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Beyonce Knowles

One of the things that kept me out of trouble was doing something creative - creativity can't be judged.

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Trouble

No attorneys
To plead my case
No orbits
To send me into outta space
And my fingers
Are bejeweled
With diamonds and gold
But that ain't gonna help me now
I'm trouble
Yeah trouble now
I'm trouble ya'll
I disturb my town
I'm trouble
Yeah trouble now
I'm trouble ya'll
I got trouble in my town
You think your right
But you were wrong
You tried to take me
But I knew all along
You can take me
For a ride
I'm not a fool out
So you better run and hide
I'm trouble
Yeah trouble now
I'm trouble ya'll
I got trouble in my town
I'm trouble
Yeah trouble now
I'm trouble ya'll
I got trouble in my town
If you see me coming
Down the street then
You know it's time to
Go (and you know it's time to go
cause here comes trouble)
No attorneys
To plead my case
No orbits
To send me into outta space
And my fingers
Are bejeweled
With diamonds and gold
But that ain't gonna help me now
You think your right
But you were wrong
You tried to take me
But I knew all along
You can take me

[...] Read more

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Trouble

Trouble in the city, trouble in the farm,
You got your rabbits foot, you got your good-luck charm.
But they cant help you none when theres trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Trouble in the water, trouble in the air,
Go all the way to the other side of the world, youll find trouble there.
Revolution even aint no solution for trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Drought and starvation, packaging of the soul,
Persecution, execution, governments out of control.
You can see the writing on the wall inviting trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Put your ear to the train tracks, put your ear to the ground,
You ever feel like youre never alone even when theres nobody else around?
Since the beginning of the universe mans been cursed by trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Nightclubs of the broken-hearted, stadiums of the damned,
Legislature, perverted nature, doors that are rudely slammed.
Look into infinity, all you see is trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.

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No More Trouble (feat. Erykah Badu)

[Bob Marley]
(We don't need) No, we don't need (no more trouble) no more trouble!
(We don't need no more trouble)
Wo! Oh-oh-oh!
(We don't need) We don't need no (no more) trouble!
We don't need no trouble!
(We don't need no more trouble)
Make love and not war! 'Cause we don't need no trouble.
What we need is love (love)
To guide and protect us on. (on)
If you hope good down from above, (love)
Help the weak if you are strong now. (love)
We don't need no trouble;
What we need is love. Oh, no!
We don't need - we don't need - no more trouble!
Lord knows, we don't need no trouble!
(We don't need) We don't need trouble (no more trouble) -
no more trouble - no more trouble!
Seek happiness! (...) Oh, ...!
Come on, you all and speak of love. (...) Oh, yeah!
We don't need no trouble;
What we need is love, now. (What we need is love!)
(We don't need) Oh, we don't need no more trouble!
We don't need, no - we don't need no trouble!
We don't (need) - no, brothers and sisters ... (no more trouble!)
We don't need no trouble; we don't need no trouble!
We don't need no trouble!
What we need is love!
We don't need - we don't need no more - we don't need -
no more trouble - we don't need no more trouble!
Trouble we don't need (we don't need),
(We don't need) Lord, knows! -
we don't need no more war (no more trouble).
No more trouble - we don't need no more - more trouble! /fadeout/

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Magpie, My Keeper, Is Flying - Upon Freeing the Gift of Creativity Turned Inward

.
for Elaine Bellezza, Beloved Anima-as-Fate


'There is only one real deprivation, I decided this morning, and that is not to be able to give one's gift to those one loves most...The gift turned inward, unable to be given, becomes a heavy burden, even sometimes a kind of poison. It is as though the flow of life were backed up.' - May Sarton, Journal of a Solitude


This afternoon while still somewhat hungover from last night's rich meal and several glasses of strong red wine, I stumbled as one does when hungover, only today without feet but with eyes, upon the above quote by May Sarton. I had awakened this morning with fragments of a dream, repetitive of other dreams the past few months, where I am carrying something precious and just cannot put it down in any old place or upon just any available surface. I cannot put it down until I find the right surface and location.

These dreams are full of torrential flood waters, or backed up, stagnant water, toilets full of filth and pungent bright orange dark urine days old and fermenting. I cannot unhand the burden even though the urge to pee or flee or drive a car away or into flood waters is strong. I must not put down the burden odd as it is; it is my laptop carrying case made of canvas. It is large enough to carry not only my laptop but also many books with which I cannot, will not be parted from as they are the must-have-with-me-always 'bread', my staple and stability in a given to me world out of balance.

