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Yea I Noe U hurt, But So Am I

Yea I noe U hurt, But so am I
Been hurtin for awhile, Been comin up nd down,
been waitin nd hopin, I noe wats right nd U do too,
But U won't do nething, Ma feelinz havent changed,
EVERYTHING i sed is true, Past convos still stand,
but im tryin to get a message out, nd it's obvious U get that.
So do SUMTHIN. Take more initiative.
Show U actualli do care. Don't wait until it's too late,
Cuz time is runnin out. I keep givin chance after chance,
nd keep hurtin myself more nd more, nd it's not like it don't show.
I try to put up a front yeah I do, but deep down its all there.
It's expressed in other forms nd all u do is ignore nd dun even try to talk.
I’m dun sayin “I wont Pressure U”
Cuz that route hasn’t worked for the past 3 yrsz
Yea we both got stuff goin on,
But send me a sign nd let me noe wats guud
Dun wanna sit bacc nd wait if it’s not gonna end up ne where
3 more yrsz is a while, if we juss gonna act like there’s nuttin there

Yea I noe u hurtin nd I am too
But I been tryin to ignore my feelinz
Been tryin to focus on wats in front of me
Nd as much as I say I’m not thinking bout u
I noe damn well nd so do mah sistaz,
That I can’t get u outta my system
If u noe it aint goin no where
Then do sumthin, tell me straight out it aint poppin off
Lemme hurt nd get it over wit
But rite now u sendin me on a whole other roller coaster,
One crazier nd more emotional than the one I’m alreadii on
Long twists nd turns nd all I can do
Is sit bacc nd wait nd see
Damn I been doin that for so long
Let’s take a different approach

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Dear Mr. President

I'm looking outside of my windows
The view that i see
Is a child and mama
And the child is begging for money
Tell me why, tell me why
The woman is blind is she so broke
The kid's dealing crime
It's such a beautiful city
But the world is burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a beautiful city
But the world is it burning down
I go to my room to turn on the t.v
I sit myself down
And i start laughing hard
'cause this man he's asking for money
He sats "if you send me lots of cash i'll send you
Stuff to make you rich fast"
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
One day i'm going to have lots of money
But i'll have to give up
For this rich society
Oh please mr. president will you lend me a future
'cause you'll just get it back
From the little blind woman
With the kid on the corner
And the people all over, doin' crack
Yea yea yea yea yea yea
Yea yea yea yea yea yea
It's such a wonderful country
But the man he's burning it down
Yea yea yea yea yea yea
Yea yea yea yea yea yea
And it's burning down
And it's called the u.s of a.
I'm walking outside on a sunny day
With no one around
And i wonder what's wrong
The i hear this loud piercing siren
Oh my god the bomb has just dropped

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Im Comin

Ugh ugh Im comin
Watch ya back Im comin
Ooh ooh ooh ooh
Big will for the y2k ugh
Feel the earth tremble see the skies turn red
Eclipses shooting stars turn ya head
Volcanoes erupted rage in the sea
Aint the second coming of christ
The first coming of me
They say if you downward the nile
It would throw off the rotation of the earth
Well messing with me is worse
Feel the rain button up you overcoat
Watch the illadelph bad boy go quote for quote
Well yall want the best well Im right here
You looking for competition aint no one near
Yall in the stands dissin kickin dirt and missin
My heavenly flows put mcs in hells kitchen ugh
And Im so Im so hot hot yall burnin up hot
I step in its like the wedding between hope and armaggedon
The hip hop moses to where we headin yall
Im comin Im comin
You cant stop me you cant stop me
Im comin Im comin
Cant hold me back uh uh
Im comin Im comin
You cant stop me you cant stop me
Im comin Im comin
When I was born there was a rainbow formed with no sun
Roy g bid marking the path for the chosen one
An angel my grandma told me before she died
Smart folks dont need to put no cursing in they rhymes
So from cd to tv to movies back to rhymin
My lifestats makes jordans six rings seem common
Yall hate I retaliate just by being great
Big will the enemy of your mental state
With the same rhyme I used to burn your idol in a battle
To subdue you into saying look I dont wanna battle
Mib w3 mad respect
Black stealthbombarama but yall cant detect that
Im comin is what I screamed
As a teen armed with discipline faith and a dream
After smoke clears after lifes roller coasters
See who stands putting his mic into his holster what
Im comin Im comin
You cant stop me you cant stop me
Im comin Im comin
Cant hold me back uh uh
Im comin Im comin
You cant stop me you cant stop me

