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Eat Pray Love [I Am Not Checking Out]

Cast: Viola Davis, Julia Roberts

clip from Eat Pray Love, directed by Ryan Murphy (2010)
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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The Making Of Viola

I.

THE FATHER OF HEAVEN.
Spin, daughter Mary, spin,
Twirl your wheel with silver din;
Spin, daughter Mary, spin,
Spin a tress for Viola.
ANGELS.
Spin, Queen Mary, a
Brown tress for Viola!

II.

THE FATHER OF HEAVEN.
Weave, hands angelical,
Weave a woof of flesh to pall -
Weave, hands angelical -
Flesh to pall our Viola.
ANGELS.
Weave, singing brothers, a
Velvet flesh for Viola!

III.

THE FATHER OF HEAVEN.
Scoop, young Jesus, for her eyes,
Wood-browned pools of Paradise -
Young Jesus, for the eyes,
For the eyes of Viola.
ANGELS.
Tint, Prince Jesus, a
Dusked eye for Viola!

IV.

THE FATHER OF HEAVEN.
Cast a star therein to drown,
Like a torch in cavern brown,
Sink a burning star to drown
Whelmed in eyes of Viola.
ANGELS.
Lave, Prince Jesus, a
Star in eyes of Viola!

V.

THE FATHER OF HEAVEN.
Breathe, Lord Paraclete,
To a bubbled crystal meet -
Breathe, Lord Paraclete -

[...] Read more

poem by Francis Thompson
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Julia, or the Convent of St. Claire

Stranger, that massy, mouldering pile,
Whose ivied ruins load the ground,
Reechoed once to pious strains
By holy sisters breathed around.

There many a noble virgin came
To bid the world she loved....adieu;
There, victim of parental pride,
To years of hopeless grief withdrew.

Yes, proud St. Claire! thy costly walls
Have witnessed oft the mourner's pain;
And hearts in joyless durance bound,
Which sighed for kindred hearts in vain.

But never more within thy cells
Shall beauty breathe the fruitless sigh,
Nor hid beneath the envious veil
Shall sorrow dim the sparkling eye.

For now, a sight by reason blest,
Thy gloomy dome in ruins falls,
While bats and screechowls harbour there,
Sole tenants of thy crumbling walls.

And soon, blest change! as those dread plains,
Where Etna's burning torrents poured,
Become, when Time its power has shed,
With softly-smiling verdure stored:

So, when thy darkly-frowning towers
The verdant plain no longer load,
These scenes, where sorrow reigned, may prove
Fond, faithful lovers' blest abode.

And they shall pledge the nuptial vow,
Where once far different vows were heard;
And where thy pining virgins mourned,
Shall babes, sweet smiling babes, be reared.

Hail, glorious change, to Nature dear!
Methinks I see the bridal throng;
And hark, where lonely sisters prayed,
How sweetly swells the social song!

But nought, O! nought can her restore
To social life, to happy love,
Who once amidst thy cloistered train
With passion's hopeless sorrow strove.

[...] Read more

poem by Amelia Opie
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Julia

Half of what i say is meaningless
But i say it just to reach you, julia
Julia, julia, oceanchild, calls me
So i sing a song of love, julia
Julia, seashell eyes, windy smile, calls me
So i sing a song of love, julia
Her hair of floating sky is shimmering, glimmering,
In the sun
Julia, julia, morning moon, touch me
So i sing a song of love, julia
When i cannot sing my heart
I can only speak my mind, julia
Julia, sleeping sand, silent cloud, touch me
So i sing a song of love, julia
Hum hum hum hum...calls me
So i sing a song of love for julia, julia, julia

song performed by Beatles
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Julia

Half of what I say is meaningless
But I say it just to reach you
Julia
Julia
Julia
Oceanchild
Calls me
So I sing a song of love
Julia
Julia
Seashell eyes
Windy smile
So I sing a song of love
Julia
Her hair of floating sky is shimmering
Glimmering
In the sun
Julia
Julia
Morning moon
Touch me
So I sing a song of love
Julia
When I cannot sing my heart
I can only speak my mind
Julia
Julia
Sleeping sand
Silent cloud
Touch me
So I sing a song of love
Julia
Calls me
So I sing a song of love
For julia
Julia
Julia

song performed by Lennon John
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Julia

