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The War Lover

Cast: Steve McQueen, Robert Wagner, Shirley Anne Field, Gary Cockrell, Michael Crawford

trailer for The War Lover, directed by Philip Leacock, screenplay, inspired by John Hersey (1962)Report problemRelated quotes
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Allegany Camp

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amelia earhart in japanese war camp

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Lord Robert

Tall and young and light of tongue,
Gallantly riding by wood and lea,
He was ware of a maiden fair
And turned and whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)


Day by day she walks that way
Never hoping by wood or lea
To be ware of the stranger gay
Who turned and whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?


Chance for chance he rides that way,
And again by wood or by lea
He was ware of the maiden fair,
And again he whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)


Chance for chance that way rode he,
And again where he was ware,
Debonnair to that maiden fair
He turned and said, 'You remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)


Chance for chance on a summer-day,
Meeting her still by wood and lea,
He leaped gay from his gallant grey
And said, 'I see you remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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This Friendly World

R.E.M., Andy, Tony---This Friendly World
ANDY: Hi, Michael.
MICHAEL: Hi, Andy. Thanks for joining us. Do you
wanna ... you wanna sing a song together?
ANDY: Sure! Is it a sweet song?
MICHAEL: Yeah, it's real sweet.
ANDY: O.K.!
[They laugh.]
MICHAEL:
In this friendly, friendly world
With each day so full of joy
Why should any heart be lonely?
ANDY: My turn!
In this friendly, friendly world
With each night so full of dreams
Why should any heart be afraid?
The world is ...
MICHAEL ANDY:
... such a wonderful place
To wander through
When you've got someone you love
MICHAEL:
To wander along with you
ANDY: O.K., now take every second word! With ...
MICHAEL: ... the ...
ANDY: ... sky ...
MICHAEL: ... so ...
ANDY: ... full ...
MICHAEL: ... of ...
ANDY: ... stars
MICHAEL: And ...
ANDY: ... the ...
MICHAEL: ... river ...
ANDY: ... so ...
MICHAEL: ... full ...
ANDY: ... of ...
MICHAEL: ... song, Every ...
ANDY: ... heart ...
MICHAEL: ... should ...
ANDY: ... be ...
MICHAEL: ... so ...
ANDY: ... thankful
It's a friendly world! Don't you think so, Michael?
MICHAEL: Yup!
TONY: Oh yeah?! What's so friendly about it?!!
This is Tony Clifton, and, and I demand a part in
this song! I'm just as big a part of the movie as
these guys are! And, and I will not sit back while
some sought-after Colonel Kurtz wanna-be, uh, uh
has his day in the sun! I think he's enough

[...] Read more

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Shirley Sherrod

It was early Shirley learned,
She would be propelled to excell...
In the fight against the right,
For anyone to ignite...
Racial injustices.

Shirley told a story,
About her life!
Not to glorify the strife she faced.
But to eliminate misunderstandings to erase.
And edited her good deeds from a speech she made,
To entice a hatred meant...
By those who wished Shirley's descent.
Those who used deceit and...
Devilment.

For purposes to exclude,
Shirley's full and precise comments infused.

It was early Shirley learned,
She would be propelled to excell...
In the fight against the right,
For anyone to ignite...
Racial injustices.

Shirley intended to end,
Experiences with pointless discrimination some defend.
By using her position,
To effect better conditions.
But one sentence made and reported out of context,
Affected the influence to show Shirley at her best.
And she was fired!
Yes.
Because Shirley inspired.
Yes.
And those who supported Shirley,
Became upset and began to protest.

'We must overcome,
Those divisions some welcome.
We have to do this for ourselves.
Since where we are as a people...
Exposes a magnified sadness.
That documents a backward movement tracked.'

A fiasco started to discredit Shirley Sherrod,
With Black and White attacks...
That keep all strapped and attached to traps,
Must end!
Before the blindness of divisiveness...