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Just Waitin

Recorded by hank williams, sr.
Words and music by hank williams, sr. and bob gazzaway
The [g] old maids waitin for leap year to come
The crooners just waitin to [c] sing
The [d7] old cows standin by the bull durham sign
Just a-waitin for the grass to turn [g] green.
The [g] bar-flys waitin for an easy mark
n the hitch-hikers waitin for a [c] ride
The [d7] life-termers waitin for a prison break
The beachcombers waitin for the [g] ride.
Farmers daughters waitin for the salesman
To take her into town
The city slickers waitin for the country boy
To lay all his money down.
You know evrything comes to a standstill
Nothin seems to make a turn
Worm must be waitin for the early bird
I guess the early birds waitin for the worm.
Nobody wants to do nothin
Just waitin to get a finger in the pie
Waitin for a call from a big quiz show
Or hopin and a-waitin and for some rich uncle to die.
Katy, shes waitin at the garden gate
The moonshiners waitin at the still
n the gamblers still waitin for that ace in the hole
I guess jacks still waitin for jill.
Evrybodys waitin for somthin
Nothing seems to turn out right
cause the night shifts waitin for mornin
And the burglar just waitin for night.
The congregations waitin for the preacher
Preacher just waitin for the groom
The grooms just waitin for the june bride
And the brides just waitin for june.
Sunflowrs waitin for the sunshine
Violets just waitin for dew
Bees just waitin for honey
And, honey, -- Im -- just -- waitin -- for -- you.

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The Old Chisholm Trail

Well, come along boys and listen to my tale
I'll tell you all my troubles on the ol' Chisholm Trail
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I started up the trail October twenty-third
Started up the trail with the U-2 herd
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
On a ten dollar horse and a forty dollar saddle
Started out punchin' them long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
With my seat in the saddle and my hand on the horn
I'm the best dang cowboy that was ever born
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
It's cloudy in the west and lookin' like rain
And my danged old slicker's in the wagon again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The wind began to blow and the rain began to fall
And it looked like we were gonna lose 'em all
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
No chaps, no slickers and it's pouring rain
I swear I'll never night herd again
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I cripple on my horse and I don't know how
Roping these long horn U-2 cows
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, I went to the boss to draw my roll
And the boss had me fugured nine dollars in the hole
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Well, me and the boss we had a little spat
So I hit him in the face with my ten gallon hat
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
The boss said to me, ''Well, I'll fire you
Not only you but the whole darn crew.''
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
I'll sell my horse, I'll sell my saddle
And you can drive all your long horn cattle
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea.
Come a-ti yi youpy, youpy yea, youpy yea
Come a-ti yi youpy, youpy yea...

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Show Me Love

(spoken) Hello
This was an accident
Not the kind where sorrow sounds
Never even noticed
We're suddenly crumbling
Tell me how you've never felt
Delicate or innocent
Do you still have doubts that
Us having faith makes any sense
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Staring at your photograph
Everything now in the past
Never felt so lonely
I wish that you could show me love
Shov me love
Show me love
Show me love
Show me love
Show me love
'Til you open that door
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm up off the floor
Show me love
Show me love
Show me love
Show me love
Show me love
'Til it's inside my pores
Show me love
Show me love
Show me love
Show me love
Show me love
'Til I'm screaming for more
Random acts of mindlessness
Commonplace occurences
Chances and surprises
Another state of consciousness
Tell me nothing ever counts
Lashing out or breaking down
Still somebody loses 'cause
There's no way to turn around
Tell me how you've never felt

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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Lou Dog Went To The Moon

