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Kick, Kick, Kick.

When hurt kick,
When lonely kick,
When embaressed kick,
When happy kick,
When sad kick,
When nervous kick,
When laughing kick,
When crying kick,
When sick kick,
When playing kick,
When dead kick...
If you can!
I mean, what are those feet for?
Kick, kick, kick...
If you still can!

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Happy Happy birthday Sasha

Happy Happy birthday Sasha'

To the 'LOVELIEST SUPER MODEL IN THE WORLD'
with the most~
'DEFINED FLAWLESS FRAME'
let me say ~
happy happy birthday to you ~
i lift up my glass with a~
'LYRICAL Toast'
Just as 'SWEETLY WHOLESOME'
and 'NICELY GIVEN'
as to say to you ~
i hope you have a ~
happy happy birthday~
that only a 'FASCINATING MODEL'
like you can do ~
happy happy birthday ~
to a 'PERFECT BEAUTY'
as 'ONE OF A KIND, Attractive'
and 'EXQUISITELY LOVEY'
as 'Sasha Lace You'
-----------
'Happy Happy birthday JC'

To the 'SMOOTH, TALKING Chief'
with the most~
'HANDLE ON WHAT A WOMAN WANTS'
let me say ~
happy happy birthday to you ~
i lift up my glass with a~
'LYRICAL Toast'
just as 'DREAMY'
and 'CUTE'
as to say to you ~
i hope you have a ~
happy happy birthday~
that only a 'REAL, YOUNG MAN'
like you can do ~
happy happy birthday ~
to a 'LADY'S MAN'
as 'MAGNET' and 'CHARMING'
as 'JC THE BEST MAN FOR You'
-----------
Happy Happy Birthday ஐ ~•° VaLentiNe°•~ஐ '

To the 'LOVELY YOUNG LADY'
with the most~
'BEAUTIFUL, SWEET FACE'
let me say ~
happy happy birthday to you ~

[...] Read more

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Real Gone Lover

Im a real gone lover
Im hip, Im in the know
Im a real gone lover
Im hip, Im in the know
And if ya love me one time
Youll soon come back for more
Come over to my pad
Come over to my pad and play
Come over to my pad
Come over to my pad and play
Like the old saying goes
When sunshines, lets make hay
Well, Im a nervous fella (hes a nervous fella)
Im a nervous fella (hes a nervous fella)
Im a little-little nervous fella
(hes a nervous fella)
Im a little-little nervous fella
(hes a nervous fella)
Im a nervous fella
Dont make me wait all night
Im a real gone lover
Im hip, Im in the know
(sing it with me)
Im a real gone lover
Im hip, Im in the know
And if ya love me one time
Youll soon come back for more
(come on over babe)
Come over to my pad
Come over to my pad and play
(come on over)
Come over to my pad
Come over to my pad and play
(come over baby) (ooo, Im comin)
Like the old saying goes
When the sun shines, lets make hay, ha
Im a nervous fella (Im a real gone lover)
Im a nervous fella (ho, Im a real gone lover)
Im a n-n-n-nervous fella (and Im a real gone lover)
Im-m-m a n-n-n-nervous fella (and Im a real gone lover)
Im a nervous fella
So dont make me wait all night
(sing one more time)
Im a nervous fella
(hes a nervous fella)
Im a nervous fella
(and Im a real gone lover)
Im a n-n-n nervous fella
(ooo, hes a nervous fella)
Im a n-n-n nervous fella

[...] Read more

song performed by Van MorrisonReport problemRelated quotes
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Why Must I Be Sad?

