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Bloodmoon

Cast: Gary Daniels, Chuck Jeffreys, Frank Gorshin, Darren Shahlavi, Nina Repeta

trailer for Bloodmoon, directed by Tony Leung Siu Hung (1997)Report problemRelated quotes
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Anything You Can Do

ANNIE: Anything you can do I can do better
......I can do anything better than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can be I can be greater
......Sooner or later I'm greater than you
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am, yes I am
FRANK: I can shoot a partridge with a single cartridge
ANNIE: I can get a sparrow with a bow and arrow
FRANK: I can live on bread and cheese
ANNIE: And only on that?
FRANK: Yes
ANNIE: So can a rat
FRANK: Any note you can reach I can go higher
ANNIE: I can sing anything higher than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
ANNIE: Anything you can buy I can buy cheaper
......I can buy anything cheaper than you
FRANK: Fifty cents
ANNIE: Forty cents
FRANK: Thirty cents
ANNIE: Twenty cents
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can say I can say softer
ANNIE: I can say anything softer than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can

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song performed by Irving BerlinReport problemRelated quotes
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Allegany Camp

amazing grace circus camp
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amc theater camp hill
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amcmovie camps
amelia earhart in japanese war camp

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Said Sadly

James iha: you should know that I love you
And I cant help but fall for you
Oh honey Im just a fool
Now you know
Nina gordon: darling, Ill never be true
You see, for so long I was blue
James iha: Im not the lonely one
Nina gordon: and if I hurt, then you will, too
Oh honey I always lose
Now you know
James iha & nina gordon: lover, when will you?
James iha: Im so afraid that noone cares
James iha & nina gordon: lover, cant find you
James iha: I swear to God dont leave me here
James iha & nina gordon: now you know
James iha & nina gordon: only you know that it cant be
When noone else here really means
James iha: anything to me
James iha & nina gordon: if you hurt inside
If you confide in me again
Nina gordon: since you ran away
James iha: hold me now, tell me how
Nothings lost
James iha & nina gordon: lover, when will you?
Im so afraid that noone cares
Lover, cant find you
And noone knows what brings us here
Lover
James iha: hold me now
Nina gordon: hold me now
James iha: tell me how
James iha & nina gordon: nothings lost

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Tamerton Church-Tower, Or, First Love

I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.


II.
Our English skies contain'd, that Spring,
A Caribbean sun;
The singing birds forgot to sing,
The rivulets to run.
For three noons past, the skies had frown'd,
Obscured with blighting shades
That only mock'd the thirsty ground
And unrejoicing glades.
To-day, before the noon was nigh,
Bright-skirted vapours grew,
And on the sky hung languidly;
The sky was languid too.
Our horses dropp'd their necks, and nosed
The dusty wayside grass,
Whilst we beneath still boughs reposed
And watch'd the water pass.
We spoke of plighted Bertha: Frank
Shot pebbles in the stream;
And I lay by him on the bank,
But dreamt no lover's dream.
She was a blythe and bashful maid,
Much blushing in her glee;
Yet gracing all she did and said
With sweet sufficiency.
‘Is Blanche as fair?’ ask'd I, who yearn'd
To feel my life complete;
To taste unselfish pleasures earn'd
By service strict and sweet.
‘Well, some say fairer: she'll surprise
Your heart with crimson lips;

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Gusto Nako Mahimo Kong Gary Soto

gusto nakong mosulat sama kang gary soto
kanang mora kog trabahante nga gadala anang
pala og piko kanang gakandos sa yuta og dayog
pangagho, kanang gahandom kos bulad nga sud-an
og humot kaayo nga mais nga luto og dayon og
inom sa bugnaw kaayong tubig gikan sa atabay,

gusto kong moadto sa uma og mosimhot sa mga
bulak sa iyang mga gapas, gusto nakong makita
ang iyang giingon nga pula kaayo nga adlaw nga
iyang gikumkom sa iyang palad, ganahan ko nga
mahimo kong gary soto, magtindog nga gary soto,
og molingkod nga gary soto, og modagan nga gary
soto, og moambak na gary soto, kadtong mokuyog
sa mga langgam nga namakwit paingon sa San
Francisco, kanang mora kog tubig sa kanal nga
mikuyog sa pagdagan sa hangin paingon sa mga
lugar nga dagko og sweldo ang hago nga trabaho,

apan dili man gyod nako makaya si gary soto,
mas nindot man gayod ang pagsulat ni gary
sa iyang mga pangagho, sa iyang mga kahiubos
og pagpalutos: dili gayod ako mahimong gary
soto, mao nga ako ania, mao lang gihapon sa
akong pagkaako niining akong mga balak sa
pag-eksperimento. Sagdi na lang, basin puhon
maawat ko ra si gary soto sa iyang pagkamaldito