I have understood the dreams only a little - something within the psyche is flooding up, over-spilling or has already, has not been adequately canalized, channeled, streamed and guided, shaped and formed. Or flushed. I knew that eventually, as dreams do when one sits consciously, patiently, persistently with them, they would yield their messages to me, and upon revelation these must be obeyed, brought out into the world, Carl Jung having said that one has a moral responsibility to dreams once they are kenned and must be conscientiously acted upon in the outer world. Just dreaming is not enough. Everyone dreams but not very many know to dream them out into the world, to let their messages unfurl, flood and flow to bring forth new consciousness, to reshape old forms no longer adequate to self, place and time into symbol and their sense, usually not literal.

And thus, only just now, upon opening up haphazardly in a book about Dostoevsky and his struggle with addictions which mirror the profound compulsion to create at any cost perhaps beyond one's capacities to renew oneself, I find May Sarton's quote and suddenly the dreams clarify and sharpen into focus; I understand them as the burden of creativity too long turned inward, the burden of writing, the burden of poetry which I have carried heavily for most of my life since middle school when I was 11 or 12 years old when books became my lifeline, my link to existence that I could live on in spite of not wanting to do so. Written words, books, kept me from disappearing though I was and remain a mostly invisible word.

And thus the floods. One cannot ignore them. Alphabets tumble and roil. One dare not ignore them. One must see them without a choice to not see them. In them I am suddenly made visible, bright orange p*ss pots and all. I am both appalled and pleased. My burden is upon my knees.

The backed up water, the urine, is creativity. A somewhat odd symbol of creativity, there is more than enough evidence that urination is symbolic of self expression which is creativity. In ancient Rome the highly valued dirt from the urinals of boys' schools was collected to be used as a cosmetic in order to restore youthful energy and looks. A young boy, or puer in Latin, is an archetypal symbol of ongoing creativity and inspiration, the puer aeternas, the eternal youth, well springs of ongoing creativity still imaged in solid fountains of the world where eternal waters flow from the peni of cherubic youth.

I have struggled my entire life with a strong urge to create, to write, to express in words that creative daemon within which torments no matter the completion of a poem or essay, a lecture, a psalm. And now my dreams have had me consciously, urgently seeking a place to put the burden down, to perhaps come to it anew. I imagine that landing the burden means bringing it down to earth, manifesting creativity all the more by bringing my efforts to others for the strongest part of the compulsive urge in my creativity has been to contribute one good thing, one good poem or piece of writing which in some way might further the culture even if only by a flea's leg length.

The dreams urge me to let the urine flow, to let the flood waters indeed flood over, to be less self conscious of what I write and say but to have at it all and to say my say. And to let whatever waves there are crest and break upon ever receptive banks and shores whose duty it is to allow what may come from motion without complaint, the more compliant toward as yet to be fully formed purposes as yet to be scored.

Synchronistically, a few days ago I listened to a lecture by poet Allen Ginsberg about Walt Whitman and his imitators, those who were goodly influenced by his effulgent, self indulgent style, his garrulous poems which presumed to express the very expansiveness of the North American continent over-flooded by a plague of itinerant, persistent poachers and prophets from Europe to Eastern disembarkation and then inland and Westward, compelled to overtake land and native peoples in their possessed, pushed wake. Ginsberg imagined himself to be a timely extension of this unruly school, as savage as the projected upon land and justly-resistant, resident humanity stretched beyond known bounds and sounds. Blood drowned and pounded the god-hounded land even now is flooded by unleashed mighty rivers seeking, if rivers seek at all, to undo and renew in horse shoe and other shapes the crimes of consciousness compelled to overtake while leaving it up to human souls to repent and repair, to prepare for more powerful insurgencies of land and Self ever seeking new and nower expressions of dirt and deity. There's enough history beneath layers to support the scarp and scrape of momentary yet monumental motions finally given mouths to utter what lies both beneath and within the heaping huzzahs of here here here full and deep. As in my dream, it is hard to steer in such surpassing tides and currents. Still, I am searching for holy campground that I may lay my burden down.

