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The politic are very efficient in promulgating false rumors with absolute sophistry.

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Fundamental of Liar Chapter XCVIII: Absolutely Relative

Expensive is absolute, cheap is relative
Far is absolute, near is relative
Ugly is absolute, beauty is relative
Weird is absolute, crazy is relative
Stubborn is absolute, brave is relative
Stupid is absolute, smart is relative
Weak is absolute, strong is relative
Old is absolute, mature is relative
Lose is absolute, win is relative
Rich is absolute, poor is relative
Sad is absolute, happy is relative
Misfortune is absolute, lucky is relative
Safe is absolute, fear is relative
Love is absolute, hate is relative
Important is absolute, forgotten is relative
Easy is absolute, difficult is relative
Wrong is absolute, right is relative
Bad is absolute, good is relative
Lie is absolute, truth is relative

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Conditioned To Request Permission

No need to treat me like an alley cat.
Because you are addicted...
To those rumors that will ruin,
Any happiness we get.

No need to treat me like an alley cat.
Because you are addicted...
To those rumors that will ruin,
Any happiness we get.

Because you are addicted...
To those rumors that will ruin,
The pursuing of the blooming...
We expect and accept,
With any happiness we get.

Oh...
Oh oh,
Why should we be the ones conditioned,
To request permission...
To investigate a picked division.

And whoa,
A oh oh....
Oh,
Why should we be the ones conditioned,
To request permission...
To investigate a picked division.

No need to treat me like an alley cat.
Because you are addicted...
To those rumors that will ruin,
Any happiness we get.

No need to treat me with suspicion,
And live with secret inhabitions.
Why should we accept conditions,
That might invite future division.

Whoa,
A oh oh....
Oh,
Why should we be the ones conditioned,
To request permission...
To investigate a picked division.

No need to treat me like an alley cat.
Because you are addicted...
To those rumors that will ruin,
Any happiness we get.

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Dawn Finally Arises

Anyone who has ever remained persistent,
With a fluid consistency...
Has met some opposition.
And is familiar with negativity.

It takes the gritting of teeth.
And the biting of nails,
To prevail even when failure may be in sight.
With a nipping at the heels of one refusing defeat.

And suddenly it seems,
That nothing but nightmares...
Have come to replace hopes and dreams,
When dawn finally arises to clear a bright horizon.

It looks a lot different,
From the rumors I heard...
Of a dawn others said was gone.
It looks much different,
From rumors fed...
Of a dawn that would never turn on.
It looks a lot different,
From the rumors I heard...
Of a dawn others said was gone.
And...
I'm so glad I persisted.
To witness it to see,
For myself.

Yeah, yeah, yeah...
It looks a lot different,
From the rumors I heard...
Of a dawn others said was gone.
It looks much different,
From rumors fed...
Of a dawn that would never turn on.
It looks a lot different,
From the rumors I heard...
Of a dawn others said was gone.
And...
I'm so glad I persisted.
To witness it to see,
For myself.

It looks a lot different,
The dawn!
When it is witnessed,
The dawn!
And...
I'm so glad I persisted.

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I Give You My Soul Through Pain

Who wants my honest soul?
I want to be free when the devil is in control.
How much would you give up to buy it?
How much would you give up just to try it?
Let the astral projection begin.
Breath in, breath out.
Picture your self in this unholy body.
Then let the soul draining commence.

I will put up no defense.
It is an absolute surrender.
It is an absolute sacrifice.
In the upright 5 pointed star with a circle with candles surrounding.
A ritual to a perfection.
A Wicca call to the powers of nature.
From the earth, fire, water, wind, and lastly the spirit.
Inflict pain to make it stronger.
Brighter, and more powerful.

Strip the body bare,
Let artificial cloths not shield what's really there.
Rise up, stand up, you need be ashamed it was the we were all made.
With our own weaknesses and strengths.
A unique complexion shall be inscribed upon each every living creature.
No matter if of seems inanimate or not.