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Listen to 'Da Art of Storytellin' Part 1' instrumental by Outkast

There once was a boy named Gary Napp
And Gary Napp was obsessed with rap
Day in, day out he'd be on his computer
Listenin' to Biggie, Nas, and Rick the Ruler
'Thinkin' one day I'll be a fly MC,
And everyone will want to listen to me.'
He worked on his lyric game day and night
But one day lil Gary got into a fight
Some punk teenager tried to clown his flavor
Gary swung on him and the dude pulled out a razor
The kid urged Gary to keep on swingin'
But Gary knew his life was more important than winnin'
Gary turned around and he started headin' home
The kid pulled out a nine and shot Gary in the dome
The punk teenager threw down the murder weapon
Heard the cops comin' so he started steppin'
The kid got away and was never put to trial
And ended up killin' himself after a while
He couldn't contain his feelings anymore
Couldn't do anything right, he was torn
But up above, Gary Napp forgave the kid
Rest in peace the greatest MC who never lived

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Frank & Lola

Frank and lola
By: jimmy buffett, steve goodman
1982
Lucy and ricky, fred and ethel, laurel and hardy, spanky
And buckwheat, rocky and bullwinkle, and frank and lola...
Theyre all good for a laugh.
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little privacy
Oh me there been too much screamin, fussin and fightin
The doggies were yellin, the children were bitin
Frank and lola tryin to get together again
So he took her to this movie called body heat
She said the junior mints were mushy and the sex was neat
Oh my, frankie werent we better than that, before our spat
Frank told lola, honey cant you see
That Ill jump start you if youll kick start me
Frank and lola tryin to get together again
So they strolled along the highway, they walked along the beach
They stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola told frankie time we put it to the test
After frankie told lola she was still the best
They fell asleep in the sand underneath the florida moon, in june
Lola counted rainbows, frankie counted sheep
til they almost got run over by the lifeguards jeep
Frank and lola tryin to get together again
Go, frank, go
Lo la, lo
Go, frank, go, wow
(instrumental)
So they strolled along the highway, they walked along the beach
Stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little priva-
Tryin to find a little priva-
Tryin to find a little privacy
Go, frank, go
Lo la, lo
Go, mango
- notes:
Featuring the harmonica of fingers taylor

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Nina Pretty Ballerina

Every day in the morning on her way to the office
You can see as she catches a train
Just a face among a million faces
Just another woman with no name
Not the girl youd remember but shes still something special
If you knew her I am sure youd agree
cause I know shes got a little secret
Friday evening she turns out to be...
Nina, pretty ballerina, now she is the queen of the dancing floor
This is the moment shes waited for
Just like cinderella, just like cinderella
Nina, pretty ballerina, who would ever think she could be this way
This is the part that she likes to play
But she knows the fun would go away
If she would play it every day
So shes back every morning to her work at the office
And another week to live in a dream
And another row of early mornings
In an almost never-ending stream
Doesnt talk very often, kind of shy and uncertain
Everybody seems to think shes a bore
But they wouldnt know her little secret
What her friday night would have in store...
Nina, pretty ballerina, now she is the queen of the dancing floor
This is the moment shes waited for
Just like cinderella, just like cinderella
Nina, pretty ballerina, who would ever think she could be this way
This is the part that she likes to play
She would like to play it every day
Nina, pretty ballerina, now she is the queen of the dancing floor
This is the moment shes waited for
Just like cinderella, just like cinderella
Nina, pretty ballerina, who would ever think she could be this way
This is the part that she likes to play
(fade)