I have no wish to imitate Whitman nor Ginsberg - though both are easily imitated since they did so themselves, an occupational hazard for writers - but only to be obedient to the daemon, that urgent, emergent, creative force within. It rushes within and against me. No matter whether derived of the grandiose American continent and the even more grandiose sky or not, I have all too successfully braced against it in fear of failure, reprisal or, worse, complete indifference from others. My dreams now urge floods and resultant coagulations, they bring creative splurges to ground from hand to the hard world. And Nature, too, is indifferent but begs none the less and all the more to be given utterance and response.

Respondeo ergo sum. I respond, therefore I am. I respond, therefore the other, earth, all her ants, is as long as there are eyes, ears, and scanning minds to acknowledge and touch, wrestle, caress, shape - some in scansions - outer from inner, inner from outer, landscapes to be all too quickly discarded in time for what is sung just ahead. And seen. Or hoped, all praise to telescopes. We would be they, so addicted to horizons, to bring them close.

Something there is needs completion via coagulation, forming, shaping, and sharing with whomever may be open to clods delivered. If not, rivers will, as they will without reason, continue to overrun their banks and insist upon covering designated previous cultivations. Let then excess of creativity have its say, play out, and leave the critical post-considerations to others. I will surely sit and ponder spent what spills forth, to shape, to edit, to discard. And watch my little yard sink beneath needed and needy floods.

I will have done with deprivation and bring myself, what I have shaped and misshapen, to the world. These things, this burden, have I most loved and felt responsible for, have born the shame of. I have fought and have failed utterly again and again though my attempts have been, and still are, sincere though not blameless. Fear has been my encampment, a longing beneath knowing feet in secret cellars just beyond reach of contracted hands forever spelling hunger. I know open bastion doors and windows to now fling beyond embankments what has been wrung out of my floes and woes though hands wither from too much turning against and inward. What a relief to burst beyond boundaries too long successfully restraining.

I recently wrote a poem about much too too solid bastions of self, of forceful puer energy ramming through and over and into long buried storms and petrified forms, of passion mangling the delusion of 'norms' ignoring too sensitive alarms. Given May Sarton's May revelation this morning I now understand that the poem is about more than eros, it is about that powerful creative/destructive force, the daemon/tyro that ever urges outward intent on making and staking Self in new land and at least one aging man wrenched and rendered from dried and calcified encrustations. I am, to borrow from the insistent dream image, beginning to leak. And to break open.


Archeology - What The Stele Says 'Upon Taking A Much Younger Lover'


That this old ground yields to plow stuns.
What begins to be, earth swell, breaks
root-room open to blood means.

Old skeins tear upon what is new terrain,
hunger worn, long appended. There is
no blame for pain is the blessing.

All hurt now stings twilight quaked into being.
Your breath falls upon me now, taut, sinew,
bruising hand, purple inside flares warrior nerves

[...] Read more

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Trouble

I got a letter in the mail sayin' I'm gonna go to jail
Someone's got an axe
Lookin' it out for me
Well I was feelin' pretty nice didn't have to think twice
Finders keepers baby, keep it away from me
You got nothin' that I need
Stay away from me
I'll quicken your pace to heaven
You try to give me your lot
Well I hope you rot
Gonna tell the devil about you
You're gettin' me in trouble
You're gettin' me in trou...
Gettin' me in trouble
Every day and night
I'm alright
Well I'm a high speed king I never think about a thing
All I can do is moan
Everybody takes a turn from the trash I have learned
But why the hard way for me, I don't know
I'm gonna get you back
Stab you in the fat
I'll make you wish you never met me
I gonna make you sing the blues
You're gonna lose
Show you what you got yourself into
You're gettin' me in trouble
You're Gettin' me in trouble
Gettin' me in trouble
Every day and night
I'm all...
You try to put the weight of the world
On top of my shoulders
You got to know that you're a little girl
Who wants to feel older, feel older (watch out)
Trouble, yeah
Trouble, yeah yeah
I'm in trouble baby (oh yeah)
You're gettin' me in trouble
Gettin' me in trouble
Gettin' me in trouble
Every day and night
I'm in trouble, trouble, trouble (alright)
I'm in trouble, trouble, trouble
Trouble, trouble, trouble
Trouble, trouble, trouble

