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Bride Wars

Cast: Kate Hudson, Anne Hathaway, Bryan Greenberg, Chris Pratt, Steve Howey, Candice Bergen, Kristen Johnston

trailer for Bride Wars, directed by Gary Winick (2009)
Added by anonym
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Allegany Camp

amazing grace circus camp
amazing grace day camp
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amazing place chalet pigeon forge
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ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
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amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
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ambleside scotland school camp
ambon pow camp
ambor island pow camp
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ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
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amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
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amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

[...] Read more

poem by Rwetewrt Erwtwer
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Bryan, Bryan, Bryan, Bryan

I

In a nation of one hundred fine, mob-hearted, lynching, relenting, repenting millions,
There are plenty of sweeping, swinging, stinging, gorgeous things to shout about,
And knock your old blue devils out.

I brag and chant of Bryan, Bryan, Bryan, Bryan,
Candidate for president who sketched a silver Zion,
The one American Poet who could sing outdoors,
He brought in tides of wonder, of unprecedented splendor,
Wild roses from the plains, that made hearts tender,
All the funny circus silks
Of politics unfurled,
Bartlett pears of romance that were honey at the cores,
And torchlights down the street, to the end of the world.

There were truths eternal in the gap and tittle-tattle.
There were real heads broken in the fustian and the rattle.
There were real lines drawn:
Not the silver and the gold,
But Nebraska's cry went eastward against the dour and old,
The mean and cold.

It was eighteen ninety-six, and I was just sixteen
And Altgeld ruled in Springfield, Illinois,
When there came from the sunset Nebraska's shout of joy:
In a coat like a deacon, in a black Stetson hat
He scourged the elephant plutocrats
With barbed wire from the Platte.
The scales dropped from their mighty eyes.
They saw that summer's noon
A tribe of wonders coming
To a marching tune.

Oh the longhorns from Texas,
The jay hawks from Kansas,
The plop-eyed bungaroo and giant giassicus,
The varmint, chipmunk, bugaboo,
The horn-toad, prairie-dog and ballyhoo,
From all the newborn states arow,
Bidding the eagles of the west fly on,
Bidding the eagles of the west fly on.
The fawn, prodactyl, and thing-a-ma-jig,
The rackaboor, the hellangone,
The whangdoodle, batfowl and pig,
The coyote, wild-cat and grizzly in a glow,
In a miracle of health and speed, the whole breed abreast,
The leaped the Mississippi, blue border of the West,
From the Gulf to Canada, two thousand miles long:-
Against the towns of Tubal Cain,

[...] Read more

poem by Vachel Lindsay
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Baby Kate

Kate closes the door
falls to her bedroom floor
kate cant even stand
the results in her hand

Kate closes her eyes
sees happiness she tries
to see a new world
but theres a worried girl

A girl stood staring
showing concern, caring
her heart is broken
looks up her eyes open

Kate picks herself up
a nightmare kate is shook
sees her reflection
then she asks a question

Can i get through this?
it was also her whish
can this pain be gone?
but kate doesnt respond

Puts on her lipstick
she had been feeling sick
so she took the test
kates chronicaly depressed

Posative results
kate took many insults
through out her life time
now isnt the right time

A jobs on the way
to give kate better pay
but kate can not work
it is over for her

Kate sits in her room
mayby a baby soon
kates next door neighber
kates neighbers in laber

Kates neighbers baby
is so small its crazy
the test was posative
kate never had a kid

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poem by Daniel McCann
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Malcolm's Katie: A Love Story - Part IV.