Who wants my honest soul?
I want to be free when the devil is in control.
How much would you give up to buy it?
How much would you give up just to try it?
Let the astral projection begin.
Breath in, breath out.
Picture your self in this unholy body.
Then let the soul draining commence.

I will put up no defense.
It is an absolute surrender.
It is an absolute sacrifice.
In the upright 5 pointed star with a circle with candles surrounding.
A ritual to a perfection.
A Wicca call to the powers of nature.
From the earth, fire, water, wind, and lastly the spirit.
Inflict pain to make it stronger.
Brighter, and more powerful.

But the true power is the power within.
You can feel it pulsing through veins with every single beat.
Your heart can never be compromised.
A man will love till his dying breath
Your mind can put you in clouds when your feet are solid on the ground.

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Confessio Amantis. Explicit Liber Primus

Incipit Liber Secundus

Inuidie culpa magis est attrita dolore,
Nam sua mens nullo tempore leta manet:
Quo gaudent alii, dolet ille, nec vnus amicus
Est, cui de puro comoda velle facit.
Proximitatis honor sua corda veretur, et omnis
Est sibi leticia sic aliena dolor.
Hoc etenim vicium quam sepe repugnat amanti,
Non sibi, set reliquis, dum fauet ipsa Venus.
Est amor ex proprio motu fantasticus, et que
Gaudia fert alius, credit obesse sibi.


Now after Pride the secounde
Ther is, which many a woful stounde
Towardes othre berth aboute
Withinne himself and noght withoute;
For in his thoght he brenneth evere,
Whan that he wot an other levere
Or more vertuous than he,
Which passeth him in his degre;
Therof he takth his maladie:
That vice is cleped hot Envie.
Forthi, my Sone, if it be so
Thou art or hast ben on of tho,
As forto speke in loves cas,
If evere yit thin herte was
Sek of an other mannes hele?
So god avance my querele,
Mi fader, ye, a thousend sithe:
Whanne I have sen an other blithe
Of love, and hadde a goodly chiere,
Ethna, which brenneth yer be yere,
Was thanne noght so hot as I
Of thilke Sor which prively
Min hertes thoght withinne brenneth.
The Schip which on the wawes renneth,
And is forstormed and forblowe,
Is noght more peined for a throwe
Than I am thanne, whanne I se
An other which that passeth me
In that fortune of loves yifte.
Bot, fader, this I telle in schrifte,
That is nowher bot in o place;
For who that lese or finde grace
In other stede, it mai noght grieve:
Bot this ye mai riht wel believe,
Toward mi ladi that I serve,
Thogh that I wiste forto sterve,

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Happy Heathen: (With limited apologies to G.K.C.)

The heathen's not efficient;
He sits down in the sun
And doesn't care a tuppn'y dump
When the day's work's begun.
He works to eat and eats to live,
All day he'll dance and sing;
And if you mention overtime
He laughs like anything.


But we are most efficient!
And, goodness! Look at us!
Our nights are filled with restless dreams,
Our days with fret and fuss.
And we can have depressions
And modern things like that,
And monoplanes and motor cars
And trousers and a hat.


The heathen's not efficient;
He does not value gold;
And when we'd teach him of its worth
He simply won't be told.
He'll hang gold coins about his neck
For foolish ornament,
While half a bread-fruit or a ham
Bring him complete content.

Oh, we are most efficient;
We'd pile up heaps of gold
And leave it to ungrateful heirs
When we descend to mould.
But the heathen's not efficient;
He is lazy, free, unkempt,
And from the highly civilized
Earns nothing but contempt.

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Falcon

They're near cracking.
And tracking a balloon,
On rumors.

They're near cracking.
And hoping that ballon lands soon.

A boy is claimed to be alone.
And flying on his own,
Alone...
High in the sky and crying.

But he was found to not have flown.
And hiding in a box.
Hoping that his daddy wouldn't fuss at him a lot.

They're near cracking.
And tracking a balloon,
On rumors.

