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Spread

Cast: Ashton Kutcher, Anne Heche, Margarita Levieva, Sebastian Stan, Sonia Rockwell

trailer for Spread, directed by David Mackenzie, screenplay, inspired by Jason Dean Hall (2009)Report problemRelated quotes
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Allegany Camp

amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
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amazing love jeremy camp
amazing place chalet pigeon forge
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amazon camp dutch lodge oven
amazon camp in sweetwater missouri
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amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
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amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
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ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
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amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

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Carrie Ann

The Hollies
Carrie Anne
(Alan Clarke, Tony Hicks & Graham Nash)
Single release 1967
Doo-doo-roo-roo-doot-doot-doo-roo-roo
doo-d-doo-roo-doot-doot-doo-roo-roo
doo-
hey Carrie Anne
hey Carrie Anne
{Allan Clarke vocal:}
When we were at school our games were simple
I played the janitor you played a monitor.
Then you played with older boys and prefects.
What's the attraction in what they're doing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Tony Hicks vocal:}
You're always something special to me.
Quite independent, never caring.
You lost your charm as you were aging
Where is your magic dissappearing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Allan Clarke lead vocal:}
You're so, so like a woman to me
(so like a woman to me)
So (so) so like (so) a woman to me
So like a woman to me.
{interlude}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Graham Nash vocal:}
People live and learn but you're still learning
you use my mind and I'll be your teacher.
When the lesson's over you'll be with me
Then I'll hear the other people saying:
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
Carrie Anne (Carrie Anne, Carrie Anne)

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New

We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.

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La Fontaine

The Case Of Conscience

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,
And gave him pow'rs to call and name at will,
Like father Adam, with primordial skill.
Said he, go, names bestow that please the ear;
In ev'ry word let sweetest sound appear.
This ancient law then proves, by right divine,
WE oft are sponsors to the royal line.

WHEN pleasing tales and fables I endite,
I, who in humble verse presume to write,
May surely use this privilege of old,
And, to my fancy, appellations mould.
If I, instead of Anne, should Sylvia say,
And Master Thomas (when the case I weigh)
Should change to Adamas, the druid sage,
Must I a fine or punishment engage?
No, surely not:--at present I shall choose
Anne and the Parson for my tale to use.

WITHIN her village, Anne was thought the belle,
And ev'ry other charmer to excel.
As near a river once she chanced to stray,
She saw a youth in Nature's pure array,
Who bathed at ease within the gliding stream;
The girl was brisk, and worthy of esteem,
Her eyes were pleased; the object gave delight;
Not one defect could be produced in sight;
Already, by the shepherdess adored,
If with the belle to pleasing flights he'd soared,
The god of love had all they wished concealed
None better know what should not be revealed.
Anne nothing feared: the willows were her shade,
Which, like Venetian blinds, a cov'ring made;
Her eyes, howe'er, across had easy view,
And, o'er the youth, each beauty could pursue.

SHE back four paces drew, at first, through shame;

[...] Read more

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Not at a Loss Chord - after Adelaide Anne Procter – A Lost Chord

Not at a Loss Chord

Playing one day with my organ,
I was blissful – not ill at ease -
while five fingers wandered wildly
web-cams recording each wheeze.

I know the spot vibrating,
less what I was dreaming then,
but I strummed with both will and spirit
and an “Oh My God! Amen! ”

Adrenaline flowed not vainly
from heart to crimson palm,
as it coursed both veins and spirit
with little akin to calm.

It quieted pain and sorrow,
like love overcoming strife;
it seem[en]ed orgasmic echo
to tune discordant life.

It linked all perplexèd meanings
into one perfect peace,
and trembled away into silence
although I was loth to cease.

I have sought, and I seek not vainly,
that one G spot divine,
which linked my soul to the organ
so manifestly mine.

La petite morte delightful
strikes shivering molten core,
as this little verse insightful
calls for en corps encore!