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My Defenses Are Down

FRANK BUTLER:
I've had my way with so many girls
An' was lots of fun.
My scheme was to know many girls
To keep me safe from one
I find it can be done.
My defenses are down
She's broken my resistance
And I don't know where I am
I went into the fight like a lion
But I came out like a lamb.
My defenses are down
She's got me where she wants me
And I can't escape no how
I could speak to my heart when it wakened
But my heart won't listen now.
Like a toothless, clawless tiger,
Like an organ-grinder's bear,
Like a knight without his armor,
Like Samson without his hair.
My defenses are down
I might as well surrender
For the battle can't be won.
But I must confess that I like it,
So there's nothing to be done.
Yes, I must confess that I like it
Being miserable's gonna be fun
MALE CHORUS:
His defenses are down
She's broken my resistance
And he's in an awful jam.
FRANK BUTLER:
I went into the fight like a lion
MALE CHORUS:
But you came out like a lamb.
FRANK BUTLER:
My defenses are down
MALE CHORUS:
She's got you where she wants you
And you can't escape no how
FRANK BUTLER:
I could speak to my heart when it wakened
MALE CHORUS:
But my heart won't listen now.
FRANK BUTLER:
Like a toothless, clawless tiger,
Like an organ-grinder's bear,
MALE CHORUS:
Like a knight without his armor,
FRANK BUTLER:

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song performed by Irving BerlinReport problemRelated quotes
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Federico García Lorca

Arbolé, Arbolé

Tree, tree
dry and green.

The girl with the pretty face
is out picking olives.
The wind, playboy of towers,
grabs her around the waist.
Four riders passed by
on Andalusian ponies,
with blue and green jackets
and big, dark capes.
'Come to Cordoba, muchacha.'
The girl won't listen to them.
Three young bullfighters passed,
slender in the waist,
with jackets the color of oranges
and swords of ancient silver.
'Come to Sevilla, muchacha.'
The girl won't listen to them.
When the afternoon had turned
dark brown, with scattered light,
a young man passed by, wearing
roses and myrtle of the moon.
'Come to Granada, inuchacha.'
And the girl won't listen to him.
The girl with the pretty face
keeps on picking olives
with the grey arm of the wind
wrapped around her waist.
Tree, tree
dry and green.

Translated by William Logan

Original Spanish

Arbolé, arbolé,
seco y verdí.

La niña del bello rostro
está cogiendo aceituna.
El viento, galán de torres,
la prende por la cintura.
Pasaron cuatro jinetes
sobre jacas andaluzas,
con trajes de azul y verde,
con largas capas oscuras.
'Vente a Córdoba, muchacha.'
La niña no los escucha.
Pasaron tres torerillos

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A Legend of Madrid

Francesca

Crush'd and throng'd are all the places
In our amphitheatre,
'Midst a sea of swarming faces
I can yet distinguish her ;
Dost thou triumph, dark-brow'd Nina ?
Is my secret known to thee ?
On the sands of yon arena
I shall yet my vengeance see.
Now through portals fast careering
Picadors are disappearing ;
Now the barriers nimbly clearing
Has the hindmost chulo flown.
Clots of dusky crimson streaking,
Brindled flanks and haunches reeking,
Wheels the wild bull, vengeance seeking,
On the matador alone.

Features by sombrero shaded,
Pale and passionless and cold ;
Doublet richly laced and braided,
Trunks of velvet slash'd with gold,
Blood-red scarf, and bare Toledo,—
Mask more subtle, and disguise
Far less shallow, thou dost need, oh
Traitor, to deceive my eyes.
Shouts of noisy acclamation,
Breathing savage expectation,
Greet him while he takes his station
Leisurely, disdaining haste;
Now he doffs his tall sombrero,
Fools ! applaud your butcher hero,
Ye would idolize a Nero,
Pandering to public taste.
From the restless Guadalquivir
To my sire's estates he came,
Woo'd and won me, how I shiver !
Though my temples burn with shame.
I, a proud and high-born lady,
Daughter of an ancient race,
'Neath the vine and olive shade I
Yielded to a churl's embrace.
To a churl my vows were plighted,
Well my madness he requited,
Since, by priestly ties, united
To the muleteer's child,
And my prayers are wafted o'er him,
That the bull may crush and gore him,
Since the love that once I bore him

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Berrathah

ARGUMENT.

