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What we call rottenness is just the return to inorganic eternity.

aphorism by Valeriu Butulescu from Immensity of the Point, translated by Eva A. Ziem
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The Scripture of the Golden Eternity

1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.

2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.

3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.

4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.

5
I am the golden eternity in mortal animate form.

6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.

7
This truth law has no more reality than the world.

8
You are the golden eternity because there is no me and no you, only one golden eternity.

9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.

10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.

11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.

12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.

13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.

14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.

15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.

16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.

17
It came on time.

[...] Read more

poem by Jack Kerouac
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Return!

RETURN, return! all night my lamp is burning,
All night, like it, my wide eyes watch and burn;
Like it, I fade and pale, when day returning
Bears witness that the absent can return,
Return, return.

Like it, I lessen with a lengthening sadness,
Like it, I burn to waste and waste to burn,
Like it, I spend the golden oil of gladness
To feed the sorrowy signal for return,
Return, return.

Like it, like it, whene'er the east wind sings,
I bend and shake; like it, I quake and yearn,
When Hope's late butterflies, with whispering wings,
Fly in out of the dark, to fall and burn--
Burn in the watchfire of return,
Return, return.

Like it, the very flame whereby I pine
Consumes me to its nature. While I mourn
My soul becomes a better soul than mine,
And from its brightening beacon I discern
My starry love go forth from me, and shine
Across the seas a path for thy return,
Return, return.

Return, return! all night I see it burn,
All night it prays like me, and lifts a twin
Of palmed praying hands that meet and yearn--
Yearn to the impleaded skies for thy return.
Day, like a golden fetter, locks them in,
And wans the light that withers, tho' it burn
As warmly still for thy return;
Still thro' the splendid load uplifts the thin
Pale, paler, palest patience that can learn
Naught but that votive sign for thy return--
That single suppliant sign for thy return,
Return, return.

Return, return! lest haply, love, or e'er
Thou touch the lamp the light have ceased to burn,
And thou, who thro' the window didst discern
The wonted flame, shalt reach the topmost stair
To find no wide eyes watching there,
No wither'd welcome waiting thy return!
A passing ghost, a smoke-wreath in the air,
The flameless ashes, and the soulless urn,
Warm with the famish'd fire that lived to burn--
Burn out its lingering life for thy return,

[...] Read more

poem by Sydney Thompson Dobell
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She Touches A Sad String Of Soft Recall

Return, return! all night my lamp is burning,
All night, like it, my wide eyes watch and burn;
Like it, I fade and pale, when day returning
Bears witness that the absent can return,
Return, return.

Like it, I lessen with a lengthening sadness,
Like it, I burn to waste and waste to burn,
Like it, I spend the golden oil of gladness
To feed the sorrowy signal for return,
Return, return.

Like it, like it, whene'er the east wind sings,
I bend and shake; like it, I quake and yearn,
When Hope's late butterflies, with whispering wings,
Fly in out of the dark, to fall and burn-
Burn in the watchfire of return,
Return, return.

Like it, the very flame whereby I pine
Consumes me to its nature. While I mourn
My soul becomes a better soul than mine,
And from its brightening beacon I discern
My starry love go forth from me, and shine
Across the seas a path for thy return,
Return, return.

Return, return! all night I see it burn,
All night it prays like me, and lifts a twin
Of palmèd praying hands that meet and yearn-
Yearn to the impleaded skies for thy return.
Day, like a golden fetter, locks them in,
And wans the light that withers, tho' it burn
As warmly still for thy return;
Still thro' the splendid load uplifts the thin
Pale, paler, palest patience that can learn
Nought but that votive sign for thy return-
That single suppliant sign for thy return,
Return, return.

Return, return! lest haply, love, or e'er
Thou touch the lamp the light have ceased to burn,
And thou, who thro' the window didst discern
The wonted flame, shalt reach the topmost stair
To find no wide eyes watching there,

[...] Read more

poem by Sydney Thompson Dobell
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The Book of Urizen

PRELUDIUM TO THE [FIRST] BOOK OF URIZEN

Of the primeval Priests assum'd power,
When Eternals spurn'd back his religion;
And gave him a place in the north,
Obscure, shadowy, void, solitary.
Eternals I hear your call gladly,
Dictate swift winged words, & fear not
To unfold your dark visions of torment.