It may be that Death's bright angel
will speak in that chord again,
for it’s surely in seventh Heaven
one sings “Oh My God! Amen! ”


Parody Adelaide Anne PROCTER – A Lost Chord
8 April 2007

ROBIN Jonathan 1947_2006 robi3_1338_proc1_0001 PXY_MXX Not at a Loss Chord_Playing one day with my organ
A Lost Chord

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Annes Song

hey! what? ? oh nothing, just wondering why it is youre doing
That whatever it is youre doing. oh yeah, why? I dunno it just
Doesnt seem like something ]youd[ be doing thats all ]you[ of all
People, know what I mean? yeah I know its been bugging you since the
Day I was born, huh? I asked my friend anne about it. I said, anne,
Anne, anne, what am I supposed to do, its been bugging them since the
Day that I was born. she said do whatever the hell you want to do!
Now is the time to do whatever you want, and it will still turn out
Great. youve got the world at your feet.
I never claimed to be different, I only said I was bored and shes
Tired of your uniqueness, it sends her over head first then the rest
Of her follows, the breath of life, it never left her hollow...
I can do everything, she said, she said with a smile.
And I can go anywhere tonight, cause Im with anne.
Anne, anne, who? anne dagnabit island princess queen with the juice
Whats this? I see she brought her whole uplown contingent. first theres
Jon e., he always loves a party, hes followed by vinnie, whos feelin
Kinda skinny, he says hey anne Im starved what you got to eat, she
Says vinnie youre always starving man get away from that fridge!
Here comes lucy, shes feelin really sexy, shes followed by her
Boyfriend, whod better not turn around, this time, or hes bound to lose
Her, and here comes jamilla, whos got the cream soda...
I can do everything, she said, she said with a smile
And I can go anywhere tonight, cause Im with anne

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One Leg Anne and the Innocent Flirt.

Sister Mary pushed Anne
in her wheelchair
to the white table
where you were sitting

with Lydia Sad
and Malcolm
and a curly headed girl
with burn scars

on her face and neck
there
said the nun
here you can sit

and wait for breakfast
and catch the morning sun
Anne looked glumly
at the sky

and said nothing
as the nun
walked away
I wonder

what's for breakfast?
Malcolm asked
stewed cat on toast
Anne said

looking at Lydia Sad
whose blonde hair
and blue eyes
gave her

an angelic look
that's horrible
the girl with burn scars said
don't eat it then

Anne said
Malcolm looked at you
it wouldn't be that
would it?

He asked
no
you said
Anne's just having you on

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George Meredith

Archduchess Anne

1--I

In middle age an evil thing
Befell Archduchess Anne:
She looked outside her wedding-ring
Upon a princely man.

II

Count Louis was for horse and arms;
And if its beacon waved,
For love; but ladies had not charms
To match a danger braved.

III

On battlefields he was the bow
Bestrung to fly the shaft:
In idle hours his heart would flow
As winds on currents waft.

IV

His blood was of those warrior tribes
That streamed from morning's fire,
Whom now with traps and now with bribes
The wily Council wire.

V

Archduchess Anne the Council ruled,
Count Louis his great dame;
And woe to both when one had cooled!
Little was she to blame.

VI

Among her chiefs who spun their plots,
Old Kraken stood the sword:
As sharp his wits for cutting knots
Of babble he abhorred.

VII

He reverenced her name and line,
Nor other merit had
Save soldierwise to wait her sign,
And do the deed she bade.

VIII

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Hans Christian Andersen

Stakkels Mary Anne

Under Gravens Græstørv sover
Stakkels Mary Anne!
Piger, kom kun! græder over
Stakkels Mary Anne!
Falsk var han, som tro hun troede,
Slangen sig om Hjertet snoede,
Fred ei meer paa Jorden boede, -
Stakkels Mary Anne!

Bleg blev Kinden, Smilet døde,
Stakkels Mary Anne!
Hele Verden syntes øde,
Stakkels Mary Anne!
Nær ved Kilden under Borgen,
Hvor han ikke kom hiin Morgen,
Stod hun, Billedet paa Sorgen,
Stakkels Mary Anne!