They're near cracking.
And hoping that ballon lands soon.

'Falcon? '
~Yes, daddy? ~
'Falcon? '
~Yes, daddy? ~

'Falcon no more hiding to start rumors.'

'Falcon? '
~Yes, daddy? ~
'Falcon? '
~Yes, daddy? ~

'Falcon no more hiding to start rumors.'

'Falcon? '
~Yes, daddy? ~
'Falcon? '
~Yes, daddy? ~

'Falcon no more hiding to start rumors.'

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They Know That They Don't Know

They know that they don't know!
And their opinions discloses the evidence.
Most of their knowledge has been obtained,
By innuendos and nonsense.
Leaving them exposed,
To an ignorance that shows.

They know that they don't know!
And any actions taken to comprehend...
Becomes entrapped by an inferiority,
Felt within them.

And that which escapes their understanding...
Is left out of their reach.
Although very close...
Are those answers they seek most.
But quick they fold their arms to their chests,
With stubborn hands to express...
Their choice not to hear,
What for them is best!

Declaring they wish not to listen...
Because facts distracts,
A consciousness they lack!

They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it...
And spread those rumors made to fit,
Those ears that are as limited!

They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it.
They know that they don't know.
But they want to gossip it...
And spread those rumors made to fit,
Those ears that are as limited!

They know that they don't know,
With their minds closed.
They know that they don't know,
With their minds closed.
They know that they don't know,
With their minds closed.
And spread those rumors made to fit,

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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Orlando Furioso Canto 5

ARGUMENT
Lurcanio, by a false report abused,
Deemed by Geneura's fault his brother dead,
Weening the faithless duke, whom she refused,
Was taken by the damsel to her bed;
And her before the king and peers accused:
But to the session Ariodantes led,
Strives with his brother in disguise. In season
Rinaldo comes to venge the secret treason.

I
Among all other animals who prey
On earth, or who unite in friendly wise,
Whether they mix in peace or moody fray,
No male offends his mate. In safety hies
The she bear, matched with hers, through forest gray:
The lioness beside the lion lies:
Wolves, male and female, live in loving cheer;
Nor gentle heifer dreads the wilful steer.

II
What Fury, what abominable Pest
Such poison in the human heart has shed,
That still 'twixt man and wife, with rage possessed,
Injurious words and foul reproach are said?
And blows and outrage hase their peace molest,
And bitter tears still wash the genial bed;
Not only watered by the tearful flood,
But often bathed by senseless ire with blood?

III
Not simply a rank sinner, he appears
To outrage nature, and his God to dare,
Who his foul hand against a woman rears,
Or of her head would harm a single hair.
But who what drug the burning entrail sears,
Or who for her would knife or noose prepare,
No man appears to me, though such to sight
He seem, but rather some infernal sprite.

IV
Such, and no other were those ruffians two,
Whom good Rinaldo from the damsel scared,
Conducted to these valleys out of view,
That none might wot of her so foully snared.
I ended where the damsel, fair of hue,
To tell the occasion of her scathe prepared,
To the good Paladin, who brought release;
And in conclusion thus my story piece.

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Political Assassination Publically Justified

“Friends, Romans, countrymen, lend me your ears”
such emotionally charged rhetoric written in iambic
pentameter; reminds of times without hearing aids
when microphone television did not aid cause politic.

Yes Antony here plays mocking Brutus, saying that
maybe his speech was too 'cerebral' for the crowd.
Let us not beat around the bush in politics agendaed
politic proclaim “So are they all, all honourable men”.

A portion of the speech 'But Brutus was an honourable
man' is referenced in an opening scene of the West Wing;
which reminds of honourable times without hearing aids
when microphone television did not edit amplify a plot.

“O judgment! thou art fled to brutish beasts,
And men have lost their reason. Bear with me; ”
recall words 'Enemies Foreign and Domestic'
remind in war on terror of threatening all abodes.