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Trouble

Trouble came around here
Here in the south we fix something to eat
Steam risin up off the greenery
And we welcome the strangers we meet
Alien sick growing in these walls
Like moss in a crack that time made
I brush a guy in the airport
Whistling its a small world after all
And the prices are higher
But the kids still selling lemonade
Get to the point of it
(get to the point of it)
Get to the sense of it
(get to the sense of it)
Im in a hurry
To get through it
I am in trouble
(I am in trouble)
I am in trouble
(I am in trouble)
A hurricane flag flappin in a bad storm
Same color of the spider underneath my nail that bit me in my dream
And who would take out the dominican republic
And send gods sweet children floating down a poison stream
A secret society of conference rooms
I pledge my allegiance to the dollar
And when the clergy take a vote oh the gays will pay again
Yeah cause theres more than one kind of criminal white collar
So get to the point of it
(get to the point of it)
Get to the sense of it
(get to the sense of it)
Im in a hurry to get through it
One day the war will stop
And well grow a peaceful crop
And a girl can get a wife
And we can bring you back to life
Sacks of flour and rice or poker chips
Greasy palms or systems underhanding
(...shelter...)
And maybe well take a walk on pluto
Yeah but be no closer to the understanding
(...what I wish...)
Get to the point of it
(get to the point of it)
Get to the sense of it
(get to the sense of it)
Im in a hurry to get through it
Yeah
I am in trouble

[...] Read more

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The Fee

This tree has no trouble
And I have no trouble.

I have no trouble
With this trouble-free tree.

This trouble-free tree
has no trouble
With a trouble-free me.

This trouble-free tree
has no trouble. This tree
has no trouble.

And I have no trouble
With a trouble-free me.

But were I to be free
Of a trouble-free me,
This trouble-free tree
Spells trouble for me.

Were this tree to be free
Of this trouble-free tree,
There might even be
A real trouble-spree.

This is to say, “See,
Trouble exacts a fee:
A price (in fact) to see
This trouble-free tree.”


[5-23-07 Berkeley]

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Double Trouble

They got a line on you,
Little bit of trouble too,
You got, some jets inside,
Cherry lips, and delirious eyes.
You get in trouble,
And it keeps you down,
Double trouble.
You get in trouble,
And you come to town,
Double trouble,
Oh yea
They better chain your hands,
And you, spread some evil,
Pick and pan.
Hey, you sure got,
Some jets inside,
But you got a little,
With those empty eyes
You get in trouble,
And it keeps you down,
Double trouble,
You get in trouble
And you come to town,
Double trouble,
Oh yea
Youve got (got),
Some jets inside,
Baby, broken promises,
Broken pride
You get in trouble
And it keeps you down,
Double trouble.
You get in trouble,
And you come to town,
Double trouble,
Oh yeah,
You got some trouble,
(double trouble)
And it keeps you down,
Double trouble,
You get in trouble,
And you come to town
Double trouble,
That double trouble,
Oh yeah.

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John Milton

Paradise Lost: Book 10

Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can 'scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen. Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel: They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale. But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,--death denounced that day?
Which he presumes already vain and void,

[...] Read more

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Trouble

I only know you by reputation
It's time I found out face to face
'cause if your sugar, I'll fight temptation
But if you're poison, I need a taste
(1st Chorus)
Girl, I heard you're Trouble with a capital "T"
One look in your eye spells trouble to me
We're talkin' danger, just too blind to see
You're Trouble just waitin' to happen to me!...Trouble...I'm talkin' Trouble!
I'm not the first, no, I've got to face it
But I ain't the last to take the bait
A silver spoon hangs on your bracelet
T-R-B-L on your license plate
(2nd chorus)
Girl, I heard you're Trouble with a capital "T"
I'm new here in town, come on and spell it out for me
We're talkin bad news, I been too blind to see
You're Trouble just waitin' to happen to me!.......Trouble.....
...you're gettin closer, baby
....I see Trouble..
....Trouble's comin over me....
...Yeah, with a capital "T"
T-R-O-U-B-L-E...it's Trouble!
I only know you by reputation
It's time I found out, baby, face to face
'cause if your sugar, I'll fight temptation
But if you're poison, I need a little taste
Tell me, baby, how bad is bad
How mad is mad
Girl, are you all that they say
Yeah, just one touch, is a touch too much
Just one hit goes straight to my head
(3rd Chorus)
Girl, I heard you're Trouble with a capital "T"
One look in your eye spells trouble to me
We're talkin' bad news, I been too blind to see
You're Trouble just waitin' to happen to me!...
We're talkin Trouble...
Bad news....(...yes I'm a victim)
Oh, you're Trouble just happens to me...(here she comes!)

