velea
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Jack Honest, or the Widow and Her Son

Jack Honest was only eight years of age when his father died,
And by the death of his father, Mrs Honest was sorely tried;
And Jack was his father's only joy and pride,
And for honesty Jack couldn't be equalled in the country-side.

So a short time before Jack's father died,
'Twas loud and bitterly for Jack he cried,
And bade him sit down by his bedside,
And then told him to be honest whatever did betide.

John, he said, looking him earnestly in the face,
Never let your actions your name disgrace,
Remember, my dear boy, and do what's right,
And God will bless you by day and night.

Then Mr Honest bade his son farewell, and breathed his last,
While the hot tears from Jack's eyes fell thick and fast;
And the poor child did loudly sob and moan,
When he knew his father had left him and his mother alone.

So, as time wore on, Jack grew to be a fine boy,
And was to his mother a help and joy;
And, one evening, she said, Jack, you are my only prop,
I must tell you, dear, I'm thinking about opening a shop.

Oh! that's a capital thought, mother, cried Jack,
And to take care of the shop I won't be slack;
Then his mother said, Jackey, we will try this plan,
And look to God for his blessing, and do all we can.

So the widow opened the shop and succeeded very well,
But in a few months fresh troubles her befell--
Alas! poor Mrs Honest was of fever taken ill,
But Jack attended his mother with a kindly will.

But, for fear of catching the fever, her customers kept away,
And once more there wasn't enough money the rent to pay;
And in her difficulties Mrs Honest could form no plan to get out,
But God would help her, she had no doubt.

So, one afternoon, Mrs Honest sent Jack away
To a person that owed her some money, and told him not to stay,
But when he got there the person had fled,
And to return home without the money he was in dread.

So he saw a gentleman in a carriage driving along at a rapid rate,
And Jack ran forward to his mansion and opened the lodge-gate,
Then the gentleman opened his purse and gave him, as he thought, a shilling
For opening the lodge-gate so cleverly and so willing.

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poem by William Topaz McGonagall
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Jack o' the Cudgel

Part I

'Twas in the famous town of Windsor, on a fine summer morn,
Where the sign of Windsor Castle did a tavern adorn;
And there sat several soldiers drinking together,
Resolved to make merry in spite of wind or weather.

And old Simon the landlord was at the head of the table,
Cutting slices of beef as quick as he was able;
And one of the soldiers was of rather superior rank,
And on his dress trinkets of gold and silver together did clank.

He was a free companion, but surly and hard,
And a soldier of fortune, and was named Croquard;
And he had all the appearance of his martial calling,
But on this particular morning he was rudely bawling.

So the other soldiers laughed, for their spirits felt gay,
And they applauded his jokes, and let him have his own way,
Because he could command as desperate a gang of men as any in the world,
So many a joke and slur at the soldiers he hurled.

And the mirth increased as the day wore on,
And Croquard didn't seem the least woe-begone;
But, as he was trolling out a very merry song,
A wandering minstrel sat down beside him, and thought it no wrong.

By my troth, shouted Croquard, Come here, minstrel,
And give us a stave of love or war, which is my will:
But the minstrel didn'-t appear to comply with this request,
And he tried to withdraw, as he thought it was best.

Ho ! didst thou hear me, varlet? then Croquard did cry:
Oh! gentle sir, replied the minstrel, I cannot with your wish comply;
Believe me, I sing best to the ladies at the court,
And, in doing so, find it more profitable sport.

What, varlet! cried Croquard, Dost thou refuse me?
By heaven, proud cur, you shall see
And feel the weight of my hand before you are much older:
Then he instantly sprang up, and seized the minstrel by the shoulder.

Then the youth began to tremble, and seemed terrified to death,
And appeared ready to faint for the want of breath;
While Croquard shook him roughly, just like an ugly whelp,
And he looked from one to another, imploring help

At this moment a youth observed what was going on,
And he cried out to Croquard, Inhuman monster, begone!
Leave the minstrel, thou pig-headed giant, or I'll make you repent,

[...] Read more

poem by William Topaz McGonagall
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Jack and Kath (long poem)

Jack Benbow and his younger sister Kath
went for a walk along a winding path.
This led them through some very high trees
past some bluebells and buzzing bee’s.