Chap: I

1. Lo, a shadow of horror is risen
In Eternity! Unknown, unprolific!
Self-closd, all-repelling: what Demon
Hath form'd this abominable void
This soul-shudd'ring vacuum? — Some said
"It is Urizen", But unknown, abstracted
Brooding secret, the dark power hid.

2. Times on times he divided, & measur'd
Space by space in his ninefold darkness
Unseen, unknown! changes appeard
In his desolate mountains rifted furious
By the black winds of perturbation

3. For he strove in battles dire
In unseen conflictions with shapes
Bred from his forsaken wilderness,
Of beast, bird, fish, serpent & element
Combustion, blast, vapour and cloud.

4. Dark revolving in silent activity:
Unseen in tormenting passions;
An activity unknown and horrible;
A self-contemplating shadow,
In enormous labours occupied

5. But Eternals beheld his vast forests
Age on ages he lay, clos'd, unknown
Brooding shut in the deep; all avoid
The petrific abominable chaos

6. His cold horrors silent, dark Urizen
Prepar'd: his ten thousands of thunders
Rang'd in gloom'd array stretch out across
The dread world, & the rolling of wheels
As of swelling seas, sound in his clouds
In his hills of stor'd snows, in his mountains

[...] Read more

poem by William Blake (1794)
Added by Veronica Serbanoiu
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The Sidewinder Sleep Tonight

This here is the place I will be staying.
There isn't a number. You can call the pay phone.
Let it ring a long, long, long, long time.
If I don't pick up, hang up, call back, let it ring some more.
If I don't pick up, pick up... The sidewinder sleeps, sleeps, sleeps in a coil
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
There are scratches all around the coin slot
like a heartbeat, baby trying to wake up,
but this machine can only swallow money.
You can't lay a patch by computer design.
It's just a lot of stupid, stupid signs.
Tell her,
tell her she can kiss my ass, then laugh and say that you were only kidding.
That way she'll know that it's really, really, really, really me.
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
Baby, instant soup doesn't really grab me.
Today I need something more sub-sub-sub-substantial.
A can of beans or blackeyed peas, some Nescafe and ice,
a candy bar, a falling star, or a reading of Doctor Seuss;
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
The cat in the hat came back, wrecked a lot of havoc on the way,
always had a smile and a reason to pretend.
But their world has flat backgrounds and little need to sleep but to dream.
The sidewinder sleeps on his back.
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
I can always sleep standing up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
I can always sleep standing up. Call me when you try to wake her.
Call me when you try to wake her up. Call me when you try to wake her.
I can always sleep standing up. Call me when you try to wake her.
I can always sleep standing up. Call me when you try to wake her.
We've got to moogie, moogie, move on this one

song performed by REM
Added by Lucian Velea
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The Sidewinder Sleeps Tonight

This here is the place I will be staying.
There isnt a number. you can call the pay phone.
Let it ring a long, long, long, long time.
If I dont pick up, hang up, call back, let it ring some more.
If I dont pick up, pick up... the sidewinder sleeps, sleeps, sleeps in a coil
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
There are scratches all around the coin slot
Like a heartbeat, baby trying to wake up,
But this machine can only swallow money.
You cant lay a patch by computer design.
Its just a lot of stupid, stupid signs.
Tell her,
Tell her she can kiss my ass, then laugh and say that you were only kidding.
That way shell know that its really, really, really, really me.
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
Baby, instant soup doesnt really grab me.
Today I need something more sub-sub-sub-substantial.
A can of beans or blackeyed peas, some nescafe and ice,
A candy bar, a falling star, or a reading of doctor seuss;
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
The cat in the hat came back, wrecked a lot of havoc on the way,
Always had a smile and a reason to pretend.
But their world has flat backgrounds and little need to sleep but to dream.
The sidewinder sleeps on his back.
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
I can always sleep standing up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
I can always sleep standing up. call me when you try to wake her.
Call me when you try to wake her up. call me when you try to wake her.
I can always sleep standing up. call me when you try to wake her.
I can always sleep standing up. call me when you try to wake her.
Weve got to moogie, moogie, move on this one.

song performed by REM
Added by Lucian Velea
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The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

[...] Read more

poem by Byron
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Vision of Judgment, The

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

[...] Read more

poem by George Gordon Byron
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Return running back

Try as hard as you could. But even if you placed “Destiny” in the most enchantingly celestial of paradise; it would inevitably and still return running back; from wherever on this boundless Universe; only to the periphery of the rustically bohemian palms,