Fingal, in his voyage to Lochlin, whither he had been invited by Starno, the father of Agandecca, touched at Berrathon an island of Scandinavia, where he was kindly entertained by Larthmor, the petty king of the place, who was a vassal of the supreme kings of Lochlin. The hospitality of Larthmor gained him Fingal's friendship, which that hero manifested, after the imprisonment of Larthmor by his own son, by sending Ossian and Toscar, the father of Malvina, so often mentioned, to rescue Larthmor, and to punish the unnatural behavior of Uthal. Uthal was handsome, and, by the ladies, much admired. Nina-thoma, the beautiful daughter of Tor-thoma, a neighboring prince, fell in love and fled with him. He proved inconstant; for another lady, whose name is not mentioned, gaining his affections, he confined Nina-thoma to a desert island, near the coast of Berrathon. She was relieved by Ossian, who, in company with Toscar, landing on Berrathon, defeated the forces of Uthal, and killed him in single combat. Nina-thoma, whose love not all the bad behavior of Uthal could erase, hearing of his death, died of grief. In the mean time Larthmor is restored, and Ossian and Toscar return in triumph to Fingal.

The poem opens with an elegy on the death of Malvina, the daughter of Toscar, and closes with the presages of Ossian's death.

BEND thy blue course, O stream! round the narrow plain of Lutha. Let the green woods hang over it, from their hills; the sun look on it at noon. The thistle is there on its rock, and shakes its beard to the wind. The flower hangs its heavy head, waving, at times, to the gale. "Why dost thou awake me, O gale?" it seems to say: "I am covered with the drops of heaven. The time of my fading is near, the blast that shall scatter my leaves. To-morrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, but they will not find me." So shall they search in vain for the voice of Cona, after it has failed in the field. The hunter shall come forth in the morning, and thee vote a of my harp shall not be heard. "Where is the son of car-borne Fingal?" The tear will be on his cheek! Then come thou, O Malvina! with all thy music, come! Lay Ossian in the plain of Lutha: let his tomb rise in the lovely field.

Malvina! where art thou, with thy songs; with the soft sound of thy steps? Son of Alpin, art thou near? where is the daughter of Toscar? "I passed, O son of Fingal, by Torlutha's mossy walls. The smoke of the hall was ceased. Silence was among the trees of the hill. The voice of the chase was over. I saw the daughters of the bow. I asked about Malvina, but they answered not. They turned their faces away: thin darkness covered their beauty. They were like stars, on a rainy hill, by night, each looking faintly through the mist!"

Pleasant be thy rest, O lovely beam! soon hast thou set on our hills! The steps of thy departure were stately, like the moon, on the blue-trembling wave. But thou hast left us in darkness, first of the maids of Lutha! We sit, at the rock, and there is no voice; no light but the meteor of fire! Soon hast thou set, O Malvina, daughter of generous Toscar! But thou risest, like the beam of the east, among the spirits of thy friends, where they sit, in their stormy halls, the chambers of the thunder! A cloud hovers over Cona. Its blue curling sides are high. The winds are beneath it, with their wings. Within it is the dwelling of Fingal. There the hero sits in darkness. His airy spear is in his hand. His shield, half covered with clouds, is like the darkened moon; when one half still remains in the wave, and the other looks sickly on the field!

His friends sit round the king, on mist! They hear the songs of Ullin; he strikes the half-viewless harp. He raises the feeble voice. The lesser heroes, with a thousand meteors, light the airy hall. Malvina rises in the midst: a blush is on her cheek. She beholds the unknown faces of her fathers. She turns aside her humid eyes. "An thou come so soon," said Fingal, "daughter of generous Toscar! Sadness dwells in the halls of Lutha. My aged son is sad! I hear the breeze of Cona, that was wont to lift thy heavy locks. It comes to the hall, but thou art not there. Its voice is mournful among the arms of thy fathers! Go, with thy rustling wing, O breeze! sigh on Malvina's tomb. It rises yonder beneath the rock, at the blue stream of Lutha. The maids are departed to their place. Thou alone, O breeze, mournest there!"

But who comes from the dusky west, supported on a cloud? A smile is on his gray, watery face. His locks of mist fly on wind. He bends forward on his airy spear. It is thy father, Malvina! "Why shinest thou, so soon, on our clouds," he says, "O lovely light of Lutha? But thou wert sad, my daughter. Thy friends had passed away. The sons of little men were in the hail. None remained of the heroes, but Ossian, king of spears!"