Eyes so bright, so big and wide
Make you feel so strange
Somewhere deep inside
Its the face of an angel
Soul of the devil may care
How Id love to know
What goes on in there
She needs your love
She needs it every day
But speak of love
See her laugh and run away
Julia, which way will you go
Julia, I wanna know
Julia, only the moon and stars
Julia, know just where you are
Julia
See the dance that needs no alibi
Oh you dont need to dream
When you know you can fly
She needs your love
She needs it every day
But speak of love
See her laugh and run away
Julia, which way will you go
Julia, I wanna know
Julia, only the moon and stars
Julia, know just where you are
Julia

song performed by Chris Rea
Added by Lucian Velea
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Lord Robert's Triumphal Entry into Pretoria

'Twas in the year of 1900, and on the 5th of June,
Lord Roberts entered Pretoria in the afternoon;
His triumphal entry was magnificent to see,
The British Army marching behind him fearlessly.

With their beautiful banners unfurled to the breeze,
But the scene didn't the Boers please;
And they immediately made some show of fight,
But at the charge of the bayonet they were put to flight.

The troops, by the people, were received with loud cheers,
While many of them through joy shed joyous tears;
Because Lord Roberts from bondage had set them free,
Which made them dance and sing with glee.

Lord Roberts' march into Pretoria was inspiring to see,
It is reckoned one of the greatest achievements in our military history;
Because the Boers were watching him in front and behind,
But he scattered them like chaff before the wind.

Oh! it was a most beautiful and inspiring sight
To see the British bayonets glittering in the sunlight,
Whilst the bands played "See the conquering hero comes,"
While the people in ecstasy towards them run.

The British marched into Pretoria like the rushing tide,
And the Boers around Pretoria there no longer could abide,
Because the British at the charge of the bayonet made them run with fear,
And fly from Pretoria just like wild dear.

Then Lord Roberts cried, "Pull down the Transvaal Flag,
And hoist the Union Jack instead of the Transvaal rag;
And shout 'Britannia for ever,' and 'Long live our Queen,'
For she is the noblest Queen the world has ever seen."

Then the Union Jack was hoisted and unfurled to the breeze,
Which certainly did the Boers displease,
When they saw the Union Jack flying o'er their capital,
The sight thereof amazed them, and did them appall.

And when old Kruger saw Lord Roberts he shook with fright,
Then he immediately disguised himself and took to flight,
Leaving his poor wife in Pretoria behind,
But the British troops have treated her very kind.

Now let us all thank Lord Roberts for his great bravery,
Who has gained for the people of Pretoria their liberty,
By his skillful tactics and great generalship, be it told,
And the courage of his soldiers, who fought like lions bold.

[...] Read more

poem by William Topaz McGonagall
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Julia Says

Here we go again, thru the backstreets of my mind
It seems my life was standing still
Whos sorry now, its funny how I didnt know it
Here we go again, fighting things we never win
It seems our love was standing still Im sorry now
Its funny how I dont feel the love
I just hear the words, julia says
She doesnt know what its all about
She doesnt seem to care at all
Open your eyes and see
Love hurts
I wont be fooled again, looking for the dreams I couldnt find
The dreams for me were left behind
Im sorry now, its funny how
I dont feel the love
I just hear the words, julia says
She doesnt know what its all about
She doesnt seem to care at all
Open your eyes and see, love hurts
Julia please, open your eyes and see
Julia wants to be on her own
Sharing her thoughts, she is all alone
Dreaming of the things she wants to be
Where julia dont belong
Julia said
She doesnt know what its all about
She doesnt know, cmon julia
She doesnt know, what its all about
Julia... ... ...

song performed by Wet Wet Wet
Added by Lucian Velea
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General Roberts in Afghanistan

'Twas in the year of 1878, and. the winter had set in,
Lord Roberts and the British Army their march did begin,
On their way to Afghanistan to a place called Cabul;
And the weather was bitter cold and the rivers swollen and full.

And the enemy were posted high up amongst the hills,
And when they saw the British, with fear their blood thrills;
The savages were camped on the hillsides in war array,
And occupying a strong position which before the British lay.

And viewed from the front their position was impregnable,
But Lord Roberts was a general of great skill;
Therefore to surprise the enemy he thought it was right,
To march upon the enemy in the dead of night.

Then the men were mustered without delay,
And each man of them was eager for the fray;
And in the silent darkness they felt no dismay,
And to attack the enemy they marched boldly away.

And on they marched bravely without fear or doubt,
And about daybreak the challenge of an Afghan sentinel rang out,
And echoed from rock to rock on the frosty biting air;
But the challenge didn't the British scare.