Try as hard as you could. But even if you placed “Smile” in the most spell bindingly opulent of paradise; it would inevitably and still return running back; from wherever on this fathomless Universe; only to the peripher of the altruistically compassionate lips,

Try as hard as you could. But even if you placed “Empathy” in the most beautifully unassailable of paradise; it would inevitably and still return running back; from wherever on this limitless Universe; only to the periphery of the synergistically twinkling eye,

Try as hard as you could. But even if you placed “Hunger” in the most magically untainted of paradise; it would inevitably and still return running back; from wherever on this colossal Universe; only to the periphery of the tirelessly impoverished stomach,

Try as hard as you could. But even if you placed “Truth” in the most jubilantly mesmerizing of paradise; it would inevitably and still return running back; from wherever on this gigantic Universe; only to the periphery of the synergistically burgeoning conscience,

Try as hard as you could. But even if you placed “Fantasy” in the most victoriously unfettered of paradise; it would inevitably and still return running back; from wherever on this interminable Universe; only to the periphery of the uninhibitedly gifted brain,

Try as hard as you could. But even if you placed “Humanity” in the most astoundingly sparkling of paradise; it would inevitably and still return running back; from wherever on this unceasing Universe; only to the periphery of the symbiotically enchanting veins,

Try as hard as you could. But even if you placed “Strength” in the most fantastically emollient of paradise; it would inevitably and still return running back; from wherever on this endless Universe; only to the periphery of the blessedly venerated soul,

Try as hard as you could. But even if you placed “Perseverance” in the most fabulously scintillating of paradise; it would inevitably and still return running back; from wherever on this insuperable Universe; only to the periphery of the righteously perspiring armpits,

Try as hard as you could. But even if you placed “Adventure” in the most enthrallingly undying of paradise; it would inevitably and still return running back; from wherever on this poignant Universe; only to the periphery of the nimbly dancing feet,

Try as hard as you could. But even if you placed “Optimism” in the most indisputably pristine paradise; it would inevitably and still return running back; from wherever on this Herculean Universe; only to the periphery of the fearlessly advancing stride,

Try as hard as you could. But even if you placed “Ecstasy” in the most gloriously bewitching of paradise; it would inevitably and still return running back; from wherever on this unlimited Universe; only to the periphery of the intricately nubile skin,

Try as hard as you could. But even if you placed “Melody” in the most amazingly glistening of paradise; it would inevitably and still return running back; from wherever on this unsurpassable Universe; only to the periphery of the wonderfully vivacious throat,

Try as hard as you could. But even if you placed “Artistry” in the most resplendently enigmatic of paradise; it would inevitably and still return running back; from wherever on this unbridled Universe; only to the periphery of the magnetically embellished fingers,

Try as hard as you could. But even if you placed “Sensitivity” in the most adorably effervescent of paradise; it would inevitably and still return running back; from wherever on this ebullient Universe; only to the periphery of the bounteously unimpeachable ears,

Try as hard as you could. But even if you placed “Mystery” in the most vibrantly virile of paradise; it would inevitably and still return running back; from wherever on this unbelievable Universe; only to the periphery of the tranquilly ameliorating shadow,

Try as hard as you could. But even if you placed “Sensuality” in the most iridescently redolent of paradise; it would inevitably and still return running back; from wherever on this interminable Universe; only to the periphery of the eternally fiery nostrils,

Try as hard as you could. But even if you placed “Humility” in the most ubiquitously proliferating of paradise; it would inevitably and still return running back; from wherever on this impregnable Universe; only to the periphery of the harmoniously obeisant neck,

And try as hard as you could. But even if you placed “Love” in the most incredulously bedazzling of paradise; it would inevitably and still return running back; from wherever on this magical Universe; only to the periphery of the immortally throbbing heart….

poem by Nikhil Parekh
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Expostulation

