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A ballad once in a while doesn't go amiss.

quote by Chrissie Hynde
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Barefoot Ballad

(words & music by fuller - morris)
I want a barefoot ballad yes a barefoot ballad
Wont you play for me a down home country song
cause when I kick my shoes off and I kick my blues off
With a barefoot ballad you just cant go wrong
Give me a honk-tonk fiddle with a guitar in the middle and a melody
Humming like a fountain swinging out on smokey mountain
I want a barefoot ballad yes a barefoot ballad
Wont you play for me a down home country song
cause when I kick my shoes off and I kick my blues off
With a barefoot ballad you just cant go wrong
Now the big toes connected to the two toe
And the two toes connected to the three toe
And the three toes connected to the four toe
And the four toes connected to the five toe
And the five toe and away we go
I want a barefoot ballad yes a barefoot ballad
Wont you play for me a down home country song
cause when I kick my shoes off and I kick my blues off
With a barefoot ballad you just cant go wrong
Now the big toes connected to the two toe
And the two toes connected to the three toe
And the three toes connected to the four toe
And the four toes connected to the five toe
And the five toe and away we go
I wanna barefoot ballad yes a barefoot ballad
Wont you play for me a barefoot ballad song.

song performed by Elvis Presley
Added by Lucian Velea
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I Hear Voices...

And from the graves, where names were carved in
stone, came a mournful Ballad, of life gone by.

A Ballad sang by mothers, whose children left behind,
and left to sing their ballads, of tears that did remain.

And what of Fathers Ballad, whose job was not complete,
who died and sang his song, of things that could not be.

In a smaller voices, still weeping and confused, the children
sang their Ballad, of parents never knew.

And in some far off place, a Ballad did come fourth, of all
the deaths that happened, that wasn't meant to be.

A soldiers painful Ballad, did seemed so unjust, of the
war that finally killed him, in a land he never knew.

The Ballad, of unknown, thou human, none the less,
were buried here alone, with not a one to care.

In the quiet of a cemetery morn, the Ballad of
the dead, echoes silently across green grass,
and through the granite stones.

It makes one wonder, about the Ballad of the dead,
and what will be our song...when we are finally gone.

poem by Joe Fazio
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Ballad Of Nice & Easy

And so we ride on
The ballad of nice and easy
Young and carefree
We're coming along
The ballad of nice and easy
Young and carefree
Two of these kids grew up on the same street
And though some folks blow it, there's no smoke in their eyes
They're tying their dreams with doubled up laces
Falling, free falling, tangled up 'til they die
And so we ride on
The ballad of nice and easy
Young and carefree
We're coming along
The ballad of nice and easy
Young and carefree
'Cause everyone knows they'll get their hands dirty
Ripping at seams and smoking hot knives
But sooner or later there's an end to this candle
We'll burn it at both ends and switch on the lights
And so we ride on
The ballad of nice and easy
Young and carefree
We're coming along
The ballad of nice and easy
Young and carefree
And so we ride on
The ballad of nice and easy
Young and carefree
We're coming along
The ballad of nice and easy
Young and carefree

song performed by Gomez
Added by Lucian Velea
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The Song of the Sulky Stockman

Come, let us sing with a right good ring
(Sing hey for lifting lay, sing hey!)
Of any old, sunny old, silly old thing.
(Sing ho for the ballad of a backblock day!)
The sun shone brightly overhead,
And the shearers stood by the shearing shed;
But "The run wants rain," the stockman said
(Sing di-dum, wattle-gum, Narrabori Ned.
For a lifting lay sing hey!)

The colts were clipped and the sheep were shorn
(Sing hey for a lilting lay, sing hey!)
But the stockman stood there all forlorn.
(Sing ho for the ballad of a backblock day!)
The rails were up and the gate was tied,
And the big black bull was safe inside;
But "The wind's gone West!" the stockman sighed
(Sing, di-dum, wattle-gum, rally for a ride.
For a lifting lay sing hey!)

The cook came out as the clock struck one
(Sing hey for a lilting lay, sing hey!)
And the boundary rider got his gun.
(Sing ho for the ballad of a backblock day!)
He fired it once at an old black crow;
But the shot went wide, for he aimed too low;
And the stockman said, "Fat stock is low."
(Sing, di-dum, wattle-gum, Jerridiiii Joe.
For a lifting lay sing hey!)