And dost thou remember Ossian, car-borne Toscar, son of Conloch? The battles of our youth were many. Our swords went together to the field. They saw us coming like two falling rocks. The sons of the stranger fled. "There come the warriors of Cona!" they said. "Their steps are in the paths of the flying!" Draw near, son of Alpin, to the song of the aged. The deeds of other times are in my soul. My memory beams on the days that are past: on the days of mighty Toscar, when our path was in the deep. Draw near, son of Alpin, to the last sound of the voice of Cona!

The king of Morven commanded. I raised my sails to the wind. Toscar, chief of Lutha, stood at my side: I rose on the dark-blue wave. Our course was to sea-surrounded Berrathon, the isle of many storms. There dwelt, with his locks of age, the stately strength of Larthmor. Larthmor, who spread the feast of shells to Fingal, when he went to Starno's halls, in the days of Agandecca. But when the chief was old, the pride of his son arose; the pride of fair-haired Uthal, the love of a thousand maids. He bound the aged Larthmor, and dwelt in his sounding halls!

Long pined the king in his cave, beside his rolling sea. Day did not come to his dwelling: nor the burning oak by night. But the wind of ocean was there, and the parting beam of the moon. The red star looked on the king, when it trembled on the western wave. Snitho came to Selma's hall; Snitho, the friend of Larthmor's youth. He told of the king of Berrathon: the wrath of Fingal arose. Thrice he assumed the spear, resolved to stretch his hand to Uthal. But the memory of his deeds rose before the king. He sent his son and Toscar. Our joy was great on the rolling sea. We often half unsheathed our swords. For never before had we fought alone, in battles of the spear.

Night came down on the ocean. The winds departed on their wings. Cold and pale is the moon. The red stars lift their heads on high. Our course is slow along the coast of Berrathon. The white waves tumble on the rocks. "What voice is that," said Toscar, "which comes between the sounds of the waves? It is soft hut mournful, like the voice of departed bards. But I behold a maid. She sits on the rock alone. Her head bends on her arms of snow. Her dark hair is in the wind. Hear, son of Fingal, her song; it is smooth as the gliding stream. We came to the silent bay, and heard the maid of night.

"How long will ye roll round me, blue-tumbling waters of ocean? My dwelling was not always in caves, nor beneath the whistling tree. The feast was spread in Tor-thoma's hall. My father delighted in my voice. The youths beheld me in the steps of my loveliness. They blessed the dark-haired Nina-thoma. It was then thou didst come, O Uthal! like the sun €4 heaven! The souls of the virgins are thine, son of generous Larthmor! But why dost thou leave me alone, in the midst of roaring waters? Was my soul dark with thy death? Did my while hand lift the sword? Why then hast thou left me alone, king of high Fin-thormo?"

The tear started from my eye, when I heard the voice of the maid. I stood before her in my arms. I spoke the words of peace! "Lovely dweller of the cave! what sigh is in thy breast? Shall Ossian lift his sword in thy presence, the destruction of thy foes? Daughter of Tor-thoma, rise! I have heard the words of thy grief. The race of Morven are around thee, who never injured the weak. Come to our dark bosomed ship, thou brighter than the setting moon! Our course is to the rocky Berrathon, to the echoing walls of Fin-thormo." She came in her beauty; she came with all her lovely steps. Silent joy brightened in her face; as when the shadows fly from the field of spring; the blue stream is rolling in brightness, and the green bush bends over its course!

The morning rose with its beams. We came to Rothma's bay. A boar rushed from the wood: my spear pierced his side, and he fell. I rejoiced over the blood. I foresaw my growing fame. But now the sound of Uthal's train came, from the high Fin-thormo. They spread over the heath to the chase of the boar. Himself comes slowly on, in the pride of his strength. He lifts two pointed spears. On his side is the hero's sword. Three youths carry his polished bows. The bounding of five dogs is before him. His heroes move on, at a distance, admiring the steps of the king. Stately was the son of Larthmor! but his soul was dark! Dark as the troubled face of the moon, when it foretells the storms.