My little dog, ran away the other day
yea yea, yea yea, yea yea,yea yea.
I cant believe my little dog Lou Dog, ran away
yea yea, yea yea, yea yea, yea yea
He packed his bags, got into a hotair ballon
yea yea, yea yea, yea yea, yea yea
And then my little dog, Lou Dog,
Sailed off to the moon
yea yea, yea yea, yea yea, yea yea
[yells somthing twice!]
That was the day that, Lou Dog, Went to the moon.
[clapping and cheering]

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Jealousy

Hes got a great big hit hes in a limousine
When I see his face somethin starts to freeze
Hes got money for miles his girl comes out of vogue
When he acts like an ass hes treated like a rogue
I feel it comin its flushin my face
I feel it comin jealousy baby
I feel it comin its boilin my blood
I feel it comin jealousy baby
I feel it comin flushin my face
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
This isn t for the first time in my life
She comes from top cheekbones she never worried hard
You could camp an army on her familys yard
When I look at blue blood I want to make it mud
And tear that difference down rock an roll is how
I feel it comin its breakin my neck
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
I feel it comin breakin my neck
I feel lr comin jealousy baby
This isn t for the first time in my life
I feel it comin its flushin my face
I feel it comin jealousy baby
I feel it comin boilin my blood
I feel it comin jealousy baby
I feel it comin flushin my face
I feel it comin jealousy baby
I feel it comin breakin my neck
I feel it comin jealousy baby
I feel it comin heatin my eyes
I feel it comin jealousy baby
Jealousy baby

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Thats It For The Other One

The other day they waited, the sky was dark and faded,
Solemnly they stated, he has to die, you know he has to die.
All the children learnin, from books that they were burnin,
Every leaf was turnin; to watch him die, you know he had to die.
The summer sun looked down on him, his mother could but frown on him,
And all the others sound on him, but it doesnt seem to matter.
And when the day had ended, with rainbow colors blended,
His mind remained unbended, he had to die, you know he had to die.
Spanish lady comes to me, she lays on me this roes.
It rainbow spirals round and round it trembles and explodes.
It left a smoking crater of my mind I like to blow away.
But the heat came round and busted me for smiling on a cloudy day.
Comin, comin, comin around, comin, around,
Comin, around, in a circle
Comin, comin, comin around, comin around, in a circle,
Comin, comin, comin around, comin in a circle.
Skippin through the lily fields I came across an empty space,
It trembled and exploded, left a bus stop in its place.
The bus came by and I got on, thats when it all began,
There was cowboy neal at the wheel of the bus to never ever land.
Comin, comin, comin around, comin, around,
Comin, around, in a circle
Comin, comin, comin around, comin around, in a circle,
Comin, comin, comin around, comin in a circle.
And when the day had ended, with rainbow colors blended,
Their minds remained unbended,
He had to die, oh, you know he had to die.

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Cryptical Envelopement

That's It For The Other One
The other day they waited, the sky was dark and faded,
Solemnly they stated, "He has to die, you know he has to die."
All the children learnin', from books that they were burnin',
Every leaf was turnin' ; to watch him die, you know he had to die.
The summer sun looked down on him, his mother could but frown on him,
And all the others sound on him, but it doesn't seem to matter.
And when the day had ended, with rainbow colors blended,
His mind remained unbended, he had to die, you know he had to die.
Spanish lady comes to me, she lays on me this roes.
It rainbow spirals round and round it trembles and explodes.
It left a smoking crater of my mind I like to blow away.
But the heat came 'round and busted me for smiling on a cloudy day.
Comin', comin', comin' around, comin', around,
comin', around, in a circle
Comin', comin', comin' around, comin' around, in a circle,
Comin', comin', comin' around, comin' in a circle.
Skippin' through the lily fields I came across an empty space,
It trembled and exploded, left a bus stop in it's place.
The bus came by and I got on, that's when it all began,
There was cowboy Neal at the wheel of the bus to never ever land.
Comin', comin', comin' around, comin', around,
comin', around, in a circle
Comin', comin', comin' around, comin' around, in a circle,
Comin', comin', comin' around, comin' in a circle.
And when the day had ended, with rainbow colors blended,
Their minds remained unbended,
He had to die, Oh, you know he had to die