They spread their swags in the gum-tree's shade
(Sing hey for a lilting lay, sing hey!)
For the work was done and the cheques were paid.
(Sing ho for the ballad of a backblock day!)
The overseer rode in at three,
But his horse pulled back and would not gee,
And the stockman said, "We're up a tree!"
(Sing, di-dum, wattle-gum, Johnny-cake for tea.
For a lilting lay sing hey!)

The sun sank down and the stars shone out
(Sing hey for a lifting lay, sing hey!)
And the old book-keeper moped about.
(Sing ho for the ballad of a backblock day!)
The dingo walled to the mopoke's call,
The crazy colt stamped in his stall;
But the stockman groaned, "it's bunk for all."
(Sing, di-dum, wattle-gum, wattle-gum, wattle-gum,
Hey for a backblock day!
Sing hey!

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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The Gothic Ballad

I walk carelessly down the dark road
My heavy black boots constantly clicking
Clicking on the cold cement
My long black and velvet Trench coat
Billowing in the slight breeze
My Chest slightly rising under my tight corset
My chains on my pants jingling together
As I walk down this Moon lit road
Staring up at the midnight moon
This is the ballad
The ballad of the lost
Of the silent warriors
Of the people you pass by and call freaks
Of the people
Who will save your soul
For our souls are pure
Our souls sing this ballad
The ballad of the night
The ballad of the pure hearts

poem by Ankoku Gekido
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The Lady of the Lake: Canto IV. - The Prophecy

I.
The rose is fairest when 't is budding new,
And hope is brightest when it dawns from fears;
The rose is sweetest washed with morning dew
And love is loveliest when embalmed in tears.
O wilding rose, whom fancy thus endears,
I bid your blossoms in my bonnet wave,
Emblem of hope and love through future years!'
Thus spoke young Norman, heir of Armandave,
What time the sun arose on Vennachar's broad wave.

II.
Such fond conceit, half said, half sung,
Love prompted to the bridegroom's tongue.
All while he stripped the wild-rose spray,
His axe and bow beside him lay,
For on a pass 'twixt lake and wood
A wakeful sentinel he stood.
Hark!-on the rock a footstep rung,
And instant to his arms he sprung.
'Stand, or thou diest!-What, Malise?-soon
Art thou returned from Braes of Doune.
By thy keen step and glance I know,
Thou bring'st us tidings of the foe.'-
For while the Fiery Cross tried on,
On distant scout had Malise gone.-
'Where sleeps the Chief?' the henchman said.
'Apart, in yonder misty glade;
To his lone couch I'll be your guide.'-
Then called a slumberer by his side,
And stirred him with his slackened bow,-
'Up, up, Glentarkin! rouse thee, ho!
We seek the Chieftain; on the track
Keep eagle watch till I come back.'

III.
Together up the pass they sped:
'What of the foeman?' Norman said.-
'Varying reports from near and far;
This certain,-that a band of war
Has for two days been ready boune,
At prompt command to march from Doune;
King James the while, with princely powers,
Holds revelry in Stirling towers.
Soon will this dark and gathering cloud
Speak on our glens in thunder loud.
Inured to bide such bitter bout,
The warrior's plaid may bear it out;
But, Norman, how wilt thou provide
A shelter for thy bonny bride?''-

[...] Read more

poem by Sir Walter Scott
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As I’ve no hope of returning ever

As I’ve no hope of returning ever,
Little ballad, lightly, softly,
Go yourself, to Tuscany,
Go straight to my lady,
Who of her great courtesy
Will show you highest honour.

You will bring her news of sighs,
Filled with pain, and great with fear:
But take care to meet no eyes
Hostile to a gentle nature:
My disadvantage then for sure
You’d work, like one opposed,
And be by her reproved,
And so prove pain for me:
So that after my death there’d be,
Weeping and fresh dolour.

Little ballad, you know that death
Grips me so that life deserts me,
Know how my heart with every breath
Beats hard, as the spirits speak inside me.
So much of my Being’s now undone,
I can scarcely suffer longer:
So if you would serve me further,
Take my soul along with you,
Fervently I beg of you,
As it leaps from out my heart, here.