From his far wigwam sprang the strong North Wind
And rush'd with war-cry down the steep ravines,
And wrestl'd with the giants of the woods;
And with his ice-club beat the swelling crests.
Of the deep watercourses into death,
And with his chill foot froze the whirling leaves
Of dun and gold and fire in icy banks;
And smote the tall reeds to the harden'd earth;
And sent his whistling arrows o'er the plains,
Scatt'ring the ling'ring herds--and sudden paus'd
When he had frozen all the running streams,
And hunted with his war-cry all the things
That breath'd about the woods, or roam'd the bleak
Bare prairies swelling to the mournful sky.
'White squaw,' he shouted, troubl'd in his soul,
'I slew the dead, wrestl'd with naked chiefs
'Unplum'd before, scalped of their leafy plumes;
'I bound sick rivers in cold thongs of death,
'And shot my arrows over swooning plains,
'Bright with the Paint of death--and lean and bare.
'And all the braves of my loud tribe will mock
'And point at me--when our great chief, the Sun,
'Relights his Council fire in the moon
'Of Budding Leaves.' 'Ugh, ugh! he is a brave!
'He fights with squaws and takes the scalps of babes!
'And the least wind will blow his calumet--
'Fill'd with the breath of smallest flow'rs--across
'The warpaint on my face, and pointing with
'His small, bright pipe, that never moved a spear
'Of bearded rice, cry, 'Ugh! he slays the dead!'
'O, my white squaw, come from thy wigwam grey,
'Spread thy white blanket on the twice-slain dead;
'And hide them, ere the waking of the Sun!'

* * * * *

High grew the snow beneath the low-hung sky,
And all was silent in the Wilderness;
In trance of stillness Nature heard her God
Rebuilding her spent fires, and veil'd her face
While the Great Worker brooded o'er His work.

* * * * *

'Bite deep and wide, O Axe, the tree,
What doth thy bold voice promise me?'

* * * * *

'I promise thee all joyous things,

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poem by Isabella Valancy Crawford
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Carrie Ann

The Hollies
Carrie Anne
(Alan Clarke, Tony Hicks & Graham Nash)
Single release 1967
Doo-doo-roo-roo-doot-doot-doo-roo-roo
doo-d-doo-roo-doot-doot-doo-roo-roo
doo-
hey Carrie Anne
hey Carrie Anne
{Allan Clarke vocal:}
When we were at school our games were simple
I played the janitor you played a monitor.
Then you played with older boys and prefects.
What's the attraction in what they're doing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Tony Hicks vocal:}
You're always something special to me.
Quite independent, never caring.
You lost your charm as you were aging
Where is your magic dissappearing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Allan Clarke lead vocal:}
You're so, so like a woman to me
(so like a woman to me)
So (so) so like (so) a woman to me
So like a woman to me.
{interlude}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Graham Nash vocal:}
People live and learn but you're still learning
you use my mind and I'll be your teacher.
When the lesson's over you'll be with me
Then I'll hear the other people saying:
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
Carrie Anne (Carrie Anne, Carrie Anne)

song performed by Hollies
Added by Lucian Velea
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New

We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.

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poem by Gertrude Stein
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The Case Of Conscience

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,
And gave him pow'rs to call and name at will,
Like father Adam, with primordial skill.
Said he, go, names bestow that please the ear;
In ev'ry word let sweetest sound appear.
This ancient law then proves, by right divine,
WE oft are sponsors to the royal line.

WHEN pleasing tales and fables I endite,
I, who in humble verse presume to write,
May surely use this privilege of old,
And, to my fancy, appellations mould.
If I, instead of Anne, should Sylvia say,
And Master Thomas (when the case I weigh)
Should change to Adamas, the druid sage,
Must I a fine or punishment engage?
No, surely not:--at present I shall choose
Anne and the Parson for my tale to use.

WITHIN her village, Anne was thought the belle,
And ev'ry other charmer to excel.
As near a river once she chanced to stray,
She saw a youth in Nature's pure array,
Who bathed at ease within the gliding stream;
The girl was brisk, and worthy of esteem,
Her eyes were pleased; the object gave delight;
Not one defect could be produced in sight;
Already, by the shepherdess adored,
If with the belle to pleasing flights he'd soared,
The god of love had all they wished concealed
None better know what should not be revealed.
Anne nothing feared: the willows were her shade,
Which, like Venetian blinds, a cov'ring made;
Her eyes, howe'er, across had easy view,
And, o'er the youth, each beauty could pursue.