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Carrie Ann

The Hollies
Carrie Anne
(Alan Clarke, Tony Hicks & Graham Nash)
Single release 1967
Doo-doo-roo-roo-doot-doot-doo-roo-roo
doo-d-doo-roo-doot-doot-doo-roo-roo
doo-
hey Carrie Anne
hey Carrie Anne
{Allan Clarke vocal:}
When we were at school our games were simple
I played the janitor you played a monitor.
Then you played with older boys and prefects.
What's the attraction in what they're doing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Tony Hicks vocal:}
You're always something special to me.
Quite independent, never caring.
You lost your charm as you were aging
Where is your magic dissappearing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Allan Clarke lead vocal:}
You're so, so like a woman to me
(so like a woman to me)
So (so) so like (so) a woman to me
So like a woman to me.
{interlude}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Graham Nash vocal:}
People live and learn but you're still learning
you use my mind and I'll be your teacher.
When the lesson's over you'll be with me
Then I'll hear the other people saying:
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
Carrie Anne (Carrie Anne, Carrie Anne)

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New

We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.

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La Fontaine

The Case Of Conscience

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,
And gave him pow'rs to call and name at will,
Like father Adam, with primordial skill.
Said he, go, names bestow that please the ear;
In ev'ry word let sweetest sound appear.
This ancient law then proves, by right divine,
WE oft are sponsors to the royal line.

WHEN pleasing tales and fables I endite,
I, who in humble verse presume to write,
May surely use this privilege of old,
And, to my fancy, appellations mould.
If I, instead of Anne, should Sylvia say,
And Master Thomas (when the case I weigh)
Should change to Adamas, the druid sage,
Must I a fine or punishment engage?
No, surely not:--at present I shall choose
Anne and the Parson for my tale to use.

WITHIN her village, Anne was thought the belle,
And ev'ry other charmer to excel.
As near a river once she chanced to stray,
She saw a youth in Nature's pure array,
Who bathed at ease within the gliding stream;
The girl was brisk, and worthy of esteem,
Her eyes were pleased; the object gave delight;
Not one defect could be produced in sight;
Already, by the shepherdess adored,
If with the belle to pleasing flights he'd soared,
The god of love had all they wished concealed
None better know what should not be revealed.
Anne nothing feared: the willows were her shade,
Which, like Venetian blinds, a cov'ring made;
Her eyes, howe'er, across had easy view,
And, o'er the youth, each beauty could pursue.

SHE back four paces drew, at first, through shame;

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G.K. Chesterton

To St. Michael in Time of Peace

Michael, Michael: Michael of the Morning,
Michael of the Army of the Lord,
Stiffen thou the hand upon the still sword, Michael,
Folded and shut upon the sheathed sword, Michael,
Under the fullness of the white robes falling,
Gird us with the secret of the sword.

When the world cracked because of a sneer in heaven,
Leaving out for all time a scar upon the sky,
Thou didst rise up against the Horror in the highest,
Dragging down the highest that looked down on the Most High:
Rending from the seventh heaven the hell of exaltation
Down the seven heavens till the dark seas burn:
Thou that in thunder threwest down the Dragon
Knowest in what silence the Serpent can return.

Down through the universe the vast night falling
(Michael, Michael: Michael of the Morning!)
Far down the universe the deep calms calling
(Michael, Michael: Michael of the Sword!)
Bid us not forget in the baths of all forgetfulness,
In the sigh long drawn from the frenzy and the fretfulness
In the huge holy sempiternal silence
In the beginning was the Word.

When from the deeps of dying God astounded
Angels and devils who do all but die
Seeing Him fallen where thou couldst not follow,
Seeing Him mounted where thou couldst not fly,
Hand on the hilt, thou hast halted all thy legions
Waiting the Tetelestai and the acclaim,
Swords that salute Him dead and everlasting
God beyond God and greater than His Name.

Round us and over us the cold thoughts creeping
(Michael, Michael: Michael of the battle-cry!)
Round us and under us the thronged world sleeping
(Michael, Michael: Michael of the Charge!)
Guard us the Word; the trysting and the trusting
Edge upon the honour and the blade unrusting
Fine as the hair and tauter than the harpstring
Ready as when it rang upon the targe.

He that giveth peace unto us; not as the world giveth:
He that giveth law unto us; not as the scribes:
Shall he be softened for the softening of the cities
Patient in usury; delicate in bribes?
They that come to quiet us, saying the sword is broken,
Break man with famine, fetter them with gold,
Sell them as sheep; and He shall know the selling

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To St. Micheal in Time of Peace

Michael, Michael: Michael of the Morning,
Michael of the Army of the Lord,
Stiffen thou the hand upon the still sword, Michael,
Folded and shut upon the sheathed sword, Michael,
Under the fullness of the white robes falling,
Gird us with the secret of the sword.