Brutus too had previously delivered politic speech,
in which Brutus proud claimed that the murder had;
been done in name of public freedom clever speech,
evil lives while good is oft interred with slain bones.


The opening quotation of this poem is the famous first line of the often-quoted speech by Mark Antony, in the play Julius Caesar, by William Shakespeare. The first three words fit into the rule of three technique.
The second quotation also alludes to the theme of a speaker and the power of a good speech to convince an audience of a specific political point of view. Note the turn of the word honourable to mean dishonourable in Mark Anthony’s speech and beware those who speak of us as Honourable Friends.

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Absolute Zero

Can we begin at the end?
To Save Some time
Bags and our War Planes are Gathered
The Clock is ticking you have no authority
Float like a dead man down the river
And there are no streets in this air.....
Etcetera is my worst enemy
Its wrong and I know
And I will go
To the Big Hand of the God Damned
The Middle Ground is Absolute Zero
What Can be found at Absolute Zero?
Can We Begin at the end?
To Save some time
Etcetera is my worst enemy
Its wrong and I know
And I will go
To the big hand of the God Damned
The Big Hand of the Small Man
The Middle Gorund is Absolute Zero
What can be found at Absolute Zero?
A Happy End is Absolute Zero
Nobody Wins at absolute Zero......
What's That?
Nothing
What's That?
Nothing
Nothing
Nothing

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Gotham - Book II

How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;

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You're No God

Dark rewrite of the Linda Ronstadt classic You're No Good

Written for the antichrist whoever they may be

Feeling bitter, now that you know to me you'll never get through
Feeling bitter 'cause I just won't
I just won't give in to you
I learned my real savior's lesson
I gladly bear the scars of his cross
Turning my back on you
Just like he ask me to
Cause through my faith in him
I've seen you for who you really are

You're no God
You're no God
You're no God
False prophet, you're no God
I'm gonna sing it again
Till this whole falling apart world knows
You're no God
You're no God
You're no God
False prophet, you're no God
No God
No God of mine

You wanna steal away a lamb from his flock that's good and pure
Well, I won't throw my soul away
No, not over a devil like you
Someday forced to repent
Repent for your sins
You'll be forced to beg his forgivness on bended knee
Oh, I would't blame him if he ask me to sing
Ask me to sing to you

You're no God
You're no God
You're no God
False prophet, you're no God
I'm gonna sing it again
Till all turn away from your dark light
You're no God
You're no God
You're no God
False prophet, you're no God

I'm telling you now, false messiah
As I'm sending you away
Far, far away from me

[...] Read more

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Rumors and Lies

Rumors and Lies
Rumors and Lies
Humor no longer there
Wondering how you can bare
Going through the day like you just dont care
Rumors and Lies
Rumors and Lies
You hide in the bathroom
So no one sees you cry
Tears streaming down your face
Wondering how you got to this place...

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Its Not True

Its not true
Its not true
You say Ive been in prison
You say Ive been in prison
You say Ive got a wife
You say Ive got a wife
You say Ive had help doing
You say Ive had help doing
Everything throughout my life
Everything throughout my life
Chorus:
Chorus:
Its not true, its not true
Its not true, its not true
Im telling you
Im telling you
cause Im up here and youre nowhere
cause Im up here and youre nowhere
Its not true, so there
Its not true, so there
I havent got eleven kids
I havent got eleven kids
I werent born in baghdad
I werent born in baghdad
Im not half-chinese either
Im not half-chinese either
And I didnt kill my dad
And I didnt kill my dad
(chorus)
(chorus)
If you hear more rumors
If you hear more rumors
You can just forget them too
You can just forget them too
Fools start the rumors
Fools start the rumors
None of them are true
None of them are true
(chorus)
(chorus)
You say Ive been in prison
You say Ive been in prison
You say Ive got a wife
You say Ive got a wife
You say Ive had help doing
You say Ive had help doing
Everything throughout my life
Everything throughout my life
I havent got eleven kids
I havent got eleven kids

[...] Read more

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

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