We rose on the heath before the king. He stopped in the midst of his course. His heroes gathered around. A. gray-haired bard advanced. "Whence are the sons of the strangers?" began the bard of song. "The children of the unhappy come to Berrathon: to the sword of car-borne Uthal. He spreads no feast in his hall. The blood of strangers is on his streams. If from Selma's walls ye come, from the mossy walls of Fingal, choose three youths to go to your king to tell of the fall of his people. Perhaps the hero may come and pour his blood on Uthal's sword. So shall the fame of Fin-thormo arise; like the growing tree of the vale!"

"Never, will it rise, O bard!" I said, in the pride of my wrath. "He would shrink from the presence of Fingal, whose eyes are the flames of death. The son of Comhal comes, and kings vanish before him. They are rolled together, like mist, by the breath of his rage. Shall three tell to Fingal, that his people fell? Yes! they may tell it, bard! but his people shall fall with fame!"

I stood in the darkness of my strength. Toscar drew his sword at my side. The foe came on like a stream. The mingled sound of death arose. Man took man; shield met shield; steel mixed its beams with steel. Darts hiss through air. Spears ring on mails. Swords on broken bucklers bound. All the noise of an aged grove beneath the roaring wind, when a thousand ghosts break the trees by night, such was the din of arms! But Uthal fell beneath my sword. The sons of Berrathon fled. It was then I saw him in his beauty, and the tear hung in my eye! "Thou art fallen, young tree, I said, with all thy beauty round thee. Thou art fallen on thy plains, and the field is bare. The winds come from the desert! there is no sound in thy leaves! Lovely art thou in death, son of car-borne Larthmor"

Nina-thoma sat on the shore. She heard the sound of battle. She turned her red eyes on Lethmal, the gray-haired bard of Selma. He alone had remained on the coast with the daughter of Tor-thoma. "Son of the times of old!" she said, "I hear the noise of death. Thy friends have met with Uthal, and the chief is low! O that I had remained on the rock, enclosed with the tumbling waves? Then would my soul be sad, but his death would not reach my ear. Art thou fallen on the heath, O son of high Fin-thormo? Thou didst leave me on a rock, but my soul was full of thee. Son of high Fin-thormo! art thou fallen on thy heath?"

She rose pale in her tears. She saw the bloody shield of Uthal. She saw it in Ossian's hand. Her steps were distracted on the heath. She flew. She found him. She fell. Her soul came forth in a sigh. Her hair is spread on her face. My bursting tears descend. A tomb arose on the unhappy. My song of wo was heard. "Rest, hapless children of youth! Rest at the noise of that mossy stream! The virgins will see your tomb, at the chase, and turn away their weeping eyes. Your fame will be in song. The voice of the harp will be heard in your praise. The daughters of Selma shall hear it: your renown shall be in other lands. Rest, children of youth, at the noise of the mossy stream!"

Two days we remained on the coast. The heroes of Berrathon convened. We brought Larthmor to his halls. The feast of shells is spread. The joy of the aged was great. He looked to the arms of his fathers; the arms which he left in his hall, when the pride of Uthal rose. We were renowned before Larthmor. He blessed the chiefs of Morven. He knew not that his son was low, the stately strength of Uthal! They had told, that he had retired to the woods, with the tears of grief. They had told it, but he was silent in the tomb of Rothma's heath.

On the fourth day we raised our sails, to the roar of the northern wind. Larthmor came to the coast. His bards exalted the song. The joy of the king was great; he looked to Rothma's gloomy heath. He saw the tomb of his son. The memory of Uthal rose. "Who of my heroes," he said, "lies there? he seems to have been of the kings of men. Was he renowned in my halls before the pride of Uthal rose? Ye are silent, sons of Berrathon! is the king of heroes low? My heart melts for thee, O Uthal! though thy hand was against thy father. O that I had remained in the cave! that my son had dwelt in Fin-thormo! I might have heard the tread of his feet, when he went to the chase of the boar. I might have heard his voice on the blast of my cave. Then would my soul be glad; but now darkness dwells in my halls."