When the world cracked because of a sneer in heaven,
Leaving out for all time a scar upon the sky,
Thou didst rise up against the Horror in the highest,
Dragging down the highest that looked down on the Most High:
Rending from the seventh heaven the hell of exaltation
Down the seven heavens till the dark seas burn:
Thou that in thunder threwest down the Dragon
Knowest in what silence the Serpent can return.


Down through the universe the vast night falling
(Michael, Michael: Michael of the Morning!)
Far down the universe the deep calms calling
(Michael, Michael: Michael of the Sword!)
Bid us not forget in the baths of all forgetfulness,
In the sigh long drawn from the frenzy and the fretfulness
In the huge holy sempiternal silence
In the beginning was the Word.


When from the deeps of dying God astounded
Angels and devils who do all but die
Seeing Him fallen where thou couldst not follow,
Seeing Him mounted where thou couldst not fly,
Hand on the hilt, thou hast halted all thy legions
Waiting the Tetelestai and the acclaim,
Swords that salute Him dead and everlasting
God beyond God and greater than His Name.


Round us and over us the cold thoughts creeping
(Michael, Michael: Michael of the battle-cry!)
Round us and under us the thronged world sleeping
(Michael, Michael: Michael of the Charge!)
Guard us the Word; the trysting and the trusting
Edge upon the honour and the blade unrusting
Fine as the hair and tauter than the harpstring
Ready as when it rang upon the targe.


He that giveth peace unto us; not as the world giveth:
He that giveth law unto us; not as the scribes:

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The Lord of the Isles: Canto VI.

I.
O who, that shared them, ever shall forget
The emotions of the spirit-rousing time,
When breathless in the mart the couriers met,
Early and late, at evening and at prime;
When the loud cannon and the merry chime
Hail'd news on news, as field on field was won,
When Hope, long doubtful, soar'd at length sublime,
And our glad eyes, awake as day begun,
Watch'd Joy's broad banner rise, to meet the rising sun!
O these were hours, when thrilling joy repaid
A long, long course of darkness, doubts, and fears!
The heart-sick faintness of the hope delay'd,
The waste, the woe, the bloodshed, and the tears,
That track'd with terror twenty rolling years,
All was forgot in that blithe jubilee!
Her downcast eye even pale Affliction rears,
To sigh a thankful prayer, amid the glee,
That hail'd the Despot's fall, and peace and liberty!

Such news o'er Scotland's hills triumphant rode,
When 'gainst the invaders turn'd the battle's scale,
When Bruce's banner had victorious flow'd
O'er Loudoun's mountain, and in Ury's vale;
And fiery English blood oft deluged Douglas-dale,
And fiery Edward routed stout St. John,
When Randolph's war-cry swell'd the southern gale,
And many a fortress, town, and tower, was won,
And fame still sounded forth fresh deeds of glory done.

II.
Blithe tidings flew from baron's tower,
To peasant's cot, to forest-bower,
And waked the solitary cell,
Where lone Saint Bride's recluses dwell.
Princess no more, fair Isabel,
A vot'ress of the order now,
Say, did the rule that bid thee wear
Dim veil and wollen scapulare,
And reft thy locks of dark-brown hair,
That stern and rigid vow,
Did it condemn the transport high,
Which glisten'd in thy watery eye,
When minstrel or when palmer told
Each fresh exploit of Bruce the bold?-
And whose the lovely form, that shares
Thy anxious hopes, thy fears, thy prayers?
No sister she of convent shade;
So say these locks in lengthen'd braid,
So say the blushes and the sighs,

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Byron

The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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Vision of Judgment, The

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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Dear Michael