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Cleanness

Clannesse who so kyndly cowþe comende
& rekken vp alle þe resounz þat ho by ri3t askez,
Fayre formez my3t he fynde in for[þ]ering his speche
& in þe contrare kark & combraunce huge.
For wonder wroth is þe Wy3þat wro3t alle þinges
Wyth þe freke þat in fylþe fol3es Hym after,
As renkez of relygioun þat reden & syngen
& aprochen to hys presens & prestez arn called;
Thay teen vnto his temmple & temen to hym seluen,
Reken with reuerence þay rychen His auter;
Þay hondel þer his aune body & vsen hit boþe.
If þay in clannes be clos þay cleche gret mede;
Bot if þay conterfete crafte & cortaysye wont,
As be honest vtwyth & inwith alle fylþez,
Þen ar þay synful hemself & sulped altogeder
Boþe God & His gere, & hym to greme cachen.
He is so clene in His courte, þe Kyng þat al weldez,
& honeste in His housholde & hagherlych serued
With angelez enourled in alle þat is clene,
Boþ withine & withouten in wedez ful bry3t;
Nif he nere scoymus & skyg & non scaþe louied,
Hit were a meruayl to much, hit mo3t not falle.
Kryst kydde hit Hymself in a carp onez,
Þeras He heuened a3t happez & hy3t hem her medez.
Me mynez on one amonge oþer, as Maþew recordez,
Þat þus clanness vnclosez a ful cler speche:
Þe haþel clene of his hert hapenez ful fayre,
For he schal loke on oure Lorde with a bone chere';
As so saytz, to þat sy3t seche schal he neuer
Þat any vnclannesse hatz on, auwhere abowte;
For He þat flemus vch fylþe fer fro His hert
May not byde þat burre þat hit His body ne3en.
Forþy hy3not to heuen in haterez totorne,
Ne in þe harlatez hod, & handez vnwaschen.
For what vrþly haþel þat hy3honour haldez
Wolde lyke if a ladde com lyþerly attyred,
When he were sette solempnely in a sete ryche,
Abof dukez on dece, with dayntys serued?
Þen þe harlot with haste helded to þe table,
With rent cokrez at þe kne & his clutte traschez,
& his tabarde totorne, & his totez oute,
Oþer ani on of alle þyse, he schulde be halden vtter,
With mony blame ful bygge, a boffet peraunter,
Hurled to þe halle dore & harde þeroute schowued,
& be forboden þat bor3e to bowe þider neuer,
On payne of enprysonment & puttyng in stokkez;
& þus schal he be schent for his schrowde feble,
Þa3neuer in talle ne in tuch he trespas more.
& if vnwelcum he were to a worþlych prynce,
3et hym is þe hy3e Kyng harder in her euen;

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Keep On Running

Some gonna get you
Some gonna grab you
Some gonna jump out of the bushes and grab you
Whole lotta folks, you better run faster.
Some gonna grab you
Some gonna jump out of the bushes and grab you
Some gonna grab you
Oh you need this thing to grab you, ha.
Yea, yea
Keep on running
Keep on running from my love
Keep on running, yea
Keep on running from my love
Some folks say that youre really, really fine,
All you want to be is just a friend of mine,
But I know, the man your with gonna break your heart,
And youll be sad real soon, yea.
Keep on running,
Keep on running from my love,
Keep on running, yea,
Keep on running from my love.
Some folks say that youre really, really fine
But all you want to be is just a friend of mine,
But I know Im gonna get you with him -real soon.
Why do you keep?
Keep on running, running from my love
Yea, keep on running from
Keep on running, running from my love
I need you baby
Keep on running, running from my love
And everyday yea,
Keep on running, running from my love. oh
Keep on running
Keep on running from my love
Keep on running yea
Keep on running from my love
Some folks say that your love is really good
All you want to be is just a friend of mine,
But I know, Im gonna get you in the end
cause I need you so
Keep on running
Keep on running, running from my love
Yea, keep on running baby
Keep on running, running from my love, yea
Keep on running, running from my love
Keep on running, running from my love
...say it loud
Keep on running, running from my love
Oh, yea
Keep on running, running from my love