Such were my deeds, son of Alpin, when the arm of my youth was strong. Such the actions of Toscar, the car-borne son of Conloch. But Toscar is on his flying cloud. I am alone at Lutha. My voice is like the last sound of the wind, when it forsakes the woods. But Ossian shall not be long alone. He sees the mist that shall receive his ghost. He beholds the mist that shall form his robe, when he appears on his hills. The Sons of feeble men shall behold me, and admire the stature of the chiefs of old. They shall creep to their caves. They shall look to the sky with fear: for my steps shall be in the clouds. Darkness shall roll on my side.

Lead, son of Alpin, lead the aged to his woods. The winds begin to rise. The dark wave of the lake resounds. Bends there not a tree from Mora with its branches bare? It bends, son of Alpin, in the rustling blast. My harp hangs on a blasted branch. The sound of its strings is mournful. Does the wind touch thee, O harp, or is it some passing ghost? It is the hand of Malvina! Bring me the harp, son of Alpin. Another song shall rise. My soul shall depart in the sound. My fathers shall hear it in their airy hail. Their dim faces shall hang, with joy, from their clouds; and their hands receive their son. The aged oak bends over the stream. It sighs with all its moss. The withered fern whistles near, and mixes, as it waves, with Ossian's hair.

[...] Read more

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Fly Me To The Moon

george speaking:
Hey frances i don't know about you but i kinda need a break.
Maybe a trip or something.
Frank-
Fly me to the moon
Let me play up there with those stars
George-
Let me see what spring is like on jupiter and mars
Frank-
In other words
Hold my hand
George-
In other words
Baby kiss me
Fill my heart with song
And let me sing forever more
You are all i long for
All i worship and adore
Frank-
In other words (george echos)
Frank & george-
Please be true
In other words i'm in love with you
George-
In other words hold my hand
In other words baby kiss me
Frank-
Fill my heart with song
Frank & george-
Let me sing forever more
George-
You are all i long for
All i worship and adore
Frank-
In other words
Please be true
Frank & george-
In other words
In other words
In other words
I love you

song performed by George StraitReport problemRelated quotes
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Frank And Lola

Lola loves Frank, Frankie loves Lola
On their second honeymoon in Pensacola
Tryin' to find a little privacy, oh me
There'd been too much screamin', fussin' and fightin'
The doggies were yellin;, the children were bitin'
Frank and Lola tryin' to get together again
So he took her to this movie called "Body Heat"
She said, "The Junior Mints were mushy and the sex was neat.
Oh my, Frankie weren't we better than that before our spat."
Frankie told Lola, "Honey, can't you see that I'll jump start you if
you'll kick start me."
Frankie and Lola, tryin' to get together again.
So they strolled along the highway, they walked along the beach
They stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby, turn back the pages, turn round the clock.
Lola told Frank, "Time we put it to the test."
After Frankie told Lola she was still the best
They fell asleep in the sand underneath the Florida moon in June.
Lola counted rainbows, Frankie counted sheep
Til they almost got run over by the lifeguards' jeep
Frank and Lola tryin' to get together again.
Go, Frank, go
Lola, Lo
Go Frank, go, wow
So they strolled along the highway, they walked along the beach
They stopped at several raw bars, ......ETC.
.......turn round the clock.
Lola loves Frank, Frankie loves Lola
On their second honeymoon in Pensacola
Trying to find a little priva
Trying to find a little priva
Trying to find a little privacy
Go, Frank, go
Lola, lo
Go, Mango

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On Earth My Nina

Her burden of things walking out
Her burden of things walking out
On Earth my Nina
On Earth my Nina
God forbid a vaguer feat
National hell mock me
Say the sparrow wants a morbid arrow
Here's a quarter; that's the one I want
Maybe I'll buy the whirlwind
That always keeps me yearning
Her sitter's down there mourning
Her burden of things walking out
Her burden of things walking out
On Earth my Nina
On Earth my Nina

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Listen To The Ocean 01.08.2009

.................Nina and Frederick

Living my life to the accompaniment of
a song in my heart, I mostly remember
the refrain, hubby and the kids live in
perpetual discontent as I keep singing
the refrain playing in my head

Looking up lyrics on the Internet to learn
the words, maybe then I will be allowed
to sing my songs at home, my favourite
is ‘Listen to the Ocean’ by Nina and
Frederick

Turning like a broken gramophone in my
head, over and over, enchanting rhythm,
words divine, melody sublime: ‘Listen to
the ocean, echoes of a million seashells,
forever it's in motion