No more mister nice guy
I love the dead
Ive been thinking about it
Now I understand what he said
Ask me now
I understand the words that alice said
I kick the rocks beneath me
I squint at the sun
Sad, sad, sad, sad
Why must I be sad?
The rows of dandelions growing all around me
Why must I be sad? (sad, sad, sad)
(sad, sad, sad)
No one knows these things but me and him
So Im writing everything down in a spiral notebook
In the hopes that one day
Other people will feel as low as this
Ask me now
I understand the words that alice said
I kick the rocks beneath me
I squint at the sun
Sad, sad, sad, sad
Why must I be sad?
The rows of dandelions growing all around me
Why must I be sad? (sad, sad, sad)
No more mister nice guy
I love the dead
Ive been thinking about it
Now I understand what he said
Ask me now
I understand the words that alice said
I kick the rocks beneath me
I squint at the sun
Sad, sad, sad, sad
Why must I be sad?
The rows of dandelions growing all around me
Why must I be sad? (welcome to my nightmare / dead)
Why must I be sad? (babies / raped and freezin / you)
Why must I be sad? (drive me nervous / elected /)
Why must I be sad? (generation landslide / un)
Why must I be sad? (der my wheels / muscle of love /)
Why must I be sad? (schools out / only women bleed /)
Why must I be sad? (billion dollar babies)
Why must I be sad? (sad, sad, sad)
(sad, sad, sad)
(sad, sad, sad)
(sad, sad)

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Baby, Stop Crying

You been down to the bottom with a bad man, babe,
But youre back where you belong.
Go get me my pistol, babe,
Honey, I cant tell right from wrong.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.
Go down to the river, babe,
Honey, I will meet you there.
Go down to the river, babe,
Honey, I will pay your fare.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.
If youre looking for assistance, babe,
Or if you just want some company
Or if you just want a friend you can talk to,
Honey, come and see about me.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.
You been hurt so many times
And I know what youre thinking of.
Well, I dont have to be no doctor, babe,
To see that youre madly in love.
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying, stop crying, stop crying
Baby, please stop crying.
You know, I know, the sun will always shine
So baby, please stop crying cause its tearing up my mind.

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Happy Happy birthday ☆ Toadluvinlady☆

Happy Happy birthday ☆ Toadluvinlady☆ '

To the 'LOVELY, TOAD LUV IN LADY'
with the most~
'COMPASSIONATE HEART'
let me say ~
happy happy birthday to you ~
i lift up my glass with a~
'LYRICAL toast'
just as 'BEAUTIFULLY WONDERFUL'
and 'SPONTANEOUSLY SWEET'
as to say to you ~
i hope you have a ~
happy happy birthday~
that only a
'INTELLIGENT ASPIRING POETRY WRITER'
like you can do ~
happy happy birthday ~
to a 'INDEPENDENT WOMEN'
as 'BEAUTIFUL, as WHEN SHE LAUGHING'
and as 'ACCOMPLISH as when SHE'S GIVING LOVE'
as '☆ Toadluvinlady☆ ' YOU

aka: lyricvixen
---------------------
'Happy Happy Birthday to roxy'

To the 'LOVELY MORNING STAR'
with the most
'TERRESTRIAL REFLECTIVE HEAVENLY BODY'
let me say ~
happy happy birthday to you ~
I lift up my glass with a~
'LYRICAL Toast'
just as 'MAGNETICALLY SWEET'
and 'UTTERLY ENCHANTING'
as to say to you ~
I hope you have a ~
happy happy birthday~
that only a 'Venus BABE'
like you can do ~
happy happy birthday ~
to a 'maximum, LITTLE LADY'
as 'BRIGHT'
and 'SURFACE LOVELY'
as 'ROXY, uwishuhadme24 YOU'

aka: lyricvixen
=================================== ===========
'Happy Happy Birthday Brandon'

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Dear Miss Lonely Hearts

Dear miss lonely hearts
I had to write this letter
To tell you how i came to meet her
She was sweet but i dated her sister
That's how i made my mistake
And i can't forget her
I felt depressed
Till a friend of mine suggested
That i write to this address
So unless you can find a cure
For my loneliness
It will persist, it will persist
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear lonely boy
I doubt if my reply
Will bring much joy
It seems from your letter that you lied
Or strongly implied
That you were satisfied
To take her sister by your side
I became distressed
At your total lack of tactfulness
So at best
All i can suggest
Is that you resist
And you put an end
To such thoughts of silliness
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear miss lonely hearts
I've got problems
You're the only one i know that can solve them
I love a girl but i'm dating her sister
And if i persist in my pursuit i will kiss her
Dear lonely girl
I doubt if this reply will bring much joy
But you must not trust this boy

[...] Read more

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Dear Miss Lonely Hearts- Lynott