Then the Highlanders attacked them left and right,
And oh! it was a gorgeoua and an inspiring sight;
For a fierce hand to hand struggle raged for a time,
While the pibrochs skirled aloud, oh! the scene was sublime.

Then the Ghoorkas did the Afghans fiercely attack,
And at every point and turning they were driven back;
And a fierce hand to hand struggle raged for a time,
While in the morning sunshine the British bayonets did shine.

And around the ridge or knoll the battle raged for three hours,
And British bullets fell amongst them in showers;
For Captain Kelso brought us his mountain battery,
And sent his shells right into the camp of the enemy,
Then the left of the Afghans was turned, and began to flee.

Meanwhile, on the enemy's strong position Lord Roberts launched an attack,
And from their position they could hardly be driven back
Because the Afghans were hid amongst the woods and hills,
Still with undaunted courage, the British blood thrills.

And the Afghans pressed the British hotly, but they didn't give way,
For the 8th Ghoorkas and the 72nd kept them at bay;
And the mountain guns shells upon them did fire,
Then the 8th Punjaub, bounding up the heights, made them retire.

[...] Read more

poem by William Topaz McGonagall
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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How Does It Feel To Be Alone?

How does it feel to be alone
with no one round with whom you can
hang out, e-mail and telephone
now silent from your loverman?

How does it feel to get no kicks
from your beloved? Who is left,
for you to mix with, will you nix
your lovelife, loverman bereft?

Stone cold and lonely, lady, will
you roll, or will you gather moss?
On empty running, will you fill
your life again, make up your loss?

I knew that you were bound to fall
when first you fell for me. D’you feel
there’s someone else now you can call
and hope that you can make a deal?

With no direction home, is there,
d’you think, another man who’ll hold
you as I did, and if so, where
d’you think that like a stone he’s rolled?

Inspired by an article in the NYT by Adam Liptak on the use of lyrics by Bob Dylan in the Supreme Court (“The Chief Justice, Dylan and the Disappearing Double Negative, ” June 29,2008) :

The last chief justice liked light opera. The new one cites Bob Dylan. oour pages into his dissent on Monday in an achingly boring dispute between pay phone companies and long distance carriers, John G. Roberts Jr., the chief justice of the United States, put a song lyric where the citation to precedent usually goes. “The absence of any right to the substantive recovery means that respondents cannot benefit from the judgment they seek and thus lack Article III standing, ” Chief Justice Roberts wrote. “ ‘When you got nothing, you got nothing to lose.’ Bob Dylan, Like a Rolling Stone, on Highway 61 Revisited (Columbia Records 1965) .”
Alex B. Long, a law professor at the University of Tennessee and perhaps the nation’s leading authority on the citation of popular music in judicial opinions, said this was almost certainly the first use of a rock lyric to buttress a legal proposition in a Supreme Court decision. “It’s a landmark opinion, ” Professor Long said.
In the lower courts, according to a study Professor Long published in the Washington & Lee Law Review last year, Mr. Dylan is by far the most cited songwriter. He has been quoted in 26 opinions. Paul Simon is next, with 8 (12 if you count those attributed to Simon & Garfunkel) . Bruce Springsteen has 5.
But Mr. Dylan has only once before been cited as an authority on Article III standing, which concerns who can bring a lawsuit in federal court. His key contribution to legal discourse has been in another area.
“The correct rule on the necessity of expert testimony has been summarized by Bob Dylan: ‘You don’t need a weatherman to know which way the wind blows, ’ ” a California appeals court wrote in 1981, citing “Subterranean Homesick Blues.” Eighteen other decisions have cited that lyric.
Chief Justice Roberts’s predecessor, William H. Rehnquist, cited his beloved Gilbert & Sullivan in a 1980 dissent from a decision that the press had a constitutional right of access to court proceedings. He was still an associate justice, and he thought the court had made up the right out of whole cloth. In rebuttal, Justice Rehnquist relied on the Lord Chancellor in “Iolanthe” to rebuke the majority. “The Law is the true embodiment of everything that’s excellent, ” the Lord Chancellor says. “It has no kind of fault or flaw, and I, my Lords, embody the Law.”
That made Justice Rehnquist’s point pretty well. The Roberts citation is more problematic. On the one hand, he showed excellent taste. “Like a Rolling Stone, ” as Greil Marcus has written, is “the greatest record ever made, perhaps, or the greatest record that ever would be made.” On the other hand, Chief Justice Roberts gets the citation wrong, proving that he is neither an originalist nor a strict constructionist. What Mr. Dylan actually sings, of course, is, “When you ain’t got nothing, you got nothing to lose.”
It’s true that many Web sites, including Mr. Dylan’s official one, reproduce the lyric as Chief Justice Roberts does. But a more careful Dylanist might have consulted his iPod. “It was almost certainly the clerks who provided the citation, ” Professor Long said. “I suppose their use of the Internet to check the lyrics violates one of the first rules they learned when they were all on law review: when quoting, always check the quote with the original source, not someone else’s characterization of what the source said.” The larger objection is that the citation is not true to the original point Mr. Dylan was making, which was about the freedom that having nothing conveys and not about who may sue a phone company. (See, e.g., “Me and Bobby McGee.”)