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No More Trouble

Artist: erykah badu and bob marley
*news coverage at the beginning*
[all]
We dont need no more trouble
We dont need no more trouble
[erykah]
What we need is love (love)
To guide and protect us all (all)
If you hope good down from above (love)
Help the weak if you are strong now (strong)
[bob]
We dont need no trouble
What we need is love
[all]
We dont need no more trouble
We dont need no more trouble
[erykah]
Weeping for the living
Weeping for the dead
Weep for one another
Weep for happiness
Weeping for the struggle
Weeping for the pain
Weeping for the children
We must take the blame
[bob]
Seek happiness
(its sad enough without your foes)
Come on, you all and speak of love
(its sad enough without your foes)
We dont need no trouble
What we need is love now
(what we need is love, sweet love)
[all]
We dont need no more trouble
We dont need no more trouble
[erykah]
Now end the war which you just begun
Its sad enough without your foes
I thought I told you not to mess with me
Dont want no trouble but trouble found me
But marley saying speak of love not war
But we be trying but then eh we dont
[bob]
Oh we dont need no trouble
We dont need no trouble
[all]
We dont need no more trouble
We dont need no more trouble
(make love and not war cause we dont need no trouble)

[...] Read more

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Trouble You Cant Fool Me

(f. knight/a. varnell)
(c) - (f) - (g)
(c) trouble you cant fool me (f) I see you behind that tree
(c) trouble you cant fool me (g) trying to get the ups on me
(c) trouble you cant fool me (f) I see you behind that tree
(c) you want to (f) jump (g) on (c) me
Work hard for living, wanted just to get paid
But, sured be stealing for a year and a day
Would like to see a little sunshine, just to guide my way
Would like to have a little peace of mind
Thats why I wanna say you better look out !
Trouble you cant fool me I see you behind that tree
Look out! trouble you cant fool me trying to get the ups on me
Trouble you cant fool me I see you behind that tree
You want to jump on me
Trouble taught me a lesson I never never will forget
Now, he took my love, she aint paid it back yet
I had to find another just to take her place
And I sure do love her, I said were doing ok
So look out!
Trouble you cant fool me I see you behind that tree
Look out! trouble you cant fool me trying to get the ups on me
Trouble you cant fool me I see you behind that tree
You want to jump on me
Well, you know, everyday cant be sunday [thats right!]
Its a funny thing, it seem just before daylight is your darkest hour
And you know one thing [whats that ? ] behind every silver lining, there isnt a dark cloud
[and you just aint got time to go round subtracting and adding cause youll just be too late]
You know one thing ? [whats that ? ]
Every time you get around a tree, you better stop and grab a brick [why ? ]
Old man trouble... laying and waiting on you
Thats what I wanna say...
Trouble you cant fool me I see you behind that tree
Look out! trouble you cant fool me trying to get the ups on me
Trouble you cant fool me I see you behind that tree
You want to jump on me
Trouble took my money, cadillacs gone
Best suit of clothes, all raised up in the closet, oh lord
But Im so glad
Trouble dont last ...always
You cant fool me

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No Trouble Gets Trouble

No trouble gets trouble,
And there's no reason to go 'oops'.
Or feel bruised when booted.

No trouble gets trouble,
And there's no reason to go 'oops'.
Or feel out of the loop.

Keep in mind...
One gets what they find.
Not looking for a quality,
But a good time.

If one,
Wants to date someone fine...
To wine and dine,
That line has to be baited.

No trouble gets trouble,
And there's no reason to go 'oops'.
Or feel bruised when booted.

No trouble gets trouble,
And there's no reason to go 'oops'.
Or feel out of the loop.

If one,
Wants to date someone fine...
To wine and dine,
That line has to be baited.

Keep in mind...
One gets what they find.
If a fling is all that's sought,
Don't expect 'nuthin' special.

No trouble gets trouble,
And there's no reason to go 'oops'.
Or feel bruised when booted.

No trouble gets trouble,
And there's no reason to go 'oops'.
Or feel out of the loop.
Say...
No trouble gets trouble,
And there's no reason to go 'oops'.
Or feel bruised when booted.