O, little ballad, now I yield
This trembling soul to your friendship,
In its sorrow, take it with you,
To the sweet one to whom I send it.
Oh, little ballad, sighing say
To her, when you’re presented:
‘Your servant comes
To be with you,
He leaves one,
Who was Love’s servant’

You, little weak and fearful voice
Issuing from the sad heart weeping,
Go with my soul, and this little song,
And tell her of my mind that’s ruined.
You’ll find a tender woman there,
Of an intellect so sweet,
That it will be delight complete
For you to leave her never.
And then, my soul, adore her,
Worthy as she is, for ever.

poem by Guido Cavalcanti
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Drug Ballad

Back of the building, we're with your friends
Back of the mind, smoke in the air then
Let's clear that up, even if we felt ends
Something these withdrawal pills won't mend 
The numb tips  when my hands on your hips
The nasty taste on lips, oh how they miss
Your dirty kiss, drugs, love, must mix up rough.
Oh princess, you can keep all that stuff

Smell of the haze, reminds me of my dad
Slowly no haste, do it till I don't feel my hands
I can't feel my face, don't stop till I can't stand
Give me that slutty taste, show your friends...that I'm a man

Snow the white, burn the smoke, just to start, dropp the spheres
It isn't right, down the throat, cut the heart with your spears

Bite my lips, I just might back
We're so lit, let's come back
Numb those hips, break that back

Drug ballad, dancing with you
Drug ballad, even though it's threw
Drug ballad, dream of it, oh yes I do
Drug ballad, I know you do too

poem by Freddy Ibarra
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Hush goes the crowd

(The music plays, the stage is lit, the crowd come in and a man starts to sing)
Hush goes the crowd,
While I sing this sad love ballad,
The story of my heart,
And I continue singing,
One by one,
The leave the theatre,
And soon I’m left alone,
Singing this ballad,
While I weep before every word,
From daybreak to midnight,
From spring till to winter,
I sing this melancholy filled ballad,
Murmuring these words,
As my throat dry’s,

(The man is on his knees)
Now in a empty theatre,
This song still plays,
Even though I’m alone,
My speech does not stop,
And from a sad ballad,
This song his turned into screams,
Shattering through,
Deafening every living being,
But it isn’t even heard,
No not even listened to,
By the muse of this song,
If only she heard my voice,
If only she would come to this theatre,

(Sound of weeping, tears hit the stage floor; the light slowly fades, till there is only silence and darkness)
Then the Hong is hit,
And I awake to sing again,
The same old lyrics,
There is a new audience in the seats,
But she is not here,
She will never be,
Where she is,
Is far away,

(The music plays again and he starts to sing then hush say’s the crowd)

poem by Paurakh Shrestha
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Canto the Sixth

I
"There is a tide in the affairs of men
Which, -- taken at the flood," -- you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best --
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.

II
There is a tide in the affairs of women
Which, taken at the flood, leads -- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that --
But women with their hearts on heaven knows what!

III
And yet a headlong, headstrong, downright she,
Young, beautiful, and daring -- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk --
Though such a she's a devil (if that there be one),
Yet she would make full many a Manichean.

IV
Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.

V
He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport -- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had -- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Of the four Humours in Mans Constitution.

The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,

[...] Read more

poem by Anne Bradstreet
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Invitation to the Voyage

Imagine, ma petite,
Dear sister mine, how sweet
Were we to go and take our pleasure
Leisurely, you and I—
To lie, to love, to die
Off in that land made to your measure!
A land whose suns' moist rays,
Through the skies' misty haze,
Hold quite the same dark charms for me
As do your scheming eyes
When they, in their like wise,
Shine through your tears, perfidiously.

There all is order, naught amiss:
Comfort and beauty, calm and bliss.

Treasure galore—ornate,
Time-glossed—would decorate
Our chamber, where the rarest blooms
Would blend their lavish scent,
Heady and opulent,
With wisps of amber-like perfumes;
Where all the Orient's
Splendid, rich ornaments—
Deep mirrors, ceilings fine—would each,
In confidential tone,
Speak to the soul alone
In its own sweet and secret speech.

There all is order, naught amiss:
Comfort and beauty, calm and bliss.

See how the ships, asleep—
They who would ply the deep!—
Line the canals: to satisfy
Your merest whim they come
From far-flung heathendom
And skim the seven seas. —On high,
The sunset's rays enfold
In hyacinth and gold,
Field and canal; and, with the night,
As shadows gently fall,
Behold! Life sleeps, and all
Lies bathed in warmth and evening light.

There all is order, naught amiss:
Comfort and beauty, calm and bliss.

poem by Charles Baudelaire
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Don Juan: Canto The Sixth

'There is a tide in the affairs of men
Which,--taken at the flood,'--you know the rest,
And most of us have found it now and then;
At least we think so, though but few have guess'd
The moment, till too late to come again.
But no doubt every thing is for the best-
Of which the surest sign is in the end:
When things are at the worst they sometimes mend.