6/29/08

poem by Gershon Hepner
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Splitting Infinitives

Chief Justice Roberts hates to split
infinitives, and boldly goes
towards the future without wit,
his path as prim as that prim rose
that once Polonius boldly took,
advising Hamlet not to dally.
The Constitution almost shook
when he refused to shilly-shally,
and tried to wander in a way
that was unfaithful to the text
the oath of office. The next day
the problem was resolved, and now,
Queen’s English and our own unregal
language must agree that splitting
of infinitives is legal,
although pedantically unfitting,
since we’ve a President who swore
appropriately, and a Justice
who like Polonius is a bore
and clearly just as dry as dust is.

Inspired by Stephen Pinker’s Op-Ed article in the NYT, January 22,2009, appropriately titled “Oaf of Office, ” commenting on the fiasco created by Chief Justice Roberts when administering the oath of office to President Obama according togrammatical rules that conflict with the original text of the oath:
In 1969, Neil Armstrong appeared to have omitted an indefinite article as he stepped onto the moon and left earthlings puzzled over the difference between “man” and “mankind.” In 1980, Jimmy Carter, accepting his party’s nomination, paid homage to a former vice president he called Hubert Horatio Hornblower. A year later, Diana Spencer reversed the first two names of her betrothed in her wedding vows, and thus, as Prince Charles Philip supposedly later joked, actually married his father. On Tuesday, Chief Justice John Roberts joined the Flubber Hall of Fame when he administered the presidential oath of office apparently without notes. Instead of having Barack Obama “solemnly swear that I will faithfully execute the office of president of the United States, ” Chief Justice Roberts had him “solemnly swear that I will execute the office of president to the United States faithfully.” When Mr. Obama paused after “execute, ” the chief justice prompted him to continue with “faithfully the office of president of the United States.” (To ensure that the president was properly sworn in, the chief justice re-administered the oath Wednesday evening.)
How could a famous stickler for grammar have bungled that 35-word passage, among the best-known words in the Constitution? Conspiracy theorists and connoisseurs of Freudian slips have surmised that it was unconscious retaliation for Senator Obama’s vote against the chief justice’s confirmation in 2005. But a simpler explanation is that the wayward adverb in the passage is blowback from Chief Justice Roberts’s habit of grammatical niggling. Language pedants hew to an oral tradition of shibboleths that have no basis in logic or style, that have been defied by great writers for centuries, and that have been disavowed by every thoughtful usage manual. Nonetheless, they refuse to go away, perpetuated by the Gotcha! Gang and meekly obeyed by insecure writers. Among these fetishes is the prohibition against “split verbs, ” in which an adverb comes between an infinitive marker like “to, ” or an auxiliary like “will, ” and the main verb of the sentence. According to this superstition, Captain Kirk made a grammatical error when he declared that the five-year mission of the starship Enterprise was “to boldly go where no man has gone before”; it should have been “to go boldly.” Likewise, Dolly Parton should not have declared that “I will always love you” but “I always will love you” or “I will love you always.”
Any speaker who has not been brainwashed by the split-verb myth can sense that these corrections go against the rhythm and logic of English phrasing. The myth originated centuries ago in a thick-witted analogy to Latin, in which it is impossible to split an infinitive because it consists of a single word, like dicere, “to say.” But in English, infinitives like “to go” and future-tense forms like “will go” are two words, not one, and there is not the slightest reason to interdict adverbs from the position between them.
Though the ungrammaticality of split verbs is an urban legend, it found its way into The Texas Law Review Manual on Style, which is the arbiter of usage for many law review journals. James Lindgren, a critic of the manual, has found that many lawyers have “internalized the bogus rule so that they actually believe that a split verb should be avoided, ” adding, “The Invasion of the Body Snatchers has succeeded so well that many can no longer distinguish alien speech from native speech.” In his legal opinions, Chief Justice Roberts has altered quotations to conform to his notions of grammaticality, as when he excised the “ain’t” from Bob Dylan’s line “When you ain’t got nothing, you got nothing to lose.” On Tuesday his inner copy editor overrode any instincts toward strict constructionism and unilaterally amended the Constitution by moving the adverb “faithfully” away from the verb. President Obama, whose attention to language is obvious in his speeches and writings, smiled at the chief justice’s hypercorrection, then gamely repeated it. Let’s hope that during the next four years he will always challenge dogma and boldly lead the nation in new directions.