Dear miss lonely hearts
I had to write this letter
To tell you how i came to meet her
She was sweet but i dated her sister
That's how i made my mistake
And i can't forget her
I felt depressed
Till a friend of mine suggested
That i write to this address
So unless you can find a cure
For my loneliness
It will persist, it will persist
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear lonely boy
I doubt if my reply
Will bring much joy
It seems from your letter that you lied
Or strongly implied
That you were satisfied
To take her sister by your side
I became distressed
At your total lack of tactfulness
So at best
All i can suggest
Is that you resist
And you put an end
To such thoughts of silliness
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear miss lonely hearts
I've got problems
You're the only one i know that can solve them
I love a girl but i'm dating her sister
And if i persist in my pursuit i will kiss her
Dear lonely girl
I doubt if this reply will bring much joy
But you must not trust this boy

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Dear Miss Lonely Hearts

Dear miss lonely hearts
I had to write this letter
To tell you how i came to meet her
She was sweet but i dated her sister
That's how i made my mistake
And i can't forget her
I felt depressed
Till a friend of mine suggested
That i write to this address
So unless you can find a cure
For my loneliness
It will persist, it will persist
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear lonely boy
I doubt if my reply
Will bring much joy
It seems from your letter that you lied
Or strongly implied
That you were satisfied
To take her sister by your side
I became distressed
At your total lack of tactfulness
So at best
All i can suggest
Is that you resist
And you put an end
To such thoughts of silliness
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear miss lonely hearts
I've got problems
You're the only one i know that can solve them
I love a girl but i'm dating her sister
And if i persist in my pursuit i will kiss her
Dear lonely girl
I doubt if this reply will bring much joy
But you must not trust this boy

[...] Read more

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Dear Miss Lonely Hearts- Lynott

Dear miss lonely hearts
I had to write this letter
To tell you how i came to meet her
She was sweet but i dated her sister
That's how i made my mistake
And i can't forget her
I felt depressed
Till a friend of mine suggested
That i write to this address
So unless you can find a cure
For my loneliness
It will persist, it will persist
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear lonely boy
I doubt if my reply
Will bring much joy
It seems from your letter that you lied
Or strongly implied
That you were satisfied
To take her sister by your side
I became distressed
At your total lack of tactfulness
So at best
All i can suggest
Is that you resist
And you put an end
To such thoughts of silliness
Lonely boy
Looking for another
Lonely girl
To love one another
Lonely hearts
Turn to each other
Lonely souls
Lonely souls
Dear miss lonely hearts
I've got problems
You're the only one i know that can solve them
I love a girl but i'm dating her sister
And if i persist in my pursuit i will kiss her
Dear lonely girl
I doubt if this reply will bring much joy
But you must not trust this boy

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

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Who Hurts Whom?

Hurt, is that lesson of life,
Perfect pool of Imperfects,

A kid may get hurt
Or may hurt its parents too
its parents may hurt
Or may hurt their kid too,

A brother may get hurt,
or he may hurt brothers and sisters too,
Sister gets hurt
Or she may hurt her brothers and sisters too,

Mother gets hurt or she my may hurt father too.
Father may get hurt Or may hurt mother too,

A friend gets hurt
Or may hurt his friend too!
A lover get hurts, or may hurt one's lover too,

Teacher may gets hurt
Or may hurt student too
Student gets hurt Or he may hurt his teacher too,

Life is a pool of Imperfects
And only Imperfects can perfect life,
And life is that greatest class room,
Where the greatest and perfect teacher teaches perfect lessons,

But life when teaches, we just close the chapter,
'saying it is our fate! '

Is it true that one has to hurt others to make his living?
Living a life, and make a Living aren't the differ?

People are determined to build life than live a life,
Where one may hurt others,

This the story of Buddha asking kisa Gouthami ' I will save your child, but bring handful of mustard from a home where death not entered! '

This is the story,
'I will heal your hurts, if you can bring some dust of a man's feet, whoever neither got hurt nor hurt others! '

Life a that teaches and hurt is that lesson,
Which shows the one who hurts is Imperfect than who gets hurt,
Both are still imperfect,
The one got hurt is more imperfect,
And he is the one who hurts himself,
by his desires and expectations,
He is the one who gives chance to others to hurt,

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