Haabet holdt hun til det sidste,
Stakkels Mary Anne!
Men saa maatte Hjertet briste,
Stakkels Mary Anne!
Over Ungdom, Skjønhed, Glæde
Breder Gravens Græs sit Klæde,
Egnens Piger Dig begræde,
Stakkels Mary Anne!

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A Ducktail Called Stan

There was a man they called Stan the ducktail,
a well build biker with very long hair,
his real name could have been Sam
or Dick or Dirk
no one really still knows
but he carried chains
and knuckle-dusters
that he used as fighting tools
(and sometimes his bare fists did the thing)
whenever a game of cards, pool, snooker
or even darts did not go straight
he took a swing

and rumour had it that he had even
knocked some cops through shop windows,
had send them straight to hospital
he was a hippie in the time
that free love and marijuana
was in some circles acceptable

and this bloke had many friends,
a gang full of them
that used to party with him
with chicks near Brakpan dam
drinking champagne, beer and cane,
or whatever liquor
they could lay their hands on

and to all the schoolboys Stan
was the man, the archetype
of what they wanted to become
what they used to call:
“a mean fighting machine, ”

and some parents did not want them
to associate with what they called
ducktail scum, even went as far
as warning the kids in the Sunday school
against Stan, hippies and ducktails in general
and to live a honest respectable life
and held a prayer meeting
where they begged God to intervene
in the life of Stan
and to this day they believe that He did

and one day just to have some fun
Stan was breaking shop windows
in the main street, waiting on the police
to come and meet him
with drawn batons and fists

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Margarita

Margarita, ah
Margarita, ah
Ooh
It was in pittsburgh late one night
I lost my hat, got into a fight
I rolled and tumbled till I saw the light
Went to the big apple, took a bite
Still the sun went down your way
Down from the blue into the gray
Where I stood I saw you walk away
You danced away
I asked her what were gonna do tonight
She said cahuenga langa-langa-shoe box soup
We better keep tryin till we get it right
Tala mala sheela jaipur dhoop
She wrote a long letter on short piece of paper
Oh margarita dont stay away too long
Come on home
Oh margarita dont say you will when you wont
Margarita

song performed by George HarrisonReport problemRelated quotes
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Besos De Fuego

Sera tu boca que me provoca
Sera tu forma de besar
Un fuego eterno, un dulce infierno
Que me hace mil veces pecar
Es brujeria tu boca y la mia
Y vuelvo cada vez por mas
Besos sin sabores
Me llevan, vienen y van
Besos de mil colores
Que al cielo me hacen llegar
Sabe sabe a margarita
Sabe sabe a caramelo
Saben saben a la gloria
Tus besos son besos de fuego
Sabe sabe a margarita
Sabe sabe a caramelo
Saben saben a la gloria
Tus besos son besos de fuego
Que sabe que sabe
Pero que sabe que sabe (Caramelo)
Pero que sabe que sabe (Besos de fuego)
Dame uno arriba, dame otro abajo
Dame entero tu besar
Mujer melao, estoy enamorao
Ya no me hagas esperar
Es brujeria tu boca y la mia
Y vuelvo cada vez por mas
Besos sin sabores
Me llevan, vienen y van
Besos de mil colores
Que al cielo me hacen llegar
Sabe sabe a margarita
Sabe sabe a caramelo
Saben saben a la gloria
Tus besos son besos de fuego
Sabe sabe a margarita
Sabe sabe a caramelo
Saben saben a la gloria
Tus besos son besos de fuego
Dame dame de eso de tu boca (que me mata y me provoca)
Mamita peca en mi cielo (ay ay ay que me muero)
Dame dame de eso de tu boca (que me mata y me provoca)
Mamita ven que algo quiero (ay ay ay que me muero)
Sabe sabe a margarita
Sabe sabe a caramelo
Saben saben a la gloria
Porque son besos de fuego...
Dame dame de eso de tu boca
Mamita peca en mi cielo
Dame dame de eso de tu boca