Why weeps the muse for England? What appears
In England's case to move the muse to tears?
From side to side of her delightful isle
Is she not clothed with a perpetual smile?
Can Nature add a charm, or Art confer
A new-found luxury, not seen in her?
Where under heaven is pleasure more pursued
Or where does cold reflection less intrude?
Her fields a rich expanse of wavy corn,
Pour'd out from Plenty's overflowing horn;
Ambrosial gardens, in which art supplies
The fervor and the force of Indian skies:
Her peaceful shores, where busy Commerce waits
To pour his golden tide through all her gates;
Whom fiery suns, that scorch the russet spice
Of eastern groves, and oceans floor'd with ice
Forbid in vain to push his daring way
To darker climes, or climes of brighter day;
Whom the winds waft where'er the billows roll
From the World's girdle to the frozen pole;
The chariots bounding in her wheel-worn streets,
Her vaults below, where every vintage meets;
Her theatres, her revels, and her sports;
The scenes to which not youth alone resorts,
But age, in spite of weakness and of pain,
Still haunts, in hope to dream of youth again;
All speak her happy; let the muse look round
From East to West, no sorrow can be found;
Or only what, in cottages confined,
Sighs unregarded to the passing wind.
Then wherefore weep for England? What appears
In England's case to move the muse to tears?
The prophet wept for Israel; wish'd his eyes
Were fountains fed with infinite supplies;
For Israel dealt in robbery and wrong;
There were the scorner's and the slanderer's tongue;
Oaths, used as playthings or convenient tools,
As interest biass'd knaves, or fashion fools;
Adultery, neighing at his neighbor's door;
Oppression laboring hard to grind the poor;
The partial balance and deceitful weight;
The treacherous smile, a mask for secret hate;
Hypocrisy, formality in prayer,
And the dull service of the lip were there.
Her women, insolent and self-caress'd,
By Vanity's unwearied finger dress'd,
Forgot the blush that virgin fears impart
To modest cheeks, and borrow'd one from art;
Were just trifles, without worth or use,
As silly pride and idleness produce;

[...] Read more

poem by William Cowper
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Call Me

Written by harry, moroder
Color me your color, baby
Color me your car
Color me your color, darling
I know who you are
Come up off your color chart
I know where youre coming from
Call me on the line
Call me, call me any anytime
Call me, my love, you can call me any day or night
Call me!
Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
Ill never get enough
Emotions come, I dont know why
Cover up loves alibi
Call me on the line
Call me, call me any anytime
Call me oh my love
When youre ready we can share the wine
Call me
Ooh, he speaks the languages of love
Ooh, amore, chiamami (chiamami)
Oo, appelle-moi, mon cherie (appelle-moi)
Anytime, anyplace, anywhere, anyway!
Anytime, anyplace, anywhere, any day, anyway!
Call me my love
Call me, call me any anytime
Call me for a ride
Call me, call me for some overtime
Call me my love
Call me, call me in a sweet design
Call me, call me for your lovers lovers alibi
Call me on the line
Call me, call me any anytime
Call me
Oh, call me, ooh ooh ah
Call me my love
Call me, call me any anytime

song performed by Tiffany
Added by Lucian Velea
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No Return

Im at the point of no return
Im watching the candle burn
Both ends
Theres a lesson we
Both can learn - this time
So if you wanna make my day
Theres something
Youve gotta say
Now please dont laugh
And turn away - this time
I dont wanna make a fuss
But this is the time for us
And I aint gonna miss the buss
This time
No return
So therell be no turning back
Once I know that
Youll be by my side
No return
Maybe youll give me all the love
That you always felt
You had to hide
No return
Ive come a thousand miles
Across the ocean
But that aint half
As far as my emotion
Now Ive reached
The point of no return
While on my way down the avenue
I had to stop for a drink or two
Or three
Now not that I was stalling you
For time
Its just I wanted to feel my best
And I almost passed the test
I need your lovin to do the rest
This time
No return - so please dont ever do
What youve done
So many times before
No return
Because Ive made up my mind
That this time Ill make it
Thru your door
No return - I rode above the clouds
So far below me
But didnt get as high as
When you hold me
Now Ive reached

[...] Read more

song performed by Uriah Heep
Added by Lucian Velea
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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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poem by Robert Browning from The Ring and the Book
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Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

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poem by John Milton
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The Aeneid of Virgil: Book 11

SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50

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poem by Publius Vergilius Maro
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Call Me

Colour me your colour, baby
Colour me your car
Colour me your colour, darling
I know who you are
Come up off your colour chart
I know where you're coming from
Call me (Call me) on the line
You can call me, call me anytime
Call me (Call me) for a ride
You can call me any day or night
Call me, yeah
Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
I'll never get enough
Emotions come, I don't know why
Cover up love's alibi
Call me (Call me) on the line
You can call me, call me anytime
Call me (Call me) for a ride
When you're ready we can share the wine
Call me, yeah
Anytime, anyplace, anywhere, anyway
Anytime, anyplace, anywhere, any day, anyway
Call me (Call me) on the line
You can all me, call me anytime
Call me (Call me) my love
You can call me in a sweet design
Call me (Call me) for a ride
You can call me for some overtime
Call me (Call me) call me for your lover's lover's alibi
Yeah

song performed by Union Underground
Added by Lucian Velea
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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poem by Byron from Don Juan (1824)
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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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poem by Charles Churchill
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Solomon on the Vanity of the World, A Poem. In Three Books. - Power. Book III.