She wrote dear michael
Youll probably never get this letter
Michael, I wrote you a hundred times before
Knowing how I feel
Ill write a hundred more
Dear michael, every time your records on
(michael michael)
Michael, I close my eyes and sing along
Dreaming youre singing to me.
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
And then she wrote:
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
Michael, I love you
I held the tears back long as I can
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
Im sealing my feelings in this envelope
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
cause I wanna be more than just your number one fan
Im gonna answer your letter
(michael michael)
Ill start beginning with the abcs of loving you
(I love ya)
(she wrote)
(michael michael)
(I love ya)
Your letter really touched my heart
(she wrote)
Ive been dreaming of meeting the picture
That you send along, signed with all your love
(michael michael)
(I wrote ya)
(she wrote)
Im gonna write you back, ouuh, I promess you that
(wont you write me back? , please write me back)
Girl, I think I love you
(michael michael)
Hurry, hurry mister postman, take my letter, tell her I love her
(she wrote)
(wont you write me back, please write me back)
(michael michael)
(she wrote)
Hurry, hurry mister postman, take my letter tell her I love her
(wont you write me back, please write me back)
(michael michael)
Yeah,
(I wrote you)
(she wrote)
Im gonna write you back
I promess you that...

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The Brus Book XIII

[Douglas's division attacks]

Quhen thir twa fyrst bataillis wer
Assemblyt as I said you er,
The Stewart Walter that than was
And the gud lord als of Douglas
5 In a bataill, quhen that thai saw
The erle foroutyn dred or aw
Assembill with his cumpany
On all that folk sa sturdely
For till help him thai held thar way
10 And thar bataill in gud aray,
And assemblyt sa hardely
Besid the erle a litill by
That thar fayis feld thar cummyn wele,
For with wapynnys stalwart of stele
15 Thai dang apon with all thar mycht.
Thar fayis resavyt weile Ik hycht
With swerdis speris and with mase,
The bataill thar sa feloune was
And sua rycht gret spilling of blud
20 That on the erd the flousis stud.
The Scottismen sa weill thaim bar
And sua gret slauchter maid thai thar
And fra sa fele the lyvis revyt
That all the feld bludy wes levyt.
25 That tyme thar thre bataillis wer
All syd be sid fechtand weill ner,
Thar mycht men her mony dynt
And wapynnys apon armuris stynt,
And se tumble knychtis and stedis
30 And mony rich and reale wedis
Defoullyt foully under fete,
Sum held on loft sum tynt the suet.
A lang quhill thus fechtand thai war
That men na noyis mycht her thar,
35 Men hard nocht bot granys and dintis
That slew fyr as men slayis on flyntis,
Thai faucht ilk ane sa egerly
That thai maid nother moyis na cry
Bot dang on other at thar mycht
40 With wapnys that war burnyst brycht.
The arowys als sua thyk thar flaw
That thai mycht say wele that thaim saw
That thai a hidwys schour gan ma,
For quhar thai fell Ik undreta
45 Thai left efter thaim taknyng
That sall ned as I trow leching.

[Sir Robert Keith's cavalry disperses the English archers]

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Dr. Robert

Ring my friend I said you'd call Dr. Robert,
Day or night he'll be there anytime at all Dr. Robert.
Dr. Robert, your a new and better man,
He helps you to understand,
He does everything he can, Dr. Robert.
If your down he'll pick you up Dr. Robert,
Take a drink from his special cup Dr. Robert
Dr. Robert, he's a man you must believe,
Helping everyone in need,
No one can succeed like Dr. Robert
Well, well, well your feeling fine,
Well, well, well, he'll make you Dr. Robert
My friend works for the national health Dr. Robert,
Don't take money to see yourself with Dr. Robert
Dr. Robert, your a new and better man,
He helps you to understand,
He does everything he can Dr. Robert
Well, well, well, your feeling fine,
Well, well, well, he'll make you Dr. Robert
Ring my friend I said you'd call Dr. Robert (2x)
Dr. Robert!

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John Milton

Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

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Not at a Loss Chord - after Adelaide Anne Procter – A Lost Chord

Not at a Loss Chord

Playing one day with my organ,
I was blissful – not ill at ease -
while five fingers wandered wildly
web-cams recording each wheeze.

I know the spot vibrating,
less what I was dreaming then,
but I strummed with both will and spirit
and an “Oh My God! Amen! ”

Adrenaline flowed not vainly
from heart to crimson palm,
as it coursed both veins and spirit
with little akin to calm.

It quieted pain and sorrow,
like love overcoming strife;
it seem[en]ed orgasmic echo
to tune discordant life.