[...] Read more

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Margarita

Traveling wilburys
Margarita, ah
Margarita, ah
Ooh
It was in pittsburgh late one night
I lost my hat, got into a fight
I rolled and tumbled till I saw the light
Went to the big apple, took a bite
Still the sun went down your way
Down from the blue into the gray
Where I stood I saw you walk away
You danced away
I asked her what were gonna do tonight
She said cahuenga langa-langa-shoe box soup
We better keep tryin till we get it right
Tala mala sheela jaipur dhoop
She wrote a long letter on short piece of paper
Oh margarita dont stay away too long
Come on home
Oh margarita dont say you will when you wont
Margarita

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Mary-anne With The Shaky Hands

I danced with linda
I danced with linda
I danced with jean
I danced with jean
I danced with cindy
I danced with cindy
Then I suddenly see
Then I suddenly see
Mary-anne with the shaky hands
Mary-anne with the shaky hands
What theyve done to her man
What theyve done to her man
Those shaky hands
Those shaky hands
Mary is so pretty
Mary is so pretty
The prettiest in the land
The prettiest in the land
Guys come from every city
Guys come from every city
Just to shake her shaky hands
Just to shake her shaky hands
Linda can cook
Linda can cook
Jean reads books
Jean reads books
Cindy can sew
Cindy can sew
But Id rather know
But Id rather know
Mary-anne with the shaky hands
Mary-anne with the shaky hands
What theyve done to her man
What theyve done to her man
Those shaky hands
Those shaky hands
Mary-anne with the shaky hands
Mary-anne with the shaky hands
What theyve done to her man
What theyve done to her man
Those shaky hands
Those shaky hands
Mary-anne with the shaky hands
Mary-anne with the shaky hands
What theyve done to her man
What theyve done to her man
Those shaky hands
Those shaky hands

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Taylor's song

For joys the hours of earth bestow
With sorrow thou must pay.
Though many follow close, yet know,
They're loaned but for a day.
With sighing in thy laughter's stead
Shall come a time of grief,
The load of usury bow thy head,
With loss of thy belief.
Mary Anne, Mary Anne,
Mary Anne, Mary Anne,
Hadst thou not smiled upon me, thou,
I were not weeping now.

May God help him who never can
Give only half his soul;
The time comes surely for that man
To take the sorrow whole.
May God help him who was so glad,
That he cannot forget,
Help him who lost the all he had,
But not his reason yet.
Mary Anne, Mary Anne,
Mary Anne, Mary Anne,
The flowers that my life had grown,
Died out when thou went gone.

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Ghost Train

We were off to visit the Carnival,
Me, George and Julie Anne,
George was our mother's boyfriend,
(Though in fact, he was a man!)
I was seven and Julie six
And our Mum waved us goodbye,
She said she had some shopping to do
Told Julie not to cry!

George looked up to the heavens with
His fake, long-suffering grin,
For Julie cried a helluva lot,
She couldn't keep it in,
He took us down on the bus that night
There wasn't room to park,
The evening stars were coming out
It was getting kinda dark.

We saw the lights of the Carnival
And Julie's face lit up,
There were lots of rides and coconut shies
And Julie rode in a duck,
While George and I on the rifle range
Picked off some metal bears,
That raced across at the back, stood up,
Then fell to the pellets there.

There were clowns and men with megaphones,
And Chili Dogs with cheese,
And plenty of fluffy candy floss
That Julie stuck to her knees,
There was soda pop at this little shop
And we ate and drank our fill,
While George went up on a flying fox
And he said: ‘Now you be still! '

The evening mist came down at last
And George said we should go,
For Julie Anne was ready for bed
But I said, ‘Can't we go? '
I pointed over the other side
Where a stall was draped in black,
With a skeleton painted on the front
Near a man with a bowler hat.