SHE back four paces drew, at first, through shame;

[...] Read more

poem by La Fontaine
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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

[...] Read more

poem by Isabella Valancy Crawford
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The Fortune-Teller, a Gypsy Tale

LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!

KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!

STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.

STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!

Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!

KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,

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poem by Mary Darby Robinson
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The Daft Days

The midnight hour is clinking, lads,
An' the douce an' the decent are winking, lads;
Sae I tell ye again,
Be't weel or ill ta'en,
It's time ye were quatting your drinking, lads.
Gae ben, 'an mind your gauntry, Kate,

Gi'es mair o' your beer, an' less bantry, Kate,
For we vow, whaur we sit,
That afore we shall flit,
We'se be better acquaint wi' your pantry, Kate.
The "daft days" are but beginning, Kate,

An we're sworn. Would you hae us a sinning, Kate?
By our faith an' our houp,
We will stick by the stoup
As lang as the barrel keeps rinning, Kate.

Thro' hay, an' thro' hairst, sair we toil it, Kate,
Thro' Simmer, an' Winter, we moil it, Kate;
Sae ye ken, whan the wheel
Is beginning to squeal,
It's time for to grease an' to oil it, Kate.

Sae draw us anither drappy, Kate,
An' gie us a cake to our cappy, Kate;
For, by spiggot an' pin!
It's waur than a sin
To flit when we're sitting sae happy, Kate.

poem by Hew Ainslie
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The Nightingale

NO easy matter 'tis to hold,
Against its owner's will, the fleece
Who troubled by the itching smart
Of Cupid's irritating dart,
Eager awaits some Jason bold
To grant release.
E'en dragon huge, or flaming steer,
When Jason's loved will cause no fear.

Duennas, grating, bolt and lock,
All obstacles can naught avail;
Constraint is but a stumbling block;
For youthful ardour must prevail.
Girls are precocious nowadays,
Look at the men with ardent gaze,
And longings' an infinity;
Trim misses but just in their teens
By day and night devise the means
To dull with subtlety to sleep
The Argus vainly set to keep
In safety their virginity.
Sighs, smiles, false tears, they'll fain employ
An artless lover to decoy.
I'll say no more, but leave to you,
Friend reader, to pronounce if true
What I've asserted when you have heard
How artful Kitty, caged her bird.

IN a small town in Italy,
The name of which I do not know,
Young Kitty dwelt, gay, pretty, free,
Varambon's child.--Boccacio
Omits her mother's name, which not
To you or me imports a jot.
At fourteen years our Kitty's charms
Were all that could be wished--plump arms,
A swelling bosom; on her cheeks
Roses' and lilies' mingled streaks,
A sparkling eye--all these, you know,
Speak well for what is found below.
With such advantages as these
No virgin sure could fail to please,
Or lack a lover; nor did Kate;
But little time she had to wait;
One soon appeared to seal her fate.
Young Richard saw her, loved her, wooed her--
What swain I ask could have withstood her?
Soft words, caresses, tender glances,
The battery of love's advances,
Soon lit up in the maiden's breast

[...] Read more

poem by La Fontaine
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Meeting in Belsen

For Anne Frank (1929-1945) .

One day in the autumn of 1944,
Along with your sister Margot,
You were deported from Auschwitz
to Bergen-Belsen.

When you arrived in the camp
the barracks were full,
so for several weeks
you lived in a crowded tent.

Unlike in Auschwitz,
there were no gas chambers in Belsen,
just shouting SS guards with dogs,
watch towers and barbed wire fence,
starvation and disease,
living skeletons of prisoners
tottering around like ghosts.

Typhus raged everywhere
And each hour brought new miseries.
You stared at the clouds in the sky
with your big eyes that grew bigger
in the camp on your sunken face.