The Argument

Solomon considers man through the several stages and conditions of life, and concludes, in general, that we are all miserable. He reflects more particularly upon the trouble and uncertainty of greatness and power; gives some instances thereof from Adam down to himself; and still concludes that All Is Vanity. He reasons again upon life, death, and a future being; finds human wisdom too imperfect to resolve his doubts; has recourse to religion; is informed by an angel what shall happen to himself, his family, and his kingdom, till the redemption of Israel; and, upon the whole, resolves to submit his inquiries and anxieties to the will of his Creator.

Come then, my soul: I call thee by that name,
Thou busy thing, from whence I know I am;
For, knowing that I am, I know thou art,
Since that must needs exist which can impart:
But how thou camest to be, or whence thy spring,
For various of thee priests and poets sing.

Hearest thou submissive, but a lowly birth,
Some secret particles of finer earth,
A plain effect which Nature must beget,
As motion orders, and as atoms meet,
Companion of the body's good or ill,
From force of instinct more than choice of will,
Conscious of fear or valour, joy or pain,
As the wild courses of the blood ordain;
Who, as degrees of heat and cold prevail,
In youth dost flourish, and with age shalt fail,
Till, mingled with thy partner's latest breath,
Thou fliest, dissolved in air and lost in death.

Or, if thy great existence would aspire
To causes more sublime, of heavenly fire
Wert thou a spark struck off, a separate ray,
Ordain'd to mingle with terrestrial clay,
With it condemn'd for certain years to dwell,
To grieve its frailties, and its pains to feel,
To teach it good and ill, disgrace or fame,
Pale it with rage, or redden it with shame,
To guide its actions with informing care,
In peace to judge, to conquer in the war;
Render it agile, witty, valiant, sage,
As fits the various course of human age,
Till, as the earthly part decays and falls,
The captive breaks her prison's mouldering walls,
Hovers awhile upon the sad remains,
Which now the pile or sepulchre contains,
And thence, with liberty unbounded, flies,
Impatient to regain her native skies?

Whate'er thou art, where'er ordain'd to go,
(Points which we rather may dispute than know)
Come on, thou little inmate of this breast,
Which for thy sake from passions'l divest
For these, thou say'st, raise all the stormy strife,

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poem by Matthew Prior
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The Burgher's Battle

Thick rise the spear-shafts o’er the land
That erst the harvest bore;
The sword is heavy in the hand,
And we return no more.
The light wind waves the Ruddy Fox,
Our banner of the war,
And ripples in the Running Ox,
And we return no more.
Across our stubble acres now
The teams go four and four;
But out-worn elders guide the plough,
And we return no more.
And now the women heavy-eyed
Turn through the open door
From gazing down the highway wide,
Where we return no more.
The shadows of the fruited close
Dapple the feast-hall floor;
There lie our dogs and dream and doze,
And we return no more.
Down from the minster tower to-day
Fall the soft chimes of yore
Amidst the chattering jackdaws’ play:
And we return no more.
But underneath the streets are still;
Noon, and the market’s o’er!
Back go the goodwives o’er the hill;
For we return no more.
What merchant to our gates shall come?
What wise man bring us lore?
What abbot ride away to Rome,
Now we return no more?
What mayor shall rule the hall we built?
Whose scarlet sweep the floor?
What judge shall doom the robber’s guilt,
Now we return no more?
New houses in the streets shall rise
Where builded we before,
Of other stone wrought otherwise;
For we return no more.
And crops shall cover field and hill
Unlike what once they bore,
And all be done without our will,
Now we return no more.
Look up! the arrows streak the sky,
The horns of battle roar;
The long spears lower and draw nigh,
And we return no more.
Remember how beside the wain,
We spoke the word of war,

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poem by William Morris
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