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song performed by Stevie WonderReport problemRelated quotes
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Love Having You Around

Please,
Mama, mama, mama,
Mama, mama, baby,
Baby, baby, baby,
Mama, mama, mama,
Baby, baby, baby,
Listen baby,
Every day I want to fly my kite,
Every day I want to fly my kite,
An every day I want to get on my camel an ride.
Oo yea
Every day I want to shake your hand, yea, yea, yea,
For in the world makin me a better man,
An every day I want to get on my camel an ride
(on my camel ride, on my camel)
Oo baby
And when the day is through,
Nothin to do, sit around groovin with you,
And I say it cause I love having you around,
And I say it cause I love having you around. yea
Everyday I want to be your friend, (be your friend)
cause you have stuck with me through thick and thin
An every day I want a smile in your lovely brown eyes,
(smile at your lovely brown eyes)
Oh yea
Every day Im gonna give my share,
cause I know your gonna take me there, (hey, hey)
An every day I want to get on my camel an ride, oo
(get on my camel)
And when the day is done,
Nothin to do, spend all my time just loving you, (oh, yea)
An I say it cause I love having you around, mm baby
And I say it cause I love oo having you around
Yea, yea, yea, yea, yea
Yea, yea, yea
An in the end I know youll be with me,
cause you made my soul so free, (so everyday)
An every day I wanna get on my camel an ride, yea
(on my camel)
And when the day is through,
Nothin to do, spend all my time just lovin you
An I say it cause I love yea having you around.
(love having you around)
And I say it cause I love having you around yea, yea, yea
An I say it cause I love having you around (having you around baby)
And I say it cause I love (cant you hear me people? ) having you around
(cant you hear me people? )
And I say it cause I love having you around
(cant you hear me say it? cant you hear me say it baby? )
And I say it cause I love having you around

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Geraint And Enid

O purblind race of miserable men,
How many among us at this very hour
Do forge a life-long trouble for ourselves,
By taking true for false, or false for true;
Here, through the feeble twilight of this world
Groping, how many, until we pass and reach
That other, where we see as we are seen!

So fared it with Geraint, who issuing forth
That morning, when they both had got to horse,
Perhaps because he loved her passionately,
And felt that tempest brooding round his heart,
Which, if he spoke at all, would break perforce
Upon a head so dear in thunder, said:
'Not at my side. I charge thee ride before,
Ever a good way on before; and this
I charge thee, on thy duty as a wife,
Whatever happens, not to speak to me,
No, not a word!' and Enid was aghast;
And forth they rode, but scarce three paces on,
When crying out, 'Effeminate as I am,
I will not fight my way with gilded arms,
All shall be iron;' he loosed a mighty purse,
Hung at his belt, and hurled it toward the squire.
So the last sight that Enid had of home
Was all the marble threshold flashing, strown
With gold and scattered coinage, and the squire
Chafing his shoulder: then he cried again,
'To the wilds!' and Enid leading down the tracks
Through which he bad her lead him on, they past
The marches, and by bandit-haunted holds,
Gray swamps and pools, waste places of the hern,
And wildernesses, perilous paths, they rode:
Round was their pace at first, but slackened soon:
A stranger meeting them had surely thought
They rode so slowly and they looked so pale,
That each had suffered some exceeding wrong.
For he was ever saying to himself,
'O I that wasted time to tend upon her,
To compass her with sweet observances,
To dress her beautifully and keep her true'--
And there he broke the sentence in his heart
Abruptly, as a man upon his tongue
May break it, when his passion masters him.
And she was ever praying the sweet heavens
To save her dear lord whole from any wound.
And ever in her mind she cast about
For that unnoticed failing in herself,
Which made him look so cloudy and so cold;
Till the great plover's human whistle amazed

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