Your head was shaven now
and you dressed in coarse rags.
But in your tiny fragile figure
the pure fire of your lofty soul
kept burning.

Then winter came with ice and snow,
frosty winds swept through the camp.
The barracks were unheated in Belsen.
The cold followed you everywhere
And the hunger pangs became unbearable.

You wished at least you could write
but it was hard to get paper or pencil.

Nevertheless, February arrived
with thrilling news.
Amid tears and smiles you found out
with boundless excitement
that an old school friend from Amsterdam
was also in Bergen-Belsen,
in another section of the camp.

Although you could have been shot for it,

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poem by Paul Hartal
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Not at a Loss Chord - after Adelaide Anne Procter – A Lost Chord

Not at a Loss Chord

Playing one day with my organ,
I was blissful – not ill at ease -
while five fingers wandered wildly
web-cams recording each wheeze.

I know the spot vibrating,
less what I was dreaming then,
but I strummed with both will and spirit
and an “Oh My God! Amen! ”

Adrenaline flowed not vainly
from heart to crimson palm,
as it coursed both veins and spirit
with little akin to calm.

It quieted pain and sorrow,
like love overcoming strife;
it seem[en]ed orgasmic echo
to tune discordant life.

It linked all perplexèd meanings
into one perfect peace,
and trembled away into silence
although I was loth to cease.

I have sought, and I seek not vainly,
that one G spot divine,
which linked my soul to the organ
so manifestly mine.

La petite morte delightful
strikes shivering molten core,
as this little verse insightful
calls for en corps encore!

It may be that Death's bright angel
will speak in that chord again,
for it’s surely in seventh Heaven
one sings “Oh My God! Amen! ”

Parody Adelaide Anne PROCTER – A Lost Chord
8 April 2007

ROBIN Jonathan 1947_2006 robi3_1338_proc1_0001 PXY_MXX Not at a Loss Chord_Playing one day with my organ
A Lost Chord

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poem by Jonathan Robin
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Annes Song

hey! what? ? oh nothing, just wondering why it is youre doing
That whatever it is youre doing. oh yeah, why? I dunno it just
Doesnt seem like something ]youd[ be doing thats all ]you[ of all
People, know what I mean? yeah I know its been bugging you since the
Day I was born, huh? I asked my friend anne about it. I said, anne,
Anne, anne, what am I supposed to do, its been bugging them since the
Day that I was born. she said do whatever the hell you want to do!
Now is the time to do whatever you want, and it will still turn out
Great. youve got the world at your feet.
I never claimed to be different, I only said I was bored and shes
Tired of your uniqueness, it sends her over head first then the rest
Of her follows, the breath of life, it never left her hollow...
I can do everything, she said, she said with a smile.
And I can go anywhere tonight, cause Im with anne.
Anne, anne, who? anne dagnabit island princess queen with the juice
Whats this? I see she brought her whole uplown contingent. first theres
Jon e., he always loves a party, hes followed by vinnie, whos feelin
Kinda skinny, he says hey anne Im starved what you got to eat, she
Says vinnie youre always starving man get away from that fridge!
Here comes lucy, shes feelin really sexy, shes followed by her
Boyfriend, whod better not turn around, this time, or hes bound to lose
Her, and here comes jamilla, whos got the cream soda...
I can do everything, she said, she said with a smile
And I can go anywhere tonight, cause Im with anne

song performed by Faith No More
Added by Lucian Velea
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One Leg Anne and the Innocent Flirt.

Sister Mary pushed Anne
in her wheelchair
to the white table
where you were sitting

with Lydia Sad
and Malcolm
and a curly headed girl
with burn scars

on her face and neck
there
said the nun
here you can sit

and wait for breakfast
and catch the morning sun
Anne looked glumly
at the sky

and said nothing
as the nun
walked away
I wonder

what's for breakfast?
Malcolm asked
stewed cat on toast
Anne said

looking at Lydia Sad
whose blonde hair
and blue eyes
gave her

an angelic look
that's horrible
the girl with burn scars said
don't eat it then

Anne said
Malcolm looked at you
it wouldn't be that
would it?