The sign had said ‘The Ghost Train'
And it looked all creepy, too,
With little cars that rumbled along
With room on them for two,
So George went over and paid the man

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Lady Anne

I

Dear lady Anne
I had you once
and then had you lost
as if you were never meant to be
only mine.

II

Sweet lady Anne
how you could
make your lips glow
and bind your auburn hair
at times in a bow.

III

And, lady Anne
who else could make sparks jump
between the two of us
and knew me better
than I myself.

IV

When, lady Anne
your lips met mine
they were much sweeter than wine
and passion raged for much more
but life swept you away
sweet lady Anne.

V

Ay, lady Anne
how swift has life passed us bye
and years is spent
and time just went on its own way
and you were a fine wife
to someone else,

VI

but lady Anne
the things that lie between
the two of us
remains as long
as our lives last.

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Misty Water

By the town of straight and narrow,
Theres a dark and misty place.
Everything is hazy,
So the people are afraid.
All except marias daughters,
Who believe in misty ways.
Everything is lovely,
In a misty morning glaze.
I like misty water,
I like fog and haze.
Anne maria and her daughters,
They like misty water.
I like misty water,
I like fog and haze.
Anne maria and her daughters,
Take a sip of misty water.
Though maria is not lovely,
Shes the lady of my dreams.
cause I see my lady,
Through a misty, silky screen.
And seeing is believing,
But I cant believe my eyes.
Everything is lovely,
In a misty paradise.
I like misty water,
I like fog and haze.
Anne maria and her daughters,
They like misty water.
They like misty water,
I like fog and haze.
Anne maria and her daughters,
Take a sip of misty water.
I like misty water,
I like fog and haze.
Anne maria and her daughters,
They like misty water.
They like misty water,
I like fog and haze.
Anne maria and her daughters,
They like misty water.
I like misty water,
I like fog and haze.
Anne maria and her daughters...

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The Weigh In

It was Friday evening
the time for being weighed
before bath in the nursing home
and Anne was standing

behind you in the queue of kids
leaning on her crutch
the stump of her leg
just visible beneath

her short red skirt
and she whispered to you
how much do you weigh Skinny Kid?
I don't know

you replied
maybe 84lbs
she snorted 84lbs?
my pussy weighs more than that

she whispered
her warm breath
on your ear
the kids in front of you

moved up and Monica
the girl with burn scars
climbed off
the weighing scales

what do you weigh Scarface?
Anne called out
don't be cruel Anne
the nurse near the scales said

oops sorry nurse
it just slipped out
Anne said
(so the bishop said

to the actress
Anne whispered
in your ear)
after a few more kids

got on and off
the scales after
being weighed
it was your turn

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Slender's Ghost

Vide Shakspeare.

Beneath a churchyard yew,
Decay'd and worn with age,
At dusk of eve methought I spied
Poor Slender's Ghost, that whimpering cried,
'O sweet! O sweet Anne Page!'

Ye gentle Bards! give ear,
Who talk of amorous rage,
Who spoil the lily, rob the rose,
Come learn of me to weep your woes:
'O sweet! O sweet Anne Page!'

Why should such labour'd strains
Your formal Muse engage?
I never dreamt of flame or dart,
That fired my breast or pierced my heart,
But sigh'd, 'O sweet Anne Page!'

And you! whose lovesick minds
No med'cine can assuage,
Accuse the leech's art no more,
But learn of Slender to deplore;
'O sweet! O sweet Anne Page!'

And ye! whose souls are held,
Like linnets in a cage;
Who talk of fetters, links, and chains,
Attend and imitate my strains;
'O sweet! O sweet Anne Page!'

And you! who boast or grieve,
What horrid wars ye wage,
Of wounds received from many an eye,
Yet mean as I do, when I sigh,
'O sweet! O sweet Anne Page!'

Hence every fond conceit
Of shepherd or of sage;
'Tis Slender's voice, 'tis Slender's way,
Expresses all you have to say,
'O sweet! O sweet Anne Page!'

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