There is a tide in the affairs of women
Which, taken at the flood, leads- God knows where:
Those navigators must be able seamen
Whose charts lay down its current to a hair;
Not all the reveries of Jacob Behmen
With its strange whirls and eddies can compare:
Men with their heads reflect on this and that-
But women with their hearts on heaven knows what!

And yet a headlong, headstrong, downright she,
Young, beautiful, and daring- who would risk
A throne, the world, the universe, to be
Beloved in her own way, and rather whisk
The stars from out the sky, than not be free
As are the billows when the breeze is brisk-
Though such a she 's a devil (if that there be one),
Yet she would make full many a Manichean.

Thrones, worlds, et cetera, are so oft upset
By commonest ambition, that when passion
O'erthrows the same, we readily forget,
Or at the least forgive, the loving rash one.
If Antony be well remember'd yet,
'T is not his conquests keep his name in fashion,
But Actium, lost for Cleopatra's eyes,
Outbalances all Caesar's victories.

He died at fifty for a queen of forty;
I wish their years had been fifteen and twenty,
For then wealth, kingdoms, worlds are but a sport- I
Remember when, though I had no great plenty
Of worlds to lose, yet still, to pay my court, I
Gave what I had- a heart: as the world went, I
Gave what was worth a world; for worlds could never
Restore me those pure feelings, gone forever.

'T was the boy's 'mite,' and, like the 'widow's,' may
Perhaps be weigh'd hereafter, if not now;
But whether such things do or do not weigh,
All who have loved, or love, will still allow
Life has nought like it. God is love, they say,

[...] Read more

poem by Byron
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Ballad Of The Black Slave

This is the ballad of the black slave,
Who has been beaten and disgraced,
Who has been called the n-word and negro,
Who has received no pay.
This is the ballad of the black slave,
Who prays for freedom every night,
Who is going to rebel,
For what he thinks is right.
Now this is the ballad of the freed slave,
Who has seen much blood shed,
Who has fought for equal rights,
And who has won his freedom.

poem by Michael Issac Palmer
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Six String Music

Six string music
By: jimmy buffett, g.e. smith
1994
Turn off the t.v.
Turn off the crap
Kick off your high heels
Climb up in my lap
Chorus:
And Ill play music
A song from me to you
Simple six string music
A ballad or the blues
No interruptions
>from the telephone
Dont need call waitin
Just you and me alone
Chorus:
And my six string music (six string music)
A song from me to you
Simple six string music (six string music)
A ballad or the blues
Oh I remember that night in africa
My daughter and my little guitar
Straddling the equator
The king of zanzibar
Those shy black hidden faces
They didnt know me from adams cat
But the words and the singin
And the people in a ring
And the whole night went like that
Now some folks like icing
Some folks like cake
Some swim in the ocean
Some paddle in a lake
Well you can get into beethoven
Or you can groove on jimmy reed
But keep it simple stupid
All we really need is
Chorus:
Six string music (six string music)
A song from me to you
Simple six string music (six string music)
A ballad or the blues
Six string music (six string music)
Aint no symphony
Its just six string music (six string music)
So elementary

song performed by Jimmy Buffett
Added by Lucian Velea
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A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother burns bacon

From the first it had been like a
Ballad. It had the beat inevitable. It had the blood.
A wildness cut up, and tied in little bunches,
Like the four-line stanzas of the ballads she had never quite
understood--the ballads they had set her to, in school.

Herself: the milk-white maid, the "maid mild"
Of the ballad. Pursued
By the Dark Villain. Rescued by the Fine Prince.
The Happiness-Ever-After.
That was worth anything.
It was good to be a "maid mild."
That made the breath go fast.

Her bacon burned. She
Hastened to hide it in the step-on can, and
Drew more strips from the meat case. The eggs and sour-milk biscuits
Did well. She set out a jar
Of her new quince preserve.

. . . But there was something about the matter of the Dark Villain.
He should have been older, perhaps.
The hacking down of a villain was more fun to think about
When his menace possessed undisputed breath, undisputed height,
And best of all, when history was cluttered
With the bones of many eaten knights and princesses.

The fun was disturbed, then all but nullified
When the Dark Villain was a blackish child
Of Fourteen, with eyes still too young to be dirty,
And a mouth too young to have lost every reminder
Of its infant softness.