He asked
no
you said
Anne's just having you on

[...] Read more

poem by Terry Collett
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Suzy Greenberg

Little Suzy Greenberg, with her head caved in.
Soon to let me drown beneath the undertow.
Aughta put that woman in a looney bin,
Cause you know I'd really like to be a part of her show!
Suzy is an artist - she paints quite a lot.
An artist she may be, but a genius she is not.
She says she wants to be a sociologist,
But she better first get checked by a neurologist.
Chorus
Suzy, Suzy, Suzy, Suzy
Suzy, Suzy Greenberg
Suzy, Suzy, Suzy, Suzy
Suzy, Suzy Greenberg
Suzy's 'bout as faithful as a slot machine.
Pays off once in a while, then she robs you clean.
She's always afraid that she's not sure what she's worth.
She's out of her mind, and she's not of this Earth.
Woman walks the streets like she's queen of the town.
Doesn't talk very much, she's very profound!
Little Suzy Greenberg's always playing a game.
Since the day we first met, she's probably forgot my name!
Chorus x2
Little Suzy Greenberg, with her head caved in.
Soon to let me drown beneath the undertow.
Aughta put that woman in a looney bin,
Cause you know I'd really like to be a part of her show!
Suzy is an artist - she paints quite a lot.
An artist she may be, but a genius she is not.
She says she wants to be a sociologist,
But she better first get checked by a neurologist.
Chorus x2

song performed by Phish
Added by Lucian Velea
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Hudson

Hudson bawled loudly inside his head
As the harpoons of lightning struck
Piercing his six-inch thick chest.
He had expected the violent rasp
Before it had even transpired,
Essentially, he actually
Ignited the electrified fire;
But farcically or inevitably,
It had not kept him from turning over
To flailing into the famished sea
Of consuming ignorance
It had consumed him, especially his eyes,
Now aqueous and dithering
With no reservations for coagulation.

With such wavering and waxed vision,
Hudson had dispensed vexation
Into a twaddle tug-of-war
Between skepticism and ignorance.
He tried to outrun the asphyxiation
In butterfly-pace as he let the bleeding
Deluge and wear out, until the veins
And the valves caressing the rivulets
Of his blood would halt,
And the serrations need not to clot.
He tried to outrun his pervading nightmares,
His abandonments, his interstates,
His moon, his sun, his stars,
His one-man-bandwagon of harlequinade.
He tried to elude them
With a dragonfly's erratic flight.

Hudson had successfully left Summer,
But as he painstakingly vied
To latch its portcullis,
The whiff of Summer's aberrant
Redolence of tawny sun,
Tangerine skies,
Languid inebriations,
Warm tans in shuffling sands,
And a searing foliage
Of innocuous complacence,
Had been pulling and keeping him
From shutting the closing gate.

Relentless, Hudson, lunged
Forward towards another invitation.
An invitation to another dance
In the halls of ambiguity,
In poetries,

[...] Read more

poem by Norman Santos
Added by Poetry Lover
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No Woman, No Cry