The birds sang their songs on this sunny day
as the children happily went their way.
Along the path they skipped and walked,
singing and playing as they talked.

They came across a clearing in the wood
where a sign pointed to Notsogood.
“What a funny name for a place, ” said Kath.”
“Yes, ” said Jack, “but it’s time to head back.

We’ll go back the same way as we came
and follow the path back home again.”
But the path led them deeper into the wood
and up to another sign to Notsogood.

“Kath, didn’t we pass that sign earlier today,
surely we must head back the other way? ”
So they turned around and began to walk back.
“Look, ” said Kath, “there’s another sign Jack.

And that’s also pointing to Notsogood,
how do we get out of this silly wood? ”
“Let’s just follow the sign and see where it goes
it’s better than following the end of your nose.”

The winding path went from wide to narrow
as the dark clouds made it harder to follow.
Over a stream and home cooking filled the air,
it led to a shack, with a cat sleeping on a chair.

The rickety fence led them down the overgrown path,
“Let’s knock on the door for directions, ” said Kath.
The door slowly opened with a long drawn out creak,
an old woman in black appeared who began to speak.

“Hello happy children what a nice pleasant surprise, ”
as she looked at them closely with her piercing eyes.
“I was just about to make a lovely pot of herbal of tea,
would you like to join Malapropis and me? ”

“Malapropis, is that really the name of your cat? ”
“Yes it is, and all she ever does is get incredibly fat.”
This old woman’s nails were dirty, long and pointed,
and her nose and chin was bent and disjointed.

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poem by Orlando Belo
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Chauvinist

I’d never really comprehended such a mighty range of
Shapes and sizes down behind, it’s really rather strange:
The buttock muscle in a woman, overlaid with fat
Is actually such a focal point for men to want to pat

Or squeeze, and then to tease her if it’s eminently stout,
Or even risk a stay in clink to sting it with a clout!
After all, we men are tuned to be that way inclined –
And tho’ our needs are varied, girls, they’re all perverse of mind!

Best of all, our sacred dream: to see her shed her gown
When gliding to the shower for the ritual sponging down.
But then alas! With body lathered, oops! she drops the soap;
‘Please! ’ we beg her, ‘bend and bare! ’ But we can only hope!

I’m sure by now you get the picture – like a rule of thumb –
That men like me obsess all day about the fairer bum.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Beautiful

The most beautiful girl in the world
Beautiful
Beautiful
Beautiful
(beautiful)
Beau - beau
Could u be
The most beautiful girl in the world
Its plain 2 see
Ure the reason that God made a girl
When the day turns into the last day of all time
I can say, I hope that u are in these arms of mine (oh yeah) (beautiful)
When the night falls before that day I will cry
I will cry tears of joy cause after u all one can do is die (oh yeah)
Could u be
The most beautiful girl in the world (beautiful)
Its plain 2 see
Ure the reason that God made a girl (beautiful)
How can I get through days when I cant get through hours
(tick tock u dont stop, tick tock u dont stop)
I can try but when I do I see u and Im devoured
Oh yes
Whod allow, whod allow a face 2 be as soft as a flower (oh yeah)
(beautiful)
I could bow and feel proud in the light of this power
Oh yeah (beautiful)
Could u be
The most beautiful girl in the world (beautiful)
Its plain 2 see
Ure the reason that God made a girl (beautiful)
Oh yes u are
(beautiful)
Beautiful beautiful
(beautiful)
Beautiful beautiful
(beautiful)
Beautiful beautiful
(beautiful)
(beautiful)
And when the stars fall one by one from the sky
I know mars could not be 2 far behind
Cuz baby, this kind of beauty has got no reason 2 ever be shy
Cuz honey this kind of beauty is the kind that comes from inside
Could u be (could u be)
The most beautiful girl in the world
So beautiful, beautiful (beautiful)
Its plain 2 see (its plain 2 see)
Ure the reason that God made a girl (beautiful) (ooh yeah yeah yeah yeah)
Could u be
Beautiful (beautiful) (oh yeah)

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song performed by Prince
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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poem by Coventry Patmore
Added by Poetry Lover
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