Moving to a rhythmic and unwritten
music that's played eternally…’

******************************
LISTEN TO THE OCEAN
Nina & Frederick – 1960
(Nina Möller / Frederick Von Pallandt)

There's a world of sun and sand, full of
sky and far from land, where evening
breezes caress the shore like a gentle
comforting hand

Fragrant blossoms, honey bees, careless
laughter upon the breeze and lovers
fading to pools of deep purple
shadows among the trees

Listen to the ocean, echoes of a million
seashells, forever it's in motion, moving
to a rhythmic and unwritten music
that's played eternally

29 July 2009

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Finale

FRANK BUTLER:
The cowboys, the wrestlers, the tumblers, the clowns
The roustabouts that move the show at dawn
ANNIE OAKLEY:
The music, the spotlights, the people, the towns
Your baggage with the labels pasted on
FRANK BUTLER:
The sawdust and the horses and the smell
ANNIE OAKLEY:
The towel you've taken from the last hotel
ANNIE OAKLEY, FRANK BUTLER and CHORUS:
There's no business like show business
Like no business I know
Everything about it is appealing
Everything the traffic will allow
No where could you have that happy feeling
When you aren't stealing that extra bow
There's no people like show people
They smile when they are low
Even with a turkey that you know will fold
You may be stranded out in the cold
Still you wouldn't change it for a sack o' gold
Let's go on with the show
Let's go on with the show!
ANNIE OAKLEY and FRANK BUTLER:
They say that falling in love is wonderful
It's wonderful, so they say.
And with a moon up above it's wonderful
It's wonderful, so they tell me.
ANNIE OAKLEY:
I can't recall who said it
FRANK BUTLER:
I know I never read it
I only know that falling in love is grand
And to hold a girl in your arms
Is wonderful,
ANNIE OAKLEY:
Wonderful...
ANNIE OAKLEY and FRANK BUTLER:
In every way
So they say

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Jesse James

(neil morris)
I'll tell you about jesse and frank james
My grandfather was personally acquainted with them
My grandfather lived in the southern edge of baxter county, arkansas
And they stayed all night with him lots of nights
And my grandfather told me there was a lot of those robberies that was layed to jesse and frank james
And he knew they didn't do it 'cause they was at his place when it happened
But you couldn't tell the public that
When they get their minds made up that somebody's done something
Why the public's gonna stick to it anyway
My grandfather, he knew them as boys
And they could come to his place and go without anybody paying attention 'cause nobody expected them
Down in arkansas, see, 'cause they was from missouri
Now that's the story that my grandfather told me when i was just a boy
And he said that frank james, at that world's fair,
I think it was 1901 in st. louis him and jesse were both there
My grandfather and frank james were together there
And that frank james offered to bring jesse there alive
He said that the man that the ford boys killed wasn't jesse james at all
But the fellow they killed was just about the size of jesse and he was red headed
And he wasn't any relation to the fords
See, jesse james was a known cousin to charles and bob ford
That's what my grandfather said
He said jesse and frank were not even in that part of the country when that fellow was killed
And the ford boys, why, they collected a thousand dollars for killing jesse james!
Now the song says that the ford boys killed jesse
None of us up here in the mountains believe that, no sir!

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Frank the Jester

There's joy in legislative halls
When Frank's in opposition;
But gloom upon the Chamber falls
When Frank holds high position.
His merry japes no longer flit
About the House to mellow it,
For cares of office dull his wit
And mar his life's great mission.

Frank's mission - and a high one, too,
Amongst the chiefest rating
Is to infuse come joy anew
Into the dull debating.
When speakers drone and lose their grip,
And every member has the pip,
Up rises Frank with merry quip
And humor scintillating.

But as a Minister, alack,
His ready wit grows clouded.
For higher roles he takes the sack;
For in a House enshrouded
By weariness, when members sup
Of dreariness the prosy cup,
And word goes round that Frank is up,
The benches soon are crowded.

I feel I earn a nation's thanks
If I, with due humility,
Suggest for such a wit as Frank's
A new and fit nobility.
If I'd my way, I'd have him sent
Our happier moods to represent
As 'Minister for Merriment
Without Responsibiiity.'

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