[wyclef] - (lauryn in parentheses)
...yo, steve marley throw on your father's old record...(yeah) - lauryn
Ha! classic material...refugee camp, hold tight! yes, yes!
Steve marley, come on! ah-ha! wyclef, ha-ha!
Feel the gong! heh-heh! yes, yes y'all! heh, come on!...yes, yes!
Feel the gong! (echo)
[steve marley - chorus] - {marley sisters background singing in brackets}
No woman, no cry (crowd cheers)
No woman, no cry! {no woman, no cry!}
No woman...
No, no woman!...no woman, no cry! {no woman, no cry!}
[steve marley - verse one] (wyclef in parentheses) {marley sisters in brackets}
You see...
Said i remember! oh, when we used to sit (where at?) - wyclef
In a government yard, in trenchtown {town!} - marley sisters
(and what did you used to see son?)
Well oh, i was observing, them hypocrites!
As they would... mingle with the good people we meet {meet!}
Yeah-yeah!
Good friends we have, and oh well!
Good friends we've lost! yeah-yeah!
Along...the way! {way!} yeah!
In this great future, yeah! you can't forget your past! say-yeah
Oh, dry your tears i say {say!}
[chorus 1x]
[wyclef] - (lauryn singing in parentheses) - {marley sisters in brackets}
Say! say! say! say!
I remember! when we used to sit! [where at son?]
Oh, in a project yard, in brooklyn! {lyn!} [oh, yeah right when i left haiti,
Ha]
And little georgie, would make the fire light! (i tell ya!)
As...stolen cars passed through the night {night!} [newark, new jersey, ah-ha!]
And then we'd hit, the corner store!
For roots, paper, and brew, wooh! {brew! whoo!}
My drinks, my only remedy! i tell ya! (sold out! sold out!)
For pain of losing, family...
But while i'm gone, sure thing...
[steve, lauryn, sharon, and pam singing] - (clef, eric, and ziggy chanting)
Everything's gonna be alright!! (oh! ah! oh-ah!)
Everything's gonna be alright! (oh! ah! oh-ah!)
Everything's gonna be alright!! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright!! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright!! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright! (oh! ah! oh-ah!) (ho!)
[steve marley]
...so, woman no cry!
No, no woman!...{no woman, no cry!}
[wyclef]

[...] Read more

song performed by Fugees
Added by Lucian Velea
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Malcolm's Katie: A Love Story - Part III.

The great farm house of Malcolm Graem stood
Square shoulder'd and peak roof'd upon a hill,
With many windows looking everywhere;
So that no distant meadow might lie hid,
Nor corn-field hide its gold--nor lowing herd
Browse in far pastures, out of Malcolm's ken.
He lov'd to sit, grim, grey, and somewhat stern,
And thro' the smoke-clouds from his short clay pipe
Look out upon his riches; while his thoughts
Swung back and forth between the bleak, stern past,
And the near future, for his life had come
To that close balance, when, a pendulum,
The memory swings between me 'Then' and 'Now';
His seldom speech ran thus two diff'rent ways:
'When I was but a laddie, this I did';
Or, 'Katie, in the Fall I'll see to build
'Such fences or such sheds about the place;
'And next year, please the Lord, another barn.'
Katie's gay garden foam'd about the walls,
'Leagur'd the prim-cut modern sills, and rush'd
Up the stone walls--and broke on the peak'd roof.
And Katie's lawn was like a Poet's sward,
Velvet and sheer and di'monded with dew;
For such as win their wealth most aptly take
Smooth, urban ways and blend them with their own;
And Katie's dainty raiment was as fine
As the smooth, silken petals of the rose;
And her light feet, her nimble mind and voice,
In city schools had learn'd the city's ways,
And grafts upon the healthy, lonely vine
They shone, eternal blossoms 'mid the fruit.
For Katie had her sceptre in her hand
And wielded it right queenly there and here,
In dairy, store-room, kitchen--ev'ry spot
Where women's ways were needed on the place.
And Malcolm took her through his mighty fields,
And taught her lore about the change of crops;
And how to see a handsome furrow plough'd;
And how to choose the cattle for the mart;
And how to know a fair day's work when done;
And where to plant young orchards; for he said,
'God sent a lassie, but I need a son--
'Bethankit for His mercies all the same.'
And Katie, when he said it, thought of Max--
Who had been gone two winters and two springs,
And sigh'd, and thought, 'Would he not be your son?'
But all in silence, for she had too much
Of the firm will of Malcolm in her soul
To think of shaking that deep-rooted rock;
But hop'd the crystal current of his love

[...] Read more

poem by Isabella Valancy Crawford
Added by Poetry Lover
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