That boy must have been surprised! For
These were grown-ups. Grown-ups were supposed to be wise.
And the Fine Prince--and that other--so tall, so broad, so
Grown! Perhaps the boy had never guessed
That the trouble with grown-ups was that under the magnificent shell of adulthood, just under,
Waited the baby full of tantrums.
It occurred to her that there may have been something
Ridiculous to the picture of the Fine Prince
Rushing (rich with the breadth and height and
Mature solidness whose lack, in the Dark Villain, was impressing her,
Confronting her more and more as this first day after the trial
And acquittal (wore on) rushing

[...] Read more

poem by Gwendolyn Brooks
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Euterpe: A Cantanta

Argument.
Hail to thee, Sound!—The power of Euterpe in all the scenes of life—
in religion; in works of charity; in soothing troubles by means of music;
in all humane and high purposes; in war; in grief; in the social circle;
the children’s lullaby; the dance; the ballad; in conviviality;
when far from home; at evening—the whole ending with an allegorical chorus,
rejoicing at the building of a mighty hall erected for the recreation
of a nation destined to take no inconsiderable part in the future history
of the world.

Overture

No. 1 Chorus

All hail to thee, Sound! Since the time
Calliope’s son took the lyre,
And lulled in the heart of their clime
The demons of darkness and fire;
Since Eurydice’s lover brought tears
To the eyes of the Princes of Night,
Thou hast been, through the world’s weary years,
A marvellous source of delight—
Yea, a marvellous source of delight!

In the wind, in the wave, in the fall
Of the water, each note of thine dwells;
But Euterpe hath gathered from all
The sweetest to weave into spells.
She makes a miraculous power
Of thee with her magical skill;
And gives us, for bounty or dower,
The accents that soothe us or thrill!
Yea, the accents that soothe us or thrill!

All hail to thee, Sound! Let us thank
The great Giver of light and of life
For the music divine that we’ve drank,
In seasons of peace and of strife,
Let us gratefully think of the balm
That falls on humanity tired,
At the tones of the song or the psalm
From lips and from fingers inspired—
Yea, from lips and from fingers inspired.

No. 2 Quartette and Chorus

When, in her sacred fanes
God’s daughter, sweet Religion, prays,

[...] Read more

poem by Henry Kendall
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Two Folk Songs

I. THE SOLDIER

(Roumanian)

When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown forlorner pain-
To fall when green leaves come again.

I watch'd him sleep by the furrow-
The first that fell in the fight.
His grave they would dig to-morrow:
The battle called them to-night.

They bore him aside to the trees, there,
By his undigg'd grave content
To lie on his back at ease there,
And hark how the battle went.

The battle went by the village,
And back through the night were borne
Far cries of murder and pillage,
With smoke from the standing corn.

But when they came on the morrow,
They talk'd not over their task,
As he listen'd there by the furrow;
For the dead mouth could not ask-

How went the battle, my brothers?

But that he will never know:
For his mouth the red earth smothers
As they shoulder their spades and go.

Yet he cannot sleep thereunder,
But ever must toss and turn.

How went the battle, I wonder?

-And that he will never learn!

When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown, forlorner pain-
To fall when green leaves come again!

[...] Read more

poem by Sir Arthur Quiller-Couch
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The Sorcerer: Act I

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers

ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day

SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

CHORUS OF VILLAGERS

Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.

For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!

Ring forth, ye bells etc.
(Exeunt the men into house.)

(Enter Mrs. Partlet with Constance, her daughter)

RECITATIVE

MRS. P. Constance, my daughter, why this strange depression?

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poem by William Schwenck Gilbert
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A Toast For You and Yours

Your words,
Tore out,
My still beating heart,
And ended all my hopes.

I prayed,
I wished,
I begged,
I hoped.

But here's to you,
May you find,
Happiness,
And joy.

I'll raise my glass,
In one final toast,
To you,
And yours.

One final toast,
Before I,
Walk out of this life,
And leave everything behind.

Put away,
That mask,
I've worn,
Since we met.

Never to leave,
The shelf again.
To be sealed,
In a bunker of lead.

I put all my faith,
In this heart of mine,
Without it,
Without you.

I can not go on,
Tore my heart,
Out of my chest,
Trying to dull the pain.

The letters,
I've written,
Will never,
Be sent.

[...] Read more

poem by Liam Dudgeon
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