It linked all perplexèd meanings
into one perfect peace,
and trembled away into silence
although I was loth to cease.

I have sought, and I seek not vainly,
that one G spot divine,
which linked my soul to the organ
so manifestly mine.

La petite morte delightful
strikes shivering molten core,
as this little verse insightful
calls for en corps encore!


It may be that Death's bright angel
will speak in that chord again,
for it’s surely in seventh Heaven
one sings “Oh My God! Amen! ”


Parody Adelaide Anne PROCTER – A Lost Chord
8 April 2007

ROBIN Jonathan 1947_2006 robi3_1338_proc1_0001 PXY_MXX Not at a Loss Chord_Playing one day with my organ
A Lost Chord

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Henry Wadsworth Longfellow

Tales Of A Wayside Inn : Part 1. The Sicilian's Tale; King Robert of Sicily

Robert of Sicily, brother of Pope Urbane
And Valmond, Emperor of Allemaine,
Apparelled in magnificent attire,
With retinue of many a knight and squire,
On St. John's eve, at vespers, proudly sat
And heard the priests chant the Magnificat,
And as he listened, o'er and o'er again
Repeated, like a burden or refrain,
He caught the words, 'Deposuit potentes
De sede, et exaltavit humiles;'
And slowly lifting up his kingly head
He to a learned clerk beside him said,
'What mean these words?' The clerk made answer meet,
'He has put down the mighty from their seat,
And has exalted them of low degree.'
Thereat King Robert muttered scornfully,
''T is well that such seditious words are sung
Only by priests and in the Latin tongue;
For unto priests and people be it known,
There is no power can push me from my throne!'
And leaning back, he yawned and fell asleep,
Lulled by the chant monotonous and deep.

When he awoke, it was already night;
The church was empty, and there was no light,
Save where the lamps, that glimmered few and faint,
Lighted a little space before some saint.
He started from his seat and gazed around,
But saw no living thing and heard no sound.
He groped towards the door, but it was locked;
He cried aloud, and listened, and then knocked,
And uttered awful threatenings and complaints,
And imprecations upon men and saints.
The sounds reëchoed from the roof and walls
As if dead priests were laughing in their stalls.

At length the sexton, hearing from without
The tumult of the knocking and the shout,
And thinking thieves were in the house of prayer,
Came with his lantern, asking, 'Who is there?'
Half choked with rage, King Robert fiercely said,
'Open: 't is I, the King! Art thou afraid?'
The frightened sexton, muttering, with a curse,
'This is some drunken vagabond, or worse!'
Turned the great key and flung the portal wide;
A man rushed by him at a single stride,
Haggard, half naked, without hat or cloak,
Who neither turned, nor looked at him, nor spoke,
But leaped into the blackness of the night,
And vanished like a spectre from his sight.

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Gusto Nako Mahimo Kong Gary Soto

gusto nakong mosulat sama kang gary soto
kanang mora kog trabahante nga gadala anang
pala og piko kanang gakandos sa yuta og dayog
pangagho, kanang gahandom kos bulad nga sud-an
og humot kaayo nga mais nga luto og dayon og
inom sa bugnaw kaayong tubig gikan sa atabay,

gusto kong moadto sa uma og mosimhot sa mga
bulak sa iyang mga gapas, gusto nakong makita
ang iyang giingon nga pula kaayo nga adlaw nga
iyang gikumkom sa iyang palad, ganahan ko nga
mahimo kong gary soto, magtindog nga gary soto,
og molingkod nga gary soto, og modagan nga gary
soto, og moambak na gary soto, kadtong mokuyog
sa mga langgam nga namakwit paingon sa San
Francisco, kanang mora kog tubig sa kanal nga
mikuyog sa pagdagan sa hangin paingon sa mga
lugar nga dagko og sweldo ang hago nga trabaho,

apan dili man gyod nako makaya si gary soto,
mas nindot man gayod ang pagsulat ni gary
sa iyang mga pangagho, sa iyang mga kahiubos
og pagpalutos: dili gayod ako mahimong gary
soto, mao nga ako ania, mao lang gihapon sa
akong pagkaako niining akong mga balak sa
pag-eksperimento. Sagdi na lang, basin puhon
maawat ko ra si gary soto sa iyang pagkamaldito

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