1/22/09

poem by Gershon Hepner
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Bob Roberts Society Band

[transcribed by linda h]
Bob roberts society band
By: jimmy buffett
1996
Well, youve heard about the alligators sleepin in the shade
Youve heard heard about the sugar barons screwin up the glades,
Its a melting pot existance
That is hard to contemplate
And a never ending battle in the sunshine state.
But far, far away from the front page news,
Far, far away from the headline blues,
Down a secondary road that severely shows its age
The forties comes to life on a make-shift stage.
Its the bob roberts society band.
Playing every sunday at the orange grove stand.
They dont play grunge and they dont play loud.
Its the magic of the music that still draws a crowd.
Well, the word goes out
From melbourne to the keys.
The faithful get the message
Like its written on the breeze.
Young folks, old folks,
bout to cut a rug
Fox trot, bunny hop,
Do the jitterbug,
To the bob roberts society band.
Playing every sunday at the orange grove stand.
They dont play grunge and they dont play loud.
Its the magic of the music that still draws a crowd.
I saw mini vans from boca,
Buses from perrine.
There were people speaking hindu
In the bar-b-que line.
A couple on their honeymoon
Looked a bit confused.
But the boys in the band put em right in the mood.
They played.....
A lady dressed in purple started dancing all alone
Then she sauntered oh so gently to the vacant microphone.
She sounded like shes someone and never missed a beat.
By the time the number ended they were dancin in the street.
Theyd died and gone to heaven,
That lively little crowd,
Trombones and saxophones
Sent em through the clouds.
It could have gone all night
But the party had to stop.
When they blew the circuit breaker
In the souvenir shop.
Its the bob roberts society band

[...] Read more

song performed by Jimmy Buffett
Added by Lucian Velea
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Vaudracour And Julia

O HAPPY time of youthful lovers (thus
My story may begin) O balmy time,
In which a love-knot on a lady's brow
Is fairer than the fairest star in heaven!
To such inheritance of blessed fancy
(Fancy that sports more desperately with minds
Than ever fortune hath been known to do)
The high-born Vaudracour was brought, by years
Whose progress had a little overstepped
His stripling prime. A town of small repute,
Among the vine-clad mountains of Auvergne,
Was the Youth's birth-place. There he wooed a Maid
Who heard the heart-felt music of his suit
With answering vows. Plebeian was the stock,
Plebeian, though ingenuous, the stock,
From which her graces and her honours sprung:
And hence the father of the enamoured Youth,
With haughty indignation, spurned the thought
Of such alliance.--From their cradles up,
With but a step between their several homes,
Twins had they been in pleasure; after strife
And petty quarrels, had grown fond again;
Each other's advocate, each other's stay;
And, in their happiest moments, not content,
If more divided than a sportive pair
Of sea-fowl, conscious both that they are hovering
Within the eddy of a common blast,
Or hidden only by the concave depth
Of neighbouring billows from each other's sight.
Thus, not without concurrence of an age
Unknown to memory, was an earnest given
By ready nature for a life of love,
For endless constancy, and placid truth;
But whatsoe'er of such rare treasure lay
Reserved, had fate permitted, for support
Of their maturer years, his present mind
Was under fascination;--he beheld
A vision, and adored the thing he saw.
Arabian fiction never filled the world
With half the wonders that were wrought for him.
Earth breathed in one great presence of the spring;
Life turned the meanest of her implements,
Before his eyes, to price above all gold;
The house she dwelt in was a sainted shrine;
Her chamber-window did surpass in glory
The portals of the dawn; all paradise
Could, by the simple opening of a door,
Let itself in upon him:--pathways, walks,
Swarmed with enchantment, till his spirit sank,
Surcharged, within him, overblest to move

[...] Read more

poem by William Wordsworth
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Look at The Clock!' : Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,
Her gown was a flower'd one, her petticoat green,
Her buckles were bright as her milking cans,
And her hat was a beaver, and made like a man's;
Her little red eyes were deep set in their socket-holes,
Her gown-tail was turn'd up, and tuck'd through the pocket-holes:
A face like a ferret
Betoken'd her spirit:
To conclude, Mrs. Pryce was not over young,
Had very short legs, and a very long tongue.