No trouble gets trouble,
And there's no reason to go 'oops'.

[...] Read more

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Wade In The Water

(first release, live version minneapolis, december 22, 1961traditional, arranged by bob dylan)
Wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Well, who are these children all dressed in red?
Gods a-gonna trouble the water
Must-a-be the children that moses lead
Gods a-gonna trouble the water.
Wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Well out of the mountain come fire an smoke
Gods a-gonna trouble the water
Jehovah nobody be he couldve spoke
Gods a-gonna trouble the water.
Wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Well, Im walkin down the highway an the waters gettin low
Gods a-gonna trouble the water.
Walkin down the highway, nowhere to go
Gods a-gonna trouble the water.
But its wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Gods a-gonna trouble the water.

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Trouble In Mind

by Bob Dylan
I got to know, Lord, when to pull back on the reins,
Death can be the result of the most underrated pain.
Satan whispers to ya, "Well, I don't want to bore ya,
But when ya get tired of the Miss So-and-so I got another woman for ya."
Trouble in mind, Lord, trouble in mind,
Lord, take away this trouble in mind.
When the deeds that you do don't add up to zero,
It's what's inside that counts, ask any war hero.
You think you can hide but you're never alone,
Ask Lot what he thought when his wife turned to stone.
Trouble in mind, Lord, trouble in mind,
Lord, take away this trouble in mind.
Here comes Satan, prince of the power of the air,
He's gonna make you a law unto yourself, gonna build a bird's nest in your hair.
He's gonna deaden your conscience 'til you worship the work of your own hands,
You'll be serving strangers in a strange, forsaken land.
Trouble in mind, Lord, trouble in mind,
Lord, take away this trouble in mind.
Well, your true love has caught you where you don't belong,
You say, "Baby, everybody's doing it so I guess it can't be wrong."
The truth is far from you, so you know you got to lie,
Then you're all the time defending what you can never justify.
Trouble in mind, Lord, trouble in mind,
Lord, take away this trouble in mind.
So many of my brothers, they still want to be the boss,
They can't relate to the Lord's kingdom, they can't relate to the cross.
They self-inflict punishment on their own broken lives,
Put their faith in their possessions, in their jobs or their wives.
Trouble in mind, Lord, trouble in mind,
Lord, take away this trouble in mind.
When my life is over, it'll be like a puff of smoke,
How long must I suffer, Lord, how long must I be provoked?
Satan will give you a little taste, then he'll move in with rapid speed,
Lord keep my blind side covered and see that I don't bleed.

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Trouble In Paradise

Huey lewis
Billy's home, he just got back from la.
Plenty of lines but nothing to say.
Said i, seen this movie and it don't end nice.
Looks like trouble in paradise.
He used to be cool he used to laugh a lot.
Down at the brothers in the parking lot.
Now he's sick, and he's scared and he's paying the price.
Trouble in, paradise. (trouble in paradise.)
Momma said he always was so nice.
(trouble in paradise.)
American son he's not very old.
An american dream that's never been sold.
The smile on his face is just his last disguise.
We've got trouble in paradise.
There's a scream inside that shouts: here i am !
Some people say: we've got to do what we can.
Me i don't know you see i've been there myself once or twice.
Trouble in, paradise. (trouble in paradise.)
Momma said he always was so nice.
(trouble in paradise.) we've got trouble, hey
Five long years since i wrote this song.
Many people dying, so many gone.
Take one more, coming still as good advice.
Trouble in, paradise. (trouble in paradise.)
Momma said he always was so nice.
(trouble in paradise.) we've been troubled, yeah, yeah
(trouble in paradise.)
(trouble in paradise.)
Hey,
Trouble in

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Trouble

I dont wanna move when Im in your hands
Theres nothing I can do or say
Put everything on hold, cancelled all my plans
Tell everybody Im away, hey
She may be bad but she feels so good
Ill give her anything she wants
Shes trouble, I know it
She only needs to touch me
Im in trouble, I know it
Shes trouble, I love it
I know that when she does it
Im in trouble, I know it
I never know whats running trough her mind
No tellin what shes gonna do
Her every move is like a dancer sign
Darlin me to come on through, hey
She may be bad but she feels so good
Ill give her anything she wants
Shes trouble, I know it
She only needs to touch me
Im in trouble, I know it
Shes trouble, I love it
I know that when she does it
Im in trouble, I know it
Shes trouble
She knows what I like
I got a feeling Im fallin
(youre in trouble)
Trouble, theres no hope in sight
Im in way overmy head
Shes trouble, I know it
She only needs to touch me
Im in trouble, I know it
Shes trouble, I love it
I know that when she does it
Im in trouble, I know it
I know it
[repeat to fade]