Now David Pryce
Had one darling vice;
Remarkably partial to anything nice,
Nought that was good to him came amiss,
Whether to eat, or to drink, or to kiss!
Especially ale --
If it was not too stale
I really believe he'd have emptied a pail;
Not that in Wales
They talk of their Ales;
To pronounce the word they make use of might trouble you,
Being spelt with a C, two Rs, and a W.

That particular day,
As I've heard people say,
Mr. David Pryce had been soaking his clay,
And amusing himself with his pipe and cheroots,
The whole afternoon at the Goat in Boots,
With a couple more soakers,
Thoroughbred smokers,
Both, like himself, prime singers and jokers;
And, long after day had drawn to a close,
And the rest of the world was wrapp'd in repose,
They were roaring out 'Shenkin!' and 'Ar hydd y nos;'

[...] Read more

poem by Richard Harris Barham
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A Treatise On Poetry: IV Natura

Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.

But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.

Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.

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poem by Czeslaw Milosz
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Eat Pray Love [trailer 2]

Cast: James Franco,Julia Roberts, Ja vier Bardem, Billy Crudup, Viola Davis, Richard Jenkins

trailer for Eat Pray Love, directed by Ryan Murphy (2010)
Added by Agarbiceanu
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Hey Julia

(robert palmer)
Hey, hey julia, youre acting so peculiar
I know Id never fool you in a million years
A horn section you resemble and your figure makes me tremble
And I sure would like to handle whats between your ears
Youre a temptation to a man
I could not resist you and I wont if I can
Youre so unexpected and whatever you injected made me feel how I felt when I sang
Hey, hey julia youre acting so peculiar
I know Id never fool you in a million years
Youre a strain on my eyeses and youre full of surprises
Love materializes soon as you come near.
Theres a sensation you create,
Robs me of my sleep and Ive forgotten the date
My head started spinning soon as you started singing
And like a fish I just rose to the bait.
Hey, hey julia with your crazy sense of humor
You turn fact into rumor soon as you come near
A horn section you resemble and your figure makes me tremble
And I sure would like to handle whats between your ears
Youre a temptation to a man
I could not resist you and I wont if I can.
Youre so unexpected and whatever you injected made me feel how I felt when I sang
Julia, youre a danger just like giving sweets to strangers
And I think its time I took you in hand.

song performed by Robert Palmer
Added by Lucian Velea
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Two Unpublished Authors Await Publication

Julia Doyle arrived at Spinoza HS
with visions of creating a real Community
and to that end she announced
all submissions from the faculty
would be published in the school’s
literary magazine.
One day in the Teacher’s Center
Minna Cohen asked Julia,
“When’s the magazine coming out? ”
“Soon...but I didn’t understand a word.”
I immediately said, “Julia, you promised us
we’d get published.”
“I thought Minna would do a love story.”
“Not much love the last decade, ” she said
“Imagination, Minna. You’ve got that…
at least I hope so…
no writer can function without it.”
Minna muttered, “You said I’d make it
no matter what, just no dirty words
that’s what you said.
I need this…
just stick it in…
anyplace.”
Julia stared at Minna saying, “You’re in.”
”Thank God.”
“But Auschwitz? for a student magazine?
and so confusing, the entire story
a six page monologue of mixed up words.”
“I can see that because the narrative’s
part of a larger work I’ve been writing
for the last eleven years
about the life of Hannah Greenberg,
a doctor and survivor of Auschwitz
who went mad thirty years
after her incarceration. The Death Camp
deposited a time bomb in her soul.”
“But, Minna, you only gave the insanity.”
“How about my story? ” I asked blurted out.
“A fat man’s saga into stroke.”
“Yes.”
“I expected humor, after all
you’re a funny guy.”
“Not all fat men are funny, ” I said,
more bitterly than I intended.
“Yes, I’m sorry, but the entire tale
is uniformly dismal, yet I felt no sadness…
sorry, Bernstein, but…
why didn’t he just stop eating? ”
“Insanity, ” said Minna, her voice
so soft, so calm, but with such certainty,

[...] Read more

poem by Charles Chaim Wax
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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