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Trouble With The Sweet Stuff

(wanna give it up
Gotta give it up
Cant give it up)
Oh mama oh oh
The moneys run out
And Im a hungry man
Oh mama oooo
You see
I--Im a--hurtin man
I was just a boy
When they told me
God love ya
Youre insane
Here I am
Pistol in my hand
Judge and jury
One the same
I got
Trouble with the sweet stuff oh yeah
I got
Trouble with the sweet stuff oh yeah
And Im never ever gonna shake it
Shake it
Trouble with the sweet stuff
Trouble with the sweet stuff
Bang bang
They shot me down
Caught me
Robbing the bank again
Say Im crazy
Im a desperate man
Nah right (cmon)
Daddys in the junk shop
Alley babe
Tryin to some that stuff
I said
I cant believe it (ooh give it up)
Trouble with the sweet stuff oh yeah
I got
Trouble with the sweet stuff
And Im never
Ever gonna shake it
Shake it
Dont wanna give it up
Dont wanna give it up
Yeah
Shake it
Gotta give it up
Dont wanna give it up
Dont wanna give it up

[...] Read more

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

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Creativity Can't Make Up For Depression

Creativity cannot make up for depression
which it attempts to cure,
it cant replace it with the kind of supersession
that made spurious lure
of Christianity when it induced some Jews
to make up for their loss
of their identity, condemned, they thought, to lose
unless they chose the cross.
No, creativity provides a transient high,
and then becomes a wraith,
for those who’re so depressed they find they cannot fly,
because they’ve lost their faith
in their ability to reproduce success,
which if it is not con-
stantly repeated is a letter whose address
appears to be, “Dear John.”

Inspired by an article (“In Praise of the Crack-U: A novelist peers through darkness to find glittering gems in writing and art”) , by the South African-born novelist Jeanette Winterson, lesbian lover of Julian Barnes’s widow, Pat Kavanagh, in the October 17,2009 WSJ (A report about her lesbian relations includes the information: Blessed with good looks that led many to compare her to Katharine Hepburn, she secured a nonspeaking part in Under Milk Wood. “I never got paid, but I did get to snog Richard Burton, ” she said) . Winterson writes:
The stories are well known; Vincent Van Gogh cut off his ear and went mad. Sylvia Plath gassed herself. Anne Sexton committed suicide. Emily Dickinson was manic-depressive. Virginia Woolf worked through alternating bouts of madness and depression for most of her life. The mad, bad and dangerous wild boys of high art and popular culture make great copy—whether it's Caravaggio on the run for murder after one of his rages, or Allen Ginsberg, naked and drunk, howling through Manhattan. The women—Plath, Frida Kahlo, Maria Callas, Janis Joplin—imploding like dark stars, are the stuff of obsession…. Longing is painful. Every work of art is an attempt to bring into being the object of loss. The pictures, the music, the poems and the performances are an intense engagement with loss. While one is in the act of making, one is not in loss, and one has meaning. The fierce crashes that happen to many creative people when a piece of work is done (read Hemingway on this) come out of the sense that however good the work, it has not answered the loss. The strange thing about creative work is that it can have enormous value for others while its maker is left ravaged. The ancient Greeks understood this as the price of an encounter with a god—the divine forces enter the human and use him or her as an instrument, only to be ultimately destroyed. But I do not believe that creativity is destructive or divine. I believe it is the part of us that gives shape and voice to our innermost reality. This is frightening. Encounters with the real, in particular what we really feel, are something we generally try to avoid. Art mediates the encounter, allowing us to get nearer to our longing and our loss, to risk more, to dare more. Yet for the maker, the exposure is not mediated; it is total and terrifying. That is why so many creative people cut themselves off from their own experience, using drugs or drink or sex or shipwreck to avoid absolute exposure to the pain of creativity. When Whitman turned to face his dark angel, to wrestle with himself, he was acknowledging his own loss, his own longing, his own unstaunched wound.


10/18/09

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